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  • MPI Ethno. Forsch.  (192)
  • Film  (145)
  • Frankreich
  • General works  (142)
  • Romance Studies  (41)
  • Geography  (15)
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  • 1
    Journal/Serial
    Journal/Serial
    Paris : PUF | Paris : Maisonneuve & Larose | Nancy : Berger-Levrault | Paris : Colin ; N.S. 1.1971 -
    Show associated volumes/articles
    ISSN: 0046-2616 , 2101-0064 , 2101-0064
    Language: French
    Dates of Publication: N.S. 1.1971 -
    Parallel Title: Erscheint auch als Ethnologie française
    Former Title: Vorg. Arts et traditions populaires
    DDC: 305.80094405
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    Keywords: Zeitschrift ; Volkskunde ; Frankreich ; Volkskunde
    Note: Herausgebendes Organ variiert , Repr.: Bad Feilnbach : Schmidt Periodicals , Tome 46,2 irrtümlich als Tome 47 bezeichnet , Index 23/26.1993/96 in: 27.1997,3
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  • 2
    ISBN: 9781003263234 , 9781032203317 , 9781032203324
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als Hughes-Warrington, Marnie The Routledge Companion to History and the Moving Image
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    Keywords: Humanities ; General & world history ; Social & cultural history ; Film theory & criticism ; Film: styles & genres ; Historiography ; Television ; General and world history ; Social and cultural history ; Film history, theory or criticism ; Film: styles and genres ; History ; Communications; Television; Historiography; Media history; Cinema; Historical films; Media studies; Digital screen culture; Film ; Aufsatzsammlung ; Film ; Geschichte
    Abstract: Klappentext: The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today's media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor?s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications.
    Note: English
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  • 3
    ISBN: 9783837635317 , 3837635317
    Language: German
    Pages: 278 Seiten , Illustrationen , 22.5 cm x 14.8 cm
    Series Statement: Locating media Band 13
    Series Statement: Locating media
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    DDC: 302.2343
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    Keywords: Motion pictures Handbooks, manuals, etc Social aspects ; Motion pictures Handbooks, manuals, etc Appreciation ; Psychoanalysis and motion pictures Handbooks, manuals, etc ; Film genres Handbooks, manuals, etc ; Motion picture audiences Handbooks, manuals, etc History ; Documentary films Handbooks, manuals, etc History and criticism ; Visuelle Ethnologie ; Forschungsmethode ; Film ; Forschungsmethode ; Film
    Abstract: Klappentext: Kamera-Ethnographie ist ein filmischer Ansatz zur Gestaltung der Wahrnehmungs- und Wissensprozesse beim ethnographischen Forschen. Dabei wird im Unterschied zur Logik der Aufzeichnung angenommen, dass Forschungsgegenstände zunächst noch gar nicht sichtbar sind. Kameraführung, Schnitt und Montage tragen als experimentelle Praktiken zur Beobachtbarkeit und Sichtbarkeit epistemischer Dinge bei. Bina Elisabeth Mohns repräsentationskritische Programmschrift zeigt, wie die Methode der Kamera-Ethnographie auch nonverbale Praktiken in ihren Choreographien und bildhaften Figuren in den Blick rückt. Eine situierte Methodologie und reflexive Pragmatik leiten zum positionierten Hinschauen und Sehenlernen an und binden selbst das Publikum in eine forschende Rezeption ein.
    Note: Literaturverzeichnsis: Seiten 263-276
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 4
    ISBN: 9783839435311 , 9783732835317
    Language: German
    Pages: 1 Online-Ressource (278 Seiten) , Illustrationen
    Series Statement: Locating media Band 13
    Series Statement: Locating media
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    DDC: 302.2343
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    Keywords: Electronic books. ; Visuelle Ethnologie ; Forschungsmethode ; Film
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 5
    ISBN: 9783741003486
    Language: German
    Pages: 1 Online-Ressource (326 Seiten) , Illustrationen
    Series Statement: Zürcher Filmstudien Band 46
    Parallel Title: Erscheint auch als Wanner, Clea Entfesselte Körper
    Dissertation note: Dissertation Universität Basel 2020
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    Keywords: Film guides & reviews ; Hochschulschrift ; Russland ; Film ; Körper ; Tanz ; Geschichte 1908-1918 ; Russland ; Film ; Tanz ; Neuer Mensch ; Filmästhetik ; Geschichte 1913-1918
    Abstract: With its new media possibilities, film at the beginning of the 20th century brought increased intensity to the perception of body representations. It now showed the body in an aesthetic tension of authenticity, alienation, fetishization and ephemerality and at the same time created media and aesthetic constellations which combined numerous (theoretical) considerations and artistic articulations of a crisis-ridden modernity Visions of a new man – especially a new woman – were omnipresent. Using a broad spectrum of cinematic artefacts and historical materials, the book examines the first decade of narrative cinema, 1908-1918 in the late Tsarist Empire, how cinema specifically modeled cinematic concepts of physicality and thus significantly the idea of ​​the human being in Russian modernity, a cultural culture characterized by transmediality Epoch, co-designed. Accordingly, in the study, practices from theater and dance as well as cultural, artistic and literary discourses, such as from the avant-garde or symbolism, are intertwined with developments in film aesthetics and film theory
    Abstract: Mit seinen neuen medialen Möglichkeiten brachte der Film zu Beginn des 20. Jahrhunderts eine gesteigerte Intensität in die Wahrnehmung von Körperrepräsentationen. Er zeigte den Körper nun in einer ästhetischen Spannung von Authentizität, Verfremdung, Fetischisierung und Flüchtigkeit und schuf zugleich mediale und ästhetische Konstellationen, an die sich zahlreiche (theoretische) Überlegungen und künstlerische Artikulationen einer krisenhaften Moderne banden. Visionen von einem Neuen Menschen – insbesondere einer Neuen Frau – waren allgegenwärtig. Anhand eines breiten Spektrums filmischer Artefakte und historischer Materialien untersucht das Buch zur ersten Dekade des Erzählkinos, 1908-1918 im ausgehenden Zarenreich, wie das Kino spezifisch filmische Konzepte von Körperlichkeit modellierte und somit maßgeblich die Vorstellung vom Menschen in der russischen Moderne, einer transmedial geprägten kulturellen Epoche, mitgestaltete. Entsprechend werden in der Studie Praktiken aus Theater und Tanz sowie kulturelle, künstlerische und literarische Diskurse, etwa aus der Avantgarde oder dem Symbolismus, mit filmästhetischen und filmtheoretischen Entwicklungen verschränkt
    Note: German
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  • 6
    ISBN: 9783839466247 , 9783837666243 , 9783732866243
    Language: Undetermined
    Pages: 1 Online-Ressource (270 p.)
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The Mediatization of the O.J. Simpson Case. From Reality Television to Filmic Adaptation
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
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    Keywords: Television ; TV & society ; Cultural studies ; Simpson, Orenthal J. 1947-2024 ; Gerichtsberichterstattung ; Reality-TV ; Sensationsjournalismus ; Film ; Geschichte 1994-2016
    Abstract: F. Scott Fitzgerald once said: "Show me a hero, and I'll write you a tragedy." In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She demonstrates that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.
    Note: English
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  • 7
    ISBN: 9783839452486 , 3839452481
    Language: German
    Pages: 1 Online-Ressource (415 p.)
    Series Statement: Film
    Uniform Title: The Berlin school and its global contexts
    Parallel Title: Erscheint auch als Abel, Marco Die Berliner Schule im globalen Kontext
    DDC: 791.430943
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    Keywords: Motion pictures History ; Motion pictures German influences ; New wave films ; Cinéma - Allemagne - Berlin - Histoire ; Cinéma - Influence allemande ; Nouvelle Vague (Cinéma) - Allemagne - Berlin ; SOCIAL SCIENCE / Media Studies ; Motion pictures ; Motion pictures - German influences ; New wave films ; Arthouse-Kino ; Berliner Schule ; Deutsches Kino ; Filmemacher ; Filmkritik ; Filmtheorie ; Gegenwartskino ; Globales Kino ; Globalisierung ; Medienwissenschaft ; Nachwende-Kino ; New Wave ; History ; Germany - Berlin ; Berliner Schule ; Berliner Schule 2018 ; Deutschland ; Film ; New wave ; Deutschland ; Film ; Geschichte 1970 - ; Deutschland ; Film ; Globalisierung ; Filmkritik ; Filmtheorie ; Film ; Moderne
    Abstract: Die Berliner Schule gilt als die wichtigste Strömung im deutschen Kino seit den 1970er Jahren. Gleichzeitig kann sie als wesentlicher Teil der globalen New-Wave-Filme verstanden werden, die an den traditionellen Rändern des Weltkinos angesiedelt sind. In 15 Essays setzen die Beiträger*innen des Bandes die Berliner Schule mit Beispielen des globalen Kinos in Verbindung - vom Nahen Osten über Südostasien bis Nordamerika - und laden dazu ein, sie als zentralen Aspekt des Nachwende-Kinos in einem transnationalen Licht zu betrachten. Damit liefern sie zum ersten Mal eine systematische Untersuchung dieser Gattung und stellen sie als eine der wichtigsten Entwicklungen des gegenwärtigen Arthouse-Kinos heraus
    Description / Table of Contents: Cover -- Inhalt -- Danksagungen -- Danksagung für die englische Edition -- Danksagung für die deutsche Edition -- Einleitung: Die Berliner Schule und darüber hinaus -- »Die Berliner Schule«: Gemeinsamkeiten und Unterschiede -- Die Gefahren des »guten Objekts« -- Die seltsamen Reisen des Kunstkinos: Institutionelle Eigenschaften und ästhetische Herangehensweisen -- Die anhaltende, nagende dynamische Kraft des Begriffs der Nation und des »nationalen« Kinos: Angela Schanelecs Film Der traumhafte Weg (2016) -- Ein reiches Mosaik des zeitgenössischen globalen Kunstkinos -- Literaturverzeichnis
    Description / Table of Contents: 1 Die Berliner Schule und Filme von Frauen -- Die Entstehung von Medienkonglomeraten und die zeitgenössische Film- und Fernsehkultur von Frauen -- Die Berliner Schule, der Neoliberalismus und das Frauenkino -- Zeitgenössische Filmproduktionen von Frauen: Materielle Interventionen und Affinitäten -- Die Situationstragödie: Formale und thematische Verwandtschaften in zeitgenössischen Filmen von Frauen -- englishLiteraturverzeichnis -- 2 Gender, Genre und die (Un-)Möglichkeit der romantischen Liebe -- Eine unmögliche Liebe: Blue Valentine -- Neue Liebesversuche: Alle anderen
    Description / Table of Contents: Schlussfolgerung: Hin zu einem postromantischen Affekt -- englishLiteraturverzeichnis -- 3 Reflexionen über das Gegenkino und (nicht-)nationale Strategien -- I. -- II. -- III. -- englishLiteraturverzeichnis -- 4 »Das Leben ist voller schwieriger Entscheidungen« -- Zwei Kinos -- Lucy -- Wendy and Lucy -- Schlussfolgerung -- englishLiteraturverzeichnis -- 5 Kino als Digest, Kino als Verdauung -- englishLiteraturverzeichnis -- 6 Daheim gibt es nicht -- englishLiteraturverzeichnis -- 7 Die Kräfte des Milieus -- Milieu als Medium -- Die Pathologien professioneller Beobachter
    Description / Table of Contents: Strategien der Inszenierung -- Die Politik des Milieus -- Literaturverzeichnis -- 8 Neue Globale Wellen -- Literaturverzeichnis -- 9 Gegabelte Zeit -- Köhler und Apichatpong über »politischen Film« -- Apichatpongs geteilte/gefaltete Zeit -- Zeitliche Brüche: Blissfully Yours und Tropical Malady -- Der Raum bei Köhler und Apichatpong: »Primitive« und Montag kommen die Fenster -- Doppelte Zeit: Syndromes, Uncle Boonmee und Schlafkrankheit -- Geschichte ist eine Schlafkrankheit -- englishLiteraturverzeichnis -- 10 Jenseits von Berlin -- I. -- II. -- III. -- IV. -- englishLiteraturverzeichnis
    Description / Table of Contents: 11 Die Politik der Berliner Schule und darüber hinaus -- Hunger: Die trägen Grenzen des gewalttätigen Widerstandes -- Innere Sicherheit: Neoliberale Trägheit von Terroristenkindern und jugendlichen McJobbern -- Falscher Bekenner (2005): Verlangsamung und prekäre Anerkennung -- Epilog -- Literaturverzeichnis -- 12 Bilder des Laufens in den Filmen von Benjamin Heisenberg -- Der ursprüngliche Läufer: Antoine Doinel -- Heisenberg'sche Relationen -- Räuber oder Läufer? -- englishLiteraturverzeichnis -- 13 Von früh an Gespenster
    Note: Description based upon print version of record , Das geteilte Nachleben der Industriewirtschaft und ihrer prekären Solidaritäten
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Schüren Verlag
    ISBN: 9783741002250 , 9783741004483
    Language: Undetermined
    Pages: 1 Online-Ressource (296 p.)
