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  • English  (2,590)
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  • Musicology  (2,785)
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  • 1
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 2
    Media Combination
    Media Combination
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195170283 , 9780195170290 , 0195170288 , 0195170296
    Language: English
    DDC: 306.74/2/08621
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    Keywords: Courtesans History ; Cross-cultural studies ; Höfische Kunst ; Geschichte ; Höfische Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte
    Note: Includes bibliographical references and index; spätere Drucke ohne CD, Audiobeispiele nur mit Link und Zugangscode verfügbar
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  • 3
    Journal/Serial
    Journal/Serial
    Antwerpen [u.a.] : Soc. | Brussel : Soc. ; 1.1946/47 -
    Show associated volumes/articles
    ISSN: 0771-6788
    Language: Undetermined
    Dates of Publication: 1.1946/47 -
    Parallel Title: Online-Ausg. Revue belge de musicologie
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    Keywords: Geschichte ; Musikwissenschaft ; Musik ; Belgien ; Zeitschrift ; Zeitschrift
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  • 4
    Book
    Book
    [London] : Rogan House
    Language: English
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    Keywords: Biografie
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  • 5
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
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    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 6
    Journal/Serial
    Journal/Serial
    Brussel : Soc. | Antwerpen [u.a.] : Soc. ; 1.1946/47 -
    Show associated volumes/articles
    ISSN: 0771-6788
    Language: Undetermined
    Dates of Publication: 1.1946/47 -
    Parallel Title: Erscheint auch als Revue belge de musicologie
    DDC: 780
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    Keywords: Zeitschrift ; Musikwissenschaft ; Belgien ; Musik ; Geschichte ; Geschichte
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  • 7
    Language: English , German
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    Keywords: Carl Lindström GmbH ; Musikproduktion ; Unternehmensgeschichte ; Schallplattenindustrie ; Geschichte 1904-1972 ; Carl Lindström GmbH ; Geschichte ; Carl Lindström GmbH ; Carl Lindström GmbH ; Schallplatte ; Schallplattenindustrie ; Geschichte 1904-1972
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  • 8
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 9
    ISSN: 0072-0127
    Language: English
    Dates of Publication: Nr. 1.1948 -
    Parallel Title: Erscheint auch als Galpin Society The Galpin Society journal
    Former Title: Journal / The Galpin Society
    DDC: 780
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    Keywords: Zeitschrift ; Musikinstrumentenkunde ; Musikinstrument ; Geschichte
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 10
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 11
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 12
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 13
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 14
    Book
    Book
    London : Gallery Books UK
    ISBN: 9781398522527
    Language: English
    Pages: 277 Seiten
    DDC: 782.42164092
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    Keywords: Spears, Britney ; Biografie
    Abstract: The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice-her truth-was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey-and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love-and the importance of a woman telling her own story, on her own terms, at last.
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  • 15
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 16
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 18
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Language: English
    Pages: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Series Statement: Bloomsbury handbooks
    Series Statement: Bloomsbury collections
    Parallel Title: Erscheint auch als
    DDC: 781.64/112
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    Keywords: Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Abstract: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Language: English
    Pages: xi, 354 Seiten , Illustrationen
    Edition: Revised edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Abstract: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Description / Table of Contents: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 20
    ISBN: 9781793651853
    Language: English
    Pages: IX, 407 Seiten , Illustrationen , 24 cm
    Series Statement: Extreme sounds studies : global socio-cultural explorations
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 21
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
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    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 22
    Book
    Book
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Language: English
    Pages: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Scribner hardcover edition
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    Keywords: Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Abstract: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Description / Table of Contents: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 23
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
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    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 24
    ISBN: 978-0-5713-6218-9
    Language: English
    Pages: xiii, 372 Seiten ; , 24 cm.
