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  • BSZ  (511)
  • Konferenzschrift  (207)
  • Bibliografie  (184)
  • History
  • Musicology  (511)
Keywords
  • 1
    Language: German
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    Keywords: Bibliografie ; Deutsches Sprachgebiet ; Tanz
    Note: Teilw. im Verl. Dokumentation Saur, München
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  • 2
    Book
    Book
    Bucureşti : Editura Universităţii Nationale de Muzică Bucureşti
    Language: English , Greek, Ancient (to 1453)
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    Keywords: Osmanen ; Komposition ; Bibliografie
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  • 3
    Book
    Book
    Paris : Éd. du Centre National de la Recherche Scientifique
    Language: French
    Series Statement: Le chœur des muses
    DDC: 394.2/694
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    Keywords: Charles Congresses ; Festivals Congresses ; Renaissance Congresses ; Europe Congresses Social life and customs ; Konferenzschrift ; Renaissance ; Fest ; Europa ; Fest ; Geschichte 1420-1600
    Note: Erschienen: 1 - 3
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  • 4
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 5
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
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    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2023
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  • 6
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 8
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 11
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 12
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 13
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 14
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
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    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 15
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
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    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 16
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
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    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
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  • 17
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 18
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 19
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 20
    Book
    Book
    London : Routledge, Taylor and Francis Group
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
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    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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  • 21
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
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    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9788893593977
    Language: Italian , English
    Pages: VII, 257 Seiten , Illustrationen , 21 cm
    Series Statement: Biblioteca di studi americani 35
    Series Statement: Studi americani / Biblioteca
    DDC: 782
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    Keywords: Konferenzschrift ; Dylan, Bob 1941-
    Note: Proceedings of a conference held in Rome, Italy, October 29-31, 2018 , Bob Dylan (1941-), singer and song-writer , Includes bibliographical references and index , Contributions in English and Italian
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  • 23
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 24
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 25
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 9783925170461
    Language: German
    Pages: 339 Seiten , Illustrationen, Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik 77
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik
    DDC: 781.62
    RVK:
    RVK:
    RVK:
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    Keywords: Verbot ; Unterhaltungsmusik ; Volksmusik ; Konferenzschrift 2018 ; Konferenzschrift ; Konferenzschrift 2018 ; Konferenzschrift ; Volksmusik ; Unterhaltungsmusik ; Verbot
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  • 27
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    RVK:
    RVK:
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 28
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 29
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
    URL: Cover
    URL: Cover
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  • 30
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 31
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 32
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 0367871718 , 9780367871710
    Language: English
    Pages: ix, 334 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge music bibliographies
    RVK:
    RVK:
    Keywords: Popmusik ; Rockmusik ; Musiktheorie ; Music theory Bibliography ; Music theory Bibliography ; Bibliografie ; Bibliografie
    Abstract: Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music
    Note: First published 2017 by Routledge
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  • 33
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 34
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 35
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 36
    ISBN: 9783837646672 , 383764667X
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Series Statement: Music and sound culture Volume 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music Practices Across Borders
    DDC: 306.4842
    RVK:
    Keywords: Music and globalization ; Emigration and immigration Social aspects ; Global Musik ; Kulturaustausch ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturindustrie ; Transnationale Beziehungen ; Künstler ; Netzwerk (institutionell/sozial) ; Rezeption ; Evaluation ; Migrationsforschung ; Länderbezogene Beiträge ; Global Music ; Cultural exchange ; International cultural cooperation ; Cultural projects ; Cultural industries ; transnational relations ; Artists ; Networks (institutional/social) ; reception ; Evaluation ; migration research ; Country related contents ; Internet Kenia ; Festspiele ; Interethnische Beziehungen ; Argentinien ; Diaspora ; Italiener ; Jahrhundert 19. ; Europa ; Afrika ; Brasilien ; Deutschland ; Internationaler Vergleich/Ländervergleich ; Internet Kenya ; Pageants ; Interethnic relations ; Argentina ; Diaspora ; Italians ; Century 19th ; Europe ; Africa ; Brazil ; Germany ; International/country comparison ; Konferenzschrift ; Aufsatzsammlung ; Globalisierung ; Internationale Migration ; Kulturkontakt ; Weltmusik ; Interkulturalität
    Note: Literaturangaben , Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
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  • 37
    Book
    Book
    Saint-Joseph-du-Lac (Québec), Canada : M Éditeur
    ISBN: 9782924924068
    Language: French
    Pages: 197 Seiten , Illustrationen , 21 cm
    Series Statement: Collection Mouvements
    DDC: E
    RVK:
    Keywords: Free jazz History ; Free jazz ; History ; Québec (Province) History 1960- ; Québec ; Free Jazz ; Provinz Quebec ; Québec
    Abstract: "Quelle est la place du free jazz dans les luttes menées contre le capitalisme et l'impérialisme anglo-saxon au lendemain de la Révolution tranquille? En quoi l'improvisation collective en musique est-elle le moteur d'une révolte politico-culturelle, voire le vecteur d'une utopie collective? Quel est le rôle des travailleur·euses culturel·les dans le militantisme politique du Québec des années 1960 et 1970? Cette histoire du groupe Jazz libre retrace le parcours emprunté par un collectif d'improvisateurs engagés dans la recherche de nouvelles formes de communication et d'organisation : de leurs débuts à « L'Atelier de jazz » au centre-ville jusqu'à l'Amorce dans le Vieux-Montréal, en pas­sant par l'Association espagnole, la Colonie artistique de Val-David et la commune socialiste « P'tit Québec libre ». La pratique musicale du groupe se veut rassembleuse, participative, démocratique et libératrice. Elle l'amène à participer aux expérimentations de Raôul Duguay et de Walter Boudreau dans l'Infonie, et celles de Robert Charlebois et de ses complices de l'Osstidcho. Elle est surtout une « musique-action », c'est-à-dire un outil de désaliénation avec lequel le Jazz libre invite les gens à communiquer ensemble pour ensuite prendre conscience de leur capacité d'agir et de se libérer - individuellement puis collectivement. Cette démarche lui permet d'établir des réseaux avec des membres de la revue Parti pris et du Front de libération du Québec ainsi que des militant·es étudiant·es et ouvrier·ères. Dès lors, sa destinée est fatalement liée à celle de la gauche indépendantiste ; une gauche bigarrée qui, à la fin des années 1960 et au début des années 1970, fait face aux champs des possibles."--Page 4 of cover
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  • 38
    ISBN: 9783205232872
    Language: English , English , German
    Pages: 1 Online-Ressource (286 Seiten)
    Series Statement: Music Traditions Vol. 1
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 28.09.2017-30.09.2017 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 39
    Book
    Book
    Wiesbaden :Springer VS,
    ISBN: 978-3-658-22278-9
    Language: English
    Pages: VII, 158 Seiten : , Notenbeispiele ; , 21 cm x 14.8 cm.
