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  • Würzburg UB  (505)
  • Bayreuth UB  (498)
  • English  (868)
  • Musik  (779)
  • Schwarze  (164)
  • Musicology  (860)
  • Psychology  (8)
Datasource
  • 1
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
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  • 2
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 4
    ISBN: 9783828848221
    Language: English
    Pages: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Series Statement: Reihe Musikwissenschaft
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Parallel Title: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 5
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 6
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 8
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 9
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 10
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031055553
    Language: English
    Pages: 1 Online-Ressource (XV, 275 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in the History of Subcultures and Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 13
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Springer
    ISBN: 9789813369504
    Language: English
    Pages: 1 Online-Ressource (XXXI, 234 p. 32 illus., 7 illus. in color)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 950
    RVK:
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    Keywords: Asian History ; Music ; Political Science ; Asian Culture ; Anthropology ; Asia—History ; Music ; Political science ; Ethnology—Asia ; Anthropology ; Musik ; Nationalismus ; Indonesien ; Indonesien ; Nationalismus ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 9783030791001
    Language: English
    Pages: 1 Online-Ressource (xiv, 304 Seiten) , Illustrationen
    Series Statement: Palgrave Studies in creativity and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: McCartney, Paul ; Geschichte 1957-1979 ; Personality and Social Psychology ; Music ; Sociology of Culture ; Popular Culture ; Audio-Visual Culture ; Personality ; Social psychology ; Music ; Culture ; Popular Culture ; Motion pictures ; Musik ; Musikproduktion ; Komposition ; Kreativität ; McCartney, Paul 1942- ; Musik ; Kreativität ; McCartney, Paul 1942- ; Komposition ; Musikproduktion ; Kreativität ; Geschichte 1957-1979
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Book
    Book
    Mankon, Bamenda : Langaa Research & Publishing CIG
    ISBN: 9956551090 , 9789956551095
    Language: English
    Pages: xii, 243 Seiten
    RVK:
    Keywords: Dibango, Manu ; Musik ; Kamerun ; Dibango, Manu 1933-2020 ; Kamerun ; Musik
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  • 16
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367243142
    Language: English
    Pages: xiii, 260 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Music / Spain / 500-1400 / History and criticism ; Music / Spain / To 1500 / History and criticism ; Music / Spain / 16th century / History and criticism ; Music / Spain / 17th century / History and criticism ; Muslims / Spain / Music / History and criticism ; Arabs / Spain / Music / History and criticism ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Abstract: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Description / Table of Contents: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
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  • 17
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 18
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 19
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 20
    Online Resource
    Online Resource
    Singapore : Springer
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    RVK:
    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9783896466730
    Language: English , German
    Pages: 150 Seiten , Illustrationen , 29.7 cm x 21 cm, 890 g
    Series Statement: Studien zur Musikarchäologie 12
    Series Statement: Orient Archäologie Band 43
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient Archäologie
    RVK:
    RVK:
    Keywords: Archäologie ; Musikwissenschaft ; Vor- und Frühgeschichte ; Musik ; Altertum ; Musikarchäologie ; Alter Orient ; Mesopotamien ; Musikinstrument ; Musik ; Forschungsgeschichte ; Music archaeology / Congresses ; Archéologie musicale - Congrès ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift Friedrich-Schiller-Universität 19.09.2017-20.09.2017 ; Konferenzschrift 2017 ; Musikarchäologie ; Musikwissenschaft ; Musik ; Mesopotamien ; Altertum ; Alter Orient ; Vor- und Frühgeschichte ; Archäologie
    Note: Beiträge teilweise englisch, teilweis deutsche mit Zusammenfassungen in der jeweils anderen Sprache
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  • 22
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
    RVK:
    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 23
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 24
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Language: English
    Pages: xii, 120 Seiten , Illustrationen
    Series Statement: CMS cultural expressions in music series
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
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  • 25
    ISBN: 9781138587052
    Language: English
    Pages: xix, 319 Seiten , Illustrationen
    Series Statement: SOAS studies in music series
    DDC: 261.578
    RVK:
    Keywords: Christ ; Musik ; Inkulturation ; Indonesien
