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  • BVB  (69)
  • 2015-2019  (69)
  • Schwarze  (69)
  • Musicology  (44)
  • American Studies  (28)
Material
Language
Years
Year
  • 1
    ISBN: 9781433161292 , 9781433161308 , 143316129X
    Language: English
    Pages: xxix, 683 Seiten , Illustrationen
    Series Statement: Black studies & critical thinking vol. 110
    Series Statement: Black studies & critical thinking
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Interdisziplinäre Forschung ; USA ; African ; American ; Bode ; Brock ; Cynthia ; Dillard ; Dimensions ; Discipline ; Nathaniel ; Norment ; Rochelle ; Sarah ; Studies ; Schwarze ; Interdisziplinäre Forschung ; USA
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  • 2
    ISBN: 9780190908386
    Language: English
    Pages: xiv, 389 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Andrews, William L., 1946- author Slavery and class in the American South
    DDC: 306.362097509034
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    Keywords: Geschichte 1840-1865 ; Slaves' writings, American History and criticism ; Slaves Biography History and criticism ; African Americans Biography ; History and criticism ; Slaves Social conditions 19th century ; Slavery History 19th century ; Soziale Situation ; Sklave ; Erzählung ; Schwarze ; USA Südstaaten ; USA Südstaaten ; Schwarze ; Sklave ; Soziale Situation ; Erzählung ; Geschichte 1840-1865
    Abstract: "In William L. Andrews's magisterial study of an entire generation of slave narrators, more than 60 mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slave narrators disclosed class-based reasons for violence that broke out between 'impudent,' 'gentleman,' and 'lady' slaves and their resentful "mean masters." Andrews's far-reaching book shows that status and class played key roles in the self- and social awareness and in the processes of liberation portrayed in the narratives of the most celebrated fugitives from U.S. slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Noting that the majority of the slave narrators came from the higher echelons of the enslaved, Andrews also pays close attention to the narratives that have received the least notice from scholars, those from the most exploited class, the 'field hands.' By examining the lives of the most and least acclaimed heroes and heroines of the slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers' advantage, but at other times fueling pride, aspiration, and a sense of just deserts among some of the enslaved that could be satisfied by nothing less than complete freedom"...
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
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    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
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    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 5
    Book
    Book
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
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    Keywords: Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Description / Table of Contents: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
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  • 6
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
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    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 9781783481095 , 9781783481101
    Language: English
    Pages: xiv, 167 Seiten , Illustrationen
    DDC: 398.2089/96073
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    Keywords: Brer Rabbit ; African Americans in literature ; Tricksters in literature ; American literature History and criticism ; Brer Rabbit Fiktive Gestalt ; Gauner ; Schwarze ; Trickster ; Literatur ; USA ; Geschichte
    Abstract: "Examines the cultural significance of the North American trickster figure Brer Rabbit"--
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9783945644034
    Language: German
    Pages: 111 Seiten , 110 mm x 163 mm
    Edition: 3. unveränderte Auflage
    DDC: 800
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    Keywords: Lorde, Audre ; Feminismus ; Rassismus ; Sexismus ; Schwarze ; USA ; Lorde, Audre 1934-1992 ; USA ; Schwarze ; Feminismus ; Rassismus ; Sexismus
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  • 9
    Book
    Book
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Language: English
    Pages: xiii, 254 Seiten
    Edition: This editon first published
    Series Statement: African American literature Volume 2
    Series Statement: African American literature
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    Keywords: Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
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  • 10
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Palgrave Macmillan
    ISBN: 9789811335136
    Language: English
    Pages: 1 Online-Ressource (IX, 179 p. 3 illus., 2 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76
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    Keywords: Queer Theory ; Music ; Gender and Sexuality ; Culture and Gender ; Queer theory ; Music ; Gender identity ; Culture ; Gender ; Homosexualität ; Männlichkeit ; Rapmusiker ; Ethnische Identität ; Schwarze ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Language: English
    Pages: xix, 293 Seiten , 24 cm
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 793.319468
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    Keywords: Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 13
    ISBN: 9788523218720
    Language: Portuguese
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Abstract: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 14
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 17
    Book
    Book
    Hamburg ; Berlin :Orlanda Buchverlag UG,
    ISBN: 978-3-944666-53-2
    Language: German
    Pages: 289 Seiten.
