ABSTRACT

The Routledge Companion to Ethics and Research in Ethnomusicology is an in-depth survey of the moral challenges and imperatives of conducting research on people making music. It focuses on fundamental and compelling ethical questions that have challenged and shaped both the history of this discipline and its current practices. In 26 representative cases from across a broad spectrum of geographical, societal, and musical environments, authors collectively reflect on the impacts of ethnomusicological research, exploring the ways our work may instantiate privilege or risk bringing harm, as well as the means that are available to provide recognition, benefit, and reciprocation to the musicians and others who contribute to our studies. In a world where differing ethical values are often in conflict, and where music itself is meanwhile a powerful tool in projecting moral claims, we aim to uncover the conditions and consequences of the ethical choices we face as ethnomusicologists, thereby contributing to building a more engaged, restructured discipline and a more globally responsible music studies. The volume comprises four parts: (1) sound practices and philosophies of ethics; (2) fieldwork encounters; (3) environment, trauma, collaboration; and (4) research in public domains.

part |15 pages

Introduction

chapter 1|13 pages

Ethics in Ethnomusicological Research

2Historical Perspectives, Emergent Challenges

part I|83 pages

Sound Practices and Philosophies of Ethics

chapter 2|2 pages

Introduction

Sound Practices and Philosophies of Ethics

chapter 5|16 pages

Double the Danger in Writing

Toward Feminist and Decolonial Response-Abilities in Ethnomusicology

part II|81 pages

Fieldwork Encounters

chapter 9|2 pages

Introduction

Fieldwork Encounters

chapter 11|12 pages

Standing with

Ethnomusicologists as Industry Colleagues in the Field

chapter 13|12 pages

Don't Be Like the Jebarra

Reconsidering the Ethics of Ethnomusicological Practice in an Indigenous Australian Context

chapter 15|9 pages

Becoming Family

A Female Ethnomusicologist Contemplates Fieldwork in Central Asia

chapter 16|12 pages

“I Hope God Blesses You with a Beautiful Wife”

Negotiating Heteronormative Research Spaces as a Gay Man

part III|73 pages

Environment, Trauma, Collaboration

chapter 17|2 pages

Introduction

Environment, Trauma, Collaboration

chapter 19|10 pages

Mining for Music

Ethical Entanglements in Lihir, Papua New Guinea

chapter 20|12 pages

Between the Cracks

Navigating Trauma as an Ethnomusicologist

chapter 21|12 pages

Collaborative Video-Making with Young Women in Ethiopia

Responding to Violence, Exploring Challenges, Demonstrating Resistance

chapter 22|10 pages

Ethics vs. Ethnic Issues

Negotiating a Fieldworker's Status in Xinjiang

chapter 23|13 pages

Arts, Organizations, and Ethnomusicology

Ethical Considerations in the Contexts of Health and Development Work

part IV|69 pages

Research in Public Domains

chapter 24|2 pages

Introduction

Research in Public Domains

chapter 25|14 pages

“The West and the Rest”

Power (Im)Balances in Musical Museum Spaces

chapter 26|12 pages

Unsettling the Score

The Case of Naačnaača

chapter 28|13 pages

Images beyond Consent

Developing an Ethics of Ciné-Ethnomusicology

chapter 29|14 pages

“A Week from Now, Will I Remember? Maybe…Maybe not”

Navigating Ethics in the Production of Student-Made Films about Music and Dementia

part V|13 pages

Afterword

chapter 30|11 pages

Afterword

Complicating the Conversation about Ethics in the Pluriverse