    Series Statement: Musik und Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Musiksoziologie. ; Konferenzschrift 2015 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musiksoziologie
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  • 40
    ISBN: 9783205232865 , 3205232860
    Language: English
    Pages: 285 Seiten , Illustrationen
    Series Statement: Musik Traditionen Bd. 1
    Series Statement: Music traditions
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780.89
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 41
    ISBN: 9783981786538
    Language: English
    Pages: 317 Seiten , Illustrationen
    Series Statement: Sounding heritage volume 4
    Series Statement: Sounding heritage
    Parallel Title: Erscheint auch als Jazzforschung heute
    DDC: 781.65072
    RVK:
    Keywords: Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Jazzforschung ; Jazz ; Jazzforschung
    Note: "Das vorliegende Buch versammelt die Beiträge einer Tagung zur Jazzforschung im deutschsprachigen Raum, die im September 2018 in Weimar stattgefunden hat." - Einleitung , Beiträge teilweise deutsch, teilweise englisch
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  • 42
    ISBN: 9783946114611
    Language: German , Chinese , English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm, 360 g
    Edition: 1. Auflage
    Series Statement: Deutsche Ostasienstudien 29
    Series Statement: Deutsche Ostasienstudien
    DDC: 780.95
    RVK:
    RVK:
    Keywords: Kulturerbe ; Forschung ; Restaurierung ; Musik ; Sammlung ; Musikinstrument ; Ostasien ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Ostasien ; Musik ; Musikinstrument ; Sammlung ; Forschung ; Restaurierung ; Kulturerbe
    Note: Das vorliegende Buch ist das Ergebnis einer internationale Konferenz, die am 28. und 29. Oktober 2016 am GRASSI Museum für Völkerkunde zu Leipzig stattfand. Das Thema der Konferenz lautete: "Discovery, Research, and Presentation: Die Ostasische Musik und ihre Musikinstrumente in den Sammlungen von Museen." - aus der Einleitung , Abstracts Seite [239]-244 , Deutscher, chinesischer und englischer Text , Zusammenfassung jeweils in englischer Sprache
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  • 43
    Online Resource
    Online Resource
    Stuttgart :J.B. Metzler Verlag,
    ISBN: 978-3-476-05458-6
    Language: German
    Pages: 1 Online-Ressource (XV, 711 Seiten).