    Edition: 1. Auflage, 2018
    Uniform Title: Black looks
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    Keywords: Schwarze Frau. ; Rassismus. ; Sexismus. ; Stereotyp. ; Schwarze. ; Massenkultur. ; Vermarktung. ; USA. ; Schwarze Frau ; Rassismus ; Schwarze Frau ; Sexismus ; Stereotyp ; Rassismus ; Schwarze ; Massenkultur ; Vermarktung ; Schwarze
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  • 18
    Book
    Book
    Gainesville : University Press of Florida
    ISBN: 9780813064895
    Language: English
    Pages: xviii, 191 Seiten , Illustrationen
    Edition: First paperback printing
    Parallel Title: Äquivalent
    DDC: 305.48/896073
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    Keywords: Geschichte 1800-1900 ; African American women History ; African American women Political activity ; History ; African American women civil rights workers History ; African Americans Civil rights ; History ; African American women political activists History ; African Americans Social life and customs ; Schwarze ; Schriftstellerin ; Frauenliteratur ; Politische Publizistik ; USA ; USA ; Schwarze ; Frauenliteratur ; Politische Publizistik ; USA ; Schwarze ; Schriftstellerin ; Geschichte 1800-1900
    Abstract: The book analyzes black women's engagement with the liberal problematic...the gap between democratic promise and dispossession...as a form of resistance
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9788857548050
    Language: Italian
    Pages: 214 pages , 21 cm
    Series Statement: Eterotopie n. 461
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    Keywords: Geschichte ; African Americans / Music / History and criticism ; Music and anthropology ; Gesang ; Musikanthropologie ; Schwarze ; Nordamerika ; Nordamerika ; Schwarze ; Gesang ; Musikanthropologie ; Geschichte
    Note: Includes bibliographical references (pages 207-214)
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  • 20
    Online Resource
    Online Resource
    London : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781783484003
    Language: English
    Pages: 1 Online-Ressource (194 pages)
    Edition: 1st ed.
    Series Statement: Global Critical Caribbean Thought
    DDC: 820.8
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    Keywords: Dixon, Melvin ; Schwarze ; Literatur ; Ethnische Identität ; English literature ; Electronic books
    Abstract: This book explores how contemporary black literature challenges theoretical approaches of race, gender and sexualities.
    Note: Description based on publisher supplied metadata and other sources
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  • 21
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 22
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370468 , 9780822370550
    Language: English
    Pages: xiii, 291 Seiten
    Series Statement: Consent not to be a single being [v. 3]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Universal machine
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - The universal machine
    DDC: 305.89601
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    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Racism Philosophy ; Schwarze ; Identität ; Rassismus ; Philosophie ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: There is no racism intended -- Refuse, refuge -- The case of blackness
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  • 23
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370581 , 9780822370437
    Language: English
    Pages: xii, 321 Seiten , 24 cm
    Series Statement: Consent not to be a single being [v. 2]
    Series Statement: Consent not to be a single being
    Parallel Title: Erscheint auch als Moten, Fred, author Stolen life
    Parallel Title: Erscheint auch als Moten, Fred, 1962 - Stolen life
    DDC: 305.896
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    Keywords: Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Black race Philosophy ; Blacks Race identity ; Philosophy ; Philosophy, Black ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Rassismus ; Soziale Situation ; Geschichte ; Schwarze ; Identität ; Rassismus ; Philosophie
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references (pages 269-308) and index
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  • 24
    Book
    Book
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
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    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372028 , 0822372029
    Language: English
    Pages: 1 Online-Ressource (xii, 321 pages)
    Series Statement: Consent not to be a single being [v. 2]
    Parallel Title: Erscheint auch als
    DDC: 305.896
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    Keywords: Geschichte ; Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Schwarze ; Identität ; Soziale Situation ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Geschichte ; Philosophie ; Soziale Situation
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield International
    ISBN: 9781786602541 , 9781786602558
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Blacks Race identity ; Whites Race identity ; Race awareness ; Racism ; Ethnische Identität ; Kultur ; Schwarze ; Weiße ; USA ; USA ; Kultur ; Schwarze ; Weiße ; Ethnische Identität