    Series Statement: Marburger Schriften zur Medienforschung
    Parallel Title: Erscheint auch als Rassismus im Film
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    Keywords: Film guides & reviews ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rassendiskriminierung ; Film
    Abstract: Seit dem Mord an George Floyd durch den Polizeieingriff in den Vereinigten Staaten im Mai 2020 und der daraus erwachsenen (Social Media-)Bewegung #blacklivesmatter hat auch die Beschäftigung mit den verschiedenen Formen von Rassismus in Deutschland zugenommen. Konnte der Begriff vor wenigen Jahren in wissenschaftlichen wie öffentlichen Diskursen weitgehend nur schwierig oder selten genutzt werden, hat er sich inzwischen hierzulande auch als Gegenbegriff zur globalen Wirkmächtigkeit rechter Ideologien, die besonders Identitätskategorien zur Legitimation mörderischer Gewalt heranziehen, sowie im Kontext globaler Diversifizierungsmaßnahmen im Diskursmainstream durchgesetzt. Dieser Erfolg des Begriffs lässt auch die filmischen Produktionen zu Themen von Menschenfeindlichkeit, die auf Repräsentationskategorien basieren, in einem neuen Licht erscheinen. Filme zu Themen des Rassismus versuchen, Aufklärungsarbeit im Sinne anti-rassistischer Praxis zu leisten, während beispielsweise propagandistische Videos rechter und dschihadistischer Kreise zur (re-)produktiven Verhandlung von Rassismus beitragen. Andererseits lassen sich Filme, die scheinbar nichts mit Rassismus zu tun haben, bei einem genaueren analytischen Blick sehr wohl als Verstärkungs-, Reproduktions- oder Verschleierungsakteure von Rassismen verstehen. So sind Filme immer schon im Sinne von (Un-)Sichtbarkeitsmaschinen dazu geeignet, soziale Verhältnisse zu veräußerlichen und so ungedachte Zusammenhänge zu denken. In dieser argumentativen Bi-Perspektivität – Sichtbarwerden der Rassismusdiskurse und Filme als Sichtbarkeitsmedien sozialer Verhältnisse – geht der vorliegende Sammelband Diskursformen des Rassismus, seiner Filmkulturen und Möglichkeiten des (anti-rassistischen) Widerstands besonders/aber nicht nur im deutschsprachigen Kontext nach. Daran schließen sich folgende Fragen an: Wie sieht der Zusammenhang von (fiktionalen) Filmen und Formen des Rassismus in Film-kulturen aus? Wie gehen fiktionale Formate mit Antisemitismus, Rechtsradikalismus, antimuslimischem Rassismus, Antiziganismus und whiteness um? Und wie versuchen aktuelle (auch experimentelle) filmische Formate, Rassismus entgegenzutreten? Im Zentrum des Sammelbandes stehen die Filme und ihre Geschichten selbst. Ziel ist es, das Erkenntnispotential von Filmen in der Auseinandersetzung mit Rassismus zu befragen: Was genau am Rassismus machen die Filme sichtbar? Wie lassen sich mögliche historische Entwicklungen narrativer audiovisueller Diskursformen (für den deutschsprachigen Kontext) darstellen? Wie verändern sich in diesen Entwicklungen die Auseinandersetzungen mit jenen rassistischen Formen? Und grundsätzlich: Wie stehen Film und Rassismus zueinander? Die Beiträge des Sammelbands explorieren so diverse Erscheinungsformen des Rassistischen: Umweltrassismus, Antisemitismus, Rassismus gegen Schwarze Menschen, Anti-Zig*anismus, anti-muslimischer Rassismus, Rassismus und Gender, rechtsextremer Rassismus in Deutschland und filmische Erinnerungskultur, Afropolitanismus und Rassismus, Rassismus ohne Rassen*/Rassismus gegen Migrant:innen. Beiträge von Ömer Alkin , Julia Bee, Julia Dittmann , Irina Gradinari , Hilde Hoffmann , Kien Nghi Ha Hauke Lehmann, Radmila Mladenova,, Tobias Nagl , Burrhus Njanjo und Alena Strohmaier
    Note: German
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Iberoamericana Vervuert
    ISBN: 9783968693088 , 9788491922872 , 9783968693095
    Language: Spanish
    Pages: 1 Online-Ressource (313 p.)
    Series Statement: Nexos y Diferencias. Estudios de la Cultura de América Latina
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    Keywords: Literature: history & criticism ; Aufsatzsammlung ; Hispanoamerika ; Literatur ; Film ; Gewalt ; Sympathie
    Abstract: Klappentext (engl.): This volume presents an analysis of the relationship between violence and affection in Latin American culture. From an interdisciplinary perspective, the contributions that comprise it address a wide spectrum of cultural productions, including literature, film, photography, installations, and performances. The volume offers an overview of the trajectory and impact of the affective turn in the region, questioning the specificity that affective theory acquires in Latin America, while exploring the mutations of the concept of violence in the contemporary panorama. The political potential of 'ugly' affects, the affective effectiveness of works of art to mobilize the viewer, the exploration of uncomfortable affective positions or affect as a deterritorialized form in contemporary cinema are some of the intersections between affections and violence that the book investigates.
    Note: Spanish
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  • 10
    ISBN: 9783412523831
    Language: German
    Parallel Title: Erscheint auch als Kötzing, Andreas, 1978 - Unscharfe Kontraste. Die filmischen Repräsentationen der Leipziger Montagsdemonstrationen im Kontext der DDR-Erinnerungskultur
    Titel der Quelle: Das umstrittene Erbe von 1989
    Publ. der Quelle: Wien : Böhlau Verlag, 2022
    Angaben zur Quelle: (2021), Seite 89-109
    Angaben zur Quelle: year:2021
    Angaben zur Quelle: pages:89-109
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    Keywords: Leipzig ; Friedliche Revolution in der DDR ; Demonstration ; Medien ; Film ; Dokumentarfilm ; Friedliche Revolution in der DDR ; Kollektives Gedächtnis ; Geschichte 1989-
    Note: Literaturangaben
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  • 11
    ISBN: 9782080270474 , 2080270478
    Language: French
    Pages: 333 Seiten , 21 cm
    DDC: 378
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    Keywords: Hochschule ; Studium ; Hochschulbildung ; Wissenschaftler ; Promotion ; Arbeitsbedingungen ; Berufslaufbahn ; Karriere ; Arbeitssoziologie ; Berufssoziologie ; Frankreich
    Note: Includes bibliographical references
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  • 12
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030921033
    Language: English
    Pages: 1 Online-Ressource(XI, 232 p. 58 illus., 11 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Postdisciplinary Studies in Discourse
    Parallel Title: Erscheint auch als Cyberhate in the context of migrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Applied linguistics. ; Linguistics—Methodology. ; Communication in politics. ; Emigration and immigration—Social aspects. ; Journalism. ; Computer crimes. ; Finnland ; Frankreich ; Deutschland ; Italien ; Polen ; Großbritannien ; Internet ; Computerkriminalität ; Hassrede ; Migrationshintergrund
    Abstract: Chapter 1: Anti-migrant hate speech as a symptom of a representation crisis (Angeliki Monnier, Axel Boursier and Annabelle Seoane) -- Part I: Language strategies and patterns -- Chapter 2: Online hate speech in the UK and Poland: social media reactions to the murder of Arkadiusz Jóźwik (Katerina Strani and Anna Szczepaniak-Kozak) -- Chapter 3: The anti-immigration ideology: hate speech, ethos and the enemy’s figure (Nolwenn Lorenzi Bailly and Lotta Lehti) -- Chapter 4: "Reality", "truth" and "lies" regarding the immigration phenomenon in comment sections on French media (Nadia Makouar) -- Chapter 5: The computer-mediated expression of hate: a corpus analysis of French and Italian user-generated contents (Laura Ascone) -- Part II: Actors and interactions -- Chapter 6: The joint construction of hate speech in online discussions (Emmi Lahti) -- Chapter 7: Social network conversations with young authors of online hate speech against migrants (Stefano Pasta) -- Chapter 8: Hate speech, freedom of expression and the controversies on the regulation of online content (Romain Bedouard) -- Chapter 9: How does online hate speech influence the process of intercultural mediation in the context of migration? (Cecilia Brassier-Rodrigues).
    Abstract: This edited book takes an interdisciplinary approach to shed light on the complex dynamics involved in the incidence of online hate speech against migrants in user-generated contexts. The authors draw on case studies from Finland, France, Germany, Italy, Poland and the UK, bringing together qualitative and quantitative analyses on user-generated online comments. The authors argue that online hate speech against migrants must be understood as a symptom of a representation crisis on migration, which can only be fully perceived through the study of the complex linguistic, interactional and connective processes within which it emerges. They focus on representations and shared meanings, community building and otherness, and delve into the role of network ecosystems in the process of the construction of public problems. This book will be of interest to undergraduate and post-graduate students as well as academics working on hate speech and migration studies in a variety of fields, and can also contribute to improving research protocols for automated analyses and detections of online hate speech. Angeliki Monnier is Professor in Information and Communication Sciences at Université de Lorraine, Metz, France, and director of the Centre for Research on Mediations (CREM). Axel Boursier is Associate Professor in Information and Communication Sciences at CY Cergy Paris Université, France, and a member of the “Lexicons, Texts, Discourses and Dictionaries” (LT2D) laboratory. Annabelle Seoane is Associate Professor in Linguistics and Language Teaching at Université de Lorraine, Metz, France, and a member of the Centre for Research on Mediations (CREM).
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  • 13
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    ISBN: 9783658381271
    Language: German
    Pages: 1 Online-Ressource(XII, 183 S. 23 Abb. in Farbe.)
    Edition: 1st ed. 2022.
    Series Statement: pop.religion: lebensstil – kultur – theologie
    Parallel Title: Erscheint auch als Pandemie im Film
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    Keywords: Motion pictures. ; Television broadcasting. ; Religion and sociology. ; Mass media. ; Aufsatzsammlung ; Pandemie ; Film ; Fernsehserie
    Abstract: Untersucht wird die theologische und ästhetische Bearbeitung der Pandemien in dystopischen und Science-Fiction-Filmen sowie Serien. Zwischen Verschwörungstheorien, der Sicht als Strafe Gottes und der fatalistischen Annahme eines "notwenigen Übels" changieren die Erklärungsmodelle im Film wie auch in der gesellschaftlichen Wirklichkeit. Filme bieten dabei stellvertretend narrative Lösungsmodelle an. Die Katastrophe wird auf diese Weise dem beängstigenden Alltag für kurze Zeit enthoben, was eine der Reflexion zuträgliche Distanz ermöglicht. Exemplarisch wird ein sich wandelndes Rollen-, Gesellschafts- und Gottesbild aufgezeigt, das zu religionspädagogischen Reflexionen anregt. Die Herausgebenden Dr. Inge Kirsner ist als apl. Professorin für Praktische Theologie/Religionspädagogik am Institut für Evangelische Theologie der Universität Paderborn sowie als Hochschulpfarrerin in Tübingen tätig. Dr. Harald Schroeter-Wittke ist Professor für Didaktik der Evangelischen Religionslehre mit Kirchengeschichte am Institut für Evangelische Theologie der Universität Paderborn.
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  • 14
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 15
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    Stuttgart : J.B. Metzler | Stuttgart : Imprint: Palgrave Macmillan
    ISBN: 9783476058881
    Language: English
    Pages: 1 Online-Ressource(XIII, 528 p. 43 illus.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures—History. ; Queer theory. ; Performing arts. ; Theater. ; Ethnology—Europe. ; Culture. ; Motion pictures. ; Deutschland ; Film ; Homosexualität ; Männlichkeit ; Geschichte Anfänge - 1945
    Abstract: Chapter 1. Introduction -- Chapter 2. Empire/Germany: Film and Cinema, Gender and Sexuality -- Chapter 3. Weimar Republic/Germany: Film and Cinema, Gender and Sexuality -- Chapter 4. National Socialism/Germany: Film and Cinema, Gender and Sexuality -- Chatper 5. Concluding Remarks.-.
