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  • München BSB  (1,210)
  • HU-Berlin Edoc  (1)
  • Musik  (1,211)
  • Musicology  (1,211)
  • Psychology  (4)
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  • 1
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
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    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 2
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
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    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9783830946816 , 3830946813
    Language: German
    Pages: 237 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 36
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Black, Roy ; Bach, Kristina ; Fischer, Helene ; Musikmarkt ; Popkultur ; Musik ; Schlager ; Musikwirtschaftsforschung ; Phonomusikologie ; Populäre Musik ; Schlager ; Schlagerforschung ; Translationswissenschaft ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Musik ; Popkultur ; Schlager ; Musikmarkt ; Fischer, Helene 1984- ; Bach, Kristina 1962- ; Black, Roy 1943-1991 ; Schlager
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 4
    Book
    Book
    Bodenburg : Verlag Edition AV
    ISBN: 9783868412918 , 3868412913
    Language: German
    Pages: 170 Seiten , Illustrationen, Notenbeispiele , 21 cm x 13.5 cm
    Edition: 1. Auflage
    DDC: 782.421599
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    Keywords: Bella ciao ; Geschichte 1943- ; Partisan ; Politisches Lied ; Italien ; Bella ciao ; Partisanenlied ; Musik ; Bella ciao ; Geschichte 1943- ; Italien ; Partisan ; Politisches Lied ; Geschichte 1943-
    URL: Cover
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  • 5
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 6
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
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    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 7
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
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    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 8
    ISBN: 9783948486761 , 394848676X
    Language: German
    Pages: 300 Seiten , Illustrationen , 22 cm, 378 g
    Edition: 1. Auflage
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Parallel Title: Erscheint auch als
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    Keywords: Girgsdies, Kornelia ; Musikleben ; Rockmusik ; Musikbranche ; Wacken ; U2 ; David Gilmour ; Udo Lindenberg ; Herbert Grönemeyer ; Extrabreit ; Grobschnitt ; Iron Maiden ; Coldplay ; Motörhead ; Gary Morre ; Die Toten Hosen ; Deep Purple ; Lady Gaga ; Phil Collins ; Rolling Stones ; Bob Dylan ; W:O:A ; Musik ; Else Somebodys ; Bands ; Erlebnisse ; Dublin ; London ; Autobiografie ; Autobiographie ; Trauer ; Tod ; Verlust ; Anker ; Wacken;U2;David Gilmour;Udo Lindenberg;Herbert Grönemeyer;Extrabreit;Grobschnitt;Iron Maiden;Coldplay;Motörhead;Gary Morre;Die Toten Hosen;Deep Purple;Lady Gaga;Phil Collins;Rolling Stones;Bob Dylan;W:O:A;Musik;Else Somebodys;Bands;Erlebnisse;Dublin;London;Autobiografie;Autobiographie;Trauer;Tod;Verlust;Anker ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Autobiografie ; Girgsdies, Kornelia 1960- ; Rockmusik ; Musikbranche ; Musikleben
    Note: Auf dem Umschlag: Autobiografie
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  • 9
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Language: English
    Pages: 1 Online-Ressource (81 Seiten)
    Series Statement: Cambridge elements
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Abstract: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 1 Illustration , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Jazz and the City
    Dissertation note: Disseration Universität Kassel 2019
    DDC: 781.65094315509042
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    Keywords: Erste Hälfte 20. Jahrhundert (1900 bis 1950 n. Chr.) ; Europäische Geschichte ; Jazz ; Musik: Stile und Gattungen ; Musikgeschichte ; Sozial- und Kulturgeschichte ; Deutschland ; Berlin ; Fremde ; Globalisierung ; Großstadt ; Identität ; Image ; Jazz ; Modernität ; Musik ; Musikalische Volkskulturen/Populäre Musikkulturen ; Paul Whiteman ; Raum ; Sam Wooding ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
    Abstract: Anfang der 1920er Jahre erreichte Jazzmusik Europa und verbreitete sich innerhalb kürzester Zeit durch Hörensagen, amerikanische Musikerinnen und Musiker und später auch Schallplatten in Deutschland. Die Musik wirbelte das kulturelle Leben und seine Diskurse in einem Maße auf, dass die kulturelle Elite um den Fortbestand der europäischen musikalischen Traditionen bangte: Jazz wurde einerseits vehement abgelehnt und andererseits euphorisch begrüßt und als Ausdruck von Freiheit verstanden.Dieser "Jazzaufprall" in den Jahren zwischen 1924 und 1929 wird in der Studie anhand von zeitgenössischen Betrachtungen beleuchtet: Was passierte mit den unterschiedlichen Dimensionen des Stadtlebens? Wie wurden die fremde Kultur und die Musik in die bestehenden kulturellen Szenen eingeordnet? Und inwiefern konstruierten sich in Berlin durch diesen internationalen Einfluss neue Facetten einer urbanen Identität?
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 12
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 13
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    ISBN: 9781785273858
    Language: English
    Pages: 1 Online-Ressource (vi, 241 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Abstract: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 16
    ISBN: 9783492071246
    Language: German
    Pages: 316 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 22 cm x 13.8 cm
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    Keywords: Doldinger, Klaus ; Klaus Doldinger ; Passport ; Jazz ; Musik ; Jazzmusik ; Tatort ; Das Boot ; Liebling Kreuzberg ; Ein Fall für Zwei ; Weatherreport ; Die unendliche Geschichte ; Filmmusik ; Motherhood ; Autobiografie ; Autobiografie ; Autobiografie ; Autobiografie ; Doldinger, Klaus 1936-
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Mit exklusivem Bonustrack zum Download
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  • 17
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
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    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 18
    ISBN: 9786053965565
    Language: Turkish
    Pages: 176 Seiten , Illustrationen
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    Keywords: Geschichte 3000 v. Chr.-1000 v. Chr. ; Instrument ; Musik ; Mesopotamien ; Anatolien ; Mesopotamien ; Anatolien ; Musik ; Instrument ; Geschichte 3000 v. Chr.-1000 v. Chr.