    Parallel Title: Erscheint auch als
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    Keywords: Tutti, Cosey Fanni / https://isni.org/isni/0000000059402232 ; Derbyshire, Delia / 1937-2001 / https://isni.org/isni/0000000077928000 ; Kempe, Margery / approximately 1373- / https://isni.org/isni/0000000118044659 ; Kempe, Margery / approximately 1373- ; Tutti, Cosey Fanni ; Derbyshire, Delia ; Margery ; Women and the arts ; Women in the music trade ; Creative ability in women ; Künste. ; Kreativität. ; Biografie ; 1951- Tutti, Cosey Fanni ; 1937-2001 Derbyshire, Delia ; Kempe 1373-1439 Margery ; Künste ; Kreativität
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  • 25
    Language: German , English
    Pages: iii, 513 Seiten
    Additional Material: 1 CD-ROM
    Dissertation note: Dissertation Universität Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Nordamerika ; Musikzeitschrift ; Biografie ; Musiker ; Weiblicher Fan ; Geschichte 1960-2017
    Abstract: Wie wird die geschlechtsspezifische Figur des Musik-Groupies in audiovisuellen Medien in Nordamerika erzählt und welche (Selbst-)Deutungen widersprechen ihrer dominanzkulturellen Erzählung? Welche Effekte hatte die Deutung als Groupie speziell für professionelle Akteurinnen der Rockmusik seit den 1960er-Jahren und wie gehen diese damit um? Ausgerichtet zwischen Kultur-, Medien- und Musikforschung wertet die Dissertation mit interpretativ-erzählanalytischen Verfahren und einem medienbiografischen Ansatz Filme, Autobiografien sowie Interviews mit Akteurinnen der Rockmusik aus.〈ger〉
    Note: GutachterInnen: Prof. Dr. Gesa Mackenthun (Universität Rostock, Institut für Anglistik/Amerikanistik), Prof. Dr. Elizabeth Prommer (Universität Rostock, Institut für Medienforschung), Apl. Prof. Dr. Rolf Großmann (Universität Lüneburg, Institut für Kultur und Ästhetik Digitaler Medien)
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  • 26
    Map
    Map
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367691424 , 9780367691417
    Language: English
    Pages: xv, 221 Seiten , Illustrationen, Karte, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Volksmusikpflege ; Tanz ; Kelten ; Geschichte ; Cornwall ; Celtic music / Social aspects / England / Cornwall (County) ; Cornwall (England : County) / Social life and customs ; Cornwall (England : County) / History, Local ; Manners and customs ; England / Cornwall (County) ; Local history ; Hochschulschrift ; Hochschulschrift ; Cornwall ; Kelten ; Volksmusikpflege ; Tanz ; Geschichte
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  • 27
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 28
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 30
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 31
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 32
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 33
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
    RVK:
    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 34
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
    RVK:
    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
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  • 35
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 36
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 37
    ISBN: 9782503602905
    Language: English
    Pages: xix, 410 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Specvlvm mvsicae volume 48
    Series Statement: Speculum musicae
    RVK:
    Keywords: Konferenzschrift 2020 ; Konferenzschrift 2020 ; Beethoven, Ludwig van 1770-1827 ; Beethoven, Ludwig van 1770-1827 ; Rezeption ; Europa ; Kulturelle Identität ; Europa
    Note: "... international online conference "Beethoven the European" ... in Lucca ..., 4-6 December 2020 ..." (Seite xv) , Literaturangaben , Erscheinungsjahr in römischen Zahlen
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  • 38
    Image
    Image
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780815379126 , 9781032129037
    Language: English
    Pages: viii, 183 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Bambusflöte ; Querflöte ; Korea ; Taegŭm ; Taegŭm music / History and criticism ; Taegŭm ; Taegŭm music ; Criticism, interpretation, etc ; Korea ; Querflöte ; Bambusflöte ; Geschichte
    Abstract: "Tradition and Creativity in Korean Taegŭm Flute Performance describes the taegŭm as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegŭm. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegŭm. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegŭm tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegŭm with perspectives on its use today"--
    Description / Table of Contents: History and background of the taegŭm -- The contemporary practices of the taegŭm -- Music analysis I: Youngdong Kim -- Music analysis II: Sukhi Kang -- Music analysis III: Sngkn Kim -- Performance I: Jazz -- Performance II: Western art music -- Performance III: Electroacoustics
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  • 39
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
    RVK:
    RVK:
    RVK:
    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 40
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    RVK:
    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 41
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
    RVK:
    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 42
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
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    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 43
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 44
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 45
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 46
    ISBN: 9781474625593
    Language: English
    Pages: xiv, 832 Seiten , Illustrationen
    Edition: [Fully revised and] updated edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Discjockey ; Discjockey ; Geschichte
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  • 47
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 48
    ISBN: 9781793624383
    Language: English
    Pages: x, 159 Seiten
    Parallel Title: Erscheint auch als Espada-Brignoni, Teófilo Performance of authenticity
    DDC: 781.65092/2
    RVK:
    Keywords: Bechet, Sidney ; Collins, Lee ; Dodds, Baby ; Foster, Pops ; Jazz musicians ; Autobiography ; Authenticity (Philosophy) ; Jazz History and criticism ; Jazzmusiker ; Identität ; Autobiografie ; Geschichte
    Abstract: Subjectivation, Music, and Autobiography -- Storying Jazz : Bechet, Dodds, Collins, and Foster -- An Ethics of Authenticity -- Being a Jazz Man -- "Growing into the Music" -- Wise Old-Timers -- Stylizing the Self : The Mechanic and the Domestic.