    Edition: 2., erweiterte und aktualisierte Auflage
    Parallel Title: Erscheint auch als
    DDC: 190
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    Keywords: Adorno, Theodor W. ; Modern Philosophy ; Critical Theory ; Philosophy, modern ; Critical theory ; Kritische Theorie. ; Bibliografie ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; 1903-1969 Adorno, Theodor W. ; Kritische Theorie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 9783830938149 , 3830938144
    Language: German
    Pages: 213 Seiten , Illustrationen , 24 cm
    Series Statement: Populäre Kultur und Musik Band 21
    Parallel Title: Erscheint auch als Image - Performance - Empowerment
    DDC: 306.48424
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    Keywords: Unterhaltungsmusik ; Sängerin ; Star ; Weiblichkeit ; Selbstdarstellung ; Selbstbehauptung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
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  • 45
    ISBN: 978-3-8309-3872-9
    Language: German , English
    Pages: 322 Seiten : , Illustrationen, Diagramme
    Additional Material: 1 Korrigenda-Blatt
    Series Statement: Musikpädagogische Forschung Band 39
    Series Statement: Musikpädagogische Forschung
    DDC: 780.71
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    Keywords: Musikerziehung. ; Forschung. ; Inklusive Pädagogik. ; Inklusion ; Interaktion. ; Musizieren. ; Konferenzschrift 2017 ; Konferenzschrift ; Musikerziehung ; Forschung ; Inklusive Pädagogik ; Inklusion ; Interaktion ; Musizieren
    Note: Beiträge überwiegend deutsch, teilweise englisch
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  • 46
    ISBN: 9781138058835 , 1138058831
    Language: English
    Pages: xxii, 480 Seiten , Illustrationen, Notenbeispiele, Diagramme, Karten,
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 780.9
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    Keywords: Music History and criticism ; Music History and criticism ; Music Western influences ; Music History and criticism ; Enlightenment ; Music History and criticism ; Music History and criticism ; Asia ; Music Western influences ; Asia ; Music History and criticism ; America ; Enlightenment ; Enlightenment ; Music ; Music Western influences ; America ; Asia ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Amerika ; Asien ; Musik ; Kulturkontakt ; Geschichte ; Westliche Welt ; Kulturvergleich ; Kulturanthropologie ; Weltgeschichte
    Abstract: Introduction. Notes and queries on global music history / Martin Stokes -- Enlightenment. Ancient Greeks, world music and early modern constructions of Western European identity / David R. M. Irving ; Analytical encounters : global music criticism and enlightenment ethnomusicology / Estelle Joubert ; Musical thought in the global enlightenments / Philip V. Bohlman -- East Asia. Voice and song in early encounters between Latins, Mongols and Persians, c.1250-c.1350 / Jason Stoessel ; The transformation of the world : silk road musics, cross-cultural approaches and contemporary metaphors / Max Peter Baumann ; Music education in modern Japanese society / Rinko Fujita ; The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese / Oliver Seibt ; European music outside Europe : musical entangling and intercrossing in the case of Korea's modern history / Jin-Ah Kim ; Korean music : definitions and practices / Keith Howard ; East Asia in a global historical perspective : approaches and challenges / Nicola Spakowski -- South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia / Henry Spiller ; Cultural autonomy and the Indian exception : debating the aesthetics of Indian classical music in early 20th-century Calcutta / Matthew Pritchard ; Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians / Suddhaseel Sen -- America. Why did indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones / Leonardo J. Waisman ; The global mission in the music of Jesuit drama / Tomasz Jez ; From abandoned huts to maps of the pampas : the topos of the huella and the representation of landscape in Argentine art music / Melanie Plesch ; Minor mode and the Andes : the pentatonic scale as topic and the musical representation of Peru / Julio Mendívil ; The rending call of the poor and forsaken street crier : the political and expressive dimension of a topic in Silvestre Revueltas's early works / Roberto Kolb-Neuhaus ; Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece / Juan Francisco Sans ; Festivals, violins and global music histories : examples from the Caribbean and Canada / Tina K. Ramnarine
    Note: Includes bibliographical references and index , Introduction. Notes and queries on 'global music history' , Enlightenment. Ancient Greeks, world music, and early modern constructions of Western European identity , Analytical encounters : global music criticism and enlightenment ethnomusicology , Musical thought in the global enlightenments , East Asia. Voice and song in early encounters between Latins, Mongols, and Persians, ca. 1250-ca. 1350 , The transformation of the world' : silk road musics, cross-cultural approaches, and contemporary metaphors , Music education in modern Japanese society , The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese , 'European music' outside Europe? : musical entangling and intercrossing in the case of Korea's modern history , Korean music : definitions and practices , East Asia in a global historical perspective : approaches and challenges , South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia , Cultural autonomy and the 'Indian exception' : debating the aesthetics of Indian classical music in early 20th-century Calcutta , Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians , America. Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones , The global mission in the music of Jesuit drama , From 'abandoned huts' to 'maps of the pampas' : the topos of the huella and the representation of landscape in Argentine art music , 'Minor mode and the Andes' : the pentatonic scale as topic and the musical representation of Peru , 'The rending call of the poor and forsaken street crier' : the political and expressive dimension of a topic in Silvestre Revueltas's early works , Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece , Festivals, violins and global music histories : examples from the Caribbean and Canada
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  • 47
    ISBN: 9783823617525 , 3823617524
    Language: German , English , French
    Pages: 442 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Alta musica Band 34
