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  • GBV  (384)
  • History  (384)
  • American Studies  (165)
  • Art History  (144)
  • German Studies  (77)
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  • 1
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 2
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 3
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 4
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 5
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
    RVK:
    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 6
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
    RVK:
    RVK:
    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 7
    ISBN: 9781541647176
    Language: English
    Pages: vii, 405 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 305.420907471
    RVK:
    RVK:
    Keywords: Glaspell, Susan ; Heterodoxy ; Geschichte 1912 ; Feminismus ; Künstlerinnenvereinigung ; New York- Greenwich Village ; Heterodoxy (Club) / History ; Feminism / New York (State) / New York / History / 20th century ; Greenwich Village (New York, N.Y.) / History / 20th century ; Féminisme / New York (État) / New York / Histoire / 20e siècle ; Heterodoxy (Club) ; Feminism ; New York (State) / New York ; New York (State) / New York / Greenwich Village ; SOCIAL SCIENCE / Sociology / General ; 1900-1999 ; History ; Glaspell, Susan 1876-1948 ; New York- Greenwich Village ; Heterodoxy ; Feminismus ; Künstlerinnenvereinigung ; Geschichte 1912
    Abstract: "On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships.
    Abstract: The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers.
    Abstract: Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--
    Description / Table of Contents: Introduction: a little world for us -- Way down south in Greenwich Village -- The type has changed -- The rebel girls and the mink brigade -- The new abolitionists -- What we want is a revolution -- To dynamite New York -- Femi-what? -- "That Mr. Freud, does he live in Greenwich Village?" -- Suppressed desires -- "The baby is the great problem" -- How long must we wait? -- A woman's war against war -- Pacifism versus patriotism -- Red scare, red summer -- The future of feminism
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9783406791543 , 3406791549
    Language: German
    Pages: 164 Seiten , 5 Illustrationen , 21 cm
    Series Statement: C.H. Beck textura
    Series Statement: textura
    Parallel Title: Erscheint auch als Bois, W. E. B. Du 'Along the color line'
    DDC: 943
    RVK:
    RVK:
    Keywords: Du Bois, W. E. B Travel ; 1900-1999 ; Racism History 20th century ; Antisemitismus ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Racisme - Allemagne - Histoire - 20e siècle ; Civilization ; Social conditions ; Travel ; Germany Race relations 20th century ; Political aspects ; History ; Germany Politics and government 1933-1945 ; Germany Description and travel ; Germany Social conditions 1933-1945 ; Germany Civilization 20th century ; Allemagne - Relations raciales - Aspect politique - Histoire - 20e siècle ; Allemagne - Politique et gouvernement - 1933-1945 ; Allemagne - Descriptions et voyages ; Allemagne - Conditions sociales - 1933-1945 ; Allemagne - Civilisation - 20e siècle ; Germany ; Reisebericht ; Reisebericht ; Afrikaner ; Schwarze ; Person of Color ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassendiskriminierung ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Antisemitismus ; Geschichte 1936
    Abstract: 1936 reist der afroamerikanische Bürgerrechtler W.E.B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch
    Abstract: 1936 reist der afroamerikanische Bürgerrechtler W. E. B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch. 1936 reist der afroamerikanische Soziologe W. E. B. Du Bois zu einem mehrmonatigen Forschungsaufenthalt ins nationalsozialistische Deutschland. Als scharfer Kritiker des Rassismus in seinem eigenen Land beobachtet er den Antisemitismus und die Entrechtung der Juden im "Dritten Reich". Seine wöchentlichen Reportagen aus diesen Monaten erscheinen hier zum ersten Mal in deutscher Sprache. Du Bois berichtet über die Wagner-Festspiele in Bayreuth und das Deutsche Museum in München, über deutsche Bierlokale und die Olympischen Spiele in Berlin, bei denen auch schwarze Sportler antreten. Mit der Vertrautheit des Deutschlandkenners und dem fremden Blick des schwarzen Amerikaners betrachtet er die totalitäre Diktatur. Du Bois beobachtet entlang der "Farbenlinie", "along the color line", und stellt überrascht fest, dass er persönlich kaum Diskriminierung erfährt. Umso mehr erschüttert ihn die Verfolgung der Juden: «Sie übertrifft an rachsüchtiger Grausamkeit und öffentlicher Herabwürdigung alles, was ich je erlebt habe», fasst er seine Eindrücke zusammen, «und ich habe einiges erlebt»
    Description / Table of Contents: Intro -- Titel -- Frontispiz -- Zum Buch -- Über die Autoren -- Inhalt -- Vorbemerkung zur historischen Begrifflichkeit -- W. E. B. Du Bois: «Forum für Fakten und Meinungen». Kolumnen aus dem «Pittsburgh Courier» -- 13. Juni 1936 -- 27. Juni 1936 -- Schadenfreude -- 29. August 1936 -- Kontakte -- Belgien -- Der Kongo -- 5. September 1936 -- England -- Die Rassengrenze -- Die gegenwärtige Krise -- 19. September 1936 -- Sport -- Gesundheit -- Die Olympischen Spiele -- Künftige Amateure -- Einkommen -- 26. September 1936 -- Europa -- Warum Europa? -- Zivilisation -- Rasse und Austausch
    Description / Table of Contents: Planungen und Kosten -- 3. Oktober 1936 -- Die Aufteilung des Lebens -- Das Deutsche Museum für Wissenschaft und Technik -- Bergbau -- Verkehr -- 10. Oktober 1936 -- Ruhm -- Mathematik und Elektrizität -- Klang und Musik -- Chemie -- Bau -- Astronomie -- Bekleidung und Lebensmittel -- 17. Oktober 1936 -- Pilgerstätten -- Wahnfried -- Bayreuth -- 24. Oktober 1936 -- Die Olympischen Spiele -- Spanien -- Der Balkan -- 31. Oktober 1936 -- Die Oper und die Schwarzen -- Die Meistersinger von Nürnberg -- «Parsifal» -- «Lohengrin» -- Der Ring -- 7. November 1936 -- Ausbildung in der Industrie -- Siemens
    Description / Table of Contents: Siemensstadt -- Ausbildende Industrie -- Die Schule -- Kontrolle -- 14. November 1936 -- München -- Rasse und Arbeiterklasse -- 21. November 1936 -- Rasse und Lebensumstände -- Einkommen -- 28. November 1936 -- Ägypten -- Landwirtschaft -- 5. Dezember 1936 -- Deutschland -- Deutschland und Hitler -- Der Hintergrund -- Depression und Revolution -- 12. Dezember 1936 -- Der Hitler-Staat -- Nationalsozialismus -- Die neue Philosophie -- Propaganda -- 19. Dezember 1936 -- Rassenvorurteile in Deutschland -- Antisemitismus -- Die gegenwärtige Not des deutschen Juden -- 26. Dezember 1936
    Description / Table of Contents: Weihnachten 1936 -- Wie lange wird Hitler sich halten? -- Gefahren für Hitler -- Profit -- 2. Januar 1937 -- Was die Deutschen denken -- Industrieprofit -- Die Nebelwand des Kommunismus -- Nationale oder internationale Wirtschaft -- Die deutschen Vorwürfe gegenüber den Juden -- 9. Januar 1937 -- Musik -- Wien -- Ostwärts -- 10. April 1937 -- Ausblick -- «Entlang der Farbenlinie». W. E. B. Du Bois in Nazi-Deutschland -- Der «schwarze Bismarck» -- Eine Zwischenzeit -- Von Berlin nach Hawaii -- Gleichstellung und Gleichschaltung -- Reisen ins Reich - aus der Ferne -- Afrikanische Blicke
    Description / Table of Contents: «Was ist mit der Farbenlinie?» -- Rassismus und Antisemitismus -- Editorische Anmerkungen -- Du Bois' Welt -- Dank -- Zeittafel -- Literaturverzeichnis -- W. E. B. Du Bois (chronologisch) -- Weitere Primärquellen -- Forschung zu W. E. B. Du Bois und Deutschland -- Weitere Forschung -- Filme -- Rechtenachweise -- Impressum
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 157-165 , German translation of columns originally appearing in the Pittsburgh courier, 1936-37 , Includes bibliographical references (pages 157-165) , Description based upon print version of record
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  • 9
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
    RVK:
    RVK:
    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 10
    ISBN: 9781496840448 , 9781496840455
    Language: English
    Pages: X, 175 Seiten
    Series Statement: Margaret Walker Alexander series in African American studies
    Parallel Title: Erscheint auch als Abdul-Ghani, Casarae Lavada Start a riot!
    DDC: 700.89/96073
    RVK:
    Keywords: Black Arts movement ; African American arts Political aspects 20th century ; History ; Arts Political aspects 20th century ; History ; Black nationalism History 20th century ; United States Race relations 20th century ; History ; Black arts movement ; Literatur ; Aufruhr
    Abstract: Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index.
    Abstract: "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 11
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
    RVK:
    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 12
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 13
    ISBN: 9781250756121
    Language: English
    Pages: 261 Seiten
    Edition: First edition
    DDC: 306.874/30896073
    RVK:
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    Keywords: King, Alberta Williams ; Little, Louise Langdon ; Baldwin, Emma Berdis Jones ; King, Martin Luther Family ; X, Malcolm Family ; Baldwin, James Family ; African American mothers Biography ; African American families Biography ; African Americans Civil rights 20th century ; History ; Racism History 20th century ; United States Race relations 20th century ; History ; Baldwin, Emma Berdis Jones 1903-1999 ; King, Alberta Williams 1904-1974 ; Little, Louise Langdon 1897-1989 ; King, Martin Luther 1929-1968 ; Mutter ; X, Malcolm 1925-1965 ; Mutter ; Baldwin, James 1924-1987 ; Mutter
    Abstract: "In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes: Martin Luther King, Jr., Malcolm X, and James Baldwin. Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, who were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. Berdis, Alberta, and Louise passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning-from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America's racist practices and led to ramifications for all three families' safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue"--
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9781787331785
    Language: English
    Pages: 406 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.09410904
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    Keywords: Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 15
    Book
    Book
    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440855566
    Language: English
    Pages: xlii, 243 Seiten
    Series Statement: Eyewitness to history
    Parallel Title: Erscheint auch als Documents of the Harlem Renaissance
    DDC: 305.896/07300904
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    Keywords: African Americans Sources Race identity 20th century ; History ; Harlem Renaissance Sources ; African American intellectuals History 20th century ; African Americans Social conditions To 1964 ; United States Sources Race relations 20th century ; History ; Harlem renaissance
    Abstract: "This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated the opening of the 20th century and proved a force in the modernization of America."--
    Note: Includes bibliography (page 219-227) and index
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  • 16
    ISBN: 9780753559543 , 9780593230572 , 9780753559536
    Language: English
    Pages: xxxiii, 590 Seiten , Illustrationen
    Parallel Title: Erscheint auch als 1619 Project
    DDC: 973
    RVK:
    Keywords: 1619 Project ; African-Americans History ; Slavery Political aspects ; History ; United States Civilization ; United States Race relations ; USA ; Sklaverei ; Rassismus ; Ethnische Beziehungen
    Abstract: "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
    Note: Includes index
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  • 17
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072901 , 3826072901
    Language: English
    Pages: 107 Seiten , Illustrationen , 21 cm x 10.5 cm
    Series Statement: Zurich distinguished lectures 4
    Series Statement: Zurich distinguished lectures
    DDC: 304.23
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    Keywords: 1900-1999 ; Cultural landscapes 20th century ; Art and society History 20th century ; Landscape changes Social aspects 20th century ; History ; Art et société - Allemagne - Histoire - 20e siècle ; Paysages - Modifications - Aspect social - Allemagne - Histoire - 20e siècle ; Paysages culturels - Allemagne - 20e siècle ; Art and society ; History ; Germany ; Deutschland ; Diskurs ; Landschaft ; Kultur ; Gesellschaft ; Geschichte 1960-1995 ; Deutsch ; Literatur ; Landschaft ; Geschichte 1960-1995
    Abstract: "Beginning in the 1960s, the belief in landscape's degradation provides a kind of rallying cry for psychoanalysts and cultural critics attempting to diagnose the state of contemporary society." --
    Note: Literaturverzeichnis: Seite 90-96
    URL: Cover
    URL: Cover
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  • 18
    ISBN: 9781606066683
    Language: English
    Pages: vii, 191 Seiten , Illustrationen, Karten
    Series Statement: Issues & debates / Getty Research Institute
    Uniform Title: French colonial collections at the Getty Research Institute
    Parallel Title: Erscheint auch als Visualizing empire
    DDC: 325/.34406
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    Keywords: ACHAC Collection (Getty Research Institute) ; Imperialism in popular culture ; Propaganda, French History 19th century ; Propaganda, French History 20th century ; Kolonialismus ; Massenkultur ; Populäre Grafik ; Präsentation ; France Colonies ; History ; France Colonies ; History ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Afrika ; Kolonie ; Propaganda ; Gebrauchsgrafik ; Geschichte 1880-1970
    Abstract: French Colonial Collections at the Getty Research Institute / Frances Terpak -- The History and Future of ACHAC / Pascal Blanchard and Dominic Thomas -- Decolonizing the ACHAC Collection / Patricia Morton -- Fragments of Empire : Ephemera, Representation, and the Dynamics of Colonial Memory / Charles Forsdick -- Intersecting Legacies of bandes dessinées and Belgian Colonial Instruction : Les aventures de Mbumbulu in Nos images (1948-55) / Peter J. Bloom -- French Colonialism : The Rules of the Game / Dominic Thomas -- The Myth of the Sahara / Michelle H. Craig -- Representations of the tirailleurs sénégalais and World War I / David Murphy -- On Posters and Postures : Colonial Enlistment Posters and the Nationalist Imagination in France / Lauren Taylor -- La France et ses colonies : Mapping, Representing, and Visualizing Empire / Steven Nelson.
