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  • BVB  (369)
  • Europa
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  • Politik
  • Musicology  (369)
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Years
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Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    From St. Petersburg to Vienna : the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance (2024)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 33120
    Keywords: Geschichte 1908-1938 ; Musik ; Juden ; Musikethnologie ; Neue jüdische Schule ; Moskau ; Wien ; Sankt Petersburg ; Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies ; Sankt Petersburg ; Moskau ; Wien ; Neue jüdische Schule ; Juden ; Musik ; Musikethnologie ; Geschichte 1908-1938
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
  • 2
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    München BSB
    Regensburg UB
    BVB
  • 3
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BVB
  • 4
    Musical Score
    Musical Score
    Reform, notation and Ottoman music in early 19th century Istanbul : Euterpe (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 36060
    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Musical Score
    München BSB
    Würzburg UB
    BVB
  • 5
    Book
    Book
    Punk revolution! : an oral history of punk rock politics and activism (2023)
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    Details
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    LB 42000
    RVK:
    LC 86000
    RVK:
    LS 48645
    RVK:
    MS 2350
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 6
    Book
    Book
    Entangled entertainers : Jews and popular culture in Fin-de-Siècle Vienna (2023)
    New York ; Oxford : Berghahn
    Details
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
    LC 86160
    RVK:
    LB 46160
    RVK:
    LQ 81106
    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BVB
  • 7
    Book
    Book
    The Sound of Rebellion (2023)
    Ditzingen : Reclam
    Details
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Parallel Title: Erscheint auch als
    RVK:
    MB 3450
    RVK:
    LR 57720
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    BVB
  • 8
    Book
    Book
    Composing while Black : afrodiasporische Neue Musik heute : afrodiasporic new music today (2023)
    Hofheim am Taunus : Wolke
    Details
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    LP 19507
    RVK:
    LQ 93308
    RVK:
    LQ 93307
    RVK:
    LS 48000
    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    München UB
    KOBV
    BVB
  • 9
    Book
    Book
    Music and musicians in the medieval Islamicate world : a social history (2023)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    Details
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München UB
    BVB
  • 10
    Book
    Book
    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
  • 11
    Book
    Book
    Disaster songs as intangible memorials in Atlantic Canada (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    LS 21140
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BVB
  • 12
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    BVB
  • 13
    Book
    Book
    Dilla time : the life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm (2022)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    LS 48045
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
  • 14
    Book
    Book
    Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 15
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    Harmoniousness : essays in Chinese musicology (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    LS 41000
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 16
    Online Resource
    Online Resource
    Fight the power : law and policy through hip-hop songs (2022)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    DOI: 10.1017/9781009019804
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009019804
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
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    Mixing pop and politics : political dimensions of popular music in the 21st century (2022)
    New York, NY ; London : Routledge
    Details
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    AP 14900
    RVK:
    LR 57728
    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 18
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    Book
    The Stone age : sixty years of the Rolling Stones (2022)
    New York, NY : Pegasus Books
    Details
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 19
    Book
    Book
    The N-word in music : an American history (2022)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    LR 54607
    RVK:
    LC 87610
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 20
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    Book
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 21
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    Book
    The Malay nobat : a history of power, acculturation, and sovereignty (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    LC 87420
    RVK:
    LS 45700
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 22
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    Book
    Le reggae, chronique d'une musique magique : essai (2022)
    Dakar, Sénégal : Les Éditions Maguilen
    Details
    ISBN: 9782877740838 , 2877740838
    Language: French
    Pages: 587 Seiten , Illustrationen , 22 cm
    RVK:
    LS 48700