    Series Statement: Alta musica
    DDC: 784.8
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    Keywords: Konferenzschrift 2016 ; Konferenzschrift ; Blas- und Bläsermusik ; Blas- und Bläsermusik
    Note: Im Vorwort wird auf die 22. Internationale Forschungskonferenz der IGEB hingewiesen , Beiträge teilweise deutsch, teilweise englisch, teilweise französisch
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  • 48
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
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    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 49
    Language: German
    Pages: 52 Seiten , Illustrationen
    Edition: Stand vom 01. März 2018
    Series Statement: Festival Magazin '18
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    Keywords: Programmheft ; Konferenzschrift ; Internationales Dixieland Festival Dresden ; Geschichte 2018 ; Dresden ; Traditional Jazz ; Dixieland ; Musikfestspiel
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  • 50
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
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    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 51
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 52
    ISBN: 9783830988724
    Language: German
    Pages: 1 Online-Ressource (322 Seiten) , Illustrationen, Diagramme
    Series Statement: Musikpädagogische Forschung Band 39
    Series Statement: Musikpädagogische Forschung / Research in Music Education 39
    Series Statement: Musikpädagogische Forschung
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Arbeitskreis Musikpädagogische Forschung (39. : 2017 : Bad Wildbad) Soziale Aspekte des Musiklernens
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    Keywords: Gramsci ; Grundschule ; Gymnasium ; Improvisation ; Inklusion ; Kita ; Lehrerinnen und Lehrer ; MTPACK ; MUSCI_youth ; Musikbildung ; Musikdidaktik ; Musikunterricht ; Norwegen ; Populäre Musik ; Schule ; Schülerinnen und Schüler ; Schulpädagogik ; Sozialisation ; Konferenzschrift ; Musikerziehung ; Forschung ; Inklusive Pädagogik ; Inklusion ; Interaktion ; Musizieren ; Musikerziehung
    Abstract: Die Untersuchung und Beschreibung musikbezogener Lehr- und Lernprozesse zählen zu den Kernthemen musikpädagogischer Forschung. Fragen nach dem, wie und was gelernt wird bzw. welche Aspekte in diesem Zusammenhang Bedeutung erlangen u.v.m., spielen in der musikpädagogischen Kompetenzforschung ebenso eine Rolle wie in bildungsphilosophischen Überlegungen, in komparativen Zugängen oder in historisch orientierten Untersuchungen. Entsprechend vielfältig fallen die Antworten aus. Der 39. Tagungsband des Arbeitskreises musikpädagogische Forschung (AMPF) leuchtet mit seinen Beiträgen der Jahreskonferenz in Bad Wildbad 2017 forschungsmethodologisch vielfältig zum einen konkrete fachspezifische Fragestellungen nach dem Sozialen in musikalischen Lernprozessen aus. Zum anderen gehen die Beiträge unter dieser Themensetzung auch gesellschaftlichen sowie (bildungs-)politischen Überlegungen nach. In der Gesamtschau wird erkennbar, welche Aufgaben sich aus der Fokussierung sozialer Aspekte des Musiklernens für die Musikpädagogik in Forschung und Praxis ergeben.
    Note: Jahrestagung 2017 des Arbeitskreises Musikpädagogische Forschung
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  • 53
    ISBN: 9783814223711
    Language: German
    Pages: 266 Seiten , Illustrationen
    DDC: 780
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    Keywords: Popmusik ; Grenzüberschreitung ; Medien ; Musikwissenschaft ; Gesellschaft ; Politik ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Popmusik ; Gesellschaft ; Politik ; Medien ; Musikwissenschaft ; Grenzüberschreitung
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  • 54
    Online Resource
    Online Resource
    Münster ; New York : Waxmann
    ISBN: 9783830986799 , 9783830987123
    Language: German
    Pages: 1 Online-Ressource (287 Seiten) , Diagramme
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
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    Keywords: Kulturvermittlung ; Oper ; Identitätsentwicklung ; Musikwissenschaft ; Exil ; Migration ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italiensische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 55
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9783826063411 , 3826063414
    Language: English
    Pages: 464 Seiten , Illustrationen , 23.5 cm x 15.5 cm, 830 g
    DDC: 809.933578
    RVK:
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    Keywords: Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Jazz ; Literatur ; Geschichte 1914-2014 ; Jazz ; Geschichte 1913-2014
    Note: Literaturangaben
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  • 57
    Book
    Book
    Hofheim : Wolke
    ISBN: 9783955930158 , 3955930157
    Language: English , German
    Pages: 287 Seiten , Illustrationen , 22 cm
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Vol. 15
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.6509
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    Keywords: Geschichte ; Jazz ; Musikgeschichtsschreibung ; Jazz Jahre Jazz ; Jazz without Heroes ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Jazz ; Musikgeschichtsschreibung ; Geschichte
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  • 58
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658193997
    Language: German
    Pages: 1 Online-Ressource (XIV, 175 S. 4 Abb)
    Series Statement: Musikwirtschafts- und Musikkulturforschung
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Social sciences ; Music ; Industrial management ; Management ; Kulturmanagement ; Musikwirtschaft ; Medienwissenschaft ; Methodologie ; Musiksoziologie ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Musikwirtschaft ; Kulturmanagement ; Medienwissenschaft ; Musiksoziologie ; Methodologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 59
    ISBN: 9783906212296
    Language: German
    Pages: 56 Seiten , Illustrationen
    Edition: Stand vom 01. März 2017
    Series Statement: Festival Magazin '17
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    Keywords: Programmheft ; Konferenzschrift ; Internationales Dixieland Festival Dresden ; Geschichte 2017 ; Dresden ; Traditional Jazz ; Dixieland ; Musikfestspiel
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  • 60
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9781137584670 , 113758467X
    Language: English
    Pages: xii, 245 Seiten
    DDC: 306.4/8424