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  • 26
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226667126
    Language: English
    Pages: 263 Seiten
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1770-1839 ; Musik ; Geräusch ; Kulturkontakt ; Europa ; China ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
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  • 27
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517907693 , 9781517907686
    Language: English
    Pages: 319 Seiten , Illustrationen , 22 cm
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    DDC: 780.89/97071
    RVK:
    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Kanada
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Note: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
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  • 28
    ISBN: 9783487155326 , 348715532X
    Language: English
    Pages: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Series Statement: Center for World Music. Studies in music Band 5
    Dissertation note: Dissertation Universität Hildesheim 2020
    DDC: 786.843
    RVK:
    Keywords: Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis
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  • 29
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 30
    ISBN: 9780253044716
    Language: English
    Pages: XXV, 280 Seiten , Illustrationen, Karte, Notenbeispiele , 24 cm
    Edition: New edition
    DDC: 781.6294330575
    RVK:
    Keywords: Tuwinen ; Obertonsingen ; Musik ; Volksmusik ; Russland ; Tuwa ; Russland ; Tuwa ; Volksmusik ; Tuwinen ; Musik ; Obertonsingen
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  • 31
    Online Resource
    Online Resource
    Amherst, MA : Lever Press
    ISBN: 9781643150062
    Language: English
    Pages: 1 Online-Ressource (525 Seiten)
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Jazz ; Geschichte ; Musik ; Musik ; Jazz ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 32
    Book
    Book
    Evanston : Northwestern University Press
    ISBN: 9780810138582 , 9780810103054
    Language: English
    Pages: xiii, 200 Seiten
    Edition: Open access edition, [Nachdruck der Ausgabe] 1970
    Parallel Title: Erscheint auch als
    DDC: 016.7899/12
    RVK:
    Keywords: Musik ; Music Discography ; Musiktonträger ; Afrika ; Afrika ; Diskografie ; Diskografie ; Afrika ; Musiktonträger
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  • 33
    Book
    Book
    London and New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229474
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62/610468
    RVK:
    Keywords: Geschichte ; Musik ; Politik ; Flamenco music History and criticism ; Folk music History and criticism ; Music Political aspects ; Regionalism in music ; Flamenco History ; Soziale Funktion ; Regionalismus ; Flamenco ; Spanien ; Andalusien ; Andalusien ; Flamenco ; Regionalismus ; Soziale Funktion
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9780819578624 , 0819578622 , 9780819578631 , 0819578630
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm.
    DDC: 780.89/97
    RVK:
    Keywords: Musik ; Musikethnologie ; Indianer ; Nordamerika ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013
    Note: Literaturverzeichnis Seite 279-312
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  • 35
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 36
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Language: English
    Pages: xix, 293 Seiten , 24 cm
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 793.319468
    RVK:
    Keywords: Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
    RVK:
    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 39
    ISBN: 9783658252533
    Language: English
    Pages: 1 Online-Ressource (298 Seiten) , Illustrationen
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    Keywords: Cultural Studies ; Creativity and Arts Education ; Media Research ; Music ; Music ; Musik ; Unterhaltungsmusik ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Musik ; Unterhaltungsmusik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 40
    Book
    Book
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Language: English
    Pages: xiii, 254 Seiten
    Edition: This editon first published
    Series Statement: African American literature Volume 2
    Series Statement: African American literature
    RVK:
    Keywords: Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
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  • 41
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 42
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.609593
    RVK:
    RVK:
    Keywords: Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
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  • 43
    ISBN: 9783946114611
    Language: German , Chinese , English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm, 360 g
    Edition: 1. Auflage
    Series Statement: Deutsche Ostasienstudien 29
    Series Statement: Deutsche Ostasienstudien
    DDC: 780.95
    RVK:
    RVK:
    Keywords: Kulturerbe ; Forschung ; Restaurierung ; Musik ; Sammlung ; Musikinstrument ; Ostasien ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Ostasien ; Musik ; Musikinstrument ; Sammlung ; Forschung ; Restaurierung ; Kulturerbe