    Abstract: "In this book the author analyzes the autobiographies of Baby Dodds, Sidney Bechet, Pops Foster, and Lee Collins by integrating social, psychological, and literary theories. He argues that the autobiographies of New Orleans jazz musicians construct a sense of self and the collective grounded in ideas about authenticity"--
    Note: Includes bibliographical references and index
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  • 49
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 50
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Gypsy-Jazz ; Musikethnologie ; Frankreich ; Reinhardt, Django / 1910-1953 / Influence ; Jazz / Social aspects / France ; Romanies / Music / Social aspects / France ; Romanies / Music / Political aspects / France ; Romanies / France / Ethnic identity ; Music and race / France ; Musicians, Romani / France ; Jazz musicians / France ; Reinhardt, Django / 1910-1953 ; Influence (Literary, artistic, etc.) ; Jazz musicians ; Jazz / Social aspects ; Music and race ; Musicians, Romani ; Romanies / Ethnic identity ; France ; Frankreich ; Gypsy-Jazz ; Musikethnologie ; Geschichte
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    ISBN: 9781848139503 , 9781848139510
    Language: English
    Pages: xv, 240 Seiten
    Edition: Second edition, reprinted
    RVK:
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    Keywords: Geschichte ; Ethnologie ; Ethnosoziologie ; Forschung ; Imperialismus ; Geschichte ; Kolonialismus ; Naturvolk ; Entkolonialisierung
    Abstract: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext
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  • 53
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 54
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 55
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
    RVK:
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    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197559314
    Language: English
    Pages: 1 Online-Ressource (272 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6509730904
    RVK:
    Keywords: Geschichte ; Jazz / Social aspects / United States / History / 20th century ; Jazz dance ; Music and dance / United States / History / 20th century ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: 'Between Beats' explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a 'legitimate' art form better suited for still, seated listening
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    ISBN: 9781786998163
    Language: English
    Pages: 1 Online-Ressource (xxxv, 302 Seiten) , illustrations
    Parallel Title: Erscheint auch als Smith, Linda Tuhiwai Decolonizing methodologies : research and indigenous peoples
    DDC: 305.80072
    RVK:
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    Keywords: Indigenous peoples Research ; Ethnology Research ; Kolonialismus ; Naturvolk ; Entkolonialisierung ; Ethnologie ; Forschung ; Ethnosoziologie ; Imperialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie ; Ethnologie ; Forschung ; Kolonialismus ; Geschichte ; Imperialismus ; Geschichte ; Naturvolk ; Ethnologie
    Note: Description based on print version record
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  • 58
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 59
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789384000
    Language: English
    Pages: XII, 296 Seiten , Illustrationen, Diagramme, Karten (teilweise farbig)
    Series Statement: Advances in metal music and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Heavy Metal ; Heavy metal (Music) / History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Heavy Metal ; Geschichte
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  • 60
    ISBN: 9780197559284 , 9780197559277
    Language: English
    Pages: xviii, 254 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als Wells, Christi Jay Between beats
    RVK:
    Keywords: Geschichte ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: "The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
    Description / Table of Contents: Jazz Music and its Choreographies of Listening -- "Its Bite and Its Feeling" : The Quadroon Ball and Jazz's New Orleans Plaçage Complex -- "Lindy Hopper's Delight" : The Chick Webb Orchestra and the Fluid Labor of Whitey's Lindy Hoppers -- "Counter-Bopaganda" and "Torn Riffs" : Bebop as Popular Dance Music -- "A Fine Art in Danger" : Marshall Stearns's Jazz Dance Advocacy -- Dancing Every Note : Community Theater and Kinetic Memory at Jazz 966
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  • 61
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 62
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 63
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 64
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
    RVK:
    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 65
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367428464 , 9780367428471
    Language: English
    Pages: xvi, 248 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Popmusik ; Südostasien ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Popmusik ; Südostasien ; Popmusik ; Geschichte
    Abstract: Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries.Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music
