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  • München BSB  (2.603)
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  • 1
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Beschreibung / Inhaltsverzeichnis: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9783406803000
    Sprache: Deutsch
    Seiten: 335 Seiten
    Originaltitel: 1964: Eyes of the storm
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    Schlagwort(e): McCartney, Paul ; The Beatles ; Geschichte 1963-1964 ; Schwarzweißfotografie ; Porträtfotografie ; Bildband ; Bildband ; Bildband ; McCartney, Paul 1942- ; Porträtfotografie ; Schwarzweißfotografie ; The Beatles ; Geschichte 1963-1964
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.421641226
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    Schlagwort(e): Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9783863343743 , 3863343743
    Sprache: Deutsch
    Seiten: 222 Seiten , Illustrationen , 21.5 cm x 13.5 cm, 386 g
    Ausgabe: 1. Auflage
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    Schlagwort(e): Cash, Johnny ; Gottvertrauen ; Glaube ; Man in Black ; Country-Musiker ; Musiklegende ; Gefängnis ; Teeniestar ; Sünde ; Erlösung ; Glaube ; Bekenntnis ; June Carter ; Memphis ; Crusades ; Armee ; Rock 'n' Roll ; Gospel ; Biografie ; Biografie ; Cash, Johnny 1932-2003 ; Cash, Johnny 1932-2003 ; Glaube ; Gottvertrauen
    Anmerkung: Hier auch später erschienene, unveränderte Auflagen
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  • 6
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Sprache: Englisch
    Seiten: xi, 354 Seiten , Illustrationen
    Ausgabe: Revised edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Kurzfassung: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Beschreibung / Inhaltsverzeichnis: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 7
    Buch
    Buch
    Hofheim [am Taunus] : Wolke Verlag
    ISBN: 9783955931377 , 3955931374
    Sprache: Deutsch
    Seiten: 224 Seiten , Illustrationen , 21.5 cm x 14.4 cm, 350 g
    Ausgabe: Erstausgabe
    DDC: 780
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    Schlagwort(e): Hipp, Jutta ; Jazzpianistin ; Hipp, Jutta ; Pianistin ; Biografie ; Biografie ; Biografie ; Biografie ; Hipp, Jutta 1925-2003
    Anmerkung: Hier auch später erschienene, unveränderte Auflagen
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 8
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197635216
    Sprache: Englisch
    Seiten: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford studies in music theory
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    Schlagwort(e): Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Beschreibung / Inhaltsverzeichnis: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 9
    ISBN: 9783406803000
    Sprache: Deutsch
    Seiten: 335 Seiten
    Ausgabe: 2. Auflage
    Originaltitel: 1964: Eyes of the storm
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    Schlagwort(e): McCartney, Paul ; The Beatles ; Geschichte 1963-1964 ; Schwarzweißfotografie ; Porträtfotografie ; Bildband ; Bildband ; McCartney, Paul 1942- ; Porträtfotografie ; Schwarzweißfotografie ; The Beatles ; Geschichte 1963-1964
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  • 10
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Sprache: Englisch
    Seiten: 216 Seiten , 26 cm
    DDC: 305.896073
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    Schlagwort(e): Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Kurzfassung: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Beschreibung / Inhaltsverzeichnis: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Anmerkung: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 11
    Buch
    Buch
    Ditzingen : Reclam
    ISBN: 9783150206782
    Sprache: Deutsch
    Seiten: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Serie: Reclam 100 Seiten 20678
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    Schlagwort(e): Metallica ; Paperback / softback ; James Hetfield ; Lars Ulrich ; Kirk Hammet ; Robert Trujillo ; Ron McGovney ; Cliff Burton ; Jason Newsted ; Lloyd Grant ; Dave Mustaine ; Jeff Warner ; Thrash metal ; Metal ; Nothing else matters ; Biografie ; Metallica
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  • 12
    Buch
    Buch
    Ditzingen : Reclam
    ISBN: 9783150206713
    Sprache: Deutsch
    Seiten: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Serie: Reclam 100 Seiten 20671
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    Schlagwort(e): Jürgens, Udo ; Paperback / softback ; grand prix ; Aber bitte mit Sahne ; Siebzehn Jahr ; Griechischer Wein ; Merci Chérie ; Schlager ; Biografie ; Jürgens, Udo 1934-2014
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  • 13
    Buch
    Buch
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Sprache: Englisch
    Seiten: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Ausgabe: First Scribner hardcover edition
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    Schlagwort(e): Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Kurzfassung: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Beschreibung / Inhaltsverzeichnis: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 14
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479806904 , 9781479806881
    Sprache: Englisch
    Seiten: 225 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Kurzfassung: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Beschreibung / Inhaltsverzeichnis: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 15
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793613851
    Sprache: Englisch
    Seiten: x, 363 Seiten
    Paralleltitel: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Schlagwort(e): Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Kurzfassung: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Beschreibung / Inhaltsverzeichnis: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 16
    Buch
    Buch
    Heidelberg, Neckar : Universitätsverlag Winter GmbH Heidelberg
    ISBN: 9783825349271
    Sprache: Englisch
    Seiten: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Serie: American Studies - a monograph series volume 318
    Serie: American Studies - a monograph series
    Paralleltitel: Erscheint auch als
    DDC: 306.0973
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    Schlagwort(e): Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Anmerkung: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 17
    Buch
    Buch
    Ann Arbor : University of Michigan Press
    ISBN: 9780472055685 , 9780472075683
    Sprache: Englisch
    Seiten: xi, 151 Seiten , 23 cm
    Serie: Tracking pop