    Note: Literaturverzeichnis Seite 135-140
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  • 19
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 21
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe, Sonderausgabe für die Zentralen für politische Bildung
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    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
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  • 22
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 23
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 24
    ISBN: 9783703065415 , 3703065419
    Language: German
    Pages: 179 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 7
    Series Statement: Schriften zur musikalischen Ethnologie
    RVK:
    Keywords: Hutterer ; Musik ; Gesang ; Manitoba ; Hutterische Brüder ; Täufer ; Täuferbewegung ; Auswanderung ; Glaubenslehre ; Kolonie ; Gesangspraxis ; Singtradition ; Religion ; Glaube ; Tradition ; Liedtext ; Weise ; Onsogn ; Gesangbücher ; kulturelle Identität ; kulturelles Gedächtnis ; ichSing-App ; Manitoba ; Hutterer ; Musik ; Gesang
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  • 25
    ISBN: 9783828847460
    Language: German
    Pages: XIII, 371 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
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  • 26
    Online Resource
    Online Resource
    Baden-Baden : Tectum Verlag | Baden-Baden : Nomos
    ISBN: 9783828878464
    Language: German
    Pages: 1 Online-Ressource (XIII, 371 Seiten)
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2020
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 28
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 29
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 30
    ISBN: 9783487161563 , 3487161567
    Language: German
    Pages: 280 Seiten , Diagramme , 21 cm x 15 cm, 372 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe 18 Band 21
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe 18
    Parallel Title: Erscheint auch als Krause, Andre, 1981- Zwischen Woodstock, Oss und Rammstein
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6609492
    RVK:
    Keywords: Geschichte 1990-2000 ; Berichterstattung ; Presse ; Heavy Metal ; Niederlande ; Aidan Stein ; Death Metal ; Dynamo Open Air ; Epic Metal Blog ; Heavy Metal ; Jon Schaffer ; Mainstream ; Metal ; Metal in den Niederlanden ; Musik ; Neunzigerjahre ; Niederlande ; Rammstein ; The Gathering ; Varg Vikernes ; Niederlande ; Heavy Metal ; Presse ; Berichterstattung ; Geschichte 1990-2000
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  • 31
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
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    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 32
    Online Resource
    Online Resource
    Kassel ; Basel ; London ; New York ; Praha : Bärenreiter
    ISBN: 9783761872758
    Language: German
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Mozart, Wolfgang Amadeus ; Kulturphilosophie ; Identity Politics ; History of Music ; Social sciences—Philosophy ; Culture ; Identity politics ; Music—History and criticism ; Musik ; Kulturwandel ; Wolfgang Amadeus ; Mozart ; Stephan Mösch ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mozart, Wolfgang Amadeus 1756-1791 ; Kulturwandel ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 34
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 35
    Book
    Book
    Hamburg : Verlag Dr. Kovač
    ISBN: 9783339128188
    Language: German
    Pages: 167 Seiten , Diagramme , 21 cm, 218 g
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft Band 49
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
    RVK:
    Keywords: Schusswaffe ; Rap ; Subkultur ; Diskursanalyse ; Deutschland ; Österreich ; Medienethik ; Deutschrap ; Waffen ; Diskursanalyse ; Medienwissenschaft ; Gewaltverherrlichung ; HipHop ; Musik ; Deutschland ; Österreich ; Rap ; Schusswaffe ; Subkultur ; Diskursanalyse
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 36
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501360053
    Language: English
    Pages: xiii, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.4/842095
    RVK:
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    Keywords: Soziokultur ; Musik ; Audiovisuelle Medien ; Pazifischer Raum ; Südostasien ; Music / Social aspects / Southeast Asia ; Music / Political aspects / China ; Music / Political aspects / Southeast Asia ; Mass media and music / Southeast Asia ; Mass media and music / China ; Music / Social aspects / Vanuatu ; Music / Social aspects / Hawaii ; Mass media and music ; Music / Political aspects ; Music / Social aspects ; China ; Hawaii ; Southeast Asia ; Vanuatu ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Südostasien ; Pazifischer Raum ; Musik ; Audiovisuelle Medien ; Soziokultur
    Abstract: "Investigates the circulation of musical culture via broadcast media in the Asia Pacific"--
    Description / Table of Contents: Introduction. Musical Media in the Asia Pacific / Lonán Ó Briain and Min Yen Ong -- Vocalizing Community. Getting Our Voices Heard : Radio Broadcasting and Secrecy in Vanuatu / Monika Stern / Sounding an Indigenous Domain : Radio, Voice, and Lisu Media Evangelism / Ying Diao ; Narrowcasting into the Infinite Margins : Internet Sonorities of Transient Indonesian Domestic Workers in Singapore / Shzr Ee Tan -- Transforming Tradition. Harmonies for the Homeland: Traditional Music and the Politics of Intangible Cultural Heritage on Vietnamese Radio / Lonán Ó Briain ; Mediation of Tradition : Television and Studio Productions of Khmer Music in Cambodia / Francesca Billeri ; Going with the Flow : Livestreaming and Korean Wave Narratives in P'ansori Anna Yates-Lu -- Sounding Authority. North Korea: Controlling the Airwaves, Harmonizing the People / Keith Howard ; The Party and the People : Shifting Sonic Politics in Post-1949 Tiananmen Square / Joseph Lovell ; Broadcasting Infrastructures and Electromagnetic Fatality : Listening to Enemy Radio in Socialist China / Hang Wu -- Performing Activism. "Change the World Gently with Singing": Queer Audibility and Soft Activism in China / Hongwei Bao ; Sounds of Political Reform : Indie Rock in Late New Order Indonesia / M. Rizky Sasono; Finding Agency in Hawaiian Online Collaborative Music Videos : Reclaiming Kaulana Na Pua in a Contemporary Context / Min Yen Ong and Jordan Anthony Kapono Bee
