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  • English  (916)
  • Unterhaltungsmusik  (393)
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  • Musicology  (916)
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Keywords
  • 1
    Language: English
    RVK:
    Keywords: Musikethnologie
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  • 2
    Language: English
    DDC: 780.89
    RVK:
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    Keywords: Applied ethnomusicology ; Musikethnologie ; Angewandte Musikwissenschaft
    Note: Includes bibliographical references and index
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  • 3
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
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    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 4
    Journal/Serial
    Journal/Serial
    [Cambridge] : Cambridge University Press | New York, NY : Council | Los Angeles, Calif. : [Verlag nicht ermittelbar] | Canberra, ACT : The International Council For Traditional Music | Ljubljana, Slovenia : International Council for Traditional Music | Vienna, Austria : International Council for Traditional Music ; 13.1981(1982) -
    Show associated volumes/articles
    ISSN: 0740-1558 , 2304-3857 , 2304-3857
    Language: English
    Dates of Publication: 13.1981(1982) -
    Parallel Title: Erscheint auch als Yearbook for traditional music
    Former Title: Vorg. International Folk Music Council Yearbook / International Folk Music Council, Copenhagen
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Volksmusik ; Musikethnologie
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  • 5
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Show associated volumes/articles
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 6
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 7
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
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  • 8
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 9
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
    RVK:
    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 10
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Language: English
    Pages: XII, 219 Seiten
    Parallel Title: Online version Ethnomusicology and its intimacies
    RVK:
    Keywords: Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Abstract: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Description / Table of Contents: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Note: 2312
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  • 11
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 12
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 13
    ISBN: 9783990129807
    Language: English
    Pages: X, 242 Seiten , 24 cm x 17 cm
    Series Statement: Beiträge zur Jazzforschung 16
    Series Statement: Beiträge zur Jazzforschung
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 14
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Language: English
    Pages: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Series Statement: Bloomsbury handbooks
    Series Statement: Bloomsbury collections
    Parallel Title: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Keywords: Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Abstract: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
    RVK:
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    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 17
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 18
    Online Resource
    Online Resource
    New York ; London : Routledge
    ISBN: 9781003043904
    Language: English
    Pages: 1 Online-Ressource (xvii, 349 Seiten)
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Language: English
    Pages: XVII, 349 Seiten , Illustrationen
    Series Statement: Routledge music companions
    Parallel Title: Äquivalent
    DDC: 780.89
    RVK:
    Keywords: Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Description / Table of Contents: Includes bibliograpical references and index
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  • 21
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9783832556280
    Language: English
    Pages: xiv, 204 Seiten , Illustrationen
    Series Statement: Musikkulturen im Fokus Band 3
    Series Statement: Musikkulturen im Fokus
    Uniform Title: Preserving traditional music in South Asia
    Dissertation note: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
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    Keywords: Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Note: Titel der Dissertation: Preserving traditional music in South Asia
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  • 23
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 24
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 25
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837666434 , 3837666433
    Language: English
    Pages: 206 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 348 g
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Musikethnologie ; Actor-Network-Theory ; Klang ; Geräusch ; Lärm ; Urbanität ; Sound Studies ; Stadtforschung ; Autoethnografie ; Stadt ; Wien ; Soundscapes ; Sensory Experiences ; Ethnography ; Urban Research ; Affect ; City ; Sound ; Life ; Urban Studies ; Space ; Sociology of Culture ; Sociology ; Stadtforschung ; Klang ; Sound Studies ; Urbanität ; Actor-Network-Theory ; Musikethnologie ; Stadt ; Geräusch ; Lärm ; Wien ; Stadtforschung ; Klang ; Urbanität ; Autoethnografie
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  • 26
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252086441 , 9780252044373
    Language: English
    Pages: X, 293 Seiten , Illustrationen, Karten (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 306.484229423
    RVK:
    Keywords: Klang ; Musikethnologie ; Musiksoziologie ; Volksmusik ; Mongolei ; Music / Social aspects / Mongolia ; Music / Social aspects / China / Inner Mongolia ; Music / Mongolia / History and criticism ; Music / China / Inner Mongolia / History and criticism ; Mongols / Music / History and criticism ; Mongols / Music ; Music ; Music / Social aspects ; China / Inner Mongolia ; Mongolia ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mongolei ; Klang ; Volksmusik ; Mongolei ; Musiksoziologie ; Musikethnologie