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Kurzfassung: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Beschreibung / Inhaltsverzeichnis: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 18
    ISBN: 9781433191916 , 1433191911
    Sprache: Englisch
    Seiten: xxiv, 317 Seiten , 23 cm, 488 g
    Serie: Communication, sport, and society vol. 5
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als American Sport in the Shadow of a Pandemic
    DDC: 306.4830973
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; COVID-19 ; Pandemie ; Sport ; Medien ; Sportberichterstattung
    Anmerkung: Literaturangaben
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 19
    Online-Ressource
    Online-Ressource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Tracking pop
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 20
    Buch
    Buch
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Sprache: Englisch
    Seiten: xi, 324 Seiten , Diagramme
    Paralleltitel: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Schlagwort(e): Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Kurzfassung: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Kurzfassung: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Anmerkung: Includes bibliographical references and index
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  • 21
    ISBN: 9789004428300 , 9789004428317
    Sprache: Englisch
    Seiten: XX, 169 Seiten
    Serie: Critical media literacies series volume 10
    Serie: Critical media literacies series
    Paralleltitel: Erscheint auch als
    DDC: 303.48/40973
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    Schlagwort(e): Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Kurzfassung: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Anmerkung: Includes bibliographical references and index
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  • 22
    ISBN: 9783631867723 , 3631867727
    Sprache: Englisch
    Seiten: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Serie: American Culture Vol. 16
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 23
    Buch
    Buch
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Sprache: Englisch
    Seiten: 273 Seiten , Illustrationen, Porträts
    Paralleltitel: Erscheint auch als
    DDC: 782.42164
    RVK:
    Schlagwort(e): Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Kurzfassung: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 24
    Buch
    Buch
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Sprache: Englisch
    Seiten: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Ausgabe: First Pegasus Books cloth edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Kurzfassung: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Beschreibung / Inhaltsverzeichnis: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 25
    ISBN: 9783990128107 , 3990128108
    Sprache: Deutsch , Englisch , Hebräisch , Japanisch
    Seiten: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Paralleltitel: Erscheint auch als
    DDC: 900
    RVK:
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    Schlagwort(e): Biografie ; Biografie ; Biografie
    Anmerkung: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 26
    Bild
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    Berlin : Browse Gallery
    ISBN: 9783000717796 , 300071779X
    Sprache: Deutsch
    Seiten: 287 Seiten , 30 cm x 25.3 cm, 1600 g
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    Schlagwort(e): Ton Steine Scherben ; Geschichte 1960-1990 ; Politische Kultur ; Fotografie ; Umkreis ; Deutschland ; Nachkriegszeit ; West-Berlin ; Ton Steine Scherben ; Deutsche Rockmusik ; Kreuzberg ; Ausstellung ; Revolte ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ton Steine Scherben ; Umkreis ; Deutschland ; Politische Kultur ; Fotografie ; Geschichte 1960-1990
    Anmerkung: Rückseite Titelblatt: Katalog zur Ausstellung "Wenn die Nacht am tiefsten - Ton Steine Scherben in ihrer Zeit", produziert und kuratiert von Browse Gallery, zuerst präsentiert vom 10. Juni bis 4. Juli 2021, Kunstquartier Bethanien, Berlin-Kreuzberg , Zusätzliches Online-Angebot unter QR-Code abrufbar
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  • 27
    ISBN: 9780520281844 , 9780520281837
    Sprache: Englisch
    Seiten: xvii, 287 Seiten
    Serie: Phono
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Anmerkung: Includes bibliographical references and index
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  • 28
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 511 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 784.4/973
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    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Kurzfassung: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Anmerkung: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
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    Manchester : Manchester University Press
    ISBN: 9781526148988
    Sprache: Englisch
    Seiten: xiii, 295 Seiten , Illustrationen
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    Schlagwort(e): Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Kurzfassung: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Beschreibung / Inhaltsverzeichnis: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 30
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030977955 , 9783030977924
    Sprache: Englisch
    Seiten: xii, 293 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 302.23
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    Schlagwort(e): Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Film ; Fernsehserie ; Transgender ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 31
    Zeitschrift/Serie
    Zeitschrift/Serie
    Melbourne : Crown Content | Melbourne : Information Australia Group | Adelaide | Melbourne : The Herald ; 6.1922; 7.1927/28(1927); 8.1933/34; 9.1935 - 58.2022
    ISSN: 1030-7850 , 0810-8226
    Sprache: Englisch
    Erscheinungsverlauf: 6.1922; 7.1927/28(1927); 8.1933/34; 9.1935 - 58.2022
    Paralleltitel: Erscheint auch als Who's who in Australia
    Vorheriger Titel: Vorg.: Fred Johns's annual
    Vorheriger Titel: Who's who in the Commonwealth of Australia
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    Schlagwort(e): Australien ; Zeitschrift ; Verzeichnis ; Biografie ; Australien
    Anmerkung: 2023 fortgesetzt als Online-Ausgabe
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  • 32
    Buch
    Buch
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Sprache: Englisch
    Seiten: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
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    Schlagwort(e): McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Kurzfassung: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Beschreibung / Inhaltsverzeichnis: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 33