    Note: Includes bibliographical references and index
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  • 27
    Book
    Book
    London : Rowman & Littlefield international
    ISBN: 9781783483990 , 9781783483983 , 1783483989
    Language: English
    Pages: xvi, 176 Seiten , 24 cm
    Series Statement: Global critical Caribbean thought
    DDC: 809.3/9352039608
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    Keywords: Dixon, Melvin ; Schwarze ; Literatur ; Ethnische Identität
    Abstract: "This book explores how contemporary black literature challenges theoretical approaches of race, gender and sexualities."--Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 28
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
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  • 30
    Book
    Book
    New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw : Peter Lang
    ISBN: 9781433124068 , 1433124068
    Language: English
    Pages: xii, 281 Seiten , 26 cm
    Series Statement: Black studies & critical thinking 60
    Series Statement: Black studies & critical thinking
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: Intersektionalität ; Schwarze ; USA ; Black ; Brock ; Critical ; Reader ; Studies ; Aufsatzsammlung ; USA ; Schwarze ; Intersektionalität
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  • 31
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
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  • 32
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 33
    ISBN: 9781477312087 , 9781477312070
    Language: English
    Pages: x, 261 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2089/96073
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    Keywords: Geschichte 1930-1940 ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Folklore ; African Americans Race identity ; Sex role ; Popular music History and criticism ; Music Social aspects ; History and criticism ; Popular music African influences ; Folk songs, English ; Rasse ; Volkskunde ; Geschlechterforschung ; Schwarze ; USA ; USA ; USA ; Schwarze ; Volkskunde ; Rasse ; Geschlechterforschung ; Geschichte 1930-1940
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9780253024947 , 9780253353573
    Language: English
    Pages: xxxvi, 199 pages , Illustrationen
    Edition: New edition
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La.
    Note: Bibliography: Seite 175-188
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  • 35
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 36
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 37
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
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    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 39
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 40
    ISBN: 9780252041334 , 9780252082863
    Language: English
    Pages: xi, 227 Seiten , 23 cm
    Series Statement: The new black studies series
    Parallel Title: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Abstract: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Note: Literaturangaben: Seite [205]-220
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  • 41
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
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  • 42
    ISBN: 9781501126345
    Language: English
    Pages: viii, 226 Seiten , Illustrationen , 22 cm
    Edition: First Scribner hardcover edition
    DDC: 305.896/073
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    Keywords: African Americans Social conditions 21st century ; Blacks Race identity ; Racism ; African Americans in literature ; African Americans in popular culture ; American literature African American authors ; History and criticism ; African Americans ; United States Race relations 21st century ; Quelle ; Quelle ; Quelle ; Quelle ; USA ; Schwarze ; Rassenfrage ; Rassismus ; Bürgerrecht ; Baldwin, James 1924-1987 ; Rassenpolitik ; Geschichte
    Abstract: The Tradition / by Jericho Brown -- Introduction / by Jesmyn Ward -- Part I: Legacy -- Homegoing, AD / by Kima Jones -- The Weight / by Rachel Ghansah / Lonely in America / by Wendy S. Walters -- Where Do We Go from Here? / by Isabel Wilkerson -- "The Dear Pledges of Our Love": A Defense of Phillis Wheatley's Husband / Honoree Jeffers -- White Rage / by Carol Anderson -- Cracking the Code / by Jesmyn Ward -- Part II: Reckoning -- Queries of Unrest / by Clint Smith -- Blacker Than Thou / by Kevin Young -- Da Art of Storytellin' (a prequel) / by Kiese Laymon -- Black and Blue / by Garnette Cadogan --The Condition of Black Life is One of Mourning / by Claudia Rankine -- Know Your Rights! / by Emily Raboteau -- Composite Pops / by Mitchell Jackson -- Part III: Jubilee -- Theories of Time and Space / by Natasha Trethewey -- Love in the Time of Contradiction / by Daniel Jose Older -- Message to My Daughters / by Edwidge Danticat
    Abstract: National Book Award winner Jesmyn Ward takes James Baldwin’s 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin’s 1962 “Letter to My Nephew,” which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.” Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns. The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “post-racial” society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.
