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  • English  (2,143)
  • Musik  (2,143)
  • Musicology  (2,143)
Language
  • 1
    Journal/Serial
    Journal/Serial
    Belgrade : Union ; 1.1993 - 23.2004; 32.2008 -
    ISSN: 0354-818X , 0354-4362 , 0354-4362 , 0354-818X , 0354-4362 , 0354-818X
    Language: English
    Dates of Publication: 1.1993 - 23.2004; 32.2008 -
    Parallel Title: Erscheint auch als Novi zvuk
    Parallel Title: Erscheint auch als New sound
    DDC: 070
    RVK:
    Keywords: Zeitschrift ; Musikzeitschrift ; Jugoslawien ; Musik ; Zeitschrift
    Note: Urh. anfangs: Union of Yugoslav Composers' Organizations , 24.2004 - 31.2008 nur online
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  • 2
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
    RVK:
    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 3
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 4
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 5
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 6
    Journal/Serial
    Journal/Serial
    McLean, Va. : Music Library Assoc. | Rochester, NY [u.a.] : Assoc. | Washington, DC : MLA ; 2.Ser. 1.1943/44 -
    ISSN: 0027-4380 , 1534-150X , 1534-150X
    Language: English
    Pages: 23 cm
    Dates of Publication: 2.Ser. 1.1943/44 -
    Parallel Title: Erscheint auch als Notes
    Former Title: Vorg Music Library Association Notes for the members of the Music Library Association
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Zeitschrift ; Musik ; Zeitschrift ; Musikbibliothek ; Musikwissenschaft ; Musik
    Note: Zusatz wechselt , Erscheinen vierteljährlich , Repr.: New York, NY : AMS Press , Ab 23.1966/67 ohne Serien-Zählung; ersch. vierteljährl. , Index regelmäßig für je 2 Jahre; Index 1/50.1943/93=50A.1993
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  • 7
    ISBN: 2735112608 , 9782735112609
    Language: French , English , Indonesian
    Pages: 2 Bände + 1 DVD-ROM
    Series Statement: Référentiels, patrimoines immatériels
    RVK:
    Keywords: Toradja ; Ritual ; Musik
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  • 8
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 9
    Journal/Serial
    Journal/Serial
    Lucca : Libreria Musicale Italiana | Basel : Bärenreiter ; 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    Associated volumes
    ISSN: 0255-8831
    Language: English , German
    Dates of Publication: 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musik ; Kunst ; Musikalische Ikonographie
    Note: Urh. anfangs: International Repertory of Musical Iconography
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  • 10
    ISBN: 9781666932966
    Language: English
    Pages: xiv, 237 Seiten
    Parallel Title: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
    RVK:
    Keywords: Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Abstract: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Description / Table of Contents: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 11
    ISBN: 9789004524019
    Language: English
    Pages: xxiv, 457 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Series Statement: Handbook of oriental studies = Handbuch der Orientalistik volume 18
    Series Statement: Section 5, Japan / edited by R. Kersten
    Series Statement: Handbook of Oriental studies Japan ; volume 18
    Parallel Title: Erscheint auch als Handbook of Japanese music in the modern era
    DDC: 780.952
    RVK:
    Keywords: Music History and criticism 20th century ; Music History and criticism 21st century ; Folk music History and criticism ; Popular music History and criticism ; Music Instruction and study ; Music Western influences ; Japan ; Musik ; Geschichte 1900-2023
    Abstract: "Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms"--
