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  • BVB  (259)
  • Schwarze
  • Musicology  (259)
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  • 1
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 3
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 4
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 9
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 10
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 11
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469661964 , 9781469661957
    Language: English
    Pages: xiii, 121 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.4216490975
    RVK:
    Keywords: OutKast ; Hip-Hop ; Schwarze ; Ethnische Identität ; USA Südstaaten ; Rap (Music) / Social aspects / Southern States ; Rap (Music) / Southern States / History and criticism ; Hip-hop / Southern States ; African Americans / Race identity / Southern States ; OutKast (Musical group) ; OutKast (Musical group) ; African Americans / Race identity ; Hip-hop ; Rap (Music) ; Rap (Music) / Social aspects ; Southern States ; Criticism, interpretation, etc ; USA Südstaaten ; Schwarze ; Hip-Hop ; OutKast ; Ethnische Identität
    Abstract: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Description / Table of Contents: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 13
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 16
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 17
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 18
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 19
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
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    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 20
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Language: English
    Pages: xii, 120 Seiten , Illustrationen
    Series Statement: CMS cultural expressions in music series
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
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  • 21
    ISBN: 9781526131232 , 9781526131256
    Language: English
    Pages: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Series Statement: Music and society
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Note: Literaturverzeichnis Seite 248-263
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  • 22
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
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    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 23
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
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    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
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    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 25
    Book
    Book
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
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    Keywords: Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Description / Table of Contents: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
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  • 26
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
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    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 27
    Book
    Book
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Language: English
    Pages: xiii, 254 Seiten
    Edition: This editon first published
    Series Statement: African American literature Volume 2
    Series Statement: African American literature
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    Keywords: Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
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  • 28
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Palgrave Macmillan
    ISBN: 9789811335136
    Language: English
    Pages: 1 Online-Ressource (IX, 179 p. 3 illus., 2 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76
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    Keywords: Queer Theory ; Music ; Gender and Sexuality ; Culture and Gender ; Queer theory ; Music ; Gender identity ; Culture ; Gender ; Homosexualität ; Männlichkeit ; Rapmusiker ; Ethnische Identität ; Schwarze ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Language: English
    Pages: xix, 293 Seiten , 24 cm
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 793.319468
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    Keywords: Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 31
    ISBN: 9788523218720
    Language: Portuguese
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Abstract: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 33
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 35
    Book
    Book
    Hamburg ; Berlin :Orlanda Buchverlag UG,
    ISBN: 978-3-944666-53-2
    Language: German
    Pages: 289 Seiten.
    Edition: 1. Auflage, 2018
    Uniform Title: Black looks
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    Keywords: Schwarze Frau. ; Rassismus. ; Sexismus. ; Stereotyp. ; Schwarze. ; Massenkultur. ; Vermarktung. ; USA. ; Schwarze Frau ; Rassismus ; Schwarze Frau ; Sexismus ; Stereotyp ; Rassismus ; Schwarze ; Massenkultur ; Vermarktung ; Schwarze
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  • 36
    ISBN: 9788857548050
    Language: Italian
    Pages: 214 pages , 21 cm
    Series Statement: Eterotopie n. 461
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    Keywords: Geschichte ; African Americans / Music / History and criticism ; Music and anthropology ; Gesang ; Musikanthropologie ; Schwarze ; Nordamerika ; Nordamerika ; Schwarze ; Gesang ; Musikanthropologie ; Geschichte
    Note: Includes bibliographical references (pages 207-214)
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  • 37
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 38
    Book
    Book
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
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    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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  • 39
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 40
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 43
    ISBN: 9780253024947 , 9780253353573
    Language: English
    Pages: xxxvi, 199 pages , Illustrationen
    Edition: New edition
    DDC: 305.896/073076335
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La.