    Note: Das vorliegende Buch ist das Ergebnis einer internationale Konferenz, die am 28. und 29. Oktober 2016 am GRASSI Museum für Völkerkunde zu Leipzig stattfand. Das Thema der Konferenz lautete: "Discovery, Research, and Presentation: Die Ostasische Musik und ihre Musikinstrumente in den Sammlungen von Museen." - aus der Einleitung , Abstracts Seite [239]-244 , Deutscher, chinesischer und englischer Text , Zusammenfassung jeweils in englischer Sprache
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  • 44
    ISBN: 9783840502118 , 384050211X
    Language: English
    Pages: xii, 620 Seiten , Notenbeispiele , 21 cm
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI Band 25
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Westfälische Wilhelms-Universität Münster 2017
    RVK:
    Keywords: Ali Ufki ; Ali Ufki ; Geschichte ; Musik ; Osmanisches Reich ; Wojciech/Albert Bobowski ; Music history ; Ottoman Empire ; MS Turc 292 ; Mündlichkeit und Schriftlichkeit ; Transkulturalität ; Musikgeschichte ; Osmanisches Reich ; Orality and writing ; Transculturality ; Hochschulschrift ; Hochschulschrift ; Ali Ufki 1610-1675 ; Osmanisches Reich ; Musik ; Geschichte ; Ali Ufki 1610-1675 Mecmûa-i sâz ü söz
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 45
    Book
    Book
    Pietermaritzburg, South Africa : University of KwaZulu-Natal Press
    ISBN: 9781869143961 , 9781869143978
    Language: English
    Pages: xviii, 343 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Thinking Africa
    RVK:
    Keywords: Identität ; Aufführung ; Sozialer Wandel ; Indigenes Volk ; Musik ; Simbabwe ; Music / Zimbabwe ; Popular music / Zimbabwe ; Shona (African people) / Songs and music ; Ndebele (African people) / Songs and music ; Dance halls / Zimbabwe ; Mbira music / Zimbabwe ; Dance halls ; Mbira music ; Music ; Ndebele (African people) ; Popular music ; Shona (African people) ; Zimbabwe ; Songs and music ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Indigenes Volk ; Musik ; Aufführung ; Identität ; Sozialer Wandel
    Abstract: Performing Zimbabwe presents a transdisciplinary analysis of Zimbabwean music, drawing from different disciplines such as sociology, ethnomusicology, history, journalism, development studies, English, philology and drama. It offers a re-evaluation of Zimbabwean music by Zimbabwean scholars and, in so doing, reconsiders the work of international academics on the subject. Thus, the book highlights the significance of local scholars in the study of Zimbabwean music. Given that this book features a wide range of perspectives, it provides a solid foundation for future studies on Zimbabwean music, either historically in the precolonial and colonial periods, or in the contemporary postcolonial period.
    Description / Table of Contents: Introduction: The study of Zimbabwean music: the Shona and the Ndebele in Zimbabwe and beyond / Barbara Mahamba and Luis Gimenez Amoros. Part I. Indigenous music and its transformations. 1. Mbira in urban spaces: Mbira-making and the multiple contexts o Zvirimudeze Mbira Ensemble performances in Zimbabwe / Perminus Matiure -- 2. The Shangwe and Tsonga idioms in Xinombela musical arts for the adolescents in Gokwe and Chiredzi, north-west and south-west Zimbabwe / Renias Ngara and Doreen Sibanda -- 3. Performing subversion: negotiating social and political space in Zimbabwe through Chinyambera traditional dance / Innocent Tinashe Mutero -- 4. Shangwe Mukwerera: systems and hierarchies of communication in Gokwe, Zimbabwe / Renias Ngara -- 5. If vagina had teeth: song, film and the reshaping of female identities through rituals of rainmaking ceremonies among Shona people of western Mozambique / Maurice T. Vambe --
    Description / Table of Contents: 6. Doing the 'serious business of older people' correctly: Zimbabwean Mbira popular adaptations / Vimbai Chamisa. Part II. Zimbabwean urban popular music across time. 7. The middle class and the popularisation of musical concerts in Harare Township, Salisbury, from the 1940s to 1970 / Barbara Mahamba and Azon Twala -- 8. The promotion of popular music in the major cities of Zimbabwe: a contested terrain by musicians and promoters / Victoria Blessing Butete -- 9. Chimurenga music and the narrative of Zimbabwe's liberation struggle[s]: rethinking Simon Chimbetu's 'Zimbabwe Iyoyi', 'Ndarangarira Gamb' and 'Pane Vasipo' / Urther Rwafa --
    Description / Table of Contents: 10. Music and violence: discordant siblings? A study of political music in the Land Reform Programme of Zimbabwe, 2000-10 / Bridget Chinouriri and Munyaradzi Nyakudya. Part III. The rise of the dancehall in Zimbabwe: regarding transdisciplinary studies. 11. Dancehall music in Zimbabwe: youth activism or subalternity? Some notes on the politics of music based on select songs at the 2014 Zimdancehall Awards / Rekopantswe Mate -- 12. Performing manhood in Zimdancehall: music as a patriarchised space in Zimbabwe / Manase Kudzai Chiweshe and Sandra Bhatasara -- 13. The depiction of the unsung African s/hero or heroine in post-2000 Zimdancehall music lyrics: a critical analysis / Ruby Magosvongwe -- 14. The political underpinnings of Zimdancehall music: analysing selected songs of Winky D and Tocky Vibes / Itai Muwati, Tinotenda Mwamuka and Charles Tembo -- 15. Patterns of Ndebele Zimdancehall music / Zifikile Makwavaara and Albert Nyathi -- Conclusion / Luis Gimenez Amores
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  • 46
    Book
    Book
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Language: English
    Pages: viii, 181 Seiten , 1 Karte
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
    RVK:
    Keywords: Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
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  • 47
    ISBN: 9781527506589
    Language: English
    Pages: xii, 260 Seiten , Illustrationen, Karten
    RVK:
    RVK:
    RVK:
    Keywords: Musikalische Ikonographie ; Musik ; Musikarchäologie ; Aufführung ; Alte Welt ; Music / Performance / History / To 1500 / Sources ; Aufsatzsammlung ; Aufsatzsammlung ; Alte Welt ; Musik ; Aufführung ; Musikalische Ikonographie ; Musikarchäologie
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  • 48
    ISBN: 9781477312469 , 9781477312452
    Language: English
    Pages: xix, 440 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen, Notenbeispiele
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 700.917/67
    RVK:
    RVK:
    Keywords: Music and architecture ; Art and architecture ; Music Social aspects ; Music History and criticism ; Architecture History and criticism ; Musik ; Architektur ; Akustik ; Islam ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik
    Note: Includes bibliographical references and index
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  • 49
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
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    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
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  • 51
    ISBN: 9783319924717
    Language: English
    Pages: 1 Online-Ressource (xxiv, 362 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    RVK:
    Keywords: Geschichte ; Popular Culture ; Music ; Performers and Practitioners ; Performing Arts ; Global/International Culture ; Popular Culture ; Music ; Theater ; Actors ; Performing arts ; Culture ; Musikalische Aufführungspraxis ; Musik ; Aufführung ; Interview ; Interview ; Interview ; Musik ; Aufführung ; Musikalische Aufführungspraxis ; Geschichte
    Note: Zahlreiche Interviews
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 54
    Book
    Book
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
    RVK:
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    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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  • 55
    ISBN: 9780984413478
    Language: English
    Series Statement: Black music reference series 8
    Series Statement: Black music reference series
    RVK:
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    Keywords: Musik ; Subsaharisches Afrika ; Bibliografie ; Subsaharisches Afrika ; Musik
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  • 56
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 57
    ISBN: 9781138777361 , 9781138547872
    Language: English
    Pages: X, 168 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge interdisciplinary perspectives on literature 32
    Series Statement: Routledge interdisciplinary perspectives on literature
    DDC: 820.9/954
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    Keywords: South Asian fiction (English) / History and criticism ; Music in literature ; Identity (Philosophical concept) in literature ; Postcolonialism in literature ; LITERARY CRITICISM / Asian / Indic ; MUSIC / Ethnomusicology ; LITERARY CRITICISM / Books & Reading ; Musik ; Postkoloniale Literatur ; Großbritannien ; Südasien ; Musik ; Großbritannien ; Südasien ; Postkoloniale Literatur
    Abstract: "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"--
    Note: First published 2015 by Routledge , Includes bibliographical references and index
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  • 58
    Book
    Book
    Münster ; New York : Waxmann
    ISBN: 9783830938774
    Language: English , German
    Pages: 275 Seiten , Illustrationen
    Series Statement: Lied und populäre Kultur 63. Jahrgang (2018)
    Series Statement: Lied und populäre Kultur
    Parallel Title: Erscheint auch als
    DDC: 780.030366
    RVK:
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    Keywords: Musik ; Krieg ; Aufsatzsammlung ; Liederbuch ; Sammlung von Beiträgen ; Aufsatzsammlung ; Musik ; Krieg
    Note: Beiträge teilweise englisch, teilweise deutsch
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  • 59
    ISBN: 9781138218314
    Language: English
    Pages: XXXVIII, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 780.917/67
    RVK:
    Keywords: Geschichte ; Music History and criticism ; Musikpflege ; Musik ; Musiktheorie ; Islamische Staaten ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Islamische Staaten ; Musik ; Musikpflege ; Musiktheorie ; Geschichte
    Note: Includes bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 61
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 9780253026200 , 9780253026668
    Language: English
    Pages: xii, 347 Seiten , Notenbeispiele
    Series Statement: Music, nature, place
    Parallel Title: Erscheint auch als
    DDC: 598.159/40994
    RVK:
    Keywords: Vogelstimme ; Musik ; Singvögel ; Gesang ; Vogelstimme ; Musik ; Singvögel ; Gesang ; Musik
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  • 62
    Online Resource
    Online Resource
    London [u.a.] : Routledge Taylor & Francis Group | Ashgate
    ISBN: 9781315251837
    Language: English
    Pages: 1 Online-Ressource (xiv, 242 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Parallel Title: Äquivalent Nooshin, Laudan Iranian classical music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Music / Iran / History and criticism ; Musik ; Kreativität ; Innovation ; Klassische Musik ; Iran ; Iran ; Klassische Musik ; Innovation ; Kreativität ; Geschichte ; Iran ; Klassische Musik