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  • 37
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367243142
    Language: English
    Pages: xiii, 260 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Music / Spain / 500-1400 / History and criticism ; Music / Spain / To 1500 / History and criticism ; Music / Spain / 16th century / History and criticism ; Music / Spain / 17th century / History and criticism ; Muslims / Spain / Music / History and criticism ; Arabs / Spain / Music / History and criticism ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Abstract: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Description / Table of Contents: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
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  • 39
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 40
    Book
    Book
    Wilhelmshaven : Florian Noetzel Verlag, Heinrichshofen-Bücher
    ISBN: 9783795910433 , 3795910439
    Language: German
    Pages: 233 Seiten , Illustrationen, Notenbeispiele , 25 cm, 625 g
    Additional Material: 2 CDs
    DDC: 780.899435
    RVK:
    RVK:
    Keywords: Maqām ; Musik ; Türkei
    Note: Literaturverzeichnis Seite 230
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  • 41
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 43
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 44
    ISBN: 9783837655568
    Language: German
    Pages: 337 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 782.42164909436
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    Keywords: Geschichte ; Globalisierung ; Musikleben ; Hip-Hop ; Österreich ; Österreich ; Musik ; Glokalisierung ; Musikanalyse ; Popkultur ; Popmusik ; Musikwissenschaft ; Kultursoziologie ; Hip Hop ; Austria ; Music ; Glocalization ; Music Analysis ; Popular Culture ; Pop Music ; Musicology ; Sociology of Culture ; Hochschulschrift ; Österreich ; Hip-Hop ; Musikleben ; Globalisierung ; Geschichte
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  • 45
    ISBN: 9783896466730
    Language: English , German
    Pages: 150 Seiten , Illustrationen , 29.7 cm x 21 cm, 890 g
    Series Statement: Studien zur Musikarchäologie 12
    Series Statement: Orient Archäologie Band 43
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient Archäologie
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    Keywords: Archäologie ; Musikwissenschaft ; Vor- und Frühgeschichte ; Musik ; Altertum ; Musikarchäologie ; Alter Orient ; Mesopotamien ; Musikinstrument ; Musik ; Forschungsgeschichte ; Music archaeology / Congresses ; Archéologie musicale - Congrès ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift Friedrich-Schiller-Universität 19.09.2017-20.09.2017 ; Konferenzschrift 2017 ; Musikarchäologie ; Musikwissenschaft ; Musik ; Mesopotamien ; Altertum ; Alter Orient ; Vor- und Frühgeschichte ; Archäologie
    Note: Beiträge teilweise englisch, teilweis deutsche mit Zusammenfassungen in der jeweils anderen Sprache
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  • 46
    ISBN: 9783795718824
    Language: German
    Pages: XVI, 590 Seiten , Illustrationen, Notenbeispiele
    Edition: 10. überarbeitete Auflage
    Series Statement: SPL 1032D
    Series Statement: SPL
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    Keywords: Musiklehre ; Improvisation ; Jazz ; Harmonik ; Paperback / softback ; Jazz-Musiker, Musiklehrer, Studenten ; Harmonielehre ; Jazz ; Musik ; Musiklehre ; Musiktheorie ; 1964: Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Jazz, Blues ; Jazz ; Harmonik ; Improvisation ; Musiklehre
    Note: Online Material: Audio, Extra Documents
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  • 47
    ISBN: 9783518465981 , 3518465988
    Language: German
    Pages: 511 Seiten , Illustrationen , 21 cm, 579 g
    Edition: Erste Auflage, Originalausgabe
    Series Statement: Suhrkamp Taschenbuch 4598
    Series Statement: Suhrkamp Taschenbuch
    Parallel Title: Erscheint auch als Dallach, Christoph, 1964- Future Sounds
    DDC: 781.660943
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    Keywords: Geschichte 1950-1979 ; Krautrock ; Krautrocker ; Sonic Youth ; Neu! ; Musik ; Popwelt ; Rock ; Red Hot Chili Peppers ; Radiohead ; Amon Düül ; Kraftwerk ; Popuol Vuh ; Cluster ; Can ; Blur ; Tangerine Dream ; Musik;Rock;Kraftwerk;Neu!;Krautrocker;Popwelt;Red Hot Chili Peppers;Radiohead;Sonic Youth;Blur;Cluster;Tangerine Dream;Popuol Vuh;Amon Düül;Can ; Interview ; Interview ; Interview ; Interview ; Krautrock ; Geschichte 1950-1979
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 48
    ISBN: 9783959054546 , 3959054548
    Language: German
    Pages: 100 Seiten , Illustrationen , 20 cm x 12 cm
    Edition: 1. Auflage
    Series Statement: Das Neue Alphabet Band 2
    Series Statement: Das Neue Alphabet
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    Keywords: Wiedergabeliste ; Streaming ; Musik ; Internet ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Internet ; Streaming ; Wiedergabeliste ; Wiedergabeliste
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  • 49
    ISBN: 9783962332730
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1800-1945 ; Musik ; Juden ; Süddeutschland ; Aufsatzsammlung ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Süddeutschland ; Juden ; Musik ; Geschichte 1800-1945
    Note: Rezensiert in: Musik in Bayern, Band 87 (2022), Seite 115-116 (Ulrich Scheinhammer-Schmid)
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  • 50
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 51
    ISBN: 9783956508196
    Language: German , Arabic
    Pages: XXV, 324 Seiten
    Series Statement: Bibliotheca academica. Reihe Orientalistik Band 33
    Series Statement: Bibliotheca academica. Reihe Orientalistik
    Parallel Title: Erscheint auch als