    Note: Bibliography: Seite 175-188
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  • 44
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
    RVK:
    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 46
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
    RVK:
    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 47
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
    RVK:
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 48
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9780252041334 , 9780252082863
    Language: English
    Pages: xi, 227 Seiten , 23 cm
    Series Statement: The new black studies series
    Parallel Title: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
    RVK:
    RVK:
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Abstract: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Note: Literaturangaben: Seite [205]-220
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  • 50
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
    RVK:
    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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  • 54
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781784992804
    Language: English
    Pages: VI, 296 Seiten , Diagramme
    Edition: Paperback edition first published 2016
    Series Statement: Music and society
    Parallel Title: Erscheint auch als
    DDC: 782.421646
    RVK:
    Keywords: Geschichte 1970-2000 ; Reggae music / History and criticism ; Reggae music / Social aspects ; Memory in music ; Time in music ; Gesellschaft ; Gesellschaft ; Rassismus ; Diaspora ; Kollektives Gedächtnis ; Erinnerung ; Sklaverei ; Reggae ; Schwarze ; Reggae ; Gesellschaft ; Geschichte 1970-2000 ; Reggae ; Erinnerung ; Geschichte 1970-2000 ; Schwarze ; Sklaverei ; Diaspora ; Rassismus ; Kollektives Gedächtnis ; Reggae
    Abstract: On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of 'memory at work' opens up a theoretical problem: the conceptualization of time and its relationship with memory. - Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro
    Description / Table of Contents: Introduction. -- Part I: A study in elective affinity: music, religion and memory: 1. Reggae and Rastafari: a history - 2. Interpreting songs: notes on methodology - 3. Analysis of reggae charts, 1968-2000 - 4. The construction of a musical memory in reggae music. -- Part II: Remembering the past: 5. Slavery and the diaspora: temporal and spatial articulations - 6. The construction of a religious chain of memory. -- Part III: Revealing the future: 7. Messianism, between past and future - 8. Hope and redemption - 9. The end of the world as future-present. -- Part IV: From revelation to revolution: 10. The construction of a sociopolitical memory of liberation - 11. Rhetoric of oppression and social critique - 12. Resistance and revolution. -- Part V: Conclusion: 13. Time and memory. -- Appendices. -- Bibliography. -- Index
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  • 55
    Book
    Book
    Rochester, NY : University of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer Limited
    ISBN: 9781580465489
    Language: English
    Pages: x, 242 Seiten , Illustrationen , 24 cm
    Series Statement: Eastman studies in music v. 131
    Series Statement: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popmusik ; Musiker ; Schwarze ; Afroamerikanische Musik ; Unterhaltungsmusik ; Indien ; USA ; Britisch-Indien ; USA ; USA ; Unterhaltungsmusik ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Schwarze ; Musiker ; Britisch-Indien
    Abstract: "American Popular Music in Britain's Raj" is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. - Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi. (Klappentext)
    Description / Table of Contents: List of Figures. - Acknowledgments. - Introduction. - 1 Entertainment Globalization, 1850s to 1910s. - 2 Technologies, Exoticism, and Entrepreneurs, 1920s and 1930s. - 3 Calcutta in the War. - 4 The Case of Lucknow. - 5 Cabaret Sequences in Hindi Films. - Afterword. - Notes. - Bibliography. - Filmography and Discography. - Index
    Note: Series numbering from CIP data. - Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index
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  • 56
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520279346 , 9780520279353
    Language: English
    Pages: xvi, 261 Seiten , Illustrationen
    Series Statement: Music of the African diaspora 18
    DDC: 781.6508996073044361
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1945-1961 ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Paris
    Note: Literaturverzeichnis Seite 227 - 242
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  • 57
    Online Resource
    Online Resource
    London, [England] ; New York, New York : Routledge
    ISBN: 9781317096887
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations, tables
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Manning, Harriet J. Michael Jackson and the blackface mask
    DDC: 782.42166092
    RVK:
    Keywords: Jackson, Michael Criticism and interpretation ; Jackson, Michael ; Music and race ; Blackface entertainers ; Minstrel music History and criticism ; Minstrel show ; Maske ; Minstrel ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Minstrel ; Maske ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
    Note: "An Ashgate Book"--Cover , Description based on print version record
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  • 58
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362403 , 9780226362540
    Language: English
    Pages: XX, 307 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.63096822/1
    RVK:
    Keywords: Geschichte 1994-2014 ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Politischer Wandel ; Kwaito ; Soziale Funktion ; Jugend ; Schwarze ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
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  • 59
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415881807 , 9780415881814 , 9781315857671
    Language: English
    Pages: XV, 465 S. , Ill., Notenbeisp.
    Additional Material: 1 CD
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans / Music / History and criticism ; Musik ; Schwarze. USA ; Musik ; Afroamerikanische Musik ; Musikleben ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Musik ; USA ; Schwarze ; Musikleben ; Afroamerikanische Musik
    Note: Previous ed.: 2006
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  • 60
    Book
    Book
    Lanham, Md. : Rowman & Littlefield
    ISBN: 978-0-8108-8832-6
    Language: English
    Pages: XV, 331 S.
