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Jazz diasporas

race, music, and migration in post-World War II Paris
Verfasser: Braggs, Rashida K. <1976->

(DE-588)1084821451
978-0-520-27934-6; 978-0-520-27935-3
Schlagwörter: Paris

; Amerikanischer Einwanderer

; Jazzmusiker

; Schriftsteller

; Schwarze

; Ethnische Identität

; Kulturkontakt

; Geschichte 1945-1961

Buch

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Bayerische Staatsbibliothek München (Sigel: 12)

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Fach:

Musikwissenschaft

Dieser Titel ist Teil einer Serie/Reihe:

Music of the african diaspora

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https://gateway-bayern.de/BV043372210

Letzte Änderung: 27.07.2021

Titel:	Jazz diasporas
Untertitel:	race, music, and migration in post-World War II Paris
URL:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=02879111...
Erläuterung :	Inhaltsverzeichnis
URL:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=02879111...
Erläuterung :	Inhaltsverzeichnis
Von:	Rashida K. Braggs
LoC-Nummer:	015026558
ISBN:	978-0-520-27934-6
Preis/Einband:	(cloth : alk. paper)
ISBN:	978-0-520-27935-3
Preis/Einband:	(pbk. : alk. paper)
Erscheinungsort:	Oakland, California
Verlag:	University of California Press
Erscheinungsjahr:	[2016]
Umfang:	XVI, 261 Seiten
Details:	Illustrationen
Serie/Reihe:	Music of the african diaspora
Band:	18
ID der Serie/Reihe:	(DE-604)BV012010666
Fußnote :	Includes bibliographical references and index
Abstract:	"At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
Sprache:	eng
LoC-Notation:	ML3509.F78
RVK-Notation:	LS 48100
SsgN-Notation:	9,2
Andere Ausgabe:	Erscheint auch als
_Bemerkung:	Online-Ausgabe
_ISBN:	978-0-520-96341-2
Thema (Schlagwort):	Paris; Amerikanischer Einwanderer; Jazzmusiker; Schriftsteller; Schwarze; Ethnische Identität; Kulturkontakt; Geschichte 1945-1961
Weitere Schlagwörter :	Geschichte 1900-2000
Weitere Schlagwörter :	Jazz musicians; France; Paris; 20th century; African American musicians; France; Paris; 20th century; Jazz; France; Paris; History and criticism; African American authors; France; Paris; 20th century
Weitere Schlagwörter :	Frankreich; Paris (France); Race relations; 20th century

MARC-Felder:

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Jazz diasporas; race, music, and migration in post-World War II Paris

B3Kat (1/1)

Jazz diasporas