    Abstract: The work in media cultural history is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, in connection with affects and (self-)cognitions on and off screen. This book is a translation of an original German 1st edition Performative Figuren queerer Männlichkeit by Christiane König, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
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  • 16
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    Online Resource
    Stuttgart : J.B. Metzler | Stuttgart : Palgrave Macmillan
    ISBN: 9783476058836
    Language: English
    Pages: 1 Online-Ressource (IX, 180 p. 11 illus. in color)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
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    Keywords: Geschichte 1982-2019 ; European Culture ; Ethnology—Europe ; Culture ; Politik ; Politische Identität ; Europa ; Literatur ; Film ; Europäische Integration ; Europa ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Literatur ; Film ; Europa ; Geschichte 1982-2019 ; Europa ; Politik ; Europäische Integration ; Politische Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031133923
    Language: English
    Pages: 1 Online-Ressource (XIX, 335 p. 8 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Cultural Heritage and Conflict
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
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    Keywords: Geschichte 1998-2018 ; European Culture ; Regional Cultural Studies ; Cultural Heritage ; Ethnology—Europe ; Culture ; Ethnology ; Cultural property ; Spanisch ; Unterdrückung ; Roman ; Galicisch ; Film ; Franquismus ; Spanien ; Spanisch ; Galicisch ; Roman ; Spanien ; Film ; Unterdrückung ; Franquismus ; Geschichte 1998-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    ISBN: 9783837652468 , 3837652467
    Language: English
    Pages: 286 Seiten , Illustrationen , 23 cm
    Series Statement: Media studies volume 76
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Images on the move
    Parallel Title: Erscheint auch als Images on the move
    DDC: 302.23
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    Keywords: Digital images Social media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bild ; Verbreitung ; Fotografie ; Film ; Neue Medien ; Geschichte 1930-2018 ; Bild ; Mobilität ; Neue Medien ; Medienwissenschaft ; Bildwissenschaft ; Medien ; Bild ; Vernetzung ; Bildformat ; Vernetzung
    Note: Literaturangaben
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  • 19
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    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048551958 , 9048551951
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als BAER, HESTER GERMAN CINEMA IN THE AGE OF NEOLIBERALISM
    DDC: 791.430943
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    Keywords: Motion pictures History and criticism ; Neoliberalism in motion pictures ; Motion pictures ; Criticism, interpretation, etc ; Germany ; Deutschland ; Film ; Filmproduktion ; Geschichte 1980-2010 ; Deutschland ; Film ; Filmproduktion ; Deutsche Film AG
    Note: Includes bibliographical references and index
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  • 20
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    Online Resource
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190878023 , 9780190878009 , 9780190878016
    Language: English
    Pages: 1 Online-Ressource (xvi, 844 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.766
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    Keywords: Homosexualität ; Film ; Sexual minorities in mass media ; Sexual minorities in motion pictures ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Homosexualität
    Abstract: 'The Oxford Handbook of Queer Cinema' encompasses more than a century of filmmaking, film criticism and film reception, looking at the ways in which the idea of 'queer cinema' has expanded as a descriptor for a global arts practice
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 21
    ISBN: 9783837647211
    Language: German
    Pages: 243 Seiten , Illustrationen
    Series Statement: GenderCodes - Transkriptionen zwischen Wissen und Geschlecht Band 19
    Series Statement: GenderCodes - Transkriptionen zwischen Wissen und Geschlecht
    Parallel Title: Erscheint auch als
    DDC: 305.80094
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    Keywords: Geschichte ; Repräsentation ; Selbstbild ; Grenzpolitik ; Fremdbild ; Migrationspolitik ; Eurozentrismus ; Biopolitik ; Europa ; Identität ; Geschlecht ; Grenzen ; Frühe Neuzeit ; Moderne ; Gegenwart ; Film ; Kunst ; Literatur ; Raum ; Gender Studies ; Rassismus ; Kulturgeschichte ; Kulturwissenschaft ; Europe ; Identity ; Gender ; Borders ; Early Modernity ; Modernity ; Contemporary ; Art ; Literature ; Space ; Racism ; Cultural History ; Cultural Studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Repräsentation ; Selbstbild ; Fremdbild ; Eurozentrismus ; Geschichte ; Europa ; Grenzpolitik ; Migrationspolitik ; Biopolitik
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  • 22
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    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783658349271 , 3658349271
    Language: German
    Pages: 1 Online-Ressource (VI, 252 Seiten) , 36 Abb., 30 Abb. in Farbe.
    Edition: 1st ed. 2021
    Series Statement: Film und Bewegtbild in Kultur und Gesellschaft
    Parallel Title: Erscheint auch als Methoden der Filmsoziologie
    DDC: 302.23
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    Keywords: Clarke, Gerald ; Film ; Soziologie ; Mass media ; Motion pictures ; Culture ; Culture—Study and teaching ; Media Sociology ; Film Studies ; Audio-Visual Culture ; Sociology of Culture ; Visual Culture ; Aufsatzsammlung ; Aufsatzsammlung
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  • 23
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    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    ISBN: 9783658320522
    Language: German
    Pages: 1 Online-Ressource(XII, 653 S.)
    Edition: 1st ed. 2020
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Filmuniversität Babelsberg KONRAD WOLF
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als Wuss, Peter, 1940 - Künstlerische Verfahren des Films aus psychologischer Sicht
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    Keywords: Motion pictures. ; Popular Culture. ; Mass media. ; Communication. ; Film ; Rezeptionsästhetik ; Psychologie ; Filmtheorie
    Abstract: Einführung in eine unübliche Betrachtung der Siebenten Kunst -- Umdenken in Ästhetik und Kunstwissenschaften -- Kognitionspsychologische Beschreibung filmischer Strukturen -- Filmisches Erzählen und seine kognitive Modellierung -- Zur Anwendung des Narrationsmodells -- Konflikt und Problemlösung -- Das Konflikt-Diskrepanz-Modell der Kino-Emotionen -- Figur und Vorstellung -- Narrative Spannung und Suspense -- Filmgenres -- Prinzip Hoffnung: Kino-Träume und ihre Utopie-Funktion -- Spiel in Realität, Filmhandlung und Erlebensprozess -- Spezifik des Mediums -- Zum Realitätseffekt des Spielfilms -- Gestaltungsmittel Bild, Ton und Montage unter dem Rezeptionsaspekt der Aufmerksamkeit -- Bild: Kamerablick und Aufmerksamkeit -- Montage und Aufmerksamkeits-Steuerung -- Über Wirkungsbesonderheiten der Plansequenz -- Stil als Priming -- Zusammenfassung. .
    Abstract: Gestaltungsweisen des Spielfilms werden danach befragt, welche ästhetische Funktion ihnen im Erlebensprozess des Zuschauers zukommen mag und wie man diese aus der Perspektive der Psychologie objektivierbar machen kann. Künstlerische Verfahren mit ihren differenzierten gestalterischen Lösungen im Bereich des Erzählens, der Konfliktdarstellung, Kameraführung und Montage, doch auch im Hinblick auf Medienspezifik, Stil und Genre, erfahren hierbei eine psychologische Interpretation, was zu Hypothesen hinführt, die eine empirische Erforschung der kognitiven, emotiven und imaginativen Wirkungsdimension des Films gestatten. Da bei dieser transdisziplinären Untersuchung, die sich explizit dem künstlerischen Ausdruckspotenzial des Mediums stellt, stets von einer Betrachtung konkreter Werke ausgegangen wird, ergeben sich für den Filminteressierten neben psychologisch fundierten Erklärungen zur Funktion bewährter Darstellungsweisen zahlreiche Einblicke in die Wirkungsstrategien innovativer Ausdrucksformen, die sich bisher der Analyse entzogen. Besonders gilt dies für künstlerische Verfahren, die seit Anbruch der Kino-Moderne vom europäischen Autorenfilm zur Anwendung gebracht werden und wichtige Erlebnisgehalte unterhalb der Bewusstheitsschwelle vermitteln bzw. Emotionen und Vorstellungen des Publikums auf neuartige Weise beeinflussen. Der Autor Dr. sc. Peter Wuss ist Professor emeritus der Filmuniversität Babelsberg Konrad Wolf. Er schrieb zahlreiche Fachaufsätze zur Ästhetik, Geschichte und Psychologie des Films und fünf Bücher, darunter Die Tiefenstruktur des Filmkunstwerks (1986; 1990), Filmanalyse und Psychologie (1993; 1990) sowie Cinematic Narration and its Psychological Impact: Functions of Cognition, Emotion and Play (2009). .
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  • 24
    ISBN: 9789048550463
    Language: English
    Pages: 1 Online-Ressource (267 Seiten)
    Series Statement: Cinema and technology
    Uniform Title: Inventer le cinéma. Épistémologie : problèmes, machines
    Parallel Title: Erscheint auch als Turquety, Benoît Inventing cinema
    DDC: 791
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    Keywords: Film ; Medien
    Abstract: With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? 'Inventing Cinema' proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, 'Inventing Cinema' argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history
    Note: Enthält Bibliografie und Index
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  • 25
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    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190229122 , 9780190229115 , 9780190933159
    Language: English
    Pages: 1 Online-Ressource (xxii, 483 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als The Oxford handbook of Canadian cinema
    DDC: 791.430971
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    Keywords: Motion pictures History ; Motion pictures, Canadian History and criticism ; Film ; Kanada ; Motion pictures ; Canada ; History ; Motion pictures, Canadian ; History and criticism ; Aufsatzsammlung ; Kanada ; Film ; Kanada ; Film ; Geschichte
    Abstract: The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. Canadian cinema increasingly finds its place within a broad conception of "screen cultures", which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada's presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed.
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  • 26
    Online Resource
    Online Resource
    Berlin : J.B. Metzler
    ISBN: 9783476046345
    Language: German
    Pages: 1 Online-Ressource (VIII, 326 Seiten)
    Series Statement: Springer eBooks
    Series Statement: J.B. Metzler Humanities
    Parallel Title: Erscheint auch als Bonnemann, Jens, 1970 - Filmtheorie
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    Keywords: Screen Studies ; Motion pictures and television ; Lehrbuch ; Filmtheorie ; Ästhetik ; Film ; Interpretation
    Abstract: Einleitung -- 1. Die filmische Mimesis von Bewusstseinsformen -- 2. Wiederentdeckung der Physiognomie von Mensch und Welt -- 3. Montage als (nicht nur) filmisches Grundprinzip der Kunst -- 4. Das technische Defizit des Filmbilds und künstlerisches Potenzial -- 5. Filmischer Realismus 1 -- 6. Filmischer Realismus 2 -- 7. Filmische Bedeutungsgenese -- 8. Die Taxonomie der Filmbilder -- 9. Gewöhnliche, philosophische und filmische Weltanschauung -- 10. Neoformalismus -- 11. Leibliche Filmwahrnehmung -- 12. Anhang: Literaturverzeichnis, Personenregister
    Abstract: Diese Einführung bietet einen Überblick über die wichtigsten Positionen der Filmtheorie von ihren Anfängen bis in die Gegenwart und schlägt einen Bogen von Hugo Münsterberg bis zu Vivian Sobchack. Die einzelnen Filmtheorien werden in chronologischer Reihenfolge vorgestellt, wobei ihre Hauptthesen, ihr Argumentationsaufbau wie auch ihre wechselseitigen Einflüsse und Abgrenzungen rekonstruiert werden. Inwiefern diese Ansätze dazu dienen können, das Verständnis von Filmen zu vertiefen, wird an konkreten Filmbeispielen gezeigt. Ein weiterer roter Faden innerhalb des Buchs ist der Vergleich mit Theorieangeboten aus der Bildtheorie und der philosophischen Ästhetik. Damit werden die jeweiligen Theoretiker in einen umfassenderen geistesgeschichtlichen Traditionsrahmen eingeordnet
    Note: Literaturangaben
    URL: Cover
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  • 27
    ISBN: 9789004411401
    Language: English
    Pages: 1 Online-Ressource (XIII, 321 Seiten) , Illustrationen
    Series Statement: Studies in religion and the arts 15
    Parallel Title: Erscheint auch als Scorsese and religion
    DDC: 791
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    Keywords: Aufsatzsammlung ; Scorsese, Martin 1942- ; Film ; Religion
    Abstract: Scorsese and Religion' concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese's interest in religion - namely, his relation to the Catholic Church - but it will also highlight the religious breadth of Scorsese's corpus. Ultimately, this book demonstrates that Scorsese's cinematic "re-presentation" of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his "whole life" had been "movies and religion," cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art
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  • 28
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    Online Resource
    Stuttgart :J.B. Metzler Verlag,
    ISBN: 978-3-476-05449-4
    Language: German
    Pages: 1 Online-Ressource (VIII, 396 Seiten) : , Illustrationen, Diagramme.
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Cultural and Media Studies, general ; Culture-Study and teaching ; Landleben. ; Dorf. ; Geschichte. ; Soziologie. ; Wirtschaft. ; Kultur. ; Dorf ; Landleben ; Literatur. ; Film. ; Ländliche Siedlung. ; Sozioökonomischer Wandel. ; Aufsatzsammlung ; Handbuch ; Aufsatzsammlung ; Aufsatzsammlung ; Landleben ; Dorf ; Geschichte ; Soziologie ; Wirtschaft ; Kultur ; Dorf ; Landleben ; Literatur ; Film ; Ländliche Siedlung ; Dorf ; Landleben ; Dorf ; Sozioökonomischer Wandel
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    ISBN: 9783476047656
    Language: German
    Pages: 1 Online-Ressource (VIII, 293 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Cultural and Media Studies, general ; Culture-Study and teaching ; Unterricht ; Film ; Mediendidaktik ; Einführung ; Lehrbuch ; Einführung ; Lehrbuch ; Lehrbuch ; Einführung ; Lehrbuch ; Einführung ; Mediendidaktik ; Film ; Film ; Unterricht
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 978-3-8376-4208-7
    Language: English
    Pages: 291 Seiten : , Illustrationen.
    Series Statement: Image Volume 129
    Series Statement: Image
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität der Künste Berlin
    DDC: 302.2343
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    Keywords: Europäische Union. ; Übereinkommen zur Durchführung des Übereinkommens von Schengen ; Dokumentarfilm. ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung. ; Migration. ; Flüchtling. ; Grenze. ; Auswanderung. ; Grenzschutz. ; Europa. ; Afrika. ; Border ; Documentary Film ; Visuality ; Film ; Image ; Political Art ; Refugee Studies ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Dokumentarfilm ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung ; Dokumentarfilm ; Übereinkommen zur Durchführung des Übereinkommens von Schengen 1990 Juni 19 ; Migration ; Flüchtling ; Grenze ; Auswanderung ; Grenzschutz ; Illegale Einwanderung
    Note: Filmografie Seite 265-266. - Literaturverzeichnis Seite 267-291
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  • 31
    ISBN: 1509511989 , 9781509511983
    Language: English
    Pages: xi, 744 Seiten, 32 ungezählte Seiten , Illustrationen
    Uniform Title: Lévi-Strauss
    DDC: 305.80092
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    Keywords: Lévi-Strauss, Claude ; Anthropologists Biography ; Anthropologists ; Lévy-Strauss, Claude ; Biografie ; Biografie ; Biografie ; Lévi-Strauss, Claude 1908-2009 ; Lévi-Strauss, Claude 1908-2009 ; Anthropologe ; Frankreich
    Note: Bibliografie Claude Lévi-Strauss: Seite 702 , Mit Register
    URL: Cover
    URL: Cover
    URL: Cover
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  • 32
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048532179
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Series Statement: Knowledge communities
    Uniform Title: Screening sanctity: modern visual theory and divine visions in thirteenth-century female saints’ lives from the Low Countries
    Dissertation note: Dissertation University College London (UCL) 2014
    DDC: 791.43/682
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    Keywords: Saints in motion pictures ; Middle Ages in motion pictures ; Hagiography ; Motion pictures History 20th century ; Motion pictures History 21st century ; History ; History ; Electronic books ; Hochschulschrift ; Heiligenbild ; Vision ; Mystik ; Visuelle Wahrnehmung ; Film
    Abstract: The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 33
    ISBN: 3837643425 , 9783837643428
    Language: German , English
    Pages: 263 Seiten , Illustrationen , 23 cm
    Series Statement: Edition Kulturwissenschaft Band 173
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Knopf, Eva Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    DDC: 025.21
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Archiv ; Museum ; Entkolonialisierung ; Künste ; Intervention ; Archiv ; Museum ; Antikolonialismus ; Geschichte 2017 ; Museumskunde ; Antikolonialismus ; Kunst ; Film ; Design ; Archiv ; Antikolonialismus ; Kulturwissenschaften ; Archivkunde ; Postkolonialismus
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
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  • 34
    ISBN: 9783110591217 , 9783110590036
    Language: English
    Pages: 1 Online-Ressource (VII, 413 Seiten) , Illustrationen
    Series Statement: Culture & Conflict volume 12
    Parallel Title: Erscheint auch als The enemy in contemporary film
    DDC: 791.43653
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    Keywords: Enemies in motion pictures ; Aufsatzsammlung ; Feind ; Film ; Geschichte 1970-2017
    Abstract: "The Enemy in Contemporary Film analyses the (de-) and (re)constructions of enemy images in international film since the 1970s. Contexts and conceptions range from military conflict to dictatorship, collaboration, the war on drugs and ethno-cultural groups as 'enemy'. In particular, the essays collected in this volume concentrate on the impact which filmically mediated images of the 'enemy' have had on national cultural memories"--
    Abstract: New enemies, new cold wars: reimagining occupation and military conflict in Norway / Gunnar Iversen -- A murky business: the post-Soviet enemy / Angela Brintlinger -- Of monsters and men: forms of evil in war films / Holger Pözsch -- The domestic enemy in British TV documentaries on the Iraq War / Janet Harris -- Britains Muslims as the enemy within in contemporary British Cinema / Maryam Jameela -- (Re)Framing the disembodied public enemy: the war on drugs in contemporary narrative screen media / Florian Zappe -- From Ivan to Andreij: The Red Army in German Film and TV / Petra Rau -- Enemies within: reimagining the fallen women of World War II in Finnish contemporary documentary / Niina Oisalo -- The collaborator as enemy during the French Occupation in (auto-)biographical and post-memory cinema / Caroline Perret -- False idyll: Siris L'Ennemi intime / Noah McLaughlin -- Femme, je ne vous aime pas : The Enemy Within in Joachim Lafosses A perdre la raison / Marcelline Block -- The past as enemy in Argentine cinema, 1983-2000 / Mario Ranalletti -- Who attacked whom? the year 1981 in twenty-first century Polish feature films / Maria Kobielska -- Redefining the enemy in contemporary Australian Anzac cinema / Daniel Reynaud -- The fading of enemy images in contemporary Latvian cinema / Andrejs Plakans and Vita Zelc̆e -- Looking for an invisible enemy in Israeli film / Francesca de Lucia -- Bonds across borders: a fictional enemy in motion on the Israeli screen / Miri Talmon -- Bosnia beyond good and evil: (de)constructing the enemy in Western and post-Yugoslav films about the 1992-1995 War / Stephen Harper -- Forbidden bonding at the time of the war on terror: the enemy as friend in Camp X-Ray and Boys of Abu Ghraib / Martin Löschnigg -- Lost pasts and unseen enemies: the Pacific War in recent Japanese films / Jonathan Rayner
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  • 35
    ISBN: 9783476043290
    Language: German
    Pages: 1 Online-Ressource (VIII, 264 S. 92 Abb., 60 Abb. in Farbe)
    Edition: 4., aktualisierte und erweiterte Auflage
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Culture Study and teaching ; Landeskunde ; Frankreich ; Einführung ; Einführung ; Einführung ; Einführung ; Einführung ; Frankreich ; Landeskunde
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  • 36
    ISBN: 9783658179977
    Language: German
    Pages: Online-Ressource (XI, 363 S. 4 Abb, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
    Parallel Title: Erscheint auch als Transparency and funding of public service media - die deutsche Debatte im internationalen Kontext
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    Keywords: Rundfunksender ; Rundfunkfinanzierung ; Transparenz ; Deutschland ; Österreich ; Niederlande ; Flandern ; Frankreich ; Großbritannien ; Irland ; Dänemark ; Finnland ; Israel ; Australien ; Neuseeland ; Kanada ; USA ; Südafrika ; Political science ; Mass media ; Political Science and International Relations ; Political communication ; Communication ; Sociology ; Political science ; Political communication ; Communication ; Sociology ; Mass media ; Aufsatzsammlung ; Deutschland ; Öffentlich-rechtlicher Rundfunk ; Öffentliche Dienstleistung ; Medienangebot ; Rundfunkfinanzierung ; Transparenz ; Internationaler Vergleich
    Abstract: Einleitung -- Transparenz und Finanzierung öffentlich-rechtlicher Medien -- Internationale Entwicklungen -- Transparenz und Finanzierung öffentlich-rechtlicher Medien in Deutschland.
    Abstract: Durch ihren öffentlichen Auftrag und die Finanzierung durch die Haushaltsabgabe stehen ARD, ZDF und das Deutschlandradio unter einem besonderen Legitimations- und Rechtfertigungsdruck. Dabei rücken Forderungen nach transparenteren Finanz- und Gremienstrukturen der Sendeanstalten zunehmend in den Vordergrund. Neben der deutschen Debatte reflektiert der Band in 14 Länderfallstudien Entwicklungen und Diskussionen um die Zukunft der Finanzierung öffentlich-rechtlicher Medien und verbindet dabei medienpolitische Forschung und Praxis. This significant book explores debates and issues driving efforts for greater transparency in public service broadcasters about their revenues and expenditures and clarity about the nature and uses of state aid. The volume is set within the context of German debates, but informs that discourse with chapters exploring similar initiatives and discussions in other countries. It is a unique book in which the international debates are addressed in English and the German debate in German for clarity, precision, and depth. This is a useful addition to a growing body of literature on the financial aspects and effects of public service broadcasters. Professor Robert G. Picard, Reuters Institute, University of Oxford Der Inhalt Einleitung · Transparenz und Finanzierung öffentlich-rechtlicher Medien · Internationale Entwicklungen · Transparenz und Finanzierung öffentlichrechtlicher Medien in Deutschland Die Herausgeber Dr. Christian Herzog ist Lecturer am Department of Media and Communication der Erasmus University Rotterdam. Heiko Hilker ist Geschäftsführer des Dresdner Instituts für Medien, Bildung und Beratung (DIMBB). Dr. Leonard Novy ist Mitglied der Institutsleitung am Institut für Medien- und Kommunikationspolitik (IfM) in Köln. Orkan Torun ist Fellow am IfM.
