ISBN:
0470670967
Language:
English
Pages:
Online Ressource (PDF, 7940 KB, 576 S.)
Edition:
1. Aufl.
Edition:
Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
Parallel Title:
Print version A Companion to Media Authorship
DDC:
302.23
Keywords:
Arts Authorship
;
Creation (Literary, artistic, etc.)
;
Arts -- Authorship
;
Arts ; Authorship
;
Creation (Literary, artistic, etc.)
;
Electronic books
Abstract:
A Companion to Media Authorshipoffers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject.Rethinks cultures of authorship and challenges the concept of auteurism across multiple media formsMoves beyond notions of the individual to focus on how authorship is collaborative, contested, and networked, examining cultures of authorship and the practicalities of how it worksDraws on the cutting-edge research of scholars and practitioners whose work has produced significant new insights into the fieldExamines a wide range of media, including television, social media, radio, videogames, transmedia, music, and comic booksOffers an impressive global focus, including pieces on Mexican music, amateur film production in Nairobi slums, tele-serial production in Kinshasa, Hong Kong film, and the marketing of Bollywood
Description / Table of Contents:
Cover; Title Page; Copyright; Contents; Notes on Contributors; Chapter 1 Introduction: The Problem of Media Authorship; Part I Theorizing and Historicizing Authorship; Chapter 2 Authorship and the Narrative of the Self; Introduction: Three Acts; Act I. God - or is it Mammon? - is an Author; Act II. No-One is an Author; Act III. Everyone is an Author; Notes; Chapter 3 The Return of the Author: Ethos and Identity Politics; Fraught Authorship and its Ethical Implications; Birth of the Author; Death of the Author; Postmodern Subjects and Why Identities Matter; Hipster Racism and ''Other Asians''
Description / Table of Contents:
''Woman's Work'' and Squaring UpPseudonyms and Online Identities; Authority and Gender in Fan Texts; Fan Reader/Writer Interaction; Authorial Ethos; Notes; Chapter 4 Making Music: Copyright Law and Creative Processes; Musical Visions: Sacralization and Changing Nineteenth-Century Conceptions of Creation; Sacralization, Copyright Conceptions of Creativity, and the Rise of African-Based Music; Copyright, Borrowing, and the Blues; Conclusion; Notes; Chapter 5 When is the Author?; A Recent History of the Author; Many Authors; Incomplete Authorship; Many Readers or Many Authors?
Description / Table of Contents:
Clusters of AuthorshipCluster Flux: A Conclusion; Notes; Chapter 6 Hidden Hands at Work: Authorship, the Intentional Flux, and the Dynamics of Collaboration; Introduction; The Author's Intentional Flux: A Low Altitude Theory; Preliminary Stances: Bresson's Precompositional Commitment to Visual Austerity; Bresson and Burel: Problems and Solutions in ''Stripping the Wires''; Conclusion: The Intentional Flux Model at the Intersection of Film and Media Studies; Notes; Part II Contesting Authorship; Chapter 7 Participation is Magic: Collaboration, Authorial Legitimacy, and the Audience Function
Description / Table of Contents:
Everypony is an Author?From the Glue Factory to the TV Factory; Authorship Straight from the Horse's Mouth; Taking the Reins; Conclusion: Horse Power; Notes; Chapter 8 Telling Whose Stories? Re-examining Author Agency in Self-Representational Media in the Slums of Nairobi; Self-Representational Media Production; The Research Setting; Levels of Analysis in Self-Representational Media Production; Self-Representational Media Authorship; Notes; Chapter 9 Never Ending Story: Authorship, Seriality, and the Radio Writers Guild; Streaming Seriality as Cultural Form
Description / Table of Contents:
Irna Phillips and the Perils of Serial AuthorshipThe Organization of Authorship; Herding Cats - Invisible Cats; Defining and Defending Radio Authorship; The Consolidation of Authorship; Notes; Chapter 10 From Chris Chibnall to Fox: Torchwood's Marginalized Authors and Counter-Discourses of TV Authorship; Tactical Authorship: Chris Chibnall as Showrunner ''Tenant''; Author Pseudonyms in Industry Counter-Discourse: Introducing Amos Crumpsall, Stone D. McFerris,and WebleyWildfoot; The US-UK Torchwood that Wasn't: Fox as ''Evil''/''Lovely''; Conclusion; Notes
Description / Table of Contents:
Chapter 11 Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors
Note:
Includes bibliographical references and index
,
Electronic reproduction; Available via World Wide Web
URL:
Volltext
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