    Note: "The tradition" , Introduction , Homegoing, AD , The weight , Lonely in America , Where do we go from here? , "The dear pledges of our love": A defense of Phillis Wheatley's husband , White rage , Cracking the code , Queries of unrest , Blacker than thou , Da art of storytellin' (a prequel) , Black and blue , The condition of black life is one of mourning , Know your rights! , Composite pops , Theories of time and space , This far: Notes on love and revolution , Message to my daughters
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  • 43
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252040573 , 9780252082047
    Language: English
    Pages: xii, 240 Seiten , Illustrationen , 24 cm
    DDC: 305.89607309034
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    Keywords: Geschichte 1800-1900 ; LITERARY CRITICISM / American / African American / bisacsh ; SOCIAL SCIENCE / Children's Studies / bisacsh ; SOCIAL SCIENCE / Ethnic Studies / African American Studies / bisacsh ; African American girls History 19th century ; African Americans Social conditions 19th century ; African Americans Politics and government 19th century ; Political culture History 19th century ; African Americans Intellectual life 19th century ; American literature African American authors ; History and criticism ; African Americans in literature ; Girls in literature ; Politics and literature History 19th century ; Schwarze ; Mädchen ; Literatur ; United States Race relations 19th century ; History ; USA ; USA ; Literatur ; Schwarze ; Mädchen ; Geschichte 1800-1900
    Abstract: "Long portrayed as a masculine endeavor, the African American struggle for progress often found expression through an unlikely literary figure: the black girl. Nazera Sadiq Wright uses heavy archival research on a wide range of texts about African American girls to explore this understudied phenomenon. As Wright shows, the figure of the black girl in African American literature provided a powerful avenue for exploring issues like domesticity, femininity, and proper conduct. The characters' actions, however fictional, became a rubric for African American citizenship and racial progress. At the same time, their seeming dependence and insignificance allegorized the unjust treatment of African Americans. Wright reveals fascinating girls who, possessed of a premature knowing and wisdom beyond their years, projected a courage and resiliency that made them exemplary representations of the project of racial advance and citizenship"--Publisher description
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction: Toward a Genealogy of Black Girlhood -- Black Girlhood in the Early Black Press -- Youthful Girls and Prematurely Knowing Girls : Antebellum Black Girlhood -- "Teach your Daughters" : Black Girlhood and Mrs. N. F. Mossell's Advice Column in the New York Freeman -- Moving the Boundaries : Black Girlhood and Public Careers in Frances E.W. Harper's Trial and Triumph -- Black Girlhood in Early-Twentieth-Century Black Conduct Books -- Epilogue: The Changing Same? : Next-Generation Black Girlhood
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  • 44
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Language: English
    Pages: 1 Online-Ressource (x, 242 Seiten)
    Series Statement: Eastman studies in music v. 131
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0954
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    Keywords: Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Abstract: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Description / Table of Contents: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Note: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
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  • 45
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
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    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
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  • 46
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
    RVK:
    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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  • 47
    Book
    Book
    Cambridge, Massachusetts ; London, England : Harvard University Press
    ISBN: 9780674659971 , 9780674728752
    Language: English
    Pages: vii, 675 Seiten , Diagramme
    Edition: First paperback edition
    Parallel Title: Erscheint auch als
    DDC: 305.23508996
    RVK:
    RVK:
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    Keywords: Alltag, Brauchtum ; African American youth / Social conditions ; African American youth / Social life and customs ; Schwarze ; Soziale Situation ; Kulturelle Identität ; Jugend ; Schwarze ; Jugend ; Soziale Situation ; Kulturelle Identität
    Description / Table of Contents: Includes bibliographical references and index
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  • 48
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781784992804
    Language: English
    Pages: VI, 296 Seiten , Diagramme
    Edition: Paperback edition first published 2016
    Series Statement: Music and society
    Parallel Title: Erscheint auch als
    DDC: 782.421646
    RVK:
    Keywords: Geschichte 1970-2000 ; Reggae music / History and criticism ; Reggae music / Social aspects ; Memory in music ; Time in music ; Gesellschaft ; Gesellschaft ; Rassismus ; Diaspora ; Kollektives Gedächtnis ; Erinnerung ; Sklaverei ; Reggae ; Schwarze ; Reggae ; Gesellschaft ; Geschichte 1970-2000 ; Reggae ; Erinnerung ; Geschichte 1970-2000 ; Schwarze ; Sklaverei ; Diaspora ; Rassismus ; Kollektives Gedächtnis ; Reggae
    Abstract: On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of 'memory at work' opens up a theoretical problem: the conceptualization of time and its relationship with memory. - Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro
    Description / Table of Contents: Introduction. -- Part I: A study in elective affinity: music, religion and memory: 1. Reggae and Rastafari: a history - 2. Interpreting songs: notes on methodology - 3. Analysis of reggae charts, 1968-2000 - 4. The construction of a musical memory in reggae music. -- Part II: Remembering the past: 5. Slavery and the diaspora: temporal and spatial articulations - 6. The construction of a religious chain of memory. -- Part III: Revealing the future: 7. Messianism, between past and future - 8. Hope and redemption - 9. The end of the world as future-present. -- Part IV: From revelation to revolution: 10. The construction of a sociopolitical memory of liberation - 11. Rhetoric of oppression and social critique - 12. Resistance and revolution. -- Part V: Conclusion: 13. Time and memory. -- Appendices. -- Bibliography. -- Index
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  • 49
    Book
    Book
    Rochester, NY : University of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer Limited
    ISBN: 9781580465489
    Language: English
    Pages: x, 242 Seiten , Illustrationen , 24 cm
    Series Statement: Eastman studies in music v. 131
    Series Statement: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popmusik ; Musiker ; Schwarze ; Afroamerikanische Musik ; Unterhaltungsmusik ; Indien ; USA ; Britisch-Indien ; USA ; USA ; Unterhaltungsmusik ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Schwarze ; Musiker ; Britisch-Indien
    Abstract: "American Popular Music in Britain's Raj" is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. - Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi. (Klappentext)
    Description / Table of Contents: List of Figures. - Acknowledgments. - Introduction. - 1 Entertainment Globalization, 1850s to 1910s. - 2 Technologies, Exoticism, and Entrepreneurs, 1920s and 1930s. - 3 Calcutta in the War. - 4 The Case of Lucknow. - 5 Cabaret Sequences in Hindi Films. - Afterword. - Notes. - Bibliography. - Filmography and Discography. - Index
    Note: Series numbering from CIP data. - Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index
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  • 50
    Book
    Book
    New York : Vintage Books
    ISBN: 9780307473431
    Language: English
    Pages: 248 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Edition: First Vintage Books edition
    Parallel Title: Erscheint auch als
    DDC: 305.896/0730773110904
    RVK:
    Keywords: Jefferson, Margo ; Frau ; Schwarze ; Ethnische Identität ; Rassendiskriminierung ; USA ; Jefferson, Margo / 1947- / Childhood and youth ; Jefferson family ; African Americans / Race identity ; Elite (Social sciences) / Illinois / Chicago Region ; African American women / Illinois / Chicago / Biography ; African American girls / Illinois / Chicago Region / Social conditions / 20th century ; African Americans / Illinois / Chicago / Social life and customs / 20th century ; Chicago (Ill.) / Race relations / History / 20th century / Anecdotes ; Chicago Region (Ill.) / Social life and customs / 20th century / Anecdotes ; Chicago Region (Ill.) / Biography ; Autobiografie ; Autobiografie ; Jefferson, Margo 1947- ; USA ; Schwarze ; Frau ; Rassendiskriminierung ; Ethnische Identität
    Abstract: "At once incendiary and icy, mischievous, and provocative, celebratory and elegiac, a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned to distance itself from whites and the black generality, while tirelessly measuring itself against both. Born in 1947 in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty." Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of post-racial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance. (With 8 pages of black-and-white illustrations.)"
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  • 51
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520279346 , 9780520279353
    Language: English
    Pages: xvi, 261 Seiten , Illustrationen
    Series Statement: Music of the African diaspora 18
    DDC: 781.6508996073044361
    RVK:
    RVK:
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    Keywords: Geschichte 1945-1961 ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Paris
    Note: Literaturverzeichnis Seite 227 - 242
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  • 52
    Online Resource
    Online Resource
    London, [England] ; New York, New York : Routledge
    ISBN: 9781317096887
    Language: English
    Pages: 1 Online-Ressource (194 pages) , illustrations, tables
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Manning, Harriet J. Michael Jackson and the blackface mask
    DDC: 782.42166092
    RVK:
    Keywords: Jackson, Michael Criticism and interpretation ; Jackson, Michael ; Music and race ; Blackface entertainers ; Minstrel music History and criticism ; Minstrel show ; Maske ; Minstrel ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Minstrel ; Maske ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
    Note: "An Ashgate Book"--Cover , Description based on print version record
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  • 53
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362403 , 9780226362540
    Language: English
    Pages: XX, 307 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.63096822/1
    RVK:
    Keywords: Geschichte 1994-2014 ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Politischer Wandel ; Kwaito ; Soziale Funktion ; Jugend ; Schwarze ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9781498518338 , 9781498518314
    Language: English
    Parallel Title: Erscheint auch als
    DDC: 305.8960730092
    RVK:
    Keywords: Du Bois, W. E. B. Criticism and interpretation ; Du Bois, William E. B. ; American literature African American authors ; History and criticism ; Blacks Intellectual life 20th century ; Cosmopolitanism in literature ; Weltbürgertum ; Werk ; Schwarze ; Identität ; Universalismus ; Du Bois, William E. B. 1868-1963 ; Werk ; Identität ; Schwarze ; Universalismus ; Weltbürgertum
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  • 55
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    ISBN: 9780674728752
    Language: English
    Pages: VII, 675 S. , graph. Darst.