    ISBN: 9780197543313
    Sprache: Englisch
    Seiten: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Ausgabe: Sixth edition
    Paralleltitel: Online version Starr, Larry American popular music
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    Schlagwort(e): Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Kurzfassung: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 34
    Buch
    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Sprache: Englisch
    Seiten: xvii, 511 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.48420973
    RVK:
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    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 35
    ISBN: 9781793655639
    Sprache: Englisch
    Seiten: ix, 179 Seiten
    Serie: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Schlagwort(e): Rock 'n' Roll ; Protest ; USA
    Anmerkung: References Seite 159-166
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  • 36
    Buch
    Buch
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Kurzfassung: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Beschreibung / Inhaltsverzeichnis: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 37
    ISBN: 9780374139940
    Sprache: Englisch
    Seiten: XVI, 458 Seiten , Illustrationen, Karten
    Ausgabe: First edition
    RVK:
    Schlagwort(e): J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Kurzfassung: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Kurzfassung: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Beschreibung / Inhaltsverzeichnis: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 38
    Buch
    Buch
    New York : Abrams Press
    ISBN: 9781419749698
    Sprache: Englisch
    Seiten: XII, 306 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
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    Schlagwort(e): Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Kurzfassung: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Kurzfassung: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Kurzfassung: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Beschreibung / Inhaltsverzeichnis: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 39
    Buch
    Buch
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Sprache: Englisch
    Seiten: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Kurzfassung: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Kurzfassung: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 40
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
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    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    ISBN: 9783777437897
    Sprache: Englisch , Deutsch
    Seiten: 384 Seiten
    DDC: 792.8
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    Schlagwort(e): Tanz ; Performance ; Tanz ; Kunst ; Fotografie ; Kulturkontakt ; Aktionskunst ; Kunst 20. Jahrhundert ; Kunst- und Kulturgeschichte ; Zeitgenössische Kunst ; Kulturgeschichte ; Art 20th Century ; Art and Cultural History ; Contemporary Art ; Contemporary art ; Cultural history ; Ausstellungskatalog Museum Folkwang 13.08.2021-14.11.2021 ; Bildband ; Ausstellungskatalog Museum Folkwang 13.08.2021-14.11.2021 ; Ausstellungskatalog Museum Folkwang 13.08.2021-14.11.2021 ; Bildband ; Ausstellungskatalog Museum Folkwang 13.08.2021-14.11.2021 ; Bildband ; Tanz ; Aktionskunst ; Fotografie ; Kunst ; Tanz ; Performance ; Kulturkontakt
    Anmerkung: Impressum: Diese Publikation erscheint anlässlich der Ausstellung 'Global Groove Kunst, Tanz, Performance und Protest', 13. August - 14. November 2021, Museum Folkwang, Essen , 〈〈Der〉〉 fremde Tanz , Dancing in utopia , Text auf Deutsch und Englisch
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  • 42
    Buch
    Buch
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    ISBN: 9788366470101
    Sprache: Polnisch
    Seiten: 281 Seiten , 24 cm
    Ausgabe: Wydanie pierwsze
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    Schlagwort(e): Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Anmerkung: Literaturverzeichnis Seite 246-271 , Text polnisch
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  • 43
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520971820
    Sprache: Englisch
    Seiten: 1 Online-Resource (xiii, 338 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 302.230973
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    Schlagwort(e): Geschichte 1970- ; Geschichte 1970-2021 ; SOCIAL SCIENCE / Media Studies / bisacsh ; Motion pictures Social aspects ; Zuschauer ; Fernsehen ; Sachkultur ; Film ; USA ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970- ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-2021
    Kurzfassung: Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind-all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s-including video marketing, branded merchandise, drugs and alcohol, and even gun violence-and shows how objects considered peripheral to film and television culture are in fact central to its past and future
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 9783658357603
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (XXXIV, 456 Seiten) , Illustrationen
    Serie: Perspektiven der Humangeographie
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Johannes Gutenberg-Universität Mainz
    DDC: 304.2
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    Schlagwort(e): Environmental Social Sciences ; Film Studies ; Environmental sciences—Social aspects ; Motion pictures ; New York ; Multikulturelle Gesellschaft ; Interkulturalität ; Kulturkontakt ; Sozialgeografie ; Film ; Stadtsoziologie ; Filmanalyse ; USA ; New York, NY ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Multikulturelle Gesellschaft ; Stadtsoziologie ; Sozialgeografie ; Film ; Filmanalyse ; New York, NY ; USA ; Film ; New York ; Kulturkontakt ; Interkulturalität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    ISBN: 9780571252497
    Sprache: Englisch
    Seiten: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
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    Schlagwort(e): Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Kurzfassung: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Beschreibung / Inhaltsverzeichnis: Before -- It happens -- After
    Anmerkung: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 46
    Online-Ressource
    Online-Ressource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.82/0973
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    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Kurzfassung: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 47