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1920-1940 ; Jazz / California / Los Angeles / 1921-1930 / History and criticism ; Jazz / California / Los Angeles / 1931-1940 / History and criticism ; African American jazz musicians / California / Los Angeles / Interviews ; Jazz musicians / California / Los Angeles / Interviews ; African American jazz musicians ; Jazz ; Jazz musicians ; Jazzmusiker ; Schwarze ; Central Avenue (Los Angeles, Calif.) ; California / Los Angeles ; California / Los Angeles / Central Avenue ; Los Angeles, Calif. ; Los Angeles, Calif. ; Jazzmusiker ; Schwarze ; Geschichte 1920-1940
    Note: Includes bibliographical references and index , Andrew "Andy" Blakeney -- Gideon Joseph "Gid" Honore, Jr -- George Robert Orendorff -- Nathaniel Jack "Monk" McFay -- Floyd Payne Turnham, Jr -- Betty Hall Jones -- Mclure "Red Mack" Morris -- Caughey Wesley Roberts II -- Chester C. Lane -- Isadore Leonidas "Monte" Easter -- William King "Billy" Hadnott -- Norman "Norm" Leland Bowden -- John Richard "Streamline" Ewing -- Charles L. "Chuck" Thomas, Jr -- Jesse John Sailes -- "Red" Minor W. Robinson
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  • 61
    Book
    Book
    Chapel Hill : The Univ. of North Carolina Press
    ISBN: 1469622696 , 9781469622699
    Language: English
    Pages: XIV, 291 S. , Ill.
    DDC: 780.89/9607307471
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
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  • 62
    Online Resource
    Online Resource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Series Statement: American Governance
    Parallel Title: Erscheint auch als
    DDC: 782.421649/1599
    RVK:
    RVK:
    Keywords: Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Note: In English
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  • 63
    Book
    Book
    Jackson : Univ. Press of Mississippi
    ISBN: 9781628460391
    Language: English
    Pages: XIX, 256 S.
    Series Statement: American made music series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
    RVK:
    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
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  • 65
    Online Resource
    Online Resource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Language: English
    Pages: 1 Online-Ressource (XIX, 256 Seiten)
    Series Statement: American Made Music Series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
    RVK:
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 67
    ISBN: 9781472417565
    Language: English
    Pages: XI, 230 S. , Ill., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96041
    RVK:
    Keywords: Ethnische Identität ; Jazz ; Schwarze ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Schwarze ; Jazz ; Ethnische Identität
    Abstract: Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world. (Klappentext)
    Note: Includes bibliographical references and index
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  • 68
    ISBN: 9780199394043 , 9780199895403
    Language: English
    Pages: xi, 244 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    Uniform Title: The dozens
    RVK:
    Keywords: Afroamerikanische Musik ; Sozialverhalten ; Schwarze ; Verbalaggression ; Sprachspiel ; Amerika ; Amerika ; Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik
    Note: Originally published as The dozens: a history of rap's mama
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  • 69
    ISBN: 9783938763360 , 9783938763384
    Language: German
    Pages: 216 Seiten , Illustrationen, Diagramme , 23 cm
    Series Statement: Creative people book
    DDC: 781.657
    RVK:
    Keywords: Geschichte ; Geschichte 1992-2011 ; Jazzmusiker ; Afro Jazz ; Soziale Funktion ; Schwarze ; Gesellschaft ; Jazz ; Diskriminierung ; USA ; Qualitative Inhaltsanalyse, Musiksoziologie, Afroamerikanische Musik, Jazz, Rassismus, Diskriminierung, Wynton Marsalis, Jazz at Lincoln Center ; Hochschulschrift ; Interview ; Hochschulschrift ; Interview ; Hochschulschrift ; Interview ; USA ; Afro Jazz ; Geschichte ; Interview ; Jazz ; Jazzmusiker ; Gesellschaft ; Schwarze ; Diskriminierung ; Soziale Funktion ; Geschichte 1992-2011
    Note: Hergestellt on demand , Grundlage des vorliegenden Buches ist die gleichnamige Dissertation der Technischen Universität Berlin
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  • 70
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415879217 , 9781138809574
    Language: English
    Pages: 179 S.