    Keywords: Reggae ; Geschichte ; Kultur ; Reggae music / History and criticism ; Reggae / Histoire et critique ; Reggae music ; Criticism, interpretation, etc ; History ; Biographies ; Essays ; Biographies ; Essays ; Biographies ; Reggae ; Kultur ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 23
    Online Resource
    Online Resource
    Scots folk singers and their sources : a study of two major Scottish song collections (2021)
    Leiden ; Boston : Brill Rodopi
    Details
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
    RVK:
    HG 280
    RVK:
    LS 22550
    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online Resource
    Online Resource
    Music and musicians in the medieval Islamicate world : a social history (2021)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    Details
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    DOI: 10.5040/9780755617913
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
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    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    URL: Rezension
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  • 26
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    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
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    Weltkulturen Museum
    Regensburg UB
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  • 27
    Book
    Book
    Citizen Cash : the political life and times of Johnny Cash (2021)
    New York : Basic Books
    Details
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    LS 48040
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 28
    Book
    Book
    Music in Arabia : perspectives on heritage, mobility, and nation (2021)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253057549 , 9780253057532
    Language: English
    Pages: xi, 309 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 35000
    Keywords: Geschichte ; Musikwirtschaft ; Kultur ; Politik ; Musik ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 29
    Online Resource
    Online Resource
    Music in Arabia : perspectives on heritage, mobility, and nation (2021)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 pages) , illustrations
    Parallel Title: Erscheint auch als Music in Arabia : perspectives on heritage, mobility, and nation
    DDC: 780.953
    RVK:
    LS 35000
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index , Description based on print version record
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  • 30
    Online Resource
    Online Resource
    Soundtrack to a movement : African American Islam, jazz, and Black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    DOI: 10.18574/9781479849697
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Book
    Book
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48630
    RVK:
    LS 48015
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
    URL: Inhaltsverzeichnis
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  • 32
    Book
    Book
    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 33
    Book
    Book
    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
    URL: Inhaltsverzeichnis
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  • 34
    Online Resource
    Online Resource
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/made-germany-oliver-seibt-martin-ringsmut-david-emil-wickstr%C3%B6m/e/10.4324/9781351200790
    URL: https://doi.org/10.4324/9781351200790
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  • 35
    Book
    Book
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 36
    Online Resource
    Online Resource
    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    LB 48015
    RVK:
    LC 87015
    RVK:
    LR 11046
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    URL: Click to View
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  • 37
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    Book
    Fandom and the Beatles : the act you've known for all these years (2021)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190917869 , 9780190917852
    Language: English
    Pages: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 38
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    Book
    The spirit of resistance in music and spoken word of South Africa's Eastern Cape (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
    LC 60585
    RVK:
    LC 87585
    RVK:
    LS 47949
    RVK:
    MI 65092
    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 39
    Online Resource
    Online Resource
    The legacy of Indigenous music : Asian and European perspectives (2021)
    Singapore : Springer
    Details
    ISBN: 9789811644733
    Language: English
    Pages: 1 Online-Ressource (x, 239 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Sinophone and Taiwan studies volume 4
    Series Statement: Sinophone and Taiwan studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    LC 87000
    RVK:
    LS 40000
    Keywords: Geschichte ; Social Anthropology ; Anthropology ; Ethnography ; Ethnology ; Anthropology ; Ethnography ; Weitergabe ; Internationaler Vergleich ; Musikethnologie ; Indigenes Volk ; Musik ; Volksmusik ; Asien ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Indigenes Volk ; Volksmusik ; Weitergabe ; Internationaler Vergleich ; Asien ; Geschichte ; Asien ; Europa ; Indigenes Volk ; Musik ; Asien ; Europa ; Musikethnologie
    DOI: 10.1007/978-981-16-4473-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Book