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  • 37
    ISBN: 9783476055477
    Language: German
    Pages: Online-Ressource (X, 526 S. 160 Abb., 41 Abb. in Farbe, online resource)
    Edition: 1
    Edition: Springer eBook Collection. J.B. Metzler Humanities
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Erscheint auch als Hartwig, Susanne, 1969 - Einführung in die Literatur- und Kulturwissenschaft Lateinamerikas
    Parallel Title: Printed edition
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    Keywords: Literature ; Ethnology Latin America ; Ethnology Latin America ; Literature ; Kulturgeschichte ; Literaturgeschichte ; Literatur ; Literaturwissenschaft ; Kulturwissenschaft ; Gesellschaft ; Literaturgeschichte Historische Epochen ; Film ; Internationale Kulturbeziehungen ; Kulturimperialismus ; Mythos ; Kolonialismus ; Kalter Krieg (Ost-West-Konflikt) ; Postkolonialismus ; Lehrbuch ; Hispanoamerika ; Literatur ; Kultur ; Geschichte
    Abstract: Dieser Band bietet eine umfassende Einführung in die Literatur und Kultur Lateinamerikas (mit dem Schwerpunkt Hispanoamerika) und zeigt die engen Wechselwirkungen zwischen Literatur und Kulturtheorien. Er stellt die Epochen der lateinamerikanischen Literatur von den präkolumbischen Texten bis zum Kino vor und gewährt dabei immer auch Ausblicke auf Brasilien. Umfangreiche Kapitel präsentieren kulturwissenschaftliche Ansätze anhand der Leitdifferenzen "Eigenes und Fremdes", "Vergangenheit und Gegenwart" sowie "Dominanz und Marginalisierung", die von Identitätsfragen bis zur cultura popular der Telenovela und des Comics reichen. - Mit Kästen zur Vertiefung ausgewählter Themen, Musterinterpretationen, zahlreichen Abbildungen und einem umfangreichen Download-Angebot
    Abstract: 1. Ansätze und grundlegende Fragestellungen -- 2. Lateinamerikanische Literaturen -- 2. Schwerpunkte lateinamerikanischer Kulturwissenschaft -- 4. Service-Teil
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  • 38
    ISBN: 9783518427705 , 3518427709
    Language: German
    Pages: 1088 Seiten , Illustrationen, Karten
    Edition: Erste Auflage
    Uniform Title: Lévi-Strauss
    Parallel Title: Erscheint auch als
    DDC: 220
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    Keywords: Lévi-Strauss, Claude ; Strukturalismus ; Biographie ; prix Femina essai ; Frankreich ; Buchmessenschwerpunkt ; Anthropologie ; Ethnologie ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Biografie ; Lévi-Strauss, Claude 1908-2009
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  • 39
    AV-Medium
    AV-Medium
    [Paris] : Éditions Montparnasse
    Show associated volumes/articles
    Language: French
    Pages: 10 DVD-Videos (15 h 32 min) , schwarz-weiß, farbig, Mono, Stereo, Ländercode 2, PAL, DVD 9, DVD 5 , 12 cm
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    Keywords: Film ; DVD-Video
    Note: Bildformat: 4/3, 16/9 , Enthält: Ethnofictions (DVD 1-3): DVD 1: Babatu : les 3 conseils (1973-76, 96 min). DVD 2: Zomo et ses frères (1975, 19 min). Cousin, cousines (1985-87, 32 min). Damouré parle du sida (1991-92, 10 min). DVD 3: Moi fatigué debout, moi couché (1996-97, 87 min). Rituels traditionnels et modernes (DVD 4-7): DVD 4: Hampi : le ciel est posé sur la terre (1960-62, 23 min). Yenendi de Ganghel : le village foudroyé (1968, 36 min). Pam Kuso Kar : briser les poteries de Pam (1974, 13 min). Horendi (1972, 72 min). DVD 5: Batteries Dogon : éléments pour une étude de rythmes (1964-66, 28 min). Funérailles à Bongo : le vieil Anaï, 1848-1971 (1970-79, 70 min). DVD 6: Germaine chez elle (1994, 35 min). Hommage à Marcel Mauss : Germaine Dieterlen (1977, 27 min). Germaine et ses copains (1996, 16 min). DVD 7: Fêtes du Niger, décembre 1961 : fêtes commémoratives de l'indépendance de la république (1961-62, 33 min), L'Afrique et la recherche scientifique (1960-64, 31 min). Monsieur Albert, prophète (1962-63, 24 min). La Goumbé des jeunes noceurs (1964-65, 28 min). Promenades et portraits (DVD 8-10): DVD 8: La punition ou les mauvaises rencontres (1960-63, 64 min). Faire-part : Musée Henri Langlois - Cinémathèque Française (8 juilliet 1997) (1997, 53 min). DVD 9: Hampaté Bâ (1984, 45 min). Ciné-portrait de Stanislas Adotevi (1978, 10 min). Hommage à Marcel Mauss : Taro Okamato (1974, 17 min). DVD 10: Isaphan : lettre persane (1977, 40 min). Ciné-portrait de Raymond Depardon par Jean Rouch et réciproquement (1983, 12 min). Ciné-portrait de Bill Witney (1986, 11 min)
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  • 40
    Online Resource
    Online Resource
    Ithaca and London : Cornell University Press
    ISBN: 080142660X , 0801499542 , 9781501705410 , 1501705415
    Language: English
    Pages: 1 Online-Ressource (ix, 270 Seiten)
    Parallel Title: Erscheint auch als Dean, Carolyn J., 1960 - The self and its pleasures
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    Keywords: Lacan, Jacques ; Bataille, Georges ; Lacan, Jacques ; Bataille, Georges ; Masochism History ; Criminal psychology History ; Self History 20th century ; Self (Philosophy) History 20th century ; Self History, 20th century. ; Self (Philosophy) History, 20th century. ; Masochism History. ; Criminal psychology History. ; Masochism ; Criminal psychology ; Self ; Self (Philosophy) ; Bataille, Georges ; 1897-1962 ; Lacan, Jacques ; 1901-1981 ; Criminal psychology ; History ; Masochism ; History ; Self (Philosophy) ; History ; 20th century ; Self ; History ; 20th century ; France ; Intellectual life ; 20th century ; France Intellectual life 20th century ; France Intellectual life, 20th century. ; France ; Frankreich ; Poststrukturalismus ; Selbst ; Psychoanalyse
    Abstract: Why did France spawn the radical poststructuralist rejection of the humanist concept of 'man' as a rational, knowing subject? In this innovative cultural history, Carolyn J. Dean sheds light on the origins of poststructuralist thought, paying particular attention to the reinterpretation of the self by Jacques Lacan, Georges Bataille, and other French thinkers. Arguing that the widely shared belief that the boundaries between self and other had disappeared during the Great War helps explain the genesis of the new concept of the self, Dean examines an array of evidence from medical texts and literary works alike. The Self and Its Pleasures offers a pathbreaking understanding of the boundaries between theory and history
    Abstract: Introduction -- Part one. Psychoanalysis and the self : introduction -- 1. The legal status of the irrational -- 2. Gender complexes -- 3. Sight unseen (reading the unconscious) -- Part two. Sade's selflessness : introduction -- 4. The virtue of crime -- 5. The pleasure of pain -- Part three. Headlessness : introduction -- 6. Writing and crime -- 7. Returning to the scene of the crime -- Conclusion
    Description / Table of Contents: Literaturverz. S. 253 - 263
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  • 41
    ISBN: 9783531942124
    Language: German
    Pages: Online-Ressource (VI, 283 S. 31 Abb., 26 Abb. in Farbe, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Special Effects in der Wahrnehmung des Publikums
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    Keywords: Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Social Sciences ; Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Aufsatzsammlung ; Spezialeffekt ; Film ; Computerspiel ; Rezeption ; Rezeptionsästhetik
    Abstract: Die film- und medienwissenschaftliche Diskussion zum Thema Special Effects wird bisher von Fragen nach der Produktionsweise und technischen Realisierbarkeit dominiert. Im Rahmen einer derart technik- und produktionszentrierten Herangehensweise an das Phänomen bleibt das Verständnis der kulturellen Bedeutung von Special Effects in Film, Fernsehen und digitalen Unterhaltungsmedien auf die Ebene der industriellen Möglichkeitsbedingungen ästhetischer Erfahrung reduziert. Selten wird in diesem Zusammenhang danach gefragt, welche „Effekte“ die Verwendung von Special Effects im individuellen Wahrnehmungsakt herstellen und was sie in den Augen des Publikums tatsächlich so „speziell“ erscheinen lässt. Der Sammelband korrigiert die Vernachlässigung dieser Fragen, indem er theoretische Grundlagentexte zu einer Wirkungsästhetik der Special Effects versammelt und mit konkreten Fallstudien zur kulturellen Wahrnehmung und empirischen Publikumsrezeption in verschiedenen Mediengattungen vom Kinofilm bis hin zu Internet-Videos und Computerspielen verbindet. Der Inhalt Theoretische Grundlagen.- Analysen und Fallstudien Die Zielgruppen Dozierende und Studierende der Filmwissenschaft Fachpublikum aus der Medienwissenschaft und der Filmproduktion Der Herausgeber Dr. Michael Wedel ist Professor für Mediengeschichte im digitalen Zeitalter an der Filmuniversität Babelsberg KONRAD WOLF
    Abstract: Theoretische Grundlagen: Méliès/Metz. Zur Theorie des Filmtricks.-Der ultimative Trip. Special Effects und kaleidoskopische Wahrnehmung -- Wahre Lügen. Perzeptiver Realimus, digitale Bilder und die Filmtheorie -- Kombinieren. Über Spezialeffekte zur Frage, was (digitaler) Film ist -- Wag the Film. Wirkstrategien computergestützter Bildmanipulation im Kinofilm -- Zeigen und Verbergen. Der doppelte Gestus digitaler Visual Effects -- Staunen - Faszination - Bewunderung. Zum emotionalen Erleben von Special Effects im Spielfilm -- Multiple Welten. Zur Attraktivität visueller Effekte für ein globales Publikum -- Analysen und Fallstudien: Der Mythos des Bonnie-and-Clyde-Schocks.Über Funktion und Rezeption von Zeitlupensequenzen -- Die Verortung des Zuschauers.Die akustische Dimension der Splitscreen -- Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey -- Click and Snap. Special Effects als Meta-Politik des Komischen -- Computervisualisierte Figuren als filmische Innovation -- Die Publikumsakzeptanz von Digital 3D.-Effekteinsatz im Fanfilm.-In-Sight the Game. Involvierungsprozesse und Visual Effects in Computerspielen
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  • 42
    ISBN: 9781474411448 , 9781474411431
    Language: English
    Pages: 1 Online-Ressource (xi, 298 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Adaptation: Russian Text into Film (Veranstaltung : 2013 : Columbus, Ohio) Border crossing
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    Keywords: Emigration and immigration in motion pictures ; Russian literature Film adaptations ; Emigration and immigration in literature ; Film adaptations ; Film theory & criticism ; Konferenzschrift 2013 ; Electronic books ; Russisch ; Literatur ; Film
    Abstract: Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings
    Abstract: Machine generated contents note: -- 1. -- Across the Russian Border / -- Thomas Leitch -- 2. -- Dostoevskii's "White Nights": The Dreamer Goes Abroad / -- Ronald Meyer -- 3. -- On Not Showing Dostoevskii's Work: Robert Bresson's Pickpocket / -- Olga Peters Hasty -- 4. -- Stealing the Scene: Crime as Confession in Robert Bresson's Pickpocket / -- S. Ceilidh Orr -- 5. -- The Eye-deology of Trauma: Killing Anna Karenina Softly / -- Yuri Leving -- 6. -- "A Vicious Circle": Karen Shakhnazarov's Ward no. 6 / -- Alexander Burry -- 7. -- A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences / -- Frederick H. White -- 8. -- Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe / -- Alastair Renfrew -- 9. -- Chasing the Wealth: The Americanization of Il'f and Petrov's The Twelve Chairs / -- Robert Mulcahy -- 10. -- Fassbinder's Nabokov -- From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment / -- Dennis Ioffe -- 11. -- "The Soviet Abroad (That We Lost)": The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen / -- Otto Boele
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  • 43
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199338634
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 791.43/6
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    Keywords: Dance in motion pictures, television, etc ; Dance in motion pictures, television, etc ; Tanz ; Film ; Video ; Performance
    Abstract: The Oxford Handbook of Screendance Studies offers a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; and production and curatorial practice.
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  • 44
    ISBN: 9783593505664 , 3593505665
    Language: German
    Pages: 304 Seiten , 22 cm
    Series Statement: Normative orders Band 16
    Series Statement: Normative orders
    Parallel Title: Erscheint auch als Rechtfertigungsnarrative: Terror und Krieg im Kino (Veranstaltung : 2014 : Frankfurt am Main) Erzählungen und Gegenerzählungen
    DDC: 791.436581
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    Keywords: Konferenzschrift 2014 ; Terrorismus ; Golfkrieg ; USA ; Film ; Fernsehsendung ; Krieg ; Film ; Erzähltechnik
    Note: Beiträge des Workshops "Rechtfertigungsnarrative: Terror und Krieg im Kino" 2014 in Frankfurt am Main - Vorwort Seite 15
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  • 45
    Online Resource
    Online Resource
    Frankfurt am Main : Peter Lang Edition | Berlin : Knowledge Unlatched
    ISBN: 9783653059625 , 3653059623
    Language: English
    Pages: 1 Online-Ressource (169 Seiten)
    Series Statement: Approaches to literary phantasy volume 9
    Series Statement: Approaches to literary phantasy
    Parallel Title: Erscheint auch als Ghosts -- or the (nearly) invisible
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    Keywords: Supernatural in literature ; Ghosts in literature ; Ghosts in motion pictures ; Future life in literature ; Ghosts ; Ghost stories History and criticism ; Konferenzschrift 2015 ; Electronic books ; Geister ; Gespenst ; Literatur ; Film
    Abstract: This collection of articles looks at ghost stories ranging from the Middle Ages to contemporary movies from different perspectives, both interdisciplinary and international. Spectral phenomena from Antarctic literature to Haitian Voodoo, Russian poetry to Irish novels are discussed in relation to their places in history and the media.
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  • 46
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137557988
    Language: English
    Pages: Online-Ressource (XIII, 118 p. 21 illus., 14 illus. in color, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg.
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    Keywords: Sex (Psychology) ; Gender expression ; Gender identity ; Linguistics ; Sociolinguistics ; Discourse analysis ; Corpora (Linguistics) ; Medicine ; Health ; Sociology ; Cultural studies ; Linguistics ; Sociolinguistics ; Discourse analysis ; Corpora (Linguistics) ; Medicine ; Health ; Sociology ; Cultural studies ; Sex (Psychology) ; Gender expression ; Gender identity ; Frankreich ; Großbritannien ; Kosmetikindustrie ; Werbesprache ; Feminismus
    Abstract: - Chapter 1: Beauty advertising in a cross-cultural context -- Chapter 2: Language, gender, and advertising -- Chapter 3: Problems and Solutions: Pursuing the youthful, ideal body -- Chapter 4: Femininity as a sensual identity -- Chapter 5: Scientised beauty advertising discourse: with peptides or paraben-free? -- Chapter 6: The case for Feminist Critical Discourse Analysis.
    Abstract: This book offers a cross-cultural comparison of French and British cosmetics advertisements and explores how the discourse of beauty advertising represents ideas about femininity in French and English language contexts. As the global beauty industry expands and consumers become more critical of the claims made, the topic of cosmetics advertising discourse is examined using Feminist Critical Discourse Analysis. One common theme underlying most cosmetics advertising discourse is that the female body always requires ‘work’ to fix its ‘problems’: flat skin, dry hair, and so on. The author uses themes of language and gender, media and identity, and advertising across cultures to expose exactly what is going on in the language of cosmetics advertising and to offer a first step towards challenging these ideas and thinking about alternatives. Helen Ringrow is Lecturer in Communication Studies and Applied Linguistics at the University of Portsmouth, UK. Prior to this, she completed her PhD in Linguistics at Queen’s University Belfast, Northern Ireland, where she also contributed to undergraduate teaching on language and power.