    Description / Table of Contents: Introduction. Japanese Music in the Modern Era / Henry Johnson -- Part 1. Foundations. Sacred or Secular? The Dilemma of Theatrical Kagura / Terence Lancashire ; Buddhism and Modern Music in Japan : From Praise Songs to Popular Music / Duncan Reehl ; Reigakusha Gagaku Ensemble : Mediating between Ancient and Contemporary Practice / Naoko Terauchi ; The "Heike Brothers" and the 800-Year Transmission and Reception of Heike Musical Narrative / Haruko Komoda and Alison Tokita ; Eisā : Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture / Sumi Cho ; Ainu Ways of Being in the Contemporary : Music and Dance as Cultural Practice / Justin R. Hunter -- Part 2. Heritage. Getting into Min'yо̄ : Online and Offline Access to Japanese Folk Song / Felicity Greenland ; Traditional Folk Music in Contemporary Japan : Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song / Gakuto Chiba and Patrick E. Savage ; Naniwa-bushi : A Musical Narrative Born in Modern Japan / Alison Tokita ; An Innovative Conservative : Satsuma-biwa Practice and the Legacy of Fumon Yoshinori / Hugh De Ferranti and Thomas Charles Marshall ; Wondrous Tones : The Transnational Appeal of the Shakuhachi through Time and Space / Christopher Yohmei Blasdel ; Choreographing Sound : Ensemble Taiko Drumming in Modern Japan / Shawn Bender ; Studying the Past to Predict the Future : Yamauchi Reach, a Professional Percussionist in the Twenty-First Century / Jennifer Milioto Matsue
    Description / Table of Contents: Part 3. Institutions. Learning Musical Instruments in Japanese Schools / David G. Hebert and Kōji Matsunobu ; Yōgaku, Western Music in Japan : Perspectives from Osaka / Junko Iguchi ; Violin Playing and Women in Japanese Music / Ena Kajino ; The Suzuki Method, Yamaha System, and Japanese Traditional Music : A Case Study of Japanese Music Education in the Modern Era / Eria Kubo ; Ryukyuan Uta-sanshin in Modern Japan : The Influence of Government Institutions on Teaching and Performing / Matt Gillan and Mina Endō ; Koto Modernities in the Twenty-First Century / Henry Johnson -- Part 4. Hybridities. Navigating the Past, Embracing the Present : Japanese Compositional Hybridity in Theory and Practice / Marty Regan ; The Innate Hybridity of the Shamisen within Contemporary Music : The Physical, Musical, and Socio-Cultural / Colleen C. Schmuckal ; Rethinking the Evolution of Japanese Music : Kunimoto Takeharu and Katō Kinji's Electric Shamisen / Keisuke Yamada ; Japanese Popular Songs in the Twentieth Century : Adaptation, Hybridity, and Creativity / Minako Waseda ; Misora Hibari in Kōhaku Utagassen : From Modernity to Immortality / Shelley Brunt and Amane Kasai ; Japanese Rap : A History of Style / Noriko Manabe.
    Note: Serienangabe von der LoC fälschlich als "The history of oriental studies ; volume 18" bezeichnet
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  • 12
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    ISBN: 9783828848221
    Language: English
    Pages: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Series Statement: Reihe Musikwissenschaft
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Parallel Title: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 14
    ISBN: 9783828879379
    Language: English
    Pages: 1 Online-Ressource (XXVI, 323 Seiten) , Illustrationen, Karte, Notenbeispiele
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 19
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Pontifical Institute of Sacred Music Rom 2011
    RVK:
    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
    RVK:
    RVK:
    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
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  • 16
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 17
    ISBN: 9781009272544 , 9781009272544
    Language: English
    Pages: 81 Seiten , 24 cm
    Series Statement: Cambridge elements: Elements in twenty-first century music practice
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    Keywords: Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 18
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
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  • 19
    ISBN: 978-1-03-203719-6 , 978-1-032-03720-2
    Language: English
    Pages: XVII, 272 Seiten : , Illustrationen.
