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  • History
  • Kunstgeschichte  (345)
  • Amerikanistik  (248)
  • Germanistik  (131)
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  • 1
    Buch
    Buch
    Locust Valley, NY : Augustin Publ.
    Dazugehörige Bände/Artikel
    Sprache: Englisch
    Seiten: 32 cm
    Serie: Artibus Asiae 25
    Serie: Suppl.
    DDC: 709/.591
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    Schlagwort(e): Art ; Burma ; Pagan ; Pagan (Burma) ; History ; Pagan ; Kunst
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  • 2
    Sprache: Unbestimmte Sprache
    DDC: 305.896073
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    Schlagwort(e): Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 3
    ISBN: 0856670022
    Sprache: Englisch
    Seiten: 31 cm
    DDC: 759.954
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    Schlagwort(e): Miniature painting ; India ; Punjab ; History
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  • 4
    Sprache: Unbestimmte Sprache
    DDC: 305.896073
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    Schlagwort(e): Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 5
    Sprache: Deutsch
    Seiten: 31 cm
    Suppl.: Rezension in [Rezension von: Die Parler und der Schöne Stil, 1350 - 1400; europäische Kunst unter den Luxemburgern, 4, Das internationale Kolloquium vom 5. bis zum 12. März 1979 anlässlich der Ausstellung des Schnütgen-Museums in der Kunsthalle Köln, hrsg. von Anton Legner] 1982
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    Schlagwort(e): Parler family ; Exhibitions ; Parler, Peter ; 1330-1399 ; Exhibitions ; Art, Late Gothic ; Exhibitions ; Holy Roman Empire ; History ; House of Luxemburg, 1308-1437 ; Exhibitions ; Ausstellungskatalog ; Luxemburger Dynastie ; Gotik ; Geschichte 1350-1520 ; Parler Familie ; Geschichte 1350-1400 ; Weicher Stil
    Anmerkung: Bd. 1 - 3 mit dem Zusatz zum Hauptsacht.: Ein Handbuch zur Ausstellung des Schnütgen-Museums in der Kunsthalle Köln , Gesamtherstellung [der Bde 1 - 3]: Greven & Bechtold, Köln , 1 - 4, Resultatband mit Beilage
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  • 6
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
    DDC: 781.650973
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 7
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478025702 , 9781478020967
    Sprache: Englisch
    Seiten: xii, 242 Seiten , Illustrationen
    Serie: Anima
    Serie: critical race studies otherwise
    Paralleltitel: Erscheint auch als Luciano, Dana How the earth feels
    Paralleltitel: Erscheint auch als Luciano, Dana How the earth feels
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    Schlagwort(e): c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Kurzfassung: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Kurzfassung: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Beschreibung / Inhaltsverzeichnis: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Anmerkung: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
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    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 9
    Buch
    Buch
    Bristol, UK : Intellect Books
    ISBN: 9781789387742 , 1789387744
    Sprache: Englisch
    Seiten: xv, 164 Seiten , Illustrationen , 21 cm
    Paralleltitel: Erscheint auch als
    DDC: 700.103
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    Schlagwort(e): Homosexuality and the arts History ; Art and social action History ; Gay liberation movement History ; Gay artists Political activity ; History ; Großbritannien ; Kunsthandwerk ; LGBT ; Geschichte 2015-
    Anmerkung: Includes bibliographical references and index
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  • 10
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Sprache: Englisch
    Seiten: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Paralleltitel: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Schlagwort(e): 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Kurzfassung: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Kurzfassung: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
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  • 11
    ISBN: 9780774890649
    Sprache: Englisch
    Seiten: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Schlagwort(e): Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Kurzfassung: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Anmerkung: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 12
    Buch
    Buch
    Chicago ; London :The University of Chicago Press,
    ISBN: 978-0-226-81642-5 , 978-0-226-81641-8
    Sprache: Englisch
    Seiten: 195 Seiten.
    Serie: Thinking literature
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): United States ; 1900-1999 ; Geschichte 1955-1980 ; African American philosophy ; Philosophy, German ; African American aesthetics ; African Americans / Intellectual life / 20th century ; Critical theory / History ; Criticism / United States / History ; American literature / African American authors / German influences ; Critical theory ; Criticism ; African Americans / Intellectual life ; Schwarze. ; Identität. ; Kritische Theorie. ; Phänomenologie. ; USA. ; History ; Schwarze ; Identität ; Kritische Theorie ; Phänomenologie ; Geschichte 1955-1980
    Kurzfassung: "Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge"--
    Beschreibung / Inhaltsverzeichnis: The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory
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  • 13
    Buch
    Buch
    New York : Pantheon Books
    ISBN: 9781524748173
    Sprache: Englisch
    Seiten: 197 Seiten , Illustrationen
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als Jefferson, Margo, 1947- Constructing a nervous system
    DDC: 305.896/073
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    Schlagwort(e): Jefferson, Margo ; African American women Biography ; African American women critics Biography ; African Americans Race identity ; African Americans Intellectual life ; African Americans Social life and customs ; United States Anecdotes Race relations ; History ; United States Anecdotes Social life and customs
    Kurzfassung: "Stunning for her daring originality, the author of Negroland gives us what she calls "a temperamental autobiography," comprised of visceral, intimate fragments that fuse criticism and memoir. Margo Jefferson constructs a nervous system with pieces of different lengths and tone, conjoining arts writing (poem, song, performance) with life writing (history, psychology). The book's structure is determined by signal moments of her life, those that trouble her as well as those that thrill and restore. In this nervous system: The sounds of a black spinning disc of a 1950's jazz LP as intimate and instructive as a parent's voice. The muscles and movements of a ballerina, spliced with those of an Olympic runner: template for what a female body could be. Harriet Beecher Stowe's Topsy finds her way into the art of Kara Walker and the songs of Cécile McLorin Salvant. Bing Crosby and Ike Turner become alter egos. W.E.B. DuBois and George Eliot meet illicitly, as he appropriates lines from her story "The Hidden Veil" to write his famous "behind the veil" passages in The Souls of Black Folk. The words of multiple others (writers, singers, film characters, friends, family) act as prompts and as dialogue. The fragments of this brilliant book, while not neglecting family, race, and class, are informed by a kind of aesthetic drive: longing, ecstasy, or even acute ambivalence. Constructing a nervous system is Jefferson's relentlessly galvanizing mis en scene for unconventional storytelling as well as a platform for unexpected dramatis personae"--
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  • 14
    ISBN: 9781541647176
    Sprache: Englisch
    Seiten: vii, 405 Seiten , Illustrationen , 25 cm
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 305.420907471
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    Schlagwort(e): Glaspell, Susan ; Heterodoxy ; Geschichte 1912 ; Feminismus ; Künstlerinnenvereinigung ; New York- Greenwich Village ; Heterodoxy (Club) / History ; Feminism / New York (State) / New York / History / 20th century ; Greenwich Village (New York, N.Y.) / History / 20th century ; Féminisme / New York (État) / New York / Histoire / 20e siècle ; Heterodoxy (Club) ; Feminism ; New York (State) / New York ; New York (State) / New York / Greenwich Village ; SOCIAL SCIENCE / Sociology / General ; 1900-1999 ; History ; Glaspell, Susan 1876-1948 ; New York- Greenwich Village ; Heterodoxy ; Feminismus ; Künstlerinnenvereinigung ; Geschichte 1912
    Kurzfassung: "On a Saturday afternoon in New York in late 1912, around the plain wooden tables of Polly's Restaurant in Greenwich Village, a group of women gathered, all of them convinced that they were going to change the world. It was the first meeting of "Heterodoxy," a secret supper club. The goals of the group were simple: They would meet to talk about their lives, their politics, and the still-not widely recognized idea that women were fundamentally equal to men. In a move of liberation, they kept no records of their meetings, leaving them free to discuss a new term borrowed from the French: feminism. Together, the women of Heterodoxy fostered not only a community, but a movement. The club became a defining agent within the Greenwich Village radical scene in the 1910s. Its members were passionate advocates of free love, equal marriage, and easier divorce; several lived openly in same-sex relationships.
    Kurzfassung: The friendships of Heterodoxy made their unconventional lives possible, through its reassurance that other women felt differently about the world and wanted more from it than they had been raised to expect. Wealthy hostess Mabel Dodge invited artists to mingle with socialites and socialists at her apartment near Washington Square Park. Feminist rabble-rouser Henrietta Rodman turned the Liberal Club's headquarters into a home for plays, parties, and politics. Playwright Susan Glaspell launched the groundbreaking theater collective the Provincetown Players out of the summer home of her Heterodoxy friend Mary Heaton Vorse. For these women, everything from the way they dressed to the causes they championed was self-consciously new, and the daily pursuit of a future they were trying to imagine into being was exhausting. They needed each other; as inspiration and support, as friends and lovers.
    Kurzfassung: Perfect for readers of The Barbizon and At The Existentialist Café, Hotbed is the never-before-told story of the bold women whose radical ideas, unruly lives, and extraordinary friendships blazed the trail for female ambition"--
    Beschreibung / Inhaltsverzeichnis: Introduction: a little world for us -- Way down south in Greenwich Village -- The type has changed -- The rebel girls and the mink brigade -- The new abolitionists -- What we want is a revolution -- To dynamite New York -- Femi-what? -- "That Mr. Freud, does he live in Greenwich Village?" -- Suppressed desires -- "The baby is the great problem" -- How long must we wait? -- A woman's war against war -- Pacifism versus patriotism -- Red scare, red summer -- The future of feminism
    Anmerkung: Includes bibliographical references and index
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  • 15
    ISBN: 9780262045001
    Sprache: Englisch
    Seiten: xiv, 262 Seiten , Illustrationen
    Serie: Leonardo
    Paralleltitel: Erscheint auch als Century, Michael Northern sparks
    DDC: 302.23/10971
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    Schlagwort(e): Technological innovations History 20th century ; Digital media History 20th century ; Technology Government policy 20th century ; History ; Technology and the arts History 20th century ; Kanada ; Medienkunst ; Geschichte 1967-
    Kurzfassung: An episode of light : Canada from 1967-92 -- Norman McLaren and proto-computationality -- Hunger/la faim : when the Canadian computer had a hand and the American, an eye -- Calculated motions : gesture and expression at the interface -- Tuning, tundra, and treasure : Canada's expanded musicality -- Two faces of cultural networking -- Contesting a "new medium" : virtual reality as cultural probe -- Après le déluge : periodizing Canada's episode of light.
    Kurzfassung: "Northern Sparks explores modern Canadian innovation in media arts and technology since 1967, focusing on the intersection of art, science, technology, and policy"--
    Anmerkung: Includes bibliographical references and index
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  • 16
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    Jackson : University Press of Mississippi
    ISBN: 9781496840448 , 9781496840455
    Sprache: Englisch
    Seiten: X, 175 Seiten
    Serie: Margaret Walker Alexander series in African American studies
    Paralleltitel: Erscheint auch als Abdul-Ghani, Casarae Lavada Start a riot!
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement ; African American arts Political aspects 20th century ; History ; Arts Political aspects 20th century ; History ; Black nationalism History 20th century ; United States Race relations 20th century ; History ; Black arts movement ; Literatur ; Aufruhr
    Kurzfassung: Acknowledgments --Introduction: "I'm gonna start a riot!" --Chapter 1: The inability to compromise: examining Black rage and revolt in the revolutionary theatre of Amiri Baraka and Ben Caldwell --Chapter 2: "Blackblues": The BAM aesthetic and Black rage in Gwendolyn Brooks's "Riot" --Chapter 3: The crisis of Black revolutionary politics in Sonia Sanchez's "The Bronx Is next" (and "Sister Son/ji") --Chapter 4: Black politics and the neoliberal dilemma in Henry Dumas's "Riot or revolt?" --Epilogue --Notes --Bibliography --Index.
    Kurzfassung: "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--
    Anmerkung: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 17
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226793016 , 9780226793153
    Sprache: Englisch
    Seiten: 275 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Probst, Peter What is African art?
    Paralleltitel: Erscheint auch als Probst, Peter What is African art?