    Abstract: "The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"--
    Note: Literaturangaben
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  • 19
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 20
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 21
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Language: English
    Pages: xi, 224 Seiten , Illustrationen , 23 cm
    Series Statement: Studies in print culture and the history of the book
    DDC: 071/.308996073
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    Keywords: African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Abstract: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9781479804177 , 9781479856770
    Language: English
    Pages: xvii, 273 Seiten , 1 Illustration
    DDC: 323.092
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    Keywords: Du Bois, W. E. B ; Sociology History ; African Americans Social conditions ; Race relations History ; History ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Ethnische Beziehungen ; Soziologie ; Geschichte
    Abstract: ""The Sociology of W.E.B. Du Bois" explores racism and colonialism at the center of the understanding of modernity"--
    Note: Literaturverzeichnis: Seite 249-257
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  • 23
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
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    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    Lewisburg, Pennsylvania : Bucknell University Press
    ISBN: 9781684482108 , 9781684482085 , 9781684482092
    Language: English
    Pages: 1 Online-Ressource (ix, 328 Seiten) , Illustrationen
    Series Statement: New studies in the age of Goethe
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/81
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    Keywords: Geschichte 1770-1830 ; Geschichte 1770-183 ; LITERARY CRITICISM / General ; Play Psychological aspects 18th century ; History ; Play Psychological aspects 19th century ; History ; Play Social aspects 18th century ; History ; Play Social aspects 19th century ; History ; Spiel ; Electronic books ; Spiel ; Geschichte 1770-1830 ; Spiel ; Geschichte 1770-183
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 25
    ISBN: 9781684482078 , 9781684482061
    Language: English
    Pages: 328 Seiten , Illustrationen , 23 cm
    Series Statement: New studies in the age of Goethe
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.481
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    Keywords: Geschichte 1770-1830 ; Play Psychological aspects 18th century ; History ; Play Psychological aspects 19th century ; History ; Play Social aspects 18th century ; History ; Play Social aspects 19th century ; History ; Spiel ; Psychologie ; Philosophie ; Spiel ; Politik ; Pädagogik ; Deutsch ; Literatur ; Deutschland ; Aufsatzsammlung ; Deutschland ; Spiel ; Philosophie ; Pädagogik ; Psychologie ; Politik ; Geschichte 1770-1830 ; Deutsch ; Literatur ; Spiel ; Geschichte 1770-1830
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  • 26
    ISBN: 9780393357622 , 0393357627
    Language: English
    Pages: xxi, 441 Seiten , Illustrationen , 21 cm
    Edition: First published as a Norton paperback
    DDC: 305.48/896073
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    Keywords: African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Abstract: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 27
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832712 , 9781479829590 , 1479829595 , 9781479832712 , 1479832715
    Language: English
    Pages: vii, 263 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.3/6209
    RVK:
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    Keywords: Sklaverei ; Menschenrechtsverletzung ; Literatur ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Abstract: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Description / Table of Contents: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
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  • 29
    ISBN: 9783944312729 , 3944312724
    Language: German
    Pages: 227 Seiten , Illustrationen, Diagramme
    Series Statement: Greifswalder Beiträge zur Linguistik Band 12
    Series Statement: Greifswalder Beiträge zur Linguistik
    DDC: 450.141
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    Keywords: German language Discourse analysis ; Congresses ; Italian language Discourse analysis ; Congresses ; Identity (Psychology) Congresses ; Competence and performance (Linguistics) Congresses ; Cultural competence Congresses ; Language awareness Congresses ; Diskursanalyse ; Sprachkritik ; Sprachkompetenz ; Migration ; Demokratie ; Competence and performance (Linguistics) ; Cultural competence ; Emigration and immigration ; German language - Discourse analysis ; Identity (Psychology) ; Italian language - Discourse analysis ; Language awareness ; History ; Germany Emigration and immigration ; History ; Congresses ; Italy Emigration and immigration ; History ; Congresses ; Germany ; Italy ; Konferenzschrift 2017 ; Deutschland ; Italien ; Migration ; Diskursanalyse ; Demokratie ; Sprachkompetenz ; Sprachkritik
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  • 30
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479819676
    Language: English
    Pages: 1 Online-Ressource (viii, 263 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.36209
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    Keywords: Menschenrechtsverletzung ; Literatur ; Sklaverei ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Abstract: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Description / Table of Contents: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    ISBN: 9780823278459
    Language: English
    Pages: 232 Seiten , illustrations, figures, tables
    Edition: First edition
    DDC: 305.800973/09034
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    Keywords: Racism History 19th century ; Humanism History 19th century ; Antislavery movements ; Humanism ; Humanity ; Materialism ; Racism ; Social justice ; United States Race relations 19th century ; History
    Abstract: "Antebellum Posthuman exposes the volatility of "the human"--torn between liberalism and empiricism--in the 1850s and traces the emergence of an antislavery materialism in antebellum literature. Placing race at the root of posthumanism's intellectual history, this study also examines the conflict between liberalism and materialism in critical theory today"--
    Abstract: Introduction. Beyond recognition : the problem of antebellum embodiment -- Douglass's animals : racial science and the problem of human equality -- Thoreau's seeds : evolution and the problem of human agency -- Whitman's cosmic body : bioelectricity and the problem of human meaning -- Posthumanism and the problem of social justice : race and materiality in the twenty-first century -- Coda. After romantic posthumanism
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190279646
    Language: English
    Pages: 1 Online-Ressource (288 Seiten) , illustrations (black and white, and colour), maps (black and white)
    Additional Information: Rezensiert in Lewis, Bonnie Sue [Rezension von: Graber, Jennifer, The Gods of Indian Country: Religion and the Struggle for the American West] 2020
    Parallel Title: Erscheint auch als Graber, Jennifer, 1973 - The gods of Indian country
    DDC: 978.00497492
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    Keywords: Kiowa Indians History 19th century ; Kiowa Indians Government relations 19th century ; History ; Kiowa Indians Missions 19th century ; History ; Kiowa Indians ; History ; 19th century ; Kiowa Indians ; Government relations ; History ; 19th century ; Kiowa Indians ; Missions ; History ; 19th century ; USA ; Kiowa ; Ethnische Religion ; Kulturelle Identität ; Siedler ; Mission ; Rassendiskriminierung ; Geschichte 1803-1903
    Abstract: During the nineteenth century, Americans sought the cultural transformation and the physical displacement of American Indian nations. Native people resisted these efforts. Though this process is often understood as a clash of rival economic systems or racial ideologies, it was also a profound spiritual struggle. The conflict over Indian Country sparked crises for both Natives and Americans. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides. This work focuses on Kiowa Indians during Americans' hundred-year effort to acquire, explore, and seize their homeland between 1803 and 1903.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
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  • 33
    ISBN: 9783897714243 , 3897714248
    Language: German
    Pages: 264 Seiten , Illustrationen
    Edition: 3. Auflage, unveränderter Nachdruck v. 2009
    DDC: 437.09
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    Keywords: German language Political aspects ; German language Social aspects ; Racism in language ; Africans History ; Germany ; Germany Colonies ; History ; Africa ; Deutsch ; Sprachliches Stereotyp ; Afrika ; Rassismus ; Linguistik
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  • 34
    ISBN: 9781501154287
    Language: English
    Pages: xxiv, 244 Seiten
    Edition: First 37 Ink/Atria Books hardcover edition
    DDC: 305.896/073
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    Keywords: African Americans Intellectual life ; African Americans Books and reading ; History ; Literacy History ; African Americans Race identity ; African Americans Social conditions ; African Americans Social life and customs ; African Americans ; African Americans in literature ; American essays ; American literature ; LANGUAGE ARTS & DISCIPLINES ; LITERARY COLLECTIONS ; LITERARY CRITICISM ; Criticism, interpretation, etc ; Essays ; Essays ; Essays ; History ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie ; USA ; Schwarze ; Literatur ; Geschichte 1800-2018
    Abstract: "Spanning 250 years, this carefully-curated collection of 25 essays features the earliest Black authors who wrote as means of resistance in a time when their literacy was illegal and the brilliant writers who have continued their legacy--utilizing the power of the written word to create change, insert a diversity of experience into the "mainstream," and make a profound impact on our communities and the world"--
    Abstract: Spanning over 250 years of history, Black Ink traces black literature in America from Frederick Douglass to Ta-Nehisi Coates in this masterful collection of twenty-five illustrious and moving essays on the power of the written word. Throughout American history black people are the only group of people to have been forbidden by law to learn to read. This unique collection seeks to shed light on that injustice and subjugation, as well as the hard-won literary progress made, putting some of America's most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections, the Peril, the Power, and Pleasure, and with an array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. At times haunting and other times profoundly humorous, this unprecedented anthology guides you through the remarkable experiences of some of America's greatest writers and their lifelong pursuits of literacy and literature. The foreword was written by Nikki Giovanni. Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama
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  • 35
    ISBN: 9781481308823 , 9781602583146
    Language: English
    Pages: xxiv, 311 Seiten , Illustrationen
    Edition: Second edition
    DDC: 398.24/54
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    Keywords: Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture History ; Monsters ; Monsters ; Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture ; United States ; History
    Description / Table of Contents: Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources.
    Note: Includes bibliographical references and index. - Includes filmography (p. 229-230). - Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources
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  • 36
    Image
    Image
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 37
    Image
    Image
    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 38
    ISBN: 3110538393 , 9783110538397
    Language: German
    Pages: XI, 526 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Deutsche Literatur 23
    Series Statement: Deutsche Literatur
    Parallel Title: Erscheint auch als Kagerer, Alexander Macht und Medien um 1500
    Parallel Title: Erscheint auch als Kagerer, Alexander Macht und Medien um 1500
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2016
    DDC: 943.03
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    Keywords: Habsburg, House of ; Fugger family ; Mass media Political aspects ; History ; Mass media Social aspects ; History ; Power (Social sciences) ; Hochschulschrift ; Maximilian I. Heiliges Römisches Reich, Kaiser 1459-1519 ; Fugger Familie : 14. Jh.- : Augsburg ; Selbstdarstellung ; Legitimation ; Repräsentation ; Geschichte 1400-1600
    Abstract: "Die Frage nach Aufstieg und Erhalt von Macht durch Inszenierung in Text wie Bild stellt sich noch heute. Die Studie analysiert im Sinne einer Mikrophysik der Macht multimediale Repräsentations-/Legitimationsformen um 1500: In einer Doppelperspektive wird vergleichend gegenübergestellt, wie eine Dynastie durch Verweis auf Herkunft Geltung begründet und eine aufgestiegene Kaufmannsfamilie diesen Mechanismus zur eigenen Absicherung fruchtbar macht"--
    Abstract: "The problem of attaining and maintaining power through self-portrayal in text and image remains relevant today. This study analyzes forms of representation and legitimation across various media around 1500 in terms of a microphysics of power. It compares and contrasts how a dynasty legitimizes its power by referencing its origins and how a rising merchant family successfully used this mechanism to ensure its status"--
    Note: Literaturverzeichnis: Seite 469-523
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  • 39
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226152653 , 9780226599069
    Language: English
    Pages: 541 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Dinerstein, Joel The Origins of Cool in Postwar America.