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    Keywords: Lady Gaga ; Gesellschaft ; Geschlechterrolle ; Starkult ; Popmusik ; Musikbranche ; USA ; Lady Gaga ; Women singers / United States / Criticism and interpretation ; Fame / Social aspects / Criticism and interpretation ; Feminism / Social aspects ; Sex / Social aspects ; Marketing / Social aspects ; Popular culture / Social aspects ; Celebrities ; Bibliografie ; Bibliografie ; Bibliografie ; Bibliografie ; Lady Gaga 1986- ; Popmusik ; Musikbranche ; Geschlechterrolle ; Starkult
    Description / Table of Contents: Popular culture and the sociology of fame -- The life and times of Lady Gaga -- The business of Lady Gaga -- The laws of Lady Gaga -- Gaga media : from internet to radio -- The audience of Lady Gaga : beyond the little monsters -- Gaga activism : the new ethics of pop culture -- The sex of Lady Gaga -- Art pop : the styles of Lady Gaga -- Epilogue: Professor goes Gaga : teaching Lady Gaga and the sociology of fame
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  • 62
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781138206328
    Language: English
    Pages: ix, 335 Seiten
    Series Statement: Routledge music bibliographies
    DDC: 016.781641
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    Keywords: Bibliografie ; Bibliografie ; Bibliografie ; Bibliografie
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  • 63
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9781409444398
    Language: English
    Pages: XII, 279 S. , Ill., Kt., Notenbeisp. , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4842094
    RVK:
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    Keywords: Music Social aspects ; History ; Sound Social aspects ; History ; Noise Social aspects ; History ; Aufsatzsammlung
    Note: "Includes bibliographical references and index"
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  • 65
    ISBN: 9781138887824 , 9781138887817 , 1138887811 , 113888782X
    Language: English
    Pages: xviii, 364 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.6509
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    Keywords: Jazz Political aspects 20th century ; History ; Totalitarianism and music ; Jazz History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory
    Note: Includes bibliographical references (pages 353-354) and index
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  • 66
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
    RVK:
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    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 67
    ISBN: 9783826060854 , 3826060857
    Language: English , German
    Pages: 321 Seiten , 23.5 cm x 15.5 cm
    Series Statement: Eichstätter Europastudien Band 5
    Series Statement: Eichstätter Europastudien
    DDC: 420
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    Keywords: Kriegslied ; Friede ; Lied ; Konferenzschrift 19.06.2015-20.06.2015 ; Konferenzschrift 19.06.2015-20.06.2015 ; Konferenzbeitrag ; Historische Darstellung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzbeitrag ; Historische Darstellung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 19.06.2015-20.06.2015 ; Kriegslied ; Friede ; Lied
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  • 68
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US | Imprint: Palgrave Macmillan
    ISBN: 9781137584687
    Language: English
    Pages: 1 Online-Ressource (XII, 245 p)
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Lady Gaga ; Social sciences ; United States Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Popmusik ; Starkult ; Musikbranche ; Geschlechterrolle ; Bibliografie ; Bibliografie ; Bibliografie ; Biografie ; Lady Gaga 1986- ; Popmusik ; Musikbranche ; Geschlechterrolle ; Starkult
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 69
    ISBN: 9783658177393
    Language: English
    Pages: 298 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Systematische Musikwissenschaft
    Series Statement: Springer Research
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Culture / Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Cultural and Media Studies ; Cultural Studies ; Media Sociology ; Massenmedien ; Musik ; Musiksoziologie ; Unterhaltungsmusik ; Kulturvergleich ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2017 ; Unterhaltungsmusik ; Musiksoziologie ; Kulturvergleich
    Note: This volume presents selected contributions to the 19th edition of the biannual conference of the International Association for the Study of Popular Music, held in Kassel, Germany, from June 26-30, 2017
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  • 70
    ISBN: 9783956501722 , 3956501721
    Language: English
    Pages: 314 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm, 808 g
    Series Statement: Istanbuler Texte und Studien Band 36
    Series Statement: Istanbuler Texte und Studien
    DDC: 780
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    Keywords: Rhythmus ; Kunstmusik ; Mittlerer Osten ; Art Music ; Middle East ; Rhythmic Cycles ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift ; Mittlerer Osten ; Kunstmusik ; Rhythmus
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  • 71
  • 72
    ISBN: 9788861631502
    Language: English
    Pages: 277 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm
    Series Statement: Intersezioni musicali book IM05
    DDC: 780
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    Keywords: Geschichte ; Ethnomusicology ; Musicology ; Interkulturalität ; Soziale Identität ; Musikleben ; Musikethnologie ; Musikwissenschaft ; Neapel ; Salento ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Musikethnologie ; Musikwissenschaft ; Interkulturalität ; Geschichte ; Neapel ; Salento ; Musikleben ; Soziale Identität ; Geschichte
    Note: Revised and selected papers presented at three seminars held at the Istituto interculturale di studi musicali comparati, Fondazione Giorgio Cini, Venice, Italy, 2013, January 30-31, 2014, and 2015, and one other essay. - Includes bibliographical references
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  • 73
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 74
    ISBN: 9783826062056 , 3826062051
    Language: German
    Pages: 310 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Musik - Kultur - Geschichte Band 9
    DDC: 394.25
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    Keywords: Karneval ; Theater ; Aufführung ; Musik ; Tanz ; Musiktheater ; Karnevalslied ; Konferenzschrift 2011 ; Aufsatzsammlung ; Konferenzschrift 2011 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2011 ; Konferenzschrift ; Konferenzschrift 2011 ; Konferenzschrift ; Aufsatzsammlung