    Edition: 1. issued in paperback
    Series Statement: Routledge research in race and ethnicity 5
    Series Statement: Routledge research in race and ethnicity
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Ethnische Identität ; Schwarze ; Musik ; Schwarze ; Musik ; Ethnische Identität
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  • 71
    Book
    Book
    Oxford : Oxford Univ. Press
    ISBN: 9780199936397 , 0199936374 , 0199936390 , 9780199936373
    Language: English
    Pages: XI, 272 S. , Ill.
    DDC: 809.896
    RVK:
    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references (pages 249-259) and index. , Enth.: Stereomodernism and amplifying the Black Atlantic. Sight reading: early Black South African transcriptions of freedom. Négritude musicology: poetry, performance and statecraft in Senegal. What women want: selling hi-fi in consumer magazines and film. 'Soul to soul': echo-locating histories of slavery and freedom from Ghana. Pirate's choice: hacking into (post-)pan-African futures. Epilogue: Singing songs.
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  • 72
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 9780822351498 , 0822351498 , 9780822351634 , 0822351633
    Language: English
    Pages: 383 S. , Ill.
    DDC: 781.64208996073
    RVK:
    RVK:
    RVK:
    Keywords: Countrymusic ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 73
    ISBN: 9783837620603 , 3837620603
    Language: German
    Pages: 501 S. , Ill. , 225 mm x 148 mm, 768 g
    Series Statement: Post-koloniale Medienwissenschaft 1
    Series Statement: Post-koloniale Medienwissenschaft
    Parallel Title: Online-Ausg. Kusser, Astrid Körper in Schieflage
    Parallel Title: Erscheint auch als Kusser, Astrid Körper in Schieflage
    Dissertation note: Zugl.: Köln, Univ., Diss.
    DDC: 306.484609
    RVK:
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    Keywords: Alltag ; Arbeit ; Cakewalk ; Kolonialismus ; Kultur ; Medien ; Rassismus ; Tanz ; Widerstand ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Modetanz ; Cakewalk ; Rassismus ; Kolonialismus ; Ethnische Beziehungen ; Alltagskultur ; Schwarze ; Modetanz
    Note: Literaturverz. S. [467] - 501
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  • 74
    Book
    Book
    Farnham, Surrey [u.a.] : Ashgate
    ISBN: 9781409455103 , 9781138274280
    Language: English
    Pages: VIII, 194 S. , Ill.
    Series Statement: Ashgate Popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    Keywords: Jackson, Michael ; Minstrel show ; Maske ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
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  • 75
    Book
    Book
    Bloomington, Ind. [u.a.] : Indiana Univ. Press
    ISBN: 9780253223371 , 9780253356543
    Language: English
    Pages: XII, 161 S. , Ill.
    Series Statement: Ethnomusicology multimedia
    Parallel Title: Erscheint auch als
    DDC: 781.62/96972986
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Tambú (Music) History and criticism ; Blacks Music ; History and cricism ; Music Social aspects ; Blacks Rites and ceremonies ; Musik ; Musikethnologie ; Geschichte ; Schwarze ; Curaçao ; Curaçao ; Schwarze ; Musik ; Curaçao ; Schwarze ; Musikethnologie ; Curaçao ; Schwarze ; Geschichte
    Abstract: As contemporary Tambú music and dance evolved on the Caribbean island of Curaçao, it intertwined sacred and secular, private and public cultural practices, and many traditions from Africa and the New World. As she explores the formal contours of Tambú, Nanette de Jong discovers its variegated history and uncovers its multiple and even contradictory origins. De Jong recounts the personal stories and experiences of Afro-Curaçaoans as they perform Tambu–some who complain of its violence and low-class attraction and others who champion Tambú as a powerful tool of collective memory as well as a way to imagine the future.
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  • 76
    Book
    Book
    Ann Arbor : Univ. of Michigan Press
    ISBN: 9780472118489 , 9780472035755 , 9780472028696
    Language: English
    Pages: XII, 203 S. , Ill.