    DDC: 306.0973/0904
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    Keywords: Popular culture History 20th century ; Cool (The English word) ; Cool (The English word) ; Cool (The English word) ; Manners and customs ; Popular culture ; Popular culture ; United States ; United States ; History ; 1900-1999 ; United States Social life and customs 1945-1970 ; USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
    Abstract: Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool
    Note: Includes bibliographical references and index
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  • 40
    ISBN: 9783791356808
    Language: English
    Pages: 376 Seiten , 28 cm
    DDC: 700.98/0904
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    Keywords: Geschichte 1960-1985 ; Arts Exhibitions Political aspects 20th century ; History ; Arts Exhibitions Political aspects 20th century ; History ; Arts, Latin American Exhibitions 20th century ; Hispanic American arts Exhibitions 20th century ; Women artists Exhibitions ; Hispanic American women artists Exhibitions ; Künstlerin ; Kunst ; Lateinamerika ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Ausstellungskatalog Brooklyn Museum 13.04.2018-22.07.2018 ; Bildband ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Lateinamerika ; Frauenkunst ; Frau ; Geschichte 1960-1985
    Abstract: "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history"--
    Note: Seite 375: "Published on the occasion of the exhibition Radical Women: Latin American Art, 1960-1985, organized and presented by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA ... The exhibition is guest curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero ... Exhibition Itinerary Hammer Museum, Los Angeles September 15-December 31, 2017, Brooklyn Museum April 13-July 22, 2018." , Includes bibliographical references and index , Text englisch
    URL: Cover
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  • 41
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    ISBN: 9780231543477
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Struggle on their minds
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    Keywords: African Americans Intellectual life ; African Americans Political activity ; History ; African Americans Politics and government ; African American intellectuals ; Slavery Influence ; Slavery Influence ; African American intellectuals. ; African Americans. ; African Americans. ; African Americans. ; African American intellectuals ; African Americans ; Slavery ; Davis, Angela Y. ; Douglass, Frederick ; Newton, Huey P. ; Walker, David ; Wells-Barnett, Ida B. ; POLITICAL SCIENCE / History & Theory ; USA ; Schwarze ; Intellektueller ; Politisches Denken ; Politisches Handeln ; Aktivismus ; Widerstand ; Geschichte 1785-2017
    Abstract: American political thought has been shaped by those who fought back against social inequality, economic exclusion, the denial of political representation, and slavery, the country's original sin. Yet too often the voices of African American resistance have been neglected, silenced, or forgotten. In this timely book, Alex Zamalin considers key moments of resistance to demonstrate its current and future necessity, focusing on five activists across two centuries who fought to foreground slavery and racial injustice in American political discourse. Struggle on Their Minds shows how the core values of the American political tradition have been continually challenged—and strengthened—by antiracist resistance, creating a rich legacy of African American political thought that is an invaluable component of contemporary struggles for racial justice.Zamalin looks at the language and concepts put forward by the abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey Newton, and the prison abolitionist Angela Davis. Each helped revise and transform ideas about power, justice, community, action, and the role of emotion in political action. Their thought encouraged abolitionists to call for the eradication of slavery, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how the political thought that comes out of resistance can energize the practice of democratic citizenship and ultimately help address the prevailing problem of racial injustice.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 42
    Book
    Book
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812249194
    Language: English
    Pages: xvi, 266 Seiten , 24 cm
    DDC: 306.0973
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; End of the world ; End of the world Forecasting ; Eschatology ; Eschatology Forecasting ; Americans Attitudes 20th century ; History ; Christianity and culture History 20th century ; Technologie ; Apokalyptik ; Eschatologie ; Endzeiterwartung ; USA ; USA ; USA ; Apokalyptik ; Endzeiterwartung ; Eschatologie ; Technologie ; Geschichte
    Note: Includes bibliographical references and index
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  • 43
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 44
    ISBN: 9780822363651 , 9780822363392
    Language: English
    Pages: 276 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Critically sovereign
    DDC: 970.004/97
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    Keywords: Indians of North America Historiography ; Indigenous peoples Historiography ; Sex role Political aspects ; History ; Feminist theory ; Queer theory ; Decolonization ; Indigenous peoples in literature ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Introduction: Critically sovereign / Joanne Barker -- Indigenous Hawaiian sexuality and the politics of nationalist decolonization / J. Kēhaulani Kauanui -- Return to "The uprising at Beautiful Mountain in 1913" : marriage and sexuality in the making of the modern Navajo nation / Jennifer Nez Denetdale -- Ongoing storms and struggles : gendered violence and resource exploitation / Mishuana R. Goeman -- Audiovisualizing Iñupiaq men and masculinities on the ice / Jessica Bissett Perea -- Around 1978 : family, culture, and race in the federal production of Indianness / Mark Rifkin -- Loving unbecoming : the queer politics of the transitive native / Jodi A. Byrd -- Getting dirty : the eco-eroticism of women in indigenous oral literatures / Melissa K. Nelson
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9780231181105
    Language: English
    Pages: xii 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Struggle on Their Minds
    DDC: 323.1196/073
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    Keywords: Walker, David Political and social views ; Douglass, Frederick Political and social views ; Wells-Barnett, Ida B Political and social views ; Newton, Huey P Political and social views ; Davis, Angela Y Political and social views ; African American intellectuals ; African Americans Politics and government ; African Americans Political activity ; History ; African Americans Intellectual life ; Slavery Influence ; African American intellectuals ; African Americans ; Slavery ; Davis, Angela Y. ; Douglass, Frederick ; Newton, Huey P. ; Walker, David ; Wells-Barnett, Ida B. ; USA ; Schwarze ; Intellektueller ; Politisches Denken ; Politisches Handeln ; Aktivismus ; Widerstand ; Geschichte 1785-2017
    Abstract: "The rise of the American economy, the persistence of social inequality, and the ongoing struggle for adequate political representation cannot be evaluated separately from slavery, the country's original sin. Five activists who have fought to incorporate slavery into American political discourse are the focus of this timely book, in which Alex Zamalin considers past African American resistance to underscore its future democratic necessity. He looks at the language and conceptions put forward by the American abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey P. Newton, and the prison reformer Angela Davis. Each through passionate argument revised the core values of the American political tradition and reformed ideas about power, justice, community, action, and the role of emotion in elective outcomes. Zamalin finds numerous examples in which political theory developed a more open and resilient conception of individual liberty after key moments of African American resistance provoked by these activists' work. Their thought encouraged slaves to revolt against their masters, black radical abolitionists to call for the eradication of slavery by any means necessary, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how constructive resistance can strengthen the practice of democracy and help disenfranchised groups achieve political parity."--Provided by publisher
    Abstract: Introduction: the political thought of African American resistance -- David Walker, Frederick Douglass, and the abolitionist democratic vision -- Ida B. Wells, the antilynching movement, and the politics of seeing -- Huey Newton, the Black Panthers, and the decolonization of America -- Angela Davis, prison abolition, and the end of the American carceral state -- Conclusion: the future of resistance
    Note: Includes bibliographical references and index
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  • 46
    Image
    Image
    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 47
    Language: English , German
    Pages: 1 DVD-Video (circa 93 min) , farbig, Tonformat Dolby digital 5.1 + 2.0, Ländercode 2 (Europa), PAL , 12 cm
    Additional Information: Abgeleitet Baldwin, James, 1924 - 1987 I am not your negro First Vintage international edition New York : Vintage International, Vintage Books, 2017 9780525434696
    Series Statement: Edition Salzgeber D208
    Series Statement: Edition Salzgeber
    DDC: 323.1196/0730904
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    Keywords: African Americans Civil rights ; History ; 20th century. ; Civil rights movements United States ; History ; 20th century. ; Racism United States. ; Film ; DVD-Video ; Film ; DVD-Video ; Film ; DVD-Video ; USA ; Rassismus ; Schwarze ; Kultur ; Baldwin, James 1924-1987 ; Dokumentarfilm
    Abstract: Raoul Pecks Dokumentarfilm "I Am Not Your Negro" rekonstruiert das unvollendete letzte Buch des afroamerikanischen Schriftstellers James Baldwin: eine schonungslose Abhandlung über den Rassismus in den USA, erzählt ausschließlich mit den Worten Baldwins am Beispiel von Martin Luther King Jr., Medgar Evers (Mitglied der NAACP) und Malcolm X, die alle drei ermordet wurden.
    Note: Bildformat: 16:9 (1,78:1) , USA/Frankreich/Belgien/Schweiz 2016 , Sprachen: Englisch, Deutsch. - Untertitel: Deutsch
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  • 48
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    Mumbai, India : Marg Foundation
    ISBN: 9789383243143 , 9383243147
    Language: English
    Pages: 141 Seiten , Illustrationen, Karten , 32 cm
    Series Statement: Marg's quarterly publications vol. 68, no. 1
    Series Statement: Mārg publications
    DDC: 720.47
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    Keywords: Water and architecture History ; Water and architecture History ; Water resources development History ; Water resources development History ; Water resources development Environmental aspects ; History ; Water resources development Environmental aspects ; History ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Rajasthan ; Wasserbau ; Bewässerung ; Teich ; Tīrtha
    Note: Includes bibliographical references and index , Introduction , Urban planning at Bundi: subterranean water structures , Jaigarh in amber: techniques of water harvesting , Ecomoral aesthetics at Mathura's Vishram Ghat: three ways of seeing a river , "waters should be made to flow ..." : Babur's obsession with running water , Barapula Nallah and its tributaries: watershed architecture in Sultanate and Mughali Delhi , Jaipur's waterscape : a cultural perspective , Jaina sites: water structures and symbolism , Water in South Indian temples: tirthas, tanks and vasanta-mandapas , Ellora-Khuldabad-Daulatabad: water and sacred spaces
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  • 49
    ISBN: 9783658116057 , 9783658116040
    Language: English
    Pages: 1 Online-Ressource (XV, 192 p. 52 illus)
    Edition: 1st ed. 2016
    DDC: 306
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    Keywords: Social sciences ; History ; Cultural studies ; Area studies ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
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  • 50
    Online Resource
    Online Resource
    München, [Germany] : C.H. Beck
    ISBN: 9783406692093
    Language: German
    Pages: 1 Online-Ressource (96 pages)
    Edition: 1. Auflage
    Series Statement: Beck Paperback v.6241
    Parallel Title: Erscheint auch als Kermani, Navid; Einbruch der Wirklichkeit : Auf dem Flüchtlingstreck durch Europa
    Parallel Title: Erscheint auch als Kermani, Navid, 1967 - Einbruch der Wirklichkeit
    DDC: 300
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    Keywords: Refugees Germany ; History ; 21st century ; Refugees Germany ; Social conditions ; 21st century ; Asylum, Right of Germany ; Germany Emigration and immigration ; History ; 21st century ; Electronic books ; Balkan ; Lesbos ; Izmir ; Flüchtling ; Reiseweg
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  • 51
    ISBN: 3875487907 , 9783875487909
    Language: German , English , French , Dutch
    Pages: 196 Seiten , Karten
    Series Statement: Romanistik in Geschichte und Gegenwart 22
    Series Statement: Beiheft
    Series Statement: Romanistik in Geschichte und Gegenwart 〈Hamburg〉 / Beiheft
    Parallel Title: Erscheint auch als Kramer, Johannes, 1946 - Romanisch und Germanisch in Belgien und Luxemburg
    DDC: 306.44609493
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    Keywords: Languages in contact History ; Languages in contact History ; Germanic languages History ; Germanic languages History ; French language History ; French language History ; Belgium Languages ; History ; Luxembourg Languages ; History ; Belgien ; Luxemburg ; Dreisprachigkeit ; Sprachpolitik ; Französisch ; Germanische Sprachen ; Soziolinguistik ; Mehrsprachigkeit ; Belgien ; Luxemburg ; Geschichte
    Note: Text teilweise deutsch, englisch, französisch, niederländisch
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  • 52
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 53
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252040573 , 9780252082047
    Language: English
    Pages: xii, 240 Seiten , Illustrationen , 24 cm
    DDC: 305.89607309034
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    Keywords: Geschichte 1800-1900 ; LITERARY CRITICISM / American / African American / bisacsh ; SOCIAL SCIENCE / Children's Studies / bisacsh ; SOCIAL SCIENCE / Ethnic Studies / African American Studies / bisacsh ; African American girls History 19th century ; African Americans Social conditions 19th century ; African Americans Politics and government 19th century ; Political culture History 19th century ; African Americans Intellectual life 19th century ; American literature African American authors ; History and criticism ; African Americans in literature ; Girls in literature ; Politics and literature History 19th century ; Schwarze ; Mädchen ; Literatur ; United States Race relations 19th century ; History ; USA ; USA ; Literatur ; Schwarze ; Mädchen ; Geschichte 1800-1900
    Abstract: "Long portrayed as a masculine endeavor, the African American struggle for progress often found expression through an unlikely literary figure: the black girl. Nazera Sadiq Wright uses heavy archival research on a wide range of texts about African American girls to explore this understudied phenomenon. As Wright shows, the figure of the black girl in African American literature provided a powerful avenue for exploring issues like domesticity, femininity, and proper conduct. The characters' actions, however fictional, became a rubric for African American citizenship and racial progress. At the same time, their seeming dependence and insignificance allegorized the unjust treatment of African Americans. Wright reveals fascinating girls who, possessed of a premature knowing and wisdom beyond their years, projected a courage and resiliency that made them exemplary representations of the project of racial advance and citizenship"--Publisher description
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction: Toward a Genealogy of Black Girlhood -- Black Girlhood in the Early Black Press -- Youthful Girls and Prematurely Knowing Girls : Antebellum Black Girlhood -- "Teach your Daughters" : Black Girlhood and Mrs. N. F. Mossell's Advice Column in the New York Freeman -- Moving the Boundaries : Black Girlhood and Public Careers in Frances E.W. Harper's Trial and Triumph -- Black Girlhood in Early-Twentieth-Century Black Conduct Books -- Epilogue: The Changing Same? : Next-Generation Black Girlhood
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  • 54