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  • 66
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 67
    Online Resource
    Online Resource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Language: English
    Pages: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
    RVK:
    RVK:
    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
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  • 68
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 69
    ISBN: 9783982210001
    Language: English
    Pages: 531 Seiten , Illustrationen
    Edition: 2nd edition
    DDC: 781.66094309047
    RVK:
    Keywords: Krautrock ; Geschichte ; Jazz ; Geschichte
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  • 70
    ISBN: 9781032173962
    Language: English
    Pages: xlvi, 372, XXXII Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Classic European studies in the science of music
    RVK:
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    Keywords: Ethnologie ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Musikinstrument ; Sozialanthropologie ; Archäologie ; Musikinstrument ; Musikinstrumentenkunde ; Geschichte ; Herkunft ; Archäologie ; Ethnologie ; Sozialanthropologie
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  • 71
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (328 pages) , Illustrations (black and white).
    Series Statement: Historical studies of urban America
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie
    Abstract: The emergence of Sun Ra and his Arkestra in 1950s Chicago is seen today as a foundational moment for Afrofuturist modes of cultural expression. Sun Ra's Chicago investigates how the bandleader's musical cosmology first developed and, in particular, why it came to flourish in Chicago. Focusing on his early years in Birmingham, Alabama and his time in post-World War II Chicago, the book argues that the relationship between Sun Ra and his cities offers new insight into his music and philosophy as well as the role of everyday black urban experience in the development of Afrofuturism as a cultural ideal. The book employs a historical and spatial lens to situate Ra's evolving sensibility within the material and imagined spaces of his cities.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 72
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    RVK:
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 73
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 74
    Online Resource
    Online Resource
    Wien : Hollitzer
    ISBN: 9783990128954
    Language: English
    Pages: 1 Online-Ressource (406 Seiten)
    Series Statement: Jazzforschung 48 (2016)
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Electronic books ; Jazz ; Geschichte
    Note: Description based on publisher supplied metadata and other sources
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  • 75
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 pages) , illustrations
    Parallel Title: Erscheint auch als Music in Arabia : perspectives on heritage, mobility, and nation
    DDC: 780.953
    RVK:
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index , Description based on print version record
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  • 76
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Language: English
    Pages: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    Keywords: Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Abstract: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Note: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501348037
    Language: English
    Pages: ix, 255 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421660922
    RVK:
    Keywords: The Beatles ; Geschichte ; Rezeption ; Weiblicher Fan ; Frau ; The Beatles ; Frau ; The Beatles ; Rezeption ; Weiblicher Fan ; Geschichte
    Abstract: "The only academic book to discuss the Beatles and their social and cultural impact as understood through the experiences and lives of women"--
    Description / Table of Contents: Introducing A Women's History of the Beatles -- "Remember Me" : Stories from Merseyside -- With the Beatles : A Fan History -- "Don't Blame it On Yoko" : Wives and Girlfriends in the Beatles Fairy Tale -- "Free as a Bird" : Music-Making and the Liberatory Beatlesque -- "Think For Yourself" : Entrepreneurs and Intellectuals -- Conclusion. Beatles History, Women's Lives
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  • 78
    Online Resource
    Online Resource
    Singapore : Springer
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    RVK:
    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 80
    ISBN: 9782503594873
    Language: English
    Pages: xxii, 247 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Specvlvm mvsicae volume 41
    Series Statement: Specvlvm mvsicae
    DDC: 780
    RVK:
    RVK:
    Keywords: Liszt, Franz ; Geschichte ; Geschichte 1800-1900 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Zigeunermusik ; Rhapsodie ; Geschichte 1800-1900 ; Liszt, Franz 1811-1886 ; Rezeption ; Zigeunermusik ; Rhapsodie ; Geschichte
    Abstract: This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ?Gypsies?) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.