    Note: Includes bibliographical references (pages 217-233) and index , Musicological narratives of creativity. Approaching the study of musical creativity : musicologies, discourses and others -- Creativity in the Iranian context : discourses and structures. Discourses of creativity in Iranian classical music -- Disciplining creativity : the Radif of Iranian classical music -- Beyond discourse : the practice of creativity. Creative performance in Iranian classical music -- Postlude : "roots in the past and a view towards the future" : contemporary developments in Iranian classical music performance
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    ISBN: 9781137570727
    Language: English
    Pages: 1 Online-Ressource (XII, 311 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    RVK:
    Keywords: Geschichte 1970-2000 ; Geschichte ; Culture / Study and teaching ; Music ; Cultural and Media Studies ; Cultural Theory ; Music ; Popular Culture ; Musik ; Popmusik ; Musikalischer Stil ; Geschichtstheorie ; Geschlechterrolle ; Soziale Funktion ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikalischer Stil ; Soziale Funktion ; Geschlechterrolle ; Geschichtstheorie ; Geschichte ; Popmusik ; Musikalischer Stil ; Soziale Funktion ; Geschlechterrolle ; Geschichtstheorie ; Geschichte 1970-2000
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319500232
    Language: English
    Pages: 1 Online-Ressource (VIII, 297 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Culture / Study and teaching ; United States / Study and teaching ; Ethnology ; Music ; Religion and culture ; Cultural and Media Studies ; American Culture ; Cultural Anthropology ; Sociology of Culture ; Musik ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität ; USA ; Kanada ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kanada ; USA ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    ISBN: 9781526106223
    Language: English
    Pages: 1 Online-Ressource (xiii, 378 Seiten) , Illustrationen
    Series Statement: Studies in Imperialism
    Parallel Title: Erscheint auch als
    DDC: 306.484209033
    RVK:
    Keywords: Geschichte 1790-1914 ; History / bicssc ; Humanities / History / bicssc ; HISTORY / General / bisach ; History of music / thema ; Music / Social aspects / History / 18th century ; Music / Political aspects / History / 18th century ; Music / Social aspects / History / 19th century ; Music / Political aspects / History / 19th century ; Radicalism in music ; Politische Kultur ; Gesellschaft ; Musik ; Englisches Sprachgebiet ; Englisches Sprachgebiet ; Politische Kultur ; Gesellschaft ; Musik ; Geschichte 1790-1914
    Abstract: "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover
    Abstract: Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened
    Description / Table of Contents: Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9780367229603 , 9781138125087
    Language: English
    Pages: xx, 293 pages
    Series Statement: Routledge research in music 14
    Parallel Title: Erscheint auch als
    DDC: 781.5/99
    RVK:
    Keywords: Kipling, Rudyard ; Kipling, Rudyard ; Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1948-2015 ; Geschichte 1824-1948 ; Musik ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Burmese influences ; Orientalism in music ; Rezeption ; Vertonung ; Musik ; Musikleben ; Orientalismus ; Burma Songs and music ; History and criticism ; Birma ; Westliche Welt ; Bibliografie ; Bibliografie ; Bibliografie ; Westliche Welt ; Musik ; Rezeption ; Birma ; Orientalismus ; Geschichte 1824-1948 ; Birma ; Musikleben ; Geschichte 1948-2015 ; Kipling, Rudyard 1865-1936 Mandalay ; Vertonung
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9783658177409
    Language: English
    Pages: 1 Online-Ressource (IX, 288 p. 21 illus)
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Culture / Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Cultural and Media Studies ; Cultural Studies ; Media Sociology ; Massenmedien ; Musik ; Kulturvergleich ; Musiksoziologie ; Unterhaltungsmusik ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Unterhaltungsmusik ; Musiksoziologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781580465731
    Language: English
    Pages: 251 Seiten , Illustrationen
    Series Statement: Eastman/Rochester studies in ethnomusicology
    DDC: 781.6200285
    RVK:
    RVK:
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    Keywords: Musik ; Indigenes Volk ; Neue Medien ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Aufsatzsammlung ; Konferenzschrift 2010
    Note: Literaturverzeichnis: Seiten 205-214
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  • 69
    ISBN: 9783658177393
    Language: English
    Pages: 298 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Systematische Musikwissenschaft
    Series Statement: Springer Research
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Culture / Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Cultural and Media Studies ; Cultural Studies ; Media Sociology ; Massenmedien ; Musik ; Musiksoziologie ; Unterhaltungsmusik ; Kulturvergleich ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2017 ; Unterhaltungsmusik ; Musiksoziologie ; Kulturvergleich
    Note: This volume presents selected contributions to the 19th edition of the biannual conference of the International Association for the Study of Popular Music, held in Kassel, Germany, from June 26-30, 2017