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Knowledge Unlatched
    ISBN: 3839434556 , 9783839434550
    Language: English
    Pages: 1 Online-Ressource (215 Seiten)
    Series Statement: American culture studies volume 14
    Series Statement: American studies
    Parallel Title: Erscheint auch als Leyda, Julia American mobilities
    Dissertation note: Dissertation
    DDC: 304.873
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    Keywords: Hochschulschrift ; History ; Hochschulschrift ; Electronic books ; Electronic books ; USA ; Mobilität ; Gruppe ; Film ; Literatur ; USA ; Literatur ; Film ; Mobilität ; Rasse ; Soziale Klasse ; Soziale Mobilität ; Geschichte 1929-1960 ; USA ; Literatur ; Film ; Mobilität ; Rasse ; Soziale Klasse ; Soziale Mobilität ; Geschichte 1929-1960
    Abstract: "American Mobilities investigates representations of mobility--social, economic, geographic--in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of 'domestic,' referring to both the family home and the nation, this study traces the important trope of mobility that runs through the 'American' century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States."--Back cover
    Abstract: Reading white trash : class, race, and mobility in Faulkner and Le Sueur -- Incorporation and embodiment : gender, race, and space in Hurst and Himes -- Who's got the car keys? : geographic, economic, and social mobility in the magic kingdom of Los Angeles -- Black-audience westerns : race, nation, and mobility in the 1930s -- Space, class, city : imagined geographies of Maud Martha -- Home on the range : space, nation, and mobility in The searchers
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 55
    ISBN: 9789188031341 , 9188031349
    Language: English , Swedish
    Pages: 187 Seiten , Illustrationen , 23 cm
    DDC: 306.4709485
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    Keywords: Women designers Exhibitions History 20th century ; Design Exhibitions History 20th century ; Interior decoration Exhibitions History 20th century ; Industrial design Exhibitions History 20th century ; Women designers Exhibitions ; History ; 20th century ; Sweden ; Design Exhibitions ; History ; 20th century ; Sweden ; Interior decoration Exhibitions ; History ; 20th century ; Sweden ; Industrial design Exhibitions ; History ; 20th century ; Sweden ; Design ; Industrial design ; Interior decoration ; Women designers ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Designerin ; Schweden ; Industriedesign ; Geschichte 1940-1958
    Abstract: Oomph' is a book about the women who brought on a revolution in Swedish kitchens, linen closets, living rooms, and in the country's textile and fashion industries. With their work in glass, textiles, and ceramics, and their radical ideas about the future of domestic life, they put Sweden on the industrial design map in the middle of the twentieth century. Many women designers were engaged in the increasingly acute housing crisis, and questioned the way homes were traditionally designed. After the Second World War, new manufacturing opportunities emerged: new customs demanded new designs and materials. But many doors still remained closed to women designers
    Note: Literaturangaben , Text in englischer und schwedischer Sprache
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  • 56
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 57
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781442266742
    Language: English
    Pages: xviii, 129 Seiten , 24 cm
    Parallel Title: Erscheint auch als Crawford, Heide, 1966- author Origins of the literary vampire
    DDC: 830.9/375
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    Keywords: Vampires in literature ; German literature History and criticism ; Vampires History ; Vampires in literature ; German literature History and criticism ; Vampires History ; Europe, Central ; German literature ; Vampires ; Vampires in literature Europe, Central ; Criticism, interpretation, etc ; History ; Deutsch ; Literatur ; Vampir ; Geschichte 1700-1850 ; Deutsch ; Literatur ; Vampir ; Geschichte 1700-1850 ; Europa ; Vampirglaube ; Geschichte
    Abstract: Introduction: Germany's place in the history of the vampire in literature -- The Habsburgs, vampires and scientific inquiry: the vampire's path to literature -- The first vampire poems -- The first German vampire stories -- The development of a horror aesthetic by German poets
    Note: Includes bibliography (page 121-124) and index
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  • 58
    ISBN: 9782735508464
    Language: French
    Pages: 367 Seiten , Illustrationen , 22 cm
    Series Statement: L'art et l'essai 16
    Series Statement: L' art & l'essai
    DDC: 720
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    Keywords: Architecture Indochina ; French influences ; Architecture Indochina ; History ; 19th century ; Architecture Indochina ; History ; 20th century ; Architecture, French colonial Indochina
    Note: C. Herbelin teaches at the University of Toulouse-Jean-Jaurès , Includes bibliographical references (pages 245-360) and index
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  • 59
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780199844937 , 0199844933
    Language: English
    Pages: xx, 285 Seiten
    Parallel Title: Erscheint auch als Sorett, Josef Spirit in the dark
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; Religion and literature History 20th century ; Religion in literature ; African Americans in literature ; Blacks Race identity ; American literature African American authors ; History and criticism ; Religion and literature History ; 20th century ; United States ; Religion in literature ; African Americans in literature ; Blacks Race identity ; United States ; African Americans in literature ; American literature African American authors ; Blacks Race identity ; Religion and literature ; Religion in literature United States ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Literatur ; Das Religiöse ; Spiritualität ; Ethnische Identität ; Geschichte 1920-1960
    Abstract: Church, spirit, and the history of racial aesthetics -- The church and the Negro spirit -- Ancestral spirits -- Catholic spirits -- As the spirit moves -- An international spirit -- That spirit is Black -- Contrary spirits -- You can't keep a good church down!
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9782503553337
    Language: English
    Pages: XI, 168 Seiten , Illustrationen, 1 Diagramm
    Series Statement: Studies in European urban history 37
    Series Statement: Studies in European urban history
    Parallel Title: Erscheint auch als The Seven Sorrows Confraternity of Brussels
    DDC: 232.91
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    Keywords: Civilization ; Sorrows of the Blessed Virgin Mary, Devotion to ; Sorrows of the Blessed Virgin Mary, Devotion to History ; Belgium ; Brussels ; Belgium Civilization ; Belgium ; Belgium ; Brussels ; Church history ; History ; Brussels (Belgium) Church history ; Brussels (Belgium) History ; Aufsatzsammlung ; Aufsatzsammlung ; Niederlande ; Brüssel ; Bruderschaft ; Marienverehrung ; Sieben Schmerzen Mariä ; Schmerzensmutter ; Religiöses Leben ; Stadtleben ; Geschichte
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  • 61
    Book
    Book
    Berkeley, California : Counterpoint
    ISBN: 9781619025738 , 9781619028258
    Language: English
    Pages: 225 Seiten , 1 Porträt
    Series Statement: History/nature
    DDC: 917.304
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    Keywords: Savoy, Lauret E Travel ; Public history ; Memory Social aspects ; Landscapes Social aspects ; United States History ; Philosophy ; United States Description and travel ; United States Social conditions ; United States Race relations ; History ; USA ; Landschaft ; Ethnische Beziehungen ; Soziale Situation
    Abstract: "Sand and stone are Earth's fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life-defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent's past from the relics of deep time; but the paths of ancestors toward her--paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land--lie largely eroded and lost. In this provocative and powerful mosaic of personal journeys and historical inquiry across a continent and time, Savoy explores how the country's still unfolding history, and ideas of 'race,' have marked her and the land. From twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from 'Indian Territory' and the U.S.-Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons"--
    Abstract: Prologue: Thoughts on a Frozen Pond -- The View from Point Sublime -- Provenance Notes -- Alien Land Ethic : the distance between -- Madeline tracing -- What's in a Name -- Properties of Desire -- Migrating in a bordered land -- Placing Washington, DC, after the Inauguration -- Epilogue: At Crowsnest Pass
    Description / Table of Contents: Prologue: Thoughts on a Frozen PondThe View from Point Sublime -- Provenance Notes -- Alien Land Ethic : the distance between -- Madeline tracing -- What's in a Name -- Properties of Desire -- Migrating in a bordered land -- Placing Washington, DC, after the Inauguration -- Epilogue: At Crowsnest Pass.
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 62
    ISBN: 9782752102546
    Language: French
    Pages: 265 Seiten , 25 cm
    Series Statement: Collection Avant-gardes
    DDC: 700.943
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    Keywords: Arts, German Congresses 20th century ; Art Congresses history 20th century ; Arts Congresses Political aspects 20th century ; History ; Auswärtige Kulturpolitik ; Nachkriegszeit ; Auswirkung ; Kunst ; Künstler ; Kulturkontakt ; Umerziehung ; Diskussion ; Germany Congresses Intellectual life 20th century ; Germany Congresses History 1945-1955 ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2014 ; Kunst ; Geschichte 1945-1949 ; Deutschland ; Besetzung ; Künste ; Kulturpolitik ; Geschichte 1945-1949
    Description / Table of Contents: Sur les traces d'une "esthétique du traumatisme" : La face (un)heimlich du renouveau de l'art allemand (1945-1949) -- Karlheinz Stockhausen et Gesang der Jiinglinge : Convergences et métamorphoses de la pensée sérielle d'un ancien "Adolescent dans la fournaise" -- Paul Celan et la poésie de la destruction -- L'enseignement artistique comme moyen de rééducation dans l'immédiat après-guerre : L'exemple de la Sarre en zone française d'occupation -- Cinéma et rééducation en zone française d'occupation (1945-1949) -- La politique culturelle dans les zones d'occupation française et américaine : Quelle place pour l'art moderne ? -- La rééducation du peuple allemand entre 1945 et 1949 : Place et rôle de l'art dans l'organe officiel du gouvernement militaire américain -- Catharsis et rééducation : La résistance allemande contre le nazisme dans le théâtre d'après-guerre en Allemagne (1945-1949) -- "Thomas Mann doit-il rentrer en Allemagne ?"Enjeux des adversaires dans la "grande controverse" -- Les politiques musicales dans la zone d'occupation soviétique -- Groupes littéraires et esthétique moderniste : La formation du champ littéraire en zone d'occupation soviétique -- Le "débat Lucullus" (1949-1952) : Procès de l'esthétique brechtienne en RDA -- Les Ferienkurse de Darmstadt entre 1946 et 1949: Enjeux musicaux français en zone d'occupation américaine -- Résumés et Biographies
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  • 63
    Book
    Book
    Abingdon, Oxon : Routledge
    ISBN: 9781138687189 , 9781138844957 , 9781315728469
    Language: English
    Pages: xv, 266 Seiten , Illustrationen , 24 cm
    Series Statement: Routledge contemporary Russia and Eastern Europe series 61
    Series Statement: Routledge contemporary Russia and Eastern Europe series
    DDC: 701/.0309470905
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    Keywords: Art Political aspects 21st century ; History ; Art and society History 21st century ; Protest movements History 21st century ; Russland ; Gegenkultur ; Politischer Protest ; Geschichte 2000-2014 ; Russland ; Gegenkultur ; Politischer Protest ; Kunst ; Geschichte 2000-2014
    Abstract: A history of dissensus, consensus and illusions of a new era -- An other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya
    Description / Table of Contents: A history of dissensus, consensus and illusions of a new eraAn other gaze in art -- Art on trial -- Dissent in art -- Art of engagement: a counterculture in the making -- Political action -- Art and protest after Bolotnaya.
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    [London] : Allen Lane an imprint of Penguin books
    ISBN: 9781846147685
    Language: English
    Pages: 612 Seiten , Illustrationen (schwarz-weiß)
    Edition: First published
    DDC: 720.94309045
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    Keywords: Communism and architecture History ; Architecture History ; Architecture Political aspects 20th century ; History ; City planning History 20th century ; Land use, Urban History 20th century ; Architecture and society ; Osteuropa ; Kommunismus ; Städtebau ; Architektur ; Geschichte
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  • 65
    ISBN: 1469618362 , 9781469618364
    Language: English
    DDC: 305.800973
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    Keywords: Racism and the arts History 19th century ; Racism and the arts History 20th century ; Stereotypes (Social psychology) in motion pictures ; Theater and society History 19th century ; Theater and society History 20th century ; Racism in popular culture History 19th century ; Racism in popular culture History 19th century ; United States Ethnic relations 19th century ; History ; United States Ethnic relations 20th century ; History
    Description / Table of Contents: IntroductionThe minstrel show and the melee: Irish, Jewish, and African Americans in popular culture and politics -- Practical censorship: Irish American theater riots -- Immoral . . . in the broad sense: censoring racial ridicule in legitimate theater -- Shylock and Sambo censored: Jewish and African American campaigns for race-based motion picture censorship -- Are the Hebrews to have a censor?: Jewish censors in Chicago -- Without fear or favor: free-speech advocates confront race-based -- Censorship -- Conclusion.
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  • 66
    Book
    Book
    London : Victoria & Albert Museum
    ISBN: 9781851778508 , 1851778500
    Language: English
    Pages: 344 S , zahlr. Ill
    DDC: 391
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    Keywords: Fashion design History 20th century ; Fashion History 20th century ; Fashion ; Fashion ; Fashion design ; England ; Fashion design ; England ; History ; London ; England ; London ; History ; London ; 1900-1999 ; 20th century ; History ; Verzeichnis ; London ; Mode ; Design ; Haute couture ; Modeschöpfer ; Modeschöpferin ; Geschichte 1923-1975
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history, London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to mid-twentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion. A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall. Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Abstract: An academically rigorous and beautiful new publication on a crucial chapter in fashion history London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London couture houses of the early to midtwentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Lucile, Worth and Hardy Amies. The ancillary dressmaking trades in London are also considered, as are the international markets for London couture, and the impact of royal dress on high-end fashion.A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall.0Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth II, Margot Fonteyn, and many stars of stage and screen
    Note: Includes bibliographical references (pages 331-334) and index
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  • 67
    ISBN: 1851778314 , 9781851778317
    Language: English
    Pages: 160 S , überwiegend Ill., Kt. , zahlr. Ill
    Edition: 1. publ.
    DDC: 391.0094109041
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    Keywords: Firbank, Heather Clothing ; Firbank, Heather Clothing ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Fashion History ; 20th century ; Great Britain ; Fashion Pictorial works ; History ; 20th century ; Great Britain ; Needlework, Edwardian ; Firbank, Heather ; Sammlung ; Großbritannien ; Damenmode ; Geschichte 1905-1925 ; Bildband ; Katalog ; Firbank, Heather 1888-1954 ; Kleidung ; Mode ; Geschichte 1905-1925 ; Victoria and Albert Museum ; Firbank, Heather 1888-1954 ; Sammlung
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  • 68
    ISBN: 9782600005586 , 2600005587
    Language: French
    Pages: 380 S. , Ill.