    DDC: 781.64097291
    RVK:
    RVK:
    RVK:
    Keywords: Sozialgeschichte 1990-2010 ; Alltag, Brauchtum ; Timba (Music) History and criticism ; Dance music History and criticism ; Dance ; Blacks Race identity ; Blacks Social life and customs ; Ethnische Identität ; Schwarze ; Timba ; Cuba Social life and customs ; Kuba ; Kuba ; Schwarze ; Timba ; Ethnische Identität ; Sozialgeschichte 1990-2010
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 77
    Book
    Book
    New York, NY ; Oxford : University Press
    ISBN: 9780199895403
    Language: English
    Pages: XI, 244 Seiten , 25 cm
    DDC: 398.7089/96073
    RVK:
    RVK:
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    Keywords: African American wit and humor ; Invective Humor ; Dozens (Game) ; African Americans Social life and customs ; Rap (Music) ; African Americans Music ; Afroamerikanische Musik ; Sozialverhalten ; Sprachspiel ; Verbalaggression ; Schwarze ; Amerika ; Amerika ; Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik
    Description / Table of Contents: A Trip down Twelfth Street -- The Name of the Game -- Singing the Dozens -- Country Dozens and Dirty Blues -- The Literary Dozens -- Studying the Street -- The Martial Art of Rhyming -- Around the World with Your Mother -- African Roots -- Slipping Across the Color Line -- Why Do They (We) Do That? -- Rapping, Snapping, and Battling
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  • 78
    ISBN: 9782296563001
    Language: French
    Pages: 265 S. , 24 cm
    Series Statement: Racines du présent
    RVK:
    Keywords: Geschichte ; Entstehung ; Schwarze ; Jazz ; Afrika ; Afrika ; Jazz ; Entstehung ; Jazz ; Schwarze ; Geschichte
    Note: Literaturverz. S. [247] - 250
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  • 79
    Book
    Book
    Oxford [u.a.] :Oxford Univ. Press,
    ISBN: 978-0-19-975831-9 , 978-0-19-975832-6
    Language: English
    Pages: XII, 189 S. : , Ill.
    DDC: 305.48896073
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1930 ; Geschichte ; Weibliche Schwarze. Amerika ; African American women in popular culture History 20th century ; African American women Intellectual life 20th century ; African American women Social conditions 20th century ; Popular culture History 20th century ; Harlem Renaissance ; Frau. ; Schwarze. ; Soziale Situation. ; USA ; United States Race relations 20th century ; History ; USA. ; Frau ; Schwarze ; Soziale Situation ; Geschichte 1920-1930
    Note: Includes bibliographical references (p. 173-182) and index
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  • 80
    Online Resource
    Online Resource
    Philadelphia : Temple University Press
    ISBN: 9781439902394
    Language: English
    Pages: xviii, 201 p.
    Series Statement: African soundscapes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.27/08905960068754
    RVK:
    Keywords: Evangelische Kirche ; Geschichte ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Kirchenmusik ; Schwarze ; Südafrika (Staat) ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Description / Table of Contents: Introduction : the challenges of inscribing coloured voices -- Karoo people and places -- Hidden transcripts : how hymns reveal history -- Senzeni na : interrelationships between the music of mission and independent African church denominations -- Singing the "Queen's English" : church choirs in Kroonvale -- Mothers of the church : women's society music and the politics of gender -- Conclusion : reflections on Karoo sonic spaces
    Note: Includes bibliographical references (p. [169]-189) and index
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  • 81
    ISBN: 9781465362520 , 9781465362537
    Language: English
    Pages: 556 S. , Ill.
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Musik ; Schwarze ; USA ; USA ; Schwarze ; Musik ; Geschichte ; USA ; Afroamerikanische Musik ; Geschichte
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  • 82
    ISBN: 978-0-7618-5512-5
    Language: English
    Pages: XIX, 157 S. , graph. Darst.
    DDC: 782.421649
    RVK:
    Keywords: African Americans in popular culture ; Hip-hop ; Hip-hop / Social aspects ; African Americans / Race identity ; African Americans / Social conditions ; Gesellschaft ; Schwarze. USA ; Medienpolitik ; Urbanität ; Diskriminierung ; Unterprivilegierter ; Schwarze ; Hip-Hop ; Amerika ; Amerika ; Schwarze ; Hip-Hop ; Diskriminierung ; Unterprivilegierter ; Medienpolitik ; Urbanität
    Note: Includes bibliographical references (p. [155]-157)
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  • 83
    ISBN: 9781609278618 , 1609278615
    Language: English
    Pages: XIII, [2] Bl., 160 S. , zahlr., Ill.