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  • 81
    Book
    Book
    Santa Barbara, California : ABC-CLIO®, an imprint of ABC-Clio, LLC
    ISBN: 9781440873188
    Language: English
    Pages: xlix, 350 Seiten , Illustrationen
    DDC: 782.421599097303
    RVK:
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch
    Note: Literaturverzeichnis Seite 295-332
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  • 82
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
    RVK:
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 83
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    RVK:
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    ISBN: 9783990128947
    Language: English
    Pages: IX, 391 Seiten , Illustrationen , 24 cm
    Series Statement: Jazzforschung 48 (2016)
    Series Statement: Jazzforschung
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Note: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
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  • 85
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
    RVK:
    RVK:
    RVK:
    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 86
    Online Resource
    Online Resource
    London, UK ; New York, NY, USA ; Dublin, Ireland : Zed Books
    ISBN: 9781350225282 , 9781786998149 , 9781786998163
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 291 Seiten)
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.80072
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    Keywords: Ethnologie ; Ethnosoziologie ; Forschung ; Imperialismus ; Geschichte ; Kolonialismus ; Naturvolk ; Entkolonialisierung ; Aufsatzsammlung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Abstract: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
    Note: Informationen wurden (z.T.) der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden ist (Bloomsbury Collections)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    Book
    Book
    London ; New York ; Dublin : Zed Books
    ISBN: 9781786998125 , 9781786998132
    Language: English
    Pages: xxxv, 302 Seiten
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Ethnosoziologie ; Naturvolk ; Ethnologie ; Imperialismus ; Entkolonialisierung ; Kolonialismus ; Geschichte ; Forschung ; Ethnologie ; Forschung ; Naturvolk ; Ethnologie ; Imperialismus ; Geschichte ; Kolonialismus ; Geschichte ; Entkolonialisierung ; Ethnosoziologie
    Abstract: To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory. This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.Now in its eagerly awaited second edition, this bestselling book has been substantially revised, with new case-studies and examples and important additions on new indigenous literature, the role of research in indigenous struggles for social justice, which brings this essential volume urgently up-to-date. Quelle: Klappentext.
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  • 88
    ISBN: 9780571359806
    Language: English
    Pages: 371 Seiten , Illustrationen , 20 cm
    Edition: Paperback edition
    RVK:
    Keywords: Countrymusic ; Geschichte ; USA ; Country music / History and criticism ; Country musicians / United States ; Musiciens country / États-Unis ; Country music / History and criticism ; Country musicians / United States ; Country music ; Country musicians ; United States / https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq ; Criticism, interpretation, etc ; USA ; Countrymusic ; Geschichte
    Abstract: This book traces the story of country music in its golden period, from Jimmie Rodgers to Emmylou Harris, via the Carter Family, Ralph Stanley, the Louvin Brothers and, of course, the incomparable Johnny Cash. Journeying from Mace Springs, Virginia, to Bakersfield, California, Nicholas Dawidoff evokes the spirit, passion and pain that informs only true country music
    Note: First published in the UK in 1997 by Faber & Faber Limited
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  • 89
    ISBN: 9781786607386
    Language: English
    Pages: 1 online resource (206 pages)
    Series Statement: Popular Musics Matter: Social, Political and Cultural Interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and popular music
    DDC: 781.66
    RVK:
    Keywords: Popular music-Social aspects-Europe-History ; Electronic books ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel ; Unterhaltungsmusik ; Volkstümliche Musik ; Sozialer Wandel
    Abstract: The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods.
    Abstract: Intro -- Title Page -- Acknowledgements -- Introduction -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst -- Conclusion -- References -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 90
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 91
    Book
    Book
    Boston :Academic Studies Press,
    ISBN: 978-1-64469-354-4
    Language: English
    Pages: vi, 351 Seiten : , Illustrationen, Notenbeispiele.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.7809
    RVK:
    Keywords: Music / Performance ; Music / Performance / History ; Music / Interpretation (Phrasing, dynamics, etc.) ; Music and history ; Historiography ; Musik. ; Inszenierung. ; Performance ; Geschichte ; Musikwissenschaft. ; Konferenzschrift 10.12.2017-12.12.2017 ; Musik ; Inszenierung ; Performance ; Geschichte ; Musikwissenschaft
    Abstract: "The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology"
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  • 92
    ISBN: 0349701288 , 9780349701288
    Language: English
    Pages: IX, 363 Seiten , Illustrationen
    DDC: 306.109431
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    Keywords: Geschichte ; Jugendkultur ; Punk Rock ; Deutschland
    Note: Bibliography Seite 361 - 363 , Originally published: Chapel Hill: Algonquin Books of Chapel Hill, 2018.
