ISBN:
9781315090986
,
9781351557726
Language:
English
Pages:
1 online resource (x, 222 pages)
Series Statement:
The library of essays on music, politics and society
Parallel Title:
Erscheint auch als
DDC:
306.4842
Keywords:
Music Social aspects
;
Music Psychological aspects
;
Gender identity in music
;
Sex role in music
Abstract:
part Part I Gender and Sexuality -- chapter 1 Todd M. Borgerding (2002), 'Sic ego te dilegebam: Music, Homoeroticism, and the Sacred in Early Modern Europe', in Todd Borgeding (edition), Gender, Sexuality and Early Music, New York and London: Routledge, pp. 249-63 -- chapter 2 Suzanne G. Cusick (1996), 'On a Lesbian Relationship with Music: A Serious Effort Not to Think Straight', in Philip Brett, Elizabeth Wood and Gary C. Thomas (eds), Queering the Pitch: The New Gay and Lesbian Musicology, New York and London: Routledge, pp. 67-83 -- chapter 3 Freya Jarman-Ivens (2011), 'Introduction: Voice, Queer, Technologies', in Queer Voices: Technologies, Vocalities, and the Musical Flaw, New York: Palgrave MacMillan, pp. 1-24 -- chapter 4 Fred Everett Maus (1993), 'Masculine Discourse in Music Theory', Perspectives of New Music, 31, pp. 264-93 -- chapter 5 Susan McClary (1991), 'Introduction: A Material Girl in Bluebeard's Castle', in Feminine Endings: Music, Gender and Sexuality, Minneapolis: University of Minnesota Press, pp. 3-34 -- chapter 6 Henry Spiller (2007), 'Negotiating Masculinity in an Indonesian Pop Song: Doel Sumbang's -- part Part II Race -- chapter 7 Deborah Pacini Hernandez (1998), 'Dancing with the Enemy: Cuban Popular Music, Race, Authenticity, and the World-Music Landscape', Latin American Perspectives, 25, pp. 110-25 -- chapter 8 Josh Kun (2005), 'The Yiddish Are Coming', in Audiotopia: Music, Race, and America, Berkeley and Los Angeles: University of California Press, pp. 48-85 -- chapter 9 Russell A. Potter (1995), -- chapter 10 Katie Trumpener (2000), 'Béla Bartók and the Rise of Comparative Ethnomusicology: Nationalism, Race Purity, and the Legacy of the Austro-Hungarian Empire', in Ronald Radano and Philip V. Bohlman (eds), Music and the Racial Imagination, Chicago: University of Chicago Press, pp. 403-34 -- part Part III Social Identities -- chapter 11 Philip V. Bohlman (1996), 'The Final Borderpost', The Journal of Musicology, 14, pp. 427-52 -- chapter 12 Tak Wing Chan and John H. Goldthorpe (2007), 'Social Stratification and Cultural Consumption: Music in England', European Sociological Review, 23, pp. 1-19 -- chapter 13 Anahid Kassabian (2001), 'At the Twilight's Last Scoring', in Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, New York and London: Routledge, pp. 91-116 -- chapter 14 George Lipsitz (1994), 'That's My Blood Down There', in Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, London and New York: Verso, pp. 69-93 -- chapter 15 Alex Lubet (2010), 'Losing. My Religion: Music, Disability, Gender, and Jewish and Islamic Law', in Music, Disability, and Society, Philadelphia: Temple University Press, pp. 89-133 -- chapter 16 Bode Omojola (2009), 'Politics, Identity, and Nostalgia in Nigerian Music: A Study of Victor Olaiya's Highlife', Ethnomusicology, 53, pp. 249-76 -- chapter 17 Anne K. Rasmussen (2001), 'The Qur'ń in Indonesian Daily Life: The Public Project of Musical Oratory', Ethnomusicology, 45, pp. 30-57 -- chapter 18 Martin Stokes (2004), 'Music and the Global Order', Annual Review of Anthropology, 33, pp. 47-72.
DOI:
10.4324/9781315090986
Permalink