    Edition: 1. publ.
    RVK:
    RVK:
    Keywords: Musik ; Schwarze. USA ; Blues (Music) ; Music ; Aesthetics, African ; African Americans Music ; Schwarze ; Musikleben ; Rezeption ; Sklaverei ; Blues ; Kaste ; Mississippidelta ; Westafrika ; Westafrika ; Schwarze ; Sklaverei ; Kaste ; Musikleben ; Rezeption ; Mississippidelta ; Blues
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  • 84
    ISBN: 9781439902370 , 9781439902394
    Language: English
    Pages: XVIII, 201 S. , Ill., Notenbeisp.
    Series Statement: African soundscapes
    DDC: 782.27/08905960068754
    RVK:
    Keywords: Evangelische Kirche ; Geschichte ; Alltag, Brauchtum ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Schwarze ; Kirchenmusik ; Südafrika (Staat) ; Graaff-Reinet (South Africa) Social life and customs ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Note: Includes bibliographical references and index
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  • 85
    Book
    Book
    Chicago : Lawrence Hill Books
    ISBN: 9781556528170 , 1556528175
    Language: English
    Pages: 248 S. , Ill. , 23x16x1 cm
    DDC: 781.64089960
    RVK:
    Keywords: Schwarze ; Black power ; Musik ; USA
    Note: Paperback / softback. Trade paperback (US). Unsewn / adhesive bound
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  • 86
    Book
    Book
    Minneapolis, Minn. [u.a.] : Univ. of Minnesota Press
    ISBN: 9780816669875 , 0816669872 , 9780816669882 , 0816669880
    Language: English
    Pages: 245 S.
    DDC: 305.896/073
    RVK:
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    Keywords: Schwarze ; Hip-Hop ; Politische Einstellung ; USA
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  • 87
    ISBN: 9780195328530 , 9780195328929 , 0195328531 , 0195328922
    Language: English
    Pages: XIV, 235 S.
    DDC: 788.7/165092
    RVK:
    RVK:
    Keywords: Coltrane, John ; Spiritualität ; Schwarze ; Jazz ; Religion ; USA
    Note: Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195128253
    Language: English
    Pages: 1 Online-Ressource (XI, 402 S.) , Ill., graph. Darst., Notenbeisp.
    Series Statement: Oxford scholarship online
    DDC: 781.65/1599
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1950-1970 ; African-Americans - Civil rights ; History - 20th century - United States ; Jazz - History and criticism - 1951-1960 ; Jazz - History and criticism - 1961-1970 ; Jazz - Political aspects - United States ; Jazz - Social aspects - United States ; Geschichte ; Gesellschaft ; Politik ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African-Americans Civil rights 20th century ; History ; Politik ; Jazz ; Bürgerrechtsbewegung ; Gesellschaft ; Schwarze ; USA ; USA ; Jazz ; Geschichte 1950-1970 ; USA ; Jazz ; Gesellschaft ; Politik ; Geschichte 1950-1970 ; USA ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Note: Includes bibliographical references (p. ) and index
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  • 89
    Book
    Book
    New York [u.a.] :Routledge,
    ISBN: 0-415-80486-8 , 978-0-415-80486-8
    Language: English
    Pages: XVI, 142 S. : , Ill.
    Edition: 1. publ.
    Series Statement: Studies in African American history and culture
    DDC: 305.896/07300904
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Gesellschaft ; Schwarze. USA ; African Americans in popular culture History 20th century ; African-American arts 20th century ; African Americans Intellectual life 20th century ; African Americans Race identity ; Racism in popular culture History 20th century ; Stereotypes (Social psychology) ; Hip-hop Social aspects ; Rap (Music) Social aspects ; Popular culture History 20th century ; Schwarze. ; Massenkultur. ; Ethnische Identität. ; Ethnische Beziehungen. ; USA ; USA. ; Schwarze ; Massenkultur ; Ethnische Identität ; Schwarze ; Ethnische Beziehungen
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  • 90
    ISBN: 9780773438316 , 0773438319
    Language: English
    Pages: VIII, 257 S. , zahlr. Ill.
