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  • Geschichte  (4,073)
  • USA  (3,913)
  • History
  • Musicology  (5,026)
  • American Studies  (2,386)
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Subjects(RVK)
  • 1
    Language: German
    Parallel Title: Elektronische Reproduktion Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , Maschinenschrift
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  • 2
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 3
    Journal/Serial
    Journal/Serial
    Antwerpen [u.a.] : Soc. | Brussel : Soc. ; 1.1946/47 -
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    ISSN: 0771-6788
    Language: Undetermined
    Dates of Publication: 1.1946/47 -
    Parallel Title: Online-Ausg. Revue belge de musicologie
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    Keywords: Geschichte ; Musikwissenschaft ; Musik ; Belgien ; Zeitschrift ; Zeitschrift
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  • 4
    Media Combination
    Media Combination
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195170283 , 9780195170290 , 0195170288 , 0195170296
    Language: English
    DDC: 306.74/2/08621
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    Keywords: Courtesans History ; Cross-cultural studies ; Höfische Kunst ; Geschichte ; Höfische Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte ; Höfling ; Kunst ; Geschichte
    Note: Includes bibliographical references and index; spätere Drucke ohne CD, Audiobeispiele nur mit Link und Zugangscode verfügbar
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  • 5
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 6
    Language: Undetermined
    DDC: 305.896073
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    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 7
    Language: Undetermined
    DDC: 305.896073
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    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 8
    Journal/Serial
    Journal/Serial
    Hoyerswerda : Stadt Hoyerswerda, Stadtmuseum | Hoyerswerda : Stadtverwaltung Hoyerswerda ; Nr. 1.1998 -
    Language: German
    Pages: 22 cm
    Dates of Publication: Nr. 1.1998 -
    Former Title: Vorg. Hoyerswerdaer Geschichtshefte
    DDC: 900
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    Keywords: Zeitschrift ; Hoyerswerda ; Heimatkunde ; Hoyerswerda ; Geschichte ; Landkreis Hoyerswerda ; Musik ; Geschichte
    Note: Ersch. jährl.
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  • 9
    Journal/Serial
    Journal/Serial
    Hoyerswerda : Stadt Hoyerswerda, Stadtmuseum | Hoyerswerda : Stadtverwaltung Hoyerswerda ; Nr. 1.1998 -
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    Language: German
    Pages: 22 cm
    Dates of Publication: Nr. 1.1998 -
    Former Title: Vorg. Hoyerswerdaer Geschichtshefte
    DDC: 900
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    Keywords: Zeitschrift ; Hoyerswerda ; Heimatkunde ; Hoyerswerda ; Geschichte ; Landkreis Hoyerswerda ; Musik ; Geschichte
    Note: Ersch. jährl.
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  • 10
    Language: German
    Series Statement: Histoire ...
    Parallel Title: Online-Ausg. Popgeschichte
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    Keywords: Aufsatzsammlung ; Popmusik ; Pop-Kultur ; Geschichte
    Note: Bd. 2 hrsg. von Bodo Mrozek
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  • 11
    Language: German
    Edition: Reprogr. Nachdr.
    Series Statement: Volkskundliche Quellen ...
