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  • Konferenzschrift  (514)
  • Electronic books
  • History
  • Soziologie
  • Musicology  (1,210)
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Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Les fêtes de la Renaissance (1956-)
    Paris : Éd. du Centre National de la Recherche Scientifique
    Details
    Language: French
    Series Statement: Le chœur des muses
    DDC: 394.2/694
    RVK:
    LP 13000
    RVK:
    LP 19503
    RVK:
    NN 1585
    Keywords: Charles Congresses ; Festivals Congresses ; Renaissance Congresses ; Europe Congresses Social life and customs ; Konferenzschrift ; Renaissance ; Fest ; Europa ; Fest ; Geschichte 1420-1600
    Note: Erschienen: 1 - 3
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GBV
  • 2
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BVB
  • 3
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Regensburg UB
    BVB
  • 4
    Book
    Book
    〈〈Das〉〉 21. Jahrhundert : Essays (2024)
    Köln :Kiepenheuer & Witsch,
    Details
    ISBN: 978-3-462-00646-9 , 3-462-00646-0
    Language: German
    Pages: 1136 Seiten ; , 21.8 cm x 14.1 cm, 1123 g.
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    DDC: 790
    RVK:
    LR 57738
    RVK:
    LB 15000
    RVK:
    MR 7100
    RVK:
    MS 1290
    Keywords: Geschichte 2000-2023 ; Kultur. ; Künste. ; Ästhetik. ; Erinnerungen ; Essay ; Gesellschaft ; Kunst ; Musik-Geschichte ; Pop-Kultur ; Sexbeat ; Über Pop-Musik ; Soziologie ; Kritik ; Kino ; Fernsehen ; Theater ; Walter Benjamin ; SPEX ; Stanley Kubrick ; Miley Cyrus ; Christoph Schlingensief ; Brett Easton Ellis ; Black Panther ; Biopolitik ; Lady Gaga ; Donald Trump ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kultur ; Künste ; Ästhetik ; Geschichte 2000-2023
    Abstract: Kaum war das 21. Jahrhundert angebrochen, wartete es auch schon mit neuen Schrecken, Idiotien und gelegentlichen Glücksmomenten auf. Zu den wenigen, die es noch wagen, in diesem von den Medien verdickten und beschleunigten Wirrwarr Zusammenhänge herzustellen und dabei an einem anspruchsvollen Begriff von Kritik festzuhalten, gehört Diedrich Diederichsen. In dieser Wundertüte von einem Reader mit Aufsätzen und Kommentaren, wenn auch erst aus den ersten dreiundzwanzig Jahren des Jahrhunderts, zeigt er sein stupendes Wissen über sämtliche Trends in Kunst, Kino, Fernsehen, Literatur, Musik, Theater, Theorie und Politik, das bis in die feinsten Verästelungen der Gegenkultur reicht. Er ist in der Lage, aus Erkenntnistheorie ebenso Funken zu schlagen wie aus den »Simpsons«, den Inszenierungen von René Pollesch oder Serien wie »Underground Railroad«. Vor allem vermag er es wie kein anderer, das eine mit dem anderen zu verknüpfen und von Theodor W. Adorno zur Familie Duck oder von einer Hamburger Baustelle zu einer feministischen Kunstinstallation (und zurück) zu springen. Was Zeitgenossenschaft bedeuten kann, ist seit Walter Benjamin nicht mehr so eindrucksvoll unter Beweis gestellt worden
    URL: Inhaltsverzeichnis
    URL: Inhaltstext  (lizenzpflichtig)
    URL: https://cover.ekz.de/9783462006469.jpg
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    Book
    HU Berlin
    BSZ
    GBV
    KOBV
    BVB
  • 5
    Book
    Book
    Destination Unknown : die Zukunft des Jazz (2024)
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    Details
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    LS 48200
    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2023
    URL: Inhaltsverzeichnis
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    BSZ
    GBV
    KOBV
    HeBIS
  • 6
    Online Resource
    Online Resource
    (Deutsch-)Rap und Gewalt – Ambivalenzen und Brüche (2024)
    Weinheim : Beltz Juventa
    Details
    ISBN: 9783779972792
    Language: German
    Pages: 1 Online-Ressource (288 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als (Deutsch-)Rap und Gewalt
    RVK:
    LS 48650
    Keywords: Erziehungswissenschaft ; Gewalt ; Soziologie ; Jugend ; Rassismus ; Sexualität ; Männlichkeit ; Jugendkultur ; Rezeption ; HipHop ; Rap ; Musiksoziologie ; Deutsch-Rap ; Sprache ; Antisemitismus ; sprachliche Gewalt ; feministischer Rap ; Aufsatzsammlung ; Rap ; Gewalt ; Jugendkultur ; Sozialisation ; Männlichkeit
    Abstract: Im Mittelpunkt des Sammelbandes steht die Auseinandersetzung mit dem Gewaltmotiv und seiner (multimodalen) Darstellung im (Deutsch-)Rap. Die Facetten der Gewaltdarstellung im (Deutsch-)Rap und deren ggf. vorhandene Brüche und Ambivalenzen werden einerseits auf der Ebene der Produktion fokussiert. Andererseits erfolgt ein Blick auf die Rezeptionsprozesse, Produktionsmechanismen und -instanzen, die auf eine möglichst breite Rezeption abzielen. Ziel ist es, das Phänomen Gewalt im (Deutsch-)Rap in den Kontext gesellschaftlich relevanter, auch medialer Diskurse einzubetten und dabei auf die Vielfalt, Ambivalenzen und Brüche seiner Darstellung aufmerksam zu machen, um seine Entwicklungen und Erscheinungen aus einer vernetzen Perspektive aufzuspüren.
    Note: Literaturangaben
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    20 Jahre »Mein Block« : interdisziplinäre Perspektiven auf ein popkulturelles Ereignis (2024)
    Weinheim : Beltz Juventa
    Details
    ISBN: 9783779979982 , 9783779979999
    Language: German
    Pages: 1 Online-Ressource (295 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop studies
    Parallel Title: Erscheint auch als 20 Jahre "Mein Block"
    RVK:
    LS 48650
    Keywords: Gesellschaft ; Soziologie ; Soziale Ungleichheit ; politische Bildung ; Gesellschaftskritik ; Musik ; Aggro ; Popkultur ; Hiphop ; Rap ; Sido ; Gangstarap ; HipHop Studies ; Deutschrap ; Mein Block ; Aufsatzsammlung
    Abstract: Biographical note: Raja Möller ist Wissenschaftliche Mitarbeiterin an der Professur für Neuere deutsche Literatur und Literaturdidaktik (Gymnasium) an der Philipps-Universität Marburg. Martin Seeliger, PD Dr., leitet die Abteilung »Wandel der Arbeitsgesellschaft« am Institut für Arbeit und Wirtschaft in Bremen. Fabian Wolbring hat die Professur für Neuere deutsche Literatur und Literaturdidaktik (Gymnasium) an der Philipps-Universität Marburg inne und ist Direktor im Zentrum für Lehrerbildung Marburg.