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    Keywords: Ibn-Faḍlallāh al-ʿUmarī, Aḥmad Ibn-Yaḥyā ; Islam ; Musik ; Sängerinnen ; höfisches Leben ; Abbasiden ; Mamluken ; Sklaven ; music ; female singers ; courtly life ; Abbasids ; Mamluks ; Arabisch ; Arabic ; slaves ; arabische Musik ; arabisch-islamische Höfe ; Hofkultur ; Handschriften ; Ibn-Faḍlallāh al-ʿUmarī, Aḥmad Ibn-Yaḥyā 1301-1349 Masālik al-abṣār fī mamālik al-amṣār
    Note: Text deutsch und arabisch
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 52
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
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    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 53
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    ISBN: 9781000289527
    Language: English
    Pages: 1 Online-Ressource (235 Seiten)
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.89927
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    Keywords: Geschichte 711-1610 ; Arabs Music ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
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  • 54
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 55
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
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    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
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  • 56
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
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    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 57
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
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    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 58
    ISBN: 9783631830222 , 363183022X
    Language: German
    Pages: 235 Seiten , Notenbeispiele , 22 cm, 382 g
    Series Statement: Jüdische Musikstudien Vol. 2
    DDC: 306.4842
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    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [197]-216
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  • 59
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    ISBN: 9781785273841
    Language: English
    Pages: vi, 241 Seiten , Illustrationen, Portraits
    Series Statement: Anthem Brazilian studies
    Parallel Title: ebook version
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    Keywords: Interkulturalität ; Postkolonialismus ; Migration ; Musik ; Portugiesisches Sprachgebiet ; Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Music ; Portuguese-speaking countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
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  • 62
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226667126
    Language: English
    Pages: 263 Seiten
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1770-1839 ; Musik ; Geräusch ; Kulturkontakt ; Europa ; China ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
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  • 63
    ISBN: 9781138587052
    Language: English
    Pages: xix, 319 Seiten , Illustrationen
    Series Statement: SOAS studies in music series
    DDC: 261.578
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    Keywords: Christ ; Musik ; Inkulturation ; Indonesien
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  • 64
    Book
    Book
    Köln : Kiepenheuer & Witsch
    ISBN: 9783462053555 , 3462053558
    Language: German
    Pages: 134 Seiten , 16 cm x 11 cm
    Edition: 1. Auflage
    Series Statement: KiWi Musikbibliothek 6
    Parallel Title: Erscheint auch als
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    Keywords: Madonna ; Hardback ; Feminismus ; Musik ; Musikreihe ; Queen of Pop ; Lieblingsband ; Musikbibliothek ; Rap ; 90er Jahre ; Reyhan Sahin ; Missy Magazin ; 1118: Hardcover, Softcover / Belletristik/Essays, Feuilleton, Literaturkritik, Interviews ; Madonna Sängerin 1958-
    Library Location Call Number Volume/Issue/Year Availability
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  • 65
    ISBN: 9782811126889
    Language: French
    Pages: 318, XVI Seiten , Illustrationen
    Series Statement: Les Afriques
    Dissertation note: Dissertation Paris, EHESS 2013
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    Keywords: Tuareg ; Musik ; Weltmusik ; Festival ; Globalisierung ; Musikethnologie ; Mali ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: A partir d'une recherche partagée entre les scènes européennes et celles du désert de Tombouctou au Mali, ma thèse questionne les dimensions mondialisées du label « musique touarègue ». De 2006 à 2012 j'ai étudié les modalités de la fabrication de ce label dans le cadre du réseau marchand de la World Music. Ceci m'a amenée à décrire les scènes sur lesquelles il est à l'affiche, à décrypter les opérations de manipulation technique et technologique de ses sons, à identifier les formes d'adaptation au format du « concert », à saisir les négociations nécessaires pour créer l'image d'un « retour aux sources », à réfléchir aux modalités de légitimation et de revendication d'une spécificité culturelle « touarègue » au sein d'un circuit musical interconnecté et global. De 2008 à 2012 j'ai élargi mon terrain au Mali, mettant la circulation des pratiques et des imaginaires liés à la World Music au prisme d'un festival qui se tenait dans la région de Tombouctou. La flexibilité des notions d' « authenticité » et de « tradition » mobilisées par les acteurs qui ont participé à ce festival m'a encouragée à saisir l'élaboration de ce modèle qu'est la « culture nomade » à travers le miroir de ses recompositions culturelles et touristiques et de ses branchements nationaux et internationaux, dans un contexte politique particulièrement conflictuel. De l'analyse d'un festival à celle d'une chanson, des trajectoires des musiciens à celles des stéréotypes et des imaginaires collectifs, ma thèse a ainsi contribué à illustrer la complexité des enjeux de singularisation et d'altérité qui fabriquent l'espace mondialisé d'une World Music et à relever les tensions entre les projets de société qui s'y reflètent.