    Abstract: "Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
    Description / Table of Contents: Introduction. Mongolian Sound Worlds : Opening Snapshots / Sunmin Yoon -- PART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe / Oktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds / Jennifer C. Post -- PART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond / Tamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia / Charlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu / Sunmin Yoon ; Gendered Musicality in the Altai Mountains / Rebekah Plueckhahn -- PART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition / Bayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History / Peter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces / Otgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia / Jennifer C. Post -- PART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview / Andrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present / Johanni Curtet ; Mongolian Music, Globalization, and Nomadism / Andrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music / Peter K. Marsh
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  • 27
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 28
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 29
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226819167 , 9780226819143
    Language: English
    Pages: 248 Seiten , Illustrationen (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Hip-Hop ; Rap ; Religion ; Rap (Music) / Religious aspects ; Rap (Music) / History and criticism ; Hip-hop / United States / Religious aspects ; Popular music / Latin America / History and criticism ; Musique populaire / Amérique latine / Histoire et critique ; Hip-hop / Religious aspects ; Popular music ; Rap (Music) ; Latin America ; United States ; Criticism, interpretation, etc ; Hip-Hop ; Rap ; Religion
    Abstract: "The world of hip-hop is saturated with religion, but often this element is glossed over as secondary to hip-hop's other dimensions. In Street Scriptures, Alejandro Nava focuses our attention on this relationship in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. The result is a journey through hip-hop's deep entanglement with the sacred. Street Scriptures examines the reasons behind the rise of a religious heartbeat in hip-hop, looking at the crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, aesthetic-spiritual, and prophetic in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest"--
    Description / Table of Contents: A street theology: between God and hip-hop -- A brief sonic history of hip-hop -- Prophets and emcees: righteous rappers -- The return of God in hip-hop: Kendrick Lamar's street theology -- The dirty Latin South: breaking, reggaeton, and the rise of the global South -- Native tongues
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  • 30
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 31
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 32
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781003168751
    Language: English
    Pages: 1 Online-Ressource (397 Seiten)
    Edition: Fifth edition
    Series Statement: Routledge key guides
    Uniform Title: Key concepts in popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6403
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    Keywords: Popular music Encyclopedias ; Unterhaltungsmusik ; Popmusik ; Wörterbuch ; Popmusik ; Unterhaltungsmusik
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  • 33
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
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    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 34
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 35
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 36
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 37
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501393433
    Language: English
    Pages: xvi, 594 Seiten , Illustrationen
    RVK:
    Keywords: Unterhaltungsmusik ; Soziale Klasse
    Note: Literaturangaben
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  • 38
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503631687 , 9781503630567
    Language: English
    Pages: XVII, 300 Seiten , Illustrationen
    DDC: 781.63096
    RVK:
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    Keywords: Juden ; Muslim ; Unterhaltungsmusik ; Musikproduktion ; Musikwirtschaft ; Nordafrika
    Note: Includes bibliographical references
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  • 39
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 40
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
    RVK:
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 41
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 42
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
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    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 43
    Language: English
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 44
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138336032 , 9781138336025
    Language: English
    Pages: xiii, 281 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1920-2019 ; Musikleben ; Unterhaltungsmusik ; Irland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Irland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1920-2019
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  • 45
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 46
    Book
    Book
    New York ; London : Roputledge, Taylor & Francis Group
    ISBN: 9780367228903 , 9780367228910
    Language: English
    Pages: xv, 260 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Musikleben ; Unterhaltungsmusik ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1950-2020
    Abstract: Made in Finland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Finland. The volume consists of essays by leading scholars in the field, and covers the major figures, styles, and social contexts of popular music in Finland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Emerging Foundations of Popular Music in Finland; Environments, Borderlines, Minorities; Transnationalisms; and Redefining Finnishness