    Series Statement: SEMPRE studies in the psychology of music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Cognition & cognitive psychology ; EDUCATION / Philosophy & Social Aspects ; Kognitive Psychologie ; MUS054000 ; MUSIC / Ethnomusicology ; MUSIC / General ; Music ; Musik ; Psychological theory & schools of thought ; Psychologie: Theorien und Denkschulen ; Social, group or collective psychology ; Sozialpsychologie ; Musik. ; Musikerziehung. ; Inklusion ; Internationaler Vergleich. ; Aufsatzsammlung ; Musik ; Musikerziehung ; Inklusion ; Internationaler Vergleich
    Abstract: How do we develop social inclusion through musical activities? What is the power of music in enhancing individual inclusion, group cohesion, and cross-community work in post-conflict environments? How can we investigate social music programmes and interventions? This comprehensive volume offers new research on these questions by an international team of experts from the fields of music education, music psychology, ethnomusicology, and community music. The book celebrates the rich diversity of ways in which learners of all ages participate in social music projects in complex settings. Contributions focus broadly on musical and social processes, considering its conceptualisation and practices in a number of contexts. The authors examine how social music projects can be fostered in complex settings, drawing examples from schools and community settings. These critical chapters will inspire readers to think deeply about social music interventions and their development. The book will be of crucial interest to educators, policymakers, researchers, and students, as it draws on applied research from across 14 countries, of which ten are in the Global South
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  • 20
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 21
    Book
    Book
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190661960
    Language: English
    Pages: xx, 541 Seiten , Illustrationen, Diagramme, Notenbeispiele , 25.5 cm x 18 xm
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9783948052676
    Language: English , German
    Pages: 184 Seiten , Illustrationen , 29.7 cm x 21 cm
    Edition: 1. Auflage
    RVK:
    RVK:
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    Keywords: Clubs ; Berlin ; Gentrifizierung ; Interviews ; Techno ; Musik ; Stadtentwicklung ; Clubsterben ; Kunst ; Kultur ; Kulturdebatten ; Zweisprachig
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  • 23
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 24
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    ISBN: 9781913231163
    Language: English
    Pages: XVIII, 318 Seiten
    DDC: 782.421640944
    RVK:
    Keywords: Geschichte 1990- ; Musik ; Techno ; Tanzmusik ; Frankreich
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  • 26
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    New York, NY : Routledge
    ISBN: 9781003044642 , 1003044646 , 1000450589 , 9781000450590 , 9781000450583 , 1000450597
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: ISME global perspectives in music education
    Parallel Title: Erscheint auch als Reid, Anna, 1963- Educating musicians for sustainability
    DDC: 306.4/842
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    Keywords: Music Social aspects ; Music Environmental aspects ; Music Economic aspects ; Music Instruction and study ; Social aspects ; Ecomusicology ; Sustainability ; EDUCATION / General ; Ecomusicology ; Music ; Economic aspects ; Music ; Environmental aspects ; Music ; Social aspects ; Sustainability ; Musik ; Musikerziehung ; Musiker ; Musikerin ; Musiksoziologie ; Nachhaltigkeit
    Abstract: Introduction -- Perspectives on sustainability -- Cultural sustainability in music -- Environmental sustainability in music -- Economic sustainability in music -- Social sustainability in music -- Case studies of music and sustainability -- Conclusion.
    Abstract: "Educating Musicians for Sustainability investigates the ways in which sustainability plays an important role in the education and professional preparation of musicians. It attempts to put into practice the aspirations of the United Nations Decade of Education for Sustainable Development (2005-2014) to integrate sustainability into education at all levels and disciplines. Organised around the four 'pillars of sustainability' - environmental, social, economic and cultural - aspects of music education reveal a multitude of intersections. Identifying and exemplifying these intersections assists aspiring musicians to develop a broader view of the profession of music as a human endeavour that is intimately related to the world in which they are living"--
    Note: Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 29
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
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    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 30
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 31
    Book
    Book
    Woodbridge :The Boydell Press,
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
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    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
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  • 32
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    ISBN: 9781785273858
    Language: English
    Pages: 1 Online-Ressource (vi, 241 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Abstract: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060105
    Language: English
    Pages: xvii, 297 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Online version Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    DDC: 780.89/924045
    RVK:
    RVK:
    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 35
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 36
    Language: German , English
    Pages: 687 Seiten , Notenbeispiele, Karten
    Additional Material: 1 Audio-CD
    Parallel Title: Erscheint auch als Schröder, Martin, 1983 - Transformationsprozesse innerhalb der traditionellen gälischen Musik Schottlands am Beispiel der Gruppen Runrig und Capercaillie
    Dissertation note: Dissertation Hochschule für Musik und Theater Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Schottland ; Musik ; Runrig ; Capercaillie ; Folk-Rock
    Abstract: Die vorliegende Arbeit beschreibt und analysiert, insbesondere unter Nutzung der musikwissenschaftlichen und kulturtheoretischen Modelle und Theorien Tamara Livingstons und Owe Ronströms, die Ursachen sowie den Verlauf des Revivals gälischer traditioneller Musik in Schottland im 20. Jahrhundert. Der Fokus der Arbeit liegt dabei auf der Musik der Gruppen Runrig und Capercaillie, die, eingebettet in die soziokulturellen und kulturpolitischen Veränderungen der „Gaelic Renaissance“ in den 1970er Jahren, begannen, unter Einfluss angloamerikanischer populärer Musikstile eigene, hybride musikalische Ausdrucksformen zu kreieren.〈ger〉
    Abstract: The present work describes and analyses the causes and the course of the revival of Gaelic traditional music in Scotland in the 20th century, in particular using the musicological and cultural theoretical models by Tamara Livingston and Owe Ronström. The work focuses on the music of the groups Runrig and Capercaillie, both of which, embedded in the sociocultural and cultural-political changes of the “Gaelic Renaissance” in the 1970s and under the influence of Anglo-American popular musical styles, began to create their own hybrid musical forms of expression.〈eng〉
    Note: GutachterInnen: Hartmut Möller (HMT Rostock) ; Britta Sweers (Universität Bern)
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  • 37
    Book
    Book
    New York : William Morrow, an imprint of HarperCollins Publishers
    ISBN: 9780063031418 , 9780063031425
    Language: English
    Pages: 437 Seiten, 32 ungezählte Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als English, T. J., 1957- Dangerous rhythms
    DDC: 306.4/84250973
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    Keywords: Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Music and crime ; Organized crime History 20th century ; USA ; Musik ; Jazz ; Kriminalität ; Mafia ; Organisiertes Verbrechen ; Geschichte
    Abstract: "From T.J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America"--
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476685229
    Language: English
    Pages: x, 213 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.978
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    Keywords: Binnenwanderung ; Musik ; Soziale Funktion ; Nordamerika ; Oregon Trail ; Frontier
    Abstract: Over 400,000 people moved their families in search of a better life in the American West during the Westward Expansion. The pioneers made room for musical instruments with their guns, food, and tools, while taking only the minimal necessities that would fit into modest wagons. During what seemed like an interminable dusty journey, music was often the sole source of light and happiness for these exhausted travelers. This book examines the roles of music in the Westward Expansion and the diverse cultural landscape of the Old West, including northern Cheyenne courtship flute makers, fiddle-playing explorers, dancing fur trappers, hymn-singing missionaries, frontier flutists, girls with guitars, wagon-driving balladeers, poetic cowboys, singing farmers, musical miners, and preaching songsters.