    DDC: 780.92/396073
    RVK:
    Keywords: Schwarze ; Musiker ; Amerika ; Biographie ; Biografie ; Biografie ; Biografie
    Note: Literaturverz. S. 233 - 252 , Literaturangaben
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  • 91
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9780719076213
    Language: English
    Pages: XII, 296 Seiten , Diagramme
    Series Statement: Music and society
    DDC: 782.421646
    RVK:
    Keywords: Geschichte 1970-2000 ; Reggae music / History and criticism ; Reggae music / Social aspects ; Memory in music ; Time in music ; Gesellschaft ; Schwarze ; Sklaverei ; Gesellschaft ; Diaspora ; Kollektives Gedächtnis ; Reggae ; Rassismus ; Erinnerung ; Reggae ; Gesellschaft ; Geschichte 1970-2000 ; Reggae ; Erinnerung ; Geschichte 1970-2000 ; Schwarze ; Sklaverei ; Diaspora ; Rassismus ; Kollektives Gedächtnis ; Reggae
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  • 92
    Book
    Book
    Ann Arbor, Mich. : Univ. of Michigan Press
    ISBN: 9780472071081 , 9780472051083
    Language: English
    Pages: XIII, 250 S.
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    Keywords: Geschichte ; Religion ; Musikästhetik ; Musik ; Popmusik ; Blues ; Spiritualität ; Soul ; Schwarze ; Musikphilosophie ; USA ; African Americans--Music--History and criticism. ; Soul music--History and criticism. ; Blues (Music)--History and criticism. ; Music--Religious aspects. ; Music and philosophy. ; USA ; Schwarze ; Musik ; Geschichte ; Soul ; Blues ; Spiritualität ; Geschichte ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Popmusik ; Religion ; Spiritualität
    Note: Incl. bibliogr. references, discography and filmogr. and index
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  • 93
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    ISBN: 9780520262829 , 9780520262836 , 0520262824 , 0520262832
    Language: English
    Pages: IX, 280 S.
    Series Statement: Music in the African diaspora 14
    Series Statement: Music of the African diaspora
    DDC: 780.89/960729
    RVK:
    RVK:
    Keywords: Brown, James ; Geschichte ; Schwarze ; Musik ; Karibik
    URL: Cover
    URL: Cover
    URL: Cover
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  • 94
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472022793
    Language: English
    Pages: xiii, 250 p
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    Keywords: Geschichte ; Musik ; Religion ; Schwarze. USA ; African Americans Music ; History and criticism ; Soul music History and criticism ; Blues (Music) History and criticism ; Music Religious aspects ; Music and philosophy ; Soul ; Religion ; Musikphilosophie ; Schwarze ; Musikästhetik ; Musik ; Blues ; Spiritualität ; Popmusik ; USA ; Electronic books ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Schwarze ; Musik ; Geschichte ; USA ; Popmusik ; Religion ; Spiritualität ; Soul ; Blues ; Spiritualität ; Geschichte
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9780822346890 , 9780822347002
    Language: English
    Pages: IX, 372 S.
    Series Statement: Refiguring American music
    Dissertation note: Zugl.: Diss.
    DDC: 781.64089/00973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1800-2000 ; Geschichte ; Schwarze. USA ; Music and race History 19th century ; Music and race History 20th century ; Folk music History 19th century ; Folk music History 20th century ; Popular music History 19th century ; Popular music History 20th century ; African Americans Segregation ; Popmusik ; Folk music ; Unterhaltungsmusik ; Musik ; Schwarze ; Rassentrennung ; Gesellschaft ; USA Südstaaten ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA Südstaaten ; Musik ; Gesellschaft ; Geschichte 1800-2000 ; USA Südstaaten ; Folk music ; Geschichte 1800-2000 ; USA Südstaaten ; Unterhaltungsmusik ; Popmusik ; Geschichte 1800-2000 ; USA Südstaaten ; Schwarze ; Musik ; Rassentrennung ; Geschichte 1800-2000
    Note: Includes bibliographical references (p. [327]-350) and index
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  • 96
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520262829 , 9780520262836
    Language: English
    Pages: ix, 280 p
    Series Statement: Music of the African diaspora 14
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/960729
    RVK:
    RVK:
    Keywords: Brown, James Criticism and interpretation ; Brown, James ; Geschichte ; Musik ; Schwarze. USA ; Blacks Music ; History and criticism ; African Americans Music ; History and criticism ; Musik ; Schwarze ; Karibik ; Karibik ; Schwarze ; Musik ; Geschichte ; Brown, James 1933-2006
    Note: Includes bibliographical references and index
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  • 97
    Online Resource
    Online Resource
    New York City : Oxford University Press
    ISBN: 0195328531 , 0199716501 , 9780195328530 , 9780199716500