    DDC: 709.6
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    Schlagwort(e): Art, African Study and teaching ; History ; Art, African Historiography ; Afrika ; Kunst ; Kolonialismus ; Postkolonialismus ; Geschichte
    Kurzfassung: "What do we have in mind when we talk about African art? This book examines the shifting answers to that question. Fluidly written, it is the first book to explore the full historical arc of the invention and development of the category of "African art" and the academic field of African art history. It is meant to be an accessible guide through the history of the field, showing us how it started and has changed from its contested beginnings until today. Peter Probst helps the reader understand how Africanists have continuously filled the notion of African art with new meanings and why these shifts manifest wider societal transformations. The book covers three key stages in the field's history, starting with the late nineteenth through mid-twentieth century. Here Probst focuses on museums, processes of collecting, photography's role in disseminating visual culture, and how early anthropologists and art historians-and artists-imbued collected objects with values that spoke to scientific debates about the evolution and diffusion of culture prominent at the time. Probst then explores the rise of Black Atlantic studies in the 1970s and 1980s, when African art history fell under the gaze of African American critique and saw an explosion of interest in contemporary African art. Finally, he examines the postcolonial reconfiguration of the field driven by questions of heritage, reparation, and the "crisis of representation." Probst believes that if the study of African art is to move in productive new directions, we must look to how the field is evolving in Africa for new models of inquiry"--
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  • 18
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Sprache: Englisch
    Seiten: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Schlagwort(e): Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Kurzfassung: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 19
    ISBN: 1734248513 , 9781734248517
    Sprache: Englisch
    Seiten: 269 Seiten , 27 cm
    Ausgabe: First edition
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    Schlagwort(e): Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Kurzfassung: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Anmerkung: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 20
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Sprache: Englisch
    Seiten: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Schlagwort(e): Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Anmerkung: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 21
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    Waltham : Brandeis University Press
    ISBN: 9781684581412
    Sprache: Englisch
    Seiten: xviii, 462 Seiten , Illustrationen , 23 cm
    Ausgabe: New edition ; with a new preface by the editors
    Paralleltitel: Erscheint auch als
    DDC: 305.48896073009034
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    Schlagwort(e): Geschichte ; Politische Beteiligung ; Schwarze Frau ; Feminismus ; Geistesleben ; Weibliche Intellektuelle ; USA ; African American women / Intellectual life / 19th century ; African American women / Biography ; African American intellectuals / Biography ; African American women / Political activity / History / 19th century ; African Americans / Politics and government / 19th century ; African American philosophy ; Feminism / United States / History / 19th century ; African American intellectuals ; African American philosophy ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Politics and government ; Feminism ; United States ; 1800-1899 ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Weibliche Intellektuelle ; Politische Beteiligung ; Feminismus ; Geistesleben ; Geschichte
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  • 22
    ISBN: 9783406791543 , 3406791549
    Sprache: Deutsch
    Seiten: 164 Seiten , 5 Illustrationen , 21 cm
    Serie: C.H. Beck textura
    Serie: textura
    Paralleltitel: Erscheint auch als Bois, W. E. B. Du 'Along the color line'
    DDC: 943
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    Schlagwort(e): Du Bois, W. E. B Travel ; 1900-1999 ; Racism History 20th century ; Antisemitismus ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Racisme - Allemagne - Histoire - 20e siècle ; Civilization ; Social conditions ; Travel ; Germany Race relations 20th century ; Political aspects ; History ; Germany Politics and government 1933-1945 ; Germany Description and travel ; Germany Social conditions 1933-1945 ; Germany Civilization 20th century ; Allemagne - Relations raciales - Aspect politique - Histoire - 20e siècle ; Allemagne - Politique et gouvernement - 1933-1945 ; Allemagne - Descriptions et voyages ; Allemagne - Conditions sociales - 1933-1945 ; Allemagne - Civilisation - 20e siècle ; Germany ; Reisebericht ; Reisebericht ; Afrikaner ; Schwarze ; Person of Color ; Nationalsozialismus ; Diskriminierung ; Sozialgeschichte ; Rassendiskriminierung ; Rassismus ; Deutschland ; Reisebericht ; Drittes Reich ; Antisemitismus ; Geschichte 1936
    Kurzfassung: 1936 reist der afroamerikanische Bürgerrechtler W.E.B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch
    Kurzfassung: 1936 reist der afroamerikanische Bürgerrechtler W. E. B. Du Bois nach Deutschland. Als Kritiker des Rassismus in den USA beobachtet er das Leben in der totalitären Diktatur und die Entrechtung der Juden. Seine Reportagen aus diesen Monaten erscheinen hier erstmals auf Deutsch. 1936 reist der afroamerikanische Soziologe W. E. B. Du Bois zu einem mehrmonatigen Forschungsaufenthalt ins nationalsozialistische Deutschland. Als scharfer Kritiker des Rassismus in seinem eigenen Land beobachtet er den Antisemitismus und die Entrechtung der Juden im "Dritten Reich". Seine wöchentlichen Reportagen aus diesen Monaten erscheinen hier zum ersten Mal in deutscher Sprache. Du Bois berichtet über die Wagner-Festspiele in Bayreuth und das Deutsche Museum in München, über deutsche Bierlokale und die Olympischen Spiele in Berlin, bei denen auch schwarze Sportler antreten. Mit der Vertrautheit des Deutschlandkenners und dem fremden Blick des schwarzen Amerikaners betrachtet er die totalitäre Diktatur. Du Bois beobachtet entlang der "Farbenlinie", "along the color line", und stellt überrascht fest, dass er persönlich kaum Diskriminierung erfährt. Umso mehr erschüttert ihn die Verfolgung der Juden: «Sie übertrifft an rachsüchtiger Grausamkeit und öffentlicher Herabwürdigung alles, was ich je erlebt habe», fasst er seine Eindrücke zusammen, «und ich habe einiges erlebt»
    Beschreibung / Inhaltsverzeichnis: Intro -- Titel -- Frontispiz -- Zum Buch -- Über die Autoren -- Inhalt -- Vorbemerkung zur historischen Begrifflichkeit -- W. E. B. Du Bois: «Forum für Fakten und Meinungen». Kolumnen aus dem «Pittsburgh Courier» -- 13. Juni 1936 -- 27. Juni 1936 -- Schadenfreude -- 29. August 1936 -- Kontakte -- Belgien -- Der Kongo -- 5. September 1936 -- England -- Die Rassengrenze -- Die gegenwärtige Krise -- 19. September 1936 -- Sport -- Gesundheit -- Die Olympischen Spiele -- Künftige Amateure -- Einkommen -- 26. September 1936 -- Europa -- Warum Europa? -- Zivilisation -- Rasse und Austausch
    Beschreibung / Inhaltsverzeichnis: Planungen und Kosten -- 3. Oktober 1936 -- Die Aufteilung des Lebens -- Das Deutsche Museum für Wissenschaft und Technik -- Bergbau -- Verkehr -- 10. Oktober 1936 -- Ruhm -- Mathematik und Elektrizität -- Klang und Musik -- Chemie -- Bau -- Astronomie -- Bekleidung und Lebensmittel -- 17. Oktober 1936 -- Pilgerstätten -- Wahnfried -- Bayreuth -- 24. Oktober 1936 -- Die Olympischen Spiele -- Spanien -- Der Balkan -- 31. Oktober 1936 -- Die Oper und die Schwarzen -- Die Meistersinger von Nürnberg -- «Parsifal» -- «Lohengrin» -- Der Ring -- 7. November 1936 -- Ausbildung in der Industrie -- Siemens
    Beschreibung / Inhaltsverzeichnis: Siemensstadt -- Ausbildende Industrie -- Die Schule -- Kontrolle -- 14. November 1936 -- München -- Rasse und Arbeiterklasse -- 21. November 1936 -- Rasse und Lebensumstände -- Einkommen -- 28. November 1936 -- Ägypten -- Landwirtschaft -- 5. Dezember 1936 -- Deutschland -- Deutschland und Hitler -- Der Hintergrund -- Depression und Revolution -- 12. Dezember 1936 -- Der Hitler-Staat -- Nationalsozialismus -- Die neue Philosophie -- Propaganda -- 19. Dezember 1936 -- Rassenvorurteile in Deutschland -- Antisemitismus -- Die gegenwärtige Not des deutschen Juden -- 26. Dezember 1936
    Beschreibung / Inhaltsverzeichnis: Weihnachten 1936 -- Wie lange wird Hitler sich halten? -- Gefahren für Hitler -- Profit -- 2. Januar 1937 -- Was die Deutschen denken -- Industrieprofit -- Die Nebelwand des Kommunismus -- Nationale oder internationale Wirtschaft -- Die deutschen Vorwürfe gegenüber den Juden -- 9. Januar 1937 -- Musik -- Wien -- Ostwärts -- 10. April 1937 -- Ausblick -- «Entlang der Farbenlinie». W. E. B. Du Bois in Nazi-Deutschland -- Der «schwarze Bismarck» -- Eine Zwischenzeit -- Von Berlin nach Hawaii -- Gleichstellung und Gleichschaltung -- Reisen ins Reich - aus der Ferne -- Afrikanische Blicke
    Beschreibung / Inhaltsverzeichnis: «Was ist mit der Farbenlinie?» -- Rassismus und Antisemitismus -- Editorische Anmerkungen -- Du Bois' Welt -- Dank -- Zeittafel -- Literaturverzeichnis -- W. E. B. Du Bois (chronologisch) -- Weitere Primärquellen -- Forschung zu W. E. B. Du Bois und Deutschland -- Weitere Forschung -- Filme -- Rechtenachweise -- Impressum
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 157-165 , German translation of columns originally appearing in the Pittsburgh courier, 1936-37 , Includes bibliographical references (pages 157-165) , Description based upon print version of record
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  • 23
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    Colombo, Sri Lanka : Ceylon Baithulmal Fund Publication
    ISBN: 9786246210007
    Sprache: Englisch
    Seiten: 71 Seiten , Illustrationen , 30 x 43 cm
    Ausgabe: First edition
    DDC: 726.2095493
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    Schlagwort(e): Mosques History ; Mosques Pictorial works History ; Mosques ; History ; Pictorial works ; Sri Lanka ; Bildband ; Sri Lanka ; Moschee
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  • 24
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271092188
    Sprache: Englisch
    Seiten: xvii, 245 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Fromont, Cécile, 1980 - Images on a mission in early modern Kongo and Angola
    DDC: 255/.36096751/1401
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    Schlagwort(e): Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchins Missions 17th century ; History ; Capuchins Missions 18th century ; History ; Capuchin art 17th century ; Capuchin art 18th century ; Capuchin art 17th century ; Capuchin art 18th century ; Kapuziner ; Angola ; Republik Kongo ; Italiener ; Christianisierung ; Mission ; Kunst ; Kulturaustausch ; Geschichte 1600-1800 ; Italien ; Westafrika ; Mönch ; Missionar ; Malerei ; Arbeiten auf Papier ; Geschichte 1600-1800
    Kurzfassung: "Presents and analyzes a set of unpublished images from seventeenth- and eighteenth-century Kongo and Angola created within the Capuchin Franciscan mission to the region"--
    Anmerkung: Includes bibliographical references and index
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  • 25
    ISBN: 9781250756121
    Sprache: Englisch
    Seiten: 261 Seiten
    Ausgabe: First edition
    DDC: 306.874/30896073
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    Schlagwort(e): King, Alberta Williams ; Little, Louise Langdon ; Baldwin, Emma Berdis Jones ; King, Martin Luther Family ; X, Malcolm Family ; Baldwin, James Family ; African American mothers Biography ; African American families Biography ; African Americans Civil rights 20th century ; History ; Racism History 20th century ; United States Race relations 20th century ; History ; Baldwin, Emma Berdis Jones 1903-1999 ; King, Alberta Williams 1904-1974 ; Little, Louise Langdon 1897-1989 ; King, Martin Luther 1929-1968 ; Mutter ; X, Malcolm 1925-1965 ; Mutter ; Baldwin, James 1924-1987 ; Mutter
    Kurzfassung: "In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes: Martin Luther King, Jr., Malcolm X, and James Baldwin. Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them, who were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. Berdis, Alberta, and Louise passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning-from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America's racist practices and led to ramifications for all three families' safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue"--
    Anmerkung: Includes bibliographical references and index
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  • 26
    ISBN: 9783593359816
    Sprache: Deutsch
    Seiten: 369 Seiten
    Ausgabe: 2. Auflage, unveränderter Nachdruck
    Serie: Reihe Geschichte und Geschlechter Band 23
    Serie: Reihe Geschichte und Geschlechter
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    Schlagwort(e): Geschichte 1170-1500 ; Geschichte 1200-1600 ; Frau ; Geschichte ; Religion ; Marriage History ; Men Europe Middle Ages, 500-1500 ; History ; Men Europe Renaissance, 1450-1600 ; History ; Sex role Religious aspects ; Women History Middle Ages, 500-1500 ; Women History Renaissance, 1450-1600 ; Frau ; Mann ; Geschlechterverhältnis ; Moral ; Ehe ; Diskurs ; Ehestandsliteratur ; Textsorte ; Europa ; Geschlechterverhältnis ; Ehestandsliteratur ; Textsorte ; Geschichte 1170-1500 ; Ehe ; Moral ; Diskurs ; Geschichte 1200-1600 ; Mann ; Frau ; Moral ; Diskurs ; Geschichte 1200-1600
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  • 27
    ISBN: 978-0-252-04410-6 , 978-0-252-08615-1
    Sprache: Englisch
    Seiten: xvii, 344 Seiten, 10 ungezählte Seiten Tafeln : , Illustrationen, 1 Karte ; , 24 cm.
    Serie: The history of communication
    Paralleltitel: Erscheint auch als
    DDC: 071.5
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    Schlagwort(e): Southern States ; 1800-1999 ; Geschichte ; Journalism / Southern States / History / 19th century ; Journalism / Southern States / History / 20th century ; American newspapers / Southern States / History / 19th century ; American newspapers / Southern States / History / 20th century ; African American newspapers / History / 19th century ; African American newspapers / History / 20th century ; Journalism / Political aspects / Southern States ; Racism in the press / Southern States ; African American newspapers ; American newspapers ; Journalism ; Journalism / Political aspects ; Racism in the press ; Weiße. ; Vorherrschaft. ; Schwarze. ; Diskriminierung. ; Journalismus. ; Zeitung. ; Propaganda. ; USA Südstaaten. ; Aufsatzsammlung ; History ; Südstaaten ; Weiße ; Vorherrschaft ; Schwarze ; Diskriminierung ; Journalismus ; Zeitung ; Propaganda ; Geschichte
    Kurzfassung: "White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fraud that disenfranchised Black voters. They also examine the Black press's parallel fight for a multiracial democracy of equality, justice, and opportunity for all-a losing battle with tragic consequences for the American experiment. Original and revelatory, Journalism and Jim Crow opens up new ways of thinking about the complicated relationship between journalism and power in American democracy. Contributors: Sid Bedingfield, Bryan Bowman, W. Fitzhugh Brundage, Kathy Roberts Forde, Robert Greene II, Kristin L. Gustafson, D'Weston Haywood, Blair LM Kelley, and Razvan Sibii"--
    Beschreibung / Inhaltsverzeichnis: Introduction: Journalism and the world it built -- Part One. Architect of the New South / Kathy Roberts Forde -- Fight for a new America / D'Weston Haywood -- Part Two: Racial terror and disfranchisement -- The press and lynching / W. Fitzhugh Brundage -- Mississippi plan / Robert Greene II -- Part three: Building the Solid South -- Populist insurgency, Alabama / Sid Bedingfield -- Tillman's rebellion, South Carolina -- Death of democracy, North Carolina / Kristin L. Gustafson -- Convict wars, Tennessee / Razvan Sibii -- Tourist empires, Florida / Kathy Roberts Forde and Bryan Bowman -- Part Four. Silencing a generation / Blair LM Kelley -- Epilogue: Journalism and the world to come
    Anmerkung: Includes bibliographical references and index
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  • 28
    ISBN: 9780753559543 , 9780593230572 , 9780753559536
    Sprache: Englisch
    Seiten: xxxiii, 590 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als 1619 Project
    DDC: 973
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    Schlagwort(e): 1619 Project ; African-Americans History ; Slavery Political aspects ; History ; United States Civilization ; United States Race relations ; USA ; Sklaverei ; Rassismus ; Ethnische Beziehungen
    Kurzfassung: "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culutre, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to undersand its powerful influence on our present, can we prepare ourselves for a more just future"--
    Anmerkung: Includes index
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  • 29
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    New Delhi : Lustre Press | New Delhi : Roli books
    ISBN: 9788194969174 , 8194969174
    Sprache: Englisch
    Seiten: 279 Seiten , Illustrationen , 27 cm
    DDC: 745.0954
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    Schlagwort(e): Art objects History ; Art, Indic ; Art, Indic ; Art objects ; Civilization ; History ; India Civilization ; India ; Indien ; Kunstwerk
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  • 30
    Buch
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    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440872488
    Sprache: Englisch
    Seiten: xix, 274 Seiten , Illustrationen , 25 cm
    Serie: Black history lives
    Paralleltitel: Erscheint auch als
    DDC: 306.097309041
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    Schlagwort(e): Washington, Booker T. ; African American intellectuals / Biography ; African American educators / Biography ; African American leadership / History ; African Americans / Politics and government ; African American civil rights workers / Biography ; African Americans / Relations with Africans ; African Americans / Social conditions / To 1964 ; African Americans / Intellectual life ; African American civil rights workers ; African American educators ; African American intellectuals ; African American leadership ; African Americans / Social conditions ; Influence (Literary, artistic, etc ; Washington, Booker T. / 1856-1915 ; Washington, Booker T. / 1856-1915 / Influence ; Tuskegee Institute / Biography ; Tuskegee Institute ; To 1964 ; Biographies ; History ; Biografie
    Kurzfassung: "This biography provides readers with new insights into the life and times of Booker T. Washington and a deeper comprehension of his efficacy and legacy
    Anmerkung: Literatuverzeichnis Seite 257-266 , Historical context -- Childhood in bondage and Hampton Institute -- Tuskegee Institute and family matters -- The Atlanta Compromise and beyond -- Of Dr. W. E. B. Du Bois and others -- Africa in his mind and practice -- Why Booker T. Washington matters -- Timeline -- Primary documents
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  • 31
    ISBN: 9781984854995
    Sprache: Englisch
    Seiten: xvii, 385 Seiten , Illustrationen , 22 cm
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 306.3620820975
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    Schlagwort(e): Geschichte ; Sklavin ; Schwarze Frau ; South Carolina ; Women slaves / South Carolina / Biography ; Ashley / (Enslaved person in South Carolina) ; Mothers and daughters ; Women slaves / Southern States / Social conditions / 19th century ; Slaves / Family relationships / Southern States / History / 19th century ; Middleton, Ruth Jones / 1903-1942 / Family ; African American women / Biography ; African American women / Family relationships ; Memory / United States ; African American women ; Families ; Memory ; Slaves / Family relationships ; Women slaves ; Women slaves / Social conditions ; South Carolina ; Southern States ; United States ; 1800-1899 ; Biography ; Biographies ; History ; South Carolina ; Schwarze Frau ; Sklavin ; Geschichte
    Kurzfassung: "Sitting in the Smithsonian's National Museum of African American History and Culture is a rough cotton bag, called "Ashley's Sack," embroidered with just a handful of words that evoke a sweeping family story of loss and of love passed down through generations. In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States. The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history"--
    Beschreibung / Inhaltsverzeichnis: Introduction: love's practitioners -- Ruth's record -- Searching for Rose -- Packing the sack -- Rose's inventory -- The auction block -- Ashley's seeds -- The bright unspooling -- Conclusion: it be filled
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  • 32
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781350140127 , 1350140120
    Sprache: Englisch
    Seiten: xxx, 238 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Kunstmuseum ; Feldforschung ; Kunstbetrieb ; Lima ; Art, Peruvian / Peru / Lima / 21st century ; Art and society / Peru / Lima / History / 21st century ; Art and globalization / Peru / Lima / History / 21st century ; Lima (Peru) / Intellectual life ; Art and globalization ; Art and society ; Art, Peruvian ; Intellectual life ; Peru / Lima ; 2000-2099 ; History ; Lima ; Kunstbetrieb ; Kunstmuseum ; Feldforschung
    Kurzfassung: "This book examines the contemporary art world in Latin America from an anthropological and historical perspective, and recognises the recent reconfiguration of Lima's art scene. Giuliana Borea traces the practices of artists, curators, collectors, art dealers and museums in order to identify three key moments in this reconfiguration of contemporary art in Lima: artistic explorations and new curatorial narratives; museum reinforcement and the strengthening of Latin American art networks; and of the rise of the art market. In so doing, Borea highlights the different actors that come into play in activating and de-activating, directions and imaginations. The book exposes the practices of the local, global, indigeneity and politics in the arts, and reveals that the strengthening of the Lima art scene has fostered the expansion of dominant art views and formats mobilized by transnational elite actors. Featuring analytical chapters interspersed with personal stories, Borea's book presents an in-depth analysis of a specific art scene to open up a new way of understanding contemporary art practices in relation to globalization"--
    Beschreibung / Inhaltsverzeichnis: Triggering change : Lima Biennial and the social re-engagement of art -- Democratic effervescence : the renewal of Lima and artists' experimentations -- Enlarging the contemporary : the rise of the curator and indigenous artists -- Reinforcement of the museum : debates and institutional articulations -- Networking Latin America : transnational actors and the new role of art collectors -- The celebration of culture : creative Lima and the growth of the art market
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  • 33
    Bild
    Bild
    Pune : Aprant
    ISBN: 9788194013105 , 8194013100
    Sprache: Englisch
    Seiten: 48 Seiten , Illustrationen, Karten , 22 cm
    DDC: 954.79
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    Schlagwort(e): Guidebooks ; History ; Ajanta Caves (India) History ; Ajanta Caves (India) Guidebooks ; India ; Ajanta Caves ; Führer
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  • 34
    Buch
    Buch
    Santa Barbara, California : ABC-CLIO, an imprint of ABC-CLIO, LLC
    ISBN: 9781440855566
    Sprache: Englisch
    Seiten: xlii, 243 Seiten
    Serie: Eyewitness to history
    Paralleltitel: Erscheint auch als Documents of the Harlem Renaissance
    DDC: 305.896/07300904
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    Schlagwort(e): African Americans Sources Race identity 20th century ; History ; Harlem Renaissance Sources ; African American intellectuals History 20th century ; African Americans Social conditions To 1964 ; United States Sources Race relations 20th century ; History ; Harlem renaissance
    Kurzfassung: "This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated the opening of the 20th century and proved a force in the modernization of America."--
    Anmerkung: Includes bibliography (page 219-227) and index
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  • 35
    Buch
    Buch
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Sprache: Englisch
    Seiten: xi, 224 Seiten , Illustrationen , 23 cm
    Serie: Studies in print culture and the history of the book
    DDC: 071/.308996073
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    Schlagwort(e): African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Kurzfassung: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Anmerkung: Includes bibliographical references and index
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  • 36
    ISBN: 9781787331785
    Sprache: Englisch
    Seiten: 406 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 306.09410904
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    Schlagwort(e): Bewohner ; Alltag ; Herrenhaus ; Instandhaltung ; Großbritannien ; Historic buildings / Great Britain / History / 20th century ; Aristocracy (Social class) / Dwellings / Great Britain / History / 20th century ; Country life / Great Britain / History / 20th century ; Great Britain / Social conditions / 1945- ; Country life ; Historic buildings ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Herrenhaus ; Bewohner ; Alltag ; Instandhaltung
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  • 37
    ISBN: 9781788841382 , 1788841387
    Sprache: Englisch
    Seiten: 383 Seiten , 33 cm
    DDC: 726.14409548
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    Schlagwort(e): Jaina temples ; Hindu temples ; Jaina architecture History To 1500 ; Hindu architecture History To 1500 ; Hindu architecture ; Hindu temples ; Jaina architecture ; Jaina temples ; History ; India ; Deccan ; Bildband ; Dekhan ; Hinduismus ; Jainismus ; Tempel ; Architektur ; Geschichte 600-1299
    Anmerkung: Enthält Bibliografie und Index
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  • 38
    ISBN: 9781606066683
    Sprache: Englisch
    Seiten: vii, 191 Seiten , Illustrationen, Karten
    Serie: Issues & debates / Getty Research Institute
    Originaltitel: French colonial collections at the Getty Research Institute
    Paralleltitel: Erscheint auch als Visualizing empire
    DDC: 325/.34406
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    Schlagwort(e): ACHAC Collection (Getty Research Institute) ; Imperialism in popular culture ; Propaganda, French History 19th century ; Propaganda, French History 20th century ; Kolonialismus ; Massenkultur ; Populäre Grafik ; Präsentation ; France Colonies ; History ; France Colonies ; History ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Afrika ; Kolonie ; Propaganda ; Gebrauchsgrafik ; Geschichte 1880-1970
    Kurzfassung: French Colonial Collections at the Getty Research Institute / Frances Terpak -- The History and Future of ACHAC / Pascal Blanchard and Dominic Thomas -- Decolonizing the ACHAC Collection / Patricia Morton -- Fragments of Empire : Ephemera, Representation, and the Dynamics of Colonial Memory / Charles Forsdick -- Intersecting Legacies of bandes dessinées and Belgian Colonial Instruction : Les aventures de Mbumbulu in Nos images (1948-55) / Peter J. Bloom -- French Colonialism : The Rules of the Game / Dominic Thomas -- The Myth of the Sahara / Michelle H. Craig -- Representations of the tirailleurs sénégalais and World War I / David Murphy -- On Posters and Postures : Colonial Enlistment Posters and the Nationalist Imagination in France / Lauren Taylor -- La France et ses colonies : Mapping, Representing, and Visualizing Empire / Steven Nelson.
    Kurzfassung: "The essays in this book analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from documents and media-photographs, albums, postcards, maps, posters, advertisements, and children's games-related to the nineteenth- and twentieth-century French Empire"--
    Anmerkung: Literaturangaben
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  • 39
    ISBN: 0847869016 , 9780847869015
    Sprache: Englisch
    Seiten: 352 Seiten , 33 cm
    DDC: 051
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    Schlagwort(e): Ebony (Chicago, Ill.) History ; Ebony (Chicago, Ill.) ; African American journalists ; African Americans Social life and customs ; History ; African American journalists ; African Americans ; Social life and customs ; History ; Periodicals ; United States Periodicals ; United States ; Bildband ; Ebony ; Titelseite ; Person of Color ; Geschichte 1945-2020
    Kurzfassung: Ebony / Lavaille Lavette -- Civil rights and social justice / Common -- Love and family / Dwayne Wade and Gabrielle Union -- Ebony man / Sean Combs (Diddy) -- Ebony Woman / Kimora Lee Simmons -- Ebony music / Ciara -- Afterword / Venus Williams -- Covers 1945-2020.
    Kurzfassung: "In 1945, Ebony's legendary founder John H. Johnson set out to create a magazine for Black America much like that of the trailblazing Life Magazine, and that he did. For the African American community, Ebony has been a breath of fresh air, speaking on issues and events from the Black perspective, celebrating Black standards of beauty and elevating heroes of Black America--athletes, entertainers, activists, elected officials, or some combination thereof. Ebony: Covering Black America, by Lavaille Lavette, is a celebration of the treasure trove of the magazine's rich history, glamorous covers, groundbreaking cultural impact, and authentic coverage of Black American life from the magazine's inception to the present. Ebony was Black America's social media long before the birth of Facebook, Twitter, and Instagram, says Lavette. Curated by Lavette, this all-out feast of a book is packed with exclusive contributions by a host of celebrities, influencers, and cultural icons, including Common, Gabrielle Union, Dwyane Wade, Sean Combs, Kimora Lee Simmons, Ciara, and Venus Williams. The book also includes more than 600 covers and photographs featuring political forces such as Martin Luther King Jr., Michelle and President Barack Obama, and Congresswoman Barbara Jordan; entertainers such as Diana Ross, Sidney Poitier, Dorothy Dandridge, Oprah Winfrey, and Prince; as well as sports heroes like Serena Williams, Muhammad Ali, Russell Westbrook, and Simone Biles. Lavette has chosen select articles, features, and reportage of note, including Martin Luther King Jr.'s advice column, and Ebony Fashion Fair photo shoots, divided into categories found within the magazine, including Civil Rights & Social Justice, Love & Family, Ebony Men, Ebony Women, and Ebony Music. Unique in the quality of its photographs and contributors and chronicling everything from fashion and food to politics and social change, to sports and entertainment, Ebony: Covering Black America is a monumental milestone in African-American history and culture, and will be a treasured volume for the magazine's legion of loyal readers."--Provided by publisher
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  • 40
    Buch
    Buch
    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: VII, 254 Seiten , Illustrationen, Pläne
    Paralleltitel: Erscheint auch als
    DDC: 745.40973/0904
    RVK:
    Schlagwort(e): Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Kurzfassung: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 41
    ISBN: 9781941366325 , 1941366325
    Sprache: Englisch
    Seiten: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Schlagwort(e): African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Kurzfassung: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Anmerkung: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 42
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
    RVK:
    Schlagwort(e): Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Anmerkung: Includes bibliographical references and index
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  • 43
    Buch
    Buch
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072901 , 3826072901
    Sprache: Englisch
    Seiten: 107 Seiten , Illustrationen , 21 cm x 10.5 cm
    Serie: Zurich distinguished lectures 4
    Serie: Zurich distinguished lectures
    DDC: 304.23
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    Schlagwort(e): 1900-1999 ; Cultural landscapes 20th century ; Art and society History 20th century ; Landscape changes Social aspects 20th century ; History ; Art et société - Allemagne - Histoire - 20e siècle ; Paysages - Modifications - Aspect social - Allemagne - Histoire - 20e siècle ; Paysages culturels - Allemagne - 20e siècle ; Art and society ; History ; Germany ; Deutschland ; Diskurs ; Landschaft ; Kultur ; Gesellschaft ; Geschichte 1960-1995 ; Deutsch ; Literatur ; Landschaft ; Geschichte 1960-1995
    Kurzfassung: "Beginning in the 1960s, the belief in landscape's degradation provides a kind of rallying cry for psychoanalysts and cultural critics attempting to diagnose the state of contemporary society." --
    Anmerkung: Literaturverzeichnis: Seite 90-96
    URL: Cover
    URL: Cover
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  • 44
    Online-Ressource
    Online-Ressource
    Paris : Éditions de la Sorbonne | Marseille : OpenEdition
    ISBN: 9791035104986
    Sprache: Französisch
    Seiten: 1 Online-Ressource (434 p.)
    DDC: 306.470944
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    Schlagwort(e): Frankreich ; Geschichte 1870-1940 ; Kunstbetrieb ; Kunstpolitik ; History ; administration ; art ; Troisième République ; politique publique ; artiste ; Frankreich
    Kurzfassung: L'État, en la personne de son souverain, a depuis toujours entretenu avec l'art un rapport privilégié. L'histoire de l'art qui traite des artistes et de leurs œuvres et l'histoire qui exalte la gloire du Prince se rencontrent aisément autour des Princes-mécènes qui ont encouragé les arts et honoré les artistes. Mais quand le Prince est devenu l'Etat républicain, depuis 1875 donc, tout devient beaucoup plus complexe. Comment définir un style, juger l'action, ou évaluer le rayonnement d'un « Prince » collectif, anonyme et changeant ? L'État républicain se veut respectueux de la liberté de création (intellectuelle, artistique), des goûts et des opinions de tout un chacun : peut-il avoir une politique de l'art, voire une esthétique qui inspire son mécénat ? Au-delà des simplifications habituelles sur « l'art officiel » et l'oppression des artistes d'avant-garde, Marie-Claude Genet-Delacroix montre que la gestion du patrimoine, la politique éducative en matière d'art, le soutien de la création s'intégrent dans un véritable système des Beaux-Arts qui, loin d'être un supplément d'âme accessoire, joue un rôle capital dans le triomphe et la pérennisation du modèle républicain français, libéral et démocratique.
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  • 45
    ISBN: 9789004414433
    Sprache: Englisch
    Seiten: xii, 356 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als Saaler, Sven, 1968 - Men in metal
    RVK:
    Schlagwort(e): Public sculpture Japan ; Bronze sculpture, Japanese ; Collective memory Japan ; History ; Japan ; Bronzestatue ; Öffentlichkeit ; Topografie
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  • 46
    ISBN: 9781479804177 , 9781479856770
    Sprache: Englisch
    Seiten: xvii, 273 Seiten , 1 Illustration
    DDC: 323.092
    RVK:
    Schlagwort(e): Du Bois, W. E. B ; Sociology History ; African Americans Social conditions ; Race relations History ; History ; Du Bois, William E. B. 1868-1963 ; USA ; Schwarze ; Ethnische Beziehungen ; Soziologie ; Geschichte
    Kurzfassung: ""The Sociology of W.E.B. Du Bois" explores racism and colonialism at the center of the understanding of modernity"--
    Anmerkung: Literaturverzeichnis: Seite 249-257
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  • 47
    ISBN: 9781684482078 , 9781684482061
    Sprache: Englisch
    Seiten: 328 Seiten , Illustrationen , 23 cm
    Serie: New studies in the age of Goethe
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.481
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    Schlagwort(e): Geschichte 1770-1830 ; Play Psychological aspects 18th century ; History ; Play Psychological aspects 19th century ; History ; Play Social aspects 18th century ; History ; Play Social aspects 19th century ; History ; Spiel ; Psychologie ; Philosophie ; Spiel ; Politik ; Pädagogik ; Deutsch ; Literatur ; Deutschland ; Aufsatzsammlung ; Deutschland ; Spiel ; Philosophie ; Pädagogik ; Psychologie ; Politik ; Geschichte 1770-1830 ; Deutsch ; Literatur ; Spiel ; Geschichte 1770-1830
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  • 48
    ISBN: 9780393357622 , 0393357627
    Sprache: Englisch
    Seiten: xxi, 441 Seiten , Illustrationen , 21 cm
    Ausgabe: First published as a Norton paperback
    DDC: 305.48/896073
    RVK:
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    Schlagwort(e): African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Kurzfassung: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 49
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478000426 , 9781478000563
    Sprache: Englisch
    Seiten: xxvi, 292 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Jarrell, Wadsworth Aikens, 1929- AFRICOBRA
    DDC: 704.9/42
    RVK:
    RVK:
    Schlagwort(e): AFRICOBRA (Group of artists) ; Black Arts movement ; Ethnicity in art ; Art Political aspects 20th century ; History ; Africobra ; Geschichte 1965-1980
    Kurzfassung: "AFRICOBRA (African Commune of Bad Relevant Artists) was a multidisciplinary collective of black artists who created socially conscious art in Chicago during the Black Arts Movement of the 1960's and 1970's. Artists Wadsworth Jarrell, Nelson Stevens, Jae Jarrell, Gerald Williams, and Napoloen Jones-Henderson produced textiles, paintings, sculpture and public art that sought to develop an aesthetic language that resonated with the black community. AFRICOBRA's abstract works convey the rhythmic dynamism of black culture and social life, while the structure of the collective offered a model of artistic practice embedded in the political realities and histories of the community. In this volume, Wadsworth Jarrell, one of the founding members of the AFRICOBRA collective, offers an account of the history of the group and it's founding aesthetic and political principles. The bulk of the manuscript is selected from his archive of materials ranging from exhibition ephemera to photos that show the development of the group's art practice that collectively form a sourcebook history of the group.The sourcebook intersperses documentation of exhibitions, artworks, and the members of the collective in Chicago; documents that outline the aesthetic and political goals of the group written by its members; and writing from Jarrell that narrates the history of the collective from the point of view of its founder. The writing emphasizes the importance of the group's political principles to some of its largest projects, like the Wall of Respect, a public mural in Chicago's Black Belt neighborhood. While work by AFRICOBRA has been shown at the Brooklyn Museum, the Tate, and elsewhere, this will be the first book to present an extensive record of the group's history, practice, and principles. This book will be of interest to our readers in art, African American studies, and cultural studies"--
    Anmerkung: Includes bibliographical references and index
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  • 50
    Buch
    Buch
    Gainesville (und neun weitere] : University Press of Florida
    ISBN: 9780813066622
    Sprache: Englisch
    Seiten: xv, 217 Seiten , Illustrationen, Karten , 24 cm
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
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    Schlagwort(e): Geschichte ; Sachkultur ; Frau ; Wikinger ; Textilherstellung ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Kurzfassung: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Beschreibung / Inhaltsverzeichnis: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 51
    Online-Ressource
    Online-Ressource
    Gainesville [und neun weitere] : University Press of Florida
    ISBN: 9780813057637
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 217 Seiten) , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Wikinger ; Textilherstellung ; Sachkultur ; Frau ; Nordische Staaten ; Textile fabrics, Viking / Scandinavia / History ; Women weavers / Scandinavia / History ; Textile fabrics / Scandinavia / History ; Vikings / Clothing / Scandinavia ; Women, Viking / History ; Textile fabrics / North Atlantic Region / History ; Textile fabrics ; Textile fabrics, Viking ; Women, Viking ; Women weavers ; North Atlantic Region ; Scandinavia ; History ; Nordische Staaten ; Wikinger ; Frau ; Textilherstellung ; Sachkultur ; Geschichte
    Kurzfassung: "Michèle Hayeur Smith uses Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD"--
    Beschreibung / Inhaltsverzeichnis: "Cold are the Counsels of Women": Bloodied Warps and Gilded Wefts -- the Engendered Economy of Cloth in the North Atlantic -- Weaving in the Viking Age: Iceland and the North Atlantic Expansion -- Textiles, Weaving, and Currency in Iceland during the Middle Ages -- Textiles in Greenland During the Medieval Period -- Cloth, Currency, Climate Change and Subsistence in Greenland -- Textiles and Trade in the North Atlantic during the Late Middle Ages and Early Modern Period -- The Danish Trade Monopoly in the North Atlantic and the Transformation of Women's Roles in Textile Production
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  • 52
    ISBN: 9781527560222 , 1527560228
    Sprache: Englisch
    Seiten: xxiii, 276 Seiten , Illustrationen, Karten , 21 cm
    Paralleltitel: Erscheint auch als German representations of the Far North (17th-19th centuries)
    DDC: 919.804
    RVK:
    Schlagwort(e): Travelers' writings, German Translation into English 17th century ; Travelers' writings, German Translations into English 18th century ; Travelers' writings, German Translations into English 19th century ; Arctic regions Discovery and exploration 17th century ; History ; Arctic regions Discovery and exploration 18th century ; History ; Arctic regions Discovery and exploration 19th century ; History
    Anmerkung: Enthält Literaturangaben
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  • 53
    ISBN: 9781501344633 , 1501344633
    Sprache: Englisch
    Seiten: xvi, 258 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 23 cm
    Serie: Contextualizing art markets
    DDC: 709.034
    RVK:
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    Schlagwort(e): Japonism ; Art, Modern Collectors and collecting 19th century ; History ; Women art collectors History 19th century ; Frankreich ; Kunstsammlerin ; Kunsthandel ; Japan ; Kunst ; Geschichte 1853-1914 ; Musée National des Arts Asiatiques Guimet Musée d'Ennery ; Geschichte 1893-1908 ; Ennery, Clémence d' 1823-1898 ; Langweil, Florine 1861-1958 ; Chinoiserie ; Japonismus ; Geschichte 1853-194
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 54
    Buch
    Buch
    London : Bloomsbury Visual Arts
    ISBN: 9781350070387
    Sprache: Englisch
    Seiten: xv, 227 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Stitching the self
    DDC: 746.4
    RVK:
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    Schlagwort(e): Needlework History ; Needlework Social aspects ; Expression in art ; Expression in art ; Needlework ; History ; Konferenzschrift 2015 ; Stickerei ; Bildstickerei ; Selbstbild ; Art brut ; Geschichte 1850-2008 ; Geschlechterrolle ; Frau ; Identität
    Anmerkung: Includes bibliographical references and index
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  • 55
    Online-Ressource
    Online-Ressource
    Lewisburg, Pennsylvania : Bucknell University Press
    ISBN: 9781684482108 , 9781684482085 , 9781684482092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 328 Seiten) , Illustrationen
    Serie: New studies in the age of Goethe
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/81
    RVK:
    Schlagwort(e): Geschichte 1770-1830 ; Geschichte 1770-183 ; LITERARY CRITICISM / General ; Play Psychological aspects 18th century ; History ; Play Psychological aspects 19th century ; History ; Play Social aspects 18th century ; History ; Play Social aspects 19th century ; History ; Spiel ; Electronic books ; Spiel ; Geschichte 1770-1830 ; Spiel ; Geschichte 1770-183
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 56
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350169982 , 9781474249768 , 9781474249782 , 9781474249775
    Sprache: Englisch
    Seiten: xv, 202 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 391.00945/511
    RVK:
    Schlagwort(e): Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Männlichkeit ; Männerkleidung ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Kurzfassung: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 57
    ISBN: 9780691191676 , 9780691147673
    Sprache: Englisch
    Seiten: XXIII, 320 Seiten , Illustrationen
    Ausgabe: First paperback printing
    DDC: 306.60973
    RVK:
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    Schlagwort(e): Geschichte 1850-2017 ; Civil religion History ; Zivilreligion ; United States Religion ; History ; USA ; USA ; Zivilreligion ; Geschichte 1850-2017
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  • 58
    ISBN: 978-0-14-313403-9 , 0-14-313403-5
    Sprache: Englisch
    Seiten: xxxiv, 350 Seiten ; , 20 cm.
    Serie: Penguin classics
    Paralleltitel: Online version Bulosan, Carlos America is in the heart
    RVK:
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    Schlagwort(e): Bulosan, Carlos / Fiction ; Bulosan, Carlos ; Philippines / Social life and customs / 20th century / Fiction ; United States / Race relations / History / 20th century / Fiction ; United States ; Philippines ; 1900-1999 ; Filipino Americans / Fiction ; Filipino American migrant agricultural laborers / Fiction ; Racism / United States / Fiction ; Nineteen thirties / Fiction ; Racism ; Race relations ; Nineteen thirties ; Filipino American migrant agricultural laborers ; Filipino Americans ; Manners and customs ; Fiktionale Darstellung ; Biografie ; Political fiction ; History ; Fiction ; Autobiographical fiction ; Biographies
    Kurzfassung: "Bulosan's semi-autobiographical novel begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish American War of the late 1890s. Carlos's experiences with other Filipino migrant laborers, who endured intense racial abuse in the fields, orchards, towns, cities and canneries of California and the Pacific Northwest in the 1930s, reexamine the ideals of the American dream"--
    Anmerkung: "First published in the United States of America by Harcourt, Brace and Company, Inc. 1943."
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  • 59
    ISBN: 9781478001409 , 9781478001003
    Sprache: Englisch
    Seiten: xx, 395 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
    RVK:
    Schlagwort(e): AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Kurzfassung: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Anmerkung: Includes bibliographical references and index
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  • 60
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478002468
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 395 Seiten)
    Paralleltitel: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
    RVK:
    Schlagwort(e): AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Kurzfassung: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Kurzfassung: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Anmerkung: Includes bibliographical references and index
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  • 61
    Buch
    Buch
    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691191676 , 9780691147673
    Sprache: Englisch
    Seiten: XXIII, 320 Seiten , Illustrationen
    Ausgabe: First paperback printing with a new preface by the author
    DDC: 306.60973
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1850-2017 ; Geschichte ; Civil religion History ; Zivilreligion ; USA ; United States Religion ; History ; USA ; USA ; Zivilreligion ; Geschichte 1850-2017
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  • 62
    Orig.schr. Ausgabe: 初版
    Titel: 窓展 : 窓をめぐるアートと建築の旅
    Verlag: 東京 : 平凡社
    ISBN: 9784582207187 , 4582207189
    Sprache: Japanisch , Englisch
    Seiten: 205 Seiten , 26 cm
    Zusätzliches Material: 1 Booklet ([8] Seiten ; 26 cm) "View from a window (remix)" by Kuraya Mika
    Ausgabe: Shohan
    RVK:
    Schlagwort(e): Windows in art Exhibitions ; Art, Modern Exhibitions History 20th century ; Windows Exhibitions History 20th century ; Art, Modern ; Windows ; Windows in art ; Exhibition catalogs ; History ; Bijutsu-Zushū ; Mado ; Ausstellungskatalog National Museum of Modern Art 01.11.2019-02.02.2020 ; Ausstellungskatalog Marugame Genichiro Inokuma Museum of Contemporary Art 11.07.2020-27.09.2020 ; Bildband ; Kunst ; Fenster ; Kunst ; Fenster ; Perspektive
    Anmerkung: Catalog of an exhibition held at National Museum of Modern Art, Tokyo, Nov. 1, 2019-Feb. 2. 2020, and at Marugame Genichiro Inokuma Museum of Contemporary Art, July 11-Sept. 27, 2020 , Zeittafel: Seite 24-31 , 主催: 東京国立近代美術館, 一般財団法人窓研究所, 丸亀市猪熊弦一郎現代美術館, 公益財団法人ミモカ美術振興財団 , 企画・運営: 蔵屋美香, 中村麗子, 山田歩, 保坂健二朗, 笹子真利恵 , 翻訳: クリストファー・スティーヴンス, ルース・S・マクレリー , ブックデザイン: 田部井美奈, 田村奈緒 , 編集・制作: 蟹沢格, 出原日向子 , Text japanisch und englisch
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  • 63
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832712 , 9781479829590 , 1479829595 , 9781479832712 , 1479832715
    Sprache: Englisch
    Seiten: vii, 263 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 306.3/6209
    RVK:
    RVK:
    Schlagwort(e): Sklaverei ; Menschenrechtsverletzung ; Literatur ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Kurzfassung: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Beschreibung / Inhaltsverzeichnis: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
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  • 64
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479819676
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 263 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.36209
    RVK:
    RVK:
    Schlagwort(e): Menschenrechtsverletzung ; Literatur ; Sklaverei ; Englisch ; Slavery / History ; African diaspora ; Globalization / Social aspects / Africa / History ; African diaspora ; Globalization / Social aspects ; Slavery ; Africa ; History ; Englisch ; Literatur ; Sklaverei ; Menschenrechtsverletzung
    Kurzfassung: Argues that the slave narrative is a new world literary genre. In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
    Beschreibung / Inhaltsverzeichnis: Introduction: the genres of slavery -- Sentimental globalism -- The gothic child -- Post-black satire -- Talking books (talking back) -- We need new diasporas -- Epilogue: what we talk about when we talk about slavery -- Acknowledgments -- Notes -- Index -- About the author
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Bild
    Bild
    [Evanston, IL] : Block Museum of Art, Northwestern University | Princeton : In association with Princeton University Press
    ISBN: 9780691182681
    Sprache: Englisch
    Seiten: 311 Seiten , Illustrationen, Diagramme, Karten , 29 x 26 cm
    Suppl.: Rezensiert in Sears, Andrew [Rezension von: Kathleen Bickford Berzock, ed., Caravans of gold, fragments in time, art, culture, and exchange across medieval Saharan Africa - Alisa LaGamma, ed., Sahel, art and empires on the shores of the Sahara] 2021
    DDC: 709.01074
    RVK:
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    Schlagwort(e): Art objects, Medieval Exhibitions Economic aspects ; Civilization, Medieval Exhibitions ; Kulturaustausch ; Africa Exhibitions Commerce ; History ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2019-21.07.2019 ; Ausstellungskatalog Aga Khan Museum 21.09.2019-23.02.2020 ; Ausstellungskatalog National Museum of African Art (Washington, DC) 08.04.2020-29.11.2020 ; Westafrika ; Sahara ; Mittelalter ; Handelsstraße ; Kunst ; Sachkultur ; Afrika ; Kunst ; Sachkultur ; Sahara ; Handelsstraße ; Ausgrabung ; Funde
    Kurzfassung: "Caravans of Gold, Fragments in Time draws on the latest archaeological discoveries and art historical research to construct a compelling look at medieval trans-Saharan exchange and its legacy. Contributors from diverse disciplines present case studies that form a rich portrayal of a distant time. Topics include descriptions of key medieval cities around the Sahara; networks of exchange that contributed to the circulation of gold, copper, and ivory and their associated art forms; and medieval glass bead production in West Africa's forest region. Featuring a wealth of color images, this fascinating book demonstrates how the rootedness of place, culture, and tradition is closely tied to the circulation of people, objects, and ideas. These "fragments in time" offer irrefutable evidence of the key role that Africa played in medieval history and promote a new understanding of the past and the present"--
    Kurzfassung: Caravans of gold, fragments in time / Kathleen Bickford Berzock -- Sijilmasa's role in the African gold trade / Ron Messier and Abdallah Fili -- Medieval glass bead production and exchange / Adidemi Babatunde Babalola
    Anmerkung: "This book is published in conjunction with the exhibition 'Caravans of Gold, Fragments in Time'. Block Museum of Art, Northwestern University, Evanston, IL, January 26-July 21, 2019; The Aga Khan Museum, Toronto, Canada, September 21, 2019-February 23, 2020; National Museum of African Art, Smithsonian Institution, Washington, CD, April 8-November 29, 2020" (Seite [312]) , Literaturverzeichnis Seite [294]-309
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  • 66
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    Philadelphia : Penn, University of Pennsylvania Press
    ISBN: 9780812225013
    Sprache: Englisch
    Seiten: xiii, 312 Seiten , Illustrationen , 24 cm
    Serie: American business, politics, and society
    DDC: 302.2308996073
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    Schlagwort(e): Kendrix, Moss Hyles ; Parks, Gordon ; Johnson, John H ; African Americans and mass media History 20th century ; African Americans in the mass media industry History 20th century ; African Americans in advertising History 20th century ; African Americans Civil rights 20th century ; History ; Civil rights movements History 20th century
    Anmerkung: Includes bibliographical references and index
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  • 67
    ISBN: 9783944312729 , 3944312724
    Sprache: Deutsch
    Seiten: 227 Seiten , Illustrationen, Diagramme
    Serie: Greifswalder Beiträge zur Linguistik Band 12
    Serie: Greifswalder Beiträge zur Linguistik
    DDC: 450.141
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    Schlagwort(e): German language Discourse analysis ; Congresses ; Italian language Discourse analysis ; Congresses ; Identity (Psychology) Congresses ; Competence and performance (Linguistics) Congresses ; Cultural competence Congresses ; Language awareness Congresses ; Diskursanalyse ; Sprachkritik ; Sprachkompetenz ; Migration ; Demokratie ; Competence and performance (Linguistics) ; Cultural competence ; Emigration and immigration ; German language - Discourse analysis ; Identity (Psychology) ; Italian language - Discourse analysis ; Language awareness ; History ; Germany Emigration and immigration ; History ; Congresses ; Italy Emigration and immigration ; History ; Congresses ; Germany ; Italy ; Konferenzschrift 2017 ; Deutschland ; Italien ; Migration ; Diskursanalyse ; Demokratie ; Sprachkompetenz ; Sprachkritik
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  • 68
    ISBN: 9781501154287
    Sprache: Englisch
    Seiten: xxiv, 244 Seiten
    Ausgabe: First 37 Ink/Atria Books hardcover edition
    DDC: 305.896/073
    RVK:
    Schlagwort(e): African Americans Intellectual life ; African Americans Books and reading ; History ; Literacy History ; African Americans Race identity ; African Americans Social conditions ; African Americans Social life and customs ; African Americans ; African Americans in literature ; American essays ; American literature ; LANGUAGE ARTS & DISCIPLINES ; LITERARY COLLECTIONS ; LITERARY CRITICISM ; Criticism, interpretation, etc ; Essays ; Essays ; Essays ; History ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie ; USA ; Schwarze ; Literatur ; Geschichte 1800-2018
    Kurzfassung: "Spanning 250 years, this carefully-curated collection of 25 essays features the earliest Black authors who wrote as means of resistance in a time when their literacy was illegal and the brilliant writers who have continued their legacy--utilizing the power of the written word to create change, insert a diversity of experience into the "mainstream," and make a profound impact on our communities and the world"--
    Kurzfassung: Spanning over 250 years of history, Black Ink traces black literature in America from Frederick Douglass to Ta-Nehisi Coates in this masterful collection of twenty-five illustrious and moving essays on the power of the written word. Throughout American history black people are the only group of people to have been forbidden by law to learn to read. This unique collection seeks to shed light on that injustice and subjugation, as well as the hard-won literary progress made, putting some of America's most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections, the Peril, the Power, and Pleasure, and with an array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. At times haunting and other times profoundly humorous, this unprecedented anthology guides you through the remarkable experiences of some of America's greatest writers and their lifelong pursuits of literacy and literature. The foreword was written by Nikki Giovanni. Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama
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  • 69
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    New York : Fordham University Press
    ISBN: 9780823278459
    Sprache: Englisch
    Seiten: 232 Seiten , illustrations, figures, tables
    Ausgabe: First edition
    DDC: 305.800973/09034
    RVK:
    Schlagwort(e): Racism History 19th century ; Humanism History 19th century ; Antislavery movements ; Humanism ; Humanity ; Materialism ; Racism ; Social justice ; United States Race relations 19th century ; History
    Kurzfassung: "Antebellum Posthuman exposes the volatility of "the human"--torn between liberalism and empiricism--in the 1850s and traces the emergence of an antislavery materialism in antebellum literature. Placing race at the root of posthumanism's intellectual history, this study also examines the conflict between liberalism and materialism in critical theory today"--
    Kurzfassung: Introduction. Beyond recognition : the problem of antebellum embodiment -- Douglass's animals : racial science and the problem of human equality -- Thoreau's seeds : evolution and the problem of human agency -- Whitman's cosmic body : bioelectricity and the problem of human meaning -- Posthumanism and the problem of social justice : race and materiality in the twenty-first century -- Coda. After romantic posthumanism
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  • 70
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    Waco, Tex. : Baylor University Press
    ISBN: 9781481308823 , 9781602583146
    Sprache: Englisch
    Seiten: xxiv, 311 Seiten , Illustrationen
    Ausgabe: Second edition
    DDC: 398.24/54
    RVK:
    Schlagwort(e): Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture History ; Monsters ; Monsters ; Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture ; United States ; History
    Beschreibung / Inhaltsverzeichnis: Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources.