    Note: Literaturverzeichnis: Seite 197-201
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  • 39
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 40
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 41
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 42
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 43
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 44
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 45
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 46
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 47
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 49
    ISBN: 9783487161921
    Language: English
    Pages: 247 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Studien und Materialien zur Musikwissenschaft Band 118
    Series Statement: Studien und Materialien zur Musikwissenschaft
    DDC: 780.947
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    Keywords: Konferenzschrift 2020 ; Aufsatzsammlung ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Aufsatzsammlung ; Osteuropa ; Auswanderer ; Globalisierung ; Kulturvermittlung ; Musik ; Geschichte 1900-2000 ; Osteuropa ; Auswanderer ; Musik ; Einfluss ; Geschichte 1900-1999 ; Osteuropa ; Kulturvermittlung ; Globalisierung ; Internationalisierung ; Geschichte 1900-2000
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 50
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
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    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
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  • 51
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 52
    ISBN: 9780190947309
    Language: English
    Pages: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
    RVK:
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    Keywords: Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Abstract: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
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  • 53
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 54
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 55
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 56
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 57
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 58
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Derwischorden ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Derwischorden ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 59
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031055553
    Language: English
    Pages: 1 Online-Ressource (XV, 275 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in the History of Subcultures and Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 9781032090030 , 9780367182984
    Language: English
    Pages: x, 198 Seiten
    Edition: issued in paperback
    Series Statement: Routledge advances in international relations and global politics 144
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; USA
    Note: Originally published: 2020. , Literaturverzeichnis Seite 169-183
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  • 61
    Book
    Book
    Urbana, [Illinois] : University of Illinois Press
    ISBN: 9780252043918
    Language: English
    Pages: 320 Seiten , Portraits
    Series Statement: Music in American life
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA
    Note: Literaturverzeichnis Seite 281-287
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  • 62
    ISBN: 9781493060603
    Language: English
    Pages: xi, 275 Seiten , Fotografien
    Parallel Title: Erscheint auch als
    DDC: 781.6430973
    RVK:
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    Keywords: Blues ; Musik ; USA
    Note: Literaturverzeichnis Seite 259-261 , Impressum: Backbeat Books is "an imprint of Globe Pequot, the trade division of The Rowman & Littlefield Publishing Group, Inc."
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  • 63
    ISBN: 1527572684 , 9781527572683
    Language: English
    Pages: xii, 260 Seiten , Illlustrationen
    Edition: Present binding first published 2021
    RVK:
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    Keywords: Musik ; Aufführung ; Musikalische Ikonographie ; Musikarchäologie ; Alte Welt ; Aufsatzsammlung
    Note: Literaturangaben
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  • 64
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Noten , 25 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum/ Mapping Jewish Music of Southern Germany
    Parallel Title: Erscheint auch als
    DDC: 780.899240434
    RVK:
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    Keywords: Geschichte 1800-1945 ; Juden ; Musik ; Süddeutschland ; Aufsatzsammlung
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  • 65
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 66
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource , Illustrations (colour).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; Americana (Music) History and criticism ; USA
    Abstract: A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward's 'Americanaland' is filled with the enduring performers and vivid stories that are at the heart of Americana.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 67
    Language: German , English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Schröder, Martin, 1983 - Transformationsprozesse innerhalb der traditionellen gälischen Musik Schottlands am Beispiel der Gruppen Runrig und Capercaillie
    Dissertation note: Dissertation Hochschule für Musik und Theater Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Schottland ; Musik ; Runrig ; Capercaillie ; Folk-Rock