    Abstract: Based on a double ethnography of European stages and those in the desert around Timbuktu in Mali, my dissertation addresses the globalized aspects of the "Tuareg music" label. I begin by describing the trajectories of groups who, since the mid-1990s, have been playing on international stages, with particular attention to how they interact with the professionals who bring them into the globalized music market. This leads me to analyze how festivals showcase these groups, how this music is recorded in studios, and the media discourse surrounding it, all the while focusing on what is at stake for a type of music that is produced and consumed in different parts of the world, but which is seen as a unique object, rooted in the desert "source". I then use a festival held in the Malian Sahara as a lens to look at the circulation of practices and images associated with world music. This festival provides its own model of "desert cultures" for national and international networks, defying the difficult political and security context. Via the analysis of a festival and a song, and that of musicians' career trajectories and the paths of collective imaginaries, my study clarifies the patrimonialization processes, the cultural and touristic shifts, and the identity and political demands that come to the fore when "Tuareg music" is pushed onto the stage of musical globalization. This serves to illustrate the complexity of the claims of singularity and atherness created by the globalized space of world music, thus revealing the tensions between the societal ideals reflected in it.
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  • 66
    ISBN: 9780429996290 , 0429996292 , 9780429504235 , 0429504233 , 9780429996276 , 0429996276 , 9780429996283 , 0429996284
    Language: English
    Pages: 1 Online-Ressource (xix, 319 Seiten) , Illustrationen, Karten
    Series Statement: SOAS studies in music series
    Series Statement: SOAS studies in music series
    Parallel Title: Erscheint auch als
    DDC: 780.9598
    RVK:
    Keywords: Music / Indonesia ; Musik ; Christ ; Inkulturation ; Indonesien ; Indonesien ; Christ ; Musik ; Inkulturation
    Abstract: This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines - music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Online Resource
    Online Resource
    Woodbridge : The Boydell Press
    ISBN: 9781787449374
    Language: English
    Pages: 1 Online-Ressource (xvii, 265 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.48420944
    RVK:
    Keywords: Geschichte 1730-1789 ; Music / Political aspects / France / History / 18th century ; Pantomime / Political aspects / France / History / 18th century ; Aufklärung ; Freiheit ; Musik ; Pantomime ; Frankreich ; Frankreich ; Musik ; Pantomime ; Aufklärung ; Freiheit ; Geschichte 1730-1789
    Abstract: How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
    Note: Title from publisher's bibliographic system (viewed on 21 Sep 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Online Resource
    Online Resource
    Chicago ; London : University of Chicago Press
    ISBN: 9780226667263
    Language: English
    Pages: 1 Online-Ressource (263 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1770-1839 ; Kulturkontakt ; Musik ; Geräusch ; China ; Europa ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 69
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.72/1
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kolonialismus ; Rezeption ; Musik ; Mission ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Afrika ; Deutsches Sprachgebiet ; Musicology / Germany / History ; Mission music / German East Africa / History and criticism ; Missions / German East Africa / History / 20th century ; Ethnomusicology / Germany / History ; Ethnomusicology / German East Africa / History ; Musicologists / Germany ; Music / 15th century / History and criticism ; Medievalism / Germany ; Music / Social aspects / Germany ; Music and youth / Germany / History / 20th century ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 70
    ISBN: 9783837654769 , 3837654761
    Language: German
    Pages: 232 Seiten , Illustrationen
    Series Statement: Kultur und soziale Praxis
    Dissertation note: Dissertation Universität zu Köln
    DDC: 780.032
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 71
    ISBN: 9783487155326 , 348715532X
    Language: English
    Pages: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Series Statement: Center for World Music. Studies in music Band 5
    Dissertation note: Dissertation Universität Hildesheim 2020
    DDC: 786.843
    RVK:
    Keywords: Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis
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  • 72
    Online Resource
    Online Resource
    Bielefeld : Kipu-Verlag | Bielefeld : Center for InterAmerican Studies
    ISBN: 9783946507444
    Language: Spanish
    Pages: 1 Online-Ressource (239 Seiten) , Illustrationen
    Series Statement: Ensayos InterAmericanos volumen 1
    Series Statement: Ensayos InterAmericanos
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Musik ; Milieu ; Milieu ; Musik
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 73
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517907693 , 9781517907686
    Language: English
    Pages: 319 Seiten , Illustrationen , 22 cm
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    DDC: 780.89/97071
    RVK:
    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Kanada
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Note: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
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  • 74
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 75
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 76
    ISBN: 9783840502392
    Language: English
    Pages: 2 Bände (Vol. 1, Edition: xxix, 476 Seiten , Notenbeispiele , Vol. 2, Critical report: 399 Seiten). - 29,6 cm
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI Band 26
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Westfälische Wilhelms-Universität Münster 2017
    RVK:
    Keywords: Ali Ufki ; Ali Ufki ; Geschichte ; Musik ; Osmanisches Reich ; Wojciech/Albert Bobowski ; Music history ; Ottoman Empire ; MS Turc 292 ; Mündlichkeit und Schriftlichkeit ; Transkulturalität ; Musikgeschichte ; Osmanisches Reich ; Orality and writing ; Transculturality ; Hochschulschrift ; Ali Ufki 1610-1675 ; Osmanisches Reich ; Musik ; Geschichte ; Ali Ufki 1610-1675 Mecmûa-i sâz ü söz
    URL: Volltext  (kostenfrei)
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  • 77
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 9780819578624 , 0819578622 , 9780819578631 , 0819578630
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm.
