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Sounds of liberty
music, radicalism and reform in the Anglophone world, 1790-1914Verfasser: Bowan, Kate
(DE-588)1026929288Verfasser: Pickering, Paul A. <1959->
(DE-588)1141794667978-1-5261-0622-3
Schlagwörter: Englisches Sprachgebiet
; Politische Kultur ; Gesellschaft ; Musik ; Geschichte 1790-1914
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Letzte Änderung: 03.07.2020
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- Musikwissenschaft
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https://gateway-bayern.de/BV045437185
Letzte Änderung: 03.07.2020
| Titel: | Sounds of liberty |
|---|---|
| Untertitel: | music, radicalism and reform in the Anglophone world, 1790-1914 |
| URL: | https://doi.org/10.7765/9781526106223 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Kate Bowan and Paul A. Pickering |
| ISBN: | 978-1-5261-0622-3 |
| Preis/Einband: | Online |
| Erscheinungsort: | Manchester |
| Verlag: | Manchester University Press |
| Erscheinungsjahr: | 2017 |
| DOI: | 10.7765/9781526106223 |
| Umfang: | 1 Online-Ressource (xiii, 378 Seiten) |
| Details: | Illustrationen |
| Serie/Reihe: | Studies in Imperialism |
| Abstract: | "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover |
| Abstract: | Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened |
| Sprache: | eng |
| RVK-Notation: | LR 57720 |
| Angaben zum Inhalt: | Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 978-0-7190-8274-0 |
| _ID der anderen Ausgabe: | (DE-604)BV044490964 |
| Thema (Schlagwort): | Englisches Sprachgebiet; Politische Kultur; Gesellschaft; Musik; Geschichte 1790-1914 |
| Weitere Schlagwörter : | History / bicssc; Humanities / History / bicssc; HISTORY / General / bisach; History of music / thema; Music / Social aspects / History / 18th century; Music / Political aspects / History / 18th century; Music / Social aspects / History / 19th century; Music / Political aspects / History / 19th century; Radicalism in music |
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| 505 | 8 | |a Introduction: the sounds of liberty --1. Songs of the world --2. The sound of marching feet --3. Votes for a song --4 'Sing a Song of Sixpence' --5. Music, morals and the middle class --6. The challenges of uplift --7 'Sing of the warriors of labour': radical religion, secularism and the hymn --Conclusion: 'And they sang a new song' --Index | |
| 520 | |a "This book explores the role of music in the transmission of political culture over time and distance, focusing on radicals and reformers committed to the struggle for a better future. It follows in the footsteps of relentlessly travelling activists - both women and men - and brings to light the importance of music-making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled and reminded; and it helps to understand better the affective register of the political and cultural life of those who composed, performed and consumed it. Throughout the long nineteenth century the sounds of liberty resonated across the Anglophone world: in the faint strains of 'rough music' played on the streets of Toronto and the 'middle-brow' performances within the walls of a secularist coven in Christchurch; in cacophonous election songs swirling around the hustings in Glasgow and Sunday afternoon chamber music concerts in the heart of radical Holborn; in defiant anthems blaring slightly out of tune on picket lines in Broken Hill and in hymns warbled by labour church choirs in Winnipeg. The first section examines songs; the second examines music's place in the public sphere where people - individually and collectively - made music when marching, electioneering, celebrating and commemorating, as well as striking, rioting and rebelling. The final section explores music-making within the walls of a range of associations and institutions including the difficult and often destructive part it played in European interaction with indigenous people" --Back cover | ||
| 520 | |a Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened | ||
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| 650 | 4 | |a Music / Social aspects / History / 18th century | |
| 650 | 4 | |a Music / Political aspects / History / 18th century | |
| 650 | 4 | |a Music / Social aspects / History / 19th century | |
| 650 | 4 | |a Music / Political aspects / History / 19th century | |
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