    Anmerkung: Includes bibliographical references and index. - Includes filmography (p. 229-230). - Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources
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  • 71
    ISBN: 9789004349407
    Sprache: Englisch , Deutsch
    Seiten: XVII, 234 Seiten , Illustrationen
    Serie: German monitor volume 79
    Serie: German monitor
    Paralleltitel: Erscheint auch als Reunification and the legacy of East-German literature and culture
    DDC: 830.99431
    RVK:
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    Schlagwort(e): Literature and society ; German literature History and criticism ; German literature History and criticism 20th century ; Collective memory ; Group identity ; Collective memory ; Collective memory ; Cultural policy ; German literature ; Group identity ; Literature ; Literature and society ; Germany ; Germany (East) ; Unification of Germany (1990) ; Criticism, interpretation, etc ; History ; 1900-1999 ; Germany (East) In literature ; Germany (East) Cultural policy ; Germany History Unification, 1990 ; In literature ; Aufsatzsammlung ; Konferenzschrift ; Deutschland ; Deutschland ; Deutschland ; Wiedervereinigung ; Deutschland ; Wiedervereinigung ; Literatur ; Kultur ; Rezeption
    Kurzfassung: Since the tumultuous events of 1989/1990, writers, cultural practitioners and academics have responded to, reconstructed and reflected upon the process and enduring impact of German reunification. This bilingual volume provides a nuanced understanding of the literature and culture of the GDR and its legacy today. It explores a broad range of genres, combines perspectives on both lesser-known and more established writers, and juxtaposes academic articles with the personal reflections of those who directly experienced and engaged with the GDR from within or beyond its borders. Whether creative practitioners or academics, contributors consider the broader literary and intellectual contexts and traditions shaping GDR literature and culture in a way that broadens and enriches our understanding of reunification and its legacy
    Anmerkung: Beiträge teilweise englisch, teilweise deutsch
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  • 72
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    Buch
    Gainesville : University Press of Florida
    ISBN: 9780813064895
    Sprache: Englisch
    Seiten: xviii, 191 Seiten , Illustrationen
    Ausgabe: First paperback printing
    Paralleltitel: Äquivalent
    DDC: 305.48/896073
    RVK:
    Schlagwort(e): Geschichte 1800-1900 ; African American women History ; African American women Political activity ; History ; African American women civil rights workers History ; African Americans Civil rights ; History ; African American women political activists History ; African Americans Social life and customs ; Schwarze ; Schriftstellerin ; Frauenliteratur ; Politische Publizistik ; USA ; USA ; Schwarze ; Frauenliteratur ; Politische Publizistik ; USA ; Schwarze ; Schriftstellerin ; Geschichte 1800-1900
    Kurzfassung: The book analyzes black women's engagement with the liberal problematic...the gap between democratic promise and dispossession...as a form of resistance
    Anmerkung: Includes bibliographical references and index
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  • 73
    ISBN: 9783897714243 , 3897714248
    Sprache: Deutsch
    Seiten: 264 Seiten , Illustrationen
    Ausgabe: 3. Auflage, unveränderter Nachdruck v. 2009
    DDC: 437.09
    RVK:
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    Schlagwort(e): German language Political aspects ; German language Social aspects ; Racism in language ; Africans History ; Germany ; Germany Colonies ; History ; Africa ; Deutsch ; Sprachliches Stereotyp ; Afrika ; Rassismus ; Linguistik
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  • 74
    Online-Ressource
    Online-Ressource
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271080055
    Sprache: Englisch
    Seiten: 1 Online-Ressource (196 Seiten) , Illustrationen
    Serie: Refiguring modernism
    Paralleltitel: Erscheint auch als Bachman, Erik M., 1981 - Literary obscenities
    DDC: 809.93353823
    RVK:
    Schlagwort(e): Lewis, Wyndham 1882-1957 Criticism and interpretation ; Caldwell, Erskine 1903-1987 Criticism and interpretation ; Smith, Lillian 1897-1966 Criticism and interpretation ; Caldwell, Erskine, 1903-1987 Criticism and interpretation ; Lewis, Wyndham, 1882-1957 Criticism and interpretation ; Smith, Lillian, 1897-1966 (Lillian Eugenia) ; Criticism and interpretation ; Sex in literature History ; 20th century ; Pornography in literature History ; 20th century ; Obscenity (Law) History ; 20th century ; United States ; Naturalism in literature History ; 20th century ; Naturalism in literature History ; 20th century ; Obscenity (Law) United States ; History ; 20th century ; Pornography in literature History ; 20th century ; Sex in literature History ; 20th century ; Lewis, Wyndham 1882-1957 ; Caldwell, Erskine 1903-1987 ; Smith, Lillian Eugenia 1897-1966 ; USA ; Obszönität ; Sexualverhalten ; Pornografie
    Kurzfassung: "Examines U.S. obscenity trials in the early twentieth century and how they framed a wide-ranging debate about the printed word's power to deprave, offend, and shape behavior"...Provided by publisher
    Anmerkung: Angekündigt unter dem Titel: Getting off the page
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  • 75
    ISBN: 9780872731844 , 0872731847
    Sprache: Englisch
    Seiten: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
    RVK:
    RVK:
    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Kurzfassung: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Anmerkung: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 76
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    Mumbai : The Marg Foundation
    ISBN: 9383243201 , 9789383243204
    Sprache: Englisch
    Seiten: 135 Seiten , Illustrationen , 31 cm
    Serie: Marg's quarterly publications vol. 69, no. 3
    Serie: Mārg publications
    DDC: 294.523
    RVK:
    Schlagwort(e): Prints Technique 19th century ; History ; Prints Technique 20th century ; History ; Hell in art 19th century ; Hell in art 20th century ; Punishment in art ; Chromolithography 19th century ; Chromolithography 20th century ; Hell Hinduism ; Hell in art ; Prints, Indic 19th century ; Prints, Indic 20th century ; Bildband ; Indien ; Druckgrafik ; Hölle ; Strafe ; Geschichte 1800-
    Anmerkung: Includes bibliographical references (pages 130-133) and index
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  • 77
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Sprache: Englisch
    Seiten: 271 Seiten , Karten
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Kurzfassung: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Anmerkung: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 78
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Sprache: Englisch
    Seiten: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Schlagwort(e): Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Kurzfassung: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Anmerkung: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 79
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190279646
    Sprache: Englisch
    Seiten: 1 Online-Ressource (288 Seiten) , illustrations (black and white, and colour), maps (black and white)
    Suppl.: Rezensiert in Lewis, Bonnie Sue [Rezension von: Graber, Jennifer, The Gods of Indian Country: Religion and the Struggle for the American West] 2020
    Paralleltitel: Erscheint auch als Graber, Jennifer, 1973 - The gods of Indian country
    DDC: 978.00497492
    RVK:
    Schlagwort(e): Kiowa Indians History 19th century ; Kiowa Indians Government relations 19th century ; History ; Kiowa Indians Missions 19th century ; History ; Kiowa Indians ; History ; 19th century ; Kiowa Indians ; Government relations ; History ; 19th century ; Kiowa Indians ; Missions ; History ; 19th century ; USA ; Kiowa ; Ethnische Religion ; Kulturelle Identität ; Siedler ; Mission ; Rassendiskriminierung ; Geschichte 1803-1903
    Kurzfassung: During the nineteenth century, Americans sought the cultural transformation and the physical displacement of American Indian nations. Native people resisted these efforts. Though this process is often understood as a clash of rival economic systems or racial ideologies, it was also a profound spiritual struggle. The conflict over Indian Country sparked crises for both Natives and Americans. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides. This work focuses on Kiowa Indians during Americans' hundred-year effort to acquire, explore, and seize their homeland between 1803 and 1903.
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
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  • 80
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226152653 , 9780226599069
    Sprache: Englisch
    Seiten: 541 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Dinerstein, Joel The Origins of Cool in Postwar America.
    DDC: 306.0973/0904
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    Schlagwort(e): Popular culture History 20th century ; Cool (The English word) ; Cool (The English word) ; Cool (The English word) ; Manners and customs ; Popular culture ; Popular culture ; United States ; United States ; History ; 1900-1999 ; United States Social life and customs 1945-1970 ; USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
    Kurzfassung: Prelude: Paris, 1949 -- Introduction: the origins of cool -- Lester Young and the birth of cool -- Humphrey Bogart and the birth of noir cool from the Great Depression -- Albert Camus and the birth of existential cool from the idea of rebellion (and the blues) -- Billie Holiday and Simone de Beauvoir: toward a postwar cool for women -- Cool convergences, 1950: jazz, noir, existentialism -- A generational interlude: postwar II (1953-1963) and the shift in cool -- Kerouac and the cool mind: jazz and zen -- From noir cool to Vegas cool: swinging into prosperity with Frank Sinatra -- American rebel cool: Brando, Dean, Elvis -- Sonny Rollins and Miles Davis sound out cool individuality -- Hip versus cool in the Fugitive kind (1960) and Paris blues -- Lorraine Hansberry and the end of postwar cool -- Epilogue: the many lives of postwar cool
    Anmerkung: Includes bibliographical references and index
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  • 81
    Buch
    Buch
    London : Bloomsbury Academic
    ISBN: 9781350031630 , 9781474249768
    Sprache: Englisch
    Seiten: XV, 202 Seiten , Illustrationen
    Ausgabe: Paperback edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 391.00945/511
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    Schlagwort(e): Geschichte 1500-1600 ; Geschichte 1400-1600 ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Geschichte ; Gesellschaft ; Fashion History 16th century ; Men's clothing History 16th century ; Nobility Clothing 16th century ; History ; Masculinity Social aspects 16th century ; History ; DESIGN / Fashion ; HISTORY / Europe / Western ; HISTORY / Renaissance ; SOCIAL SCIENCE / Gender Studies ; HISTORY / Europe / Italy ; Männlichkeit ; Männerkleidung ; Bildnismalerei ; Mann ; Mode ; Männlichkeit ; Europa ; Italien ; Florence (Italy) Court and courtiers 16th century ; History ; Florenz ; Florenz ; Männerkleidung ; Mode ; Männlichkeit ; Männlichkeit ; Mann ; Bildnismalerei ; Geschichte 1400-1600
    Kurzfassung: "Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centres used their appearances to project social, sexual, and professional identities. Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honour, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole"...