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Sprache: Englisch
    Seiten: xiv, 258 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.48422
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    Schlagwort(e): Folk music ; Politik ; USA
    Anmerkung: Literaturverzeichnis Seite 225-258
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  • 48
    Buch
    Buch
    Stanford, California : Hoover Institution Press, Stanford University
    ISBN: 9780817924645
    Sprache: Englisch
    Seiten: ix, 174 Seiten , Illustrationen, Karten
    Serie: Hoover Institution Press publication no. 720
    Serie: Hoover Institution Press publication
    Paralleltitel: Erscheint auch als Fanning the flames
    DDC: 303.3/750952
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    Schlagwort(e): Geschichte 1894-1945 ; Visuelle Medien ; Propaganda ; Krieg ; Japan ; Propaganda, Japanese / History ; Propaganda in art / History ; Nationalism / Japan / History ; Japan / History, Military / 1868-1945 ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Japan ; Propaganda ; Visuelle Medien ; Krieg ; Geschichte 1894-1945
    Beschreibung / Inhaltsverzeichnis: Pt. I. Essays. Picturing empire : nishiki-e and the wars of Imperial Japan / Olivia Morello and Michael Auslin -- Anchors of history : the long shadow of Imperial Japanese propaganda / Barak Kushner -- Multinational perspectives of visualized journalism on the Sino-Japanese War : a comparative study of Meiji Japan, Qing China, and Europe / Toshihiko Kishi -- Nishiki-e and war prints / Junichi Okubo -- A visual revolution : the emperor in popular nishiki-e / Alice Y. Tseng -- Visual media trends during the Russo-Japanese War period : a comparative study of Meiji Japan and Czarist Russia / Toshihiko Kishi -- Bakudan san'yūshi : the three heroes of Shanghai / Hanae Kurihara Kramer and Scott Kramer -- The Pacific War and kamishibai / Tsuneo Yasuda -- Printed wartime kamishibai / Taketoshi Yamamoto -- pt. II. Collection highlights. Women at war -- Bushidō : samurai values -- Iconic symbols -- War horses -- Technology -- International propaganda war
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  • 49
    ISBN: 9780472038558
    Sprache: Englisch
    Seiten: XVII, 240 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 50
    ISBN: 9783534273553
    Sprache: Deutsch
    Seiten: 392 Seiten , 34.2 cm x 24.5 cm
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    Schlagwort(e): Codex Mendoza ; Buchkunst ; Azteken ; Azteken ; Aztekenreich ; Bilderhandschrift ; Bildschrift ; Faksimile ; Handschrift ; Hernán Cortés ; Kolonialisierung ; Moteuczoma ; Reprint in Originalgröße ; WS: Wissen Sachbuch ; Bildband ; Bildband ; Faksimile ; Bildband ; Codex Mendoza ; Codex Mendoza ; Azteken ; Buchkunst
    Anmerkung: Quellen- und Literaturverzeichnis: Seiten 378-388. - Glossar: Seiten 389-390. - Namenregister: Seite 391-392
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  • 51
    ISBN: 9783828844414 , 3828844413
    Sprache: Deutsch
    Seiten: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Serie: Dresdner Schriften zur Musik Band 12
    Serie: Dresdner Schriften zur Musik
    Paralleltitel: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 52
    ISBN: 9783903334151 , 3903334154
    Sprache: Deutsch
    Seiten: 192 Seiten , 21 x 22 cm
    Ausgabe: 1. Auflage
    Serie: Beiträge zur Geschichte der Fotografie in Österreich Band 21
    Serie: Fotohof edition Band 315
    Serie: Beiträge zur Geschichte der Fotografie in Österreich
    Serie: Edition Fotohof
    DDC: 305.80074
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    Schlagwort(e): Luschan, Emma von, 1864-1941 Exhibitions Photograph collections ; Luschan, Felix von Exhibitions Photograph collections ; Ethnology Pictorial works ; Exhibitions ; Anthropology Pictorial works ; Exhibitions ; Indigenous peoples Pictorial works ; Exhibitions ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Ausstellungskatalog Photoinstitut Bonartes 29.07.2021-29.10.2021 ; Aufsatzsammlung ; Ausstellungskatalog Photoinstitut Bonartes 29.07.2021-29.10.2021 ; Aufsatzsammlung ; Ausstellungskatalog 2021 ; Bildband ; Aufsatzsammlung ; Luschan, Felix von 1854-1924 ; Luschan, Emma von 1864-1941 ; Ethnologische Fotografie ; Sammlung ; Luschan, Emma von 1864-1941 ; Luschan, Felix von 1854-1924 ; Sammlung ; Fotografie ; Indigenes Volk
    Anmerkung: Impressum: "Die Publikation erscheint anlässlich der Ausstellung 'Überleben im Bild. Wege aus der Anonymität anthropologischer 'Typenfotografien' in der Sammlung Emma und Felix von Luschan', im Photoinstitut Bonartes, Wien (29. Juli-29. Oktober 2021)
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  • 53
    Online-Ressource
    Online-Ressource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 54
    ISBN: 9781496832115 , 9781496832108
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele, Porträt
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Kurzfassung: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 55
    Buch
    Buch
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Sprache: Englisch
    Seiten: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.421661592
    RVK:
    Schlagwort(e): Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Kurzfassung: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Beschreibung / Inhaltsverzeichnis: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Anmerkung: Includes bibliographical references and index
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  • 56
    ISBN: 9783667121882 , 3667121881
    Sprache: Deutsch
    Seiten: 520 Seiten , Illustrationen , 27 cm x 21 cm, 1 g
    Ausgabe: 1. Auflage
    Originaltitel: Queen - La Totale
    RVK:
    Schlagwort(e): Queen ; Geschichte ; Song ; freddie mercury ; bohemian rhapsody ; we are the champions ; queen songs ; hits der 80er ; queen alben ; hits der 70er ; queen album covers ; rockballaden ; queen bilder ; die besten hits aller zeiten ; kult band ; berühmte songs ; diskografie queen ; bildband musik ; band queen ; benoit clerc ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Queen ; Song ; Geschichte ; Queen ; Song
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  • 57
    Buch
    Buch
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Sprache: Englisch
    Seiten: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Schlagwort(e): Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Kurzfassung: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Anmerkung: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 58
    ISBN: 9781793613073
    Sprache: Englisch
    Seiten: xxv, 129 Seiten , Illustrationen
    DDC: 305.48895073