    Series Statement: Volkslied
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    Keywords: Deutschland ; Volkslied ; Deutschland ; Volkslied ; Geschichte
    Note: Ursprüngl. als: Ergänzungsheft zum ... Jahrgange der Zeitschrift für den deutschen Unterricht
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  • 12
    Journal/Serial
    Journal/Serial
    Stuttgart : Franz Steiner Verlag | Wiesbaden : Steiner ; 1.1966 -
    In:  Archiv für Musikwissenschaft
    ISSN: 0570-6769 , 0003-9292 , 2699-3198 , 2699-3198
    Language: German
    Dates of Publication: 1.1966 -
    Parallel Title: Erscheint auch als Beihefte zum Archiv für Musikwissenschaft
    Former Title: Beihefte
    Titel der Quelle: Archiv für Musikwissenschaft
    Publ. der Quelle: Stuttgart : Steiner, 1918
    DDC: 780
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    Keywords: Monografische Reihe ; Musik ; Geschichte ; Musikwissenschaft ; Kompositionslehre ; Musikgeschichtsschreibung
    Note: Index 1/35.1966/93 d. Beih. u. 1/50.1918/93 d. Hauptzeitschr. in: 50 Jahrgänge Archiv für Musikwissenschaft, 1994
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  • 13
    ISSN: 0072-0127
    Language: English
    Dates of Publication: Nr. 1.1948 -
    Parallel Title: Erscheint auch als Galpin Society The Galpin Society journal
    Former Title: Journal / The Galpin Society
    DDC: 780
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    Keywords: Zeitschrift ; Musikinstrumentenkunde ; Musikinstrument ; Geschichte
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 14
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
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    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 15
    Journal/Serial
    Journal/Serial
    Brussel : Soc. | Antwerpen [u.a.] : Soc. ; 1.1946/47 -
    Show associated volumes/articles
    ISSN: 0771-6788
    Language: Undetermined
    Dates of Publication: 1.1946/47 -
    Parallel Title: Erscheint auch als Revue belge de musicologie
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Belgien ; Musik ; Geschichte ; Geschichte
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  • 16
    Language: English , German
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    Keywords: Carl Lindström GmbH ; Musikproduktion ; Unternehmensgeschichte ; Schallplattenindustrie ; Geschichte 1904-1972 ; Carl Lindström GmbH ; Geschichte ; Carl Lindström GmbH ; Carl Lindström GmbH ; Schallplatte ; Schallplattenindustrie ; Geschichte 1904-1972
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  • 17
    Journal/Serial
    Journal/Serial
    Paris : [Verlag nicht ermittelbar] ; N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    ISSN: 0035-1601
    Language: French
    Dates of Publication: N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    Additional Information: 21=Année [24.]1942 Société française de musicologie Société Française de Musicologie Paris : Fischbacher, 1942
    Parallel Title: Erscheint auch als Revue de musicologie
    Former Title: Vorg. Société française de musicologie Bulletin de la Société Française de Musicologie
    Former Title: Rapports et communications / Série speciale
    DDC: 780
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    Keywords: Zeitschrift ; Musikwissenschaft ; Frankreich ; Musik ; Geschichte ; Geschichte
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Index 1967/81 in: 67.1981
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  • 18
    Language: German
    Pages: TIFF, 300 dpi, Farbe; Digitalisierungsvorlage: Primärausgabe
    Edition: Online-Ausgabe Greifswald Universitätsbibliothek 2021 Digitalisierte Drucke der Universitätsbibliothek Greifswald
    Parallel Title: Elektronische Reproduktion von Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift
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  • 19
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
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    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 20
    Language: English
    Series Statement: Transatlantic perspectives ...
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    Keywords: Aufsatzsammlung ; USA ; Nationalbewusstsein
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  • 21
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
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    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 22
    ISBN: 3370000008
    Language: German
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    Keywords: Bildband ; Musik ; Geschichte
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  • 23
    Book
    Book
    Lilienthal (vormals Laaber) : Laaber-Verlag | Laaber : Laaber-Verlag
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    ISBN: 9783890078236
    Language: German
    Series Statement: Laaber Musikwissen
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    Keywords: Lehrbuch ; Musiktheorie ; Geschichte
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  • 24
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 25
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
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    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 27
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 28
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 29
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies
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  • 30
    Online Resource
    Online Resource
    New York : New York University Press | Oxford : Oxford University Press
    ISBN: 9781479893782
    Language: English
    Pages: 1 Online-Ressource (xii, 435 pages) , Illustrations (black and white).
    Series Statement: NYU Press scholarship online
    DDC: 306.76
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    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; Sexual minorities in mass media ; Sexual minorities in popular culture ; Mass media Social aspects ; Popular culture 20th century ; Family and Relationships ; Society & culture: general ; USA
    Abstract: How do we represent the experience of being a gender and sexual outlaw? In 'Queer Forms', Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation - including consciousness - raising, separatism, and coming out of the closet - were translated into a range of American popular culture forms.