    Language: English
    Pages: 1 Online-Ressource (xiv, 235 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.7/165092
    RVK:
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    Keywords: Coltrane, John Criticism and interpretation ; Coltrane, John ; Fine Arts ; MUSIC / Musical Instruments / Woodwinds ; Musik ; Religion ; Schwarze. USA ; Jazz History and criticism ; Jazz Religious aspects ; African Americans Music Religious aspects ; Jazz musicians Interviews ; Jazz ; Spiritualität ; Religion ; Schwarze ; USA ; Coltrane, John 1926-1967 ; Spiritualität ; USA ; Schwarze ; Jazz ; Religion
    Note: Includes bibliographical references and index , You have to be invited: reflections on music making and musician creation in Black American culture - Leonard L. Brown -- - In his own words: Coltrane's responses - Leonard L. Brown -- - John Coltrane and the practice of freedom - Herman Gray -- - John Coltrane as the personification of spirituality in black music - Anthony Brown -- - Freedom is a constant struggle: Alice Coltrane and the redefining of the jazz avante-garde - Tammy L. Kernodle -- - When bar walkers preach: John Coltrane and the crisis of the black intellectual - Tommy L. Lott -- - "Don't let the devil (make you) lose your joy": a look at late Coltrane - Salim Washington -- - The spiritual ethos of black musica nd its quintessential exemplar, John Coltrane - Emmett G. Price III -- - Somebody please say, "amen!" - Eric D. Jackson -- - Masters on a master introduction: Anthony Brown's and Leonard Brown's conversations with Olly Wilson, Yusef Lateef and Billy Taylor: Conversation with Olly Wilson; Conversation with Yusef Lateef; Conversation with Billy Taylor -- - Coda: George Russell on John Coltrane , John Coltrane's unique and powerful saxophone sound is commonly recognized among scholars and fans of Black American music and jazz as having a "spiritual" nature, imbued with the performer's soul, which deeply touches musicians and listeners worldwide. This revered and respected musician created new standards, linked tradition with innovation, challenged common assumptions, and relentlessly pursued spiritual goals in his music, which he aimed openly to use as a means to help listeners see the beauty of life. More than four decades after Coltrane's death, it is this spiritual nature
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  • 98
    ISBN: 9780472070640 , 0472070649 , 9780472050642 , 0472050648
    Language: English
    Pages: 171 S. , Ill.
    Series Statement: Corporealities. Discourses of disability
    DDC: 780.87/10973
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    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; African American musicians ; Blind musicians ; Musiker ; Blindheit ; Schwarze ; Afroamerikanische Musik ; USA ; Afroamerikanische Musik ; Geschichte ; USA ; Schwarze ; Musiker ; Blindheit
    Note: Includes bibliographical references and index
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  • 99
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520943094
    Language: English
    Pages: 411 p., [14] p.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
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    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Music History and criticism ; African American musicians ; Musik ; Schwarze ; USA ; USA ; Musik ; Schwarze
    Note: "George Gund Foundation imprint in African American studies" , Includes discographies
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  • 100
    Book
    Book
    Lanham ; Boulder ; New York ; Toronto ; Plymouth, UK : Rowman & Littlefield Publishers, Inc.
    ISBN: 9780742558120
    Language: English
    Pages: xv, 223 Seiten , Illustrationen
    Series Statement: The African American history series
    Series Statement: American history
    Series Statement: African American history
    DDC: 780.89/96073
    RVK:
    RVK:
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    RVK:
    Keywords: Geschichte ; African Americans Music ; History and criticism ; Musik ; Schwarze ; USA ; USA ; Schwarze ; Musik ; Geschichte
    Abstract: Traces the roots of black music in Africa and slavery and its evolution in the United States from the end of slavery to the present day. The music's creators, consumers, and distributors are all part of the story. Musical genres such as spirituals, ragtime, the blues, jazz, gospel, rhythm and blues, rock, soul, and hip-hop-as well as black contributions to classical, country, and other American music forms-depict the continuities and innovations that mark both the music and the history of African Americans. --from publisher description
    Note: Includes index. , "Selected bibliography and discography": p. 207-212
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