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    Schlagwort(e): Asiatin ; Illustrierte ; Frauenbild ; Stereotyp ; USA
    Anmerkung: Literaturverzeichnis Seite 115-119
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  • 59
    ISBN: 9781479806768 , 9781479871032
    Sprache: Englisch
    Seiten: 247 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 60
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479849697 , 9781479800360
    Sprache: Englisch
    Seiten: 1 Online-Ressource (247 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Buch
    Buch
    Hildesheim ; Zürich ; New York : Georg Olms Verlag
    ISBN: 9783487160542
    Sprache: Deutsch
    Seiten: 464 Seiten , Illustrationen, Notenbeispiele
    Serie: Mannheimer Manieren - musik + musikforschung Band 10
    Serie: Mannheimer Manieren - musik + musikforschung
    RVK:
    Schlagwort(e): Valente, Caterina ; Lauth, Wolfgang ; Geschichte 1952-1960 ; Jazz ; Schlager ; Biografie ; Biografie ; Valente, Caterina 1931- ; Lauth, Wolfgang 1931-2011 ; Schlager ; Jazz ; Geschichte 1952-1960
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  • 62
    Buch
    Buch
    Regensburg : ConBrio Verlagsgesellschaft
    ISBN: 9783940768872
    Sprache: Deutsch
    Seiten: 254 Seiten , Illustrationen
    Serie: Neue Wege - nové cesty Band 17
    Serie: Neue Wege - nové cesty
    Dissertationsvermerk: Dissertation Martin-Luther-Universität Halle-Wittenberg 2018
    RVK:
    Schlagwort(e): Brosch, Albert ; Sammlung ; Volkslied ; Sudetenland ; Franken ; Altbayern ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Brosch, Albert 1886-1970 ; Franken ; Altbayern ; Sudetenland ; Volkslied ; Sammlung
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  • 63
    ISBN: 9781419748547
    Sprache: Englisch
    Seiten: 236 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Kurzfassung: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Anmerkung: Includes index
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  • 64
    ISBN: 9783955751104 , 3955751104
    Sprache: Deutsch
    Seiten: 469 Seiten
    Ausgabe: 1. Auflage
    Originaltitel: The Sex Revolts
    RVK:
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    Schlagwort(e): Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Anmerkung: Literaturverzeichnis Seite 459-463
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  • 65
    ISBN: 9783862282142
    Sprache: Deutsch
    Seiten: 152 Seiten
    DDC: 943.10881
    RVK:
    Schlagwort(e): Bildband ; Aufsatzsammlung ; Aufsatzsammlung ; Bildband ; Erlebnisbericht ; Aufsatzsammlung ; Bildband ; Erlebnisbericht ; Aufsatzsammlung ; Bildband ; Erlebnisbericht ; Erlebnisbericht ; Aufsatzsammlung ; Bildband ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Deutschland ; Alltag ; Geschichte 1990-1994 ; Hohmuth, Jürgen 1960- ; Leipzig ; Fotografie ; Geschichte 1990-1993
    URL: Cover
    URL: Cover
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  • 66
    Online-Ressource
    Online-Ressource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (519 Seiten) , Diagramme
    Serie: Studien zur Alltags- und Kulturgeschichte Band 33
    Serie: Studien zur Alltags- und Kulturgeschichte
    Paralleltitel: Erscheint auch als
    DDC: 781.6409
    RVK:
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    Schlagwort(e): Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Bild
    Bild
    London : Constable
    ISBN: 9781472121097 , 9781472121080
    Sprache: Englisch
    Seiten: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Schlagwort(e): McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Kurzfassung: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 68
    Bild
    Bild
    Moskva : Izdatelʹstvo AST
    Titel: Русский рок: история : фотографии, интервью, документы
    Verlag: Москва : Издательство АСТ
    ISBN: 9785171204785
    Sprache: Russisch
    Seiten: 207 Seiten
    Serie: Zvezdy veka
    RVK:
    RVK:
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    Schlagwort(e): Geschichte 1980-1990 ; Rockmusik ; Rockmusiker ; Russisch ; Sowjetunion ; Interview ; Quelle ; Bildband ; Interview ; Quelle ; Bildband ; Bildband ; Interview ; Quelle ; Bildband ; Interview ; Quelle ; Bildband ; Sowjetunion ; Russisch ; Rockmusik ; Rockmusiker ; Geschichte 1980-1990
    Anmerkung: Text russisch , Kyrillisch
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  • 69
    ISBN: 9783222150463 , 322215046X
    Sprache: Deutsch
    Seiten: 253 Seiten , Illustrationen , 22.5 cm x 15.5 cm
    DDC: 792.8028092
    RVK:
    RVK:
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    Schlagwort(e): Baker, Josephine ; Bühnenstars der Geschichte ; historische Stars ; Tanz-Ikonen ; afro-amerikansche Celebrities ; Superstar-Ikonen ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Baker, Josephine 1906-1975
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  • 70
    Buch
    Buch
    Ditzingen : Reclam
    ISBN: 9783150112144 , 3150112141
    Sprache: Deutsch
    Seiten: 272 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22 cm
    Ausgabe: 2., durchgesehene Auflage
    Paralleltitel: Erscheint auch als
    DDC: 782.42166092
    RVK:
    Schlagwort(e): Clapton, Eric ; Slowhand ; Alter ; Altersweisheit ; Blues ; Birmingham ; The Yardbirds ; John Mayall and The Bluesbreakers ; Crossroads ; Cream ; MTV unplugged ; Tears in Heaven ; Layla ; Blind Faith ; Stratocaster ; Guitarhero ; Biografie ; Clapton, Eric 1945-
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  • 71
    ISBN: 9783962890827
    Sprache: Deutsch
    Seiten: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Ausgabe: 1. Auflage
    DDC: 782.4216409431
    RVK:
    Schlagwort(e): Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Cover
    URL: Cover
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  • 72
    Online-Ressource
    Online-Ressource
    New York, NY : New York University Press
    ISBN: 9781479813636
    Sprache: Englisch
    Seiten: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Serie: Postmillennial Pop Band 25
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973022/2
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Kurzfassung: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 73
    Buch
    Buch
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Sprache: Englisch
    Seiten: 192 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Kurzfassung: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 74
    ISBN: 9789004429307
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 756 Seiten)
    Serie: Caribbean series volume 37
    Serie: Caribbean series
    Paralleltitel: Erscheint auch als
    DDC: 305.89607
