Note: Works 1988-2015 ist Titel des Schubers und zugleich Titel eines Bandes , Vorwort im 1. Teil: "The publication (...) is divided in three volumes. The first contains analytical, in-depth essays, organized thematically around several specific aspects of Abdessemed's work. The second is the provisional catalogue raisonné of the works from 1995 to 2015, with the inclusion of only two works made in Algeria prior to the artist's arrival in France. (...) The third volume is an album of darings (...)"

Note: Includes bibliographical references (pages 397-416)

Note: ISBN vom Schuber

Note: Titel des Behältnisses, in dem sich Bücher und CD's befanden , Zusätzlicher Text auf Behältnis: Including 10 CD's Arabic, English and French documentation

Note: Ungezählte Beilage: Beilage , Ausgaben erscheinen jeweils zum Wintersemester und Sommersemester

Note: Aus dem Chines. übers

Note: Titel des Behältnisses, in dem sich Bücher und CD's befanden , Zusätzlicher Text auf Behältnis: Including 10 CD's Arabic, English and French documentation

Note: "The selected papers were published between 1979 and 2015"--Front flap, volume 1

Note: Titel des Behältnisses, in dem sich Bücher und CD's befanden , Zusätzlicher Text auf Behältnis: Including 10 CD's Arabic, English and French documentation

Note: Remastered to 20-bit digital from the original field recordings

Note: Includes bibliographical references

Note: Erscheint auch als statische Ausgabe

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Includes bibliographical references and index , Front Matter -- Preliminary Material -- Copyright Page -- Acknowledgements -- Illustrations -- Japanese Periods and Eras -- Notes on the Text -- Notes on Contributors -- Map of Japan -- Introduction: Japanese Music in the Modern Era / , English

Note: "First published on the occasion of the exhibition 'Entangled pasts, 1768-now: art colonialism and change', Royal Academy of Arts, London, 3 February - 28 April 2024"

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Impressum: "Diese Publikation erscheint im Rahmen der Ausstellung 'It's all about collecting ... Expressionismus, Museum, Kolonialismus. Die Sammlung Horn zu Gast in Halle (Saale)' im Kunstmuseum Moritzburg Halle (Saale), 17. März 2024 - 23. Juni 2024"

Note: Literaturangaben

Note: Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references

Note: English

Note: Verspiegelung und Farblasur hinter Glas : technologische Aspekte chinesischer Hinterglasmalerei , "Schöne Frauen" in China bis zum Ende der Kaiserzeit

Note: "Our work on the second edition of this book has started in 2020. Its first edition, published in 2015, was a largely expanded successor of the German book “Einführung in Computational Social Choice: Individuelle Strategien und kollektive Entscheidungen beim Spielen, Wählen und Teilen” [822], published by Spektrum Akademischer Verlag in 2011." - Seite ix

Note: Title from publisher's bibliographic system (viewed on 24 Feb 2023)

Note: Previously issued in print: 2008. - Includes bibliographical references and index

Note: Also issued in print: 2023. - Includes bibliographical references and index

Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective

Note: Einführungstexte englisch, Bildlegenden englisch und Hindi, in Devanagari-Schrift

Note: Description based on publisher supplied metadata and other sources

Note: Editorial: executive director and publisher, Alysa Procida; editorial director, Britt Gallpen; deputy director, Sue Carter; associate editor, Napatsi Folger; associate editor, Lisa Frenette; associate editor, Jessica MacDonald; assistant editor, Leanne Inuarak-Dall; assistant editor, Rachel Taylor; contributing editor, Bronson Jacque , Indexed in the Native American Artists Resource Collection Online, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, Arizona, at the artist name level (April 2, 2023) , Kenojuak Ashevak Memorial Award 2023 longlist , Manasie Akpaliapik , Deantha Edmunds , Billy Gauthier , Glenn Gear , Maureen Gruben , Gayle Uyagaqi Kabloona , Kablusiak , Gloria Inugaq Putumiraqtuq , Ningiukulu Teevee , Couzyn van Heuvelen -- Foundations and futures: Kenojuak Ashevak, Laakuluk Williamson Bathory, Tarralik Duffy , Kenojuak Ashevak, CC, ONu, RCA (1927-2013) , Laakkuluk Williamson Bathory and Tarralik Duffy

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references. - Description based on print version record

Note: Also issued in print: 2023. - Includes bibliographical references and index

Note: Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05) , Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

Note: Description based on publisher supplied metadata and other sources

Note: Ausstellungsdaten der Dresdner Ausstellung im Internet ermittelt: "Kaleidoscope of (Hi)stories. Ukrainian Art 1912–2023", 06/05/2023—10/09/2023 , Seite 134: This book is published to accompany the eponymous exhibition in Museum de Fundatie Zwolle from October 14, 2023 to January 28, 2024

Note: Impressum: "Diese Publikation erscheint anlässlich der Ausstellung 'Ernst Ludwig Kirchner - Stationen. Internationale Tage Ingelheim', Kunstforum Ingelheim - Altes Rathaus 30. April-9. Juli 2023"

Note: Description based on publisher supplied metadata and other sources

Note: Description based on publisher supplied metadata and other sources

Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /