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  • BSZ  (714)
  • History  (714)
  • General works  (578)
  • Art History  (146)
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031113178
    Language: English
    Pages: 1 Online-Ressource(XV, 360 p. 112 illus., 106 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als Scientific visual representations in history
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Science—History. ; History—Philosophy. ; Art—History. ; Science ; History ; Art ; Aufsatzsammlung ; Grafische Darstellung ; Naturwissenschaften ; Geschichte
    Abstract: Part I: Transmission -- Chapter 1. Visual Culture Of University Knowledge: The Lecture Notebooks From Louvain And Douai (17th-18th Centuries)(Gwendoline De Mûelenaere - University Of Louvain, Belgium) -- Chapter 2. The Illustrated Printed Page As A Tool For Thinking And Transmitting Knowledge. The Case Of Renaissance Astronomical Books(Isabelle Pantin) -- Chapter 3. Representing Experience In The Early Royal Society. The Case Of Robert Hooke?S Micrographia (1665)(Salvatore Ricciardo - University Of Bergamo, Italy) -- Chapter 4. Vision On Vision: Early Modern Scientific Images On Cosmology Explored By Means Of Second Order Images(Matteo Valleriani, Florian Kräutli) -- Part II: Transformation -- Chapter 5. Theorizing Technology: Theōria, Diagram, And Artifact In Hero Of Alexandria(Courtney Roby) -- Chapter 6. Artistic 'Libido' And Scientific Truth In 16th Century Woodcut Illustrations(Magdalena Bushart) -- Chapter 7. Capturing, Modeling, Overviewing And Making Credible: The Functions Of Visual At The Accademia Del Cimento(Giulia Giannini) -- Chapter 8. The Transformations Of Physico-Mathematical Visual Thinking: From Descartes To Quantum Physics(Enrico Giannetto) -- Part III: Exploration -- Chapter 9. Transporting Asian And Australasian Nature To Europe: Photographs From The Voyage Of HMS. Challenger 1872–1876(Stephanie Hood) -- Chapter 10. Visualising Biodata In The Laboratory. Image-Makers, Practices And Reinvention In Magnetic Resonance Technology(Silvia Casini) -- Chapter 11. Arguing From Appearance: The Numerical Reconstruction Of Galactic Tails And Bridges(Matthias Schemmel) -- Chapter 12. Ethnoscience And Spatial Representations Of Climate Change(Elena Bougleux).
    Abstract: This book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge.
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  • 3
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 4
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    New York : Bard Graduate Center | [Chicago] : University of Chicago Press | United Kingdom : BookLabs
    ISBN: 9781941792360 , 1941792367
    Language: English
    Pages: XX, 215 Seiten , Illustrationen , 19 x 26 cm
    DDC: 394.1250940903
    RVK:
    Keywords: Food habits Exhibitions History ; Food presentation Exhibitions History ; Cooking Exhibitions History ; Food presentation Handbooks, manuals, etc History ; Exhibitions ; Cooking ; Food habits ; Food presentation ; Manners and customs ; Exhibition catalogs ; History ; Europe Exhibitions Social life and customs ; Europe ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Ausstellungskatalog Bard Graduate Center Gallery 17.02.2023-09.07.2023 ; Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture ; Alltagskultur ; Kochen ; Ernährungsgewohnheit ; Tradition ; Zeremonie ; Geschichte 1500-1800
    Note: "This catalogue is published in conjunction with the exhibition Staging the Table in Europe 1500–1800 held at Bard Graduate Center Gallery, New York, from February 17 to July 9, 2023." - Impressum, Seite 5 , Includes bibliographical references (pages 202-211) and index
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  • 5
    Book
    Book
    Montreal ; Kingston ; London ; Chicago : McGill-Queen’s University Press
    ISBN: 9780228014263
    Language: English
    Pages: vii, 310 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als
    DDC: 302.2309
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    Keywords: Geschichte ; Medien ; Kommunikation ; Mass media / History ; Mass media ; History ; Medien ; Kommunikation ; Geschichte
    Abstract: "Does media history really start with a bang? More than just newspapers, television, and social networks, media are best understood as the means by which any information is communicated, from cosmic radiation traces to medieval church bells to modern identity documents. Cultures are held together as much by bookkeeping and records as they are by stories and myths. From Big Bang to Big Data is a long history of the media--how it has been established, used, and transformed from the beginning of recorded time until the present. It is not primarily a story of revolutions and innovations, but of continuities and overlaps that reveal surprising patterns across history. Many media were invented as ways to store and share information, and many have served as powerful tools for administration and control. The concerns raised about media today, whether about privacy, piracy, or anxieties over declining cultural standards, preoccupied earlier generations too. In a playful style, accompanied by more than one hundred illustrations, the authors show us how every society has been a media society in its own way. From antique graffiti to last year’s viral YouTube clip, the past is only approachable through media. From Big Bang to Big Data provides a new way of thinking about media in history--and about human societies past and present."--
    URL: Cover  (lizenzpflichtig)
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  • 6
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 7
    ISBN: 9782845979420
    Language: French
    Pages: 478 Seiten , Illustrationen
    DDC: 306.768
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    Keywords: Geschichte 1900-2000 ; American Transgender network ; History ; Fotografie ; Transgender ; Transsexualität ; Netzwerk ; USA ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Bildband ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Transgender ; Transsexualität ; Fotografie ; USA ; Netzwerk ; Geschichte 1900-2000
    Abstract: En 2004, à New York, 340 photographies datant du début des années 1960 sont retrouvées aux puces. Ces clichés d'amateurs révèlent un vaste réseau clandestin de travestis entre les Etats-Unis et le Canada. Susanna accueillait fréquemment des amis travestis dans sa propriété des Catskill. La photographie leur permet alors de conserver une trace de leur fille intérieure
    Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024
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  • 8
    ISBN: 9781944466589
    Language: English
    Pages: ix, 218 Seiten , Illustrationen , 29 cm
    Series Statement: A Smithsonian contribution to knowledge
    Parallel Title: Erscheint auch als Word illuminated
    DDC: 745.674927
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    Keywords: Qurʼan Manuscripts ; History ; Qurʼan Illustrations ; Islamic illumination of books and manuscripts History ; Islam Manuscripts ; History ; Manuscripts, Arabic History ; Konferenzschrift
    Abstract: "This volume comprises a selection of papers delivered at the symposium "The Word Illuminated: Form and Function of Qur'anic Manuscripts" held at the Arthur M. Sackler Gallery during 1-3 December 2016 and organized in conjunction with the exhibition "The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts." Speakers investigated the materiality of luxury Qur'ans, from the lavish use of costly materials such as gold and parchment, the development of special scripts and intricate illuminated designs to the meticulously tooled bindings. In addition to examining the physical features of Qur'anic volumes, the authors examine the manuscripts in their artistic, historic, and religious contexts to understand more fully the transformation of these works into potent symbols of piety, political and religious authority, and into instruments of legitimacy. Over the centuries, many of the Qur'ans were offered as diplomatic gifts or taken as booty and endowed to mosques, tombs, and other religious complexes to perpetuate and transmit their exceptional baraka (divine blessing). As Qur'ans changed ownership, they also acquired a complex and layered after-life, which has further enriched their identity well into the present"--
    Note: The conference "The Word Illuminated: Form and Function of Qurʼanic Manuscripts" was held from December first to third, 2016 ... in Washington, D.C.--Foreword , Includes bibliographical references and index
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  • 9
    ISBN: 9781479812424 , 9781479812400
    Language: English
    Pages: xvii, 309 Seiten , Illustrationen
    Series Statement: America and the long 19th century
    Parallel Title: Erscheint auch als Huerta, Monica, 1981 - The Unintended
    DDC: 770.973
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    Keywords: Images, Photographic Social aspects 19th century ; History ; Racism Economic aspects 19th century ; History ; Portrait photography Appreciation 19th century ; History ; Intellectual property Cases ; Photographs Law and legislation 19th century ; History ; Privacy, Right of Cases ; United States Race relations 19th century ; History ; USA ; Porträtfotografie ; Geistiges Eigentum ; Kapitalismus ; Rassismus ; Geschichte 1840-1900
    Abstract: "Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
    Description / Table of Contents: Preface : read, don't move -- Introduction : without intention, the end of this world -- Expression -- Property's proscenium -- Property's horizon -- Property's edge -- Expressionless.
    Note: Includes bibliographical references and index
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  • 10
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383890 , 0520383893
    Language: English
    Pages: xviii, 171 Seiten , Illustrationen, Karte
    Series Statement: California studies in food and culture 77
    Parallel Title: Erscheint auch als
    DDC: 306.09471
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    Keywords: Geschichte ; Ess- und Trinksitte ; Kochen ; Lebensmittelversorgung ; Russland ; Food habits / Russia / History ; Food / Russia / History ; Cooking, Russian / History ; Cooking, Russian ; Food ; Food habits ; Manners and customs ; Russia / Social life and customs ; Russia ; History
    Abstract: "Celebrated food scholar Darra Goldstein takes readers on a vivid tour of history and culture through Russian cuisine. The Kingdom of Rye unearths the foods and flavors of the Russian land. Preeminent food studies scholar Darra Goldstein offers readers a concise, engaging, and gorgeously crafted story of Russian cuisine and culture. This story demonstrates how national identity is revealed through food-and how people know who they are by what they eat together. The Kingdom of Rye examines the Russians' ingenuity in overcoming hunger, a difficult climate, and a history of political hardship while deciphering Russia's social structures from within. This is a domestic history of Russian food that serves up a deeper history, demonstrating that the wooden spoon is mightier than the scepter
    Note: Literaturverzeichnis Seite 153-155
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  • 11
    Book
    Book
    Edinburgh : Edinburgh University Press
    ISBN: 9781399501033 , 1399501038
    Language: English
    Pages: viii, 208 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2343095209045
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    Keywords: 1900-1999 ; Motion pictures Social aspects 20th century ; History ; Motion pictures - Social aspects ; History ; Japan
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 12
    ISBN: 9780262045001
    Language: English
    Pages: xiv, 262 Seiten , Illustrationen
    Series Statement: Leonardo
    Parallel Title: Erscheint auch als Century, Michael Northern sparks
    DDC: 302.23/10971
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    Keywords: Technological innovations History 20th century ; Digital media History 20th century ; Technology Government policy 20th century ; History ; Technology and the arts History 20th century ; Kanada ; Medienkunst ; Geschichte 1967-
    Abstract: An episode of light : Canada from 1967-92 -- Norman McLaren and proto-computationality -- Hunger/la faim : when the Canadian computer had a hand and the American, an eye -- Calculated motions : gesture and expression at the interface -- Tuning, tundra, and treasure : Canada's expanded musicality -- Two faces of cultural networking -- Contesting a "new medium" : virtual reality as cultural probe -- Après le déluge : periodizing Canada's episode of light.
    Abstract: "Northern Sparks explores modern Canadian innovation in media arts and technology since 1967, focusing on the intersection of art, science, technology, and policy"--
    Note: Includes bibliographical references and index
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  • 13
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 14
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
    RVK:
    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 15
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253062222 , 9780253062215
    Language: English
    Pages: 1 Online-Ressource (ix, 312 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2309045
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    Keywords: Geschichte 1950-1990 ; Ost-West-Konflikt ; Medien ; Journalism / Europe / History ; Electronic books ; History ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Electronic books ; Ost-West-Konflikt ; Medien ; Geschichte 1950-1990
    Abstract: Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama?Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today--from film festivals, to satellite networks, to coproductions.Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now
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  • 16
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 17
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 18
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Pittsburgh Press
    ISBN: 9780822988847
    Language: English
    Pages: 1 online resource (293 pages)
    Edition: 1st ed.
    Series Statement: INTERSECTIONS: Histories of Environment Ser.
    Parallel Title: Erscheint auch als A new ecological order
    DDC: 304.20947
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    Keywords: Ländliche Entwicklung ; Umwelt ; Osteuropa ; Südosteuropa ; Economic development Environmental aspects ; History ; Natural resources History ; Rural development History ; Electronic books ; Europe, Eastern Economic conditions ; Europe, Eastern Environmental conditions ; Aufsatzsammlung ; Umweltbezogenes Management ; Umweltschutz ; Ländliche Entwicklung ; Wirtschaftliche Lage ; Osteuropa ; Südosteuropa Nord
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction. Planning Development, Changing Nature in Eastern Europe-Stefan Dorondel and Stelu Şerban -- Part I. Planning Territory -- 1. The Quest for a New Urban Landscape: Spatial Transformation in the Nineteenth-Century Belgrade Environment-Dragana Ćorović -- 2. From Slavic Swamp to Promised Land: Social and Environmental Engineering in a Southern Macedonian Swamp, 1913-1936-George L. Vlachos -- 3. In Quest of Development: Territorialization and the Transformation of the Southern Ukrainian Wetlands, 1880-1960-Stefan Dorondel and Anna Olenenko -- Part II. Nature, Economy and Experts -- 4. From Weeds to Commodities: The Translation of Plants into Medicines in Early Twentieth-Century Transylvania-Ágota Ábrán -- 5. The Economy of a Leashed River: State, Experts, and Politics along the Lower Danube, 1900-1940-Stelu Şerban and Stefan Dorondel -- 6. From Nature to National Networks: Hydraulic Bureaucracy and the Modernization of Waters in Czechia, 1890s-1960s-Ji ří Janáč -- 7. Big Dam Biographies in Central Asia: Tracing Goals, Actors, and Impacts from World War II to the Present Day-Jeanne Féaux de la Croix and Flora Roberts -- Part III. Imaging New Nature -- 8. Goats, Axes, and Uncertain Narratives: Representations of Nature and People in Asia Minor-Hande Özkan -- 9. Constructing Forest Expertise: Foresters in the Białowieża Forest-Eunice Blavascunas -- 10. The Political Ecology of Scientific Innovation in Russia: A Study of a Muskox Domestication Experiment in Siberia-Vladislava Vladimirova -- 11. Humans, Predators, and State Projects: A Look at the Lower Danube, Northwest Bulgaria-Yulian Konstantinov -- Epilogue. A New Ecological Order at a European Margin-Stefan Dorondel and Helmuth Trischler -- Contributors -- Index.
    Abstract: "The rise of industrial capitalism in the nineteenth century forged a new ecological order in North American and Western European states, radically transforming the environment through science and technology in the name of human progress. Far less known are the dramatic environmental changes experienced by Eastern Europe, in many ways a terra incognita for environmental historians and anthropologists. A New Ecological Order explores, from a historical and ethnographic perspective, the role of state planners, bureaucrats, and experts-engineers, agricultural engineers, geographers, biologists, foresters, and architects-as agents of change in the natural world of Eastern Europe from 1870 to the early twenty-first century. Contributors consider territories engulfed by empires, from the Habsburg to the Ottoman to tsarist Russia; territories belonging to disintegrating empires; and countries in the Balkan Peninsula, Central and Eastern Europe, and Eurasia. Together, they follow a rhetoric of "correcting nature," a desire to exploit the natural environment and put its resources to work for the sake of developing the economies and infrastructures of modern states. They reveal an eagerness among newly established nation-states, after centuries of imperial economic and political impositions, to import scientific knowledge and new technologies from Western Europe that would aid in their economic development, and how those imports and ideas about nature ultimately shaped local projects and policies"--
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    ISBN: 9781509546220 , 9781509546237
    Language: English
    Pages: xviii, 319 Seiten , Illustrationen
    Series Statement: Critical south
    Uniform Title: Une écologie décoloniale
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.209729
    RVK:
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    Keywords: Geschichte ; Ökologie ; Karibik ; Environmental sociology ; Environmental sociology / Caribbean Area ; Environmental justice ; Environmental justice / Caribbean Area ; Human ecology / History ; Imperialism / Environmental aspects ; Environmental justice ; Environmental sociology ; Human ecology ; Caribbean Area ; History ; Karibik ; Ökologie ; Geschichte
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  • 20
    ISBN: 9783837656268
    Language: German
    Pages: 268 Seiten
    Series Statement: Histoire Band 187
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    DDC: 302.2244
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    Keywords: Geschichte ; Kultur ; Herrschaft ; Schriftlichkeit ; Macht ; Schrift ; Herrschaft ; Macht ; Legitimation ; Antike ; Mittelalter ; Frühe Neuzeit ; Zeitgeschichte ; Kultur ; Kulturgeschichte ; Politik ; Europäische Geschichte ; Globalgeschichte ; Antike Geschichte ; Geschichtswissenschaft ; Lietarity ; Writing ; Power Relations ; Power ; Ancient World ; Middle Age ; Early Modernity ; Contemporary History ; Culture ; Cultural History ; Politics ; European History ; Global History ; Ancient History ; History ; Konferenzschrift 07.02.2020-08.02.2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Herrschaft ; Macht ; Schriftlichkeit ; Kultur ; Geschichte
    Note: Einleitung: ... Tagung, die am Historischen Institut der RWTH Aachen vom 07.02.2020 bis zum 08.02.2020 unter dem Titel "Schrift ohne Herrschaft. Herrschaftsverhinderung, Herrschaftsbestreitung und Herrschaftsumgehung im Medium der Literalität" stattgefunden hat
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 21
    ISBN: 9783839459805
    Language: German
    Pages: 1 Online-Ressource (392 Seiten) , Illustrationen
    Series Statement: Public History - Angewandte Geschichte Band 14
    Series Statement: Public history - Angewandte Geschichte
    Parallel Title: Erscheint auch als Hasselmann, Anne E., 1986 - Wie der Krieg ins Museum kam
    Dissertation note: Dissertation Universität Basel 2019
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    Keywords: Collective memory ; Museum exhibits ; HISTORY / Modern / 20th Century ; Agency ; Contemporary History ; History of the 20th Century ; History ; Memory Culture ; Memory ; Museology ; Russia ; Second World War ; Soviet Union ; Stalinism ; Hochschulschrift ; Moskau ; Minsk ; Tscheljabinsk ; Sowjetunion ; Museum ; Ausstellung ; Zweiter Weltkrieg ; Geschichte 1941-1956
    Abstract: Der »Große Vaterländische Krieg 1941-1945« machte die Mitarbeiterinnen und Mitarbeiter der sowjetischen Museen, die 〉muzejsciki〈, zu Akteuren der Erinnerung. An der Front, im Hinterland und in den besetzten Gebieten sammelten sie Relikte von Kämpfen und erlittenem Leid. Ihre zeitnahen und überraschend vielschichtigen Kriegsausstellungen fanden große Resonanz bei den Besucherinnen und Besuchern. Anne E. Hasselmann setzt den Fokus auf die Sammel-, Ausstellungs- und Vermittlungsarbeit der 〉muzejsciki〈 am Übergang von Erlebnis zur Erinnerung. Damit eröffnet sie neue Einblicke in die Gesellschaft im Stalinismus und schließt eine Lücke in der Erinnerungsgeschichte des Krieges, der das Selbstverständnis der russischen Gesellschaft bis heute prägt.
    Note: Bibliografie: Seite 367-388
    URL: Volltext  (Open Access)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 22
    ISBN: 9781905816897 , 9781905816880
    Language: English
    Pages: 1 Online-Ressource (1 Online-Ressource)
    Series Statement: Exeter studies in film history
    Parallel Title: Erscheint auch als
    DDC: 302.23/43099
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    Keywords: 1900-1999 ; Motion pictures European influences 20th century ; History ; Silent films History 20th century ; History ; Motion pictures Social aspects 20th century ; History ; Motion pictures Social aspects 20th century ; History ; Films, cinema ; Media studies ; 20th century history: c 1900 to c 2000 ; Cinema industry ; Popular culture ; Australasia ; Cinéma - Aspect social - Nouvelle-Zélande - Histoire - 20e siècle ; Cinéma - Aspect social - Australie - Histoire - 20e siècle ; Films muets - Europe - Histoire - 20e siècle ; Histoire ; history (discipline) ; Motion pictures - Social aspects ; History ; Australia ; New Zealand
    Abstract: Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions
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  • 23
    Book
    Book
    New York : Routledge
    ISBN: 9780367211493 , 9780367211509
    Language: English
    Pages: 303 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Loubere, Philip A History of Communication Technology
    DDC: 302.23
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    Keywords: Communication and technology History ; Communication Technological innovations ; History ; Telecommunication History ; Digital communications History ; Current events Psych
    Abstract: "This book is a comprehensive illustrated account of the technologies and inventions in mass communication that have accelerated the advancement of human culture and society. A History of Communication Technology covers a timeline in the history of mass communication that begins with human prehistory and extends all the way to the current digital age. Using rich, full-color graphics and diagrams, the book details the workings of various mass communication inventions, from paper-making, printing presses, photography, radio, TV, film and video, to computers, digital devices and the Internet. Readers are given insightful narratives on the social impact of these technologies, brief historical accounts of the inventors, and sidebars on the related technologies that enabled these inventions. This book is ideal for students in introductory mass communication, visual communication, and history of media courses, offering a highly approachable, graphic-oriented approach to the history of communication technologies"--
    Note: Literaturverzeichnis: Seite 287 - 303
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  • 24
    ISBN: 9781787331785
    Language: English
    Pages: 406 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.09410904
    RVK:
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    Keywords: Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 25
    ISBN: 9781606066683
    Language: English
    Pages: vii, 191 Seiten , Illustrationen, Karten
    Series Statement: Issues & debates / Getty Research Institute
    Uniform Title: French colonial collections at the Getty Research Institute
    Parallel Title: Erscheint auch als Visualizing empire
    DDC: 325/.34406
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    Keywords: ACHAC Collection (Getty Research Institute) ; Imperialism in popular culture ; Propaganda, French History 19th century ; Propaganda, French History 20th century ; Kolonialismus ; Massenkultur ; Populäre Grafik ; Präsentation ; France Colonies ; History ; France Colonies ; History ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Afrika ; Kolonie ; Propaganda ; Gebrauchsgrafik ; Geschichte 1880-1970
    Abstract: French Colonial Collections at the Getty Research Institute / Frances Terpak -- The History and Future of ACHAC / Pascal Blanchard and Dominic Thomas -- Decolonizing the ACHAC Collection / Patricia Morton -- Fragments of Empire : Ephemera, Representation, and the Dynamics of Colonial Memory / Charles Forsdick -- Intersecting Legacies of bandes dessinées and Belgian Colonial Instruction : Les aventures de Mbumbulu in Nos images (1948-55) / Peter J. Bloom -- French Colonialism : The Rules of the Game / Dominic Thomas -- The Myth of the Sahara / Michelle H. Craig -- Representations of the tirailleurs sénégalais and World War I / David Murphy -- On Posters and Postures : Colonial Enlistment Posters and the Nationalist Imagination in France / Lauren Taylor -- La France et ses colonies : Mapping, Representing, and Visualizing Empire / Steven Nelson.
    Abstract: "The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"--
    Note: Literaturangaben
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  • 26
    Book
    Book
    [London] : Penguin Books
    ISBN: 9780141997063 , 0141997060
    Language: English
    Pages: 87 Seiten , Karten , 18 cm
    Series Statement: Green ideas 13
    Series Statement: Penguin classics
    Series Statement: Green ideas
    Parallel Title: Erscheint auch als
    DDC: 304.2099618
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    Keywords: Human ecology ; Human ecology ; History ; Easter Island History ; Easter Island
    Abstract: This is Jared Diamond's haunting account of visiting the mysterious stone statues of Easter Island, showing how a remote civilisation destroyed itself by exploiting its own natural resources - and why we must heed this warning
    Note: "First published in Collapse: How Societies Choose to Fail or Survive by Penguin Books 2006. This extract published in Penguin Books 2021"--Title page verso , Includes bibliographical references
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  • 27
    Book
    Book
    Lanham ; Boulder ; New York ; London :Lexington Books,
    ISBN: 978-1-4985-8461-6
    Language: English
    Pages: xxvii, 167 Seiten : , Illustrationen ; , 23 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.4/509510904
    RVK:
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    Keywords: China / Intellectual life / 1949-1976 ; China / History / 1949-1976 ; China ; 1900-1999 ; Knowledge management / China / History / 20th century ; Knowledge, Sociology of / History / 20th century ; Intellectual life ; Knowledge management ; Knowledge, Sociology of ; History
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  • 28
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 29
    ISBN: 0847869016 , 9780847869015
    Language: English
    Pages: 352 Seiten , 33 cm
    DDC: 051
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    Keywords: Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Abstract: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Abstract: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 30
    Image
    Image
    Toronto : Magenta Foundation
    ISBN: 1926856163 , 9781926856162
    Language: English
    Pages: 72 ungezählte Seiten
    Edition: First edition
    DDC: 305.90691409513
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    Keywords: Political refugees Pictorial works ; Political refugees Exhibitions ; Political refugees ; Exhibition catalogs ; History ; Pictorial works ; Korea (North) Exhibitions History 21st century ; Korea (North) ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog 12.03.2021-11.04.2021 ; Ausstellungskatalog Technische Sammlungen Dresden 27.03.2021-30.05.2021 ; Ausstellungskatalog 15.07.2021-26.09.2021 ; Bildband ; Franco, Tim 1982- ; Porträtfotografie ; Nordkoreaner ; Flüchtling ; Exil
    Note: Published to accompany exhibition held at Format Festival, United Kingdom March 12-April 11 2021 ; Hellerau Awards, Germany, March 27 - May 30, 2021 ; Cortona On The Move, Italy July 15 - September 26, 2021
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  • 31
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9783837653588
    Language: German , English
    Pages: 450 Seiten , Illustrationen, Diagramme , 23 cm
    Series Statement: Public History - Angewandte Geschichte Band 6
    Series Statement: Public History - Angewandte Geschichte
    Parallel Title: Erscheint auch als
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    Keywords: Spielzeug ; Kollektives Gedächtnis ; Geschichtsbild ; Geschichtsbewusstsein ; Spiel ; Kind ; Vermittlung ; Geschichtsdarstellung ; Spielgerät ; Geschichtsunterricht ; Geschichtsdidaktik ; Kulturgeschichte ; Spielsachen ; Materielle Kultur ; Spielen ; Spielzeug ; Kinder ; Alltagspraxis ; Geschichtsbewusstsein ; Indianer ; Piraten ; Ritter ; Brettspiele ; Gesellschaftsspiele ; Hörspiel ; Erinnerungskultur ; Popkultur ; Europäische Geschichte ; Public History ; Geschichtswissenschaft ; Culture of History ; History Didactics ; Cultural History ; Material Culture ; Toy ; Children ; Everyday Practice ; Historical Thinking ; Radio Play ; Memory Culture ; Popular Culture ; European History ; History ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Kind ; Spiel ; Spielzeug ; Spielgerät ; Vermittlung ; Geschichtsbewusstsein ; Geschichtsbild ; Spielzeug ; Spiel ; Geschichtsdarstellung ; Geschichtsbewusstsein ; Kollektives Gedächtnis ; Geschichtsunterricht
    Note: Beiträge überwiegend deutsch, teilweise englisch
    URL: Cover
    URL: Rezension  (Sehepunkte)
    URL: Cover
    URL: Rezension  (Sehepunkte)
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  • 33
    ISBN: 9783839453582
    Language: German , English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Public History – Angewandte Geschichte Band 6
    Series Statement: Public History – Angewandte Geschichte
    Parallel Title: Erscheint auch als
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    Keywords: Spielzeug ; Kollektives Gedächtnis ; Geschichtsbild ; Geschichtsbewusstsein ; Spiel ; Kind ; Vermittlung ; Geschichtsdarstellung ; Spielgerät ; Geschichtsunterricht ; Geschichtsdidaktik ; Kulturgeschichte ; Spielsachen ; Materielle Kultur ; Spielen ; Spielzeug ; Kinder ; Alltagspraxis ; Geschichtsbewusstsein ; Indianer ; Piraten ; Ritter ; Brettspiele ; Gesellschaftsspiele ; Hörspiel ; Erinnerungskultur ; Popkultur ; Europäische Geschichte ; Public History ; Geschichtswissenschaft ; Culture of History ; History Didactics ; Cultural History ; Material Culture ; Toy ; Children ; Everyday Practice ; Historical Thinking ; Radio Play ; Memory Culture ; Popular Culture ; European History ; History ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Kind ; Spiel ; Spielzeug ; Spielgerät ; Vermittlung ; Geschichtsbewusstsein ; Geschichtsbild ; Spielzeug ; Spiel ; Geschichtsdarstellung ; Geschichtsbewusstsein ; Kollektives Gedächtnis ; Geschichtsunterricht
    Note: Erscheint als Open Access bei De Gruyter , Beiträge überwiegend deutsch, teilweise englisch
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 34
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190864729 , 9780190864712
    Language: English
    Pages: 604 Seiten , Illustrationen, Karten , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.2/8
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    Keywords: Geschichte ; Landschaftszerstörung ; Krieg ; Anthropogene Klimaänderung ; Zivilisation ; Umwelt ; Mensch ; Natur ; Nature / Effect of human beings on ; Global environmental change / History ; Global environmental change ; Nature / Effect of human beings on ; History ; Umwelt ; Landschaftszerstörung ; Anthropogene Klimaänderung ; Geschichte ; Mensch ; Zivilisation ; Krieg ; Natur ; Geschichte
    Abstract: "This book is about the ongoing conflict between humanity and the natural environment. Over the past 200,000 years, humans have multiplied and populated the Earth. When they domesticated plants and animals and replaced foraging with agriculture and herding, they depleted natural resources, deforested the land, and caused mass extinctions. But nature has agency too, causing pandemics of plague, smallpox, measles, influenza, and other diseases and a climate change called the Little Ice Age. In recent centuries, industrialization has accelerated extinctions, deforestation, and resource depletion, even in the oceans. Twentieth-century developmentalism and mass consumerism have caused global warming and other climate changes. Environmental movements have argued for the need to mitigate the negative consequences of technological and economic change. The future of humanity and the Earth depends on choices between achieving a sustainable balance between humans and nature, carrying on as before, or learning to manage the biosphere. environment, mass extinction, domestication, agriculture, pandemic, industrialization, developmentalism, consumerism, global warming"--
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  • 35
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    ISBN: 9780231552554
    Language: English
    Pages: 1 Online-Ressource (xi, 230 Seiten) , Illustrationen
    Series Statement: The Wellek Library Lectures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
    RVK:
    Keywords: book studies ; cognitive assemblages ; history of technology ; media archeology ; printing technology ; publishing ; reading ; university presses ; LITERARY CRITICISM / Books & Reading ; Book industries and trade Social aspects ; History ; Book industries and trade Technological innovations ; Cognition History ; Communication and technology History ; Digital media Social aspects ; Elektronisches Buch ; Buchdruck ; Buch ; Buch ; Buchdruck ; Elektronisches Buch
    Abstract: Since Gutenberg's time, every aspect of print has gradually changed. But the advent of computational media has exponentially increased the pace, transforming how books are composed, designed, edited, typeset, distributed, sold, and read. N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human.Hayles considers the ways in which print has been enmeshed in literate societies and how these are changing as some of the cognitive tasks once performed exclusively by humans are now carried out by computational media. Interpretations and meaning-making practices circulate through transindividual collectivities created by interconnections between humans and computational media, which Hayles calls cognitive assemblages. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Humanity is becoming computational, just as computational systems are edging toward processes once thought of as distinctively human. Books in all their diversity are also in the process of becoming computational, representing a crucial site of ongoing cognitive transformations.Hayles details the consequences for humanities publications through interviews with scholars and university press professionals and considers the cultural implications in readings of two novels, The Silent History and The Word Exchange, that explore the postprint condition. Spanning fields including book studies, cultural theory, and media archeology, Postprint is a strikingly original consideration of the role of computational media in the ongoing evolution of humanity
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9781478000426 , 9781478000563
    Language: English
    Pages: xxvi, 292 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
    RVK:
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    Keywords: AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Abstract: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    New York : Blue Rider Press
    ISBN: 9780735213159 , 9781524746834
    Language: English
    Pages: viii, 583 Seiten , 24 cm
    Uniform Title: Facebook
    Parallel Title: Übersetzt als Levy, Steven, 1951 - Facebook - Weltmacht am Abgrund
    Parallel Title: Erscheint auch als
    DDC: 338.761/004678
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    Keywords: Facebook, Inc. ; Facebook (Firm) History ; Facebook (Firm) ; Facebook (Electronic resource) Social aspects ; Unternehmen ; Social Web ; Unternehmensgeschichte ; USA ; Facebook (Electronic resource) ; BIOGRAPHY & AUTOBIOGRAPHY Science & Technology ; BUSINESS & ECONOMICS Entrepreneurship ; TECHNOLOGY & ENGINEERING Social Aspects ; Social aspects ; History ; Facebook, Inc. ; Geschichte 2004-2019 ; Facebook, Inc. ; Kritik ; Technologieunternehmen ; Daten ; Macht
    Abstract: ZuckNet -- Ad-boarded -- Thefacebook -- Casa Facebook -- Moral dilemma -- The book of change -- Platform -- Pandemic -- Sheryl world -- Growth! -- Move fast and break things -- Paradigm shift -- Buying the future -- Election -- P for propaganda -- Clown show -- The ugly -- Integrity -- The next Facebook -- Epilogue.
    Abstract: "In his sophomore year of college, Mark Zuckerberg created a simple website to serve as a campus social network. The site caught on like wildfire, and soon students nationwide were on Facebook. Today, Facebook is nearly unrecognizable from Zuckerberg's first, modest iteration. It has grown into a tech giant, the largest social media platform and one of the most gargantuan companies in the world, with a valuation of more than $576 billion and almost 3 billion users. There is no denying the power and omnipresence of Facebook in American daily life. And in light of recent controversies surrounding election-influencing 'fake news' accounts, the handling of its users' personal data, and growing discontent with the actions of its founder and CEO, never has the company been more central to the national conversation. Based on years of exclusive reporting and interviews with Facebook's key executives and employees, including Mark Zuckerberg and Sheryl Sandberg, Steven Levy's sweeping narrative digs deep into the whole story of the company that has changed the world and reaped the consequences"--
    Note: Auf Seite [iv]: International Edition ISBN: 9781524746834 , Literaturangaben in Endnoten: Seite [533]-563 , Mit Register
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  • 39
    ISBN: 9781138577497 , 9781138577480
    Language: English
    Pages: xvii, 238 Seiten , Illustrationen
    DDC: 302.23
    RVK:
    Keywords: Mass media and technology History ; Study and teaching ; Mass media and technology Historiography ; Mass media and technology Philosophy ; Mass media Technological innovations ; History ; Human-computer interaction Philosophy ; Konferenzschrift 2016 ; Aufsatzsammlung ; Konferenzschrift 2016 ; Massenmedien ; Technologie ; Geschichte
    Abstract: "Media always involve technologies. Understanding media means understanding their technologies. But little can be learned from just looking at redundant pieces of equipment. The rapidly developing approach of hands on history can open our minds to new perceptions of how media technologies work and how we work with them. Hands On Media History explores the whole range of hands on history techniques for the first time. It offers both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound. Essays in the collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users. Essays outline the wide variety of approaches to understanding media history through its technologies, including the issue of fresh uses for old equipment and artefacts. Hands on media history offers a new perspective on one of the modern era's most urgent questions: what is the relationship between people and the technologies they use every day?"--
    Note: Includes bibliographical references and index , "In February 2016, the Hands on History" conference ..." (Acknowledgements)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 40
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
    RVK:
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 41
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    ISBN: 978-0-226-67763-7 , 0-226-67763-X , 978-0-226-67777-4 , 0-226-67777-X
    Language: English
    Pages: xii, 326 Seiten : , Illustrationen.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.34/6
    RVK:
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    Keywords: Kierkegaard, Søren / 1813-1855 ; Heidegger, Martin / 1889-1976 ; Lacan, Jacques / 1901-1981 ; Kierkegaard, Søren ; Heidegger, Martin ; Lacan, Jacques ; Conversation / Philosophy ; Conversation / Philosophy / History ; Small Talk. ; Kommunikation. ; Neue Medien. ; Philosophie. ; Gespräch. ; History ; Small Talk ; Kommunikation ; Neue Medien ; Philosophie ; 1813-1855 Kierkegaard, Søren ; 1889-1976 Heidegger, Martin ; 1901-1981 Lacan, Jacques ; Gespräch ; Philosophie
    Abstract: "In the phrase popularized by Sherry Turkle, our relationship with technology has increasingly made us "alone together." Instead of engaging in conversation, we instead look down and fiddle with our devices. This is the topic of Samuel McCormick's engaging and innovative book The Chattering Mind, which is the first to try and explain how a seemingly unproblematic form of communication--everyday talk--became a problem and a source of anxiety. McCormick traces the conceptual history of this notion from Kierkegaard's theory of "chatter" to Heidegger's recuperative discussion of "idle talk" to Lacan's treatment of "empty speech." Beyond these thinkers, McCormick takes us all the way to our digital present, where small talk on social media has become the basis for big data. McCormick argues that many of the best solutions to today's "overconnection" await discovery in the experience of overconnection itself and in the democratization of big data. Drawing on past thinkers, McCormick presents an ambitious analysis that gives us the tools with which to best face our present, shape our technological future, and think through the everyday silences and the volumes they speak"--
    Description / Table of Contents: Chatter. Barbers and philosophers ; Fuzzy math ; Preacher-prattle -- Idle Talk. Beginning more than halfway there ; Ancient figures of speech ; The world persuaded -- Empty speech. The writing on the wall ; First and final words -- A play of props
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  • 42
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226713304 , 022671330X , 9780226713441 , 022671344X
    Language: English
    Pages: xiii, 196 Seiten , Illustrationen , 23 cm
    DDC: 302.2/09730905
    RVK:
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    Keywords: Communication Political aspects ; Rhetoric Political aspects 21st century ; History ; Communication ; Political aspects ; Rhetoric ; Political aspects ; History ; United States ; Trump, Donald 1946- ; Politische Rede
    Abstract: Introduction: Eating Poorly, or Ketchup on a Steak -- On Critical Violence -- The Psychoses of Speed, with the Example of Social Networking -- The Perverse Style, with Eventual Reference to Pee-Wee Herman -- Showmancing the Presidency: Perverse Genres and the Problem of Judgment -- Conclusion: Don't Play (with) That.
    Abstract: "When Trump became president, much of the country was repelled by what they saw as the vulgar spectacle of his ascent, the perversion of the highest office in the land. In his bold, groundbreaking book Political Perversion, rhetorician Joshua Gunn argues that this "mean-spirited turn" in American politics (of which Trump is the paragon) is best understood as a structural perversion enhanced primarily by the speed of communication technologies. Drawing on insights from critical theory, media ecology, and psychoanalysis, Gunn argues that perverse rhetorics dominate not only the political sphere but also our daily interactions with others, in person and online. From sexting to campaign rhetoric, Gunn shows how technology has changed our ways of relating (and not relating) to others and has engendered infantile and sadistic forms of provocation and enjoyment. In this book, Trump is only the tip of a sinister, rapidly growing iceberg, one to which we ourselves unwittingly contribute on a daily basis"--
    Note: Includes bibliographical references and index
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  • 43
    Book
    Book
    Albuquerque, New Mexico : Fresco Books
    ISBN: 9781934491683 , 1934491683
    Language: English
    Pages: 203 Seiten , Illustrationen , 23 cm
    DDC: 305.4092
    RVK:
    Keywords: Baker, Joan Brooks ; Baker, Joan Brooks ; Upper class women Biography ; Women History 20th century ; Women Conduct of life ; Upper class women ; Women ; Women ; Conduct of life ; Biographies ; History ; Biographies ; New York (State) ; New York ; Autobiografie ; Fotografie ; Geschichte
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  • 44
    Online Resource
    Online Resource
    London : The Arden Shakespeare
    ISBN: 9781350110038
    Language: English
    Pages: XIV, 318 Seiten , Illustrationen , 22 cm
    Parallel Title: Erscheint auch als Shakespeare Association of America (46. : 2018 : Los Angeles, Calif.) Women's labour and the history of the book in early modern England
    DDC: 305.430705
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    Keywords: Women in the book industries and trade History 16th century ; Women in the book industries and trade History 17th century ; Books History 16th century ; Books History 17th century ; Women in the book industries and trade-England-History-16th century ; Books ; Women in the book industries and trade ; England ; History ; Electronic books ; Aufsatzsammlung ; Konferenzschrift 2018 ; England ; Verlegerin ; Buchhändlerin ; Autorin ; Handwerkerin ; Unternehmerin ; Buchmarkt ; Geschichte 1500-1700
    Abstract: This collection brings to light many of the women whose labours were important to the creation and consumption of early modern English books, from those who gathered linen rags on the streets of London for paper production, to those who ran printing houses and financed the production of books, sold them, wrote them, edited them, owned and read them. The evidence of extant books reveals that women who worked beside their husbands in printing houses and bookshops sometimes exerted considerable influence over their shops' business decisions. Most of the identifiable women stationers were widows, who often sought to minimize their financial risk through a conservative approach to publishing. But some were more enterpreneurial, expanding the network of those with whom they worked and increasing the number and types of books they issued. In their roles as authors, editors, and annotators, women further extended their impact on the history of early modern books. By considering women from widely differing backgrounds who engaged in manual, commercial, familial and literary forms of labour, this collection recovers women's participation in book history as never before
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  • 45
    ISBN: 9780226603926
    Language: English
    Pages: 258 Seiten , Illustrationen
    DDC: 305.8009773/11
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    Keywords: Shay, Arthur ; Civil rights movements ; Social conflict Pictorial works ; Civil rights movements Pictorial works ; Social conflict ; Documentary photography ; Chicago (Ill.) Race relations 20th century ; History ; Chicago (Ill.) Pictorial works Race relations 20th century ; History ; Shay, Arthur 1922- ; Dokumentarfotografie ; Chicago ; Rassenkonflikt ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Abstract: Introduction -- Democratic dreams deferred -- Windy City justice -- Suburban civility -- Chicago's own civil rights movement -- Human rights and freedom marches -- Welcome democrats and black power -- Conclusion.
    Note: Includes bibliographical references and index
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  • 46
    ISBN: 9781531712563
    Language: English
    Pages: 2 DVD-Videos (circa 300 min) , teilweise farbig, teilweise schwarz/weiß, 5.1 surround/2.0 stereo, NTSC, Region 1 , 12 cm
    Series Statement: PBS
    DDC: 305.895073
    RVK:
    Keywords: Asian Americans History ; Asian Americans ; Television mini-series ; Historical television programs ; Nonfiction television programs ; History ; Documentary television programs ; Video recordings for the hearing impaired ; Documentary television programs ; Historical television programs ; Nonfiction television programs ; Television mini-series ; Video recordings for the hearing impaired ; DVD-Video discs
    Abstract: disc 1.Breaking ground ;A question of loyalty ;Good Americans --disc 2.Generation rising ;Breaking through.
    Abstract: This five-part series traces the story of Asian Americans, spanning 150 years of immigration, racial politics, international relations, and cultural innovation. It is a timely, clear-eyed look at the vital role that Asian Americans have played in defining who we are as a nation. Their stories are a celebration of the grit and resilience of a people that reflects the experience of all Americans
    Note: Widescreen , "SDH (subtitles for the deaf and hard of hearing) are a function of the disc and serve the same purpose as closed captions"--Container , Title from screen , Originally broadcast on the PBS Network in 2020 , Dokumentarfilm. USA. 2020 , Untertitel: Englisch
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  • 47
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 48
    ISBN: 9781350110014
    Language: English
    Pages: xiv Seiten, 2 ungezählte Seiten, 318 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Women's labour and the history of the book in early modern England
    DDC: 305.430705
    RVK:
    RVK:
    Keywords: Books ; Women in the book industries and trade ; England ; History ; Konferenzschrift 2018 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2018 ; England ; Verlegerin ; Buchhändlerin ; Autorin ; Handwerkerin ; Unternehmerin ; Buchmarkt ; Geschichte 1500-1700
    Abstract: This collection brings to light many of the women whose labours were important to the creation and consumption of early modern English books, from those who gathered linen rags on the streets of London for paper production, to those who ran printing houses and financed the production of books, sold them, wrote them, edited them, owned and read them. The evidence of extant books reveals that women who worked beside their husbands in printing houses and bookshops sometimes exerted considerable influence over their shops' business decisions. Most of the identifiable women stationers were widows, who often sought to minimize their financial risk through a conservative approach to publishing. But some were more enterpreneurial, expanding the network of those with whom they worked and increasing the number and types of books they issued. In their roles as authors, editors, and annotators, women further extended their impact on the history of early modern books. By considering women from widely differing backgrounds who engaged in manual, commercial, familial and literary forms of labour, this collection recovers women's participation in book history as never before.
    Note: "The large room was packed when the seminar on "Women, Gender, and Book History" met at LA's Bonaventure Hotel as part of the Shakespeare Association of America conference on 30 March 2018." (Seite xiii)
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  • 49
    ISBN: 9781433145551 , 9781433145568
    Language: English
    Pages: vi, 282 Seiten , Illustrationen
    DDC: 306
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    Keywords: Memory ; Communication Research ; History ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Kollektives Gedächtnis ; Medien ; Geschichtsdarstellung ; Geschichtspolitik ; Geschichtsbild ; Kollektives Gedächtnis ; Medien ; Geschichtsdarstellung ; Geschichtspolitik ; Geschichtsbild
    Abstract: Introduction: remembering communication history / Nicole Maurantonio & David W. Park -- Introduction: communicating space & time -- Interscalarity & the memory spectrum / Emily Keightley, Michael Pickering, and Pawas Bisht -- Archiving ISIS : metastasized archives, lieux de futur, and endless war / Piotr Szpunar -- Introduction: narrative -- Remarkable coincidence : a true story of the Liberty Bell's myth / Deborah Lubken -- Mass media as memory agents : a theoretical & empirical contribution to collective memory research / Michael Meyen -- Mnemonic newswork : exploring the role of journalism in the rereading of national pasts / Oren Meyers -- Introduction: embodiment & materiality -- Badna Naaref (we want to know) : the politics of movement and memory in "postwar" Beirut / Erin E. Cory -- "Taking back" a post-conflict city : tourism, anniversary memory, and the new histories of Belfast / Carolyn Kitch -- Presence and absence : the Berlin wall as strategic platform / Samantha Oliver -- Building an archive for future generations : archival digitization at the national library of Israel / Sharon Ringel -- Introduction: audience -- Digital post-scarcity versus default amnesia : Russian political existence and the online resurrection of memories of the dead at the nord-ost theatre siege / Amanda Lagerkvist & Katerina Linden -- Reclaiming identity : gdr lifeworld memories in digital public spheres / Manuel Menke & Ekaterina Kalinina -- Postscript: once a margin, always a margin / Barbie Zelizer
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9783447198707
    Language: German
    Pages: 1 Online-Ressource (VIII, 370 Seiten) , Diagramme
    Series Statement: Schriften und Zeugnisse zur Buchgeschichte 23
    Parallel Title: Erscheint auch als Klöppel, Matthias Revolution und Reichsende
    Dissertation note: Dissertation Universität Leipzig 2017
    DDC: 940
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    Keywords: German periodicals History ; German newspapers History ; German newspapers ; German periodicals ; France ; Germany ; Leipzig ; History ; Periodicals ; Sources ; Revolutions ; History ; Electronic books ; France History Revolution, 1789-1799 ; Periodicals ; France History Revolution, 1789-1799 ; Sources ; Leipzig (Germany) History ; Sources ; Hochschulschrift ; Leipzig ; Zeitung ; Zeitschrift ; Berichterstattung ; Französische Revolution ; Napoleonische Kriege ; Koalitionskriege ; Geschichte 1789-1806 ; Leipzig ; Zeitung ; Zeitschrift ; Berichterstattung ; Deutschland ; Krise ; Auflösung ; Geschichte 1789-1806 ; Leipzig ; Presse ; Berichterstattung ; Deutschland ; Wandel ; Geschichte 1789-1806
    Note: "Bei dem vorliegenden Text handelt es sich um eine leicht gekürzte und geringfügig überarbeitete Dissertation [...]." - Vorwort , Quellenverzeichnis Seite 325-331 , Literaturverzeichnis Seite 332-363 , Mit Register
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  • 51
    Book
    Book
    Darlington : Carpet Bombing Culture
    ISBN: 9781908211859 , 1908211857
    Language: English
    Pages: 223 Seiten , Illustrationen , 24 cm
    DDC: 306.483
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    Keywords: Soccer hooliganism ; Soccer hooliganism Social aspects ; Soccer hooliganism History ; Soccer hooliganism ; History ; Fotografie ; Fußball ; Fußballfan ; Gewalttätigkeit
    Abstract: For the first time ever, an incredible visual archive of Ultras worldwide is curated in this book. Beneath the surface of modern life, the ancient urge for fanatacism and tribal warfare lives on. Their exploits are legendary, their tales are tall, hated and feared by millions, yet idolised by a hardcore minority. In a world in which we are told place no longer means anything - loyalty to a team, loyalty to an area, loyalty to a social class, are all out of time. And yet here they are, continuing to exist in this highly structured and obsessive world. From its roots in the UK the worldwide scene is explored from Turkey to Russia, Asia, Ukraine, Poland, Italy, France and all of Europe. Whether you are disgusted or fascinated - this is human behaviour. For some, this has always been and will always be, a way of life
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  • 52
    ISBN: 9781478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 Seiten)
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Abstract: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Note: Includes bibliographical references and index
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  • 53
    ISBN: 9783837649208 , 3837649202
    Language: German
    Pages: 285 Seiten , Illustrationen , 22.5 cm x 14.8 cm
    Series Statement: Edition Museum Band 41
    Series Statement: Edition Museum
    Parallel Title: Erscheint auch als Di Blasi, Johanna, 1968 - Das Humboldt Lab
    Dissertation note: Dissertation Freie Universität Berlin 2019
    DDC: 069.5
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    Keywords: Humboldt Lab Dahlem Influence ; Stiftung Berliner Schloss - Humboldtforum ; Museum exhibits History 21st century ; Ethnological museums and collections History 21st century ; Museum techniques Experiments 21st century ; History ; Museum techniques Methodology 21st century ; History ; Museum cooperation History 21st century ; Kulturpolitik ; Kulturelle Einrichtung ; Museum ; Ausstellung ; Kulturgut ; Ethnologie ; Ziel ; Grundsatzprogramm ; Einrichtung ; Organisation ; Kulturausgaben ; Konzeption ; Änderung ; Postkolonialismus ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Humboldt Lab Dahlem ; Postkolonialismus ; Exponat ; Präsentation ; Ausstellung ; Szenografie ; Humboldt Lab Dahlem ; Präsentation ; Vermittlung ; Postkolonialismus ; Exponat ; Präsentation ; Ausstellung ; Szenografie
    Note: Literaturverzeichnis: Seite 271-285. - Seite 271 nicht paginiert
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  • 54
    Book
    Book
    New Brunswick ; Camden ; Newark ; London : Rutgers University Press
    ISBN: 9781978800311 , 9781978800328
    Language: English
    Pages: x, 216 Seiten , Illustrationen , 24 cm
    DDC: 305.420941/09047
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    Keywords: Geschichte 1970-1990 ; Feminismus ; Gegenkultur ; Frauenbewegung ; Fotografie ; Großbritannien ; Feminism / Great Britain / History / 20th century ; Feminism and art / Great Britain / History / 20th century ; Women photographers / Great Britain / History / 20th century ; Great Britain / Economic conditions / 20th century ; PHOTOGRAPHY / History ; SOCIAL SCIENCE / Feminism & Feminist Theory ; ART / History / Contemporary (1945- ) ; SOCIAL SCIENCE / Women's Studies ; ART / Art & Politics ; Economic history ; Feminism ; Feminism and art ; Women photographers ; Great Britain ; 1900-1999 ; History ; Großbritannien ; Frauenbewegung ; Feminismus ; Fotografie ; Gegenkultur ; Geschichte 1970-1990
    Abstract: "The Visual is Political examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. This period in Britain was marked by instability following the collapse of the welfare state, massive unemployment, race riots, and workers' strikes. However, this was also a time in which various forms of social activism emerged or solidified, including the Women's Movement, whose members increasingly turned to photography as a tool for their political activism. Rather than focusing on the aesthetic quality of the images produced, Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture and aesthetics, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed. She shows both the utilitarian uses of photography in activism, but also how these same photographers went on to be accepted (or co-opted) into the mainstream art spaces little by little, sometimes with great controversy. The Visual is Political highlights the relevance and impact of an earlier contentious, creative, and politicized moment of feminism and photography as art and activism"--
    Abstract: "This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this moment and of their continuing relevance"--
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  • 55
    ISBN: 9781478001409 , 9781478001003
    Language: English
    Pages: xx, 395 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
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    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 0821446886 , 9780821446881
    Language: English
    Pages: 1 Online-Ressource (xiii, 351 pages) , illustrations (some color)
    Series Statement: New African histories
    Parallel Title: Erscheint auch als Ambivalent
    DDC: 302.2/26
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    Keywords: Photography Social aspects ; History ; Visual sociology ; SOCIAL SCIENCE ; Sociology ; General ; Visual sociology ; History ; Photography ; Social aspects ; Social conditions ; Africa Social conditions ; History ; Africa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: "Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography-and with visibility more generally-in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent's contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories"--
    Abstract: Ambivalent mediations: photographic desire, anxiety, and knowledge in nineteenth-century changed Africa / Isabelle de Rezende -- Empty photographs: ethnography and the Lacunae of African history / Patricia Hayes -- Unstable forms: photography, race, and the identity document in South Africa / Ingrid Masondo -- The pass photograph and the intimate photographic event in South Africa / Gary Minkley -- Photographic genres and alternate histories of independence in Mozambique / Drew Thompson -- Photography, mass violence, and survivors: the Cassinga Massacre of 1978 / Vilho Shigwedha -- Images of ambivalence: photography in the making of Omhedi, Northern Namibia / Napandulwe Shiweda -- The profane and the prophetic at a South African beach / Phindi Mnyaka -- Photographing Asọ Ebì: of surfacism and digitality / Okechukwu Nwafor -- Boko Haram insurgency and a new mode of war in Nigeria / Georgge Emekea Agbo -- Mirrors and waters: the practice and the visual in Beninese Mami Wata Cults / Jung Ran Forte -- Coda / Patricia Hayes
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 57
    ISBN: 9781553797586 , 1553797582
    Language: English
    Pages: vi, 287 Seiten , 26 cm
    DDC: 741.5/97108997
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    Keywords: Geschichte 1867-2019 ; Indigenous peoples Comic books, strips, etc ; Indigenous peoples Juvenile fiction ; Books, Illustrated ; Indigenes Volk ; Indianer ; YOUNG ADULT FICTION / Religious / Christian / Historical ; YOUNG ADULT FICTION / People & Places / Aboriginal & Indigenous ; YOUNG ADULT FICTION / Comics & Graphic Novels / General ; Indigenous peoples ; Indigenes Volk ; Native peoples ; Comic books, strips, etc ; Native peoples ; Fiction ; Comic books, strips, etc ; Graphic novels ; Historical comics ; Graphic novels ; Comic books, strips, etc ; Comics (Graphic works) ; Fiction ; History ; Juvenile works ; Historical comics ; Comics (Graphic works) ; Comic books, strips, etc ; Canada Comic books, strips, etc History ; Canada Juvenile fiction History ; Kanada ; Canada ; Kanada ; Canada ; History ; Comic books, strips, etc ; Canada ; History ; Fiction ; Comic ; Anthologie
    Abstract: "Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact."--
    Note: Includes bibliographical references (pages 281-283) , Hier auch später erschienene, unveränderte Nachdrucke
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  • 58
    ISBN: 9781501337925 , 1501337920
    Language: English
    Pages: xxvii, 305 pages, 32 unnumbered pages of plates , illustrations (some color) , 24 cm
    Series Statement: Contextualizing art markets
    Parallel Title: Erscheint auch als Kingdon, Zachary Ethnographic collecting and African agency in early colonial West Africa
    DDC: 709.660744275
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    Keywords: World Museum Liverpool History ; Ethnological museums and collections History ; Museums Acquisitions ; History ; Benefactors ; Great Britain Colonies ; Commerce
    Abstract: Preface / Kathryn Brown -- Introduction -- Prologue: Western Africa, Africans and Liverpool's Municipal Museum -- Arnold Ridyard and his assemblage -- Diasporic dialogues: the Sierra Leonean donors I -- Trans-imperial identities: the Sierra Leonean donors II -- Coastal 'kings': the Gold Coast donors I -- Coastal cosmopolitans: the Gold Coast donors II -- Museum meanings: regimes of classification, representation and display -- Epilogue.
    Abstract: "The early collections from Africa in Liverpool's World Museum reflect the city's longstanding shipping and commercial links with Africa's Atlantic coast. A principal component of these collections is an assemblage of several thousand artefacts from western Africa that were transported to institutions in northwest England between 1894 and 1916 by the Liverpool steam ship engineer Arnold Ridyard. While Ridyard's collecting efforts can be seen to have been shaped by the steamers' dynamic capacity to connect widely separated people and places, his Methodist credentials were fundamental in determining the profile of his African networks, because they meant that he was not part of official colonial authority in West Africa. Kingdon's study uncovers the identities of many of Ridyard's numerous West African collaborators and discusses their interests and predicaments under the colonial dispensation. Against this background account, their agendas are examined with reference to surviving narratives that accompanied their donations and within the context of broader processes of trans-imperial exchange, through which they forged new identities and statuses for themselves and attempted to counter expressions of British cultural imperialism in the region. The study concludes with a discussion of the competing meanings assigned to the Ridyard assemblage by the Liverpool Museum and examines the ways in which its re-contextualization in museum contexts helped to efface signs of the energies and narratives behind its creation."--Publisher's website
    Note: Includes bibliographical references and index
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  • 59
    ISBN: 9783962890582 , 3962890580
    Language: German
    Pages: 223 Seiten , Illustrationen , 20.5 cm x 12.5 cm
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Holfelder, Moritz, 1958 - Unser Raubgut
    DDC: 305.80074
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    Keywords: Art, Colonial ; Decorative arts History ; Kulturpolitik ; Auswärtige Kulturpolitik ; Kulturgut ; Kunstwerk ; Eigentum ; Kolonialismus ; Diskussion ; Beispiel ; Ethnologisches Museum ; Kulturgut ; Restitution ; Postkolonialismus ; Afrika ; Africa Civilization ; German influences ; Africa Colonial influence ; Germany Colonies ; History ; Africa History 1884-1960 ; Deutschland ; Ethnologisches Museum ; Afrika ; Kulturgut ; Restitution ; Postkolonialismus ; Ethnologisches Museum ; Afrika ; Kulturgut ; Restitution ; Postkolonialismus
    Abstract: Ausstellungskonzepte der Zukunft: Eine Reise zu Museen, die es hinbekommenSieben Vorschläge zum Umgang mit der kolonialen Vergangenheit; Epilog; Anhang; Anmerkungen; Literaturliste; Abbildungsverzeichnis; Dank; Angaben zum Autor
    Abstract: Intro; Titel; Impressum; Inhalt; Widmung; Geraubt und gut? Die Gier nach dem Besitz des Fremden; Koloniale "Amnesie" oder bewusste Verleugnung?; In alle Welt verscherbelt: Die legendären Bronzen aus Benin; Kann Restitution funktionieren? Na klar!; Grabbeigaben aus Alaska; Der Königsthron Mandu Yenu aus dem Grasland von Kamerun; Die Gebeine des australischen Yidinji Ancestral King; Bisher nicht restituiert: Der Schiffsschnabel Tange aus Kamerun; Was wollen "die Afrikaner"? Zwischen Postkolonialismus und Afrofuturismus; Ich bin's mal wieder, euer Humboldt Forum!
    Abstract: Warum lagern eigentlich Millionen Objekte aus Afrika und Übersee in deutschen Museen? Auf welche Weise sind sie dorthin gelangt? Und wie lässt es sich erklären, dass die Debatte um Raubgut, die schon vor Jahrzehnten geführt wurde, erst heute Wirkung zeigt? Sollen die Artefakte zurückgeben werden, oder ist Restitution nur ein Ablasshandel? In einer Mischung aus Reportage, Essay und Analyse nähert sich Moritz Holfelder der Geschichte und Gegenwart des Kolonialismus. Er besucht deutsche und europäische Museen, Künstler und Filmemacher und erkundet den verschiedenartigen Umgang mit Kulturgütern ungeklärter Herkunft. Ausgehend von dem Vorstoß des französischen Staatspräsidenten Macron zu einer radikalen Rückgabe entwickelt er Vorschläge zum Umgang mit der kolonialen Vergangenheit
    Abstract: Im November 2018 verkündete Emmanuel Macron in Paris sein radikales Vorhaben zur Rückerstattung kolonialen Raubguts. Das schreckte auch deutsche Museumschefs auf, die in Sachen Restitution lange Zeit nur zu diffusen Absichtserklärungen bereit waren. Vor allem im Berliner Humboldt Forum, das mit den Sammlungen des Ethnologischen Museums ab Herbst 2019 einen 〉〉Dialog der Weltkulturen〈〈 installieren will, begannen hektische Aktivitäten. Nun wird auch öffentlich über den Umgang mit kolonialen Raubgütern gestritten. Moritz Holfelder hat deutsche und europäische Museen besucht und sich den Umgang mit Kulturgütern ungeklärter Provenienz angesehen. Er plädiert in seiner Streitschrift für einen offenen und differenzierten Umgang mit dem einstigen Raubgut. - Verlagsangaben
    Note: Literaturverzeichnis: Seite 219-221
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  • 60
    ISBN: 9781531710743
    Language: English
    Pages: 1 DVD (160 Minuten) , NTSC, region 1, widescreen presentation; Dolby Digital 5.1 surround
    DDC: 305.895/073
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    Keywords: Chinese History 19th century ; Chinese Americans History 19th century ; Immigrants History 19th century ; Chinese ; Chinese Americans ; Emigration and immigration ; Emigration and immigration ; Government policy ; Immigrants ; United States ; Historical television programs ; Video recordings for the hearing impaired ; Documentary television programs ; History ; Nonfiction television programs ; Documentary television programs ; Historical television programs ; Nonfiction television programs ; Video recordings for the hearing impaired ; United States Emigration and immigration 19th century ; Government policy ; History ; United States Emigration and immigration 19th century ; History
    Abstract: Main feature: The Chinese Exclusion Act -- Bonus videos: Symbolism of the Chinese Dragon ; George Frisbie Hoar ; Charles Sing ; 2012 Congressional Acknowledgment of the Chinese Exclusion Act.
    Abstract: Examine the origin, history and impact of the 1882 law that made it illegal for Chinese workers to come to America and for Chinese nationals already here ever to become U.S. citizens. The first in a long line of acts targeting the Chinese for exclusion, it remained in force for more than 60 years
    Note: Originall produced in 2017 , Originally broadcast on television by PBS as a special presentation of the television program American Experience in 2018 , Bonus video: Symbolism of the Chinese Dragon; George Frisbie Hoar; Charles Sing; 2012 Congressional Acknowledgment of the Chinese Exclusion Act , Zielgruppe - TV rating: TV-PG , In English with optional English subtitles for the deaf and hard-of-hearing (SDH)
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  • 61
    ISBN: 9781454936558 , 145493655X
    Language: English
    Pages: 168 Seiten , Illustrationen , 27 cm
    DDC: 306.766
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    Keywords: Gay pride celebrations ; Gay rights History ; Images, Photographic ; Gay liberation movement History ; Gays History ; Stonewall Riots, New York, N.Y., 1969 ; Homophobia History ; Stonewall Riots (New York, New York : 1969) ; Gay liberation movement ; Gay pride celebrations ; Gay rights ; Gays ; Homophobia ; Images, Photographic ; New York (State) ; New York ; United States ; History ; Illustrated works ; USA ; Fotografie ; Homosexuellenbewegung ; Homophobie ; Geschichte 1920-2018
    Abstract: Introduction -- We're here... The world of night (1920-1930) ; Home ties broken (WWII) ; Back in the closet (The 1950s) -- We're queer... Road to rebellion (The 1960s) ; We're out! Sexual freedom for all (The 1970s) -- ...Get used to it! A crisis brings everybody out (The 1980s) ; Two steps forward (The 1990s) ; Real change (The 21st century).
    Abstract: This lavishly illustrated book commemorates the 50th anniversary of the Stonewall Uprising and is an inspiring photographic journey through the LGBTQ+ Pride movement over the last century
    Abstract: Starting in the bohemian subculture of post-World War I American cities, Measom covers the influence of World War II, which relocated millions of people to single-sex barracks and factories and helped spark the formation of gay communities after the war. The repressive ’50s era saw the launch of important rights organizations that led to the rebellions of the 1960s, culminating in the game-changing Stonewall Uprising of June 1969. Measom explores the devastation of the AIDS crisis, its impact on gay culture, and the fight to bring awareness to the disease. The modern period includes coverage of the struggles for equality in marriage, the military, and the push for gender rights. A groundbreaking homage to a historic movement and its milestone achievements and hurdles. -- adapted from jacket
    Note: Includes bibliographical references (pages 164-167)
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  • 62
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478000761 , 9781478001065
    Language: English
    Pages: 433 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.2301/9
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    Keywords: Geschichte ; Mass media Psychological aspects ; History ; Mass media Technological innovations ; History ; Mass media and culture History ; Medien ; Technische Innovation ; Wirkung ; Massenmedien ; Wahnsinn ; Wahn ; Psychische Störung ; Massenmedien ; Medien ; Psychische Störung ; Technische Innovation ; Wahn ; Wahnsinn ; Wirkung ; Geschichte
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  • 63
    Online Resource
    Online Resource
    London : Bloomsbury Visual Arts | Berlin : Knowledge Unlatched
    ISBN: 9781350049000 , 9781350049017
    Language: English
    Pages: 1 Online-Ressource (xiii, 229 Seiten) , Illustrationen
    Series Statement: Fashion
    Parallel Title: Erscheint auch als Petrov, Julia Fashion, history, museums
    DDC: 391.0074
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    Keywords: Fashion design Social aspects ; Fashion Exhibitions ; History ; Costume museums ; Museumskunde ; Kultur ; Kleidung ; Geschichte
    Abstract: The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion curating and exhibitions, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades – from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011 – it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the twentieth and early twenty-first centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions.
    URL: FULL
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  • 64
    Book
    Book
    Oxford ; New York : Oxford University Press
    ISBN: 9780190610227
    Language: English
    Pages: 132 Seiten , Illustrationen
    Series Statement: Very short introductions 567
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.48
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    Keywords: Degeneration Social aspects ; History ; Moral conditions History ; Intellectual life History ; Civilization History ; Dekadenz ; Europa ; Einführung ; Einführung ; Europa ; Dekadenz
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  • 65
    ISBN: 9781787353954 , 1787353931
    Language: English
    Pages: 1 Online-Ressource
    DDC: 306.45
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    Keywords: Geschichte 1890-1940 ; Wissenschaft ; Kultur ; Science ; Science and civilization ; Science ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; History ; Kultur ; Wissenschaft ; Geschichte 1890-1940
    Note: Includes bibliographical references
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 66
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469643694 , 9781469663890
    Language: English
    Pages: xviii, 189 Seiten , Illustrationen
    Series Statement: Justice, power, and politics
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: Hamer, Fannie Lou ; Freedom Farms Corporation (Sunflower County, Miss.) ; North Bolivar County Farm Cooperative (Mound Bayou, Miss.) ; Federation of Southern Cooperatives ; Detroit Black Community Food Security Network ; Geschichte ; African Americans Agriculture ; History ; African Americans Social conditions ; History ; African Americans Political activity ; History ; Agriculture, Cooperative History ; Food sovereignty ; Food supply Political aspects ; History ; Black lives matter movement ; Bürgerrechtsbewegung ; Schwarze ; Genossenschaft ; Landwirtschaft ; USA ; Hamer, Fannie Lou 1917-1977 ; USA ; Schwarze ; Landwirtschaft ; Genossenschaft ; Bürgerrechtsbewegung ; Geschichte
    Abstract: "Expands the historical narrative of the black freedom struggle to embrace the work, roles, and contributions of southern black farmers and the organizations they formed. Whereas existing scholarship generally views agriculture as a site of oppression and exploitation of black people, this book reveals agriculture as a site of resistance and provides a historical foundation that adds meaning and context to current conversations around the resurgence of food justice/sovereignty movements in urban spaces like Detroit, Chicago, Milwaukee, New York City, and New Orleans"...
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 67
    Online Resource
    Online Resource
    Cambridge ; New York, NY ; Port Melboure ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316276044
    Language: English
    Pages: 1 Online-Ressource (x, 301 Seiten) , Illustrationen, Karten
    Series Statement: New approaches to Asian history 18
    Series Statement: New approaches to Asian history
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.20954
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    Keywords: Geschichte ; Human ecology History ; Nature Effect of human beings on ; History ; Humanökologie ; India Environmental conditions ; Indien ; Indien ; Humanökologie ; Geschichte
    Abstract: "The relatively young but rapidly expanding field of formal environmental history informs us ever more about vital patterns of interactions among humans, other living beings, and the material world. Climate change, species extinction, unequally distributed and overstrained essential resources (including clean air, energy, food, land, and water), and other of today's pressing issues can only be understood and mitigated by understanding the many centuries of dynamic changes that caused them. The Indian subcontinent has a distinctively complex environmental history that makes it particularly vulnerable to current environmental stresses"...
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 69
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 70
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 71
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 72
    ISBN: 9780199095834 , 9780199095827
    Language: English
    Pages: 1 Online-Ressource (xviii, 240 Seiten) , illustrations
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Nijhawan, Shobna Hindi publishing in colonial Lucknow
    DDC: 070.509542
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    Keywords: Ganga Pustak Mala (Lucknow, India) History ; Hindi literature Publishing 20th century ; History ; Ganga Pustak Mala (Lucknow, India) ; History ; Hindi literature ; Publishing ; India ; History ; 20th century ; Lucknow (India) ; History ; 20th century ; Lucknow (India) History 20th century ; Lucknow ; Hindi ; Literarische Zeitschrift ; Verlag ; Geschichte
    Abstract: This volume centres on the literary activities emerging out of the north Indian publishing house Ganga Pustak Mala and its house periodical Sudha, a literary, social, political and illustrated monthly in the first half of the 20th century. Building on the defining work of Gérard Genette on paratexts as well as on scholarship on text-image relationships, this text charts the emergence and commercialisation as well as nationalisation of Hindi literary production in the city of Lucknow.
    Note: This edition previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page
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  • 73
    ISBN: 9780822363125 , 9780822363262
    Language: English
    Pages: xv, 423 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.230952
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    Keywords: Mass media Philosophy ; Mass media Social aspects 20th century ; History ; Mass media Political aspects 20th century ; History ; Popular culture History 20th century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Description / Table of Contents: Includes bibliographical references and index
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  • 74
    ISBN: 9781498528269 , 9781498528283
    Language: English
    Pages: xi, 395 Seiten
    Parallel Title: Erscheint auch als Feminists, feminism, and advertising
    DDC: 305.420973
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    Keywords: Advertising History ; Women in advertising History ; Advertising ; Advertising ; Women in advertising ; Women in advertising ; History ; Werbung ; Frau ; Frauenbewegung ; Geschichte
    Abstract: Acknowledgments -- Introductory remarks on the advertising business and a community of feminist scholars making advertising their business / Peggy Kreshel -- Histories of feminists, feminisms, and advertising -- Women versus brands : sexist advertising and gender stereotypes motivate / Jacqueline Lambiase, Carolyn Bronstein, and Catherine A. Coleman -- The entangled politics of feminists, feminism, advertising, and beauty : a historical perspective / Dara Persis Murray -- "Don't you love being a woman?" : advertising, empowerment, and the women's movement / Ann Marie Nicolosi -- Encoding : feminist critiques of advertising professionals and practices -- Black women and advertising ethics : a womanist perspective / Joanna L. Jenkins -- "What's wrong, you can't take a joke?" : advertisers' defenses of images of violence against women in their ads, 1979-1989 / Juliet Dee -- Exceptional exemplars : practitioners' perspectives on ads that communicate effectively with women and men / Kasey Windels -- The creative career dilemma : no wonder ad women are mad women / Karen L. Mallia -- Exporting gender bias : Anglo-American echoes in Swedish advertising creative departments / Jean M. Grow -- Decoding : feminist analyses of intersectional advertising audiences -- Engaging in consumer citizenship : latina audiences and advertising in women's ethnic magazines / Jillian M. Báez -- "You get a very conflicting view" : postfeminism, contradiction, and women of color's responses to representations of women in advertisements / Leandra H. Hernández -- Social exclusion and gay consumers' boycott and buycott decisions / Wanhsiu Sunny Tsai and Xiaoqi Han -- Professional development : historiography and biography -- The curious story of home economics' contribution to women's careers in advertising, 1940s to 1960s / Kimberly Wilmot Voss -- A woman's place : career success and early twentieth century women's advertising clubs / Jeanie E. Wills -- Closing arguments : a feminist education for advertising students / Kim Golombisky -- About the editors and contributors
    Note: Includes bibliographical references and index
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  • 75
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    Book
    Montreal : McGill-Queen's University Press
    ISBN: 9780773550025
    Language: English
    Pages: xiv, 290 Seiten , Illustrationen
    DDC: 303.48/5
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    Keywords: Disasters History 20th century ; Disasters Social aspects 20th century ; History ; Disasters Political aspects 20th century ; History ; Disasters ; Soviet Union ; Soviet Union History ; Sowjetunion ; Katastrophenmanagement ; Erdbeben ; Reaktorunfall ; Sowjetunion ; Reaktorunfall ; Erdbeben ; Katastrophenmanagement ; Geschichte
    Abstract: The first full-length study of natural and man-made disasters in the Soviet Union
    Note: Includes bibliographical references and index
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  • 76
    ISBN: 9783839439159
    Language: German
    Pages: 1 online resource (405 pages)
    Series Statement: Edition Museum Band 25
    Uniform Title: Geschichte des Museumsobjektes (1968-2000)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2015
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    Keywords: Museum techniques History 20th century ; Museum Collection management 20th century ; History ; Museum techniques ; Germany ; History ; 20th century ; Electronic books ; Historisches Museum Frankfurt ; Museum der Dinge ; Exponat ; Präsentation ; Geschichte 1968-2000
    Abstract: Cover -- Inhalt -- 1. Einleitung -- 1.1 Das Problem: Museen und ihre Objekte im Wandel -- 1.2 Die Methode: Eine historische Ontologie des Museumsobjektes -- 1.3 Die Voraussetzung: Eine Vorgeschichte des Museumsobjektes -- 2. Vom Schweigen der Objekte um 1970 -- 2.1 Das Neue Historische Museum Frankfurt 1972 -- 2.2 Museumskrise, Museumswandel und das Museumsobjekt -- 2.3 Das Museumsobjekt zwischen Geschichte, Kunst und Warenästhetik -- 2.4 Das Museumsobjekt im Mittelpunkt -- 3. Von den Zeichen der Objekte um 1980 -- 3.1 Die Frauenausstellung am Historischen Museum Frankfurt -- 3.2 Argumentierende Ensembles und Zeichenobjekte -- 3.3 Inszenierung, Semiotik und Alltagskultur im Museumswesen -- 3.4 Eine kulturwissenschaftliche Wende im Museumswesen -- 4. Von der Polyphonie der Objekte um 1990 -- 4.1 Das Werkbund-Archiv und die Erfindung der Szenografie -- 4.2 Das Objekt in den 1980er Jahren: Mehr als nur ein Zeichen? -- 4.3 Über den Konsum von Zeichenobjekten -- 5. Vom Handeln der Dinge um 2000 -- 5.1 Das Werkbund-Archiv stellt seine Sammlung aus -- 5.2 Ein Museum der Dinge -- 5.3 Die Dinge im Museumswesen der 1990er und 2000er Jahre -- 5.4 Der material turn -- 5.5 Konsum und Dingwissen -- 6. Fazit -- Danksagung -- Quellen und Literatur.
    Note: Quellen- und Literaturverzeichnis: Seite 353-401 , "Die Doktorarbeit, die diesem Buch zugrunde liegt, wurde von Philipp Sarasin und Anke te Heesen betreut." (ungezählte Seite 351) , Description based on publisher supplied metadata and other sources
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  • 77
    ISBN: 9783791356808
    Language: English
    Pages: 376 Seiten , 28 cm
    DDC: 700.98/0904
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    Keywords: Geschichte 1960-1985 ; Arts Exhibitions Political aspects 20th century ; History ; Arts Exhibitions Political aspects 20th century ; History ; Arts, Latin American Exhibitions 20th century ; Hispanic American arts Exhibitions 20th century ; Women artists Exhibitions ; Hispanic American women artists Exhibitions ; Künstlerin ; Kunst ; Lateinamerika ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Ausstellungskatalog Brooklyn Museum 13.04.2018-22.07.2018 ; Bildband ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Lateinamerika ; Frauenkunst ; Frau ; Geschichte 1960-1985
    Abstract: "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history"--
    Note: Seite 375: "Published on the occasion of the exhibition Radical Women: Latin American Art, 1960-1985, organized and presented by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA ... The exhibition is guest curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero ... Exhibition Itinerary Hammer Museum, Los Angeles September 15-December 31, 2017, Brooklyn Museum April 13-July 22, 2018." , Includes bibliographical references and index , Text englisch
    URL: Cover
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  • 78
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137538314
    Language: English
    Pages: 1 Online-Ressource (xiii 305 Seiten) , 2 Illustrationen
    Series Statement: The Holocaust and its contexts
    Parallel Title: Erscheint auch als
    DDC: 306.09
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    Keywords: Libeskind, Daniel ; Jüdisches Museum Berlin ; History ; Judaism and culture ; Historiography ; Europe / History—1492- ; Civilization / History ; Architecture ; Cultural History ; Memory Studies ; Jewish Cultural Studies ; Architectural History and Theory ; History of Modern Europe ; Architektur ; Geschichte ; Architektur ; Kollektives Gedächtnis ; Judenvernichtung ; Ethik ; Europa ; Museumsbau des Jüdischen Museums Berlin ; Libeskind, Daniel 1946- ; Jüdisches Museum Berlin ; Architektur ; Ethik ; Kollektives Gedächtnis ; Museumsbau des Jüdischen Museums Berlin ; Judenvernichtung ; Kollektives Gedächtnis ; Ethik
    URL: Volltext  (lizenzpflichtig)
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  • 79
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 80
    ISBN: 9780500293478
    Language: English
    Pages: 352 Seiten , Illustrationen
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    Keywords: Face (London, England) ; Face ; British periodicals ; British periodicals ; Culture ; Fashion ; Fashion ; Music ; Music ; History ; Periodicals ; Aufsatzsammlung ; The face ; Lebensstil ; Mode
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  • 81
    ISBN: 9781531701444 , 1531701442
    Language: English
    Pages: 1 DVD-Video (circa 60 min) , farbig, stereo, Regionalcode 1, NTSC
    Edition: Widescreen version
    DDC: 305.800973
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    Keywords: Griffith, D. W. 1875-1948 Criticism and interpretation ; Trotter, William Monroe 1872-1934 Griffith, D. W. 1875-1948 ; Trotter, William Monroe 1872-1934 ; Birth of a nation (Motion picture : 1915) Birth of a nation (Motion picture : 1915) ; 1900-1999 ; African American editors Massachusetts ; Boston ; Video recordings for the hearing impaired ; African American editors ; Race relations ; Video recordings for the hearing impaired ; United States Race relations ; History ; 20th century ; Massachusetts ; Boston ; United States ; Film ; DVD-Video
    Abstract: "In 1915, African American newspaper editor and civil rights activist William Monroe Trotter waged a battle against D.W. Griffith's notoriously Ku Klux Klan-friendly blockbuster The Birth of a Nation, which unleashed a fight still raging today about race relations and representation, and the power and influence of Hollywood. Birth of a Movement features commentary from Spike Lee, Reginald Hudlin, Henry Louis Gates, Jr., and DJ Spooky (who created a new score and remix of the Griffith film), and numerous clips from the technically groundbreaking but racially astounding epic"--Case
    Note: widescreen , Dokumentarfilm. USA. 2016 , Sprachfassung: Englisch , Untertitel: Englisch
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  • 82
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    Albany : Excelsior Editions
    ISBN: 9781438466996
    Language: English
    Pages: xiii, 193 Seiten , 25 cm
    Parallel Title: Erscheint auch als Riccio, Anthony V., author From Italy to the North End
    DDC: 305.800974461
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    Keywords: Italian Americans Pictorial works History 20th century ; Italian Americans Biography ; Pictorial works ; Immigrants Biography ; Pictorial works ; Little Italies Pictorial works History 20th century ; North End (Boston, Mass.) Pictorial works Ethnic relations 20th century ; History ; North End (Boston, Mass.) Pictorial works Social life and customs 20th century ; Boston (Mass.) Pictorial works Ethnic relations 20th century ; History ; Boston (Mass.) Pictorial works Social life and customs 20th century ; Bildband ; Biografie ; Bildband
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  • 83
    ISBN: 3837639150 , 9783837639155
    Language: German
    Pages: 401 Seiten , Illustrationen , 23 cm, 618 g
    Series Statement: Edition Museum Band 25
    Series Statement: Edition Museum
    Uniform Title: Geschichte des Museumsobjektes (1968-2000)
    Parallel Title: Erscheint auch als Schulze, Mario, 1986 - Wie die Dinge sprechen lernten
    Parallel Title: Erscheint auch als Schulze, Mario, 1986 - Wie die Dinge sprechen lernten
    Dissertation note: Dissertation Universität Zürich 2015
    DDC: 069.501
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    Keywords: Museum techniques History 20th century ; Museum Collection management 20th century ; History ; Ausstellung ; Exponat ; Inszenierung ; Museumskunde ; Museum ; Szenographie ; Hochschulschrift ; Hochschulschrift ; Historisches Museum Frankfurt ; Museum der Dinge ; Exponat ; Präsentation ; Geschichte 1968-2000 ; Museum ; Exponat ; Geschichte
    Note: Quellen- und Literaturverzeichnis: Seite 353-401 , "Die Doktorarbeit, die diesem Buch zugrunde liegt, wurde von Philipp Sarasin und Anke te Heesen betreut." (ungezählte Seite 351)
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  • 84
    ISBN: 9780262036238
    Language: English
    Pages: xv, 420 Seiten , Illustrationen
    DDC: 306.4/842097309045
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    Keywords: Sound recordings Social aspects 20th century ; History ; Sound recording industry History 20th century ; Bildband ; Bildband ; USA ; Schallplatte ; Cover ; Geschichte 1930-1970
    Note: Includes bibliographical references (pages 391-406) and index
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  • 85
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    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Bildband ; Katalog ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 86
    ISBN: 9781910807194
    Language: English
    Pages: xii, 335 Seiten, 64 ungezählte Seiten , Illustrationen
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    Keywords: Collectors and collecting Europe ; History ; 16th century ; Collectors and collecting Europe ; History ; 17th century ; Museums Europe ; History ; Konferenzschrift 1983 ; Museum ; Sammeln ; Geschichte 1500-1800 ; Museum ; Geschichte 1500-1800 ; Raritätenkammer ; Geschichte 1500-1800
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  • 87
    ISBN: 311044075X , 9783110440751
    Language: English
    Pages: VIII, 290 Seiten , Illustrationen , 24 cm
    Series Statement: Concepts for the study of culture Volume 6
    Series Statement: Concepts for the study of culture
    Parallel Title: Erscheint auch als Kippenberg, Hans G, Mersmann, Birgit humanities between global integration and cultural diversity
    Parallel Title: Erscheint auch als Global integration and Cultural Diversity (Veranstaltung : 2012 : Bremen) The humanities between global integration and cultural diversity
    DDC: 001.3
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    Keywords: Humanities History 20th century ; Humanities History 21st century ; Humanities Social aspects ; History ; Globalization Social aspects ; History ; Cultural pluralism History ; Transnationalism History ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Geisteswissenschaften ; Globalisierung ; Multikulturelle Gesellschaft ; Geisteswissenschaften ; Globalisierung ; Multikulturelle Gesellschaft
    Abstract: "The disposition of the humanities formed in the age of modernity has come under scrutiny. Pushed by digitization, globalization, and new concepts for the study of culture, the humanities were forced to reorient themselves. Focusing on the relational dynamics between global integration and cultural diversification, this volume explores the transdisciplinary and transnational reconfiguration of the humanities under the impact of globalization"--Provided by publisher
    Abstract: Introduction: Reconfiguring the humanities / Birgit Mersmann and Hans G. Kippenberg -- Part I. Transnational interpolations of the humanities -- Transnational history versus international history : a case of revisionism? / Corinna R. Unger -- The transnational study of culture : a plea for translation / Doris Bachmann-Medick -- Migrant, nomad, traveler : towards a transnational art history / Burcu Dogramaci -- Art history and the culture of the image : a manifesto for global art history / Birgit Mersmann -- Part II. Revisions of modernity with and against globality -- Globality and modernity : making concepts raise research questions / Göran Therborn -- "African Renaissance" : between Pan-African rhetoric and the reality of national identity politics / Rainer Tetzlaff -- Feeling modern : narratives of slavery as entangled literary history / Elahe Haschemi Yekani -- Theses on the future of language / Jürgen Trabant -- Western modernism at and beyond the margins : František Kupka and Margaret Preston / Isabel Wünsche -- Modern work and identity / Klaus Kornwachs -- Part III. Per/versions of cultural diversity : including exclusions -- Global pressures and cultural relativity : the case of media anthropology / K. Ludwig Pfeiffer -- Long-term power presentation shifts : from key audio-visual narratives to an update of Elias's theory on the process of civilization / Peter Ludes -- Inner language spaces : migration and plurilingualism from a psycholinguistic -- Perspective / Bettina Lindorfer -- Relational diversity : religious pluralization and politics of cohesion / Alexander-Kenneth Nagel -- Manifesting religion in public : a universal human right, an international law, national restrictions / Hans G. Kippenberg -- Part IV. Peroration -- Devolvement : from modern humanities towards global humanities / Birgit Mersmann and Hans G. Kippenberg
    Note: ""Global Integration and Cultural Diversity" - under this topical heading the opening conference of the Humanities Research Center at the international Jacobs University in Bremen (2012), studied the role of the humanities, including the social sciences, at the threshold of modernization and globalization." (Preface)
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  • 88
    Online Resource
    Online Resource
    New York, New York : Oxford University Press
    ISBN: 9780199844968
    Language: English
    Pages: 1 online resource (289 pages)
    Parallel Title: Erscheint auch als Worster, Donald, 1941 - Shrinking the earth
    DDC: 304.2097
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    Keywords: Nature Effect of human beings on ; Human ecology North America ; History ; Electronic books
    Abstract: Donald Worster engages with key political, economic, and environmental thinkers while presenting his own interpretation of the role of capitalism and government in issues of wealth, abundance, and scarcity. Acknowledging the earth's agency throughout human history, Shrinking the Earth offers a compelling explanation of how we have arrived where we are today and a hopeful way forward on a planet that is no longer as large as it once was.
    Abstract: Cover -- Shrinking the Earth -- Copyright -- Dedication -- Contents -- List of Images of Earth -- Acknowledgments -- Prologue -- Gatsby's Green Light -- Part I Second Earth -- Chapter 1: The Discovery of Natural Abundance -- Chapter 2: Many Revolutions Follow -- Chapter 3: Ultimately, Stability -- Field trip: Nantucket Island -- Part II After the Frontier -- Chapter 4: The Watershed -- Chapter 5: Land of Coal and Steel -- Chapter 6: The Resourceful State -- Field trip: Imperial Valley -- Part III Planet of Limits -- Chapter 7: Plunder and Plenty -- Chapter 8: The Wolf at the Door -- Chapter 9: Earth's Boundaries -- Field trip: Athabasca River -- Epilogue -- Life on a Pale Blue Dot -- Notes -- Index.
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  • 89
    ISBN: 3868216960 , 9783868216967
    Language: German
    Pages: 463 Seiten , Illustrationen , 21 cm, 664 g
    Series Statement: Filmgeschichte international Band 24
    Series Statement: Filmgeschichte international
    Dissertation note: Dissertation Universität Trier 2009
    DDC: 791.43094309041
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    Keywords: Motion picture audiences History 20th century ; Motion pictures and women History 20th century ; Motion pictures History 20th century ; Motion pictures Appreciation 20th century ; History ; Advertising Motion pictures 20th century ; History ; Hochschulschrift ; Deutschland ; Film ; Rezeption ; Frau ; Kino ; Filmvorführung ; Strukturwandel ; Geschichte 1906-1918
    Note: Literaturverzeichnis Seite [437]-463
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  • 90
    ISBN: 3506777955 , 9783506777959
    Language: German
    Pages: 620 Seiten , Illustrationen, Karten , 25 cm
    DDC: 791.436581094
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    Keywords: Europäische Union ; Promotional films History 20th century ; Nationalism in motion pictures History 20th century ; Motion pictures Political aspects 20th century ; History ; National characteristics, European History 20th century ; Mitgliedsstaaten ; Medienpolitik ; Audiovisuelle Medien ; Film ; Meinungsbildung ; Politische Einstellung ; Politische Bildung ; Kommunikation ; Inhalt ; Europäisierung ; Europäische Integration ; EU-/EG-Länder Medienpolitik ; Audiovisuelle Medien ; Film ; Meinungsbildung ; Politische Meinung/Einstellung ; Politische Bildung ; Kommunikationsinhalte ; Europäisierung ; Europäische Integration ; EU-/EC countries Media policy ; Audiovisual media ; Films ; Opinion formation ; Political opinion/stance ; Political education ; Contents of communication ; Europeanization ; European integration ; Kultur Audiovisuelle Medien ; Filmwirtschaft ; Propaganda ; Europapolitik ; Weltkrieg 2. (1939-1945) ; Zweiter Weltkrieg ; Nachkriegssituation ; Kalter Krieg (Ost-West-Konflikt) ; Versöhnung ; Vergangenheitsbewältigung ; Europäische Wirtschaftsgemeinschaft ; Transatlantische Beziehungen ; European Recovery Program ; Culture Audiovisual media ; Film industry ; Europe policy ; World War 2 (1939-1945) ; Second World War ; Postwar situation ; Cold War (East-West conflict) ; Reconciliation ; Coming to terms with the past ; Transatlantic relations ; Marshall-Plan ; Europe Economic integration ; Europe In motion pictures 20th century ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Werbefilm ; Europäische Integration ; Politische Identität ; Geschichte 1949-1975
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  • 91
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Language: English
    Pages: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Series Statement: Art history publication initiative
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Keywords: Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Description / Table of Contents: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Note: Includes bibliographical references (pages 319-333) and index
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  • 92
    Online Resource
    Online Resource
    Durham, [England] ; : Duke University Press
    ISBN: 9780822374466
    Language: English
    Pages: 1 online resource (329 pages).
    Series Statement: Console-Ing Passions Ser
    Parallel Title: Imre, Anikó TV socialism
    DDC: 791.450947
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    Keywords: Television and politics - Europe, Eastern ; Television broadcasting Europe, Eastern ; History ; 20th century ; Socialism Europe, Eastern ; History ; 20th century ; Television broadcasting Social aspects ; Europe, Eastern ; Television programs Europe, Eastern ; Television and politics Europe, Eastern ; Electronic books ; Osteuropa ; Fernsehen ; Sozialismus
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction: Why Do We Need to Talk about Socialism and TV? -- Part I: Genres of Realism and Reality -- Chapter 1: From Socialist Realism to Emotional Realism -- Chapter 2: Tele-education -- Chapter 3: Crime Appeal -- Chapter 4: The Great Socialist Game (Show) -- Chapter 5: Postsocialist Ethno-Racial Reality TV -- Part II: Genres of History -- Chapter 6: The Historical Adventure Drama -- Chapter 7: Postsocialist Nostalgia and European Historical Drama -- Chapter 8: Commercials as Time-Space Machines -- Part III: Genres of Fiction -- Chapter 9: Women and TV -- Chapter 10: Socialist Soaps -- Part IV: Genres of Humor -- Chapter 11: Socialist Comedy -- Chapter 12: (Post)socialist Political Satire -- Afterword: Afterward -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    URL: Volltext  (lizenzpflichtig)
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  • 93
    ISBN: 9783319327389
    Language: English
    Pages: Online-Ressource (IX, 310 p. 14 illus, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Social Sciences
    Parallel Title: Druckausg. Hallonsten, Olof Big science transformed
    Parallel Title: Printed edition
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    Keywords: Social sciences ; Religion and culture ; Social Sciences ; History ; Philosophy and science ; Popular works ; Sociology ; Industrial sociology ; Culture. ; Europa ; USA ; Wissenschaft ; Industriesoziologie ; Arbeitssoziologie ; Europa ; USA ; Wissenschaft ; Industriesoziologie ; Arbeitssoziologie
    Abstract: This book analyses the emergence of a transformed Big Science in Europe and the United States, using both historical and sociological perspectives. It shows how technology-intensive natural sciences grew to a prominent position in Western societies during the post-World War II era, and how their development cohered with both technological and social developments. At the helm of post-war science are large-scale projects, primarily in physics, which receive substantial funds from the public purse. Big Science Transformed shows how these projects, popularly called 'Big Science', have become symbols of progress. It analyses changes to the political and sociological frameworks surrounding publicly-funding science, and their impact on a number of new accelerator and reactor-based facilities that have come to prominence in materials science and the life sciences. Interdisciplinary in scope, this book will be of great interest to historians, sociologists and philosophers of science
    Abstract: Chapter 1. Introduction and Framework -- Chapter 2. History and Politics -- Chapter 3. Organization -- Chapter 4. Resilience and Renewal -- Chapter 5. Users and Productivity -- Chapter 6. Socio-Economic Expectations and Impacts -- Chapter 7. The Implications of Transformation
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 94
    ISBN: 9781137594204
    Language: English
    Pages: 1 Online-Ressource (VIII, 290 p. 9 illus. in color)
    Series Statement: Palgrave Studies in the History of Science and Technology
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: History ; Intellectual life History ; Historical sociology ; History ; Intellectual life History ; Historical sociology
    Abstract: This book looks at the types of new research organizations that drive scientific innovation and how ground-breaking science transforms research fields and their organization. Based on historical case studies and comparative empirical data, the book presents new and thought-provoking evidence that improves our knowledge and understanding about how new research fields are formed and how research organizations adapt to breakthroughs in science. While the book is firmly based in science history, it discusses more general sociological and policy propositions regarding scientific innovations and organizational change. The volume brings together leading scholars both from the United States and Europe
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    ISBN: 9783319258652
    Language: English
    Pages: 1 Online-Ressource (XI, 342 p. 54 illus. in color)
    Edition: 1st ed. 2016
    Series Statement: Archimedes, New Studies in the History and Philosophy of Science and Technology 45
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als A mathematician's journeys
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    Keywords: History ; Mathematics ; Physics ; History ; Mathematics ; Physics ; Neugebauer, Otto 1899-1990 ; Mathematik ; Astronomie ; Geschichte
    Abstract: This book explores facets of Otto Neugebauer's career, his impact on the history and practice of mathematics, and the ways in which his legacy has been preserved or transformed in recent decades, looking ahead to the directions in which the study of the history of science will head in the twenty-first century. Neugebauer, more than any other scholar of recent times, shaped the way we perceive premodern science. Through his scholarship and influence on students and collaborators, he inculcated both an approach to historical research on ancient and medieval mathematics and astronomy through precise mathematical and philological study of texts, and a vision of these sciences as systems of knowledge and method that spread outward from the ancient Near Eastern civilizations, crossing cultural boundaries and circulating over a tremendous geographical expanse of the Old World from the Atlantic to India
    URL: Volltext  (lizenzpflichtig)
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  • 96
    ISBN: 9783658072162
    Language: German
    Pages: Online-Ressource (XII, 437 S, online resource)
    Edition: 1. Aufl. 2015
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Mitgemacht
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    Keywords: Political Science and International Relations ; Political science ; History ; Political science ; History ; Nationalsozialismus ; Eschenburg, Theodor 1904-1999 ; Arisierung ; Kontroverse ; Geschichte
    Abstract: „Theodor Eschenburg und der Raub jüdischer Vermögen 1938/39“ -- „Zwischen loyalitätsbedingter Abwehrreaktion und kritischer Distanz“ -- „Die Eschenburg-Debatte“.
    Abstract: 2011 brach die 'Eschenburg-Kontroverse' aus, als Theodor Eschenburg - Industrieverbandsfunktionär 1933-45, Lehrstuhlinhaber seit 1952 - die Beteiligung an einer ersten 'Arisierung' nachgewiesen wurde. Anhänger und Verehrer, die er ausgebildet, promoviert, habilitiert hatte, hielten an ihrem Ideal fest. 2013 schaffte die Deutsche Vereinigung für Politische Wissenschaft den nach ihm benannten Lebenswerk-Preis trotzdem ab. Dieser Band enthält Faksimiles der archivalischen Belege. Er dokumentiert und kommentiert die Kontroverse und ordnet sie ein in die aktuellen Debatten um Zeithistoriker und spätere Politologen im „Dritten Reich“. Gleichzeitig treibt der Kommentar Rainer Eisfelds die Forschung über Eschenburg weiter voran durch Auswertung bislang nicht oder nur teilweise genutzter Archivbestände. "Ein wichtiger Beitrag zur Rolle der 'Geisteswissenschaftler' im Nationalsozialismus, den niemand umgehen kann" (Peter Schöttler, Paris/Berlin, Herausgeber des Bandes Geschichtsschreibung als Legitimationswissenschaft 1918-1945). Der Inhalt Die Debatte: Zwischen Abwehrreaktion und kritischer Distanz. - Theodor Eschenburg und die Plünderung jüdischer Vermögen. - Dokumente und Aufsätze. Die Zielgruppe Dozentinnen und Dozenten sowie Studierende der Zeitgeschichte und Politikwissenschaft Der Herausgeber Prof. em. Dr. Rainer Eisfeld war von 1974-2006 Professor für Politikwissenschaft an der Universität Osnabrück. 2002 lehrte er als Gastprofessor an der UCLA.
    Description / Table of Contents: „Theodor Eschenburg und der Raub jüdischer Vermögen 1938/39“„Zwischen loyalitätsbedingter Abwehrreaktion und kritischer Distanz“ -- „Die Eschenburg-Debatte“.
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    URL: Cover
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  • 97
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319253466
    Language: English
    Pages: 1 Online-Ressource (XII, 109 p. 5 illus. in color)
    Edition: 1st ed. 2016
    Series Statement: SpringerBriefs in History of Science and Technology
    Series Statement: Springer eBook Collection
    Series Statement: History
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als Hollings, Christopher, 1982 - Scientific communication across the Iron Curtain
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    Keywords: History ; Mathematics ; Ost-West-Konflikt ; Wissenschaftskommunikation ; Forschung ; Wissenschaftliche Literatur
    Abstract: This monograph provides a concise introduction to the tangled issues of communication between Russian and Western scientists during the Cold War. It details the extent to which mid-twentieth-century researchers and practitioners were able to communicate with their counterparts on the opposite side of the Iron Curtain. Drawing upon evidence from a range of disciplines, a decade-by-decade account is first given of the varying levels of contact that existed via private correspondence and conference attendance. Next, the book examines the exchange of publications and the availability of one side's work in the libraries of the other. It then goes on to compare general language abilities on opposite sides of the Iron Curtain, with comments on efforts in the West to learn Russian and the systematic translation of Russian work. In the end, author Christopher Hollings argues that physical accessibility was generally good in both directions, but that Western scientists were afflicted by greater linguistic difficulties than their Soviet counterparts whose major problems were bureaucratic in nature. This volume will be of interest to historians of Cold War science, particularly those who study communications and language issues. In addition, it will be an ideal starting pointing for anyone looking to know more about this fascinating area
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  • 98
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137497024
    Language: English
    Pages: 1 Online-Ressource (IX, 194 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: History ; Communication ; Motion pictures and television ; Military history ; Social sciences ; Motion pictures History ; United States History ; United States—Study and teaching. ; History ; Communication ; Motion pictures and television ; Motion pictures History ; United States History ; Military history ; Social sciences
    Abstract: The American Civil War was viscerally documented through panorama paintings, photography, and soldier testimonials, leaving behind representational principles that would later inform the development of war film genre codes. This book explores how each of these representational modes cemented different formulas for providing war stories with pathos
    URL: Volltext  (lizenzpflichtig)
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    URL: Cover
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  • 99
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137491732
    Language: English
    Pages: 1 Online-Ressource (XIII, 295 p)
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: History ; Great Britain History ; Sex (Psychology) ; Gender expression ; Gender identity ; Civilization History ; Sociology ; Popular works. ; History ; Great Britain History ; Civilization History ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity
    Abstract: Behind the Wireless tells the story of women at the BBC in the 1920s and 30s. Broadcasting was brand new in Britain and the BBC developed without many of the overt discriminatory practices commonplace at the time. Women were employed at all levels, except the very top, for instance as secretaries, documentary makers, advertising representatives, and librarians. Three women held Director level posts, Hilda Matheson (Director of Talks), Mary Somerville (Director of School Broadcasting), and Isa Benzie (Foreign Director). Women also produced the programmes aimed at female listeners and brought women broadcasters to the microphone. There was an ethos of equality and the chance to rise through the ranks from accounts clerk to accompanist. But lurking behind the façade of modernity were hidden inequalities in recruitment, pay, and promotion and in 1932 a marriage bar was introduced. Kate Murphy examines how and why the interwar BBC created new opportunities for women
    URL: Volltext  (lizenzpflichtig)
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  • 100
    ISBN: 9783110451115 , 9783110452181
    Language: English
    Pages: 1 Online-Ressource (VIII, 290 Seiten) , Illustrationen
    Series Statement: Concepts for the study of culture volume 6
    Series Statement: Concepts for the Study of Culture (CSC) 6
    Series Statement: De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Series Statement: Concepts for the study of culture
    Parallel Title: Erscheint auch als The humanities between global integration and cultural diversity
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    Keywords: Humanities History 20th century ; Humanities History 21st century ; Humanities Social aspects ; History ; Globalization Social aspects ; History ; Cultural pluralism History ; Transnationalism History ; SOCIAL SCIENCE / General ; Konferenzschrift ; Aufsatzsammlung ; Geisteswissenschaften ; Globalisierung ; Multikulturelle Gesellschaft
    Abstract: Modernization and digital globalization have proven to mark major thresholds where paradigmatic shifts and realignments take place. This volume aims to capture the reconfiguration of humanistic study between the forces of global integration and cultural diversification from a full range of disciplines within the humanities and social sciences. The key issue is discussed in three major parts. The first chapter examines transnational interpolations of the humanities as potential indicator for a globalizing humanistic research. The second chapter deals with humanistic revisions of modernity with and against globality. The third chapter discusses the ambiguous constitution of cultural diversity as a complement and counter-movement to global integration, ideologically moving between social cohesion and exclusion. The final chapter outlines what the threshold-crossing from modern to global humanities will mean for the future of humanistic research.The multidisciplinary study of culture within the history of the humanities documents and reflects the mobility and migration of its concepts and methods, moving and translating between disciplines, research traditions, historical periods, academic institutions, and the public sphere.
    Description / Table of Contents: Frontmatter -- -- Preface -- -- Table of Contents -- -- Introduction: Reconfiguring the Humanities -- -- Part I: Transnational Interpolations of the Humanities -- -- Transnational History versus International History: A Case of Revisionism ? -- -- The Transnational Study of Culture: A Plea for Translation -- -- Migrant, Nomad, Traveler – Towards a Transnational Art History -- -- Art History and the Culture of the Image: A Manifesto for Global Art History -- -- Part II: Revisions of Modernity with and against Globality -- -- Globality and Modernity: Making Concepts Raise Research Questions -- -- ‘African Renaissance’ – Between Pan-African Rhetoric and the Reality of National Identity Politics -- -- Feeling Modern: Narratives of Slavery as Entangled Literary History -- -- Theses on the Future of Language -- -- Western Modernism at and beyond the Margins: František Kupka and Margaret Preston -- -- Modern Work and Identity -- -- Part III: Per/versions of Cultural Diversity: Including Exclusions -- -- Global Pressures and Cultural Relativity: The Case of Media Anthropology -- -- Long-Term Power Presentation Shifts: From Key Audio-Visual Narratives to an Update of Elias’s Theory on the Process of Civilization -- -- Inner Language Spaces: Migration and Plurilingualism from a Psycholinguistic Perspective -- -- Relational Diversity: Religious Pluralization and Politics of Cohesion -- -- Manifesting Religion in Public: A Universal Human Right – An International Law – National Restrictions -- -- Part IV: Peroration -- -- Devolvement: From Modern Humanities towards Global Humanities -- -- List of Illustrations -- -- About the Authors -- -- Index -- -- Backmatter
    Note: ""Global Integration and Cultural Diversity" - under this topical heading the opening conference of the Humanities Research Center at the international Jacobs University in Bremen (2012), studied the role of the humanities, including the social sciences, at the threshold of modernization and globalization." (Preface)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
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