    Abstract: Die vorliegende Arbeit beschreibt und analysiert unter Nutzung musikwissenschaftlicher und kulturtheoretischer Modelle und Theorien die Ursachen sowie den Verlauf des Revivals gälischer traditioneller Musik in Schottland im 20. Jahrhundert. Der Fokus der Arbeit liegt dabei auf der Musik der Gruppen Runrig und Capercaillie, die, eingebettet in die soziokulturellen und kulturpolitischen Veränderungen der „Gaelic Renaissance“ in den 1970er Jahren, begannen, unter Einfluss angloamerikanischer populärer Musikstile eigene, hybride musikalische Ausdrucksformen zu kreieren.〈ger〉
    Abstract: The present work describes and analyses the causes and the course of the revival of Gaelic traditional music in Scotland in the 20th century, in particular using the musicological and cultural theoretical models by Tamara Livingston and Owe Ronström. The work focuses on the music of the groups Runrig and Capercaillie, both of which, embedded in the sociocultural and cultural-political changes of the “Gaelic Renaissance” in the 1970s and under the influence of Anglo-American popular musical styles, began to create their own hybrid musical forms of expression.〈eng〉
    Note: GutachterInnen: Hartmut Möller (Hochschule für Musik und Theater Rostock) ; Britta Sweers (Universität Bern)
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  • 68
    Online Resource
    Online Resource
    Singapore : Springer
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    RVK:
    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 70
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 71
    ISBN: 1527572684 , 9781527572683
    Language: English
    Pages: xii, 260 Seiten , Illlustrationen
    Edition: Present binding first published 2021
    RVK:
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    Keywords: Musik ; Aufführung ; Musikalische Ikonographie ; Musikarchäologie ; Alte Welt
    Note: Literaturangaben
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  • 72
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : [Verlag nicht ermittelbar] | [Berlin] : BiblioLabs
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource
    RVK:
    Keywords: Musik ; Iran
    Abstract: Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history. "Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field." KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas "Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective." MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles "Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word." JAMES L. GELVIN, author of The Modern Middle East: A History ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East
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  • 73
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501360053
    Language: English
    Pages: xiii, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.4/842095
    RVK:
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    Keywords: Soziokultur ; Musik ; Audiovisuelle Medien ; Pazifischer Raum ; Südostasien ; Music / Social aspects / Southeast Asia ; Music / Political aspects / China ; Music / Political aspects / Southeast Asia ; Mass media and music / Southeast Asia ; Mass media and music / China ; Music / Social aspects / Vanuatu ; Music / Social aspects / Hawaii ; Mass media and music ; Music / Political aspects ; Music / Social aspects ; China ; Hawaii ; Southeast Asia ; Vanuatu ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Konferenzschrift University of Nottingham 19.10.2018-20.10.2018 ; Südostasien ; Pazifischer Raum ; Musik ; Audiovisuelle Medien ; Soziokultur
    Abstract: "Investigates the circulation of musical culture via broadcast media in the Asia Pacific"--
    Description / Table of Contents: Introduction. Musical Media in the Asia Pacific / Lonán Ó Briain and Min Yen Ong -- Vocalizing Community. Getting Our Voices Heard : Radio Broadcasting and Secrecy in Vanuatu / Monika Stern / Sounding an Indigenous Domain : Radio, Voice, and Lisu Media Evangelism / Ying Diao ; Narrowcasting into the Infinite Margins : Internet Sonorities of Transient Indonesian Domestic Workers in Singapore / Shzr Ee Tan -- Transforming Tradition. Harmonies for the Homeland: Traditional Music and the Politics of Intangible Cultural Heritage on Vietnamese Radio / Lonán Ó Briain ; Mediation of Tradition : Television and Studio Productions of Khmer Music in Cambodia / Francesca Billeri ; Going with the Flow : Livestreaming and Korean Wave Narratives in P'ansori Anna Yates-Lu -- Sounding Authority. North Korea: Controlling the Airwaves, Harmonizing the People / Keith Howard ; The Party and the People : Shifting Sonic Politics in Post-1949 Tiananmen Square / Joseph Lovell ; Broadcasting Infrastructures and Electromagnetic Fatality : Listening to Enemy Radio in Socialist China / Hang Wu -- Performing Activism. "Change the World Gently with Singing": Queer Audibility and Soft Activism in China / Hongwei Bao ; Sounds of Political Reform : Indie Rock in Late New Order Indonesia / M. Rizky Sasono; Finding Agency in Hawaiian Online Collaborative Music Videos : Reclaiming Kaulana Na Pua in a Contemporary Context / Min Yen Ong and Jordan Anthony Kapono Bee
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  • 74
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Springer
    ISBN: 9789813369504
    Language: English
    Pages: 1 Online-Ressource (XXXI, 234 p. 32 illus., 7 illus. in color)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 950
    RVK:
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    Keywords: Asian History ; Music ; Political Science ; Asian Culture ; Anthropology ; Asia—History ; Music ; Political science ; Ethnology—Asia ; Anthropology ; Musik ; Nationalismus ; Indonesien ; Indonesien ; Nationalismus ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Musical Score
    Musical Score
    Kassel ; Basel ; London ; New York ; Praha : Bärenreiter
    Associated volumes
    Language: English , German
    Series Statement: Bärenreiter-Urtext
    Uniform Title: Werke
    DDC: 786.18
    RVK:
    Keywords: Musik ; Music ; Gesamtausgabe ; Gesamtausgabe