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  • 93
    Book
    Book
    London : Routledge Taylor & Francis Group
    ISBN: 9780367370237
    Language: English
    Pages: 190 Seiten , Illustrationen, Tabellen
    Series Statement: SOAS studies in music
    DDC: 786.940954
    RVK:
    Keywords: Geschichte ; Mridanga
    Note: Includes bibliographical references and index.
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  • 94
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190635930
    Language: English
    Pages: xvi, 456 Seiten , Illustrationen
    DDC: 782.14092
    RVK:
    Keywords: Blake, Eubie ; Biografie
    Note: Quellen- und Literaturverzeichnis Seite 427-438
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  • 95
    ISBN: 9780252085109 , 9780252043239
    Language: English
    Pages: xxiii, 295 Seiten , Illustrationen, Portraits, Notenbeispiele
    Series Statement: Music in American life
    Parallel Title: Online version Brown, Rae Linda, 1953- The heart of a woman
    RVK:
    Keywords: Price, Florence ; Biografie
    Abstract: "Florence B. Price (1887-1953) was the first African American woman composer to achieve national recognition. She grew up in Little Rock, Arkansas, studies at the new England Conservatory, and spent her professional career in Chicago (1927-53), where her Symphony in E Minor, premiered by the Chicago Symphony Orchestra in 1933 under the direction of Frederick Stock, marks the first large-scale work by an African American woman composer (and the second work by an African American composer) to be performed by a major American orchestra. A prolific composer, she wrote more than 300 works in all genres: orchestra music (symphonies, orchestral suites, and concerti), vocal music, art songs and arrangements of spirituals, piano music (including teaching pieces), organ music, chamber music, and music for chorus. Her compositions reflect not only her cultural heritage, but also the romantic nationalist style of the period in which she was most active (beginning in the 1920s). Brown discusses Price in the context of the Harlem Renaissance and deals with issues of race, gender, and class. She draws on interviews with Price's colleagues, on music manuscripts located in major repositories of African American material and in private collections, on contemporary black newspapers and journals, on census records, and on archival materials as well as the relevant published sources. An appendix lists Price's compositions by genre"--
    Note: Literaturverzeichnis Seite 267-275. - Diskographie Seite 277-281 , ©Board of Trustees of the University of Illinois
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  • 96
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496825162 , 9781496825155
    Language: English
    Pages: xi, 506 Seiten , Illustrationen
    Series Statement: American made music series
    RVK:
    Keywords: Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; USA ; Biografie
    Abstract: "The first and definitive biography of the great bass saxophone jazz man"--
    Note: Bibliography Seite 473-474
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  • 97
    ISBN: 9780807169322
    Language: English
    Pages: xii, 302 Seiten , Illustrationen, Karten , 27 cm
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    Keywords: Geschichte ; Unterhaltungsmusik ; Musiker ; Louisiana ; Enzyklopädie
    Note: Literatur- und URL-Verzeichnis Seite 299-302 , Louisiana Musicians -- Notable Musicians Born outside Louisiana -- Prominent Record Producers by Region
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  • 98
    Book
    Book
    New York : Routledge
    ISBN: 1138585483 , 9781138585485 , 1138585491 , 9781138585492
    Language: English
    Pages: X, 257 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    DDC: 781.65094
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    Keywords: Geschichte 1995- ; Metropole ; Jazz ; Musikalischer Stil ; Identität ; Elektronische Musik ; Europa
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  • 99
    ISBN: 9780813574660
    Language: English
    Pages: vii, 179 Seiten , Illustrationen , 24 cm
    DDC: 330.09
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    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; New Jersey
    Note: Literaturangaben
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  • 100
    ISBN: 9783944669793 , 3944669797
    Language: English
    Pages: 560 Seiten , Illustrationen , 27 cm, 1120 g
    DDC: 306.1
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    Keywords: Geschichte 1960-2020 ; Stadt ; Nachtleben ; Subkultur ; Nachtklub ; Afrika ; Europa
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