ISBN:
9781137580931
Language:
English
Pages:
1 Online-Ressource (xiii, 282 Seiten)
Series Statement:
Global Cinema
DDC:
301
Keywords:
Motion pictures--Latin America--History
;
Motion pictures Latin America
;
History
;
Electronic books
;
Electronic books
;
Aufsatzsammlung
Abstract:
"Acknowledgements" -- "Contents" -- "Notes on Contributors" -- "List of Figures" -- "Chapter 1: Introduction: Reconfiguring Precarious Landscapes: The Road Movie in Latin America" -- "The Latin American Road Movie: Readings and Genealogies" -- "Latin American Modernity on the Road and in the Spotlight" -- "Heterogeneous Territories: Mapping Class, Race, Gender, and Sexuality" -- "Regional Techniques and Local Iconographies" -- "Notes" -- "Work Cited" -- "Filmography" -- "Part I: Latin American Modernity on the Road and in the Spotlight" -- "Chapter 2: Revisiting Modernity Through the Latin American Road Movie" -- "Journeys of Discovery: Meeting Latin Americaâs Others" -- "Changing the Path of the Nation: Progress and Revolution" -- "Global Expulsions: From Non-Place to Non-Person" -- "Roads to Modernity: Between Reality and Aspiration" -- "Notes" -- "Work Cited" -- "Filmography" -- "Chapter 3: Journey to the Ruins of Modernity: Euforia and 40 dÃas" -- "Notes" -- "Works Cited" -- "Chapter 4: The Power of Running on Empty: On the Road in Post-Soviet Cuba" -- "A Communion of Fuel-Sharing: Guantanamera" -- "Priming the Pump of the Rest-Stop: Lista de espera" -- "The Pot-Holes of Driving Backwards: Miel para Oshún" -- "The End of the Road (Movie)? Viva Cuba" -- "Notes" -- "Works Cited" -- "Part II: The Latin American Road Movie: Readings and Genealogies" -- "Chapter 5: Recorriendo las Américas: Cars, Roads, and Latin American Cinema" -- "Notes" -- "Work Cited" -- "Filmography" -- "Chapter 6: Lonely Souls in Sólo Dios Sabe by Carlos Bolado: Pastoralism and Syncretic Spirituality in Times of Crisis" -- "The Neoliberal Nation-State on the Road" -- "Lonely Souls Hit the Road" -- "Pastoralism and Spiritual Renewal" -- "Conclusion" -- "Notes" -- "Work Cited".
Abstract:
Journeys of Discovery: Meeting Latin America's Others -- Changing the Path of the Nation: Progress and Revolution -- Global Expulsions: From Non-Place to Non-Person -- Roads to Modernity: Between Reality and Aspiration -- Notes -- Work Cited -- Filmography -- Chapter 3: Journey to the Ruins of Modernity: Euforia and 40 días -- Notes -- Works Cited -- Chapter 4: The Power of Running on Empty: On the Road in Post-Soviet Cuba -- A Communion of Fuel-Sharing: Guantanamera -- Priming the Pump of the Rest-Stop: Lista de espera -- The Pot-Holes of Driving Backwards: Miel para Oshún
Abstract:
The End of the Road (Movie)? Viva Cuba -- Notes -- Works Cited -- Part II: The Latin American Road Movie: Readings and Genealogies -- Chapter 5: Recorriendo las Américas: Cars, Roads, and Latin American Cinema -- Notes -- Work Cited -- Filmography -- Chapter 6: Lonely Souls in Sólo Dios Sabe by Carlos Bolado: Pastoralism and Syncretic Spirituality in Times of Crisis -- The Neoliberal Nation-State on the Road -- Lonely Souls Hit the Road -- Pastoralism and Spiritual Renewal -- Conclusion -- Notes -- Work Cited -- Chapter 7: Tania Hermida's Qué tan lejos: Bending Conventions on the Road to Cuenca
Abstract:
Notes -- Works Cited -- Part III: Heterogeneous Territories: Mapping Class, Race, Gender, and Sexuality -- Chapter 8: Central American Non-belonging: Reading 'El Norte' in Cary Fukunaga's Sin nombre -- Mapping Central American Non-belonging Across Borders -- Forging Belonging Within the Margins -- Non-belonging as Contestation -- Notes -- Works Cited -- Chapter 9: Decolonizing Maya Border Crossings in El Norte and La Jaula de Oro -- Framing Maya Identity -- Screening Maya Border Crossings -- Gendering Maya Immigration Journeys -- Decolonizing the Latino/American Lens -- Notes -- Works Cited
Abstract:
Chapter 10: Configuring Desire and Social Order in the Contemporary Mexican Youth Road Film -- Navigating Desire and Social Order -- Displays of Social Difference and Desire in Por la libre -- Displays of Class Difference and Queer Desire in Viaje redondo -- Moving Toward a Future -- Notes -- Works Cited -- Filmography -- Part IV: Regional Techniques and Local Iconographies -- Chapter 11: The Contemporary Documentary Road Movie in Latin America: Issues on Mobility, Displacement, and Autobiography -- The Trip, the Road Movie, and the Reconstruction of Sociocultural Bonds
Abstract:
Documentary Road Movie, Autobiography, and Female Agency
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