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  • 75
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 76
    ISBN: 9783944122328 , 3944122321
    Language: German
    Pages: 287 Seiten , Illustrationen , 22 cm
    Edition: 1. Auflage
    Series Statement: Seismograph
    Uniform Title: Violins of hope
    Parallel Title: Erscheint auch als
    DDC: 943
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    Keywords: Weinstein, Amnon ; Geschichte 1933-1945 ; Musiker ; Geiger ; Judenverfolgung ; Musikinstrument ; Violine ; Restaurierung ; Europa ; Bibliografie ; Bibliografie ; Bibliografie
    Note: Literaturverzeichnis Seite 274-281
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  • 77
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen , 23 cm
    DDC: 305.235094109047
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    Keywords: Youth Social conditions ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Youth Social conditions ; 20th century ; Great Britain ; Punk culture ; Youth ; Youth ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Note: Literaturverzeichnis: Seiten 343-379. - Index
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  • 78
    ISBN: 9783476055910
    Language: German
    Pages: Online-Ressource (XVII, 199 S, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. "Durchaus rhapsodisch"
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    Keywords: Culture Study and teaching ; Music ; Cultural and Media Studies ; Culture Study and teaching ; Music ; Konferenzschrift 2015 ; Konferenzschrift ; Adorno, Theodor W. 1903-1969 ; Elektronische Musik
    Abstract: »Durchaus rhapsodisch« - so beginnt eine Fragment gebliebene Sonate für Cello allein des jungen Theodor Wiesengrund; eine Vortragsanweisung, die ebenso auch das Formprinzip des später unter dem Namen Adorno weithin bekannt gewordenen Philosophen umreißen könnte. In diesem Band geht es um den eher fremd gebliebenen Musiker und Komponisten. Von Adornos zunächst künstlerischen Ambitionen ausgehend beleuchtet der Band eine wesentliche Dimension von Adornos musikalischem Denken, indem er sein kompositorisches Schaffen in den Blick rückt: die Liederzyklen und die Werke für Streicher, die Klavierstücke und Orchesterwerke. Hierbei stellt der Band ebenso die enge Verknüpfung von Theorie und Praxis in Adornos Denken heraus wie den künstlerischen Eigensinn seiner Musik, die nicht Exempel seiner Philosophie ist. Mit Beiträgen von Franz Josef Czernin, Giacomo Danese, Alexander García Düttmann, Gabriele Geml, Richard Klein, Han-Gyeol Lie, Claus-Steffen Mahnkopf, Martin Mettin, Mario C. Schmidt, Gesine Schröder, Violetta L. Waibel und Dean Whiteside
    Note: Im Vorwort: konzertantes Symposion ... im November 2015 in Wien: "Zwischen Frankfurter und Wiener Schule. Theodor Wiesengrund Adorno: Das kompositorische Werk"
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 79
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 781.62924
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    Keywords: Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Book
    Book
    Darmstadt : Jazzinstitut | Hofheim : Wolke
    ISBN: 3955930149 , 9783955930141
    Language: English , German
    Pages: 308 Seiten , Illustrationen, Notenbeispiele , 21.4 cm x 15 cm
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 14
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65081
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    Keywords: Konferenzschrift ; Konferenzschrift ; Jazz ; Geschlechterrolle ; Jazz ; Geschlechtsidentität
    Note: Register: Seiten 303-308 , Texte deutsch oder englisch
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  • 81
    ISBN: 9781472424792
    Language: English
    Pages: xx, 282 Seiten , Illustrationen, Diagramme, Notenbeispiele , 24 cm
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Heavy metal, gender and sexuality
    DDC: 781.66081
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    Keywords: Heavy metal music History and criticism ; Gender identity in music ; Sex in music ; Aufsatzsammlung ; Konferenzschrift ; Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität
    Abstract: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-Napoleone -- Solo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson
    Description / Table of Contents: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-NapoleoneSolo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson.
    Note: Literaturangaben
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  • 82
    ISBN: 9781138253780 , 9781409439790
    Language: English
    Pages: xviii, 342 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Music in nineteenth-century Britain
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 306.4842094109034
    RVK:
    Keywords: 1800-1899 ; Music Social aspects 19th century ; History ; Performance practice (Music) History 19th century ; Musique - Aspect social - Grande-Bretagne - Histoire - 19e siècle ; Pratique de l'exécution (Musique) - Grande-Bretagne - Histoire - 19e siècle ; Music - Social aspects ; Performance practice (Music) ; History ; Great Britain
    Note: Originally published: Farnham: Ashgate, 2012
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  • 83
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
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  • 84
    ISBN: 9783518125076
    Language: German
    Pages: 345 Seiten
    Edition: 3. Auflage, Originalausgabe
    Series Statement: Edition Suhrkamp 2507
    DDC: 780
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    Keywords: Dylan, Bob 〈1941-〉 Congresses ; Singers United States ; Congresses ; Konferenzschrift ; Dylan, Bob 1941- ; Dylan, Bob 1941-
    Abstract: Über den Sonderstatus des Songschreibers Bob Dylan besteht nicht nur unter Musikbegeisterten Einigkeit, seine Texte haben aus ihm sogar einen ernsthaften Kandidaten für den Literaturnobelpreis gemacht. Um so mehr fällt es auf, daß sich die Literatur- und Sozialwissenschaften bisher kaum für Dylan, seine Texte und seine sozialhistorische Rolle interessiert haben. Ein internationaler Kongreß, der 2006 in Frankfurt am Main stattfand, hat das geändert. Der Band dokumentiert die Vorträge von Michael Gray, Axel Honneth, Susan Neiman und Klaus Theweleit und anderen sowie die Abschlußdiskussion. Die Plattentips der versammelten 〉〉Dylanologen〈〈 ermöglichen auch Jüngeren einen Einstieg in Dylans Werk.