    Parallel Title: Erscheint auch als
    DDC: 305.23508996
    RVK:
    RVK:
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    Keywords: Alltag, Brauchtum ; African American youth / Social conditions ; African American youth / Social life and customs ; Kulturelle Identität ; Schwarze ; Soziale Situation ; Jugend ; Schwarze ; Jugend ; Soziale Situation ; Kulturelle Identität
    Note: Includes bibliographical references and index
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  • 56
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415881807 , 9780415881814 , 9781315857671
    Language: English
    Pages: XV, 465 S. , Ill., Notenbeisp.
    Additional Material: 1 CD
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans / Music / History and criticism ; Musik ; Schwarze. USA ; Musik ; Afroamerikanische Musik ; Musikleben ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Musik ; USA ; Schwarze ; Musikleben ; Afroamerikanische Musik
    Note: Previous ed.: 2006
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  • 57
    ISBN: 9781472455390
    Language: English
    Pages: xii, 321 Seiten , Illustrationen
    DDC: 305.896073
    RVK:
    Keywords: Geschichte 1992-2012 ; Literatur ; Kultur ; Schwarze ; USA ; Kongress ; Konferenzschrift ; Konferenzschrift 2013 ; Konferenzschrift 2013
    Note: Literaturangaben
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  • 58
    Book
    Book
    Lanham, Md. : Rowman & Littlefield
    ISBN: 978-0-8108-8832-6
    Language: English
    Pages: XV, 331 S.
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1920-1940 ; Jazz / California / Los Angeles / 1921-1930 / History and criticism ; Jazz / California / Los Angeles / 1931-1940 / History and criticism ; African American jazz musicians / California / Los Angeles / Interviews ; Jazz musicians / California / Los Angeles / Interviews ; African American jazz musicians ; Jazz ; Jazz musicians ; Jazzmusiker ; Schwarze ; Central Avenue (Los Angeles, Calif.) ; California / Los Angeles ; California / Los Angeles / Central Avenue ; Los Angeles, Calif. ; Los Angeles, Calif. ; Jazzmusiker ; Schwarze ; Geschichte 1920-1940
    Note: Includes bibliographical references and index , Andrew "Andy" Blakeney -- Gideon Joseph "Gid" Honore, Jr -- George Robert Orendorff -- Nathaniel Jack "Monk" McFay -- Floyd Payne Turnham, Jr -- Betty Hall Jones -- Mclure "Red Mack" Morris -- Caughey Wesley Roberts II -- Chester C. Lane -- Isadore Leonidas "Monte" Easter -- William King "Billy" Hadnott -- Norman "Norm" Leland Bowden -- John Richard "Streamline" Ewing -- Charles L. "Chuck" Thomas, Jr -- Jesse John Sailes -- "Red" Minor W. Robinson
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  • 59
    Book
    Book
    Chapel Hill : The Univ. of North Carolina Press
    ISBN: 1469622696 , 9781469622699
    Language: English
    Pages: XIV, 291 S. , Ill.