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  • 47
    ISBN: 9781474402910
    Language: English
    Parallel Title: Erscheint auch als Kerner, Aaron, 1972 - Extreme cinema
    DDC: 791.43/655
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    Keywords: Violence in motion pictures ; Sex in motion pictures ; Motion pictures History ; Film ; Gewalt ; Erotik
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  • 48
    Online Resource
    Online Resource
    New York : Berghahn Books | [Berlin] : BiblioLabs
    ISBN: 9781789204681 , 9781789204643
    Language: English
    Pages: 1 Online-Ressource
    DDC: 791.436
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    Keywords: Geschichte 1967-1976 ; Film ; Umwelt ; Ecocriticism ; Los Angeles- Hollywood ; Electronic books
    Abstract: In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history
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  • 49
    Online Resource
    Online Resource
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc | The Hague : OAPEN Foundation
    ISBN: 9781501311628 , 9781501311635
    Language: English
    Pages: 1 Online-Ressource (viii, 198 Seiten)
    Edition: [The Hague] OAPEN
    Series Statement: Knowledge Unlatched Round 2
    Series Statement: Media and communications
    Parallel Title: Print version McKittrick, Casey Hitchcock's Appetites : The Corpulent Plots of Desire and Dread
    DDC: 791.4302/33092#23
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    Keywords: Electronic books ; Electronic books ; Hitchcock, Alfred 1899-1980 ; Körpergewicht ; Film
    Abstract: Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- Why appetites? -- Why Hitchcock? -- Hitchcock studies and fat studies: An interdisciplinary repulsion? -- Hitchcock, f eminism, and e mbodiment -- How Hitchcock ' s body matters -- The genius of tall, thin, and handsome -- Chapter 1 Hitchcock ' s Hollywood diet -- The makings of a media giant -- The arrival of the " 300-Pound Prophet " -- Selznick ' s fat commodity -- Chapter 2 The Hitchcock cameo: Fat self-fashioning and cinematic belonging
    Abstract: " The Real Me (The Thin One) " : Another origin story of the cameo -- The (Meso) textual play of the cameo: Blackmail, Shadow of a Doubt, Lifeboat, Stage Fright -- A typology of the Hitchcock cameo -- Chapter 3 The pleasures and pangs of Hitchcockian consumption -- Screening the revolting body -- The poetics of potables -- " Drink It Down " : An Hitchcockian imperative -- Lactose and intolerance: The poisonous meanings of milk -- Hitchcockian consumption and the carnivalesque -- Food, sex, murder: The Hitchcockian trinity of pleasure -- Hitchcock and the signifying food chain
    Abstract: Chapter 4 Appetite and temporality in Rear Window : Another aspect of voyeurism -- An eye for a stomach: The instructive case of Miss Torso -- Framing the Eat, Drink, and Be Merry Girl -- The problem of fit: Imagining change, growth, and proportion -- When seeing is not believing -- " I want no part of her " : Women and the comedy of corporeal errors -- Time, change, and ambivalence -- Chapter 5 Childhood and the challenge of fat masculinity -- " You ' ll outgrow it " : Hitchcock ' s youth -- Suffer little children : Hitchcock and cinematic childhood
    Abstract: Loss, danger, absence: The semiotics of Hitchcock ' s filmic children -- The Wrong Man and the appetites of Cain and Abel -- Chapter 6 Hitchcock and the queer lens of fatness -- Hitchcock and the fat closet -- A sense of sex: Queer romance in Hitchcock ' s cinema -- Cinematic vicarity: Surrogate versus prosthetic identification -- The Tickles: Subjectivities without bodies -- Epilogue -- Notes -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Enhanced Filmography -- Bibliography -- Index
    Note: Der Titel ist Teil des Projekts Knowledge Unlatched, Round2 Pre-Unlatch
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  • 50
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137576514
    Language: English
    Pages: 1 Online-Ressource (XXI, 285 p. 40 illus., 9 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; Motion pictures History ; Filmwirtschaft ; Film ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Film ; Filmwirtschaft ; Geschichte
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  • 51
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783531190808 , 3531190806
    Language: German
    Pages: 1 Online-Ressource (VII, 435 Seiten) , 163 Abb., 21 Abb. in Farbe.
    Edition: 1st ed. 2016
    Series Statement: Film, Fernsehen, Neue Medien
    Parallel Title: Erscheint auch als Hesse, Christoph Filmstile
    DDC: 302.23
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    Keywords: Geschichte ; Film ; Filmgenre ; Stil ; Mass media ; Performing arts ; Theater ; Media Sociology ; Theatre and Performance Arts
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    URL: Cover
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  • 52
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137496331
    Language: English
    Pages: 1 Online-Ressource (xxviii, 289 Seiten) , Illustrationen
    Parallel Title: Print version Gruner, Oliver Screening the Sixties : Hollywood Cinema and the Politics of Memory
    Parallel Title: Erscheint auch als Gruner, Oliver Screening the sixties
    DDC: 301
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    Keywords: Motion pictures ; Motion pictures United States ; History ; Politics in motion pictures 20th century ; Electronic books ; Motion pictures ; Nineteen sixties ; Politics in motion pictures ; Electronic books ; Los Angeles- Hollywood ; Film ; Politik ; USA ; Geschichte 1960-1974
    Abstract: Acknowledgements -- Contents -- List of Figures -- Introduction -- Welcome to the Sixties -- Notes -- Chapter 1: Mourning the Age of Aquarius -- 'Where Do I Go?' Writing the Sixties in the 1970s -- Out of Time: Coming Home from Script to Screen -- A New Dawn: Hair from Script to Screen -- Lights Out on the Counterculture: The Rose from Script to Screen -- Coda: The End of the Sixties? -- Notes -- Chapter 2: Bringing Them All Back Home -- 'The Only Marxist I Ever Met with a Hairdryer': Into the 1980s with The Big Chill -- Tracks of Their Tears: The Big Chill from Script to Screen
    Abstract: 'Go Out There and Make a Difference': Running on Empty, Field of Dreams and Sneakers -- Dancing to Beethoven: Running on Empty from Script to Screen -- 'The Man Is Very Sick': Field of Dreams from Script to Screen -- Reawakening the Sixties: Sneakers from Script to Screen -- Coda: 'We All Died. Some of Us Just Came Back' -- Notes -- CHAPTER 3: Go Away and Find Yourself -- Backlash and Beyond: Writing Dirty Dancing -- 'There Are a Lot of Things About Me That Aren't What You Thought': Dirty Dancing from Script to Screen -- From the 'City of Hate' to a New Frontier: Writing Love Field
    Abstract: The First Lady: Love Field from Script to Screen -- Coda: All the Way with JFK? -- Notes -- Chapter 4: Something's Happening Here -- What Rough Beast?: Oliver Stone and the Sixties -- The Ceremony Begins: The Doors from Script to Screen -- 'That's All I Have to Say About That': Writing Forrest Gump -- Forrest Gump from Script to Screen -- Coda: On the Eve of Destruction -- Notes -- Chapter 5: Come Together -- Marching with Dr King: Remember the Titans Remembers the Sixties -- A Race Man and a Family Man: Remember the Titans from Script to Screen
    Abstract: 'A Call to Arms for Liberal America': Bobby and Across the Universe -- Bobby and Across the Universe from Script to Screen -- Coda: And in the End -- Notes -- Chapter 6: A Change Has Come -- A New Civil Rights Sixties -- Breaking with the Past: The Help and The Butler from Script to Screen -- Coda: Revisiting the Sixties -- Notes -- Chapter 7: More Funk In The Trunk -- Notes -- Bibliography -- Scripts Consulted -- Index
    Note: Description based upon print version of record
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  • 53
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137522801
    Language: English
    Pages: 1 Online-Ressource (XXXIV, 290 p. 29 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; History ; Film ; Kulturerbe ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Kulturerbe ; Film ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137551603
    Language: English
    Pages: 1 Online-Ressource (XIII, 224 p. 10 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Geschichte 2001-2010 ; Culture Study and teaching ; Ethnology Asia ; Motion pictures Asia ; Film genres ; Interkulturalität ; Filmmarkt ; Globalisierung ; Kulturelle Identität ; Film ; Filmproduktion ; Japan ; Japan ; Film ; Kulturelle Identität ; Interkulturalität ; Geschichte 2001-2010 ; Japan ; Filmproduktion ; Filmmarkt ; Globalisierung
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  • 55
    ISBN: 9781137439550
    Language: English
    Pages: 1 Online-Ressource (XX, 314 p. 24 illus. in color)
    Series Statement: Contemporary Performance InterActions
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als Post-conflict performance, film and visual arts
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    Keywords: Culture Study and teaching ; Performing arts ; Historiography ; Culture Study and teaching ; Performing arts ; Historiography ; Postwar reconstruction Social aspects ; War and civilization ; War in art ; Europa ; Naher Osten ; Afrika ; Stadt ; Nachkriegszeit ; Film ; Kollektives Gedächtnis
    Abstract: Drawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering
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  • 56
    ISBN: 9781137388926
    Language: English
    Pages: 1 Online-Ressource (X, 219 p)
    Series Statement: Global Cinema
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Motion pictures—History. ; Motion pictures and television. ; Social groups. ; Family. ; Sociology. ; Civilization—History. ; Childhood. ; Adolescence. ; Science ; Film ; Mädchen ; Junge Frau
    Abstract: From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic and historical accounts of cinematic cultures and girlhood.From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation t
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  • 57
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137599995
    Language: English
    Pages: 1 Online-Ressource (X, 211 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Jack the Ripper ; Rezeption ; Film ; Kultur
    Abstract: In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen
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  • 58
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137555984
    Language: English
    Pages: 1 Online-Ressource (X, 192 p. 20 illus., 1 illus. in color)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Sex (Psychology) ; Gender expression ; Gender identity ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Culture Study and teaching ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Film ; Fernsehserie ; Lesbische Orientierung
    Abstract: This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television’s first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as ‘a passing phase.’ In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded
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  • 59
    ISBN: 9781137529398
    Language: English
    Pages: 1 Online-Ressource (XVII, 233 p. 15 illus. in color)
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Motion pictures ; Motion pictures. ; Mittlerer Osten ; Nordafrika ; Film ; Kultur ; Produktpiraterie
    Abstract: This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible
    Abstract: Acknowledgments -- Introduction -- Like Water: On the Reconfigurations of the Cinema in the Age of Digital Networks (Malte Hagener, Vinzenz Hediger, Alena Strohmaier) -- I. Informal Economies: Promises and Threats of Dissemination Technologies -- Venice to Go: Digital Circulation and the Value of Cultural In/difference in Film (Vinzenz Hediger) -- Arab Storytelling in the Digital Age: From Musalsalat to Web Drama? (Alexandra Buccianti) -- Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding (Patricia Caillé) -- II. Informal Networks: National-Regional-Global Nexus -- The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction (Jamal Bahmad) -- Watching the Forbidden: Reception of Banned Films in Iran (Zeydabadi-Nejad) -- Why Sories Matter: Jafar Panahi and the Contours of Cinema (Alena Strohmaier) -- Informal Translation, Post-Cinema and Global Media Flows (Tessa Dwyer and Ramon Lobato) -- III. Informal Aesthetics: Reshaping Cine-Cultures -- Post-Cinematic Distribution Flows. Alternative Content, Sports Films and the (In)stability of the Multiplex Market (Florian Hoof) -- Distributing Moving Image Art After Digitization (Erika Balsom) -- Cinephilia and Film Culture in the Age of Digital Networks (Malte Hagener) -- The Secret Lives of Images (Marc Siegel) -- Interview with Kevin B. Lee -- Index
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  • 60
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    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137583741
    Language: English
    Pages: 1 Online-Ressource (XIII, 260 p. 12 illus., 11 illus. in color)
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Motion pictures. ; Motion pictures Great Britain ; Ethics ; Motion pictures ; Ethics. ; Motion pictures—Great Britain. ; Film ; Ethik ; Visualisierung
    Abstract: This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation
    Abstract: Introduction -- Part I: Ethics -- From an ethics of transgression to a general ethics of form -- Optics as an Ethics -- The Return of Ethics in Literary Studies -- Screen Ethics before the Ethical Turn -- The Ethical Turn in Film and Visual Culture: From Content to Form -- The Responsibility of Forms -- Six Theses on the Ethical Imagination -- Part II: Imagination -- Ethical Intimacy and the Cinematic Face -- Slow Cinema and the Ethics of Duration -- The Ethics of Dying -- A Cinema of Gestures -- Ethics, Politics and the Question of Form -- The Ethical Image Between Fiction and Politics -- The Ethics of Matter and Memory -- Bioscreens -- Film Visions, Planetary Ethics --
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  • 61
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137553546
    Language: English
    Pages: 1 Online-Ressource (256 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Motion pictures—European influences. ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Frankreich ; Film ; Reise
    Abstract: Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives
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  • 62
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    Online Resource
    Wiesbaden : Springer VS
    ISBN: 9783658133603
    Language: German
    Pages: Online-Ressource (VII, 219 S. 5 Abb, online resource)
    Series Statement: Frankreich Jahrbuch
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Deutsch-Französisches Institut (31. : 2015 : Ludwigsburg) Frankreich nach der Territorialreform
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    Keywords: Political science ; Political Science and International Relations ; Political economy ; Comparative politics ; Public policy ; Political science ; Political economy ; Comparative politics ; Public policy ; Frankreich ; Gebietsreform ; Frankreich ; Gebietsreform
    Abstract: Gebietsreform und regionale Organisation der staatlichen Verwaltung -- Finanzierung der Régions in Frankreich -- Regionalismus -- Verwaltungskultur -- Ethno-regionale Bewegungen in Frankreich.