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  • 70
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 71
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 72
    Book
    Book
    Berlin, Germany : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356523 , 386135652X
    Language: English
    Pages: 256 Seiten , Illustrationen , 24 cm, 570 g
    Additional Material: 1 CD
    Edition: [1. Auflage]
    Series Statement: Intercultural music studies 21
    DDC: 780.951
    RVK:
    Keywords: Musik ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 73
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
    RVK:
    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw :Peter Lang,
    ISBN: 978-1-4331-3401-2
    Language: English
    Pages: vii, 224 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    Series Statement: Religion & society in Africa vol. 3
    Series Statement: Religion & society in Africa
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9669
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Music Social aspects ; Music History and criticism ; Music Instruction and study ; Ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: "Explores the diverse ways in which music reflects, and is shaped by historical and social dynamics of life in Nigeria. Contributors to this volume include some of the leading scholars of Nigerian music, such as Joshua Uzoigwe, Laz Ekwueme, Tunji Vidal, Richard C. Okafor, A.K. Achinivu, Ademola Adegbite, Femi Faseun, and Christian Onyeji. Focusing on ancient and new musical traditions, including modern African art music, and drawing on the methods of ethnography and music analysis, the various chapters of the book discuss the role of music in community life, enculturation and education, political institutions, historical processes, belief systems, and social hierarchies."...Publisher's description
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  • 75
    Book
    Book
    Basel : Basler Afrika Bibliographien
    ISBN: 9783905758832 , 3905758830
    Language: English
    Pages: XV, 188 Seiten , Illustrationen, Notenbeispiele, Karte , 25 cm
    Series Statement: Basel Southern Africa Studies 11
    Series Statement: Basel Southern Africa Studies
    DDC: 780/.96881
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Ambo ; Musikleben ; Musikanthropologie ; Namibia ; Music / Namibia / History and criticism ; Music / Social aspects / Namibia ; Music ; Music / Social aspects ; Namibia ; Criticism, interpretation, etc ; Namibia ; Ambo ; Musikleben ; Musikanthropologie
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  • 76
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319601830
    Language: English
    Pages: 1 Online-Ressource (IX, 181 p. 7 illus)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    Keywords: Culture / Study and teaching ; Ethnology / Africa ; Music ; Cultural and Media Studies ; Music ; Popular Culture ; Global/International Culture ; African Culture ; Musik ; Rap ; Popkultur ; Widerstand ; Afrika ; Marokko ; Marokko ; Popkultur ; Rap ; Widerstand
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    ISBN: 9780367229436 , 9781472469236
    Language: English
    Pages: xvi, 193 Seiten , Illustrationen , 23 cm
    Series Statement: SOAS musicology series
    DDC: 780.959
    RVK:
    RVK:
    Keywords: Music and dance ; Dance music History and criticism ; Dance History and criticism ; Tanz ; Performance ; Musik ; Indonesien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Indonesien ; Musik ; Tanz ; Performance
    Note: Enthält Literaturangaben
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  • 78
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
    RVK:
    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 79
    ISBN: 3956502787 , 9783956502781
    Language: English
    Pages: 320 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Istanbuler Texte und Studien Band 39
    DDC: 490
    RVK:
    Keywords: Musik ; Globalisierung ; Weltmusik ; Volksmusik ; Sanat müziği ; Türkei
    Note: Literaturverzeichnis: Seite 271-320
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  • 80
    ISBN: 9783839433584
    Language: English
    Pages: 1 Online-Ressource (189 Seiten) , Illustrationen
    Series Statement: Urban Studies
    DDC: 300
    RVK:
    Keywords: Music ; music ; Urban Studies ; Politics ; Sociology ; Urbanity ; City ; Cultural Anthropology ; Popular Culture ; Pop Music ; Turkey ; Subculture ; inclusion ; Landscape ; Exclusion ; Gentrification ; Hip-Hop ; Sulukule ; Rembetika ; Zakir ; Alevi ; Istanbul; Music; Landscape; Politics; Exclusion; Inclusion; Urbanity; Gentrification; Sulukule; Rembetika; Subculture; Zakir; Alevi; Hip-Hop; City; Popular Culture; Urban Studies; Pop Music; Cultural Anthropology; Turkey; Sociology; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Istanbul ; Musik ; Urbanität ; Gentrifizierung ; Pop-Kultur ; Stadtforschung
    Abstract: Everyday articulations of music, place, urban politics, and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music, community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis. Alex Papadopoulos is Associate Professor of Geography at DePaul University, Chicago. He studies the contestation of urban space in European cities. Asli Duru is Marie Curie Fellow at The Open University, London, and studies everyday geographies of health and wellbeing.