    Series Statement: Titre courant 58
    Series Statement: Titre courant
    DDC: 306.09
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    Keywords: Villard, active 13th century *de Honnecourt* ; Architectural design France ; History ; To 1500 ; Architecture, Medieval France ; Hochschulschrift ; Frankreich ; Architektur ; Baumeister ; Geschichte 1200-1300 ; Villard de Honnecourt
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  • 69
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
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    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
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  • 70
    ISBN: 3848719029 , 9783848719020
    Language: German
    Pages: 437 Seiten , 23 cm
    Edition: 1. Auflage
    Series Statement: Schriftenreihe Zeitgenössische Diskurse des Politischen Bd. 9
    Series Statement: Schriftenreihe Zeitgenössische Diskurse des Politischen
    Dissertation note: Dissertation Technische Universität Darmstadt 2014
    DDC: 305.5520882960943
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    Keywords: Benjamin, Walter Criticism and interpretation ; Benjamin, Walter Political and social views ; Jews Cultural assimilation ; History ; Jewish youth History ; Jews Intellectual life ; Judaism and literature ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Benjamin, Walter 1892-1940 ; Denkstil ; Zeithintergrund ; Deutschland ; Bildungsbürgertum ; Juden
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  • 71
    ISBN: 9781498511353 , 9781498511377
    Language: English
    Pages: xx, 431 Seiten , 24 cm
    Series Statement: Critical Africana studies
    DDC: 809/.8896
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    Keywords: Negritude (Literary movement) ; Blacks Race identity ; History ; Negritude (Literary movement) ; Blacks Race identity ; History ; Négritude ; Literatur ; Du Bois, William E. B. 1868-1963 ; Damas, Léon-Gontran 1912-1978 ; Césaire, Aimé 1913-2008 ; Senghor, Léopold Sédar 1906-2001 ; Fanon, Frantz 1925-1961 ; Négritude
    Note: Includes index , Includes bibliographical references and index
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  • 72
    Book
    Book
    New York [u.a.] : New York University Press
    ISBN: 9781479817962 , 9781479868001
    Language: English
    Pages: XI, 293 S , Ill
    Series Statement: America and the long 19th century
    DDC: 818/.409355
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    Keywords: American prose literature History and criticism 19th century ; Chinese History 19th century ; African Americans History 19th century ; National characteristics, American, in literature ; Labor movement in literature ; Working class in literature ; Emigration and immigration law History ; United States Race relations 19th century ; History ; USA ; Literatur ; Rassismus ; Schwarze ; Chinesen ; Ausländischer Arbeitnehmer ; Zuwanderungsrecht ; Geschichte 1800-1900
    Abstract: Introduction: Black inclusion/Chinese exclusion: toward a cultural history of comparative -- Racialization -- Cosa de Cuba!: American literary travels, empire, and the contract Coolie -- From emancipation to exclusion: racial analogy in Afro-Asian periodical print culture -- American futures past: the counterfactual histories of Chinese invasion -- Boycotting exclusion: the transpacific politics of Chinese sentimentalism -- Conclusion: Against historicism: James D. Corrothers and speculations on our racial futures
    Description / Table of Contents: Introduction: Black inclusion/Chinese exclusion: toward a cultural history of comparativeRacialization -- Cosa de Cuba!: American literary travels, empire, and the contract Coolie -- From emancipation to exclusion: racial analogy in Afro-Asian periodical print culture -- American futures past: the counterfactual histories of Chinese invasion -- Boycotting exclusion: the transpacific politics of Chinese sentimentalism -- Conclusion: Against historicism: James D. Corrothers and speculations on our racial futures.
    Note: Includes bibliographical references and index
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  • 73
    ISBN: 3732901947 , 9783732901944
    Language: German
    Pages: 228 Seiten , Illustrationen (schwarz-weiss) , 21 cm
    Series Statement: Literaturwissenschaft Band 52
    Series Statement: Abrogans Band 4
    Series Statement: Literaturwissenschaft
    Series Statement: Abrogans
    Parallel Title: Erscheint auch als Berzeviczy, Klara Mitteleuropäischer Kulturraum
    Parallel Title: Erscheint auch als Berzeviczy, Klara Mitteleuropäischer Kulturraum
    DDC: 830.932439
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    Keywords: German literature Congresses Themes, motives ; Hungarians in literature Congresses ; German literature Congresses History and criticism ; Hungarians Congresses Press coverage ; History ; Hungary Congresses Press coverage ; History ; Hungary Congresses Religion ; Press coverage ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Deutsch ; Literatur ; Presse ; Ungarnbild ; Ethnische Gruppe ; Religion
    Note: Literaturangaben , Konferenzangaben dem Vorwort des Herausgebers entnommen , Vorwort der Herausgeber ; Der Mönch und der Diener : zwei Pilgerberichte aus dem Jahre 1483 , Gesta Hungarorum aus der Feder eines deutschen Humanisten : Möglichkeiten zur Rekonstruierung der "ungarischen Geschichte" anhand der deutschsprachigen historischen Werke von Johannes Aventinus , Beschreibungen ungarischer Städte in Reiseberichten des 16. und 17. Jahrhunderts , Das Ungarnbild im Epos Vngrische Schlacht... (Jena, 1626) von Jacob Vogel , Eger (Erlau) im Ungarischen oder Dacianischen Sintplicissimus von Daniel Speer , Miszellen aus der Stammbuchforschung in der Ungarischen Széchényi-Nationalbibliothek Budapest (OSzK) , Die Vielvölkerregionen Siebenbürgen und das Banat in den Reisebeschreibungen des 18. Jahrhunderts , Friedrich Kinds Roman die Belagerung von Sigeth (1807) und die Wiedergeburt der Zrínyi-Figur um 1800 , Schemabasierte Repräsentation : Pusztaromantik im Dienste der deutschen Romantik , Die Völkerbilder der Tentesvarer Zeitung , Transzendente Züge der Moderne in ungarischem Spiegel : Wien und Budapest um die Jahrhundertwende
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  • 74
    Book
    Book
    New York : Pantheon Books
    ISBN: 9780307378453
    Language: English
    Pages: 248 Seiten, 8 ungezählte Seiten , Illustrationen , 23 cm
    DDC: 305.896/0730773110904
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    Keywords: Jefferson, Margo Childhood and youth ; Jefferson family ; African Americans Race identity ; Elite (Social sciences) ; African American women Biography ; African American girls Social conditions 20th century ; African Americans Social life and customs 20th century ; Chicago (Ill.) Anecdotes Race relations 20th century ; History ; Chicago Region (Ill.) Anecdotes Social life and customs 20th century ; Chicago Region (Ill.) Biography ; Autobiografie ; Autobiografie ; USA ; Schwarze ; Frau ; Rassendiskriminierung ; Ethnische Identität
    Abstract: "At once incendiary and icy, mischievous, and provocative, celebratory and elegiac, a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned to distance itself from whites and the black generality, while tirelessly measuring itself against both. Born in 1947 in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty." Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of post-racial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance. (With 8 pages of black-and-white illustrations.)"--
    Abstract: "At once incendiary and icy, mischievous, and provocative, celebratory and elegiac, a deeply felt meditation on race, sex, and American culture through the prism of the author's rarefied upbringing and education among a black elite concerned to distance itself from whites and the black generality, while tirelessly measuring itself against both. Born in 1947 in upper-crust black Chicago--her father was for years head of pediatrics at Provident, at the time the nation's oldest black hospital; her mother was a socialite--Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, "a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty." Reckoning with the strictures and demands of Negroland at crucial historical moments--the civil rights movement, the dawn of feminism, the fallacy of post-racial America--Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance. (With 8 pages of black-and-white illustrations.)"--
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  • 75
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    ISBN: 0199313504 , 9780199313501
    Language: English
    Pages: XI, 315 S. , lll. , 25 cm
    DDC: 810.9/3529
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    Keywords: American literature History and criticism 18th century ; Race in literature ; Race awareness in literature ; Race relations in literature ; Human skin color in literature ; Blacks Race identity 18th century ; History ; Indians of North America Race identity 18th century ; History ; Whites Race identity 18th century ; History ; USA ; Literatur ; Hautfarbe ; Rasse ; Ethnische Beziehungen ; Geschichte 1700-1800
    Description / Table of Contents: Introduction: surprising metamorphosesBecoming colored in Occom and Wheatley's early America -- To make Samson Occom "so" -- "To make a poet black" -- The political bodies of Benjamin Franklin and Hendrick Aupaumut -- You are what you eat; or, Franklin's practice makes (almost) perfect -- Hendrick Aupaumut's own color -- Transforming into natives: Crèvecoeur, Marrant, and Brown on becoming Indian -- Passing as, transforming into Crèvecoeur's American race -- John Marrant becoming Cherokee -- Edgar Huntly's unsettling transformation -- Doubting transformable race: -- Equiano, Brackenridge, and the textuality of natural history -- To quote and to question: Olaudah Equiano's provocative ends -- Brackenridge and the limits of writing natural history -- Epilogue: interiorizing racial metamorphosis: -- The Algerine captive's language of sympathy.
    Note: Includes bibliographical references (page 223-299) and index
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  • 76
    Book
    Book
    Göttingen : V & R Unipress
    ISBN: 3847100017 , 9783847100010
    Language: English
    Pages: 270 S. , Ill. , 24 cm
    Series Statement: Transatlantische Studien zu Mittelalter und Früher Neuzeit - Transatlantic studies on medieval and early modern literature and culture 6
    Series Statement: V & R Academic
    Series Statement: Transatlantische Studien zu Mittelalter und Früher Neuzeit
    Parallel Title: Erscheint auch als Spatial practices
    Parallel Title: Erscheint auch als Spatial practices
    Parallel Title: Erscheint auch als Spatial Practices
    Parallel Title: Erscheint auch als Spatial practices
    DDC: 304.2309
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    Keywords: Architecture Congresses Human factors ; History ; Space (Architecture) Congresses History ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Mittelhochdeutsch ; Literatur ; Raum ; Raum ; Literatur ; Mediävistik ; Germanistik
    Note: Selection of papers from a conference ... at the Univ. of Toronto in April 2010
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  • 77
    ISBN: 9781409455967
    Language: English
    Pages: XXVI, 307 S. , Ill. , 24 cm
    Series Statement: Empires and the making of the modern world, 1650 - 2000
    DDC: 704.03/9915009034
    RVK:
    Keywords: Art, Aboriginal Australian ; Indigenous art ; Aboriginal Australians Colonization ; Indigenous peoples Colonization ; Artists, Aboriginal Australian Attitudes ; Philosophy, Aboriginal Australian ; Postcolonialism and the arts ; Arthur, George, ; Sir, 1784-1854 ; Blandowski, William, 1822-1878 ; Intercultural communication ; Great Britain ; Colonies ; History ; 19th century ; Art and society ; Great Britain ; Colonies ; History ; 19th century ; Intercultural communication in art ; Material culture ; Collectors and collecting ; Great Britain ; Colonies ; History ; 19th century ; Indigenous art ; History ; 19th century ; Art, Colonial ; Art, Colonial ; Australia ; Australien ; Aborigines ; Kolonialismus ; Kunst ; Kulturaustausch
    Note: Includes bibliographical references and index
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  • 78
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190226350
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 303.4097471
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    Keywords: City and town life History ; Space (Architecture) Social aspects ; History ; Public spaces Social aspects ; History ; Buildings Social aspects ; History ; Sidewalks Social aspects ; History ; Social change History ; New York (N.Y.) Social conditions ; New York (N.Y.) In motion pictures ; New York (N.Y.) In literature ; New York (N.Y.) In art
    Abstract: Using examples from architecture, film, literature and the visual arts, this wide-ranging book examines the place and significance of New York City in the urban imaginary between 1890 and 1940. In particular, 'Imagining New York City' considers how and why certain city spaces - such as the skyline, the sidewalk, the slum and the subway - have come to emblematize key aspects of the modern urban condition.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 79
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199356027
    Language: English
    Pages: 1 Online-Ressource
    Edition: 25th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 305.8/96073
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    Keywords: Geschichte 1800-1900 ; Geschichte 1800-1865 ; Geschichte 1800-1900 ; Esclavage - États-Unis ; Nationalisme ; Negers ; Noirs américains - Identité ethnique - Histoire - 19e siècle ; Panafricanisme ; Slavernij ; Geschichte ; Nationalismus ; Schwarze ; Schwarze. USA ; Sklaverei ; African Americans Race identity 19th century ; History ; Pan-Africanism History 19th century ; Slavery ; Schwarze ; Kultur ; Panafrikanismus ; Ethnische Identität ; Sklave ; USA ; USA ; USA ; Sklave ; Panafrikanismus ; Geschichte 1800-1865 ; USA ; Sklave ; Ethnische Identität ; Geschichte 1800-1865 ; USA ; Kultur ; Schwarze ; Geschichte 1800-1900
    Abstract: An updated edition of the highly acclaimed contribution to African-American scholarship, 'Slave Culture' considers how various African peoples interacted on the plantations of the South to achieve a common culture, tracing of the roots of black nationalist feelings in America over several centuries
    Note: Previous edition: 1987 , Includes bibliographical references and index
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  • 80
    ISBN: 9780803240759
    Language: English
    Pages: XVII, 289 S. , Ill.