    DDC: 780.89/97
    RVK:
    Keywords: Musik ; Musikethnologie ; Indianer ; Nordamerika ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013
    Note: Literaturverzeichnis Seite 279-312
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  • 79
    ISBN: 9780253040534
    Language: English
    Pages: xxxiii, 188 Seiten
    Series Statement: German Jewish cultures
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043613
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Bibel ; Geschichte 1876-1918 ; Juden ; Literatur ; Musik ; Wien ; Lipiner, Siegfried / 1856-1911 / Criticism and interpretation ; Mahler, Gustav / 1860-1911 / Criticism and interpretation ; Schoenberg, Arnold / 1874-1951 / Criticism and interpretation ; Beer-Hofmann, Richard / 1866-1945 / Criticism and interpretation ; Zweig, Stefan / 1881-1942 / Criticism and interpretation ; Beer-Hofmann, Richard / 1866-1945 ; Lipiner, Siegfried / 1856-1911 ; Mahler, Gustav / 1860-1911 ; Schoenberg, Arnold / 1874-1951 ; Zweig, Stefan / 1881-1942 ; Music / Austria / Vienna / History and criticism ; Jews in music ; Bible in music ; Bible in music ; Jews in music ; Music ; Austria / Vienna ; Criticism, interpretation, etc ; Wien ; Juden ; Musik ; Literatur ; Bibel ; Geschichte 1876-1918
    Description / Table of Contents: A case for compassion : Siegfried Lipiner's Adam -- Voicing compassion : Gustav Mahler's second and third symphonies -- Polyphony as a poetics of compassion : Arnold Schoenberg's Die Jakobsleiter -- Dialogues of compassion : Richard Beer-Hofmann's Jaákobs Traum -- Compassion as communal song : Stefan Zweig's Jeremias -- Epilogue
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  • 80
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Online Resource
    Online Resource
    Amherst, MA : Lever Press
    ISBN: 9781643150062
    Language: English
    Pages: 1 Online-Ressource (525 Seiten)
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Jazz ; Geschichte ; Musik ; Musik ; Jazz ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 82
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
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  • 83
    ISBN: 9783960541882
    Language: German
    Pages: 238 Seiten , Illustrationen , 24 cm, 422 g
    Edition: Deutsche Erstausgabe
    Uniform Title: Forbudte sanger
    DDC: 782.421592
    RVK:
    RVK:
    Keywords: Zensur ; Protestsong ; Popmusik ; Billie Holiday ; Chile ; England ; Frankfurter Buchmesse ; Gastland ; Israel ; Kate Bush ; Libanon ; Mexiko ; Musik ; Norwegen ; Punk Gebet ; Pussy Riot ; Reise ; Russland ; Strange Fruit ; Sänger ; USA ; Unsongs ; Victor Jara ; Vietnam ; Zensur ; Popmusik ; Protestsong ; Zensur
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  • 84
    ISBN: 9789004383623
    Language: English
    Pages: XII, 465 Seiten , Illustrationen, Diagramme
    Series Statement: Islamic history and civilization volume 159
    Series Statement: Islamic history and civilization
    Parallel Title: Erscheint auch als
    DDC: 780.917/5927
    RVK:
    RVK:
    Keywords: Abū al-Faraj al-Iṣbahānī ; Abū al-Faraj al-Iṣbahānī ; Abu-'l-Faraǧ al-Iṣfahānī, ʿAlī Ibn-al-Ḥusain ; Geschichte 300-1000 ; Music History and criticism 500-1400 ; Music History and criticism 500-1400 ; Alltag ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Alltag ; Geschichte 300-1000 ; Abu-'l-Faraǧ al-Iṣfahānī, ʿAlī Ibn-al-Ḥusain 897-967 Kitāb al-aġānī
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9783447111010 , 3447111011
    Language: German
    Pages: 269 Seiten , 23 Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Jüdische Musik Band 16
    Series Statement: Jüdische Musik
    RVK:
    RVK:
    Keywords: Sṭutsʹevsḳi, Yehoyakhin ; Geschichte ; Musik ; Spielmann ; Klezmer ; Folkore ; Geschichte ; Judaistik ; Klezmer ; Kulturwissenschaft ; Musikwissenschaft ; Osteuropastudien ; Religionswissenschaft ; Kommentar ; Kommentar ; Kommentar ; Klezmer ; Spielmann ; Musik ; Geschichte ; Sṭutsʹevsḳi, Yehoyakhin 1891-1982 Jüdische Spielleute
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  • 86
    ISBN: 9783946114611
    Language: German , Chinese , English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm, 360 g
    Edition: 1. Auflage
    Series Statement: Deutsche Ostasienstudien 29
    Series Statement: Deutsche Ostasienstudien
    DDC: 780.95
    RVK:
    RVK:
    Keywords: Kulturerbe ; Forschung ; Restaurierung ; Musik ; Sammlung ; Musikinstrument ; Ostasien ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Ostasien ; Musik ; Musikinstrument ; Sammlung ; Forschung ; Restaurierung ; Kulturerbe
    Note: Das vorliegende Buch ist das Ergebnis einer internationale Konferenz, die am 28. und 29. Oktober 2016 am GRASSI Museum für Völkerkunde zu Leipzig stattfand. Das Thema der Konferenz lautete: "Discovery, Research, and Presentation: Die Ostasische Musik und ihre Musikinstrumente in den Sammlungen von Museen." - aus der Einleitung , Abstracts Seite [239]-244 , Deutscher, chinesischer und englischer Text , Zusammenfassung jeweils in englischer Sprache
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  • 87
    ISBN: 9783840502118 , 384050211X
    Language: English
    Pages: xii, 620 Seiten , Notenbeispiele , 21 cm
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI Band 25
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XXVI
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Westfälische Wilhelms-Universität Münster 2017
    RVK:
    Keywords: Ali Ufki ; Ali Ufki ; Geschichte ; Musik ; Osmanisches Reich ; Wojciech/Albert Bobowski ; Music history ; Ottoman Empire ; MS Turc 292 ; Mündlichkeit und Schriftlichkeit ; Transkulturalität ; Musikgeschichte ; Osmanisches Reich ; Orality and writing ; Transculturality ; Hochschulschrift ; Hochschulschrift ; Ali Ufki 1610-1675 ; Osmanisches Reich ; Musik ; Geschichte ; Ali Ufki 1610-1675 Mecmûa-i sâz ü söz
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 88
    ISBN: 9789004383654
    Language: English
    Pages: 1 Online-Ressource (XII, 465 Seiten) , Illustrationen, Diagramme
    Series Statement: Islamic history and civilization volume 159
    Series Statement: Islamic history and civilization
    Parallel Title: Erscheint auch als
    DDC: 780.917/5927
    RVK:
    RVK:
    Keywords: Abū al-Faraj al-Iṣbahānī ; Abu-'l-Faraǧ al-Iṣfahānī, ʿAlī Ibn-al-Ḥusain ; Geschichte 900-1000 ; Geschichte 300-1000 ; Music History and criticism 500-1400 ; Musik ; Alltag ; Arabische Staaten ; Arabische Staaten ; Musik ; Alltag ; Geschichte 900-1000 ; Abu-'l-Faraǧ al-Iṣfahānī, ʿAlī Ibn-al-Ḥusain 897-967 Kitāb al-aġānī ; Arabische Staaten ; Musik ; Alltag ; Geschichte 300-1000
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    ISBN: 9783840520136 , 3840520134
    Language: German
    Pages: 437 Seiten , Diagramme , 21 cm x 14.8 cm, 829 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII Band 11
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Iron Maiden ; Krieg ; Text ; Song ; Politik ; Gesellschaft ; Musik ; Metal Studies ; Metal ; Lyrics ; Iron Maiden ; Geschichte ; Politik ; Interview ; Interview ; Iron Maiden ; Song ; Text ; Gesellschaft ; Politik ; Krieg
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  • 90
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 91
    ISBN: 9783962331689
    Language: German
    Pages: 267 Seiten , Illustrationen , 22 cm
    Series Statement: Technologien des Singens Band 1
    Series Statement: Technologien des Singens
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Edison, Thomas A. ; Victor Talking Machine Company ; Geschichte 1890-1950 ; Audiotechnik ; Schallaufzeichnung ; Gesang ; Ästhetik ; MUS020000 ; ANT037000 ; Thomas Alva Edison ; Tonaufnahme ; Musik ; Bühne ; Klang ; Plattenfirma ; Edison ; Victor ; Technologien des Singens ; Edison, Thomas A. 1847-1931 ; Victor Talking Machine Company ; Gesang ; Schallaufzeichnung ; Audiotechnik ; Ästhetik ; Geschichte 1890-1950
    Note: Verzeichnis Seite 245-267
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  • 92
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 93
    ISBN: 9783962890384 , 3962890386
    Language: German
    Pages: 335 Seiten , 21 cm x 14.3 cm
    Edition: 1. Auflage
    DDC: 792.70922431
    RVK:
    Keywords: Geschichte 1989-1992 ; Friedliche Revolution in der DDR ; Deutschland ; Kabarettist ; Liedermacher ; Deutschland ; Deutschland ; DDR ; Liedermacher ; Kabarett ; Musik ; Ostdeutschland ; Friedliche Revolution ; Wende ; Interviews ; Biografien ; Gerd Eggers ; Gina Pietsch ; Martin Miersch ; Edgar Harter ; Gerhard Gundermann ; Arno Schmidt ; Gisela Oechelhaeuser ; Gisela May ; Dieter Kalka ; Bettina Wegner ; Hans-Eckart Wenzel ; Barbara Kellerbauer ; Jürgen Walter ; Perry Friedman ; Peter Ensikat ; Udo Magister ; Annekathrin Bürger ; Norbert Bischoff ; Gerd Krambehr ; Bianca Tänzer ; Jörg Sobiella ; Stefan Körbel ; Rainer Schulze ; Matthias Görnandt ; Jens Quandt ; Stephan Krawczyk ; Dirk Michaelis ; Gisela Kraft ; Interview 1989-1992 ; Interview ; Aufsatzsammlung ; Interview 1989-1992 ; Interview 1989-1992 ; Interview ; Aufsatzsammlung ; Liedermacher ; Kabarettist ; Friedliche Revolution in der DDR ; Deutschland ; Geschichte 1989-1992 ; Deutschland ; Kabarettist ; Liedermacher ; Deutschland ; Kabarettist ; Liedermacher
    URL: Cover
    URL: Cover
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  • 94
    ISBN: 3643135742 , 9783643135742
    Language: German
    Pages: 401 Seiten , Illustrationen, Noten , 22 cm
    Series Statement: KlangKulturStudien Band 11
    Parallel Title: Erscheint auch als
    DDC: 780.943924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Aschkenasim ; Mitteleuropa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Quellenverzeichnis Seite [367]-385
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  • 95
    Book
    Book
    Pietermaritzburg, South Africa : University of KwaZulu-Natal Press
    ISBN: 9781869143961 , 9781869143978
    Language: English
    Pages: xviii, 343 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Thinking Africa
    RVK:
    Keywords: Identität ; Aufführung ; Sozialer Wandel ; Indigenes Volk ; Musik ; Simbabwe ; Music / Zimbabwe ; Popular music / Zimbabwe ; Shona (African people) / Songs and music ; Ndebele (African people) / Songs and music ; Dance halls / Zimbabwe ; Mbira music / Zimbabwe ; Dance halls ; Mbira music ; Music ; Ndebele (African people) ; Popular music ; Shona (African people) ; Zimbabwe ; Songs and music ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Indigenes Volk ; Musik ; Aufführung ; Identität ; Sozialer Wandel
    Abstract: Performing Zimbabwe presents a transdisciplinary analysis of Zimbabwean music, drawing from different disciplines such as sociology, ethnomusicology, history, journalism, development studies, English, philology and drama. It offers a re-evaluation of Zimbabwean music by Zimbabwean scholars and, in so doing, reconsiders the work of international academics on the subject. Thus, the book highlights the significance of local scholars in the study of Zimbabwean music. Given that this book features a wide range of perspectives, it provides a solid foundation for future studies on Zimbabwean music, either historically in the precolonial and colonial periods, or in the contemporary postcolonial period.