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  • 81
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
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  • 82
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Language: English
    Pages: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.3/6
    RVK:
    RVK:
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    Keywords: Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Abstract: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
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  • 83
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 84
    Book
    Book
    Gurgaon, India : Shubhi Publications
    ISBN: 9788182901711
    Language: English
    Pages: 168 Seiten, 14 ungezählte Blätter , Illustrationen
    Edition: First edition
    DDC: 792.0954
    RVK:
    Keywords: Geschichte ; Dance / India / History ; Music / India / History and criticism ; Theater / India / History ; Geschichte ; Musik ; Musiktheater ; Musik ; Tanz ; Indien ; Indien ; Indien ; Tanz ; Musik ; Geschichte ; Indien ; Musiktheater ; Geschichte
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  • 85
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469627946 , 9781469627939
    Language: English
    Pages: 1 Online-Ressource (ix, 372 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 787.8709969
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte ; Musik ; Hawaiian guitar History ; Music History ; Music History ; World music History ; Unterhaltungsmusik ; Weltmusik ; Steel Guitar ; Rezeption ; USA ; USA ; Hawaii ; Hawaii ; Steel Guitar ; Geschichte ; Hawaii ; Steel Guitar ; Rezeption ; USA ; Hawaii ; Steel Guitar ; Rezeption ; Unterhaltungsmusik ; Weltmusik
    Abstract: Since the nineteenth century, the distinct tones of kika kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world
    Note: "Published with the assistance of the Anniversary Fund of the University of North Carolina Press." - Includes bibliographical references and index
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  • 86
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Language: English
    Pages: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
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  • 87
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Language: English
    Pages: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.967
    RVK:
    RVK:
    Keywords: Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Abstract: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
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  • 88
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    Book
    Manchester : Manchester University Press
    ISBN: 9781784992804
    Language: English
    Pages: VI, 296 Seiten , Diagramme
    Edition: Paperback edition first published 2016
    Series Statement: Music and society
    Parallel Title: Erscheint auch als
    DDC: 782.421646
    RVK:
    Keywords: Geschichte 1970-2000 ; Reggae music / History and criticism ; Reggae music / Social aspects ; Memory in music ; Time in music ; Gesellschaft ; Gesellschaft ; Rassismus ; Diaspora ; Kollektives Gedächtnis ; Erinnerung ; Sklaverei ; Reggae ; Schwarze ; Reggae ; Gesellschaft ; Geschichte 1970-2000 ; Reggae ; Erinnerung ; Geschichte 1970-2000 ; Schwarze ; Sklaverei ; Diaspora ; Rassismus ; Kollektives Gedächtnis ; Reggae
    Abstract: On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of 'memory at work' opens up a theoretical problem: the conceptualization of time and its relationship with memory. - Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro
    Description / Table of Contents: Introduction. -- Part I: A study in elective affinity: music, religion and memory: 1. Reggae and Rastafari: a history - 2. Interpreting songs: notes on methodology - 3. Analysis of reggae charts, 1968-2000 - 4. The construction of a musical memory in reggae music. -- Part II: Remembering the past: 5. Slavery and the diaspora: temporal and spatial articulations - 6. The construction of a religious chain of memory. -- Part III: Revealing the future: 7. Messianism, between past and future - 8. Hope and redemption - 9. The end of the world as future-present. -- Part IV: From revelation to revolution: 10. The construction of a sociopolitical memory of liberation - 11. Rhetoric of oppression and social critique - 12. Resistance and revolution. -- Part V: Conclusion: 13. Time and memory. -- Appendices. -- Bibliography. -- Index
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  • 89
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 978-1-4438-8677-2 , 1-4438-8677-7
    Language: English
    Pages: xviii, 294 Seiten
    RVK:
    Keywords: Geschichte 2000-2013 ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Musik ; Simbabwe ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Musik ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Geschichte 2000-2013
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  • 90
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Language: English
    Pages: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
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  • 91
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781498510103
    Language: English
    Pages: xix, 215 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.4/8420968
    RVK:
    Keywords: Siphithemba Choir ; Gesellschaft ; Musik ; Music Social aspects ; AIDS (Disease) ; Chor ; Aids ; Musik ; Südafrika (Staat) ; Südafrika ; Südafrika ; Chor ; Musik ; Aids
    Abstract: This book is an ethnographic study of a HIV/AIDS choir who use music to articulate their individual and collective experiences of the disease. The study interrogates as to understand the bigger picture of HIV/AIDS using the approach of microanalysis of music event. It places the choir, and the cultural and political issues addressed in their music in the broader context of South Africa's public health and political history, and the global culture and politics of AIDS. - Austin C. Okigbo is assistant professor of ethnomusicology at the University of Colorado, Boulder.