    Note: Literaturverzeichnis: Seite 339-343
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  • 85
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
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    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 86
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 87
    Book
    Book
    Nyack, New York : African Diaspora Press
    ISBN: 9780984413461 , 0984413464
    Language: English
    Series Statement: Black music reference series Volume 7
    Series Statement: Black music reference series
    DDC: 016.782421649
    RVK:
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    Keywords: Bibliografie ; Hip-Hop ; Rap ; Hip-Hop
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  • 88
    Book
    Book
    [England] : British Violin Making Association
    ISBN: 9780954970291 , 0954970292
    Language: English
    Pages: 112 Seiten , Illustrationen, Karten, Porträts , 31 cm
    Edition: Standard edition
    DDC: 787.219
    RVK:
    Keywords: W.E. Hill & Sons History ; W.E. Hill & Sons ; Violin makers History ; Violin bows Construction ; History ; Violin makers ; History
    Note: Includes bibliographical references and index
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  • 89
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
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    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 90
    Language: French
    Pages: 254 Seiten , 30 cm
    Edition: 8ème édition
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    Keywords: Bibliografie ; Rockmusik ; Bibliografie ; Frankreich ; Rockmusik ; Bibliografie
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  • 91
    Book
    Book
    London : Black Dog Publishing
    ISBN: 1910433578 , 9781910433577
    Language: English
    Pages: 95 Seiten , Illustrationen , 24 cm
    Series Statement: What now?
    DDC: 302.2/242
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    Keywords: Art, Modern Philosophy 21st century ; Art Political aspects ; Sound installations (Art) ; Listening Political aspects ; Listening Political aspects ; Art ; Art ; Art, Modern ; Art, Modern ; Listening ; Listening ; Sound installations (Art) ; Sound installations (Art) ; 2000-2099 ; Konferenzschrift ; Konferenzschrift ; Klangobjekt ; Hören ; Ästhetik
    Abstract: To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we position listening as a political act? And how do we further develop our ability to listen for what is left out, and why? What Now? documents a program of sound installations, audio works, film screenings and performances that question our ability to 'listen' held under the title "The Politics of Listening" in the second annual 'What Now?' symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, as part of Alignment, the Vera List Center's 2013-2015 curatorial focus theme
    Abstract: Mechanics, methods, metaphysics -- Fact, fiction, and the in-between -- Community actions, reciprocity, co-determination
    Note: The first in a series of three books published in conjunction with Art in General's annual What Now? symposium running from 2015-2017 , Mechanics, methods, metaphysics ; Where listening begins , The Narma tapes: polyphony and politics in the Cold War , Listening as agon in the society of control , Tacet, or the cochlear vertigo: towards the limits of hearing , Fact, fiction, and the in-between ; What is the shape and feel of the in-between? , Aural contract: towards a politics of listening , How to do things with(out) words , What we mean when we ask permission , Tricks , Community actions, reciprocity, co-determination ; Algorithmic listening and communictive democracy , Strong people don't need strong leaders: intentionality, accountability, and pedagogy , Listening to the converted: critical looks at the social algorithm , Repellent fence: when land becomes shared metaphor , We never ask why: the failure of retributive justice
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  • 92
  • 93
    ISBN: 9789004314979
    Language: English
    Pages: XIX, 377 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Intersections volume 43
    Series Statement: Intersections
    DDC: 782.0094
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    Keywords: Geschichte 1400-1850 ; Musik ; Gesang ; Volkslied ; Musikpflege ; Liederbuch ; Identität ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Gesang ; Musik ; Volkslied ; Liederbuch ; Musikpflege ; Identität ; Geschichte 1400-1850
    Note: Most of the articles developed from papers given at the conference "Identities, Intertextuality, and Performance in Song Culture", held in Amsterdam, October 2012
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  • 94
    ISBN: 9783374045389 , 3374045383
    Language: German
    Pages: 124 Seiten , Notenbeispiele , 21,5 cm x 14,5 cm
    Series Statement: Beiträge zu Liturgie und Spiritualität Band 29
    Series Statement: Beiträge zu Liturgie und Spiritualität
    DDC: 230
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    Keywords: Gottesdienst ; Jazz ; Religiosität ; Kirchenmusik ; Spiritualität ; Jazz ; Kirchenmusik ; Musik ; Musikgeschichte ; Musikgottesdienst ; Musikphilosophie ; Theologie der Musik ; Konferenzschrift 04.09.2015-06.09.2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 04.09.2015-06.09.2015 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 04.09.2015-06.09.2015 ; Aufsatzsammlung ; Jazz ; Religiosität ; Spiritualität ; Gottesdienst ; Kirchenmusik
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  • 95
    ISBN: 3525570473 , 9783525570470
    Language: German
    Pages: 336 Seiten , Illustrationen
    Series Statement: Jüdische Religion, Geschichte und Kultur (JRGK) Band 25
    DDC: 296.462
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    Keywords: Popmusik ; Religiosität ; Judentum ; Gesellschaft ; Israel ; Hochschulschrift ; Bibliografie ; Diskografie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bibliografie ; Diskografie
    Note: Literatur und Nachweise: Seite 317-333
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  • 96
    ISBN: 9783839434246
    Language: German
    Pages: 1 online resource
    Series Statement: Histoire 88