    Book
    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
    URL: Inhaltsverzeichnis
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  • 41
    Online Resource
    Online Resource
    Music in Arabia : perspectives on heritage, mobility, and nation (2021)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253057525
    Language: English
    Pages: 1 Online-Ressource (323 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.953
    RVK:
    LS 35000
    Keywords: Geschichte ; Music Social aspects ; Politik ; Musik ; Kultur ; Musikwirtschaft ; Persian Gulf Region ; Arabische Staaten ; Arabische Staaten ; Musik ; Musikwirtschaft ; Kultur ; Politik ; Geschichte
    Note: Includes index
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  • 42
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    Book
    Jüdisches Kulturerbe Musik - Divergenzen und Zeitlichkeit : Überlegungen zu einer kulturellen Nachhaltigkeit aus Sicht der Jüdischen Musikstudien (2021)
    Berlin : Peter Lang
    Details
    ISBN: 9783631830222 , 363183022X
    Language: German
    Pages: 235 Seiten , Notenbeispiele , 22 cm, 382 g
    Series Statement: Jüdische Musikstudien Vol. 2
    DDC: 306.4842
    RVK:
    LS 33100
    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [197]-216
    URL: Inhaltstext
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  • 43
    Online Resource
    Online Resource
    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Image
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    From Manchester with love : the life and opinions of Tony Wilson* : *aka Anthony H. Wilson ; written in 51 sections that prove how all dramatic truth contains fiction (2021)
    London : Faber
    Details
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
    RVK:
    LP 95900
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 45
    Book
    Book
    The folk : music, modernity, and the political imagination (2021)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
    LR 56606
    RVK:
    LR 57726
    RVK:
    LS 48610
    RVK:
    LQ 89306
    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 46
    Book
    Book
    The velvet mafia : the gay men who ran the swinging sixties (2020)
    London : Omnibus Press
    Details
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
    LS 48015
    RVK:
    LQ 84007
    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 47
    Book
    Book
    Deindustrialisation and popular music : Punk and "Post-Punk" in Manchester, Düsseldorf, Torino and Tampere (2020)
    London : Rowman & Littlefield International
    Details
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    LS 48645
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
    URL: Rezension
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Inhaltsverzeichnis
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    Weltkulturen Museum
    BSZ
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  • 48
    Online Resource
    Online Resource
    Listening to China : sound and the Sino-Western encounter, 1770-1839 (2020)
    Chicago ; London : University of Chicago Press
    Details
    ISBN: 9780226667263
    Language: English
    Pages: 1 Online-Ressource (263 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    LS 41000
    Keywords: Geschichte 1770-1839 ; Kulturkontakt ; Musik ; Geräusch ; China ; Europa ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
    DOI: 10.7208/9780226667263
    DOI: 10.7208/chicago/9780226667263.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: https://www.degruyter.com/chicago/view/title/579274
    URL: Cover
    URL: Inhaltsverzeichnis
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  • 49
    Book
    Book
    A sound history : Lawrence Gellert, black musical protest, and white denial (2020)
    Amherst ; Boston : University of Massachusetts Press
    Details
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 89307
    RVK:
    LC 87610
    RVK:
    LB 81350
    RVK:
    LB 31960
    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 50
    Book
    Book
    Listening to China : sound and the sino-western encounter : 1770-1839 (2020)
    Chicago ; London : University of Chicago Press
    Details
    ISBN: 9780226667126
    Language: English
    Pages: 263 Seiten
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    RVK:
    LS 41000
    Keywords: Geschichte 1770-1839 ; Musik ; Geräusch ; Kulturkontakt ; Europa ; China ; China ; Europa ; Musik ; Geräusch ; Kulturkontakt ; Geschichte 1770-1839
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 51
    Book
    Book
    Aging and popular music in Europe (2020)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138121478 , 9780367784676
    Language: English
    Pages: 189 Seiten , Illustrationen
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Popmusik ; Alter ; Musiker ; Europa ; Popular music / Social aspects / Europe ; Older musicians / Europe ; Older musicians ; Popular music / Social aspects ; Europe ; Europa ; Popmusik ; Musiker ; Alter
    Abstract: Opening up the dialogue between popular music studies and aging studies, this book offers a major exploration of age and popular music across Europe. Using a variety of methods to illustrate how age within popular music is contingent and compelling, the volume explores how it provokes curation and devotion across a variety of sites and artists who record in several European languages, and genres including waltz music, electronica, pop, folk, rap, and the French 'chanson.' Visiting the many ways in which age is problematized, revered, and performed within Europe in relation to popular music, case studies analyze: French touring shows of popular music stars from the 1960s; Andre Rieu's annual Vrijthof concerts in the Netherlands; Kraftwerk and Bjoerk's appearances at renowned art museums as curated objects; queer approaches to popular music space and time; British folk music inheritances; pan-European strategies of stardom and career longevity; and inheritance and post-colonial hauntings of race and identity. The book works with the notion of travelling, across borders, genres, sexualities, and media, highlighting the visibility of the aging body across a variety of European sites in order to establish popular music through the lens of age as a positive methodology with which to approach popular music cultures, and to offer a counter-narrative to age as decline. This book will appeal to scholars of popular music, popular culture, media studies, cultural studies, aging studies, and cultural gerontology
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 52
    Online Resource
    Online Resource
    Sun Ra's Chicago : Afrofuturism & the city (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Series Statement: Historical studies of urban America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    DOI: 10.7208/9780226732244
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
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    Book
    The Indian drum of the king-god and the pakhāvaj of Nathdwara (2020)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780367370237
    Language: English
    Pages: ix, 190 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 39700
    Keywords: Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Abstract: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Description / Table of Contents: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
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  • 54
    Online Resource
    Online Resource
    Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 : a historiographic exploration (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515127882
    Language: English
    Pages: 1 Online-Ressource (184 Seiten) , Illustrationen
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    RVK:
    LQ 80027
    RVK:
    LS 48635
    RVK:
    MS 8020
    Keywords: Geschichte 1970-2020 ; Subkultur ; Europäisierung ; Heavy Metal ; Kulturelle Identität ; Europa ; 20. Jahrhundert ; Heavy Metal Music ; Sonic Knowledge ; European Integration ; Cultural History ; Cultural Ear ; Popular Music ; Metal Music Studies ; Subculture ; Europe ; Europa ; Heavy Metal ; Subkultur ; Kulturelle Identität ; Europäisierung ; Geschichte 1970-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Book
    Book
    Hip-hop en français : an exploration of hip-hop culture in the Francophone world (2020)
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    Details
    ISBN: 9781538116326
    Language: English
    Pages: XXV, 233 Seiten
    Parallel Title: Online version Hip hop en français
    RVK:
    LS 48000
    RVK:
    LS 48650
    Keywords: Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Abstract: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
    URL: Inhaltsverzeichnis
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  • 56
    Book
    Book
    Sittin' in : jazz clubs of the 1940s and 1950s (2020)
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    Details
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    LS 48100
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 57
    Online Resource
    Online Resource
    It's a London thing : how rare groove, acid house and jungle remapped the city (2020)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
    RVK:
    LS 48060
    RVK:
    NR 8640
    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 58
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    Ten cities : clubbing in Nairobi, Cairo, Kyiv, Johannesburg, Naples, Berlin, Luanda, Lagos, Bristol, Lisbon : 1960-March 2020 (2020)
    Leipzig : Spector Books
    Details
    ISBN: 9783944669793 , 3944669797
    Language: English
    Pages: 559 Seiten , Illustrationen
    DDC: 740
    RVK:
    AP 95540
    RVK:
    LS 48010
    Keywords: Geschichte 1960-2020 ; Subkultur ; Stadt ; Nachtleben ; Nachtklub ; Fotografie ; Musiklokal ; Europa ; Afrika ; Fotografie ; Musiklokal ; Geschichte 1960-2020 ; Afrika ; Europa ; Stadt ; Nachtleben ; Subkultur ; Nachtklub ; Geschichte 1960-2020
    Abstract: Das Bild des seinen Plattenkoffer über internationale Non-Places ziehenden DJs, der rund um den Globus in Clubs auflegt, ist ein Stereotyp unserer Zeit. Clubkulturen haben eine reiche lokale Historie und sie sind zugleich geografisch viel differenzierter, als in der Geschichte von der nordatlantischen Achse Detroit–Chicago–Manchester–Berlin bislang erzählt wurde. Dieses Buch erweitert den Fokus. Es berichtet von zehn Club-Hauptstädten in Afrika und Europa, sowohl von prominenten als auch von vermeintlich peripheren Szenen. 21 Essays und Fotostrecken rekonstruieren die lokalen Musikgeschichten, die Szenen, Subkulturen und ihre globalen Netzwerke. Sie berichten von Clubs als Laboren des Andersseins, in denen Menschen mit neuen Lebensformen experimentieren und ihr Recht an der Stadt einklagen. Ten Cities ist eine Reise in zehn Gesellschafts- und Stadtgeschichten, aus dem Blickwinkel von Nacht und Sound von 1960 bis heute. Mit Texten von: Rui Miguel Abreu, Vitalii Bard Bardetski, Vítor Belanciano, Tony Benjamin, Danilo Capasso, Vincenzo Cavallo, Iain Chambers, Kateryna Dysa, Johannes Ebert, Maha ElNabawi, Michelle Henning, Rangoato Hlasane, Johannes Hossfeld Etyang, Rehan Hyder, Mukami Kuria, Ângela Mingas, Ali Abdel Mohsen, Marissa J. Moorman, Joyce Nyairo, Sean O’Toole, Sellanga Ochieng’ Blinky Bill, Bill Odidi, Tobias Rapp, Florian Sievers, Peter Wafula Wekesa, Mallam Mudi Yahaya. Edited by Johannes Hossfeld Etyang, Joyce Nyairo, Florian Sievers
    URL: Rezension
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  • 59
    Online Resource
    Online Resource
    The Beatles and sixties Britain (2020)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    DOI: 10.1017/9781108769426
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
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    Provincial headz : British hip hop and critical regionalism (2020)
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    Details
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    LS 48650
    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 61
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    Book
    The Beatles and Sixties Britain (2020)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    Details
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Inhaltsverzeichnis
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  • 62
    Online Resource
    Online Resource
    Deindustrialisation and popular music : punk and 'post-punk' in Manchester, Düsseldorf, Torino and Tampere (2020)
    London ; New York : Rowman & Littlefield International
    Details
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LB 42005
    RVK:
    LB 71005
    RVK:
    LC 27005
    RVK:
    LC 87005
    RVK:
    LS 48645
    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
    URL: Volltext
    URL: Volltext
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  • 63
    Book
    Book
    Metal music, sonic knowledge, and the cultural ear in Europe since 1970 : a historiographic exploration (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515127875 , 3515127879
    Language: English
    Pages: 184 Seiten , Illustrationen, Diagramme , 24 cm x 17 cm
    Series Statement: Studien zur Geschichte der Europäischen Integration Band 34
    Series Statement: Studien zur Geschichte der Europäischen Integration
    Parallel Title: Erscheint auch als Pichler, Peter, 1980 - Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Europa ; Heavy Metal ; Subkultur ; Kulturelle Identität ; Europäisierung ; Geschichte 1970-2020
    Note: Literaturverzeichnis: Seite [166]-180
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Inhaltstext
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    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
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    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Inhaltstext
    URL: Rezension
    URL: Inhaltsverzeichnis
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  • 64
    Book
    Book
    Jewishness, Jewish identity and music culture in 19th-century Europe (2020)
    Bologna (Italy) : UT Orpheus
    Details
    ISBN: 9788881095216
    Language: English
    Pages: viii, 312 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Ad Parnassum studies 12
    Series Statement: Ad Parnassum studies
    DDC: 780
    RVK:
    LS 33120
    Keywords: Geschichte 1800-1900 ; Jews / Music / 19th century / History and criticism ; Jews / Europe / History / 19th century ; Identität ; Juden ; Musikleben ; Judentum ; Oper ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Musikleben ; Judentum ; Oper ; Juden ; Identität ; Geschichte 1800-1900
    Note: Includes bibliographical references and index , Texts and abstracts in English
    URL: Inhaltsverzeichnis
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  • 65
    Online Resource
    Online Resource
    Musik & politischer Konflikt aus der Türkei : Kurdische, alevitische und linke Musik in Deutschland (2020)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    LS 38550
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    DOI: 10.1515/9783839454763
    URL: https://doi.org/10.1515/9783839454763?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454763
    URL: Cover
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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  • 66
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    Book
    Positionen! : Jazz und Politik (2020)
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    Details
    ISBN: 9783955930165
    Language: German
    Pages: 236 Seiten , Illustrationen , 23 cm x 15.8 cm, 340 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 16
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65092
    RVK:
    LS 48200
    Keywords: Politik ; Jazz ; Jazzmusiker ; Politisches Engagement ; Musik und Politik ; Jazz und Politik ; politischer Jazz ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift Jazzinstitut Darmstadt 03.10.2019-05.10.2019 ; Konferenzschrift 2019 ; Jazz ; Politik ; Jazzmusiker ; Politisches Engagement
    Note: Genaue Kongressdaten ermittelt
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 67
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    Book
    The northern soul scene (2019)
    Sheffield : Equinox Publishing
    Details
    ISBN: 9781781795583 , 9781781795576 , 9781781795583
    Language: English
    Pages: 353 Seiten
    Series Statement: Studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 781.64409427
    RVK:
    LS 48060
    RVK:
    LQ 84307
    RVK:
    LS 48640
    Keywords: Geschichte 1970- ; Soul (Music) History and criticism ; Soul (Music) Social aspects ; History ; Musikleben ; Soul ; England ; Midlands ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Midlands ; Soul ; Musikleben ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 68
    Book
    Book
    Flamenco, regionalism, and musical heritage in southern Spain (2019)
    London and New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780367229474
    Language: English
    Series Statement: SOAS musicology series
    DDC: 781.62/610468
    RVK:
    LS 26670
    Keywords: Geschichte ; Musik ; Politik ; Flamenco music History and criticism ; Folk music History and criticism ; Music Political aspects ; Regionalism in music ; Flamenco History ; Soziale Funktion ; Regionalismus ; Flamenco ; Spanien ; Andalusien ; Andalusien ; Flamenco ; Regionalismus ; Soziale Funktion
    Note: Includes bibliographical references and index
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    BVB
  • 69
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    Book
    Billie Holiday : essays on the artistry and legacy (2019)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    LS 48040
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
    URL: Inhaltsverzeichnis
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  • 70
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    Book
    Henry Cow : the world is a problem (2019)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
    URL: Inhaltsverzeichnis
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  • 71
    Online Resource
    Online Resource
    Becoming creative : insights from musicians in a diverse world (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
    RVK:
    LS 19000
    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199365173.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780199365173.001.0001
    URL: lizenzpflichtig
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  • 72
    Online Resource
    Online Resource
    Musical salon culture in the long nineteenth century (2019)
    Woodbridge, Suffolk, UK : The Boydell Press
    Details
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LP 19505
    RVK:
    LR 54440
    RVK:
    LR 54445
    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    DOI: 10.1017/9781787445345
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.cambridge.org/core/product/identifier/9781787445345/type/BOOK
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 73
    Online Resource
    Online Resource
    The Revolution's Echoes : Music, Politics, and Pleasure in Guinea (2019)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226654775
    Language: English
    Pages: 1 online resource (208 pages) , 14 halftones, 2 line drawings
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 306.4/842096652
    RVK:
    LS 46575
    Keywords: MUSIC / General ; Music Political aspects ; Politik ; Musik ; Guinea ; Guinea ; Musik ; Politik
    Abstract: Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But as Nomi Dave shows us in The Revolution's Echoes, the opposite is also true-music can often support, rather than challenge, the powers that be. Examining fifty years of history in Guinea, Dave introduces readers to the music supporting the authoritarian regime of former president Sékou Touré, and to the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn't just the result of state manipulation-even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution's Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) , In English
    DOI: 10.7208/9780226654775
    URL: lizenzpflichtig
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  • 74
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    Lunch with the wild frontiers : a history of Britpop and excess in 131/2 chapters (2019)
    London, England : Jawbone Press
    Details
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
    LQ 84007
    RVK:
    LS 48635
    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 75
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    Book
    Recent trends and new directions in ethnomusicology : a European perspective on ethnomusicology in the 21st century (2019)
    Düren : ShakerVerlag
    Details
    ISBN: 9783844070538 , 3844070532
    Language: English
    Pages: v, 247 Seiten , Illustrationen , 24 cm x 17 cm, 387 g
    Edition: 1. Auflage
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 26
    Series Statement: Grazer Beiträge zur Ethnomusikologie
    DDC: 780.89
    RVK:
    LS 16000
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Europa ; Musikethnologie ; Musikwissenschaft ; Geschichte 2000-
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    Ethn. Museum Berlin
  • 76
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    2 Minutes to Midnight? : der Umgang mit den Themen Gesellschaft, Politik und Krieg in den Lyrics von Iron Maiden (2019)
    Münster : Verlag readbox publishing GmbH - readbox unipress
    Details
    ISBN: 9783840520136 , 3840520134
    Language: German
    Pages: 437 Seiten , Diagramme , 21 cm x 14.8 cm, 829 g
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII Band 11
    Series Statement: Wissenschaftliche Schriften der WWU Münster. Reihe XVIII
    Parallel Title: Erscheint auch als
    RVK:
    LS 48045
    Keywords: Iron Maiden ; Krieg ; Text ; Song ; Politik ; Gesellschaft ; Musik ; Metal Studies ; Metal ; Lyrics ; Iron Maiden ; Geschichte ; Politik ; Interview ; Interview ; Iron Maiden ; Song ; Text ; Gesellschaft ; Politik ; Krieg