    Note: Bd. 1 und 2 der früheren Auflage unter dem Titel: Neue Ausgabe sämtlicher Clavier [Klavier]- und Orgelwerke
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  • 77
    Book
    Book
    Singapore : Springer Singapore | Singapore : Springer
    ISBN: 9789813369498
    Language: English
    Pages: XXXI, 234 Seiten , Illustrationen
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 950
    RVK:
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    Keywords: Asian History ; Music ; Political Science ; Asian Culture ; Anthropology ; Asia—History ; Music ; Political science ; Ethnology—Asia ; Anthropology ; Nationalismus ; Musik ; Indonesien ; Indonesien ; Nationalismus ; Musik
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  • 78
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367243142
    Language: English
    Pages: xiii, 260 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Music / Spain / 500-1400 / History and criticism ; Music / Spain / To 1500 / History and criticism ; Music / Spain / 16th century / History and criticism ; Music / Spain / 17th century / History and criticism ; Muslims / Spain / Music / History and criticism ; Arabs / Spain / Music / History and criticism ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Abstract: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Description / Table of Contents: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
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  • 79
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
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  • 80
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780429281655
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 711-1610 ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    Book
    Book
    Mankon, Bamenda : Langaa Research & Publishing CIG
    ISBN: 9956551090 , 9789956551095
    Language: English
    Pages: xii, 243 Seiten
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    Keywords: Dibango, Manu ; Musik ; Kamerun ; Dibango, Manu 1933-2020 ; Kamerun ; Musik
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  • 82
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 83
    ISBN: 9783962332730
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1800-1945 ; Musik ; Juden ; Süddeutschland ; Aufsatzsammlung ; Konferenzschrift 2019 ; Aufsatzsammlung ; Konferenzschrift 2019 ; Süddeutschland ; Juden ; Musik ; Geschichte 1800-1945
    Note: Rezensiert in: Musik in Bayern, Band 87 (2022), Seite 115-116 (Ulrich Scheinhammer-Schmid)
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  • 84
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 Seiten)
    Series Statement: Freiburger Studien zur Kulturanthropologie
    Parallel Title: Erscheint auch als
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    Keywords: Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Unterhaltungsmusik ; Islam ; Jugendkultur ; Popkultur ; Musik ; Jugend ; Religiöse Identität ; Massenkultur ; Muslim ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Popkultur ; Massenkultur ; Musik ; Jugend ; Islam ; Jugendkultur ; Muslim ; Unterhaltungsmusik ; Religiöse Identität
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today's globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims
    Note: Online resource; title from title screen (viewed September 28, 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 86
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
    RVK:
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 87
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white).
    Series Statement: New material histories of music
    Series Statement: Chicago scholarship online
    DDC: 780.721
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    Keywords: Humboldt, Wilhelm von ; Geschichte 1891-1961 ; Kolonialismus ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Mediävistik ; Mission ; Musik ; Rezeption ; Vergleichende Sprachwissenschaft ; Musicology History 20th century ; Mission music History and criticism ; Missions History 20th century ; Ethnomusicology History ; Musicologists ; Music History and criticism 15th century ; Medievalism ; Music Social aspects ; Music and youth History 20th century ; Afrika ; Deutschland ; Deutsches Sprachgebiet
    Abstract: This innovative book reassesses the history of musicology, unearthing the field's twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 88
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 89
    ISBN: 9781912685790
    Language: English
    Pages: 171 Seiten , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
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  • 90
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
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    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
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  • 91
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 92
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 93
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
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    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 95
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    ISBN: 9781000289527
    Language: English
    Pages: 1 Online-Ressource (235 Seiten)
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.89927
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    Keywords: Geschichte 711-1610 ; Arabs Music ; Rezeption ; Musik ; Musikhandschrift ; Spanien ; al- Andalus ; Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
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  • 96
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
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    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 97
    ISBN: 9781003108337 , 9781000400526 , 9781003108337 , 9780367622046 , 9780367622091
    Language: English
    Pages: 1 Online-Ressource (148 p.)
