Drucken
SpeichernB3Kat (1/1)
Time and memory in reggae music
the politics of hopeVerfasser: Daynes, Sarah
Paperback edition first published 2016
978-1-7849-9280-4
Schlagwörter 1: Reggae
; Gesellschaft ; Geschichte 1970-2000Schlagwörter 2: Reggae
; Erinnerung <Motiv> ; Geschichte 1970-2000Schlagwörter 3: Schwarze
; Sklaverei ; Diaspora <Sozialwissenschaften> ; Rassismus ; Kollektives Gedächtnis ; Reggae 
Buch
(Services, Fernleihe und weitere eXtras)
Bestand im BVB:
Fach:
Letzte Änderung: 22.04.2020
MARC-Felder:
Fach:
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV044201842
Letzte Änderung: 22.04.2020
| Titel: | Time and memory in reggae music |
|---|---|
| Untertitel: | the politics of hope |
| Von: | Sarah Daynes |
| ISBN: | 978-1-7849-9280-4 |
| Preis/Einband: | pbk. |
| Erscheinungsort: | Manchester |
| Verlag: | Manchester University Press |
| Erscheinungsjahr: | 2016 |
| Ausgabe: | Paperback edition first published 2016 |
| Umfang: | VI, 296 Seiten |
| Details: | Diagramme |
| Serie/Reihe: | Music and society |
| Abstract: | On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of 'memory at work' opens up a theoretical problem: the conceptualization of time and its relationship with memory. - Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro |
| Sprache: | eng |
| RVK-Notation: | LS 48900 |
| SsgN-Notation: | 9,2 |
| Angaben zum Inhalt: | Introduction. -- Part I: A study in elective affinity: music, religion and memory: 1. Reggae and Rastafari: a history - 2. Interpreting songs: notes on methodology - 3. Analysis of reggae charts, 1968-2000 - 4. The construction of a musical memory in reggae music. -- Part II: Remembering the past: 5. Slavery and the diaspora: temporal and spatial articulations - 6. The construction of a religious chain of memory. -- Part III: Revealing the future: 7. Messianism, between past and future - 8. Hope and redemption - 9. The end of the world as future-present. -- Part IV: From revelation to revolution: 10. The construction of a sociopolitical memory of liberation - 11. Rhetoric of oppression and social critique - 12. Resistance and revolution. -- Part V: Conclusion: 13. Time and memory. -- Appendices. -- Bibliography. -- Index |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, hbk. |
| _ISBN: | 978-0-7190-7621-3 |
| Thema (Schlagwort): | Reggae; Gesellschaft; Geschichte 1970-2000; Reggae; Erinnerung; Geschichte 1970-2000; Schwarze; Sklaverei; Diaspora; Rassismus; Kollektives Gedächtnis; Reggae |
| Weitere Schlagwörter : | Reggae music / History and criticism; Reggae music / Social aspects; Memory in music; Time in music; Gesellschaft |
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044201842 | ||
| 003 | DE-604 | ||
| 005 | 20200422 | ||
| 007 | t | ||
| 008 | 170227s2016 |||| |||| 00||| eng d | ||
| 020 | |a 9781784992804 |c pbk. |9 978-1-7849-9280-4 | ||
| 035 | |a (OCoLC)1015881106 | ||
| 035 | |a (DE-599)BVBBV044201842 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 | ||
| 082 | 0 | |a 782.421646 | |
| 084 | |a LS 48900 |0 (DE-625)110577: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Daynes, Sarah |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Time and memory in reggae music |b the politics of hope |c Sarah Daynes |
| 250 | |a Paperback edition first published 2016 | ||
| 264 | 1 | |a Manchester |b Manchester University Press |c 2016 | |
| 300 | |a VI, 296 Seiten |b Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music and society | |
| 505 | 8 | |a Introduction. -- Part I: A study in elective affinity: music, religion and memory: 1. Reggae and Rastafari: a history - 2. Interpreting songs: notes on methodology - 3. Analysis of reggae charts, 1968-2000 - 4. The construction of a musical memory in reggae music. -- Part II: Remembering the past: 5. Slavery and the diaspora: temporal and spatial articulations - 6. The construction of a religious chain of memory. -- Part III: Revealing the future: 7. Messianism, between past and future - 8. Hope and redemption - 9. The end of the world as future-present. -- Part IV: From revelation to revolution: 10. The construction of a sociopolitical memory of liberation - 11. Rhetoric of oppression and social critique - 12. Resistance and revolution. -- Part V: Conclusion: 13. Time and memory. -- Appendices. -- Bibliography. -- Index | |
| 520 | |a On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of 'memory at work' opens up a theoretical problem: the conceptualization of time and its relationship with memory. - Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro | ||
| 648 | 7 | |a Geschichte 1970-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Reggae music / History and criticism | |
| 650 | 4 | |a Reggae music / Social aspects | |
| 650 | 4 | |a Memory in music | |
| 650 | 4 | |a Time in music | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 0 | 7 | |a Diaspora |g Sozialwissenschaften |0 (DE-588)1188375210 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kollektives Gedächtnis |0 (DE-588)4200793-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sklaverei |0 (DE-588)4055260-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rassismus |0 (DE-588)4076527-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Reggae |0 (DE-588)4131018-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gesellschaft |0 (DE-588)4020588-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erinnerung |g Motiv |0 (DE-588)4193441-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Reggae |0 (DE-588)4131018-4 |D s |
| 689 | 0 | 1 | |a Gesellschaft |0 (DE-588)4020588-5 |D s |
| 689 | 0 | 2 | |a Geschichte 1970-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Reggae |0 (DE-588)4131018-4 |D s |
| 689 | 1 | 1 | |a Erinnerung |g Motiv |0 (DE-588)4193441-6 |D s |
| 689 | 1 | 2 | |a Geschichte 1970-2000 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 2 | 1 | |a Sklaverei |0 (DE-588)4055260-3 |D s |
| 689 | 2 | 2 | |a Diaspora |g Sozialwissenschaften |0 (DE-588)1188375210 |D s |
| 689 | 2 | 3 | |a Rassismus |0 (DE-588)4076527-1 |D s |
| 689 | 2 | 4 | |a Kollektives Gedächtnis |0 (DE-588)4200793-8 |D s |
| 689 | 2 | 5 | |a Reggae |0 (DE-588)4131018-4 |D s |
| 689 | 2 | |5 DE-188 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hbk. |z 978-0-7190-7621-3 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0904 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029608377 | ||