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  • 47
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346743
    Language: English
    Pages: x, 265 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Musikethnologie ; Musikbogen ; Südafrika ; Aufsatzsammlung ; Aufsatzsammlung ; Südafrika ; Musikethnologie ; Musikbogen
    Note: Angekündigt unter: Southern African bow music
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  • 48
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 49
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 50
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (280 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology ; Ethnomusicology / Methodology ; Wissenschaftsethik ; Musikethnologie ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
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    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197526729
    Language: English
    Pages: 1 Online-Ressource (288 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Ethnomusicologists / Vocational guidance ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie
    Abstract: 'Voices of the Field' provides a reflection on the challenges, opportunities, and often overlooked importance of public ethnomusicology, capturing the authors' years of experience simultaneously navigating the academic world and the world outside academia, and sharing lessons often missing in ethnomusicological training
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    Online Resource
    Online Resource
    Amsterdam : IIAS / Amsterdam University Press
    ISBN: 9789048508112
    Language: English
    Pages: 1 Online-Ressource (336 Seiten)
    Series Statement: IIAS publications series
    Series Statement: 4
    Parallel Title: Erscheint auch als
    DDC: 792.0959
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    Keywords: Music / Oceania / History and criticism ; Performing arts / Southeast Asia ; Performing arts / Oceania ; Music / Southeast Asia / History and criticism ; Musikethnologie ; Kulttanz ; Südostasien ; Ozeanien ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Ozeanien ; Musikethnologie ; Kulttanz
    Abstract: 〈div〉〈p〉In Austronesia' the region that stretches from Madagascar in the west to Easter Island in the east-music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, 〈i〉Austronesian Soundscapes〈/i〉 will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.〈/p〉〈/div〉
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021) , Southeast Asia. Creating places through the soundscape : a Kalinga peace pact celebration / Glenn Stallsmith ; Sundanese dance as practice or spectacle : it's all happening at the zoo / Henry Spiller ; Malay-Islamic zapin : dance and soundscapes from the Straits of Malacca / Mohd Anis Md Nor ; The contemporary musical culture of the Chinese in Sabah, Malaysia / David T.W. Wong ; To sing the rice in Tanjung Bunga (eastern Flores), Indonesia / Dana Rappoport -- Madagascar. Tromba children, maresaka, and postcolonial malady in Madagascar / Ron Emoff -- Oceania. Fractals in Melanesian music / Raymond Ammann ; 'Singing spirits and the dancing dead' : sonic geography, music and ritual performance in a Melanesian community / Paul Wolffram ; Breaking the tikol? : code-switching, cassette culture a Lihirian song form / Kirsty Gillespie ; Fijian sigidrigi and the performance of social hierarchies / Jennifer Cattermole ; Tauʼaʼalo : paddling songs as cultural metaphor / Adrienne L. Kaeppler ; Disconnected connections : Puerto Rican diasporic musical identity in Hawaiʼi / Ted Solís ; Performing Austronesia in the twenty-first century : a Rapa Nui perspective on shared culture and contact / Dan Bendrups ; 'To sing is to be happy' : the dynamics of contemporary Maori musical practices / Toon van Meijl ; Australian indigenous choices of repertoire in community CDs/DVDs : recording and reclaiming Torres Strait Islander sacred and secular music / Karl Neuenfeldt
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    ISBN: 9783844078947 , 3844078940
    Language: English
    Pages: V, 160 Seiten , Illustrationen
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 27
    Series Statement: Grazer Beiträge zur Ethnomusikologie
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    Keywords: Musikästhetik ; Musikethnologie ; Musikästhetik ; Ethnomusikologie ; Ethnomusicology ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Musikethnologie ; Musikästhetik
    Note: Beiträge des Symposiums "Ethnoaesthetics of Music. Concepts, Criteria , Case Studies" (02.05.2019-04.05.2019, Graz)
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  • 55
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
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    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 56
    ISBN: 9783844078947 , 3844078940
    Language: English
    Pages: v, 160 Seiten , Illustrationen , 24 cm x 17 cm, 349 g
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 27
    Series Statement: Grazer Beiträge zur Ethnomusikologie
    DDC: 781.17
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    Keywords: Musikästhetik ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Musikästhetik ; Musikethnologie ; Musikästhetik
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  • 57
    Online Resource
    Online Resource
    Singapore : Springer
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
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    DDC: 306
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    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 59
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
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    Angaben zur Quelle: 1
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    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 60
    Online Resource
    Online Resource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676193
    Language: English
    Pages: 1 Online-Ressource (vii, 260 Seiten)
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
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    DDC: 301