    Series Statement: Legacies of nineteenth-century American women writers
    Parallel Title: Erscheint auch als Brown, Catharine Cherokee Sister
    DDC: 973.04975570092
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    Keywords: Brown, Catharine Diaries ; Brown, Catharine Correspondence ; Brainerd Mission History 19th century ; Cherokee Indians Missions 19th century ; History ; Cherokee women Biography ; Quelle ; Tennessee ; Cherokee ; Indianerin ; Geschichte 1800-1823
    Abstract: "A collection of writings by and about Catharine Brown, the first Cherokee to convert to Christianity who wrote extensively about her conversion and faith"--
    Abstract: "Catharine Brown (1800?-1823) became Brainerd Mission School's first Cherokee convert to Christianity, a missionary teacher, and the first Native American woman whose own writings saw extensive publication in her lifetime. After her death from tuberculosis at age twenty-three, the missionary organization that had educated and later employed Brown commissioned a posthumous biography, Memoir of Catharine Brown, which enjoyed widespread contemporary popularity and praise. In the following decade, her writings, along with those of other educated Cherokees, became highly politicized and were used in debates about the removal of the Cherokees and other tribes to Indian Territory. Although she was once viewed by literary critics as a docile and dominated victim of missionaries who represented the tragic fate of Indians who abandoned their identities, Brown is now being reconsidered as a figure of enduring Cherokee revitalization, survival, adaptability, and leadership. In Cherokee Sister Theresa Strouth Gaul collects all of Brown's writings, consisting of letters and a diary, some appearing in print for the first time, as well as Brown's biography and a drama and poems about her. This edition of Brown's collected works and related materials firmly establishes her place in early nineteenth-century culture and her influence on American perceptions of Native Americans. "--
    Note: Includes bibliographical references
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  • 81
    Book
    Book
    London : Tangerine Press
    ISBN: 9780957338548 , 0957338538 , 9780957338531
    Language: English
    Pages: 230 S. , Ill.
    DDC: 305.56909421
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    Keywords: Poor ; Poor History ; England ; London ; Social history ; London (England) Social conditions ; England ; London ; History
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  • 82
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472072262 , 9780472052264
    Language: English
    Pages: X, 218 S. , Ill. , 24 cm
    Series Statement: Theater: theory/text/performance
    DDC: 306.09
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    Keywords: African Americans in the performing arts History 19th century ; Northeastern states Race relations 19th century ; History ; Race discrimination History 19th century ; Whites History 19th century ; Blackface entertainers History 29th century ; Racism in popular culture History 19th century ; Slavery History 19th century ; USA ; Darstellende Kunst ; Theater ; Minstrel show ; Bühnenkünstler ; Schwarze ; Geschichte 1789-1860
    Description / Table of Contents: Includes bibliographical references and index
    Description / Table of Contents: Introduction: the "common sense" of slavery in the free Antebellum NorthSetting the stage of black freedom: parades and "presence" in the New Nation -- Black politics but not black people: early minstrelsy, "white slavery", and the wedge of "blackness" -- Washington and the slave: black deformations, proslavery domesticity, and re-staging the birth of the nation -- The theatocracy of antebellum social reform: "monkeyism" and the mode of romantic racialism -- Melodrama and the performance of slave testimony; or, William Wells Brown's Inability to Escape -- Epilogue: no exit, but a new stage.
    Note: Includes bibliographical references (pages 171-206) and index
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  • 83
    Book
    Book
    London : Reaktion Books
    ISBN: 9781780232720
    Language: English
    Pages: 384 S. , Ill., Kt. , 23 cm
    Edition: 1. publ.
    Series Statement: Foods and nations
    Parallel Title: Erscheint auch als Heinzelmann, Ursula, 1963 - Beyond Bratwurst
    DDC: 641.300943
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    Keywords: Food habits History ; Food History ; Cooking, German History ; Food industry and trade History ; Food habits Social aspects ; History ; Food habits Psychological aspects ; History ; Food History ; Germany ; Food habits History ; Germany ; Cooking, German History ; Diet ; Germany ; Deutschland ; Ernährung ; Kulturwissenschaften ; Deutschland ; Ernährung ; Kulturwissenschaften
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  • 84
    Book
    Book
    New York, NY [u.a.] : Cambridge Univ. Press
    ISBN: 9781107043688
    Language: English
    Pages: X, 320 S. , Ill.
    Edition: 1. publ.
    DDC: 305.800973
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    Keywords: Geschichte 1800-1900 ; Geschichte 1821-1867 ; HISTORY / United States / 19th Century ; Geschichte ; African Americans in popular culture History 19th century ; African American men Public opinion 19th century ; History ; Women, White Attitudes 19th century ; History ; African American men in literature ; Slavery in literature ; Race in literature ; Masculinity in literature ; Popular culture History 19th century ; HISTORY / United States / 19th Century ; Rassenfrage ; Geschlechterforschung ; Literatur ; Massenkultur ; USA ; United States Race relations 19th century ; History ; United States Intellectual life 19th century ; USA ; USA ; Geschlechterforschung ; Rassenfrage ; Literatur ; Massenkultur ; Geschichte 1821-1867
    Abstract: "In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble Black martyr. This radical reshaping of Black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of Black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture"..
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  • 85
    Online Resource
    Online Resource
    Charlottesville, Va : University of Virginia Press
    ISBN: 9780813936390 , 9781322111407
    Language: English
    Pages: 1 Online-Ressource (viii, 239 Seiten)
    Series Statement: New World Studies
    Parallel Title: Erscheint auch als Journeys of the Slave Narrative in the Early Americas
    DDC: 306.362092
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    Keywords: Slave narratives ; Slave narratives History and criticism ; Slavery History 18th century ; Slavery History 19th century ; Slaves Biography ; Slave narratives -- America ; Slave narratives -- History and criticism ; Slavery -- America -- History -- 18th century ; Slavery -- America -- History -- 19th century ; Slaves -- America -- Biography ; America -- Race relations -- History -- 18th century ; America -- Race relations -- History -- 19th century ; Electronic books ; America Race relations 18th century ; History ; America Race relations 19th century ; History ; Electronic books ; USA ; Sklavenaufstand ; Sklaverei ; Amerika ; Narrativ ; Sklave ; Geschichte 1700-1900
    Abstract: By concentrating on earlier slave narratives not only from the United States but from the Caribbean, South America, and Latin America as well, the volume highlights the inherent transnationality of the genre, illuminating its complex cultural origins and global circulation
    Description / Table of Contents: Front ; Contents; Acknowledgments; Introduction; Irony and Modernity in the Early Slave Narrative; Trials and Confessions of Fugitive Slave Narratives; "They Us'd Me Pretty Well"; Uncommon Sufferings; Narrating an Indigestible Trauma; "The Most Perfect Picture of Cuban Slavery"; Seeking a Righteous King; Literary Form and Islamic Identity in; Coda; Contributors; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 86
    Online Resource
    Online Resource
    Madison, Wisconsin : The University of Wisconsin Press
    ISBN: 1306866960 , 9781306866965 , 9780299298937 , 0299298930 , 9780299298944 , 0299298949
    Language: English
    Pages: Online Ressource
    Parallel Title: Druckausg.: Thinking Orthodox in modern Russia
    DDC: 306.6
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    Keywords: Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ Influence ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ Influence ; Russkai︠a︡ pravoslavnai︠a︡ t︠s︡erkovʹ ; Religion and civil society History ; Russia ; Religion and civil society History ; Soviet Union ; Christianity and culture History ; Russia ; Christianity and culture History ; Soviet Union ; Religion and civil society History ; Religion and civil society History ; Christianity and culture History ; Christianity and culture History ; SOCIAL SCIENCE ; Popular Culture ; Christianity and culture ; Influence (Literary, artistic, etc.) ; Religion and civil society ; SOCIAL SCIENCE ; Anthropology ; Cultural ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; Church history ; History ; Russia Church history ; Russia ; Soviet Union ; Russia Church history ; Russia ; Soviet Union ; Electronic books Church history ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Russisch-Orthodoxe Kirche ; Religion ; Kultur ; Geschichte 1780-1930
    Abstract: " ... illuminates the significant role of Russian Orthodox thought in shaping the discourse of educated society during the imperial and early Soviet periods. Bringing together an array of scholars, this book demonstrates that Orthodox reflections on spiritual, philosophical, and aesthetic issues of the day informed much of Russia's intellectual and cultural climate. Volume editors Patrick Lally Michelson and Judith Deutsch Kornblatt provide a historical overview of Russian Orthodox thought and a critical essay on the current state of scholarship about religious thought in modern Russia. The contributors explore a wide range of topics, including Orthodox claims to a unique religious Enlightenment, contests over authority within the Russian Church, tensions between faith and reason in academic Orthodoxy, the relationship between sacraments and the self, the religious foundations of philosophical and legal categories, and the effect of Orthodox categories in the formation of Russian literature."--Provided by publisher
    Note: Includes bibliographical references and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 87
    Online Resource
    Online Resource
    Göttingen : V & R Unipress
    ISBN: 9783847000013 , 9783737000017
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen
    Series Statement: Transatlantische Studien zu Mittelalter und Früher Neuzeit - Transatlantic studies on medieval and early modern literature and culture 6
    Series Statement: V & R Academic
    Parallel Title: Erscheint auch als Spatial practices
    DDC: 304.2309
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    Keywords: Architecture Congresses Human factors ; History ; Space (Architecture) Congresses History ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Mittelhochdeutsch ; Literatur ; Raum ; Raum ; Literatur ; Mediävistik ; Germanistik
    Note: Selection of papers from a conference ... at the Univ. of Toronto in April 2010
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  • 88
    ISBN: 9783034011969
    Language: German
    Pages: 486 Seiten
    Dissertation note: Zugl.: Zürich, Univ., Diss., 2012
    DDC: 264.0200949409023
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    Keywords: Dead Social aspects To 1500 ; History ; Dead Religious aspects To 1500 ; Catholic Church ; History ; Obituaries History To 1500 ; Prayers for the dead History To 1500 ; Necrologies History To 1500 ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Schweiz ; Nekrologium ; Liturgisches Buch ; Rezeption ; Verwaltung ; Buchführung ; Schweiz ; Totengedächtnis ; Schriftlichkeit ; Kirchengeschichte 1250-1500
    Note: Literaturverz. S. 393 - 467
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  • 89
    Book
    Book
    Chapel Hill [u.a.] : Univ. of North Carolina Press
    ISBN: 9781469614021 , 9781469614038
    Language: English
    Pages: XV, 233 S. , Ill.
    DDC: 304.80973
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    Keywords: Geschichte 1900-2000 ; Geschichte 1930-1950 ; LITERARY CRITICISM / American / General ; HISTORY / United States / 20th Century ; Geschichte ; Politik ; Migration, Internal History 20th century ; Migration, Internal Political aspects 20th century ; History ; Migration, Internal, in literature ; American literature History and criticism 20th century ; Literature and society History 20th century ; Populism History 20th century ; Right and left (Political science) History 20th century ; LITERARY CRITICISM / American / General ; HISTORY / United States / 20th Century ; Schwarze ; Rezeption ; Kunst ; Die Linke ; Soziale Literatur ; Binnenwanderung ; Ethnische Beziehungen ; Wirtschaftskrise ; USA ; USA ; USA ; Wirtschaftskrise ; Rezeption ; Die Linke ; Soziale Literatur ; Kunst ; Schwarze ; Binnenwanderung ; Ethnische Beziehungen ; Geschichte 1930-1950
    Abstract: "Most scholarship on the mass migrations of African Americans and southern whites during and after the Great Depression treats those migrations as separate phenomena, strictly divided along racial lines. In this engaging interdisciplinary work, Erin Royston Battat argues instead that we should understand these Depression-era migrations as interconnected responses to the capitalist collapse and political upheavals of the early twentieth century. During the 1930s and 1940s, Battat shows, writers and artists of both races created migration stories specifically to bolster the black-white Left alliance. Defying rigid critical categories, Battat considers a wide variety of media, including literary classics by John Steinbeck and Ann Petry, "lost" novels by Sanora Babb and William Attaway, hobo novellas, images of migrant women by Dorothea Lange and Elizabeth Catlett, popular songs, and histories and ethnographies of migrant shipyard workers. This vibrant rereading and recovering of the period's literary and visual culture expands our understanding of the migration narrative by uniting the political and aesthetic goals of the black and white literary Left and illuminating the striking interrelationship between American populism and civil rights. "..
    Note: Includes bibliographical references and index
    URL: Cover
    URL: Cover
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  • 90
    ISBN: 9780226060422 , 9780226060569
    Language: English
    Pages: VIII, 295 S. , Ill.
    Series Statement: Chicago studies in practices of meaning
    DDC: 306.0952/09034
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    Keywords: Geschichte 1800-1900 ; Geschichte 1600-1900 ; Geschichte ; Politik ; Arts, Political aspects History 19th century ; Popular culture Government policy ; History ; Human body in popular culture Political aspects ; Human body Political aspects ; Kabuki Government policy ; History ; Japanese wit and humor Political aspects ; Kulturpolitik ; Massenkultur ; Japan Cultural policy 19th century ; History ; Japan History Tokugawa period, 1600-1868 ; Japan Politics and government 1600-1868 ; Japan ; Japan ; Kulturpolitik ; Massenkultur ; Geschichte 1600-1900
    Note: Includes bibliographical references and index
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  • 91
    Book
    Book
    New York, NY [u.a.] : Routledge
    ISBN: 9780415539142 , 9780415539159 , 9780203108499
    Language: English
    Pages: VIII, 199 S.
