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Exhibiting Modernity and Indonesian Vernacular Architecture

Hybrid Architecture at Pasar Gambir of Batavia, the 1931 Paris International Colonial Exhibition and Taman Mini Indonesia Indah

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  • © 2016

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Table of contents (5 chapters)

Keywords

About this book

In her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official ‘authentic’ culture and suppresses the previous Dutch construction of the Indies culture. 

Authors and Affiliations

  • Jakarta Selatan, Indonesia

    Yulia Nurliani Lukito

About the author

Yulia Nurliani Lukito received her doctorate degree in Theory of Architecture from RWTH Aachen. Her research interests are theory and history of architecture, modernity, and Indonesian vernacular architecture.

Bibliographic Information

  • Book Title: Exhibiting Modernity and Indonesian Vernacular Architecture

  • Book Subtitle: Hybrid Architecture at Pasar Gambir of Batavia, the 1931 Paris International Colonial Exhibition and Taman Mini Indonesia Indah

  • Authors: Yulia Nurliani Lukito

  • DOI: https://doi.org/10.1007/978-3-658-11605-7

  • Publisher: Springer VS Wiesbaden

  • eBook Packages: Social Sciences, Social Sciences (R0)

  • Copyright Information: Springer Fachmedien Wiesbaden 2016

  • Softcover ISBN: 978-3-658-11604-0Published: 29 October 2015

  • eBook ISBN: 978-3-658-11605-7Published: 16 October 2015

  • Edition Number: 1

  • Number of Pages: XV, 192

  • Number of Illustrations: 52 b/w illustrations

  • Topics: Cultural Studies, Area Studies, History, general

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