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    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Weißsein ; Nationalismus ; Soziologie ; Ethnizität ; Rassismus ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Heavy Metal ; Ethnizität ; Soziologie ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676186
    Language: English
    Pages: vii, 260 Seiten
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    RVK:
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    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Soziologie ; Weißsein ; Nationalismus ; Rassismus ; Ethnizität ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie ; Heavy Metal ; Ethnizität ; Soziologie
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 62
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 63
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 66
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 67
    ISBN: 9781138336025 , 9781138336032
    Language: English
    Pages: xiii, 281 Seiten , Illustrationen
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.66094150904
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    Keywords: Geschichte 1920-2019 ; Unterhaltungsmusik ; Musikleben ; Irland ; Aufsatzsammlung
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  • 68
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 69
    ISBN: 9781793639004 , 9781793638984
    Language: English
    Pages: ix, 161 Seiten , Illustrationen
    Series Statement: Music, culture, and identity in Latin America
    DDC: 306.484226872064
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    Keywords: Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Note: Bibliography Seite 143-155
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  • 70
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 71
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 72
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 73
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Gypsy-Jazz ; Musikethnologie ; Frankreich ; Reinhardt, Django / 1910-1953 / Influence ; Jazz / Social aspects / France ; Romanies / Music / Social aspects / France ; Romanies / Music / Political aspects / France ; Romanies / France / Ethnic identity ; Music and race / France ; Musicians, Romani / France ; Jazz musicians / France ; Reinhardt, Django / 1910-1953 ; Influence (Literary, artistic, etc.) ; Jazz musicians ; Jazz / Social aspects ; Music and race ; Musicians, Romani ; Romanies / Ethnic identity ; France ; Frankreich ; Gypsy-Jazz ; Musikethnologie ; Geschichte
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 76
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 77
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 78
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 79
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 80
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 Seiten)
    Series Statement: Freiburger Studien zur Kulturanthropologie
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Unterhaltungsmusik ; Islam ; Jugendkultur ; Popkultur ; Musik ; Jugend ; Religiöse Identität ; Massenkultur ; Muslim ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Popkultur ; Massenkultur ; Musik ; Jugend ; Islam ; Jugendkultur ; Muslim ; Unterhaltungsmusik ; Religiöse Identität
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today's globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims
    Note: Online resource; title from title screen (viewed September 28, 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Book
    Book
    New York, New York : Oxford University Press
    ISBN: 9780197526699 , 9780197526682
    Language: English
    Pages: viii, 276 Seiten , Illustrationen (schwarz-weiß)
    RVK:
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    Keywords: Musikethnologie ; Ethnomusicology ; Ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie
    Abstract: Voices of the Field: Pathways in Public Ethnomusicology provides a reflection on the challenges, opportunities, and often overlooked importance of public ethnomusicology, capturing the authors' years of experience simultaneously navigating the academic world and the world outside academia, and sharing lessons often missing in ethnomusicological training
    Description / Table of Contents: Acknowledgments -- Introduction / León F. García Corona and Kathleen Wiens -- Prologue-Ethnomusicology Is What You Make It / Daniel Sheehy -- I. Different Work for Different Spaces. 1. The Meeting Room as Fieldwork Site: Toward an Ethnography of Power ​/ Huib Schippers -- 2. Running Things: Moving Parts and People ​/ Cullen Buckminster Strawn -- 3. Control, Contribute, Collaborate: Ethnomusicologists as Team Players ​/ Kathleen Wiens -- 4. Freelancing and Consulting: Strategic Preparations for a Long-​Term Professional Commitment in Public Sector Ethnomusicology ​/ Nancy Groce --
    Description / Table of Contents: II. Production and Methodology for Public-Facing Content. 5. Knowing How to Tell a Story ​/ Jeffrey A. Summit -- 6. Communication and Marketing: Building and Reaching Your Community / ​Marysol Quevedo -- 7. Sustainable Ethnomusicology: Technology, Marketing, and Revenue / ​León F. García Corona -- 8. Teaching World Music: Intersections of Music, Education, and Diversity ​/ Patricia Shehan Campbell -- 9. Curating the Virtual Museum: Public-​Facing Ethnomusicology and the "Curationist Moment" ​/ Jeff Janeczko --
    Description / Table of Contents: III. Forging New Paths for Ethnomusicologists. 10. Activate Ethnomusicology Everywhere ​/ Kathryn Metz -- 11. Rethinking the Engagement of Ethnomusicologists with Performance and Applied Music Curricula / Robin Moore -- 12. Navigating a Path Toward a Public-​Facing Career in Ethnomusicology / ​Meryl Krieger -- Epilogue-Envisioning Change Concluding Thoughts ​/ Anthony Seeger -- Index
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  • 82
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    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
    RVK:
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
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  • 83
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
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    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 84
    ISBN: 9783487159775 , 3487159775
    Language: German , English