    URL: Inhaltsverzeichnis
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  • 77
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    Iranisch-europäische Instrumentalmusik im Kontext der Modernisierung der iranischen Musik und des iranischen Musiklebens ab 1850 (2019)
    Berlin ; Münster : LIT
    Details
    ISBN: 9783643143082
    Language: German
    Pages: 250 Seiten , Notenbeispiele , 22 cm
    Series Statement: KlangKulturStudien Band 12
    Series Statement: KlangKulturStudien
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Folkwang Universität der Künste Essen 2018
    RVK:
    LS 37400
    Keywords: Geschichte 1850-2019 ; Musikleben ; Instrumentalmusik ; Musikbeziehungen ; Iran ; Europa ; Hochschulschrift ; Hochschulschrift ; Iran ; Europa ; Musikbeziehungen ; Instrumentalmusik ; Geschichte 1850-2019 ; Iran ; Musikleben ; Geschichte 1850-2019
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  • 78
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    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781498564663
    Language: English
    Pages: xvii, 172 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63082/09667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Musikerin ; Highlife ; Ghana ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Abstract: This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
    Note: Includes bibliographical references and index
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  • 79
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    The honky tonk on the left : progressive thought in country music (2018)
    Amherst : University of Massachusetts Press
    Details
    ISBN: 9781625343383 , 9781625343376
    Language: English
    Pages: vi, 308 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als Honky tonk on the left
    DDC: 781.642/1599
    RVK:
    LS 48610
    Keywords: Geschichte ; Country music Political aspects ; Progressivism (United States politics) ; Country music History and criticism ; Einflussnahme ; Countrymusic ; Country-Musiker ; Politik ; Progressismus ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Country-Musiker ; Countrymusic ; Progressismus ; Politik ; Einflussnahme ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 80
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    Punk crisis : the global punk rock revolution (2018)
    New York, NY, United States of America : Oxford University Press
    Details
    ISBN: 9780190872359 , 9780190872366
    Language: English
    Pages: ix, 218 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.6609/047
    RVK:
    LS 48645
    Keywords: Geschichte 1976-1989 ; Punk rock music History and criticism ; Punk rock music Political aspects ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
    URL: Inhaltsverzeichnis
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  • 81
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    Jazz in Europe : new music in the old continent (2018)
    Oxford : Peter Lang
    Details
    ISBN: 1788743180 , 9781788743181
    Language: English
    Pages: XXVII, 510 Seiten , 93 Illustrationen , 23 cm, 862 g
    Edition: English edition
    Parallel Title: Erscheint auch als Jazz in Europe
    DDC: 781.650940904
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz ; Europa ; Aufsatzsammlung
    Note: Original edition: 2017 , Includes bibliographical references and index , Translated from the Slovak
    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/79296?format=HC
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  • 82
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    Popular music, cultural memory, and heritage (2018)
    London : Routledge
    Details
    ISBN: 9780367143091 , 9781138701359
    Language: English
    Pages: x, 129 Seiten , Illustrationen, Karte
    Edition: First issued in paperback 2018
    Parallel Title: Äquivalent
    RVK:
    AP 14900
    RVK:
    LS 48015
    Keywords: Kollektives Gedächtnis ; Jugend ; Kulturelle Identität ; Popmusik ; Europa ; Australien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Australien ; Popmusik ; Jugend ; Kollektives Gedächtnis ; Kulturelle Identität
    Abstract: Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites - including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives - constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society
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  • 83
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    Darüber hinaus ... populäre Musik und Überschreitung(en) : 2. IASPM D-A-CH Konferenz / Graz 2016 (2018)
    Oldenburg : BIS - Verlag der Carl von Ossietzky Universität
    Show associated volumes/articles
    Details
    ISBN: 9783814223711
    Language: German
    Pages: 266 Seiten , Illustrationen
    DDC: 780
    RVK:
    LS 48015
    RVK:
    LR 54600
    Keywords: Popmusik ; Grenzüberschreitung ; Medien ; Musikwissenschaft ; Gesellschaft ; Politik ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Popmusik ; Gesellschaft ; Politik ; Medien ; Musikwissenschaft ; Grenzüberschreitung
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  • 84
    Online Resource
    Online Resource
    Punk crisis : the global punk rock revolution (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190872397
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    LS 48645
    Keywords: Geschichte 1976-1989 ; Punk rock music / History and criticism ; Punk rock music / Political aspects ; Sozialer Wandel ; Ost-West-Konflikt ; Politik ; Punk Rock ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