    Note: Includes bibliographical references and index
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  • 92
    ISBN: 9780190269425 , 9780195178678
    Language: English
    Pages: X, 299 Seiten , Illustrationen
    Edition: First issued as an...paperback
    Series Statement: American musicspheres
    DDC: 781.62/918073
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Folk music History and criticism ; Folk music History and criticism ; Music Balkan Peninsula influences ; Volksmusik ; USA ; USA ; Balkanhalbinsel ; USA ; Volksmusik ; Balkanhalbinsel ; Geschichte ; USA ; Volksmusik ; Balkanhalbinsel
    Note: Includes bibliographical references (p. 265-275) and index
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  • 93
    Book
    Book
    Delhi : B.R. Publishing Corporation
    ISBN: 9789350502686 , 9789350502679
    Language: English
    Pages: viii, 129 pages , Illustrationen, Karte , 24 cm
    RVK:
    Keywords: Santal (South Asian people) / India / Bīrbhūm (District) / Music / History and criticism ; Santal (South Asian people) / Music ; Musik ; India / Bīrbhūm (District) ; Indien
    Abstract: Study conducted in three Santal villages of Birbhum District, West Bengal, India
    Description / Table of Contents: Includes bibliographical references (pages 123-125)
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  • 94
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226327372
    Language: English
    Pages: 1 Online-Ressource (xvi, 319 Seiten) , Illustrationen
    Series Statement: Chicago studies inn ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Music / Algeria / History and criticism ; Music / Morocco / History and criticism ; Arabs / Algeria / Music / History and criticism ; Arabs / Morocco / Music / History and criticism ; Arabs ; Music ; Musik ; Musik ; Revival ; Araber ; Algeria ; Morocco ; Algerien ; Algerien ; Marokko ; al- Andalus ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Abstract: or more than a century, urban North Africans have sought to protect and revive Andalusi music, a prestigious Arabic-language performance tradition said to originate in the lost paradise of medieval Islamic Spain. Yet despite the Andalusi repertoire s enshrinement as the national classical music of postcolonial North Africa, its devotees continue to describe it as being in danger of disappearance. In "The Lost Paradise", Jonathan Glasser explores the close connection between the paradox of patrimony and the questions of embodiment, genealogy, secrecy, and social class that have long been central to Andalusi musical practice. Through a historical and ethnographic account of the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan borderlands since the end of the nineteenth century, Glasser shows how anxiety about Andalusi music's disappearance has emerged from within the practice itself and come to be central to its ethos. The result is a sophisticated examination of musical survival and transformation that is also a meditation on temporality, labor, colonialism and nationalism, and the relationship of the living to the dead. - Jonathan Glasser is assistant professor of anthropology at the College of William and Mary."
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  • 95
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
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  • 96
    Online Resource
    Online Resource
    New York, NY : Oxford Univeristy Press
    ISBN: 9780190215750
    Language: English
    Pages: 1 Online-Ressource (xviii, 321 Seiten) , Illustrationen, Screenshots, Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.49094961/8
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Music Social aspects ; Sound recording industry ; Soziale Funktion ; Arrangement ; Digitaltechnik ; Schallaufzeichnung ; Tonstudio ; Volksmusik ; Türkei ; Istanbul ; Istanbul ; Volksmusik ; Arrangement ; Tonstudio ; Schallaufzeichnung ; Digitaltechnik ; Soziale Funktion ; Geschichte
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Language: English
    Pages: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63096822/1
    RVK:
    RVK:
    Keywords: Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Abstract: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9780253017512
    Language: English
    Pages: XXII, 676 Seiten , Illustrationen, Karten, Notenbeispiele , 25,4 x 20,3 cm
    DDC: 780.958
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Zentralasien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 100
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226407425 , 9780226407562
    Language: English
    Pages: xxiv, 254 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 782.42162/914110082
    RVK:
    RVK:
    Keywords: Geschichte 1990-2015 ; Alltag, Brauchtum ; Gesellschaft ; Musik ; Music Social aspects ; Women singers ; Alltag ; Gesang ; Lied ; Spiritualität ; Frau ; Lebensführung ; Indien ; Kāngra (India : District) Social life and customs ; Kangra ; Kangra Region ; Frau ; Lied ; Gesang ; Alltag ; Spiritualität ; Lebensführung ; Geschichte 1990-2015
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