    Pages: 479 Seiten , Illustrationen , 25 cm, 1060 g
    Parallel Title: Erscheint auch als Digginʼ Up Music - Musikethnologie als Baustelle
    DDC: 780.89
    RVK:
    RVK:
    Keywords: Musikethnologie ; Aufsatzsammlung ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Aufsatzsammlung ; Festschrift ; Festschrift ; Aufsatzsammlung ; Festschrift ; Aufsatzsammlung
    Note: Literaturangaben
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  • 85
    ISBN: 9780813574660
    Language: English
    Pages: vii, 179 Seiten , Illustrationen , 24 cm
    DDC: 330.09
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    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; New Jersey
    Note: Literaturangaben
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  • 86
    ISBN: 9780807169322
    Language: English
    Pages: xii, 302 Seiten , Illustrationen, Karten , 27 cm
    RVK:
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    Keywords: Geschichte ; Unterhaltungsmusik ; Musiker ; Louisiana ; Enzyklopädie
    Note: Literatur- und URL-Verzeichnis Seite 299-302 , Louisiana Musicians -- Notable Musicians Born outside Louisiana -- Prominent Record Producers by Region
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  • 87
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 88
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    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360124 , 9780815360131
    Language: English
    Pages: xi, 235 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.6409438
    RVK:
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    Keywords: Geschichte 1945-2018 ; Unterhaltungsmusik ; Polen ; Popular music / Poland / History and criticism ; Popular music / Social aspects / Poland / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Polen ; Unterhaltungsmusik ; Geschichte 1945-2018
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  • 89
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 90
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    Book
    [Los Angeles] : Michael Stradford
    ISBN: 9781647865573 , 1647865573
    Language: English
    Pages: xii, 200 Seiten , Illustrationen , 23 cm
    Edition: First edition
    RVK:
    Keywords: Davis, Miles ; Davis, Miles Clothing ; Davis, Miles ; Jazz musicians Biography ; Clothing and dress ; Jazz musicians ; Biographies ; Biographies ; United States ; Davis, Miles 1926-1991
    Abstract: "...examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more."--
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  • 91
    ISBN: 0367335700 , 9780367335700
    Language: English
    Pages: viii, 160 Seiten , 24 cm
    Series Statement: Ethnic and racial studies
    DDC: 781.63086912
    RVK:
    Keywords: Popular music Social aspects ; Immigrants ; Immigrants ; Popular music ; Social aspects ; Aufsatzsammlung ; Europa ; Nordamerika ; Einwanderer ; Unterhaltungsmusik
    Note: Includes bibliographical references and index
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  • 92
    Online Resource
    Online Resource
    London : Routledge Taylor & Francis Group
    ISBN: 9781315452333
    Language: English
    Pages: 1 Online-Ressource (xiii, 272 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409497
    RVK:
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    Keywords: Geschichte 1950-1989 ; Unterhaltungsmusik ; Jugoslawien ; Aufsatzsammlung ; Aufsatzsammlung ; Jugoslawien ; Unterhaltungsmusik ; Geschichte 1950-1989
    Note: Enthält Literaturverzeichnis und Filmographie Seite 255-258 und Literaturangaben
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
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    Book
    Amherst ; Boston : University of Massachusetts Press
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
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  • 94
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    Book
    New York ; London : Routledge Taylor & Francis Group
    ISBN: 9781138489530 , 9781138211735
    Language: English
    Pages: xiii, 272 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 1950-1989 ; Unterhaltungsmusik ; Jugoslawien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jugoslawien ; Unterhaltungsmusik ; Geschichte 1950-1989
    Note: Enthält Literaturverzeichnis und Filmographie Seite 255-258 und Literaturangaben
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  • 95
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    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 96
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    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 97
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    Book
    [Erscheinungsort nicht ermittelbar] : Jazz Internationale
    ISBN: 9781527278059 , 1527278050
    Language: English
    Pages: xxv, 345 Seiten , Illustrationen , 25 cm
    Edition: [Revised edition]
    RVK:
    Keywords: Russell, George ; Russell, George, - 1923-2009 ; Jazz musicians Biography. ; Composers Biography. ; Jazzmusiker ; Composers ; Jazz musicians ; Biographies ; United States ; Biografie
    Note: Previous edition: ©2010 , Includes bibliographical references and index
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 98
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 99
    ISBN: 9781781797594 , 9781781797587
    Language: English
    Pages: xii, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Transcultural music studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Immaterielles Kulturerbe ; Kulturgüterschutz ; Musikethnologie ; Unesco / Intangible Cultural Heritage Section ; Ethnomusicology ; Cultural property / Protection ; Intangible property / Protection ; Cultural property / Protection ; Ethnomusicology ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Musikethnologie ; Immaterielles Kulturerbe ; Kulturgüterschutz
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  • 100
    Book
    Book
    Bloomington, IN : Indiana University Press
    ISBN: 9780253049681
    Language: English
    Pages: X, 309 Seiten , Illustrationen
    RVK:
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    Keywords: Musikethnologie ; Musikanthropologie ; Musikanthropologie ; Musikethnologie
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