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Runaway genres
the global afterlives of slaveryVerfasser: Goyal, Yogita
(DE-588)1121308589978-1-4798-1967-6
Schlagwörter: Englisch
; Literatur ; Sklaverei <Motiv> ; Menschenrechtsverletzung <Motiv> 
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Letzte Änderung: 04.01.2022
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- Anglistik / Amerikanistik
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https://gateway-bayern.de/BV046963099
Letzte Änderung: 04.01.2022
| Titel: | Runaway genres |
|---|---|
| Untertitel: | the global afterlives of slavery |
| URL: | https://www.degruyter.com/view/title/578153 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Yogita Goyal |
| ISBN: | 978-1-4798-1967-6 |
| Preis/Einband: | online |
| Erscheinungsort: | New York |
| Verlag: | New York University Press |
| Erscheinungsjahr: | [2019] |
| Erscheinungsjahr: | © 2019 |
| Umfang: | 1 Online-Ressource (viii, 263 Seiten) |
| Abstract: | Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature. |
| Sprache: | eng |
| RVK-Notation: | HG 435 |
| RVK-Notation: | HR 1728 |
| Angaben zum Inhalt: | Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 978-1-4798-2959-0 |
| _ID der anderen Ausgabe: | (DE-604)BV046196633 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 978-1-4798-3271-2 |
| _ID der anderen Ausgabe: | (DE-604)BV046196633 |
| Thema (Schlagwort): | Englisch; Literatur; Sklaverei; Menschenrechtsverletzung |
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| 505 | 8 | |a Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author | |
| 520 | |a Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature. | ||
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