    Abstract: Sidos »Mein Block« ist reißerische Sozialreportage, Pride-Song für die räumlich segregierte Unterklasse, Räuberpistole und Gesellschaftskritik in einem. Zudem stellt er eine Zäsur für den deutschsprachigen Rap und Pop im Ganzen dar. Der Band leistet eine dichte Beschreibung dieses popkulturellen Ereignisses unter Aspekten sozialer Ungleichheit, politischer Bildung und multimodaler Ästhetik und bezieht Perspektiven aus Soziologie, Medien- und Literaturwissenschaft, Jugendarbeit und Didaktik, Stadt- und Architekturforschung ebenso ein wie die von Journalismus, Zeitzeugen und Szeneakteur*innen.
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
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  • 8
    Book
    Book
    Music in medieval rituals for the end of life (2024)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
    RVK:
    LR 11042
    RVK:
    LB 60005
    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780197685914.001.0001
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    BSZ
  • 9
    Book
    Book
    From St. Petersburg to Vienna : the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance (2024)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 33120
    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
  • 10
    Online Resource
    Online Resource
    Das Jahr der Innovationen im Jazz : eine Analyse ausgewählter Alben des Jahres 1959 (2024)
    Baden-Baden : Tectum
    Details
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
    RVK:
    LS 48100
    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
    DOI: 10.5771/9783828850569
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 11
    Book
    Book
    Akusmatik als Labor : Kultur - Kunst - Medien (2023)
    Würzburg :Königshausen & Neumann,
    Details
    ISBN: 3-8260-7382-7 , 978-3-8260-7382-3
    Language: German
    Pages: 351 Seiten : , Illustrationen.
    RVK:
    AP 14500
    RVK:
    MS 8020
    RVK:
    LR 53559
    RVK:
    LR 56660
    RVK:
    AP 14900
    Keywords: Akusmatik. ; Akusmatik ; Akusmatik als Labor ; Kultur ; Kunst ; Medien ; Konferenzschrift ; Konferenzschrift 2019 ; Akusmatik
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    HU Berlin
  • 12
    Online Resource
    Online Resource
    1964 : Fotografien und Betrachtungen (2023)
    München : C.H. Beck | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783406804182
    Language: German
    Pages: 1 Online-Ressource (378 pages)
    Edition: 1st ed.
    RVK:
    LS 48040
    RVK:
    AP 95740
    Keywords: Bildband ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 13
    Book
    Book
    Musik und Migration : ein Theorie- und Methodenhandbuch (2023)
    Münster : Waxmann
    Details
    ISBN: 9783830946304
    Language: German
    Pages: 746 Seiten
    Series Statement: Musik und Migration Band 3
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als Musik und Migration
    RVK:
    LR 57730
    RVK:
    MS 8020
    Keywords: Aufsatzsammlung ; Konferenzschrift 2016 ; Musik ; Einwanderer ; Musikpsychologie ; Musiksoziologie ; Migration ; Soziologie ; Forschung ; Migration ; Soziologie ; Musikwissenschaft ; Transdisziplinarität
    Abstract: Musik und Migration bedingen einander substanziell. Musik selbst ist beweglich: als Kunstform, als Ware, auf Datenspeichern, als Wissen und Können migrierender Musiker_innen und als Erinnerungsanker von Menschen mit Migrationserfahrungen. Das in den kultur- und kunstwissenschaftlichen Disziplinen schon seit Langem existierende Interesse für das Wechselverhältnis zwischen den Kunst- und Migrationsphänomenen wurde durch aktuelle Fluchtbewegungen neu angefacht und inspiriert. Das vorliegende Handbuch stellt theoretische und methodische Grundlagen des Forschungsfeldes Musik und Migration gebündelt dar und lotet deren Potenzial für zukünftige Projekte aus. Mit Beiträgen von: Ruard Absaroka, Philip V. Bohlman, Sandra Chatterjee, Ricarda Drüeke, Magnus Gaul, M. J. Grant, Wolfgang Gratzer, Katarzyna Grebosz-Haring, Nils Grosch, Elisabeth Klaus, Anna Langenbruch, Anna Papaeti, Ulrike Präger, Matthias Pasdzierny, Michael Parzer, André de Quadros, Christina Richter-Ibáñez, Susanne Scheiblhofer, Carolin Stahrenberg
    Note: Literaturverzeichnis: Seiten 584-737 , Vorwort , 1. Einleitung , 2. Schlüsselbegriffe , Agency , Akkulturation , Antirassismus , Critical Whiteness , Diaspora/Diasporisch , Differenz , Digital Humanities , Diskurs , Embodiment , Erinnerung/Gedächtnis , Ethnizität , Exil , Forschungsethik , Gemeinschaft , Geschichte , Globalgeschichte , Histoire croisee/Entangled history , Identität , Integration , Intersektionalität , Kreativität , Kultur , Kulturelle Mobilität , Kulturelles Kapital , Kulturökonomie , Liminalität , Materielle Kultur , Menschenrechte , Migration , Musik , Musikalische Analyse , Neues Mobilitätsparadigma , Performance/Performanz/Performativität , Postkolonialismus , Postmigrantisch , Quellen/Archive , Rassismus , Soziale Netzwerke , Transkulturalität , Übersetzung/Translation , Verstehen , 3. Zugänge [Einzeltitel siehe Aufsätze] , 4. Bewegungs- und Raumimpulse [Einzeltitel siehe Aufsätze] , 5. Interaktion, Inklusion und Partizipation [Einzeltitel siehe Aufsätze] , 6. Postkoloniale und transkulturelle Perspektiven [Einzeltitel siehe Aufsätze]
    DOI: 10.31244/9783830996309
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  • 14
    Book
    Book
    Punk revolution! : an oral history of punk rock politics and activism (2023)
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    Details
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    LB 42000
    RVK:
    LC 86000
    RVK:
    LS 48645
    RVK:
    MS 2350
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 15
    Online Resource
    Online Resource
    South African Popular Music (2023)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501383441
    Language: English
    Pages: 1 Online-Ressource (195 pages)
    Series Statement: Genre: a 33 1/3 Series
    DDC: 781.630968
    RVK:
    LS 47925
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 16
    Musical Score
    Musical Score
    Reform, notation and Ottoman music in early 19th century Istanbul : Euterpe (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 36060
    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Musical Score
    München BSB
    Würzburg UB
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  • 17
    Online Resource
    Online Resource
    How Hip Hop Became Hit Pop (2023)
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
    URL: kostenfrei
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  • 18
    Book
    Book
    Ästhetische Normativität in der Musik (2023)
    Frankfurt am Main : Vittorio Klostermann
    Show associated volumes/articles
    Details
    ISBN: 9783465046110 , 3465046110
    Language: German
    Pages: 391 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16 cm
    Edition: 1. Auflage
    Series Statement: Schriftenreihe des Käte Hamburger Kollegs "Recht als Kultur" Band 33
    Parallel Title: Erscheint auch als Ästhetische Normativität in der Musik
    DDC: 781.17
    RVK:
    LR 56800
    RVK:
    LR 56820
    RVK:
    CC 6900
    Keywords: Konferenzschrift ; Musikästhetik
    Abstract: Auch wenn in jüngster Zeit ein neues Interesse der materialen Kulturwissenschaften an Fragen der Normativität zu beobachten ist, steht das Thema dort – im Unterschied zum Projekt von „Rechtsanalyse als Kulturforschung“ – doch auch in Konkurrenz zu Phänomenen der Diversität, Singularität oder Situativität, die als Schlüsselthemen der Gegenwart weitaus mehr Aufmerksamkeit finden. Hat die Ästhetik vor diesem Hintergrund ein ambivalentes, gespanntes oder gar paradoxes Verhältnis zum Normativen, sind auch die Kulturwissenschaften gefordert, sich dem Thema in ihrem jeweiligen Gegenstandsbereich zu widmen. Der Band setzt hier an und reflektiert das Problem der ästhetischen Normativität in der Musik grundlegend und exemplarisch mit Beiträgen aus der Musikgeschichte, der Popmusikforschung, der Musiktheorie, der Musikethnologie, der Musiksoziologie und den Sound Studies.
    Abstract: Even though material cultural studies recently show an increasing interest in questions of normativity, the topic as it is discussed there - in contrast to the project of "legal analysis as cultural research" - nevertheless competes with phenomena of diversity, singularity, or situativity, which currently receive much more attention as key topics of the present. Seeing that, against this background, aesthetics has an ambivalent, tense, or even paradoxical relationship to the normative, cultural studies are also challenged to address the topic in their respective subject areas. The volume picks up here and reflects the problem of aesthetic normativity in music fundamentally and exemplarily with contributions from music history, pop music research, music theory, ethnomusicology, music sociology and sound studies.
    Note: "Dieser Band geht auf das Symposion Ästhetische Normativität in der Musik zurück" - Danksagung , Literaturangaben
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 19
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    Online Resource
    When Monsters Roar and Angels Sing : Eine kleine Soziologie des Heavy Metal (2023)
    Stuttgart : W. Kohlhammer GmbH
    Details
    ISBN: 9783170426498
    Language: German
    Pages: 1 Online-Ressource (187 p.)
    Edition: 1st ed.
    RVK:
    MS 8020
    RVK:
    LS 48635
    Keywords: Heavy Metal ; Musik ; Musiksoziologie ; Soziologie
    Abstract: Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.
    DOI: 10.17433/978-3-17-042649-8
    URL: https://elibrary.kohlhammer.de/book/10.17433/978-3-17-042649-8
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  • 20
    Online Resource
    Online Resource
    The Routledge companion to ethics and research in ethnomusicology (2023)
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
    RVK:
    LS 17100
    RVK:
    LS 12100
    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 21
    Online Resource
    Online Resource
    REIMAGINING SAMPLE-BASED HIP HOP : making records within records (2023)
    London : FOCAL | London : Taylor & Francis Group
    Details
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Perspectives on music production
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Abstract: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
    DOI: 10.4324/9781003027430
    URL: https://www.taylorfrancis.com/books/9781003027430
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  • 22
    Book
    Book
    Party lines : dance music and the making of modern Britain (2023)
    London : Picador
    Details
    ISBN: 9781529070644 , 1529070643
    Language: English
    Pages: 452 Seiten , Illustrationen , 24 cm
    Parallel Title: ebook version
    RVK:
    LQ 84007
    RVK:
    LQ 84008
    RVK:
    LS 48015
    Keywords: Electronic dance music / Great Britain / History and criticism ; Music / Political aspects / Great Britain / History / 20th century ; Music / Political aspects / Great Britain / History / 21st century ; Great Britain / Politics and government / 20th century ; Great Britain / Politics and government / 21st century ; Dance music / Grande-Bretagne / Histoire et critique ; Musique / Aspect politique / Grande-Bretagne / Histoire / 20e siècle ; Musique / Aspect politique / Grande-Bretagne / Histoire / 21e siècle ; Grande-Bretagne / Politique et gouvernement / 20e siècle ; Grande-Bretagne / Politique et gouvernement / 21e siècle ; Electronic dance music ; Music / Political aspects ; Politics and government ; Great Britain / https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP ; 1900-2099 ; Criticism, interpretation, etc ; History
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    KOBV
  • 23
    Online Resource
    Online Resource
    Music and Citizenship (2023)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    Online Resource
    Online Resource
    When monsters roar and angels sing : eine kleine Soziologie des Heavy Metal (2023)
    Stuttgart : Verlag W. Kohlhammer
    Details
    ISBN: 9783170426498 , 9783170426504
    Language: German
    Pages: 1 Online-Ressource (187 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Metalbook 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rosa, Hartmut, 1965 - When monsters roar and angels sing
    RVK:
    MS 8020
    RVK:
    LS 48635
    RVK:
    LR 56607
    Keywords: Metaler ; Metaller ; Metalszene ; Musik ; Musikgeschichte ; soziokulturelle Kontexte ; Soziologie ; Subkulturen ; Heavy Metal ; Soziologie ; Musiksoziologie ; Heavy Metal ; Musiksoziologie ; Heavy Metal ; Musikpsychologie ; Soziologie ; Rockmusik ; Leben ; Musikhören ; Hard Rock ; Konzert ; Wacken Open Air ; Black Sabbath ; Eric Clapton ; Deep Purple ; Dream Theater ; Iron Maiden ; Metallica ; Pink Floyd ; Schenker, Michael 1955- ; The Who ; Within Temptation ; Yes ; Gesang ; Resonanz ; Religion ; Lebensfreude ; Heavy Metal ; Romantik
    Abstract: Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.
