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  • 1
    ISBN: 9780821443040 , 0821443046
    Language: English
    Pages: Online Ressource (xxv, 290 pages) , illustrations.
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Online-Ausg. [S.l.] : HathiTrust Digital Library
    Series Statement: New African histories series
    Parallel Title: Erscheint auch als Moorman, Marissa Jean Intonations
    DDC: 306.48423096732
    Keywords: Music Social aspects ; Angola ; Luanda (Luanda) ; Music Political aspects ; Angola ; Nationalism in music ; Music Political aspects ; Music Social aspects ; Music Political aspects ; Angola ; Music Social aspects ; Angola ; Luanda (Luanda) ; Nationalism in music ; Music ; Social aspects ; Musik ; Musikleben ; Angola ; popular music ; musicians ; nationalism ; social history ; 1950-1999 ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; SOCIAL SCIENCE ; Popular Culture ; Music and war ; Music ; Political aspects ; History ; Angola History ; Music and the revolution ; Revolution, 1961-1975 ; Angola History ; Music and the war ; Civil War, 1975-2002 ; Luanda ; Angola ; Bürgerkrieg ; Angola ; Angola History Civil War, 1975-2002 ; Music and the war ; Angola History Revolution, 1961-1975 ; Music and the revolution ; Angola History ; Music and the revolution ; Revolution, 1961-1975 ; Angola History ; Music and the war ; Civil War, 1975-2002 ; Luanda ; Angola ; Bürgerkrieg ; Angola ; Angola ; Angola ; Bürgerkrieg ; Angola ; Luanda (City) ; Angola ; Luanda ; Electronic books ; Electronic books
    Abstract: Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans for
    Abstract: Musseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s.
    Note: Includes bibliographical references (p. 255-273) and index. - Description based on print version record , Description based on print version record , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Online-Ausg. [S.l.] : HathiTrust Digital Library , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 2
    Media Combination
    Media Combination
    Athens, Ohio : Ohio Univ. Press
    ISBN: 9780821418239 , 9780821418246 , 0821418238 , 0821418246
    Language: English
    Series Statement: New African histories series
    DDC: 306.4/8423096732
    Keywords: Geschichte 1945-1990 ; Musik ; Bürgerkrieg in Angola ; Musikleben ; Luanda ; Angola
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  • 3
    ISBN: 0821443046 , 9780821443040
    Language: English
    Pages: 1 Online-Ressource (xxv, 290 pages)
    Series Statement: New African histories series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423096732
    RVK:
    RVK:
    Keywords: Geschichte 1945-1990 ; Geschichte 1945-1990 ; Musik ; Musikleben ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Gesellschaft ; Musik ; Politik ; Music Social aspects ; Music Political aspects ; Nationalism in music ; Bürgerkrieg in Angola ; Musikleben ; Musik ; Luanda ; Angola ; Luanda ; Musik ; Geschichte 1945-1990 ; Angola ; Musikleben ; Geschichte 1945-1990 ; Bürgerkrieg in Angola ; Musikleben
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 255-273) and index , Musseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    ISBN: 9780821418246 , 9780821418239
    Language: English
    Pages: xxv, 290 Seiten
    Additional Material: 1 Audio-CD
    Series Statement: New African histories
    DDC: 306.48423096732
    RVK:
    Keywords: Music Social aspects ; Angola ; Luanda (Luanda) ; Music Political aspects ; Angola ; Nationalism in music ; Angola History ; Music and the revolution ; Revolution, 1961-1975 ; Angola History ; Music and the war ; Civil War, 1975-2002
    Abstract: Musseques and urban culture -- In the days of bota fogo : culture and the early nationalist struggle, 1947/61 -- Dueling bands and good girls : gender and music in Luanda's musseques, 1961/75 -- "Ngongo jami" (my suffering) : lyrics, daily life, and social space, 1956/74 -- Radios, turntables, and vinyl : technology and the imagined community, 1961/75 -- The hiatus : music, dissent, and nation building after independence, 1975/90s
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9780821423707 , 9780821423691
    Language: English
    Pages: xxi, 257 Seiten
    Series Statement: New African histories
    DDC: 302.2344096730904
    Keywords: Radio in politics History 20th century ; Colonists ; National liberation movements ; Angola History 20th century ; Angola Politics and government 20th century ; Angola ; Ost-West-Konflikt ; Rundfunk ; Geschichte 1931-2002
    Abstract: Sonic Colony: Whiteness, Fast Cars, and Modernity, 1931-74 -- Guerrilla Broadcasters and the Unnerved Colonial State in Angola, 1961-74 -- Electronic Warfare: Radio and Counterinsurgency, 1961-74 -- Nationalizing Radio: Socialism and Sound at Radio Nacional de Angola, 1974-92 -- "Angola: The Firm Trench of the Revolution in Africa!": Our Anti-Imperialism, Your Cold War, 1975-92 -- Radio Vorgan: A Rebel Voice from Jamba, 1985-97 -- Epilogue. Jamming
    Abstract: "Radio technology and broadcasting played a central role in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. Moorman details how settlers, the colonial state, African nationalists, and the postcolonial state all used radio to project power, while the latter employed it to challenge empire"--
    Note: Includes bibliographical references and index
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