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1930-1939 ; Ethnische Identität ; Geschichtsschreibung ; Schwarze ; USA ; Brasilien ; Kuba ; Blacks / America / Historiography ; Blacks / America / History / Sources ; Blacks / Study and teaching ; Ethnology / Methodology ; Ethnology / America / History / 20th century ; Anthropologists / America / Biography ; USA ; Brasilien ; Kuba ; Schwarze ; Geschichtsschreibung ; Ethnische Identität ; Geschichte 1930-1939
    Kurzfassung: "The Things of Others: Ethnographies, Histories, and Other Artefacts deals with the things mainly, but not only, mobilized by anthropologists in order to produce knowledge about the African American, the Afro-Brazilian and the Afro-Cuban during the 1930s. However, the book's goal is not to dig up evidence of the creation of an epistemology of knowledge and its transnational connections. The research on which this book is based suggests that the artefacts created in fieldwork, offices, libraries, laboratories, museums, and other places and experiences - beyond the important fact that these places and situations involved actors other than the anthropologists themselves - have been different things during their troubled existence. The book seeks to make these differences apparent, highlighting rather than concealing the relationships between partial modes of making and being 'Afro' as a subject of science. If the artefacts created in a variety of situations have been different things, we should ask what sort of things they were and how the actors involved in their creation sought to make them meaningful. The book foregrounds these discontinuous and ever-changing contours"--
    Beschreibung / Inhaltsverzeichnis: Introduction: In/out the archives -- Unrestricted gifts -- Becoming brujo -- On laundresses, sergeants, and assistants : the arts of the forgetting -- Janus -- Tracings -- Paper voyages -- Ruth's books : creating additional lives -- Many words do not fill a basket -- Transformed things
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: DOI
    URL: DOI
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  • 75
    Buch
    Buch
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433166679 , 9781433166686
    Sprache: Englisch
    Seiten: viii, 296 Seiten , Illustration , 22.5 cm x 15 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 303.3/85
    RVK:
    Schlagwort(e): Massenmedien ; Stereotyp ; USA ; Ageism ; Andrew ; Billings ; Erika ; From ; Hendrix ; Media ; Parrott ; Scott ; Stereotypes ; Xenophobia ; Stereotypes (Social psychology) in mass media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Stereotyp
    Kurzfassung: "When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. Media Stereotypes: From Ageism to Xenophobia becomes one-stop shopping for synthesizing what we know within the composite of stereotyping research in the United States. Utilizing a cast of top American scholars with deep roots in asking stereotype-based questions, this book is essential reading for those wishing to understand what we know about past and present media representations as well as those wishing to take the baton and continue to advance media stereotyping research in the future"--
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  • 76
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226732107 , 022673210X , 9780226732077 , 022673207X
    Sprache: Englisch
    Seiten: 313 Seiten , Illustrationen, Notenbeispiele, Karten , 23 cm
    Serie: Historical studies of urban America
    DDC: 781.65092
    RVK:
    Schlagwort(e): Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie ; Biografie ; Biografie ; Biografie
    Kurzfassung: Urban routes, utopian pathways -- Birmingham. Downtown sounds ; Industrial school to territory band -- Leadership dreams -- Chicago. South Side music scene ; "Sound so loud it will wake up the dead" ; Utopian Chicago ; African space ; Wonder Inn, 1960 -- Lineages/legacies
    Kurzfassung: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white
    Anmerkung: Literaturangaben
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  • 77
    Buch
    Buch
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Sprache: Englisch
    Seiten: 256 Seiten
    RVK:
    Schlagwort(e): Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Kurzfassung: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Beschreibung / Inhaltsverzeichnis: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 78
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793606181 , 9781793606204
    Sprache: Englisch
    Seiten: xviii, 388 Seiten
    Serie: Communicating gender
    Paralleltitel: Erscheint auch als
    DDC: 305.42
    RVK:
    Schlagwort(e): Trump, Donald ; Frauenfeindlichkeit ; Medien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Trump, Donald 1946- ; USA ; Frauenfeindlichkeit ; Medien
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  • 79
    Buch
    Buch
    London : Reaktion Books
    ISBN: 9781789142303
    Sprache: Englisch
    Seiten: 248 Seiten , Illustrationen
    Serie: Reverb
    RVK:
    Schlagwort(e): The Kinks ; Geschichte 1965-1973 ; Biografie ; Biografie ; Biografie ; The Kinks ; Geschichte 1965-1973
    Anmerkung: Hier auch spätere, unveränderte Nachdrucke
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  • 80
    ISBN: 9783960605317 , 3960605315
    Sprache: Deutsch
    Seiten: 141 Seiten , Illustrationen , 24 cm x 28 cm
    Ausgabe: 1. Auflage
    RVK:
    Schlagwort(e): Punk ; Hamburg ; Underground ; Fanzines ; DIY ; Subkultur ; Zick Zack ; Punkrock ; Bildband ; Bildband ; Bildband ; Hamburg ; Punk
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 81
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009597 , 9781478008699
    Sprache: Englisch
    Seiten: x, 217 Seiten
    Serie: Refiguring American music
    DDC: 781.644
    RVK:
    Schlagwort(e): Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 82
    Buch
    Buch
    Cambridge, Massachusetts : London, England
    ISBN: 9780674987913
    Sprache: Englisch
    Seiten: 356 Seiten
    DDC: 303.48/30973
    RVK:
    RVK:
    Schlagwort(e): Science Social aspects 20th century ; History ; Science Social aspects 21st century ; History ; Science Political aspects 20th century ; History ; Science Political aspects 21st century ; History ; Science Moral and ethical aspects 20th century ; History ; Science Moral and ethical aspects 21st century ; History ; Political culture ; Truthfulness and falsehood Political aspects ; USA ; Wissenschaft ; Gesellschaft ; Diskurs ; Geschichte 1920-2020
    Kurzfassung: Introduction: Science by association -- Making modern minds -- Resisting the modern -- A scientific state -- Science and human behavior -- Facts and values -- Two cultures -- A new right -- Cross-fertilization -- A new left -- Skepticism instantiated -- Beyond universalism -- Conclusion: Scientific authority in pieces?