    DOI: 10.17433/978-3-17-042649-8
    URL: lizenzpflichtig
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  • 25
    Book
    Book
    Music and musicians in the medieval Islamicate world : a social history (2023)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    Details
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München UB
    BVB
  • 26
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Regensburg UB
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    BVB
  • 27
    Book
    Book
    Disaster songs as intangible memorials in Atlantic Canada (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    LS 21140
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 28
    Book
    Book
    Dark waves : the synthesizer and the dystopian sound of Britain (1977-80) (2023)
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    Details
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 29
    Book
    Book
    Electronic dance music : from deviant subculture to culture industry (2023)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793620392
    Language: English
    Pages: IX, 139 Seiten , Illustrationen, Porträts
    Series Statement: Critical perspectives on music and society
    Parallel Title: Erscheint auch als
    RVK:
    LS 48655
    Keywords: Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Abstract: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Description / Table of Contents: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Note: Noch nicht erschienen (Stand: 12.05.2023)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 30
    Book
    Book
    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
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  • 31
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    Book
    Entangled entertainers : Jews and popular culture in Fin-de-Siècle Vienna (2023)
    New York ; Oxford : Berghahn
    Details
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
    LC 86160
    RVK:
    LB 46160
    RVK:
    LQ 81106
    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    BVB
  • 32
    Online Resource
    Online Resource
    Hit Girls : Women of Punk in the USA, 1975-1983 (2023)
    La Vergne : Feral House
    Details
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
    RVK:
    LS 48645
    RVK:
    LR 56617
    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 33
    Online Resource
    Online Resource
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478024040?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478024040
    URL: Cover
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    MPI-MMG
  • 34
    Online Resource
    Online Resource
    Congo's Dancers : Women and Work in Kinshasa (2023)
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780299340339
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    DDC: 306.484609675112
    RVK:
    LQ 93300
    RVK:
    AP 83975
    Keywords: Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 35
    Book
    Book
    Dilla time : the life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm (2022)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    LS 48045
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 36
    Book
    Book
    Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 37
    Online Resource
    Online Resource
    Queer country (2022)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252053221
    Language: English
    Pages: 1 Online-Ressource (x, 268 pages) , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.642
    RVK:
    LS 48610
    RVK:
    LR 56618
    Keywords: Countrymusic ; Queer-Theorie ; Country music History and criticism ; Gender identity in music ; Gay musicians ; Transgender musicians ; Electronic books
    Abstract: Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. 'Queer Country' blends ethnographic research with analysis and history to provide an i-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X.
    Note: Also issued in print: 2022 , Includes bibliographical references, discography, filmography and index
    DOI: 10.5622/illinois/9780252044267.001.0001
    URL: https://doi.org/10.5622/illinois/9780252044267.001.0001
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  • 38
    Book
    Book
    Le reggae, chronique d'une musique magique : essai (2022)
    Dakar, Sénégal : Les Éditions Maguilen
    Details
    ISBN: 9782877740838 , 2877740838
    Language: French
    Pages: 587 Seiten , Illustrationen , 22 cm
    RVK:
    LS 48700
    Keywords: Reggae ; Geschichte ; Kultur ; Reggae music / History and criticism ; Reggae / Histoire et critique ; Reggae music ; Criticism, interpretation, etc ; History ; Biographies ; Essays ; Biographies ; Essays ; Biographies ; Reggae ; Kultur ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    BVB
    Bayreuth UB
  • 39
    Online Resource
    Online Resource
    The Ottoman tanbūr : the long-necked lute of Ottoman art music (2022)
    Oxford : Archaeopress publishing Ltd
    Details
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
    RVK:
    LS 36060
    RVK:
    LR 11800
    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 40
    Online Resource
    Online Resource
    Jüdische Komponistinnen zwischen Erfolg und Verfolgung, Exil und Heimkehr (2022)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    LS 33120
    RVK:
    LR 56617
    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 41
    Online Resource
    Online Resource
    Singing the News of Death : Execution Ballads in Europe 1500-1900 (2022)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
    RVK:
    LS 21720
    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
    DOI: 10.1093/oso/9780197551851.001.0001
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  • 42
    Online Resource
    Online Resource
    Remaking culture and music spaces : affects, infrastructures, futures (2022)
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    Details
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge advances in sociology
    DDC: 306.4/84209052
    RVK:
    LR 57220
    RVK:
    LR 56608
    Keywords: Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Abstract: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003254805
    URL: https://www.taylorfrancis.com/books/9781003254805
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  • 43
    Online Resource
    Online Resource
    Fela Anikulapo-Kuti : Afrobeat, Rebellion, and Philosophy (2022)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501374739
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.63092
    RVK:
    LS 48660
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 44
    Online Resource
    Online Resource
    Music and Change in the Eastern Baltics Before and After 1989 (2022)
    Boston, MA : Academic Studies Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    DOI: 10.1515/9781644698952
    URL: https://doi.org/10.1515/9781644698952?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781644698952
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    Mixing pop and politics : political dimensions of popular music in the 21st century (2022)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.4324/9780429284526
    URL: lizenzpflichtig
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  • 46
    Online Resource
    Online Resource
    Jazz in socialist Hà Nội : improvisations between worlds (2022)
    New York : Routledge
    Details
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Language: English
    Pages: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Abstract: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003165927
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 47
    Book
    Book
    Aesthetics in various types of music and it's impact on humanity : Vartamāna pariprekshya meṃ saṅgīta aura sāhitya kā sahasambandha (2022)
    Delhi, India : New Bharatiya Book Corporation
    Details
    ISBN: 9788183155014
    Language: English , Hindi , Sanskrit
    Pages: xv, 330 Seiten , 23 cm
    Edition: First edition
    DDC: 780.954
    RVK:
    LS 39200
    Keywords: Music Congresses History and criticism ; Music and literature Congresses ; Music Congresses Social aspects ; Music therapy Congresses ; Aesthetics, Indic Congresses ; Aesthetics ; Music ; Music and literature ; Music Social aspects ; Music therapy ; India ; Konferenzschrift ; Conference papers and proceedings ; Criticism, interpretation, etc
    Abstract: Es handelt sich um Beiträge der zweitägigen nationalen e-Konferenz vom 28. und 29. Januar 2022 über Musikästhetik und ihren Einfluss auf die Menschheit, organisiert von der Musikabteilung des Dr. L.D. Balkhande College of Arts and Commerce, Pauni, Maharashtra.