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  • 82
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    London : The British Museum | London : Thames & Hudson
    ISBN: 9780500519707
    Sprache: Englisch
    Seiten: 351 Seiten , Illustrationen
    DDC: 951
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    Schlagwort(e): Material culture China ; Material culture Pictorial works ; China ; Antiquities ; Material culture ; Material culture China ; Material culture Pictorial works ; China ; Antiquities ; Material culture ; Material culture ; Material culture ; Antiquities ; China ; Pictorial works ; Material culture ; China ; China ; China ; China ; China ; China Antiquities ; China Pictorial works ; Antiquities ; China History ; China Pictorial works ; History ; China ; China Antiquities ; China Pictorial works ; Antiquities ; China History ; China Pictorial works ; History ; China ; Bildband ; China ; Kunst ; Sachkultur
    Kurzfassung: This illustrated introduction to the history of China offers a fresh understanding of China's progress from the Neolithic age to the present. Told in six chapters arranged chronologically, through art, artifacts, people, and places, and richly illustrated with expertly selected objects and artworks, it firmly connects today's China with its internationally engaged past. From the earliest archaeological relics and rituals, through the development of writing and state, to the advent of empire, the author charts China's transformation from ancient civilization into the world's most populous nation and influential economy, offering historical insights and cultural treasures along the way. This accessible book presents an eclectic mix of materials including Chinese theater, the decorative arts, costume, jewelry, and furniture-making, running through to the most recent diffusion of Chinese culture
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 83
    ISBN: 978-90-04-33810-4
    Sprache: Englisch , Chinesisch
    Seiten: 1 Online-Ressource (XI, 374 Seiten) : , Illustrationen, Diagramme.
    Serie: China studies Volume 37
    Serie: China studies
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation University of London 2009
    DDC: 701/.03
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte ; Kunst ; Art and society History 20th century ; Art Economic aspects 20th century ; History ; Art Societies, etc ; Hochschulschrift
    Anmerkung: Revision of the author's thesis (doctoral...University of London, 2009) under the title: The making of a modern art world : the institutionalisation of guohua in Shanghai, 1929-1937. - Includes bibliographical references
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  • 84
    Buch
    Buch
    Durham ; London :Duke University Press,
    ISBN: 978-0-8223-6145-9 , 978-0-8223-6164-0
    Sprache: Englisch
    Seiten: xvi, 396 Seiten, 32 ungezählte Seiten Farbtafeln : , Illustrationen.
    Paralleltitel: Erscheint auch als
    DDC: 700.8996073
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1960-1980 ; Geschichte ; Gesellschaft ; Schwarze. USA ; African American artists ; African American arts Social aspects 20th century ; History ; Artists and community History 20th century ; African Americans History 20th century ; Schwarze. ; Kunst. ; Los Angeles (Calif.) Race relations 20th century ; History ; Los Angeles, Calif. ; Amerika. ; Schwarze ; Kunst ; Geschichte 1960-1980
    Anmerkung: Includes bibliographical references and index
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  • 85
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    Chiba-ken Sakura-shi : Daigaku Kyōdō Riyō Kikan Hōjin Ningen Bunka Kenkyū Kikō Kokuritsu Rekishi Minzoku Hakubutsukan
    Sprache: Japanisch , Englisch
    Seiten: 295, III Seiten , Illustrationen, Diagramme , 30 cm
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    Schlagwort(e): Geschichte ; Lackarbeit ; Japan ; Lacquer and lacquering / Japan / History / Exhibitions ; Lacquer and lacquering ; Japan ; Exhibition catalogs ; History ; Ausstellungskatalog National Museum of Japanese History 11.07.-3.11.2017 ; Japan ; Lackarbeit ; Geschichte
    Anmerkung: Catalog of exhibits held at Kokuritsu Rekishi Minzoku Hakubutsukan, July 11-September 3, 2017 and Urasoe-shi Bijutsukan, September 15-October 22, 2017 , Überwiegend auf Japanisch, teilweise auf Englisch
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  • 86
    Online-Ressource
    Online-Ressource
    [Oxford] : [Berg]
    ISBN: 9781350050754
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Leisure, consumption and culture
    Paralleltitel: Elektronische Reproduktion von Koshar, Rudy German travel cultures
    DDC: 910.01
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    Schlagwort(e): Geschichte ; Tourism - History - Germany ; Travel - Guidebooks ; Travel writing ; Turism - historia - Tyskland - 1900-talet ; Geschichte ; Tourism History ; Travel writing History ; Travel Guidebooks ; Publishing ; History ; Kultur ; Reise ; Reiseführer ; Germany - Guidebooks - History ; Deutschland ; Germany Guidebooks Description and travel ; History ; Deutschland ; Deutschland ; Reise ; Kultur ; Geschichte ; Deutschland ; Reiseführer ; Geschichte
    Anmerkung: Bevorzugte Informationsquelle: Landingpage (Bloomsbury Cultural History), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822363651 , 9780822363392
    Sprache: Englisch
    Seiten: 276 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Critically sovereign
    DDC: 970.004/97
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    Schlagwort(e): Indians of North America Historiography ; Indigenous peoples Historiography ; Sex role Political aspects ; History ; Feminist theory ; Queer theory ; Decolonization ; Indigenous peoples in literature ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Introduction: Critically sovereign / Joanne Barker -- Indigenous Hawaiian sexuality and the politics of nationalist decolonization / J. Kēhaulani Kauanui -- Return to "The uprising at Beautiful Mountain in 1913" : marriage and sexuality in the making of the modern Navajo nation / Jennifer Nez Denetdale -- Ongoing storms and struggles : gendered violence and resource exploitation / Mishuana R. Goeman -- Audiovisualizing Iñupiaq men and masculinities on the ice / Jessica Bissett Perea -- Around 1978 : family, culture, and race in the federal production of Indianness / Mark Rifkin -- Loving unbecoming : the queer politics of the transitive native / Jodi A. Byrd -- Getting dirty : the eco-eroticism of women in indigenous oral literatures / Melissa K. Nelson
    Anmerkung: Includes bibliographical references and index
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  • 88
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    Los Angeles, California : The Getty Research Institute
    ISBN: 1606065181 , 9781606065181
    Sprache: Englisch
    Seiten: vii, 107 Seiten , Illustrationen , 21 cm
    Suppl.: Rezensiert in Bizoirre, Mélisande [Rezension von: Kavita Singh, Real birds in imagined gardens. Mughal painting between Persia and Europe] 2018
    Serie: GRI Council lecture series
    DDC: 759.54
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    Schlagwort(e): Painting, Mogul History ; Islamic painting History ; India ; Painting, Renaissance Influence ; Europe ; Islamic painting ; Painting, Mogul ; Painting, Renaissance Influence ; Europe ; India ; History ; Painting, Mogul Empire ; Islamic painting History ; Painting, Renaissance Influence ; Islamic painting ; Painting, Mogul ; Painting, Renaissance ; Europe ; India ; History ; Mogulreich ; Malerei ; Mogulreich ; Malerei
    Kurzfassung: "Mughal painting is said to have begun in the mid-16th century as an offshoot of Persian painting. Within a few decades, however, Mughal art was transformed by European Renaissance art. Most accounts of Mughal painting trace a straightforward "evolutionary" path, with Mughal artists abandoning the Persianate style in favor of a European one. But in her essay, Singh demonstrates that the history of Mughal painting is by no means linear. During the reigns of the emperors Akbar (1556-1605) and Jahangir (1605-27), Mughal painting underwent repeated cycles of adoption, rejection, revival of both Persian and European styles. Singh suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. By methodically unraveling this entangled history of politics and style, Singh explores new ways of understanding the significance of naturalism and stylization in Mughal art." -- Provided by publisher
    Anmerkung: "Real Birds in Imagined Gardens publishes Kavita Singh's lecture titled Looking East, Looking West: Mughal Painting between Persia and Europe, held at the Getty Center on 19 November 2015" -- title page verso , Includes bibliographical references
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  • 89
    ISBN: 9789383221165 , 938322116X
    Sprache: Englisch
    Seiten: xvii, 182 Seiten , Illustrationen, Tabellen , 25 cm
    Ausgabe: 1. published
    DDC: 294.535095482
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    Schlagwort(e): Hindu temples Congresses ; History ; India ; Tamil Nadu ; Inscriptions, Tamil Congresses ; Hindu sculpture Congresses ; India ; Tamil Nadu ; Hindu art Congresses ; Pandyas Congresses ; Hindu temples Congresses History ; Inscriptions, Tamil Congresses ; Hindu sculpture Congresses ; Hindu art Congresses ; Pandyas Congresses ; Aufsatzsammlung ; Konferenzschrift ; Tamil Nadu ; Hinduistische Kunst ; Vaigai ; Tamil Nadu ; Hinduismus ; Tempel ; Tamil ; Inschrift
    Anmerkung: "The present book of essays is an outcome of a two day ICHR Seminar on Koils in the Vaigai and Tāmirapaṇi basins." , Enthält Bibliografie
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  • 90
    Buch
    Buch
    Detroit, Michigan : Wayne State University Press
    ISBN: 9780814343036
    Sprache: Englisch
    Seiten: xiv, 328 Seiten , Illustrationen, Karten
    Serie: A painted turtle book
    Paralleltitel: Erscheint auch als
    DDC: 303.6230977434
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1967 ; Geschichte ; Schwarze. USA ; Rassismus ; Aufstand ; Detroit, Mich. ; Race riots / Michigan / Detroit / History / 20th century ; Racism / Michigan / Detroit / History ; African Americans / Michigan / Detroit / Social conditions / History ; Detroit (Mich.) / Race relations / History ; African Americans / Social conditions ; Race relations ; Race riots ; Racism ; Michigan / Detroit ; 1900-1999 ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Detroit, Mich. ; Aufstand ; Rassismus ; Geschichte 1967
    Kurzfassung: "In the summer of 1967, Detroit experienced one of the worst racially charged civil disturbances in United States history. Years of frustration generated by entrenched and institutionalized racism boiled over late on a hot July night. In an event that has been called a 'riot,' 'rebellion,' 'uprising,' and 'insurrection,' thousands of people took to the streets for several days of vandalism, arson, and gunfire. Law enforcement was overwhelmed, and it wasn't until battle-tested federal troops arrived that the city returned to some semblance of normalcy. Fifty years later, native Detroiters cite this event as pivotal in the city's history, yet few completely understand what happened, why it happened, or how it continues to affect the city today. Discussions of the events are often rife with misinformation and myths, and seldom take place across racial lines. It is editor Joel Stone's intention with 'Detroit 1967: origins, impacts, legacies' to draw memories, facts, and analysis together to create a broader context for these conversations"--Jacket
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  • 91
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822369547 , 9780822369813
    Sprache: Englisch
    Seiten: xv, 296 Seiten, 32 ungezählte Seiten , Illustrationen , 23 cm
    Serie: Art history publication initiative
    DDC: 704.03/974
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    Schlagwort(e): American Indian Movement Influence ; Indian artists Travel 20th century ; History ; Indian art History 20th century ; Indian art ; Indian artists ; American Indian Movement ; Indianer ; Künste ; Geschichte ; Durham, Jimmie 1940-2021 ; Luna, James 1950- ; Kabotie, Fred 1900-1986 ; Walking Stick, Kay 1935- ; Houle, Robert 1947- ; American Indian Movement
    Kurzfassung: The word for world and the word for history are the same: Jimmie Durham, the American Indian Movement, and spatial thinking -- Now that we are Christians we dance for ceremony: James Luna, performing props, and sacred space -- They sent me way out in the foreign country and told me to forget it: Fred Kabotie, Dance memories, and the 1932 U.S. pavilion of the Venice Biennale -- Dance is the one activity that I know of when virtual strangers can embrace: Kay Walkingstick, creative kinship, and Art history's tangled legs -- They advanced to the portraits of their friends and offered them their hands: Robert Houle, Ojibwa tableaux vivants, and transcultural materialism -- Traveling with stones
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  • 92
    ISBN: 3110538393 , 9783110538397
    Sprache: Deutsch
    Seiten: XI, 526 Seiten , Illustrationen , 24 cm x 17 cm
    Serie: Deutsche Literatur 23
    Serie: Deutsche Literatur
    Paralleltitel: Erscheint auch als Kagerer, Alexander Macht und Medien um 1500