    Kurzfassung: "Americans today are often skeptical of scientific authority. Many conservatives dismiss climate change and Darwinism as liberal fictions, arguing that "tenured radicals" have coopted the sciences and other disciplines. Some progressives, especially in the universities, worry that science's celebration of objectivity and neutrality masks its attachment to Eurocentric and patriarchal values. As we grapple with the implications of climate change and revolutions in fields from biotechnology to robotics to computing, it is crucial to understand how scientific authority functions-and where it has run up against political and cultural barriers. Science under Fire reconstructs a century of battles over the cultural implications of science in the United States. Andrew Jewett reveals a persistent current of criticism which maintains that scientists have injected faulty social philosophies into the nation's bloodstream under the cover of neutrality. This charge of corruption has taken many forms and appeared among critics with a wide range of social, political, and theological views, but common to all is the argument that an ideologically compromised science has produced an array of social ills. Jewett shows that this suspicion of science has been a major force in American politics and culture by tracking its development, varied expressions, and potent consequences since the 1920s. Looking at today's battles over science, Jewett argues that citizens and leaders must steer a course between, on the one hand, the naïve image of science as a pristine, value-neutral form of knowledge, and, on the other, the assumption that scientists' claims are merely ideologies masquerading as truths"--
    Anmerkung: Index
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  • 83
    Buch
    Buch
    München : Piper
    ISBN: 9783492059879 , 9783492318433
    Sprache: Deutsch
    Seiten: 425 Seiten , 20 Illustrationen
    Originaltitel: Wild thing
    RVK:
    Schlagwort(e): Hendrix, Jimi ; Biografie ; Biografie ; Hendrix, Jimi 1942-1970
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  • 84
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476676760
    Sprache: Englisch
    Seiten: vii, 282 Seiten , Illustrationen , 26 cm
    Paralleltitel: Erscheint auch als
    DDC: 305.8096/073
    RVK:
    Schlagwort(e): Geschichte 1830-1960 ; Minstrel show ; Massenmedien ; Blackfacing ; USA ; Minstrel shows in mass media ; Blackface in mass media ; African Americans in mass media ; Mass media / United States / History / 20th century ; USA ; Massenmedien ; Minstrel show ; Blackfacing ; Geschichte 1830-1960
    Kurzfassung: The origins of Blackface Minstrelsy -- The Minstrel Show on records -- The Minstrel Show on radio -- The Minstrel Show in Motion Pictures -- The Minstrel Show on Television -- Epilogue and Conclusions -- Appendix 1. Prominent Minstrel Troupes Active after 1890 -- Appendix 2. Discography of Minstrel Recordings -- Appendix 3. Early Recording Artists with Minstrel Experience
    Kurzfassung: "The minstrel show occupies a complex and controversial space in the history of American popular culture. While it is seen as a relic of America's deeply shameful and racist past, it also provided the first vehicle by which African-Americans were able to enter the entertainment world. This book investigates the often ignored 20th century history of minstrelsy as it entered the age of mass media, addressing such minstrel stars as Al Jolson, Bing Crosby, and Mickey Rooney. Tracing the history of minstrelsy through to its abrupt end in the 1950s, this book is a chronicle of "modern" minstrelsy and America's rapidly changing values"
    Anmerkung: Includes bibliographical references, discography, and index
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  • 85
    Online-Ressource
    Online-Ressource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226732244
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Serie: Historical studies of urban America
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Kurzfassung: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252084959 , 9780252043086
    Sprache: Englisch
    Seiten: xi, 250 Seiten
    Serie: Music in American life
    Paralleltitel: Erscheint auch als Vander Wel, Stephanie, 1969- Hillbilly maidens, okies, and cowgirls
    RVK:
    Schlagwort(e): Wells, Kitty ; Montana, Patsy ; Maddox, Rose ; Lulu Belle ; WLS (Radio station : Chicago, Ill ; Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; Country music History and criticism To 1951 ; USA
    Anmerkung: Literaturverzeichnis: Seiten [225]-237
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  • 87
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Sprache: Englisch
    Seiten: 272 Seiten , Illustrationen
    Serie: American made music series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Kurzfassung: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Anmerkung: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 88
    Buch
    Buch
    Paris : Faces cachées
    ISBN: 9791094926055
    Sprache: Französisch
    Seiten: 369 Seiten , Illustrationen
    Serie: Hors cadres. Memoires
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Key, Manu ; Rap ; Val-de-Marne ; Mafia K'1 Fry ; Rappeurs / France / Val-de-Marne (France) ; Jugendbuch ; Autobiografie ; Biografie ; Jugendbuch ; Autobiografie ; Biografie ; Key, Manu 1971- ; Val-de-Marne ; Rap
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  • 89
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 217 pages)
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als
    DDC: 781.644
    RVK:
    Schlagwort(e): Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Kurzfassung: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 90
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009337
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 290 Seiten)
    Serie: Sign, Storage, Transmission
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.76/63
    RVK:
    RVK:
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    Schlagwort(e): Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Kurzfassung: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 91
    Online-Ressource
    Online-Ressource
    Durham ; London : Duke University Press
    ISBN: 9781478009153
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.77
    RVK:
    RVK:
    Schlagwort(e): SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Kurzfassung: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 92
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Sprache: Englisch
    Seiten: xii, 210 Seiten , 15 Illustrationen
    Serie: Dress cultures
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 391.00905
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Beschreibung / Inhaltsverzeichnis: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 93
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press | New York : JSTOR
    ISBN: 9780520972179 , 0520972171
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Cinema cultures in contact 1
    DDC: 305.5/2
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Valentino, Rudolph ; Mussolini, Benito ; Geschichte 1920-1930 ; Öffentlichkeitsarbeit ; Massenmedien ; Politische Kommunikation ; Starkult ; Filmwirtschaft ; Publicity History 20th century ; Mass media and publicity ; Communication in politics ; Celebrities in mass media ; Motion picture industry History 20th century ; PERFORMING ARTS / Film & Video / History & Criticism ; Celebrities in mass media ; Communication in politics ; Mass media and publicity ; Motion picture industry ; Publicity ; USA ; History ; Electronic books. ; Electronic books. ; History.