    Series Statement: SEMPRE Studies in The Psychology of Music
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    Keywords: Higher & further education, tertiary education ; Teacher training ; Curriculum planning & development ; Professionalität ; Musik ; Musikstudium
    Abstract: This book addresses the need to rethink the concept and enactment of professionalism in music, and how such concepts underpin professional higher music education. There is an urgent imperative to enable the potential of professional musicians in our contemporary societies to be more fully realised, recognising both intense challenges that are currently threatening some traditional music practices, and significant scope for new practices to be imagined in response to deep veins of societal need. Professionalism encompasses the conduct, aims, values, responsibilities and ongoing development of a practising professional in the field. Professional higher music education engages both with providing future professionals with relevant education in particular craft skills, and with nurturing their visions for their work as artists in future societies. The major focus of the book is on performance traditions that have dominated professional higher education, notably western classical music
    Note: English
    URL: Volltext  (kostenfrei)
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  • 98
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 99
    ISBN: 9783896466730
    Language: English , German
    Pages: 150 Seiten , Illustrationen , 29.7 cm x 21 cm, 890 g
    Series Statement: Studien zur Musikarchäologie 12
    Series Statement: Orient Archäologie Band 43
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient Archäologie
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    Keywords: Archäologie ; Musikwissenschaft ; Vor- und Frühgeschichte ; Musik ; Altertum ; Musikarchäologie ; Alter Orient ; Mesopotamien ; Musikinstrument ; Musik ; Forschungsgeschichte ; Music archaeology / Congresses ; Archéologie musicale - Congrès ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift Friedrich-Schiller-Universität 19.09.2017-20.09.2017 ; Musikarchäologie ; Musikwissenschaft ; Musik ; Mesopotamien ; Altertum ; Alter Orient ; Vor- und Frühgeschichte ; Archäologie
    Note: Beiträge teilweise englisch, teilweis deutsche mit Zusammenfassungen in der jeweils anderen Sprache
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  • 100
    ISBN: 978-0-367-27180-0 , 978-0-367-76981-9
    Language: English
    Pages: XV, 511 Seiten : , Illustrationen.
    Series Statement: Routledge international handbooks
    Parallel Title: Erscheint auch als
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    Keywords: Music / Psychological aspects ; Music / Social aspects ; Music / Instruction and study / Psychological aspects ; Musikerziehung. ; Musikpsychologie. ; Gemeinschaft. ; Musik. ; Psychologie. ; Soziale Situation. ; Aufsatzsammlung ; Musikerziehung ; Musikpsychologie ; Gemeinschaft ; Musik ; Psychologie ; Musik ; Soziale Situation
    Abstract: "This handbook provides an evidence-based account of psychological perspectives on issues in music education and music in the community through the life-course, exploring our understanding of music learning and participation across contexts. The contributors draw on multi-disciplinary research from different cultures and contexts in order to set out the implications of music psychology for music education and music in the community. Highlighting the intersecting issues across education and community contexts, the book proposes new theories as well as offering important refinements to existing conceptual models. Split into six sections, it considers the role of music in society as well as for groups and individuals, and explores topics such as processing and responding to music; pedagogical and musical practices that support or pose challenges to the emotional, cognitive, social or physical wellbeing of learners and participants in a range of contexts; and the relationship of 'music in identity' or 'identity in music'. With a final section on future directions and the implications for professional practice in music education and music in the community, the book concludes by exploring how the two sectors might work more closely together within a post-COVID 19 world. Based on cutting edge research from an international team, this is essential reading for anyone interested in music psychology, education, and community, and will be particularly helpful for undergraduate and graduate students in music psychology, music education and community music"
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