    DDC: 780.89/9607307471
    RVK:
    RVK:
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
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  • 60
    ISBN: 9781479865437 , 9781479818365
    Language: English
    Pages: 280 Seiten , Illustrationen, Notenbeispiele
    Series Statement: NYU series in social and cultural analysis
    DDC: 305.896073
    RVK:
    Keywords: Wilson, Fred ; Walker, Kara ; African American aesthetics ; Abstraction ; African American arts Themes, motives ; Musik ; Figuration ; Abstraktion ; Repräsentation ; Schwarze ; Realismus ; Literatur ; USA ; USA ; Abstraktion ; Figuration ; Realismus ; Schwarze ; Repräsentation ; Literatur ; Musik ; Wilson, Fred 1954- ; Walker, Kara 1969-
    Description / Table of Contents: Includes bibliographical references and index
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  • 61
    Book
    Book
    Baton Rouge : Louisiana State University Press
    ISBN: 9780807161111
    Language: English
    Pages: xii, 530 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3620975
    RVK:
    RVK:
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    Keywords: Gewalt ; Plantage ; Sklaverei ; Schwarze ; USA Südstaaten ; USA Südstaaten ; Sklaverei ; Schwarze ; Plantage ; Gewalt
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  • 62
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781628462050
    Language: English
    Pages: x, 190 Seiten , 24 cm
    Edition: First printing
    Parallel Title: Erscheint auch als
    DDC: 305.8009730904
    RVK:
    RVK:
    RVK:
    Keywords: Schwarze ; Weiße ; Asiaten ; Männlichkeit ; Massenkultur ; Rassismus ; Literatur ; USA ; USA ; Literatur ; Massenkultur ; Rassismus ; Weiße ; Asiaten ; Schwarze ; Männlichkeit
    Abstract: "East Meets Black examines the making and remaking of race and masculinity through the racialization of Asian and black men, confronting this important white stratagem to secure class and racial privilege, wealth, and status in the post-civil rights era. Indeed, Asian and black men in neoliberal America are cast by white supremacy as oppositional. Through this opposition in the US racial hierarchy, Chong Chon-Smith argues that Asian and black men are positioned along binaries--brain/body, diligent/lazy, nerd/criminal, culture/genetics, student/convict, and technocrat/athlete--in what he terms "racial magnetism." Via this concept, East Meets Black traces the national conversations that oppose black and Asian masculinities but also the Afro-Asian counterpoints in literature, film, popular sport, hip hop music, performance arts, and internet subcultures. Chon-Smith highlights the spectacle and performance of baseball players such as Ichiro Suzuki within global multiculturalism and the racially coded controversy between Yao Ming and Shaquille O'Neal in transnational basketball. Further, he assesses the prominence of martial arts buddy films such as Romeo Must Die and Rush Hour that produce Afro-Asian solidarity in mainstream Hollywood cinema. Finally, Chon-Smith explores how the Afro-Asian cultural fusions in hip hop open up possibilities for the creation of alternative subcultures, to disrupt myths of black pathology and the Asian model minority"--
    Note: Includes bibliographical references and index
    URL: Cover
    URL: Cover
    URL: Cover
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  • 63
    ISBN: 9783945644034
    Language: German
    Pages: 111 Seiten , 110 mm x 163 mm
    Edition: 1. Auflage
    DDC: 800
    RVK:
    RVK:
    Keywords: Lorde, Audre ; Rassismus ; Sexismus ; Feminismus ; Schwarze ; USA ; Lorde, Audre 1934-1992 ; USA ; Schwarze ; Feminismus ; Rassismus ; Sexismus
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  • 64
    ISBN: 9780813572345 , 9780813572338 , 9780813572352 , 9780813572369
    Language: English
    Pages: IX, 343 S. , Ill.
    DDC: 741.5/973
    RVK:
    RVK:
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    Keywords: Comic books, strips, etc. Social aspects ; African Americans in literature ; African American cartoonists ; Comic ; Identität ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Identität ; Comic
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  • 65
    Online Resource
    Online Resource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Series Statement: American Governance
    Parallel Title: Erscheint auch als
    DDC: 782.421649/1599
    RVK:
    RVK:
    Keywords: Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Note: In English
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  • 66
    Book
    Book
    Jackson : Univ. Press of Mississippi
    ISBN: 9781628460391
    Language: English
    Pages: XIX, 256 S.
    Series Statement: American made music series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    Note: Includes bibliographical references and index
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  • 67
    Book
    Book
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
    RVK:
    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
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  • 68
    Online Resource
    Online Resource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Language: English
    Pages: 1 Online-Ressource (XIX, 256 Seiten)
    Series Statement: American Made Music Series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
    RVK:
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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