    Kurzfassung: "In the post-World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy's dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive research in the United States and Italy, Giorgio Bertellini's work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority"--Provided by publisher.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN  (Creative Commons License)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 94
    ISBN: 9780190677176
    Sprache: Englisch
    Seiten: xvi, 340 Seiten , Illustrationen
    DDC: 306.20973
    RVK:
    Schlagwort(e): Communication in politics ; Facts (Philosophy) Political aspects ; Public opinion Political aspects ; Political psychology ; United States Politics and government 21st century ; Public opinion ; Faktizität ; Meinungsbildung ; Parteipolitik ; Polarisierung ; Politische Kommunikation ; USA ; Öffentlichkeit
    Anmerkung: Includes bibliographical references
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  • 95
    ISBN: 9781978801318 , 9781978801301
    Sprache: Englisch
    Seiten: xii, 294 Seiten
    DDC: 305.8
    RVK:
    RVK:
    Schlagwort(e): Race in mass media ; Mass media and culture ; Popular culture ; Massenkultur ; Pop-Kultur ; Film ; Hörfunksendung ; Fernsehsendung ; Literatur ; Musik ; Volkskunst ; Ethnizität ; Ethnische Gruppe ; Identität ; Identitätsentwicklung ; Bewusstsein ; Beispiel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Massenkultur ; Rasse
    Kurzfassung: "Race and Cultural Practice in Popular Culture is an innovative work in which contributors freshly approach the concept of race as a social factor made concrete in popular forms, such as film, television, and music. They collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies (case studies, critical readings, and ethnographies, for example) in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which takes into account visual, audio, and geographic sites of racial representations respectively. Popular culture forms examined include TV shows such as Orange is the New Black and Breaking Bad, artists such as Shakira and Nicki Minaj, and more"--
    Kurzfassung: Inhaltsverzeichnis: Re-imagining critical approaches to folklore and popular culture / Domino Renee Perez and Rachel Gonzalez-Martin -- A thousand 'Lines of Flight': collective individuation and racial identity in Netflix's Orange Is the New Black and Sense8 / Ruth Y. Hsu -- Performing Cherokee masculinity in The Doe Boy / Channette Romero -- Truth, justice, and the Mexican way: Lucha Libre, film, and nationalism in Mexico / James Wilkey -- Native American irony: survivance and the subversion of ethnography / Gerald Vizenor -- (Re)imagining indigenous popular culture / Mintzi Auanda Martinez-Rivera -- My tongue is divided into two / Olivia Cadaval -- Performing nation diva style in Lila Downs and Hadad's La Tequilera / K. Angelique Dwyer -- (Dis)identifying with Shakira's 'Global Body': a path towards rhythmic affiliations beyond the dichotomous nation/diaspora / Daniela Gutierrez Lopez -- Voicing the occult in Chicana/o culture and hybridity: prayers and the Cholo-Goth aesthetic / Jose G. Anguiano -- Ugly brown bodies: queering desire in Machete / Nicole Guidotti-Hernandez -- "Bitch, how'd you make it this far?": strategic enactments of white femininity in The Walking Dead / Jaime Guzman and Raisa Alvarado Uchima -- Bridge and tunnel: transcultural border crossings in The Bridge and Sicario / Marcel Brousseau -- Red land, white power, blue sky: settler colonialism and indigeneity in Breaking Bad / James H. Cox
    Anmerkung: Ressource lag 2018 vor , Includes bibliographical references and index
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  • 96
    Buch
    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781107651111 , 9781107030268
    Sprache: Englisch
    Seiten: xxii, 223 Seiten , Illustrationen, Portraits
    Serie: Cambridge companions to music
    RVK:
    RVK:
    Schlagwort(e): The Rolling Stones ; Rockmusik ; Rolling Stones ; Rock musicians / England ; Rock music / History and criticism ; Rolling Stones ; Rock music ; Rock musicians ; England ; Criticism, interpretation, etc ; Aufsatzsammlung ; Biografie ; Aufsatzsammlung ; Biografie ; Aufsatzsammlung ; Biografie ; The Rolling Stones ; Rockmusik
    Kurzfassung: The Rolling Stones are one of the most influential, prolific, and enduring Rock and Roll bands in the history of music. This groundbreaking, specifically commissioned collection of essays provides the first dedicated academic overview of the music, career, influences, history, and cultural impact of The Rolling Stones. Shining a light on the many communities and sources of knowledge about the group, this Companion brings together essays by musicologists, ethnomusicologists, players, film scholars, and filmmakers into a single volume intended to stimulate fresh thinking about the group as they vault well over the mid-century of their career. Threaded throughout these essays are album- and song-oriented discussions of the landmark recordings of the group and their influence. Exploring new issues about sound, culture, media representation, the influence of world music, fan communities, group personnel, and the importance of their revival post-1989, this collection greatly expands our understanding of their music
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  • 97
    Bild
    Bild
    London : Redstone Press
    ISBN: 9780995518148
    Sprache: Englisch
    Seiten: 140 Seiten , Illustrationen
    DDC: 305.896073
    RVK:
    Schlagwort(e): Du Bois, William E. B. ; Geschichte 1900 ; Fotografie ; Porträtfotografie ; Person of Color ; Ausstellungskatalog House of Illustration 08.11.2019-01.03.2020 ; Bildband ; Bildband ; Bildband ; Bildband ; Ausstellungskatalog House of Illustration 08.11.2019-01.03.2020 ; Bildband
    Anmerkung: Published to accompany an exhibition of the same name held at the House of Illustration, London.
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  • 98
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781139343336
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxii, 224 pages)
    Serie: Cambridge companions online
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    RVK:
    Schlagwort(e): The Rolling Stones ; Rockmusik ; Rolling Stones ; Rock musicians / England ; Rock music / History and criticism ; Aufsatzsammlung ; Biografie ; Aufsatzsammlung ; Biografie ; The Rolling Stones ; Rockmusik
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    ISBN: 9783200062962 , 3200062967
    Sprache: Deutsch
    Seiten: 529 Seiten , 20 cm
    Ausgabe: 1. Auflage
    DDC: 781.640922
    RVK:
    Schlagwort(e): Die Jungen Zillertaler ; Geschichte 1993-2018 ; von 0 bis 99 Jahren ; Die jungen Zillertaler ; Schlager / Volksmusik ; Bildband ; Festschrift ; Bildband ; Festschrift ; Die Jungen Zillertaler ; Geschichte 1993-2018
    Anmerkung: Der Titel enthält einen Rechtschreibfehler, es soll heißen "25 Jahre und kein bisschen leise"
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  • 100
    Bild
    Bild
    Hamburg : Koehler
    ISBN: 9783782213547 , 3782213548
    Sprache: Deutsch
    Seiten: 271 Seiten , 29 cm x 25 cm
    RVK:
    Schlagwort(e): The Rolling Stones ; Biografie ; Bildband ; Biografie ; Bildband ; Biografie ; Bildband ; The Rolling Stones
    Anmerkung: Foto auf S. 103: Die Rolling Stones 1970 im Hamburger Hafen
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