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Bandits, misfits, and superheroes; whiteness and its borderlands in American comics and graphic novels

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Bandits, misfits, and superheroes

whiteness and its borderlands in American comics and graphic novels
Verfasser: Benson, Josef <1974-> GND link to dataset open/close  GND search link open/close  (DE-588)1057802352
Verfasser: Singsen, Doug GND link to dataset open/close  GND search link open/close  (DE-588)1256317233
978-1-4968-3833-9; 978-1-4968-3834-6
Schlagwörter: USA GND link to dataset open/close  GND search link open/close  ; Comic GND link to dataset open/close  GND search link open/close  ; Superheld GND link to dataset open/close  GND search link open/close  ; Rassismus GND link to dataset open/close  GND search link open/close  ; Weißsein GND link to dataset open/close  GND search link open/close  ; Geschichte 1930-2022

 Buch
SFX (Services, Fernleihe und weitere eXtras)

Bestand im BVB:
Bestand im KOBV:
Externe Links:
  • Inhaltsverzeichnis

Fach:
  • Kunstgeschichte
  • Allgemeines
  • Ethnologie
  • Anglistik / Amerikanistik
  • Literaturwissenschaft


Letzte Änderung: 06.09.2022
Titel:Bandits, misfits, and superheroes
Untertitel:whiteness and its borderlands in American comics and graphic novels
URL:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=03327007...
Erläuterung :Inhaltsverzeichnis
Von:Josef Benson and Doug Singsen
ISBN:978-1-4968-3833-9
ISBN:978-1-4968-3834-6
Erscheinungsort:Jackson
Verlag:University Press of Mississippi
Erscheinungsjahr:2022
Umfang:ix, 286 Seiten
Details:Illustrationen
Format:24 cm
Abstract:"American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
Sprache:eng
RVK-Notation:EC 7120
RVK-Notation:HU 1821
RVK-Notation:LC 84610
RVK-Notation:LB 31960
RVK-Notation:AP 88916
Fid-Notation:SKA
Angaben zum Inhalt:Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
Andere Ausgabe:Erscheint auch als
_Bemerkung:Online-Ausgabe, EPUB
_ISBN:978-1-4968-3836-0
Andere Ausgabe:Erscheint auch als
_Bemerkung:Online-Ausgabe, EPUB
_ISBN:978-1-4968-3835-3
Andere Ausgabe:Erscheint auch als
_Bemerkung:Online-Ausgabe, PDF
_ISBN:978-1-4968-3838-4
Andere Ausgabe:Erscheint auch als
_Bemerkung:Online-Ausgabe, PDF
_ISBN:978-1-4968-3837-7
Thema (Schlagwort):USA; Comic; Superheld; Rassismus; Weißsein; Geschichte 1930-2022

MARC-Felder:
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5058 |a Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index 
5203 |a "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways" 
648 7|a Geschichte 1930-2022 |2 gnd |9 rswk-swf 
65007|a Rassismus |0 (DE-588)4076527-1 |2 gnd |9 rswk-swf 
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653 0|a Comic books, strips, etc / United States / History and criticism 
653 0|a Comic books, strips, etc / Social aspects / United States 
653 0|a Racism / United States / Comic books, strips, etc 
653 0|a Racism and the arts / United States 
653 0|a White people / Race identity / United States / Comic books, strips, etc 
653 0|a Outlaws / Comic books, strips, etc 
653 0|a Superheroes / Comic books, strips, etc 
653 0|a Comic books, strips, etc 
653 6|a Criticism, interpretation, etc 
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