    Edition: 1. publ.
    DDC: 305.800973
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    Keywords: Racism History ; United States Race relations ; History
    Abstract: Introduction -- Racism : naming what hurts -- Moving past blame : embracing diversity -- Solidarity : women and race relations -- Help wanted : re-imagining the past -- Interrogating : the reinvention of Malcolm X -- Tragic biography : resurrecting Henrietta Lacks -- A path away from race : on spiritual conversion -- Talking trash : a dialogue about crash -- A pornography of violence : the movie precious -- A community of caring -- Bonding across boundaries -- Everyday resistance : saying no to white supremacy -- Against mediocrity -- Black self-determination -- Ending racism : working for change -- Writing beyond race -- The practice of love
    Description / Table of Contents: IntroductionRacism : naming what hurts -- Moving past blame : embracing diversity -- Solidarity : women and race relations -- Help wanted : re-imagining the past -- Interrogating : the reinvention of Malcolm X -- Tragic biography : resurrecting Henrietta Lacks -- A path away from race : on spiritual conversion -- Talking trash : a dialogue about crash -- A pornography of violence : the movie precious -- A community of caring -- Bonding across boundaries -- Everyday resistance : saying no to white supremacy -- Against mediocrity -- Black self-determination -- Ending racism : working for change -- Writing beyond race -- The practice of love.
    Description / Table of Contents: Introduction -- Racism : naming what hurts -- Moving past blame : embracing diversity -- Solidarity : women and race relations -- Help wanted : re-imagining the past -- Interrogating : the reinvention of Malcolm X -- Tragic biography : resurrecting Henrietta Lacks -- A path away from race : on spiritual conversion -- Talking trash : a dialogue about crash -- A pornography of violence : the movie precious -- A community of caring -- Bonding across boundaries -- Everyday resistance : saying no to white supremacy -- Against mediocrity -- Black self-determination -- Ending racism : working for change -- Writing beyond race -- The practice of love.
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  • 92
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415505369 , 9780415505352
    Language: English
    Pages: X, 214 S. , Ill., Kt. , 25 cm
    Additional Information: Rezensiert in Rak, Joanna, 1990 - [Rezension von: The struggle for Jerusalem's holy places] 2019
    DDC: 720.1/0309569442
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    Keywords: Architecture and society ; Architecture Political aspects ; Sacred space Political aspects ; Social conflict ; Jerusalem Buildings, structures, etc ; Sacred space ; Political aspects ; Jerusalem ; Arab-Israeli conflict ; Religious aspects ; Jerusalem ; History ; Jerusalem ; Politics and government ; Jerusalem ; Nahostkonflikt ; Religiöser Konflikt ; Stadtentwicklung ; Geschichte ; Jerusalem ; Heiligtum ; Stadtentwicklung
    Abstract: "The Struggle for Jerusalem's Holy Places investigates the role of architecture and urban identity in relation to the political economy of the city and its wider state context seen through the lens of the holy places. Reflecting the broad disciplinary backgrounds of the authors, this book provides perspectives from architecture, urbanism, and politics, and provides in-depth investigations of historical, ethnographic and policy-related case studies. The research is substantiated by fieldwork carried out in Jerusalem over the past ten years as part of the ESRC Large Grants project 'Conflict in Cities'. By analysing new dynamics of radicalisation through land seizure, the politicisation of parklands and tourism, the strategic manipulation of archaeological and historical narratives and material culture, and through examination of general appropriation of Jerusalem's varied rituals, memories and symbolism for factional uses, the book reveals how possibilities of co- existence are seriously threatened in Jerusalem. Shedding new light on the key role played by everyday urban life and its spatial settings for any future political agreements about the city and its religious sites, this book is a useful reference work for students and scholars of Middle East Studies, Architecture, Religion and Urban Studies"--
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  • 93
    ISBN: 9783506777737
    Language: English
    Pages: 355 S. , Ill. , 24 cm
    Series Statement: Beiträge zur englischen und amerikanischen Literatur 33
    Series Statement: Beiträge zur englischen und amerikanischen Literatur
    Dissertation note: Zugl.: Mainz, Univ., Diss., 2012
    DDC: 070
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    Keywords: Periodicals Publishing ; History ; American periodicals Publishing ; History ; Nationalism in the press History ; United States Biography ; Periodicals ; History ; United States History War of 1812 ; Periodicals ; Hochschulschrift ; USA ; Zeitschrift ; Professionalisierung ; Gewinnstreben ; Geschichte 1787-1820 ; USA ; Zeitschrift ; Biografie ; Geschichte 1787-1820 ; Britisch-Amerikanischer Krieg ; Rezeption ; USA ; Zeitschrift ; Geschichte 1812-1820 ; USA ; Zeitschrift ; Professionalisierung ; Gewinnstreben ; Geschichte 1787-1820 ; Britisch-Amerikanischer Krieg ; Rezeption ; USA ; Zeitschrift ; Geschichte 1812-1820
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  • 94
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard University Press
    ISBN: 9780674045859 , 0674045858
    Language: English
    Pages: XIII, 363 S. , Ill., Kt. , 25 cm
    Parallel Title: Online-Ausg. Kelman, Ari, 1968 - A Misplaced Massacre
    DDC: 978.8004/97353
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    Keywords: Chivington, John M ; United States History ; United States History ; Cheyenne Indians Wars, 1864 ; Sand Creek Massacre, Colo., 1864 ; Cheyenne 〈Volk〉 ; Sand Creek 〈Colo.〉 ; Gedenken ; Massaker ; Geschichte ; Chivington, John M ; (John Milton), 1821-1894 ; United States ; Army ; Colorado Cavalry Regiment, 3rd (1864) ; History ; United States ; Army ; Colorado Cavalry Regiment, 1st (1862-1865) ; History ; Sand Creek Massacre, Colo., 1864 ; Cheyenne Indians ; Wars, 1864 ; Sand-Creek-Massaker ; Gedenken ; Geschichte
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9783865688996 , 3935283288
    Language: German
    Pages: 255 S. , zahlr. Ill. , 29 cm
    DDC: 700.943
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    Keywords: Sommer, Giorgio Exhibitions ; Art, German Exhibitions Foreign influences 19th century ; History ; Other (Philosophy) in art Exhibitions ; Landscape painting, German Exhibitions ; Orientalism in art Exhibitions ; Travel photography Exhibitions 19th century ; Art, German Exhibitions ; Ausstellungskatalog 2013 ; Rhein-Main-Gebiet ; Malerei ; Exotismus ; Geschichte 1780-1920 ; Kunst ; Fremdheit ; Exotismus
    Abstract: Eindrucksvolle Naturlandschaften und exotische Kulturen lockten Künstler aus dem Rhein-Main-Gebiet in zahlreiche europäische Länder, in den Orient und sogar bis nach Amerika. Ausstellung und begleitender Katalog thematisieren die Faszination dieser Künstler für fremde Bildwelten vom späten 18. bis ins frühe 20. Jahrhundert. Ihre künstlerischen Interessen an den fremden Orten waren sehr vielfältig: Sie suchten nach exotischen Bildmotiven, dokumentierten wissenschaftliche Expeditionen oder experimentierten mit fremden Lichtverhältnissen. Die gesammelten Reiseeindrücke hielten die Künstler in Bleistiftskizzen, Aquarellen, Ölstudien und Fotografien fest. Diese dienten nach der Rückkehr zumeist als Bildvorlagen für aufwändigere Ölgemälde. Angesichts einer steigenden Nachfrage spezialisierten sich einige Künstler auf bestimmte Bildsujets und trugen so teilweise zur Verbreitung stereotyper Vorstellungen von der Fremde bei. Exhibition: Museum Giersch, Frankfurt a.M., Germany (17.3.-14.7.2013)
    Note: Literaturverz. S. 242 - 248 , Faszination Fremde : Kulturgeschichtliche Aspekte aus Vergangenheit und Gegenwart , Mythos Italien : Kat. Nr. 1-22 , Barbizon : Zentrum einer neuen Kunstauffassung : Kat. Nr. 23-28 , Berg- und Eiswelten : Kat. Nr. 29-35 , Faszination Orient : Kat. Nr. 36-46 , Bilder aus der Neuen Welt : Kat. Nr. 47-58 , Fremde Menschen im Bild : Kat. Nr. 59-84 , Künstlerische Aneignung der Fremde : Fallbeispiele : Kat. Nr. 85-94 , Faszination Fremde als Trend : Marktorientierung und Spezialisierung : Kat. Nr. 95-100 , Aufbruch zu neuem Sehen und Gestalten : die Fremde in der Moderne : Kat. Nr. 101-112 , Imaginationen der Fremde : Kat. Nr. 113-120 , Die schöpferische Kraft des Archaischen : Willi Baumeister und Leo Frobenius : Kat. Nr. 121-129 , AnhangLiteraturAbbildungsnachweisFotonachweisAbkürzungsverzeichnisPersonenregisterImpressum.
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  • 96
    Image
    Image
    [London] : Royal Collection Trust
    ISBN: 1905686447 , 9781905686445
    Language: English
    Pages: 299 S. , zahlr. Ill.
    DDC: 391.0094109031
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    Keywords: Tudor, House of Clothing ; Stuart, House of Clothing ; Clothing and dress History 16th century ; Tudor, House of ; Clothing ; Stuart, House of ; Clothing ; Clothing and dress ; England ; History ; 16th century ; Ausstellungskatalog 2013 ; Tudor Familie ; Stuart Familie ; Kleidung ; Geschichte 1500-1700 ; Großbritannien ; Hof ; Kleidung ; Geschichte 1500-1700 ; Royal Collection ; Großbritannien ; Herrscherbildnis ; Kleidung ; Geschichte 1500-1700
    Note: Exhibition In Fine Style: The Art of Tudor and Stuart Fashion is at The Queen’s Gallery, Buckingham Palace, 10 May – 3 October 2013
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  • 97
    ISBN: 9780465018758 , 9780465069972
    Language: English
    Pages: XIII, 242 S , Ill. , 22 cm
    DDC: 704/.04208996073
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    Keywords: Petry, Ann ; Primus, Pearl ; Williams, Mary Lou ; African American women artists Political activity 20th century ; History ; African American women artists History 20th century ; Harlem (New York, N.Y.) Intellectual life 20th century ; New York (N.Y.) Intellectual life 20th century ; Biografie ; Biografie ; Petry, Ann 1908-1997 ; Primus, Pearl 1919-1994 ; Williams, Mary Lou 1910-1981 ; New York- Harlem ; Schwarze ; Frau ; Künstlerin ; Engagierte Kunst ; Geschichte 1941-1945
    Abstract: "In Harlem Nocturne, eminent scholar Farah Jasmine Griffin tells the stories of three black female artists who emerged during this period of unprecedented openness, flourishing professionally while also making enormous political strides for their fellow women and African Americans. Novelist Ann Petry, choreographer and dancer Pearl Primus, and composer and pianist Mary Lou Williams all achieved great fame during the 1940s. Like many African Americans in New York at the time, they weren't native to the city; Petry, a fourth generation New Englander, was born in Connecticut and arrived in Harlem as a newlywed, while Williams was born in Atlanta and only settled in Harlem after years on the road. Primus, for her part, was born in Trinidad and emigrated to New York when she was three years old. All three of these women would make significant contributions to their fields. Petry joined Richard Wright as a major new literary voice; through her work, especially her acclaimed novel The Street, she wrote about the complexities of life for working class black women. Mary Lou Williams became a major figure in the emergence of Be-Bop, and as a keyboardist and composer defied the notion that women could only contribute to jazz as vocalists. Pearl Primus, meanwhile, was a favorite of New York Times dance critic John Martin and performed across the globe and in front of enormous crowds, including at the 1943 Negro Freedom Rally at Madison Square Garden to an audience of 20,000"--
    Abstract: "As World War II raged overseas, Harlem witnessed a battle of its own. Brimming with creative and political energy, Harlem's diverse array of artists and activists launched a bold cultural offensive aimed at winning democracy for all Americans, regardless of race or gender. In Harlem Nocturne, esteemed scholar Farah Jasmine Griffin tells the stories of three black female artists whose creative and political efforts fueled this movement for change: novelist Ann Petry, a major new literary voice; choreographer and dancer Pearl Primus, a pioneer in her field; and composer and pianist Mary Lou Williams, a prominent figure in the emergence of Be-Bop. As Griffin shows, these women made enormous strides for social justice during the war, laying the groundwork for the Civil Rights Movement before the Cold War temporarily froze their democratic dreams. A rich account of three distinguished artists and the city that inspired them, Harlem Nocturne captures a period of unprecedented vitality and progress for African Americans and women in the United States. "--
    Abstract: "In Harlem Nocturne, eminent scholar Farah Jasmine Griffin tells the stories of three black female artists who emerged during this period of unprecedented openness, flourishing professionally while also making enormous political strides for their fellow women and African Americans. Novelist Ann Petry, choreographer and dancer Pearl Primus, and composer and pianist Mary Lou Williams all achieved great fame during the 1940s. Like many African Americans in New York at the time, they weren't native to the city; Petry, a fourth generation New Englander, was born in Connecticut and arrived in Harlem as a newlywed, while Williams was born in Atlanta and only settled in Harlem after years on the road. Primus, for her part, was born in Trinidad and emigrated to New York when she was three years old. All three of these women would make significant contributions to their fields. Petry joined Richard Wright as a major new literary voice; through her work, especially her acclaimed novel The Street, she wrote about the complexities of life for working class black women. Mary Lou Williams became a major figure in the emergence of Be-Bop, and as a keyboardist and composer defied the notion that women could only contribute to jazz as vocalists. Pearl Primus, meanwhile, was a favorite of New York Times dance critic John Martin and performed across the globe and in front of enormous crowds, including at the 1943 Negro Freedom Rally at Madison Square Garden to an audience of 20,000"--
    Abstract: "As World War II raged overseas, Harlem witnessed a battle of its own. Brimming with creative and political energy, Harlem's diverse array of artists and activists launched a bold cultural offensive aimed at winning democracy for all Americans, regardless of race or gender. In Harlem Nocturne, esteemed scholar Farah Jasmine Griffin tells the stories of three black female artists whose creative and political efforts fueled this movement for change: novelist Ann Petry, a major new literary voice; choreographer and dancer Pearl Primus, a pioneer in her field; and composer and pianist Mary Lou Williams, a prominent figure in the emergence of Be-Bop. As Griffin shows, these women made enormous strides for social justice during the war, laying the groundwork for the Civil Rights Movement before the Cold War temporarily froze their democratic dreams. A rich account of three distinguished artists and the city that inspired them, Harlem Nocturne captures a period of unprecedented vitality and progress for African Americans and women in the United States. "--
    Note: Includes bibliographical references (pages 211-217) and index
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  • 98
    ISBN: 3110331012 , 9783110331011
    Language: German
    Pages: XI, 448 S. , 24 cm
    Additional Information: Rezensiert in Frey, Winfried, 1940 - Rezension von Anja Lobenstein-Reichmann: Sprachliche Ausgrenzung im späten Mittelalter und der frühen Neuzeit Berlin 2015
    Series Statement: Studia linguistica Germanica 117
    Series Statement: Studia linguistica Germanica
    Parallel Title: Online-Ausg. Lobenstein-Reichmann, Anja, 1967 - Sprachliche Ausgrenzung im späten Mittelalter und der frühen Neuzeit
    Parallel Title: Online-Ausg. Lobenstein-Reichmann, Anja, 1967 - Sprachliche Ausgrenzung im späten Mittelalter und der frühen Neuzeit
    DDC: 306.09
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    Keywords: German language Semantics Middle High German, 1050-1500 ; German language Semantics Early modern, 1500-1700 ; German language Obscene words Middle High German, 1050-1500 ; German language Obscene words Early modern, 1500-1700 ; German language Semantics, Historical ; Blessing and cursing History ; Swearing History ; German language Obscene words ; History ; Frühneuhochdeutsch ; Sprechakt ; Ehrverletzung ; Ausgrenzung ; Deutsch ; Literatur ; Diskriminierung ; Geschichte 1450-1650 ; Deutsch ; Rechtssprache ; Randgruppe ; Geschichte 1450-1650
    Description / Table of Contents: Einführende Bemerkungen -- Ehrverletzungen in frühneuhochdeutscher Zeit -- Der Akt der Diskriminierung -- Anleihen aus der Psychologie -- Versuch einer Pragmagrammatik und einer Pragmasemantik ausgrenzenden Sprechens : Strategien -- Die Sprechakttheorie als strategische Ausgangssituation -- Die Ebene der Proposition : das Wort als Waffe -- Die Referenzhandlung ...