    Abstract: Dieser Sammelband bietet eine erste Bewertung der großangelegten Territorialreform in Frankreich, bei der die Zahl der französischen Regionen von 22 auf 13 reduziert wurde, um ihre Wettbewerbsfähigkeit zu stärken, Verwaltungsabläufe zu straffen und politischen Handlungsspielraum zu gewinnen. Dabei geht es einerseits um verwaltungswissenschaftliche Fragestellungen und die Rolle verschiedener Akteure in einem komplizierten Governance-Prozess. Andererseits stellen sich politikwissenschaftliche Fragen nach der Akzeptanz, der Legitimität und der Transparenz der Reform. Der Inhalt Gebietsreform und regionale Organisation der staatlichen Verwaltung Finanzierung der Régions in Frankreich Regionalismus Verwaltungskultur Ethno-regionale Bewegungen in Frankreich Die Zielgruppen FrankreichforscherInnen mit kultur-, sozial- und politikwissenschaftlichem Hintergrund Frankreichinteressierte Öffentlichkeit, Medien und Verwaltung Der Herausgeber Das dfi ist ein sozialwissenschaftliches Informations- und Forschungsinstitut. Als Kompetenzzentrum für das aktuelle Frankreich und die deutsch-französischen Beziehungen begleitet und gestaltet es seit mehr als 65 Jahren die deutsch-französische Kooperation in Europa. Forschungsschwerpunkte: Sozialpolitik, Wirtschaftspolitik, Europapolitik, Interkulturelle Kommunikation. .
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  • 63
    ISBN: 9781349949083
    Language: English
    Pages: 1 Online-Ressource (VII, 270 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Italian and Italian American Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Motion pictures European influences ; Literature, Modern 20th century ; European literature ; European literature. ; Motion pictures—European influences. ; Literature, Modern—20th century. ; Italienisch ; Kriminalroman ; Film ; Fernsehserie ; Italien ; Geschichte
    Abstract: This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale-The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy. “With this book, Pezzotti further cements her reputation as the foremost expert on the intersection of place, history, and national identity in Italian crime fiction. Essential reading.” (Robert Rushing, Associate Professor of Comparative Literature, University of Illinois, Urbana-Champaign, USA) “Pezzotti’s fine book presents an authoritative overview of recent Italian crime fiction. Lucidly written and compellingly interdisciplinary, this book emphasises the capacity of crime fiction to fill in the gaps left by historians, and the power and relevance of cultural responses to a contested and difficult past.” (Philip Cooke, Professor of Italian History and Culture, University of Strathclyde, UK) "Pezzotti's fascinating study shows how crime fiction has been used to probe and question Italy's historical open wounds and unresolved legacies. The Risorgimento, Fascism and the war, and the anni di piombo are each carefully illuminated in turn through the lens and intelligent eye of the contemporary giallo." (Robert S. C Gordon, Serena Professor of Italian, University of Cambridge, UK)
    Abstract: Introduction -- The Foundation of the State: Giallo and the Risorgimento -- The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism -- The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel -- Conclusion
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  • 64
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137595478
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Motion pictures and television. ; Sociology. ; Feminist theory. ; Motion pictures—History. ; Cultural studies. ; Science ; Film ; Körper ; Feminismus
    Abstract: Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia
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  • 65
    Online Resource
    Online Resource
    Wiesbaden : Springer VS
    ISBN: 9783658072063
    Language: German
    Pages: Online-Ressource (XII, 313 S. 25 Abb, online resource)
    Edition: 1. Aufl. 2016
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Politische Theorie im Film
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    Keywords: Political science ; Political Science and International Relations ; Industrial management ; Political theory ; International relations ; Political science ; Industrial management ; Political theory ; International relations ; Internationale Beziehungen ; Politische Philosophie ; Politische Soziologie ; Politische Theorie ; Aufsatzsammlung ; Film ; Fernsehsendung ; Politik
    Abstract: Theorien der Politischen Soziologie -- Theorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Abstract: Realitäten und Fiktionen sind in Filmen oftmals eng miteinander verknüpft. Auch vermitteln Serien und Filme zahlreiche Sichtweisen über die Welt und transportieren politische Botschaften. Bisweilen geschieht dies unbewusst für uns, manchmal auch sehr direkt, weshalb sich ein Blick auf das Medium Film durch eine politiktheoretische Brille lohnt. Der Sammelband verbindet Aufsätze von Politikwissenschaftler_innen, die ihren Forschungsbereich in Filmen und Serien erblicken und dies mit uns teilen. Verbindendes Grundthema der Aufsätze sind die Fragen, wie Erkenntnis über die Welt möglich ist und was für uns Utopie bedeutet. Diese Themen werden im Rahmen dieses Sammelbandes anhand von unterschiedlichen Theorien und Diskursen der Politischen Soziologie, der Internationalen Beziehungen, der Politischen Philosophie, sowie durch Erkenntnistheorie durch zahlreiche Beispiele aus Fernsehen und Kino beleuchtet. Der Inhalt Theorien der Politischen Soziologie • Theorien der Internationalen Beziehungen • Theorien der Politischen Philosophie Die Zielgruppen Politik-, Kultur- und Filmwissenschaftler_innen Der Herausgeber Dr. Ulrich Hamenstädt ist wissenschaftlicher Mitarbeiter am Institut für Politikwissenschaft der Westfälischen Wilhelms-Universität Münster.
    Description / Table of Contents: Theorien der Politischen SoziologieTheorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 66
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319404813
    Language: English
    Pages: 1 Online-Ressource (XI, 116 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Film ; Filmwirtschaft ; Krise ; USA
    Abstract: This book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Winston Wheeler Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself. Wheeler Winston Dixon is James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 67
    Book
    Book
    Bloomington [u.a.] : Indiana University Press
    ISBN: 9780253016294 , 9780253016256
    Language: English
    Pages: XII, 311 S. , Ill.
    Series Statement: African expressive cultures
    DDC: 306.096
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    Keywords: Pop-Kultur ; Film ; Musik ; Comic ; Rezeption ; Globalisierung ; Nigeria ; Tansania ; Rezension ; Rezension ; Rezension ; Rezension
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  • 68
    ISBN: 3593502917 , 9783593502915
    Language: German
    Pages: 285 Seiten , Illustrationen , 213 mm x 140 mm
    Series Statement: Normative Orders Band 14
    Series Statement: Normative orders
    DDC: 302.2343
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    Keywords: Film ; Recht ; Gesetz ; Gewalttätigkeit ; Analyse ; Aufsatzsammlung ; Aufsatzsammlung ; Gesetz ; Gewalt ; Film ; Gewalt ; Gesetz ; Recht ; Film ; Drama
    Note: Literaturangaben
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  • 69
    ISBN: 3848728559 , 9783848728558
    Language: German
    Pages: 255 Seiten
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Steinberg, Rudolf, 1943 - Kopftuch und Burka
    DDC: 342.44
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    Keywords: Muslim women Legal status, laws, etc ; Muslim women Legal status, laws, etc ; Hijab (Islamic clothing) Law and legislation ; Hijab (Islamic clothing) Law and legislation ; Burqas (Islamic clothing) Law and legislation ; Burqas (Islamic clothing) Law and legislation ; Islamic clothing and dress Social aspects ; Religion ; Religionsgemeinschaft ; Religionspolitik ; Staat ; Glaubensfreiheit ; Religionsfreiheit ; Laizismus ; Frankreich ; Deutschland ; Frankreich ; Deutschland ; Multikulturelle Gesellschaft ; Interkulturalität ; Kopftuch ; Burka ; Verbot ; Verfassungsmäßigkeit ; Deutschland ; Religionsfreiheit ; Religion ; Kopftuch ; Lehrerin ; Burka ; Migration ; Frankreich ; Religionsfreiheit ; Religion ; Kopftuch ; Schülerin ; Burka ; Laizität ; Migration
    Note: Literaturverzeichnis: Seite 251-255 , Literaturangaben
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  • 70
    Book
    Book
    Osnabrück : Institut für Migrationsforschung und Interkulturelle Studien (IMIS), Universität Osnabrück
    ISBN: 9783980340168
    Language: German , English
    Pages: 125 Seiten , Illustrationen , 222 mm x 153 mm, 212 g
    Series Statement: IMIS-Beiträge Heft 46. Themenheft
    Parallel Title: Erscheint auch als Migration und Film
    Parallel Title: Erscheint auch als Migration und Film
    DDC: 700
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    Keywords: Aufsatzsammlung ; Migration ; Medien ; Film ; Fernsehen ; Aufsatzsammlung ; Migration ; Film ; Filmgenre
    Note: Beiträge teilweise deutsch, teilweise englisch
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  • 71
    Book
    Book
    Durham, NC [u.a.] : Duke University Press
    ISBN: 9780822358398 , 9780822358503
    Language: English
    Pages: XVI, 384 S.
    DDC: 325/.3
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    Keywords: Césaire, Aimé ; Senghor, Léopold Sédar ; Negritude (Literary movement) ; France Colonies 20th century ; France Colonies 20th century ; Césaire, Aimé 1913-2008 ; Martinique ; Entkolonialisierung ; Négritude ; Geschichte 1930-2010 ; Césaire, Aimé 1913-2008 ; Senghor, Léopold Sédar 1906-2001 ; Négritude ; Literarische Bewegung ; Frankreich ; Kolonie ; Afrika ; Amerika ; Schriftsteller ; Politiker ; Harlem renaissance ; Literaturgattung
    Description / Table of Contents: Unthinking France, rethinking decolonizationSituating Césaire: Antillean awakening and global redemption -- Situating Senghor: African hospitality and human solidarity -- Freedom, time, territory -- Departmentalization and the spirit of Schoelcher -- Federalism and the future of France -- Antillean autonomy and the legacy of Louverture -- African socialism and the fate of the world -- Decolonization and postnational democracy.
    Note: Includes bibliographical references and index
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  • 72
    Book
    Book
    Bielefeld : transcript
    ISBN: 3837627632 , 9783837627633
    Language: English
    Pages: 172 S. , Ill.
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
    DDC: 307.760949618
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    Keywords: Urbanität ; Fernsehserie ; Film ; Istanbul ; Image ; Stadtsoziologie ; Istanbul ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Istanbul ; Image ; Urbanität ; Istanbul ; Film ; Fernsehserie ; Istanbul ; Stadtsoziologie
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  • 73
    ISBN: 9783839426494
    Language: German
    Pages: 1 Online-Ressource (400 p.)
    Edition: 1st ed.
    Series Statement: Kultur und soziale Praxis
    DDC: 304.23094
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    Keywords: Grenzgebiet ; Regionale Identität ; Sozialraum ; Alltag ; Deutschland ; Frankreich ; Belgien ; Luxemburg ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    Abstract: Die Raum- und Identitätsforschung arbeitet mit Unterscheidungen und Relationen. Diese sind als heuristische Instrumente besonders in Grenzregionen gewinnbringend, wenn soziale und geopolitische Markierungen auseinanderfallen. Die Beiträge des Bandes setzen hier an. Anhand empirischer Erhebungen in Deutschland, Frankreich, Belgien und Luxemburg untersuchen sie Raum- und Identitätskonstruktionen in grenzüberschreitenden Bezügen, wie sie sich in alltäglichen, institutionellen und medialen Praktiken manifestieren. Die Ergebnisse werden mit sensiblem Blick für quer liegende Räume und Identitäten diskutiert und an gouvernementale Fragen der Normierung und Subjektivierung rückgebunden.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 74
    ISBN: 9780415711685 , 9781315884431
    Language: English
    Pages: XVII, 293 S. , graph. Darst., Kt.