    Paralleltitel: Erscheint auch als Kagerer, Alexander Macht und Medien um 1500
    Dissertationsvermerk: Dissertation Ludwig-Maximilians-Universität München 2016
    DDC: 943.03
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    Schlagwort(e): Habsburg, House of ; Fugger family ; Mass media Political aspects ; History ; Mass media Social aspects ; History ; Power (Social sciences) ; Hochschulschrift ; Maximilian I. Heiliges Römisches Reich, Kaiser 1459-1519 ; Fugger Familie : 14. Jh.- : Augsburg ; Selbstdarstellung ; Legitimation ; Repräsentation ; Geschichte 1400-1600
    Kurzfassung: "Die Frage nach Aufstieg und Erhalt von Macht durch Inszenierung in Text wie Bild stellt sich noch heute. Die Studie analysiert im Sinne einer Mikrophysik der Macht multimediale Repräsentations-/Legitimationsformen um 1500: In einer Doppelperspektive wird vergleichend gegenübergestellt, wie eine Dynastie durch Verweis auf Herkunft Geltung begründet und eine aufgestiegene Kaufmannsfamilie diesen Mechanismus zur eigenen Absicherung fruchtbar macht"--
    Kurzfassung: "The problem of attaining and maintaining power through self-portrayal in text and image remains relevant today. This study analyzes forms of representation and legitimation across various media around 1500 in terms of a microphysics of power. It compares and contrasts how a dynasty legitimizes its power by referencing its origins and how a rising merchant family successfully used this mechanism to ensure its status"--
    Anmerkung: Literaturverzeichnis: Seite 469-523
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  • 93
    Buch
    Buch
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812249194
    Sprache: Englisch
    Seiten: xvi, 266 Seiten , 24 cm
    DDC: 306.0973
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte ; Geschichte ; End of the world ; End of the world Forecasting ; Eschatology ; Eschatology Forecasting ; Americans Attitudes 20th century ; History ; Christianity and culture History 20th century ; Technologie ; Apokalyptik ; Eschatologie ; Endzeiterwartung ; USA ; USA ; USA ; Apokalyptik ; Endzeiterwartung ; Eschatologie ; Technologie ; Geschichte
    Anmerkung: Includes bibliographical references and index
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  • 94
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    New Delhi, [India] : Hay House Publishers India
    ISBN: 9789385827693
    Sprache: Englisch
    Seiten: 269 Seiten , Illustrationen , 23 cm
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    Schlagwort(e): Sikhs Monuments ; History ; Sikhs Monuments ; History ; Sikhs Kings and rulers ; Homes and haunts ; Sikhs Kings and rulers ; Homes and haunts ; Sikh architecture ; Sikh architecture
    Anmerkung: Mit Literaturangaben
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  • 95
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    Tōkyō : Yamakawa Shuppansha
    Titel: 知られざる日本写真開拓史
    Verlag: 東京 : 山川出版社
    ISBN: 4634151138 , 9784634151130
    Sprache: Japanisch
    Seiten: 295 Seiten , 22 cm
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    Schlagwort(e): Photography Exhibitions History 19th century ; Photography Exhibitions ; History ; 19th century ; Japan ; Shashin-Nihon ; Photography ; Japan Pictorial works History 19th century ; Exhibitions ; Japan Pictorial works ; Exhibitions ; History ; 19th century ; Japan ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog Tokyo Metropolitan Museum of Photography 07.03.2017-07.05. 2017
    Anmerkung: Museumshomepage: Katalog zur Ausstellung "Dawn of Japanese Photography: The Anthology" am Tokyo Metropolitan Museum of Photography vom 7.3.-7.5.2017. Englischer Titel der Ausstellung nicht im Buch vermerkt , Includes bibliographical references , In japanischer Schrift und Sprache
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  • 96
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231181105
    Sprache: Englisch
    Seiten: xii 222 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Struggle on Their Minds
    DDC: 323.1196/073
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    Schlagwort(e): Walker, David Political and social views ; Douglass, Frederick Political and social views ; Wells-Barnett, Ida B Political and social views ; Newton, Huey P Political and social views ; Davis, Angela Y Political and social views ; African American intellectuals ; African Americans Politics and government ; African Americans Political activity ; History ; African Americans Intellectual life ; Slavery Influence ; African American intellectuals ; African Americans ; Slavery ; Davis, Angela Y. ; Douglass, Frederick ; Newton, Huey P. ; Walker, David ; Wells-Barnett, Ida B. ; USA ; Schwarze ; Intellektueller ; Politisches Denken ; Politisches Handeln ; Aktivismus ; Widerstand ; Geschichte 1785-2017
    Kurzfassung: "The rise of the American economy, the persistence of social inequality, and the ongoing struggle for adequate political representation cannot be evaluated separately from slavery, the country's original sin. Five activists who have fought to incorporate slavery into American political discourse are the focus of this timely book, in which Alex Zamalin considers past African American resistance to underscore its future democratic necessity. He looks at the language and conceptions put forward by the American abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey P. Newton, and the prison reformer Angela Davis. Each through passionate argument revised the core values of the American political tradition and reformed ideas about power, justice, community, action, and the role of emotion in elective outcomes. Zamalin finds numerous examples in which political theory developed a more open and resilient conception of individual liberty after key moments of African American resistance provoked by these activists' work. Their thought encouraged slaves to revolt against their masters, black radical abolitionists to call for the eradication of slavery by any means necessary, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how constructive resistance can strengthen the practice of democracy and help disenfranchised groups achieve political parity."--Provided by publisher
    Kurzfassung: Introduction: the political thought of African American resistance -- David Walker, Frederick Douglass, and the abolitionist democratic vision -- Ida B. Wells, the antilynching movement, and the politics of seeing -- Huey Newton, the Black Panthers, and the decolonization of America -- Angela Davis, prison abolition, and the end of the American carceral state -- Conclusion: the future of resistance
    Anmerkung: Includes bibliographical references and index
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  • 97
    Online-Ressource
    Online-Ressource
    Stuttgart : J.B. Metzler Verlag
    ISBN: 9783476054111
    Sprache: Deutsch
    Seiten: Online-Ressource (X, 378 S, online resource)
    Suppl.: Rezensiert in Strohm, Christoph, 1958 - Reformation. Historisch-kulturwissenschaftliches Handbuch 2019
    Serie: SpringerLink
    Serie: Bücher
    Paralleltitel: Druckausg. Reformation
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    Schlagwort(e): History ; History ; Aufsatzsammlung ; Reformation ; Kultur ; Geschichte
    Kurzfassung: Das Handbuch will einen raschen und gleichzeitig analytischen Zugang zum Thema Reformation eröffnen, indem es in konsequent europäischer und interdisziplinärer Perspektive nach den Gelingens- bzw. Misslingensbedingungen von Reformation fragt. Es soll das Verständnis dafür schärfen, was Reformation aus historisch-kulturwissenschaftlicher Perspektive ausmacht. Dabei stellt es theologische Lehrstreitigkeiten so dar, dass ihre historisch-kulturellen Auswirkungen klar werden. Die große Bedeutung von Netzwerken einzelner Akteursgruppen wird beleuchtet und die Konstruktion unterschiedlicher reformatorischer Räume analysiert. Auch die politischen Rahmenbedingungen und die Medialität des reformatorischen Prozesses werden herausgearbeitet
    Kurzfassung: Politische Rahmenbedingen von Reformation -- Theologische Diskurse -- Akteure und Netzwerke -- Reformatorische Räume -- Medialität von Reformation -- Veränderungen: Staat-Gesellschaft-Recht-Kultur
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 98
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press
    ISBN: 9780231543477
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Struggle on their minds
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    Schlagwort(e): African Americans Intellectual life ; African Americans Political activity ; History ; African Americans Politics and government ; African American intellectuals ; Slavery Influence ; Slavery Influence ; African American intellectuals. ; African Americans. ; African Americans. ; African Americans. ; African American intellectuals ; African Americans ; Slavery ; Davis, Angela Y. ; Douglass, Frederick ; Newton, Huey P. ; Walker, David ; Wells-Barnett, Ida B. ; POLITICAL SCIENCE / History & Theory ; USA ; Schwarze ; Intellektueller ; Politisches Denken ; Politisches Handeln ; Aktivismus ; Widerstand ; Geschichte 1785-2017
    Kurzfassung: American political thought has been shaped by those who fought back against social inequality, economic exclusion, the denial of political representation, and slavery, the country's original sin. Yet too often the voices of African American resistance have been neglected, silenced, or forgotten. In this timely book, Alex Zamalin considers key moments of resistance to demonstrate its current and future necessity, focusing on five activists across two centuries who fought to foreground slavery and racial injustice in American political discourse. Struggle on Their Minds shows how the core values of the American political tradition have been continually challenged—and strengthened—by antiracist resistance, creating a rich legacy of African American political thought that is an invaluable component of contemporary struggles for racial justice.Zamalin looks at the language and concepts put forward by the abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey Newton, and the prison abolitionist Angela Davis. Each helped revise and transform ideas about power, justice, community, action, and the role of emotion in political action. Their thought encouraged abolitionists to call for the eradication of slavery, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how the political thought that comes out of resistance can energize the practice of democratic citizenship and ultimately help address the prevailing problem of racial injustice.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 99
    ISBN: 9783791356808
    Sprache: Englisch
    Seiten: 376 Seiten , 28 cm
    DDC: 700.98/0904
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    Schlagwort(e): Geschichte 1960-1985 ; Arts Exhibitions Political aspects 20th century ; History ; Arts Exhibitions Political aspects 20th century ; History ; Arts, Latin American Exhibitions 20th century ; Hispanic American arts Exhibitions 20th century ; Women artists Exhibitions ; Hispanic American women artists Exhibitions ; Künstlerin ; Kunst ; Lateinamerika ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Ausstellungskatalog Brooklyn Museum 13.04.2018-22.07.2018 ; Bildband ; Ausstellungskatalog Hammer Museum 15.09.2017-31.12.2017 ; Lateinamerika ; Frauenkunst ; Frau ; Geschichte 1960-1985
    Kurzfassung: "This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history"--
    Anmerkung: Seite 375: "Published on the occasion of the exhibition Radical Women: Latin American Art, 1960-1985, organized and presented by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA ... The exhibition is guest curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero ... Exhibition Itinerary Hammer Museum, Los Angeles September 15-December 31, 2017, Brooklyn Museum April 13-July 22, 2018." , Includes bibliographical references and index , Text englisch
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 100
    Sprache: Englisch , Deutsch
    Seiten: 1 DVD-Video (circa 93 min) , farbig, Tonformat Dolby digital 5.1 + 2.0, Ländercode 2 (Europa), PAL , 12 cm
    Suppl.: Abgeleitet Baldwin, James, 1924 - 1987 I am not your negro First Vintage international edition New York : Vintage International, Vintage Books, 2017 9780525434696
    Serie: Edition Salzgeber D208
    Serie: Edition Salzgeber
    DDC: 323.1196/0730904
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): African Americans Civil rights ; History ; 20th century. ; Civil rights movements United States ; History ; 20th century. ; Racism United States. ; Film ; DVD-Video ; Film ; DVD-Video ; Film ; DVD-Video ; USA ; Rassismus ; Schwarze ; Kultur ; Baldwin, James 1924-1987 ; Dokumentarfilm
    Kurzfassung: Raoul Pecks Dokumentarfilm "I Am Not Your Negro" rekonstruiert das unvollendete letzte Buch des afroamerikanischen Schriftstellers James Baldwin: eine schonungslose Abhandlung über den Rassismus in den USA, erzählt ausschließlich mit den Worten Baldwins am Beispiel von Martin Luther King Jr., Medgar Evers (Mitglied der NAACP) und Malcolm X, die alle drei ermordet wurden.
    Anmerkung: Bildformat: 16:9 (1,78:1) , USA/Frankreich/Belgien/Schweiz 2016 , Sprachen: Englisch, Deutsch. - Untertitel: Deutsch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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