    Description / Table of Contents: Einführende Bemerkungen -- Ehrverletzungen in frühneuhochdeutscher Zeit -- Der Akt der Diskriminierung -- Anleihen aus der Psychologie -- Versuch einer Pragmagrammatik und einer Pragmasemantik ausgrenzenden Sprechens : Strategien -- Die Sprechakttheorie als strategische Ausgangssituation -- Die Ebene der Proposition : das Wort als Waffe -- Die Referenzhandlung -- Die lexikalische Bezeichnungshandlung : Substantive -- Die semantischen Funktionen von Adjektiven und Verben -- Vergleiche, Metaphern, Bilder -- Wortbildungen und Wortbildungsfelder -- Das Schimpfwort : Name und 'benennendes Schlagwort' -- Beschimpfung und Beleidigung durch Namensgebung -- Schimpfwörter : ein sprechender Spiegel der Gesellschaft -- Namensentzug, Namensstrafe und Tabuisierung -- Die explizite Prädikationshandlung : Prädikative und attributive Bewertungshandlungen zur Ehrabschneidung -- Prädikative Bewertungshandlungen -- Attributive Bewertungshandlung -- Satzsemantische Ebene -- Typisierung durch den kollektiven Singular -- Aggregative Diskriminierung -- Die implizite Prädikation : Präsuppositionen -- Stigmatisierung, Stereotypisierung und Syntagmen als Stereotypenorganisatoren -- Stigmata -- Stereotyp und Vorurteil -- Syntagmen als Stereotypenorganisatoren -- Sekundärstigmatisierung -- Textgrammatische Ebene -- Inklusion und Exklusion durch Pronominalisierung -- Partikeln und Adverbien, die "kleinen" Wörter der Sprache -- Pragmatische Ebene : die Illokutionen -- Sprechakte des Schmähens, Ehrabschneidens, Verleumdens und Denunzierens -- Eine "magische" Form der Ausgrenzung : das Fluchen -- Fluchen und Verfluchen -- Das göttiche und das kirchliche Verfluchungsmonopol -- Das individuelle Verfluchungsverbot : Anspruch und Wirklichkeit -- Schadensflüche und Beschwörungsflüche -- Gotteslästerliches Fluchen -- Der Fluch als Machtmassnahme -- Besondere Formen der Ehrverletzung : die argumentatio ex negativo und die argumentatio ad hominem -- Mikrotexte : Sprichwörter -- Textsorten der sprachlichen Ausgrenzung -- Sozial bindende Texte -- Legitimierende Texte -- Dokumentierende Texte -- Belehrende Texte -- Erbauende Texte -- Unterhaltende Texte -- Informierende Texte -- Anleitende Texte -- Agitierende Texte -- Ein Text im Diskurs : Johannes Ecks "Eines Judenbüchleins Verlegung" aus dem Jahre 1541 -- Der Text und seine Voraussetzungsdiskurse -- Adversus-Judaeos-Literatur -- Vom Volksglauben, von Mythen und Legenden : die sprachliche Konstruktion der Ritualmordlegende -- Der Fall von Endingen im Breisgau -- Simon von Trient -- Hostienfrevel -- Ein intellektueller "Experten"diskurs : der Reuchlin-Pfefferkorn-Streit -- Der Konfliktfall : eine antijudaistische Streitschrift im Zeitalter der Reformation -- Die Kontrahenten : Andreas Osiander -- Die Kontrahenten : Johannes Eck -- Johannes Ecks Programm in der "Verlegung" -- Ecks Ereignisdarstellung oder : Ecks narrative Ereigniskonstruktion -- Ecks Angriffe auf Osiander : vom Christen zum Mamelucken -- Strategie der Kompetenzversagung -- Strategie der Integritätsverletzung -- Strategie der Verketzerung -- Ecks Angriffe gegen die Juden -- Christusmord, Christenmord und Weltverschwörung -- Kriminalisierung -- Religiöse Riten, jüdische Sitten und Gebräuche : Ecks Angriffe auf den Talmud -- Anererbte bosshait -- was den Juden botten sei vnnd verbotten sei und wie man die Juden zu halten habe -- Das antijudaistische System der Zeit -- Ecks Schreibstil, sein Spiel mit vorgegebenen Mustern und den Erwartungshaltungen seiner Leser -- Das antijudaistische Diskursuniversum -- Johannes Eck und Luthers Radikalisierung : ein kurzer Exkurs -- Ecks Funktionalisierung der Juden, ein Fazit -- Die ausgegrenzten Gruppen im Frühneuhochdeutschen -- Bettler : eine sprachhistorische Analyse -- Der Betler und seine zeittypischen Prädikationen -- Die Onomasiologie des Wortes betler -- Die Wortbildungsfelder mit jauf- und geil -- Das Wortbildungsfeld betler-/bettel -- Semantische Ambivalenzen -- Gleichzeitigkeit des Ungleichzeitigen -- Sprachliche Ausdrucksformen in Wörterbüchern und als Teil narrativer Moraldidaxe : Vergleiche, Phraseme, Sentenzen mit Bezug auf Bettler -- Textsorten der Bettlerausgrenzung -- Menschen mit einer Behinderung, einer körperlichen Abweichung oder einer Erkrankung -- Die so genannten unehrlichen Berufe -- Juden -- Sprachliche Ausdrucksformen antijüdischer Polemik (eine Auswahl) -- Negative Prädikationen -- Wortbildungen -- Sekundärstigmatisierung und ideologische Polysemierung -- Vergleiche und Metaphern -- Die onomasiologische Vernetzung -- Aggregation -- Kollektiver Singular/kollektiver Plural -- Sentenzen, Sprichwörter, Phraseme -- Präsuppositionen (vgl. II.4.3) -- Direkt und indirekte Ausgrenzungsappelle, Hetze, Spott -- Antijüdische Ausgrenzungsstrategien innerhalb von Verrats-, Verketzerungs-und Kriminalisierungsdiskursen -- Nonverbale Stigmatisierungsformen -- Kommunikative Machtlosigkeit -- Die Fahrenden und Vaganten : Landläufer, Vagabunden, Spielleute -- Zigeuner -- Sexualität ausserhalb des normativ Erlaubten : Ehebrecher, sogenannte Kindsmörderinnen, Prostituierte und 'Sodomiten' -- Kriminelle/Straftäter und ihre Delikte -- Ketzer/Häretiker -- Hexen -- Medialität und Ausgrenzung -- Schlussbetrachtungen -- Literatur (in Auswahl) -- Quellen -- Sekundärliteratur.
    Note: Literaturverz. S. [400] - 448
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  • 99
    ISBN: 9780199844661 , 0199844666
    Language: English
    Pages: X, 234 S. , Ill. , 25 cm
    Additional Information: Rezension Ilić, Luka Scholarship, faith, miracles, and printing in the Reformation 2013
    Additional Information: Rezensiert in Holtz, Sabine, 1959 - Rezension von Philip M. Soergel: Miracles and the Protestant Imagination. The Evangelical Wonder Book in Reformation Germany Oxford (Oxford University Press) 2012 2014
    Series Statement: Oxford studies in historical theology
    Parallel Title: Online-Ausg. Soergel, Philip M. Miracles and the Protestant imagination
    DDC: 230/.4109031
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    Keywords: Lutheran Church Doctrines 16th century ; History ; Curiosities and wonders History 16th century ; Miracles History of doctrines 16th century ; Christian literature, German History and criticism ; Germany Church history 16th century ; Lutheran Church ; Germany ; Doctrines ; History ; 16th century ; Curiosities and wonders ; History ; 16th century ; Miracles ; History of doctrines ; 16th century ; Christian literature, German ; History and criticism ; Germany ; Church history ; 16th century ; Deutschland ; Wunderzeichenbuch ; Evangelische Theologie ; Geschichte 1519-1600 ; Deutschland ; Mirakel ; Wundergeschichte ; Evangelische Theologie ; Geschichte 1519-1600 ; Deutschland ; Reformation ; Wunder
    Abstract: The appropriation of wonders in sixteenth-century Germany -- Luther on miracles -- Nature and the "signs of the end" in Job Fincel's wonder signs -- Caspar Goltwurm on the rhetoric of natural wonders -- The polemics of depravity in the wonder books of Christoph Irenaeus -- Enduring models and changing tastes at century's end
    Description / Table of Contents: The appropriation of wonders in sixteenth-century Germany -- Luther on miracles -- Nature and the "signs of the end" in Job Fincel's wonder signs -- Caspar Goltwurm on the rhetoric of natural wonders -- The polemics of depravity in the wonder books of Christoph Irenaeus -- Enduring models and changing tastes at century's end.
    Note: Formerly CIP Uk. - Includes index. - The appropriation of wonders in sixteenth-century Germany -- Luther on miracles -- Nature and the "signs of the end" in Job Fincel's wonder signs -- Caspar Goltwurm on the rhetoric of natural wonders -- The polemics of depravity in the wonder books of Christoph Irenaeus -- Enduring models and changing tastes at century's end
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  • 100
    ISBN: 9783825357849 , 3825357848
    Language: German
    Pages: 362 S. , 210 mm x 135 mm
    Series Statement: Beiträge zur neueren Literaturgeschichte [Folge 3], 299
    Series Statement: Beiträge zur neueren Literaturgeschichte
    DDC: 820.93243
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    Keywords: Germany Relations ; History ; Great Britain Relations ; History ; Englisch ; Literatur ; Deutschlandbild ; Kulturkontakt ; Kulturvermittlung ; Geschichte ; Deutsch ; Literatur ; Englandbild ; Kulturkontakt ; Kulturvermittlung ; Geschichte ; Englisch ; Literatur ; Deutsch ; Kulturbeziehungen ; Geschichte ; Großbritannien ; Literaturbeziehungen ; Deutschland ; Geschichte
    Note: Literaturverz. S. [325] - 348 , Erscheinungsjahr in Vorlageform: 2012
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