    Series Statement: Earthscan food and agriculture series
    Series Statement: Earthscan from Routledge
    Parallel Title: Erscheint auch als Seasonal workers in Mediterranean agriculture
    DDC: 331.6/2091822
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    Keywords: Globalisierung ; Saisonarbeitskräfte ; Arbeitsmigranten ; Soziale Kosten ; Gartenbau ; Agroindustrie ; Gartenbau ; Außenhandel ; Frankreich ; Spanien ; Marokko ; Mittelmeerraum ; Migrant agricultural laborers ; Vegetable trade ; Fruit trade ; Agricultural industries Social aspects ; Mittelmeerraum ; Landwirtschaft ; Saisonarbeiter ; Mittelmeerraum ; Landwirtschaft ; Saisonarbeiter ; Globalisierung ; Saisonarbeiter ; Soziale Kosten ; Gartenbau ; Agrobusiness ; Außenhandel ; Frankreich ; Spanien ; Marokko
    Abstract: Over the last three decades there has been a rapid expansion of intensive production of fresh fruit and vegetables in the Mediterranean regions of south and west Europe. Much of this depends on migrating workers for seasonal labour, including from Eastern Europe, North Africa and Latin America. This book is the first to address global agro-migration complexes across the region. It is argued that both intensive agricultural production and related working conditions are highly dynamic. Regional patterns have developed from small-scale family farming to become an industrialized part of the global agri-food system, which increasingly depends on seasonal labour. Simultaneously, consumer demand for year-round supply has caused relocations of the industry within Europe; areas of intensive greenhouse production have moved further south and even into North Africa. The authors investigate this Mediterranean agri-food system that transcends borders and is largely constituted by invisible seasonal work. By revealing the story of food commodities loaded with implications of private profit seeking, exploitation, exclusion and multiple insecurities, the book unmasks the hidden costs of fresh food provisioning. Three case study areas are considered in detail: the French region of Provence, a traditional centre of fresh fruit and vegetable cultivation; the Spanish Almeria region where intensive production has, accelerated dramatically since the 1970s; and Morocco where counter-seasonal production has recently been expanding. The book also includes commentaries that refer to complemetary insights on US-Mexico, Philippines-Canada and South Pacific mobilities.
    Note: Enth. 20 Beitr , Literaturverz. S. [253] - 283. - Enth. 20 Beitr
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 76
    ISBN: 9783525300473 , 3525300476
    Language: German
    Pages: 341 S. , Ill., graph. Darst., Kt.
    Dissertation note: Zugl.: Gießen, Univ., Diss., 2012
    DDC: 325.301
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    Keywords: Hochschulschrift ; Europa ; Geschichtsatlas ; Kolonialismus ; Darstellung ; Spatial turn ; Geschichte 1990-2011 ; Albanien ; Armenien ; Belgien ; Bulgarien ; Dänemark ; Deutschland ; Estland ; Finnland ; Frankreich ; Georgien ; Großbritannien ; Griechenland ; Irland ; Italien ; Kroatien ; Lettland ; Litauen ; Nordmazedonien ; Moldawien ; Niederlande ; Norwegen ; Österreich ; Portugal ; Rumänien ; Russland ; Schweden ; Schweiz ; Serbien ; Slowakei ; Slowenien ; Spanien ; Tschechien ; Türkei ; Ukraine ; Ungarn ; Belarus ; Geschichtsunterricht ; Schulatlas ; Kolonialismus ; Migration ; Kartografie ; Spatial turn ; Geschichte 1990-2011
    Note: Literaturverz. S. [261] - 291
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  • 77
    ISBN: 9781781380321
    Language: English
    Pages: VIII, 280 S.
    Series Statement: Contemporary French and francophone cultures 33
    Series Statement: Contemporary French and Francophone cultures
    DDC: 944.081
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    Keywords: Humanism History 20th century ; Decolonization Social aspects ; Decolonization Social aspects ; Kolonialismus ; Geschichte ; Auswirkung ; Entkolonialisierung ; Autor ; France Intellectual life 20th century ; French-speaking countries Intellectual life ; France Colonies ; Intellectual life ; Französisches Sprachgebiet ; Frankreich ; Kolonie ; Entkolonialisierung ; Wissenschaftssoziologie
    Description / Table of Contents: Léopold Sédar Senghor: politician and poet between hybridity and solitudeAimé Césaire: from poetic insurrection to humanist ethics -- Frantz Fanon: experiments in collective identity -- Jean El-Moouhoub Amrouche: the universal intellectual? -- Mouloud Feraoun: postcolonial realism, or, the intellectual as witness -- Kateb Yacine: poetry and revolution -- Conclusion.
    Note: Literaturverz. S. [262]-273
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  • 78
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
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    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
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  • 79
    ISBN: 9783837626490 , 3837626490
    Language: German
    Pages: 395 S. , Ill., graph. Darst., Kt. , 23 cm, 618 g
    Series Statement: Kultur und soziale Praxis
    DDC: 304.23094
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    Keywords: Grenzgebiet ; Regionale Identität ; Sozialraum ; Alltag ; Deutschland ; Frankreich ; Belgien ; Luxemburg ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 80
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
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    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 81
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
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    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
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  • 82
    Book
    Book
    Paris : Stock
    ISBN: 2234073367 , 9782234073364
    Language: French
    Pages: 228 S. , 22 cm
    DDC: 302.501
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    Keywords: Geschichte 1990- ; Gruppenidentität ; Soziale Integration ; Nationalcharakter ; Frankreich
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  • 83
    AV-Medium
    AV-Medium
    [S.l.] : Realfiction
    Language: Italian , German , English
    Pages: 1 DVD-Video (80 Min. + 21 Min.)
    DDC: 300
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    Keywords: Film ; DVD-Video
    Abstract: Der Film zeigt, was vom venezianischen Leben übrig geblieben ist: eine Subkultur touristischer Dienstleister; ein Hafen für die monströsen Kreuzfahrtschiffe, der auf seine Erweiterung wartet; Venezianer, die auf das Festland ziehen, weil es keine bezahlbaren Wohnungen mehr gibt; eine alte Adlige, die die Stadtverwaltung mit Hohn überzieht; ein Immobilienmakler, der darüber nachdenkt, das sinkende Schiff zu verlassen. Andreas Pichlers Protagonisten sind Sensoren für die Veränderungen ihrer Stadt. Venedig fühlt sich für sie immer weniger nach Heimat an, eine Lösung sehen sie jedoch nicht. Ein Requiem auf eine immer noch grandiose Stadt. Ein Lehrstück darüber, wie öffentliches Gut zur Beute einiger Weniger wird. Ein Hohelied auf die letzten Venezianer, ihren Witz und ihr Herz.
    Note: Sprache: italienisch. Untertitel: dt., engl. - Bonusmaterial , Dokumentarfilm. Österreich. 2013 , D/I/A 2012 , Sprache: Ital. - Untertitel: dt., engl.
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  • 84
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
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    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
    URL: Cover  (Thumbnail cover image)
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  • 85
    ISBN: 9783837623581 , 3837623580
    Language: German
    Pages: 369 S. , Ill., Notenbeisp. , 23 cm
    Series Statement: Gender studies
    Parallel Title: Online-Ausg. Mörderinnen
    Parallel Title: Erscheint auch als Lee, Hyunseon Mörderinnen
    DDC: 800
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    Keywords: Women murderers in literature Congresses ; Women murderers in motion pictures Congresses ; Konferenzschrift 2011 ; Mörderin ; Literatur ; Film
    Note: Literaturangaben
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  • 86
    ISBN: 9780822394808 , 0822394804
    Language: English
    Pages: 1 Online-Ressource (xiii, 333 pages)
    Series Statement: New ecologies for the twenty-first century
    Parallel Title: Erscheint auch als
    DDC: 338.1/844
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    Keywords: Agriculture and state / France ; Farmers / Political activity / History / 20th century / France ; Genetically modified foods / Political aspects / France ; Sustainable agriculture / France ; Anti-globalization movement / France ; Nachhaltigkeit ; Gentechnisch verändertes Lebensmittel ; Antiglobalisierungsbewegung ; Landwirtschaft ; Agrarpolitik ; Politisches Handeln ; Frankreich ; Frankreich ; Landwirtschaft ; Gentechnisch verändertes Lebensmittel ; Agrarpolitik ; Antiglobalisierungsbewegung ; Politisches Handeln ; Nachhaltigkeit
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (kostenfrei)
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  • 87
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
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    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
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  • 88
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
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    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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  • 89
    Book
    Book
    Berkeley [u.a.] : University of California Press
    ISBN: 0520272528 , 9780520272521
    Language: English
    Pages: 185 S. , cm
    Series Statement: Flashpoints 11
    Series Statement: FlashPoints
    DDC: 891.1
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    Keywords: Indic literature History and criticism ; 20th century ; Postmodernism (Literature) India ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures India ; Indic literature History and criticism 20th century ; Postmodernism (Literature) ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures ; Südasien ; Volkssprache ; Literatur ; Film ; Südasien ; Postkoloniale Literatur ; Übersetzung ; Indien ; Volkssprache ; Literatur ; Film ; Postkoloniale Literatur ; Übersetzung
    Note: Includes bibliographical references and index
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  • 90
    ISBN: 2707169366 , 9782707169365
    Language: French
    Pages: 337 S. , 22 cm
    DDC: 300
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    Keywords: Assimilation (Sociology) ; Group identity ; National characteristics, French ; Einwanderung ; Einwanderer ; Ethnische Gruppe ; Kolonialismus ; Auswirkung ; Migrationspolitik ; Soziale Integration ; Assimilation ; Rechtserwerb ; Staatsangehörigkeit ; Nationalbewusstsein ; Ausgrenzung ; France Emigration and immigration ; Government policy ; France Ethnic relations ; Frankreich ; Frankreich ; Einwanderung ; Assimilation ; Einbürgerung ; Einbürgerungstest
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  • 91
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
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    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781387962
    Language: English
    Pages: 1 Online-Ressource (209 Seiten)
    Edition: 1st ed
    Series Statement: Contemporary Hispanic and Lusophone Cultures, 6 v.6
    Parallel Title: Erscheint auch als Davies, Ann Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture
    DDC: 306.0946
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    Keywords: Alltag, Brauchtum ; Cultural geography -- Spain ; Spain -- Civilization -- 21st century ; Spain -- Social life and customs -- 21st century ; Landschaft ; Film ; Literatur ; Spanien ; Spanien ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books ; Electronic books ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Spanien ; Film ; Literatur ; Landschaft
    Abstract: A pioneering study that fuses cultural geography and contemporary Spanish culture, asking what it means to think of space and place in specifically Spanish terms. It examines how themes of memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration are explored in contemporary Spanish film and literature
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: Liverpool scholarship online  (Click for access to e-book)
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: Volltext  (kostenfrei)
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  • 93
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
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    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 94
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    Language: German
    Pages: 1 DVD-Video (59 Min.) , farb., Bildformat 16:9, stereo, DVD 5 , 12 cm
    Series Statement: Spiegel-TV 34
    Series Statement: Spiegel-TV
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    Keywords: Attitude to death ; Death ; Near-death experiences ; Parapsychology ; Film ; DVD-Video ; Nahtoderfahrung ; Jenseitskontakt
    Abstract: Die Film-Autorin sprach mit Menschen, die fest daran glauben, eine Nahtod-Erfahrung erlebt zu haben.
    Note: D 2012 , Sprache: dt.
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  • 95
    ISBN: 9782707169709
    Language: French
    Pages: 884 Seiten
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    Keywords: Quelle ; Fanon, Frantz 1925-1961 ; Frankreich ; Afrika ; Politik ; Rassismus ; Imperialismus
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  • 96
    ISBN: 9783643503091
    Language: German , Spanish
    Pages: 260 S. , Ill.
    Series Statement: ¡Atención! 14
    Series Statement: ¡Atención!
    DDC: 860.998
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    Keywords: Kultur ; Literatur ; Film ; Sprache ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Literatur ; Film ; Kultur ; Sprache
    Note: Beitr. überw. dt., teilw. span. - Literaturangaben
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  • 97
    ISBN: 9782802730743
    Language: French , English , French
    Pages: XXX, 343 S. , graph. Darst. , 24 cm
    Series Statement: Médias, sociétés et relations internationales 12
    Series Statement: Collection Médias, sociétés et relations internationales
    DDC: 302
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    Keywords: Mass media and culture Congresses ; Cultural pluralism Congresses ; Multiculturalism Congresses ; Linguistic minorities Congresses ; Romance languages Congresses ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Frankreich ; Spanien ; Italien ; Portugal ; Massenmedien ; Kultur ; Vielfalt
    Note: Contains index , Summaries in English and French , French, English
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  • 98
    Book
    Book
    Woodbridge, Suffolk :James Currey,
    ISBN: 978-1-84701-521-1
    Language: English
    Pages: x, 180 Seiten : , Illustrationen.
    DDC: 791.436521096
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    Keywords: Film. ; Roman. ; Mann ; Männlichkeit ; Afrika. ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Roman ; Mann ; Männlichkeit
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  • 99
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
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    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 100
    ISBN: 9783837616712
    Language: German
    Pages: 351 S. , Ill. , 23 cm
    Edition: 1. Aufl.
    Series Statement: Film
    Parallel Title: Online-Ausg. Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Dissertation note: Zugl.: Berlin, Freie Univ., Diss., 2010
    DDC: 770
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    Keywords: Holocaust, Jewish (1939-1945), in motion pictures History and criticism ; Bild, historische Quelle ; Bilddokument ; Geschichtsbild ; Narration ; Kollektives Gedächtnis ; Mediales Gedächtnis ; Holocaust ; Shoah ; Nationalsozialismus ; NS ; Film ; Hochschulschrift ; Judenvernichtung ; Geschichtsdarstellung ; Erzähltechnik ; Film ; Judenvernichtung ; Gedächtnis ; Geschichte ; Nationalsozialismus
    Note: Literaturverz. S. [329] - 347
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