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  • 1
    Article
    Article
    Associated volumes
    In:  Ethnomusicology forum Vol. 24, No. 1 (2015), p. 102-123
    ISSN: 1741-1912
    Language: English
    Titel der Quelle: Ethnomusicology forum
    Publ. der Quelle: Abingdon, Oxon : Routledge, Taylor & Francis Group
    Angaben zur Quelle: Vol. 24, No. 1 (2015), p. 102-123
    DDC: 390
    Abstract: This paper responds to the common assumption in much recent ethnomusicology that today music is more accessible, ubiquitous and mobile than ever before. In particular, I argue that this assumption runs aground when confronted with sonic practices in South Africa. Based on fieldwork with electronic musicians in Johannesburg and its surrounding areas, I ask how music is practiced and experienced in a context where musical equipment and storage devices constantly break down and where people are largely immobile. I focus on four factors: the physical layout of urban spaces; the immanence of crime and theft; the breakdown of musical equipment; and the interruption of information storage and transfer. By examining these factors, I elucidate the ways in which breakdown, obduracy and failure have generative as well as negative effects on music production and experience. [PUBLICATION ABSTRACT]
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002192
    Language: English
    Pages: 1 Online-Ressource (viii, 288 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 304.2
    Keywords: Music-Philosophy and aesthetics ; Noise-Social aspects ; Sound (Philosophy) ; Sound-Social aspects ; Sounds-Social aspects ; World music ; Electronic books
    Abstract: Exploring a wide range of sonic practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors reorient the field of sound studies toward the global South in order to rethink and decolonize modes of understanding and listening to sound
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction: Remapping Sound Studies in the Global South -- Part I: The Technology Problematic -- 1 ] Another Resonance: Africa and the Study of Sound -- 2 ] Ululation -- 3 ] How the Sea Is Sounded: Remapping Indigenous Soundings in the Marshallese Diaspora -- Part II: Multiple Liminologies -- 4 ] Antenatal Aurality in Pacific Afro-Colombian Midwifery -- 5 ] Loudness, Excess, Power: A Political Liminology of a Global City of the South -- 6 ] The Spoiled and the Salvaged: Modulations of Auditory Value in Bangalore and Bangkok -- 7 ] Remapping the Voice through Transgender-Hījṛā Performance -- Part III: The Politics of Sound -- 8 ] Banlieue Sounds, or, The Right to Exist -- 9 ] Sound Studies, Difference, and Global Concept History -- 10 ] "Faking It": Moans and Groans of Loving and Living in Govindpuri Slums -- 11 ] Disorienting Sounds: A Sensory Ethnography of Syrian Dance Music -- 12 ] Afterword: Sonic Cartographies -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Language: English
    Angaben zur Quelle: 3/2, 2005, S. 195-210
    Note: Gavin Steingo
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478000464 , 9781478000372 , 1478000376 , 1478000465
    Language: English
    Pages: viii, 288 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Remapping sound studies
    Parallel Title: Erscheint auch als Remapping sound studies
    RVK:
    Keywords: Sound (Philosophy) ; Sound Social aspects ; Sounds Social aspects ; Noise Social aspects ; World music ; Music Philosophy and aesthetics ; Sound ; Klang ; Lärm ; Weltmusik ; Musikphilosophie
    Description / Table of Contents: Another resonance : Africa and the study of sound$hGavin Steingo
    Description / Table of Contents: Ululation$hLouise Meintjes
    Description / Table of Contents: How the sea is sounded : remapping indigenous soundings in the Marshallese diaspora$hJessica A. Schwartz
    Description / Table of Contents: Antenatal aurality in Pacific Afro-Colombian midwifery$hJairo Moreno
    Description / Table of Contents: Loudness, excess, power : a political liminology of a global city of the South$hMichael Birenbaum Quintero
    Description / Table of Contents: The spoiled and the salvaged : modulations of auditory value in Bangalore and Bangkok$hMichele Friedner and Benjamin Tausig
    Description / Table of Contents: Remapping the voice through transgender-Hijra performance$hJeff Roy
    Description / Table of Contents: Banlieue sounds, or, The right to exist$hHervé Tchumkam
    Description / Table of Contents: Sound studies, difference, and global concept history$hJim Sykes
    Description / Table of Contents: "Faking it" : moans and groans of loving and living in Govindpuri Slums$hTripta Chandola
    Description / Table of Contents: Disorienting sounds : a sensory ethnography of Syrian dance music$hShayna Silverstein
    Description / Table of Contents: Afterword: Sonic cartographies$hAna María Ochoa Gautier
    Note: Includes bibliographical references and index
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  • 5
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362403 , 9780226362540
    Language: English
    Pages: xx, 307 Seiten , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Jugend ; Politischer Wandel ; Soziale Funktion ; Schwarze ; Kwaito ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    Berlin : VWB-Verl. für Wiss. u. Bildung
    ISBN: 9783861358169
    Language: English
    Pages: 155 S. , Ill., Notenbeisp.
    Series Statement: The world of music : journal of the Ethnomusicology Programme, The University of Sheffield / Jonathan P. J. Stock, ed. 50.2008,2
    Series Statement: The world of music
    DDC: 782.4216490968
    Keywords: Aufsatzsammlung ; Südafrika ; Kwaito
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