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  • 48
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    Harmoniousness : essays in Chinese musicology (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    LS 41000
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 49
    Online Resource
    Online Resource
    Making Tracks : A Record Producer's Southern Roots Music Journey (2022)
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
    RVK:
    LS 48050
    RVK:
    LS 22980
    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 50
    Online Resource
    Online Resource
    An anthology of french and francophone singers, from a to z : Singin' in french (2022)
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
    LR 53357
    RVK:
    LQ 82207
    RVK:
    LS 22590
    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 51
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    Sight readings : photographers and American jazz, 1900-60 (2022)
    Bristol, UK : Intellect
    Details
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
    AP 95040
    RVK:
    AP 99083
    RVK:
    LS 48100
    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
    URL: Inhaltsverzeichnis
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    BSZ
  • 52
    Online Resource
    Online Resource
    The Bloomsbury handbook of popular music, space and place (2022)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501336300
    Language: English
    Pages: 1 Online-Ressource (xiv, 394 Seiten)
    Series Statement: Bloomsbury Handbooks Series
    Parallel Title: Erscheint auch als
    RVK:
    LS 48020
    Keywords: Ort ; Popmusik ; Electronic books ; Aufsatzsammlung ; Popmusik ; Ort
    Abstract: Cover -- Contents -- List of contributors -- Introduction Geoff Stahl and J. Mark Percival -- Section I Theory and method -- 1 Music, space, place and non-place Geoff Stahl -- 2 Rhythmanalysis and circulation Will Straw -- 3 Global, local, regional and translocal: Towards a relational approach to scale in popular music Hyunjoon Shin and Keewoong Lee -- 4 Sociological perspectives on music and place Andy Bennett -- 5 Ethnomusicology and place Kimberly Cannady -- 6 Political economies of urban music Shane Homan -- 7 Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies Helmi Järviluoma -- Section II Space, place and consumption -- 8 At home with Sinatra Keir Keightley -- 9 Music radio J. Mark Percival -- 10 The record shop Nabeel Zuberi -- 11 The nightclub Hillegonda C Rietveld -- 12 The live venue Robert Kronenburg -- 13 Mobile listening cultures Raphaël Nowak -- Section III Space, place, production andperformance -- 14 In the city: Glasgow Martin Cloonan -- 15 Bedroom production Emília Barna -- 16 The studio Ruth Dockwray -- 17 The virtual studio Martin K. Koszolko -- 18 The space of the record: Something happening somewhere Simon Zagorski-Thomas -- 19 The live gig Sam Whiting -- Section IV Cities, suburbs, nations and beyond -- 20 Suburban breakout: Nomadic reverie in British pop Andrew Branch -- 21 Sounding South African township life Kathryn Olsen -- 22 Funk: A musical symbol of Rio de Janeiro's favelas Vincenzo Cambria -- 23 Postcolonial noise: How did French rap (re)invent 'the banlieue'? Christina Horvath -- 24 Music and the nation Melanie Schiller -- 25 Transnational music Simone Krüger Bridge -- Section V Selling, celebrating, representing spaceand place -- 26 Music, heritage and place Catherine Strong -- 27 Music and tourism Leonieke Bolderman -- 28 Festivals Chris Anderton.
    Note: Description based on publisher supplied metadata and other sources
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  • 53
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    The Stone age : sixty years of the Rolling Stones (2022)
    New York, NY : Pegasus Books
    Details
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 54
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    The N-word in music : an American history (2022)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    LR 54607
    RVK:
    LC 87610
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 55
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    Rock and roll, desegregation movements, and racism in the post-Civil Rights era : an "integrated effort" (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    LS 48630
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 56
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    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    The Malay nobat : a history of power, acculturation, and sovereignty (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    LC 87420
    RVK:
    LS 45700
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Menergy : San Francisco's gay disco sound (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197511084 , 0197511082 , 9780197511077 , 0197511074
    Language: English
    Pages: X, 277 Seiten , Illustrationen , 25 cm
    Parallel Title: Online version Niebur, Louis, 1971- Menergy
    DDC: 781.64815540979461
    RVK:
    LS 48640
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.) ; Disco (Musique) / Californie / San Francisco / Histoire et critique ; Dance music / Californie / San Francisco / Histoire et critique ; Homosexuels masculins / Californie / San Francisco / Mœurs et coutumes / 20e siècle ; Disco music ; Electronic dance music ; Gay men / Social life and customs ; Sound recording industry ; California / San Francisco ; California / San Francisco / Castro ; 1900-1999 ; Criticism, interpretation, etc ; History
    Abstract: "Menergy tells the story of a "post-disco" recording industry in San Francisco between the years 1978-1984. For most of America, disco died in 1979. Gay men, however, continued to dance, and in the gay enclave of the Castro neighborhood in San Francisco, enterprising gay DJs, record producers, and musicians started their own small dance music record labels to make up for the lack of new, danceable music. These independent labels' music did more than copy what the larger industry had been doing, however. Instead, the upstart companies built upon the musical experiments their roster of local musicians and producers had been exploring over the last several years, developing a distinctive style of its own. Known as "high energy," the music reveled in electronics, fast tempos, disco and DJ culture, and, above all, gay liberation as it had emerged over the previous decade in the Castro neighborhood by so called "Castro clones" (a gay subculture of exaggerated masculinity with a strong presence in the city's nightlife). The sound, like the new revolutionary ethos, derived its aesthetic from San Francisco's unique configuration of elements, but immediately this music had a reach far beyond the Bay, with Megatone Records, Moby Dick Records, and other labels achieving worldwide success with San Francisco artists such as Sylvester, Patrick Cowley, Paul Parker, Lisa, Loverde, and Jolo, creating the world's first gay-owned, gay-produced music for a dancing audience"--
    Description / Table of Contents: Introduction : Setting up the sound -- Disco, the Castro and gay liberation -- Liberation for some : The continued expansion of gay San Francisco in the late 1970s -- Sylvester's fantasy comes true -- The first wave of the San Francisco sound -- Blecman and Hedges -- Disco's dead/not dead -- The San Francisco sound thrives -- New heights -- Trouble in Paradise -- Dancing with AIDS -- Everything falls apart -- In retrospect
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    Insulting Music : A Lexicon of Insult in Music (2022)
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783031164668
    Language: English
    Pages: 1 Online-Ressource (213 pages)
    Edition: 1st ed.
    DDC: 781.64159
    RVK:
    LS 48050
    Keywords: Popular music ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 60
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    The Routledge companion to music and human rights (2022)
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    Details
    ISBN: 9781003043478 , 9781000574746 , 9781000574791
    Language: English
    Pages: 1 Online-Ressource (xxxi, 516 Seiten)
    Series Statement: SOAS studies in music
    DDC: 306.4/842
    RVK:
    LR 57500
    Keywords: Music Social aspects ; Music Political aspects ; Human rights ; Music and state ; Electronic books
    Abstract: The Routledge Companion to Music and Human Rights is a collection of case studies spanning a wide range of concerns about music and human rights in response to intensifying challenges to the well-being of individuals, peoples, and the planet. It brings forward the expertise of academic researchers, lawyers, human rights practitioners, and performing musicians who offer critical reflection on how their work might identify, inform, or advance mutual interests in their respective fields. The book is comprised of 28 chapters, interspersed with 23 voices' - portraits that focus on individuals' intimate experiences with music in the defence or advancement of human rights - and explores the following four themes: 1) Fundamentals on music and human rights; 2) Music in pursuit of human rights; 3) Music as a means of violating human rights; 4) Human rights and music: intrinsic resonances
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003043478
    URL: https://www.taylorfrancis.com/books/9781003043478
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    From servant to savant : musical privilege, property, and the French Revolution (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
    LQ 82204
    RVK:
    NW 2335
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197511510.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197511510.001.0001
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    Exhibitions, music and the British Empire / (2022)
    Woodbridge :The Boydell Press,
    Details
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84005
    RVK:
    LQ 91705
    RVK:
    MS 8020
    RVK:
    LQ 94505
    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    Music and change in the Eastern Baltics before and after 1989 (2022)
    Boston : Academic Studies Press
    Details
    ISBN: 1644698943 , 9781644698945
    Language: English
    Pages: vi, 355 , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Studies in the history and sociology of music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Keywords: Since 1991 ; Music Social aspects ; History ; Music Political aspects ; History ; Communism and music ; Communism and music ; Manners and customs ; Music - Political aspects ; Music - Social aspects ; History ; Baltic States Social life and customs ; Baltic States History 1991- ; Baltic States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics – Lithuania, Latvia, Poland, and Russia – at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    Note: Enthält Literaturangaben und ein Namenregister
    URL: Cover
    URL: Cover
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    Paul Ehrlich und die Anfänge der Leipziger Musikautomaten-Industrie (2022)
    Altenburg : Kamprad
    Details
    ISBN: 9783957556684
    Language: German
    Pages: 216 Seiten , Illustrationen
    DDC: 786.6192309041
    RVK:
    LR 11360
    RVK:
    NZ 15020
    RVK:
    LR 11125
    Keywords: Biografie ; Konferenzschrift ; Ehrlich, Paul 1849-1925 ; Leipzig ; Mechanisches Musikinstrument ; Musikinstrumentenbau ; Geschichte 1880-1930
    Abstract: Mit einer einzigen bahnbrechenden Erfindung schrieb sich der Klavierbauer Paul Ehrlich (1849-1925) in die Geschichte der Musikmedien ein. Sein Ariston, eine Harmonika mit Lochplatten aus Pressspan, ermöglichte das kinderleichte Abspielen kurzer Musikstücke mittels einer Kurbel. Noch vor der Grammophon-Ära, seit 1881, konnte man seine Lieblingslieder auf einem preisgünstigen Gerät jederzeit anhören...und immer neue Titel hinzukaufen! Paul Ehrlich gründete mit seinem Verkaufshit in Leipzig einen neuen Industriezweig; bis in die 1930er Jahre sollte sich die Musik- und Messestadt als Weltzentrum des industriellen Musikautomatenbaus behaupten. Doch die Verdienste von Paul Ehrlich gingen weit über sein Ariston-Patent hinaus. Mehr als 100 technische Neuerungen, die meisten auf dem Gebiet des Musikautomatenbaus, zeigen den rastlosen und kreativen Erfinder par excellence. Erstmals wird seine Persönlichkeit in diesem Band in all ihren Facetten gewürdigt, ob als Familienmensch, Betriebsleiter oder rekordverdächtiger Konstrukteur. Beiträge zu den besonderen Bedingungen in Leipzig, zur Geschichte der Massenmedien oder zur Lochplatte als Digitalisat runden das Themenfeld ab.
    Note: "Diese Publikation ist das Ergebnis des wissenschaftlichen Symposiums "Gestanzte Musik", das im August 2020 anlässlich des Jahres der Industriekultur in Leipzig stattgefunden hat." - Nebentitelseite , Vorwort der Herausgeberin , Grußwort von Achim Quaas (Urenkel von Paul Ehrlich) , Grußwort von Karin Gauselmann (Urenkelin von Paul Ehrlich) , I. Paul Ehrlich: Seine Erfindungen und Fabriken : Die Fabrik Leipziger Musikwerke vorm. Paul Ehrlich & Co. AG / Birgit Heise : Paul Ehrlich als rastloser Erfinder: Über 100 Patente und Gebrauchsmuster in 25 Jahren / Ralf Smolne, Birgit Heise , II. Leipzig als Zentrum der Musikautomatenindustrie: Standortvorteile um 1900 : Warum gerade Leipzig? Standortvorteil Musikalienhandel und Instrumentenbau / Jan Großbach : Klassischer Kanon vs. populäres Repertoire? Zum Verhältnis von Musikverlagen und Musikautomatenbau in Leipzig / Stefan Keym : Warum gerade Gohlis? Ein Dorf wird zum Industriestandort / Stefan W. Krieg von Hößlin , III. Leipziger Musikwerke - Industrie als kulturhistorisches Phänomen ihrer Zeit : Musikmaschinen und der Wandel im Musikkonsum / Peter Donhauser : Mechanische Akkordeoninstrumente - Von der Stiftwalze über die Lochplatte zur Kartonrolle: Vorteile und Grenzen der "neuen Medien" am Beispiel der Handharmonika / Uwe Gernert , IV. Das Ariston mit perforierter Platte als erstes klingendes Massenmedium : Paul Ehrlich vor Gericht: Klagen um das Ariston / Matthias Schiemann : Das Erfolgsprodukt Ariston: Modelle, Produktionsnummern, Datierung / Rene Spinnler : Anmerkungen zu Ariston-Noten mit 24 Tonstufen / Richard Ernst Englert , V. Lochplatten in der Gegenwart : Über neue Möglichkeiten der Digitalisierung und der Ausstellung und der Ausstellung Leipziger Notenscheiben / Mats Krouthén : Aus den Anfängen der Kammzungen-Spielwerke / Ralf Smolne , VI. Paul Ehrlich, seine Persönlichkeit, seine Familie : Friedrich Ernst Paul Ehrlich und seine Familie - ganz privat / Sascha Wömpener, Achim Quaas , Die Autoren des Bandes , Register
    URL: Inhaltsverzeichnis
    URL: https://vkjk.de/artikeldetails/kategorie/verlag-klaus-juergen-kamprad/artikel/birgit-heise-hrsg-paul-ehrlich-und-die-anfaenge-der-leipziger-musikautomaten-industrie.html
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    The pop musical : sweat, tears, and tarnished utopias (2021)
    New York : Wallflower
    Details
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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    Antoine Reicha and the making of the nineteenth-century composer / (2021)
    Bologna (Italy) :UT Orpheus,
    Details
    ISBN: 978-88-8109-522-3
    Language: English , French
    Pages: XXIX, 329 Seiten : , Illustrationen ; , 24 cm.