    Description / Table of Contents: Introduction: The study of Zimbabwean music: the Shona and the Ndebele in Zimbabwe and beyond / Barbara Mahamba and Luis Gimenez Amoros. Part I. Indigenous music and its transformations. 1. Mbira in urban spaces: Mbira-making and the multiple contexts o Zvirimudeze Mbira Ensemble performances in Zimbabwe / Perminus Matiure -- 2. The Shangwe and Tsonga idioms in Xinombela musical arts for the adolescents in Gokwe and Chiredzi, north-west and south-west Zimbabwe / Renias Ngara and Doreen Sibanda -- 3. Performing subversion: negotiating social and political space in Zimbabwe through Chinyambera traditional dance / Innocent Tinashe Mutero -- 4. Shangwe Mukwerera: systems and hierarchies of communication in Gokwe, Zimbabwe / Renias Ngara -- 5. If vagina had teeth: song, film and the reshaping of female identities through rituals of rainmaking ceremonies among Shona people of western Mozambique / Maurice T. Vambe --
    Description / Table of Contents: 6. Doing the 'serious business of older people' correctly: Zimbabwean Mbira popular adaptations / Vimbai Chamisa. Part II. Zimbabwean urban popular music across time. 7. The middle class and the popularisation of musical concerts in Harare Township, Salisbury, from the 1940s to 1970 / Barbara Mahamba and Azon Twala -- 8. The promotion of popular music in the major cities of Zimbabwe: a contested terrain by musicians and promoters / Victoria Blessing Butete -- 9. Chimurenga music and the narrative of Zimbabwe's liberation struggle[s]: rethinking Simon Chimbetu's 'Zimbabwe Iyoyi', 'Ndarangarira Gamb' and 'Pane Vasipo' / Urther Rwafa --
    Description / Table of Contents: 10. Music and violence: discordant siblings? A study of political music in the Land Reform Programme of Zimbabwe, 2000-10 / Bridget Chinouriri and Munyaradzi Nyakudya. Part III. The rise of the dancehall in Zimbabwe: regarding transdisciplinary studies. 11. Dancehall music in Zimbabwe: youth activism or subalternity? Some notes on the politics of music based on select songs at the 2014 Zimdancehall Awards / Rekopantswe Mate -- 12. Performing manhood in Zimdancehall: music as a patriarchised space in Zimbabwe / Manase Kudzai Chiweshe and Sandra Bhatasara -- 13. The depiction of the unsung African s/hero or heroine in post-2000 Zimdancehall music lyrics: a critical analysis / Ruby Magosvongwe -- 14. The political underpinnings of Zimdancehall music: analysing selected songs of Winky D and Tocky Vibes / Itai Muwati, Tinotenda Mwamuka and Charles Tembo -- 15. Patterns of Ndebele Zimdancehall music / Zifikile Makwavaara and Albert Nyathi -- Conclusion / Luis Gimenez Amores
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  • 96
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 97
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 98
    Book
    Book
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Language: English
    Pages: viii, 181 Seiten , 1 Karte
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
    RVK:
    Keywords: Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
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  • 99
    Online Resource
    Online Resource
    Honolulu : University of Hawaii Press
    ISBN: 9780824867010
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.99
    RVK:
    RVK:
    Keywords: Community music / Oceania / History and criticism ; Community music / Asia / History and criticism ; Gemeinschaft ; Musikerziehung ; Musikethnologie ; Musik ; Musizieren ; Asien ; Australien ; Pazifischer Raum ; Aufsatzsammlung ; Aufsatzsammlung ; Asien ; Australien ; Pazifischer Raum ; Musik ; Musizieren ; Gemeinschaft ; Musikerziehung ; Musikethnologie
    Note: Includes bibliographical references and index
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  • 100
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138920118 , 1138920118
    Language: English
    Pages: xxxii, 516 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Routledge companions
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Musizieren ; Weltmusik ; Musikethnologie ; Volksmusik ; Kulturvergleich ; Music / Social aspects ; Music and anthropology ; Music and anthropology ; Music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musizieren ; Volksmusik ; Weltmusik ; Kulturvergleich ; Musikethnologie
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