    Note: Previously issued in print: 2022 , Includes bibliographical references and index
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  • 31
    ISBN: 9780197536261 , 9780197536254
    Language: English
    Pages: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
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    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Note: Literaturverzeichnis: Seite 205-207
    URL: Cover  (lizenzpflichtig)
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  • 32
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
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    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 33
    ISBN: 9783957324764
    Language: German
    Pages: Illustrationen
    Titel der Quelle: Magnetizdat DDR
    Publ. der Quelle: Berlin : Verbrecher Verlag, 2023
    Angaben zur Quelle: (2023), Seite 29-47
    Angaben zur Quelle: year:2023
    Angaben zur Quelle: pages:29-47
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    Keywords: Deutschland ; Musikleben ; Subkultur ; Geschichte
    Note: Betrifft auch Dresden, Leipzig, Karl-Marx-Stadt/Chemnitz u.a
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  • 34
    ISBN: 9783957324764
    Language: German
    Pages: Illustrationen
    Titel der Quelle: Magnetizdat DDR
    Publ. der Quelle: Berlin : Verbrecher Verlag, 2023
    Angaben zur Quelle: (2023), Seite 29-47
    Angaben zur Quelle: year:2023
    Angaben zur Quelle: pages:29-47
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    Keywords: Deutschland ; Musikleben ; Subkultur ; Geschichte
    Note: Betrifft auch Dresden, Leipzig, Karl-Marx-Stadt/Chemnitz u.a
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  • 35
    Online Resource
    Online Resource
    La Vergne : Feral House
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
    RVK:
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    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
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  • 36
    Book
    Book
    Würzburg :Königshausen & Neumann,
    ISBN: 978-3-8260-7194-2
    Language: German
    Pages: 393 Seiten : , Illustrationen ; , 23.5 cm x 15.5 cm.
    Series Statement: Klangfiguren Band 6
    Series Statement: Klangfiguren
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2020
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    Keywords: Geschichte ; Dirigent. ; Dirigieren. ; Konzert ; Film. ; Dirigent ; 19. Jahrhundert ; Herbert von Karajan ; Gustavo Dudamel ; Sergiu Celibdache ; Arturo Toscanini ; Hochschulschrift ; Dirigent ; Dirigieren ; Konzert ; Film ; Geschichte
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  • 37
    Book
    Book
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Language: English
    Pages: viii, 169 Seiten , 20 cm
    Series Statement: Genre: a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Abstract: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Description / Table of Contents: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 38
    Online Resource
    Online Resource
    London : FOCAL | London : Taylor & Francis Group
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Perspectives on music production
    DDC: 782.421649
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    Keywords: Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Abstract: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
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  • 39
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
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  • 40
    Book
    Book
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
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    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 41
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
    RVK:
    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 42
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
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    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 43
    Book
    Book
    Bad Salzdetfurth : Verlag Edition AV
    ISBN: 9783868412918 , 3868412913
    Language: German
    Pages: 170 Seiten , Illustrationen , 21 cm x 13.5 cm
    Edition: 1. Auflage
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    Keywords: Bella ciao ; Geschichte ; Widerstand ; Partisan ; Musik ; Italien
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  • 44
    ISBN: 3-412-52609-6 , 978-3-412-52609-2
    Language: German
    Pages: 196 Seiten : , Illustrationen, Diagramm, Karte, Notenbeispiele.
    Series Statement: Musik - Kultur - Gender Band 20
    Series Statement: Musik - Kultur - Gender
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Geschichte 1600-2023 ; Musiker. ; Mobilität. ; Geschlechterforschung. ; Musikleben. ; Geschlechterrolle. ; Macht. ; Biografie ; Epistemologie ; Gender ; Geschichtswissenschaft ; Kulturwissenschaft ; Migration ; Mobilität ; Musiker ; Musikwissenschaft ; Aufsatzsammlung ; Konferenzschrift 2017 ; Musiker ; Mobilität ; Geschlechterforschung ; Geschichte ; Musikleben ; Geschlechterrolle ; Mobilität ; Macht ; Geschichte 1600-2023
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  • 45
    ISBN: 9783593372730
    Language: German
    Pages: 233 Seiten , Illustrationen
    Edition: 2. Auflage
    Series Statement: Nordamerikastudien 18
    Series Statement: Nordamerikastudien
    Dissertation note: Habilitationsschrift Berlin, Humboldt-Univ. 2001
    DDC: 306.0973
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    Keywords: Geschichte 1940-1970 ; Avant-garde (Aesthetics) ; Künste ; Avantgarde ; USA ; USA ; Hochschulschrift ; USA ; Künste ; Avantgarde ; Geschichte 1940-1970 ; USA ; Avantgarde ; Geschichte 1940-1970
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  • 46
    ISBN: 9781324064473 , 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Notenbeispiele, Karte
    Edition: Norton paperback
    Parallel Title: Erscheint auch als
    DDC: 782.4215990973
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    Keywords: The star-spangled banner ; Nationalhymne ; USA
    Note: Literaturangaben, Index
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  • 47
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
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  • 48
    ISBN: 9780306826436 , 9780306826429
    Language: English
    Pages: xii, 256 Seiten
    DDC: 782.421660922
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    Keywords: Pearl Jam ; Geschichte 1990- ; Rockgruppe ; Grungerock ; USA
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  • 49
    ISBN: 9781529070644 , 1529070643
    Language: English
    Pages: 452 Seiten , Illustrationen , 24 cm
    Parallel Title: ebook version
    RVK:
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    Keywords: Electronic dance music / Great Britain / History and criticism ; Music / Political aspects / Great Britain / History / 20th century ; Music / Political aspects / Great Britain / History / 21st century ; Great Britain / Politics and government / 20th century ; Great Britain / Politics and government / 21st century ; Dance music / Grande-Bretagne / Histoire et critique ; Musique / Aspect politique / Grande-Bretagne / Histoire / 20e siècle ; Musique / Aspect politique / Grande-Bretagne / Histoire / 21e siècle ; Grande-Bretagne / Politique et gouvernement / 20e siècle ; Grande-Bretagne / Politique et gouvernement / 21e siècle ; Electronic dance music ; Music / Political aspects ; Politics and government ; Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP ; 1900-2099 ; Criticism, interpretation, etc ; History
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  • 50
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 51
    ISBN: 9783955655891
    Language: German
    Pages: 285 Seiten , Illustrationen
    Edition: 1. Auflage
    DDC: 390
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    Keywords: Weber, Ilse ; Judentum ; Kinderliteratur ; Antisemitismus ; Juden ; Jüdinnen ; jüdisch ; Geschichte ; Theresienstadt ; Kinderbücher ; Kinderliteratur ; Erzählungen ; Märchen ; Judentum ; Anthologie ; Weber, Ilse 1903-1944 ; Judentum ; Kinderliteratur
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  • 52
    ISBN: 9783111060590
    Language: English
    Pages: 1 Online-Ressource (X, 286 p.)
    Edition: Issued also in print
    Series Statement: Buchreihe der Anglia / Anglia Book Series 82
    Parallel Title: Erscheint auch als
    DDC: 302.4
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    Keywords: American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Abstract: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 53
    ISBN: 9783948935474 , 3948935475
    Language: German
    Pages: 96 Seiten , 21 cm x 14.5 cm
    Edition: 1. Auflage
    DDC: 786.9092
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    Keywords: Bildband ; Aufsatzsammlung ; Sommer, Günter 1943- ; Musikleben ; Sommer, Günter 1943- ; Jazzmusiker ; Jazz ; Musikleben ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 54
    ISBN: 9783959583602 , 3959583605
    Language: German
    Pages: 208, XXXII Seiten , Illustrationen , 21 cm x 12.5 cm
    DDC: 782.42164
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    Keywords: Erlebnisbericht ; Interview ; Erlebnisbericht ; Interview ; Deutschland ; The Beatles ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Cover
    URL: Cover
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  • 55
    ISBN: 9783608501674
    Language: German
    Pages: 303 Seiten , 21 cm x 12.8 cm
    Series Statement: Tropen Sachbuch
    Parallel Title: Erscheint auch als
    DDC: 943
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Neue Deutsche Welle ; Geschichte ; Migrationshintergrund ; Musiker ; Musikerin ; 1980 ; 80er-Jahre ; Gleichberechtigung ; Rassismus ; Feminismus ; Ökologie ; Gender ; Grauzone ; DAF ; daf ; Deutsch-amerikanische Freundschaft ; Achtziger ; 80er Jahre ; 80er ; 1978 ; Habermas ; nationale Identität ; Identität ; Kollektividentität ; The Wirtschaftswunder ; Wirtschaftswunder ; Der Kommissar ; Cem Kaya ; Anette Humpe ; Ideal ; Wir stehn auf Berlin ; Ich steh auf Berlin ; Überfremdungsangst ; German Angst ; Kottbusser Tor ; Kreuzberg ; Thilo Sarrazin ; Sarrazin ; Anwerbeabkommen ; türkische Gemeinde ; Gastarbeiter ; Asylanten ; Aufsatzsammlung ; Neue Deutsche Welle ; Musiker ; Musikerin ; Migrationshintergrund ; Geschichte
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  • 56
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 57
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 58
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
    RVK:
    RVK:
    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 59
    ISBN: 9781032332215 , 9781032332239
    Language: English
    Pages: viii, 154 Seiten
    Series Statement: Routledge histories of Central and Eastern Europe
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 60
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 61
    ISBN: 9781793651853
    Language: English
    Pages: IX, 407 Seiten , Illustrationen , 24 cm
    Series Statement: Extreme sounds studies : global socio-cultural explorations
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikleben ; Heavy Metal ; Sozialer Wandel ; Entwicklungsländer ; Heavy metal (Music) / Developing countries / History and criticism ; Heavy metal (Music) / Social aspects / Developing countries ; Heavy metal (Music) ; Developing countries ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Entwicklungsländer ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte
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  • 62
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 63
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 64
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
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  • 65
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 66
    Online Resource
    Online Resource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Language: English
    Pages: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Series Statement: Bloomsbury handbooks
    Series Statement: Bloomsbury collections
    Parallel Title: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Keywords: Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Abstract: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 68
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
    RVK:
    RVK:
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 70
    Image
    Image
    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 71
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Kassel 2019
    DDC: 781.65094315509042
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1924-1929 ; Musikleben ; Jazz ; Geschichte ; Berlin ; Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Geschichte ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 73
    ISBN: 9783957324764 , 3957324769
    Language: German
    Pages: 462 Seiten , Illustrationen
    Edition: Erste Auflage
    DDC: 781.640943109048
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    Keywords: Protestbewegung ; Opposition ; Gegenkultur ; Musik ; Frauenbewegung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Deutschland ; Popmusik ; Musikleben ; Underground ; Geschichte 1979-1990 ; Deutschland ; Musikleben ; Geschichte 1979-1990 ; Sachsen ; Musikleben ; Geschichte
    Abstract: Im letzten Jahrzehnt der DDR fanden Punk und seine experimentellen Verästelungen in Post-Punk, New Wave, Elektronischer Musik und Avantgarde-Rock und -Pop auch in dem stillen Land ihre Hörer. Wer hörte, wollte oft aber auch mehr: "Magnetizdat DDR" erzählt, wie aus Konsumenten schnell Produzenten wurden und DDR-weit eine sich selbst verlegende Kassettentäter-Szene entstand, der Magnetbanduntergrund. Ein Magnetizdat, in Ableitung von Samizdat und Tamizdat in der sowjetischen Gegenkultur. Hier wie dort, in Ost wie West, war dabei Multimedialität das Gebot der Stunde. Literaten ließen sich von Bands befeuern, Musiker entdeckten Barock- und Experimental-Lyrik, Super-8-Filmer und bildende Künstler griffen zum Mikrofon, international renommierte Projekte nahmen hier ihren Anfang.
    Note: Literaturverzeichnis: Seite 449-454 , Zeitgleich zu diesem Buch erscheint bei Iron Curtain Radio/Major Label die 3-LP-Edition "Magnetizdat DDR. Magnetbanduntergrund Ost 1979-1990"
    URL: Cover
    URL: Cover
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  • 74
    Image
    Image
    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 75
    Book
    Book
    Chicago ; London :The University of Chicago Press,
    ISBN: 978-0-226-81642-5 , 978-0-226-81641-8
    Language: English
    Pages: 195 Seiten.