    DDC: 900
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    Keywords: 1960er Jahre ; 1960s ; 1968 ; 1970er Jahre ; 1970s ; Contemporary History ; Cultural History ; Deutsche Geschichte ; Deutschland ; Europa ; Europe ; German History ; Germany ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; History of the 20th Century ; History ; Kulturgeschichte ; Music ; Musik ; Pop Music ; Popkultur ; Popmusik ; Populärkultur ; Transnational History ; Transnationale Geschichte ; USA. ; Usa ; Zeitgeschichte ; HISTORY / Europe / Germany ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Als experimentelle bundesdeutsche Popmusik im Laufe der 1970er Jahre zu transnationalem Ruhm kam, begann eine neue Ära der Popmusik. Zum ersten Mal in der Geschichte des Pop kamen neueste Innovationen nicht mehr aus den Vereinigten Staaten oder dem Vereinigten Königreich, sondern aus der Bundesrepublik. Für einige Jahre galten Bands wie Kraftwerk, Can, Tangerine Dream, Amon Düül, Popol Vuh oder Faust - neben vielen anderen - als Pop-Avantgarde: in Europa, Nordamerika und weit darüber hinaus.Alexander Simmeth erforscht die Wurzeln des sogenannten Krautrock im Umfeld der jugendlichen Revolte am Ende der 1960er Jahre, die Rezeption zu Hause und in den beiden Ursprungsländern des Pop, und die Gründe für den andauernden Einfluss des Phänomens. Er identifiziert Krautrock als zentrales Moment kultureller Transnationalisierung in der Bundesrepublik, indem er grenzübergreifende Erfahrungen ebenso in den Blick nimmt wie den Austausch von Konzepten und Ideen
    Abstract: When West-German experimental pop rose to transnational fame in the early 1970s, it marked nothing less than the beginning of a new era. For the first time in pop history, the latest innovations originated outside the United States and the United Kingdom; for several years, bands such as Kraftwerk, Can, Tangerine Dream, Amon Düül or Faust - among many others - were considered pop avant-garde, across Europe and the United States. In his book, Alexander Simmeth traces the roots of the so-called Krautrock in West Germany's late 1960s, its zealous reception at home and in the two motherlands of pop, and the reasons for its lasting impact in the decades to come. He identifies Krautrock as a key site of the transnational in West-German cultural history, focusing on the exchange of concepts and ideas, on shared experiences across borders, as well as on mutual key concepts such as authenticity and identity
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    ISBN: 9783956507038 , 9783956502057
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Istanbuler Texte und Studien Band 33
    Series Statement: Istanbuler Texte und Studien (IST) 33
    Series Statement: Nomos eLibrary
    Series Statement: Open Access
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Writing the history of “Ottoman Music”
    RVK:
    Keywords: Osmanisches Reich ; Türkei ; Musikgeschichte ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osmanisches Reich ; Musik ; Geschichte ; Musikwissenschaft
    Abstract: Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research
    Note: The articles contained in this volume were originally presented at the confer-ence “Writing the History of ‘Ottoman Music’” / “‘Osmanlı Musikisi’ Tarihini Yazmak”, held at the State Conservatory for Turkish Music (Turk Musikisi Devlet Konservatuvari) of the Technical University Istanbul (ITÜ) in Istanbul, 25-26 November 2011, organized in cooperation with the Orient-Institut Istanbul
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  • 98
    Language: German
    Pages: 55 Seiten , Illustrationen
    Edition: Stand vom 01. März 2016
    Series Statement: Festival Magazin '16
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    Keywords: Programmheft ; Konferenzschrift ; Internationales Dixieland Festival Dresden ; Geschichte 2016 ; Dresden ; Traditional Jazz ; Dixieland ; Musikfestspiel
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  • 99
    Book
    Book
    Frankfurt am Main : Peter Lang Edition
    ISBN: 9783631664094 , 3631664095
    Language: English
    Pages: 227 Seiten , 22 cm
    Series Statement: Jazz under state socialism Vol. 4
    Series Statement: Jazz
    DDC: 781.650947/09045
    RVK:
    RVK:
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    Keywords: Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Socialism and music ; Communism and music ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Ostblock ; Jazz ; Geschichte
    Abstract: Jazz in stat socialism : a playground of refusal? / Rèudiger Ritter -- 1956 : A turning point for the jazz scenes in the GDR and Poland / Christian Schmidt-Rost -- From 'Jazz in Poland' to 'Polish jazz' / Marta Domurat-Linde -- Jazz musicians in post-war Poland / Igor Pietraszewski -- Individualists, traditionalists, revolutionaries, or opportunists? The political and social constellations of jazz in Hungary during the 1950s-1960s / Gergîo Havadi -- The jazz section : disintegration through jazz / Peter Motyécka -- Negotiated spaces : jazz in Moscow after the thaw / Rèudiger Ritter -- "Swing club" and the meaning of jazz in Estonia in the late 1940s / Heli Reimann
    Note: Literaturangaben , Introduction , Jazz in state socialism - a playground of refusal? , 1956 - a turning point for the jazz scenes in the GDR and Poland , From 'Jazz in Poland' to 'Polish jazz' , Jazz musicians in post-war Poland , Individualists, traditionalists, revolutionaries, or opportunists? : the political and social constellations of jazz in Hungary during the 1950s-1960s , The jazz section : disintegration through jazz , Negotiated spaces : jazz in Moscow after the thaw , "Swing Club" and the meaning of jazz in Estonia in the late 1940s
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  • 100
    ISBN: 9781472468086
    Language: English
    Pages: xx, 180 Seiten
    Additional Information: Rezensiert in Großmann, Sonja Christine [Mikkonen Simo, Suutari Pekka
    DDC: 303.4824701713
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    Keywords: Geschichte 1930-1981 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Note: Literaturverzeichnis: Seite [161]-174
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