    Series Statement: Quaderni clementiani 5
    Series Statement: Quaderni clementiani
    RVK:
    LP 65300
    Keywords: Reicha, Anton / 1770-1836 ; Reicha, Anton ; Music / France / 19th century / History and criticism ; Music / Europe / 19th century / History and criticism ; Konferenzschrift ; 1770-1836 Reicha, Anton
    Note: Includes bibliographical references and index , Texts in English and French; abstracts in English
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032652001&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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    HU Berlin
  • 67
    Book
    Book
    Citizen Cash : the political life and times of Johnny Cash (2021)
    New York : Basic Books
    Details
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    LS 48040
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 68
    Book
    Book
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    München UB
    KOBV
    HeBIS
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    HBZ
    Bayreuth UB
  • 69
    Online Resource
    Online Resource
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/made-germany-oliver-seibt-martin-ringsmut-david-emil-wickstr%C3%B6m/e/10.4324/9781351200790
    URL: https://doi.org/10.4324/9781351200790
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  • 70
    Book
    Book
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Weltkulturen Museum
    Regensburg UB
    BSZ
    GBV
    BVB
  • 71
    Online Resource
    Online Resource
    Scots folk singers and their sources : a study of two major Scottish song collections (2021)
    Leiden ; Boston : Brill Rodopi
    Details
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
    RVK:
    HG 280
    RVK:
    LS 22550
    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Regensburg UB
    BVB
  • 72
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    Book
    Jüdische Musik im süddeutschen Raum : = Mapping Jewish music of southern Germany (2021)
    München : Allitera Verlag
    Details
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    LS 33120
    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 73
    Online Resource
    Online Resource
    Arab music : a survey of its history and its modern practice (2021)
    Oxford : Archaeopress Publishing Ltd
    Details
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    LS 34120
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 74
    Online Resource
    Online Resource
    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    HR 1121
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478021391
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 75
    Online Resource
    Online Resource
    Transforming ethnomusicology, Volume II : political, social & ecological issues (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197517550.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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  • 76
    Online Resource
    Online Resource
    Brithop : the politics of UK rap in the new century (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
    DOI: 10.1093/oso/9780190656805.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 77
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    Online Resource
    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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  • 78
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    Online Resource
    Who Got the Camera? : A History of Rap and Reality (2021)
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 79
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    Online Resource
    The Pop Musical : Sweat, Tears, and Tarnished Utopias (2021)
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
    RVK:
    LS 48050
    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    DOI: 10.7312/mira19123
    URL: https://www.degruyter.com/isbn/9780231549295
    URL: Cover
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  • 80
    Online Resource
    Online Resource
    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    LB 48015
    RVK:
    LC 87015
    RVK:
    LR 11046
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    URL: Click to View
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  • 81
    Online Resource
    Online Resource
    Künstler-Ehe : Ein Phänomen der bürgerlichen Musikkultur (2021)
    Gottingen : Vandenhoeck & Ruprecht
    Details
    ISBN: 9783412523947
    Language: German
    Pages: 1 online resource (469 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    RVK:
    LC 87015
    RVK:
    LB 41015
    RVK:
    LR 57185
    Keywords: Electronic books ; Hochschulschrift ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Geschichte 1800-1899 ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar
    Abstract: Intro -- Title Page -- Copyright -- Table of Contents -- Einführung -- 1. Das Forschungsfeld -- 1.1. Forschungsstand -- 2. Methoden und Perspektiven -- 2.1. Historische Diskursanalyse und Musikerpaare -- 2.2. Systematisierung der Quellen in einer Datenbank -- 2.3. Von der Künstlerehe erzählen: Zur Schreibperspektive -- 3. Aufbau der Arbeit -- I. Teil: Kontexte und Begriffe -- 1. Der Untersuchungsraum -- 2. Bürgerliche Kultur - Kunst - Geschlecht -- 2.1. Bürgerliches Eheideal -- 2.1.1 „Eheliches Glück" -- 2.1.2. Zuspitzung des Ehediskurses -- 2.2. Kunst- und Musikkultur -- 3. Diskursverschränkungen -- 3.1. Nationaldiskurs und Geschlecht -- 3.2. Kunstgewerbe und Geschlecht -- 4. Begriffe -- 4.1. Künstlerehe - Musikerehe: ‚Künstler-Ehe-Diskurs' -- 4.2. Musiker und Musikerinnen - musikkulturell Handelnde -- 4.3. Ehe - Partnerschaft - Liebe -- 4.4. Glück - Unglück, Scheitern - Gelingen -- II. Teil: Der Diskurskern -- Einleitung II. Teil -- Kapitel 1: Der Diskurs in seinen Quellen -- 1. Recherche -- 1.1. Recherchestrategien -- 1.2. Quellenauswahl und mediale Vielfalt -- 2. Das Quellenkorpus -- 2.1. Periodika -- 2.1.1. Überblick -- 2.1.2. „Sollen Künstlerinnen heiraten? Eine Rundfrage" -- 2.1.3. Paul Felix: Künstlerehen -- 2.2. Fiktionale Quellen -- 2.2.1. Überblick -- 2.2.2. Alphonse Daudet: Künstlerehen -- 2.2.3. E. Werner: Gesprengte Fesseln -- 2.3. Biografische Quellen -- 2.3.1. Überblick -- 2.3.2. A. Niggli: Das Künstlerpaar August und Anna Walter-Strauß -- 2.3.3. La Mara: Die Frauen im Tonleben der Gegenwart -- 2.4. Ego-Dokumente -- 2.4.1. Überblick -- 2.4.2. Die Ehetagebücher von Eugen und Hermine d'Albert -- 2.5. Bildquellen -- 2.5.1. Überblick -- 2.5.2. Vier Musikerpaarporträts von Edvard und Nina Grieg -- 2.5.3. Drei Karikaturen im Simplicissimus -- 2.6. Quellen diskursiven musikkulturellen Handelns -- 2.6.1. Überblick.
    Note: Description based on publisher supplied metadata and other sources
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  • 82
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    Americanaland : Where Country and Western Met Rock 'n' Roll (2021)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    LS 48050
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 83
    Online Resource
    Online Resource
    Politics As Sound : The Washington, DC, Hardcore Scene, 1978-1983 (2021)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252053122
    Language: English
    Pages: 1 Online-Ressource (227 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.6609753
    RVK:
    LS 48635
    RVK:
    LQ 89308
    Keywords: Geschichte 1978-1983 ; Hardcore ; Punk ; Washington, DC ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 84
    Online Resource
    Online Resource
    Jüdische Musik im süddeutschen Raum : Mapping jewish music of southern Germany (2021)
    München : Allitera Verlag
    Details
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    LS 33120
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
    URL: lizenzpflichtig
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  • 85
    Online Resource
    Online Resource
    Nachgelassene Schriften. Abteilung IV : Band 11: Fragen der Dialektik (1963/64). (2021)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 9783518769720
    Language: German
    Pages: 1 Online-Ressource (520 pages).