    Series Statement: Thinking literature
    Parallel Title: Erscheint auch als
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    Keywords: United States ; 1900-1999 ; Geschichte 1955-1980 ; African American philosophy ; Philosophy, German ; African American aesthetics ; African Americans / Intellectual life / 20th century ; Critical theory / History ; Criticism / United States / History ; American literature / African American authors / German influences ; Critical theory ; Criticism ; African Americans / Intellectual life ; Schwarze. ; Identität. ; Kritische Theorie. ; Phänomenologie. ; USA. ; History ; Schwarze ; Identität ; Kritische Theorie ; Phänomenologie ; Geschichte 1955-1980
    Abstract: "Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century African American writers and thinkers, showing how their investments in sociology and anthropology gave way to a growing interest in German philosophy and critical theory by the 1960s. Thompson analyzes this shift in intellectual focus across the post-war decades, pinpointing its clearest expression in Amiri Baraka's writings on jazz and blues, in which he insisted on philosophy as the critical means by which to grasp African American expressive culture. More sociologically oriented thinkers, such as W. E. B. Du Bois, had understood blackness as a singular set of socio-historical characteristics. In contrast, writers such as Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were variously drawn to notions of an African essence, an ontology of Black being. For them, the work of Adorno, Habermas, Marcuse, and German thinkers was a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of African American religious thought. Mark Christian Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of blackness--a "Black aesthetic dimension" wherein aspirational models for Black liberation might emerge"--
    Description / Table of Contents: The essence of the matter -- The politics of Black friendship : Gadamer, Baldwin and the Black hermeneutic -- The Aardvark of history : Malcolm X, language and power -- Black aesthetic autonomy : Ralph Ellison, Amiri Baraka, and "literary Negro-ness" -- The revolutionary will not be hypnotized : Eldridge Cleaver and Black ideology -- Unrepeatable : Angela Y. Davis and Black critical theory -- Black aesthetic theory
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  • 76
    ISBN: 9781350141193 , 9781350185388
    Language: English
    Pages: vi, 264 Seiten , Illustrationen, Diagramme
    DDC: 306.0973
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    Keywords: Gothic novel ; Horrorliteratur ; Das Unheimliche ; USA
    Note: Enthält Literaturangaben
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  • 77
    Book
    Book
    New York, NY : Routledge Taylor & Francis Group
    ISBN: 9780367421687 , 9781032189338 , 1032189339
    Language: English
    Pages: xiv, 203 Seiten , Illustrationen, Diagramme
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    DDC: 781.6509485
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    Keywords: Geschichte 1947-1963 ; Jazz ; Rezeption ; USA ; Schweden
    Note: Literaturangaben
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  • 78
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Language: English
    Pages: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
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    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Abstract: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Note: Literaturverzeichnis Seite 407-421
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  • 79
    ISBN: 9783030861483
    Language: English
    Pages: 1 Online-Ressource (xxv, 348 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 304.2
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    Keywords: Douglas, Marjory Stoneman ; Abbey, Edward ; Muir, John ; Thoreau, Henry David ; Leopold, Aldo ; Human Geography ; Social and Cultural Geography ; Environmental Studies ; Environmental Social Sciences ; Cultural Studies ; Human geography ; Cultural geography ; Human ecology—Study and teaching ; Environmental sciences—Social aspects ; Culture—Study and teaching ; Renaturierung ; Geschichte ; Literatur ; Umwelt ; Beziehung ; USA ; USA ; Umwelt ; Literatur ; Renaturierung ; Beziehung ; Geschichte ; Thoreau, Henry David 1817-1862 ; Muir, John 1838-1914 ; Leopold, Aldo 1886-1948 ; Douglas, Marjory Stoneman 1890-1998 ; Abbey, Edward 1927-1989
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Language: English
    Pages: 1 Online-Ressource (450 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: American Culture 16
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    Keywords: Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Abstract: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 81
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge advances in sociology
    DDC: 306.4/84209052
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    Keywords: Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Abstract: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Note: Includes bibliographical references and index
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  • 82
    ISBN: 9780190939953 , 9780190939946 , 0190939958 , 019093994X
    Language: English
    Pages: xi, 564 Seiten , Notenbeispiele
    Edition: Third edition
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; USA
    Note: 50th anniversary edition, revised , Previous edition: 1990.
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  • 83
    Map
    Map
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367691424 , 9780367691417
    Language: English
    Pages: xv, 221 Seiten , Illustrationen, Karte, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Volksmusikpflege ; Tanz ; Kelten ; Geschichte ; Cornwall ; Celtic music / Social aspects / England / Cornwall (County) ; Cornwall (England : County) / Social life and customs ; Cornwall (England : County) / History, Local ; Manners and customs ; England / Cornwall (County) ; Local history ; Hochschulschrift ; Hochschulschrift ; Cornwall ; Kelten ; Volksmusikpflege ; Tanz ; Geschichte
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  • 84
    ISBN: 9783944487953 , 3944487958
    Language: German
    Pages: 176 Seiten , Illustrationen , 29.6 cm x 21 cm, 570 g
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    Keywords: Jazzstone Society ; Geschichte
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  • 85
    Online Resource
    Online Resource
    Kassel : Bärenreiter
    ISBN: 9783761871348
    Language: German
    Pages: 1 Online-Ressource(264 Seiten) , Notenbeispiele, Illustrationen
    Series Statement: Bärenreiter Studienbücher Musik Band 21
    Series Statement: Bärenreiter Studienbücher Musik
    Parallel Title: Erscheint auch als Unseld, Melanie, 1971 - Musikgeschichte "Klassik"
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    Keywords: Music. ; Music theory. ; Musik ; Musik ; Geschichte ; Deutschland ; Musikleben ; Wiener Klassik ; Empfindsamkeit ; Musik ; Geschichte
    Abstract: Klappentext: Im Zentrum des Buches steht die europäische Musikgeschichte der sogenannten "Sattelzeit". Ausgehend von den politischen und gesellschaftlichen Hintergründen werden auch ästhetische Strömungen vorgestellt, die im Zusammenhang mit der Musikkultur bedeutsam waren: Fragen der Affekte, das Einfache und Virtuosität, Empfindsamkeit, das Erhabene und nicht zuletzt die Ästhetik des Schreckens. Anhand konkreter Orte und der Frage, was Menschen u. a. in Parks, auf den Straßen oder im Haus, in Kirchen oder an Höfen, auf der Theaterbühne oder im Kloster hören konnten, werden verschiedene musikalische Praktiken beschrieben und die Akteurinnen und Akteure vorgestellt. Zu allen Themen werden jeweils exemplarische Werke besprochen.
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  • 86
    ISBN: 9781496838339 , 9781496838346
    Language: English
    Pages: ix, 286 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.53529
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    Keywords: Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Abstract: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Description / Table of Contents: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 87
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 88
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 89
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 90
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 91
    ISBN: 9783949602085 , 3949602089
    Language: German
    Pages: 50 Seiten , Illustrationen , 29.7 cm x 21 cm, 260 g
    Edition: 1. Auflage
    DDC: 781.650609432125
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    Keywords: Bildband ; Fotografie ; Comic ; Wurzen ; Jazzklub ; Geschichte 1978-1985 ; Wurzen ; Musikleben ; Subkultur ; Jazz ; Geschichte
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  • 92
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 93
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
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    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 94
    ISBN: 9783423290098 , 3423290099
    Language: German
    Pages: 238 Seiten , 21 cm x 13.5 cm
    Uniform Title: Notes of a native son
    DDC: 305.896073
    RVK:
    Keywords: Autobiografie ; USA ; Schwarze ; Kultur ; Alltag ; Rassismus ; Geschichte 1943-1963
    Abstract: J. Baldwin gilt als einer der bedeutendsten US-amerikanischen Schriftsteller des 20. Jahrhunderts. Seine grossen Themen sind der Rassismus sowie die Fragen nach Identität und Gleichstellung unterschiedlicher ethnischer, sozialer, religiöser oder sexuell orientierter Gruppen. Der Essayband vereint Texte aus den Jahren 1948-1955. Fast immer wählt Baldwin einen persönlichen Zugang zu seinen Themen, egal, ob es um Alltagsphänomene, Kunst, Politik oder Geschichte geht. Dies macht die sprachlich sehr eleganten und geschliffenen Aufsätze sehr authentisch. Besonders eindringlich sind die Essays, die sich mit seiner eigenen Herkunft, Harlem und seinem Stiefvater beschäftigen; ebenso aber die Beschreibungen der Anfeindung und Ausgrenzung, die ihm in einem Dorf in der Schweiz widerfahren sind. Baldwins Texte sind nach über 60 Jahren von bemerkenswerter und erschreckender Aktualität. Die vorliegende Neuübersetzung durch M. Mandelkow ist die erste vollständige deutschsprachige Ausgabe von "Notes of a Native Son" (Original erstmals 1955 erschienen). Die Lektüre ist inspirierend, bereichernd - breit einsetzbar. (2)
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  • 95
    Book
    Book
    New York : Penguin Press
    ISBN: 9780735217959
    Language: English
    Pages: 370 Seiten
    DDC: 306.0973/09049
    RVK:
    Keywords: Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Abstract: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 96
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 97
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 98
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
    RVK:
    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 100
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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