    RVK:
    CI 1322
    RVK:
    LP 91140
    RVK:
    MQ 3010
    RVK:
    CI 1321
    Keywords: Dialektik. ; Kritische Theorie. ; Philosophie. ; Electronic books ; Dialektik ; Kritische Theorie ; Philosophie
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HU Berlin
  • 86
    Online Resource
    Online Resource
    Music and musicians in the medieval Islamicate world : a social history (2021)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    Details
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    DOI: 10.5040/9780755617913
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 87
    Book
    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 88
    Online Resource
    Online Resource
    Women Composers' Creative Conditions Before and During the Turkish Republic : A Case Study on Three Women Composers: Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel (2021)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128510
    Language: English
    Pages: 1 Online-Ressource (518 Seiten)
    Parallel Title: Erscheint auch als Atalay, Nejla Melike Women Composers' Creative Conditions Before and During the Turkish Republic
    RVK:
    LS 36060
    Keywords: Koptagel, Yüksel ; Saz, Leyla ; Güran, Nazife ; Geschichte 1850-2000 ; Women composers-Turkey-Biography ; Komponistin ; Türkei ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Saz, Leyla 1850-1936 ; Güran, Nazife 1921-1993 ; Koptagel, Yüksel 1931- ; Türkei ; Komponistin ; Geschichte 1850-2000
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BVB
  • 89
    Online Resource
    Online Resource
    HipHop, Musik und die Artikulation von Geographie (2021)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515130585
    Language: German
    Pages: 1 online resource (317 pages)
    Edition: 1st ed.
    Series Statement: Sozialgeographische Bibliothek v.8
    DDC: 780.091
    RVK:
    RB 10795
    RVK:
    LS 48900
    RVK:
    LC 87000
    RVK:
    LC 88015
    RVK:
    RB 10801
    RVK:
    RB 10798
    Keywords: Electronic books ; Hochschulschrift
    Abstract: Intro -- Danksagung -- Inhalt -- Abbildungen -- 1 Einleitende Bemerkungen -- 2 Music non stop: Geräusche, Geschichte, Gesellschaft und Geographie -- 2.1 Anfänge wissenschaftlicher Rede über Klang: Musik- und Sozialwissenschaften -- 2.2 Geographische Traditionen in Musik -- 2.3 Peopling the soundscape: Humanistische Geographie und New Cultural Geography -- 2.4 Musik Macht Politik: die neue Agenda -- 2.5 Auralität und Räumlichkeit -- 2.6 Zusammenfassung -- 3 HipHop in Raum und Zeit -- 3.1 The rap on rap music -- 3.2 Strukturen und Akteure einer kulturellen Neuerung -- 3.3. Diffusionen -- 4 Raum und Zeit in HipHop-Musik -- 4.1 Räume, Orte und die Rhythmen des Alltäglichen -- 4.2 Rap in den USA: representing race, space and place -- 4.3 HipHop, Deutschrap!, Rap in Deutschland -- 5 HipHop, Musik und die Artikulation von Geographie: ein Fazit -- 6 Literatur, Quellen, Diskographie -- 6.1 Literatur- und Quellenverzeichnis -- 6.2 Auswahldiskographie und Filme -- 6.3 Übersicht der Interviews -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    BSZ
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  • 90
    Online Resource
    Online Resource
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226768359.001.0001/upso-9780226768182
    URL: https://dx.doi.org/10.7208/chicago/9780226768359.001.0001/upso-9780226768182
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    Online Resource
    HeBIS
  • 91
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    Oxford : Oxford University Press USA - OSO
    Details
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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    Online Resource
    GBV
  • 92
    Online Resource
    Online Resource
    Music and Musicians in the Medieval Islamicate World : A Social History (2021)
    London : I. B. Tauris & Company | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780755617890
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Series Statement: Early and Medieval Islamic World Ser.
    DDC: 780.917670902
    RVK:
    LS 34120
    Keywords: Islam ; Musikleben ; Musiker ; Naher Osten ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 93
    Book
    Book
    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    LQ 80106
    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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    BSZ
    GBV
    KOBV
  • 94
    Online Resource
    Online Resource
    Musician in the Museum : Display and Power in Neoliberal Popular Culture (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501368912
    Language: English
    Pages: 1 Online-Ressource (275 pages)
    DDC: 781.63074
    RVK:
    LS 48015
    RVK:
    AK 85100
    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
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  • 95
    Online Resource
    Online Resource
    Juedisches Kulturerbe MUSIK - Divergenzen und Zeitlichkeit : Ueberlegungen Zu Einer Kulturellen Nachhaltigkeit Aus Sicht der Juedischen Musikstudien (2021)
    Frankfurt a.M. : Peter Lang GmbH | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783631835487
    Language: German
    Pages: 1 Online-Ressource (240 pages)
    Series Statement: Juedische Musikstudien. Jewish Music Studies v.2
    RVK:
    LS 33100
    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung ; Electronic books
    Abstract: Problematisierung kultureller Aneignung ,,jüdischen Kulturerbes" nach 1945. Kritik an Diskursen und Praktiken zu jüdischem Kulturerbe Musik vor dem Hintergrund aktueller Debatten um kulturelle Nachhaltigkeit. Diskussion innerjüdischer Nachhaltigkeitskonzepte als Denkanstoß für einen zukunftsorientierten Umgang mit jüdischem Musik-/Kulturerbe.
    Note: Description based on publisher supplied metadata and other sources
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  • 96
    Online Resource
    Online Resource
    The Evolution of Electronic Dance Music (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501366383
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.648
    RVK:
    LS 48655
    Keywords: Elektronische Musik ; Techno ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 97
    Online Resource
    Online Resource
    Pearl Jam and Philosophy (2021)
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501362804
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    DDC: 782.421660922
    RVK:
    LS 48635
    RVK:
    LS 48050
    Keywords: Pearl Jam ; Grungerock ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 98
    Book
    Book
    Künstler-Ehe : ein Phänomen der bürgerlichen Musikkultur (2021)
    Wien : Böhlau Verlag
    Details
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
    RVK:
    LC 87015
    RVK:
    LB 41015
    RVK:
    LR 57185
    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
    URL: Inhaltsverzeichnis
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    BSZ
    GBV
  • 99
    Online Resource
    Online Resource
    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 100
    Book
    Book
    The spirit of resistance in music and spoken word of South Africa's Eastern Cape (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
    LC 60585
    RVK:
    LC 87585
    RVK:
    LS 47949
    RVK:
    MI 65092
    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
    Bayreuth UB
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