    Abstract: This work tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, 'zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization
    Note: Previously issued in print: 2018. - Includes bibliographical references, discography, videography and index
    DOI: 10.1093/oso/9780190872359.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
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    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199985234
    Language: English
    Pages: xvii, 386 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Klangfarbe ; Geschichte 1930- ; Musikproduktion ; Unterhaltungsmusik ; Schallaufzeichnung ; Popular music / History and criticism ; Popular music / Production and direction / History ; Tone color (Music) ; Popular music ; Tone color (Music) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Description / Table of Contents: Introduction. Chasing the dragon : in search of tone in popular music / Robert Fink, Zachary Wallmark, and Melinda Latour -- Genre. Hearing timbre : perceptual learning among early Bay Area ravers / Cornelia Fales ; The twang factor in country music / Jocelyn R. Neal ; The sound of evil : timbre, body, and sacred violence in death metal / Zachary Wallmark ; Below 100 Hz : toward a musicology of subbass / Robert Fink -- Voice. Timbre and legal likeness : the case of Tom Waits / Mark C. Samples ; The triumph of Jimmy Scott : a voice beyond category / Nina Sun Eidsheim ; Auto-Tune, labor, and the pop music voice / Catherine Provenzano -- Instrument. Hearing luxe pop : Jay Z, Isaac Hayes, and the six degrees of symphonic soul / John Howland ; Santana and the metaphysics of tone : feedback loops, volume knobs and the quest for transcendence / Melinda Latour ; Synthesizers as social protest in early 1970s funk / Griffin Woodworth ; Crossing the electronic divide: guitars, synthesizers, and the shifting sound field of fusion / Steve Waksman -- Production. Clash of the timbres : recording authenticity in the California rock scene, 1966-68 / Jan Butler ; The death rattle of a laughing hyena : the sound of musical democracy / Albin J. Zak III ; The sound of nowhere : reverb and the construction of sonic space / Paul Théberge ; The spectromorphology of recorded popular music : the shaping of sonic cartoons through record production / Simon Zagorski-Thomas -- Afterword / Simon Frith
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  • 86
    Online Resource
    Online Resource
    Jazz in Europe : New Music in the Old Continent (2018)
    Oxford : Peter Lang Ltd, International Academic Publishers
    Details
    ISBN: 9781788743198
    Language: English
    Pages: 1 Online-Ressource (538 Seiten) , 93 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz ; Europa ; Europa ; Jazz ; Geschichte
    Description / Table of Contents: Jazz in Europe provides a detailed record of how «new» (American) music evolved on the «old» (European) continent. The «chroniclers» explore the history of jazz in individual European countries from a local perspective, with each author contributing a unique bird's-eye view of their particular context. This comprehensive analysis of the origins and dissemination of jazz on the old continent, produced by an international team of distinguished writers, is the first of its kind. Although members of national jazz communities may not agree with all the views presented in the book, it will undoubtedly provoke lively debate and open up new avenues for research within European jazz scholarship
    Note: Online resource; title from title screen (viewed June 10, 2019)
    DOI: 10.3726/b13319
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
    Online Resource
    Online Resource
    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498564670
    Language: English
    Pages: 1 Online-Ressource (xvii, 172 pages) , illustrations, map
    Parallel Title: Erscheint auch als Amoah-Ramey, Nana Abena Female highlife performers in Ghana : expression, resistance, and advocacy
    DDC: 781.6308209667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Highlife ; Musikerin ; Ghana ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Note: Description based on print version record
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  • 88
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    Anti-music : jazz and racial blackness in German thought between the wars (2018)
    Albany, NY : SUNY Press
    Details
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
    RVK:
    LR 57727
    RVK:
    LS 48100
    RVK:
    LQ 80107
    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 89
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    Becoming creative : insights from musicians in a diverse world (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199365173 , 9780199365180
    Language: English
    Pages: xiv, 264 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.1/1
    RVK:
    LS 19000
    Keywords: Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
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    Ethn. Museum Berlin
  • 90
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    Musik und Migration (2018)
    Münster ; New York : Waxmann
    Details
    ISBN: 9783830937128 , 3830937121
    Language: German , English
    Pages: 287 Seiten , Diagramme , 24 cm x 17 cm
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
    DDC: 780.72
    RVK:
    LR 56600
    RVK:
    LS 12100
    Keywords: Exil ; Oper ; Musikwissenschaft ; Migration ; Kulturvermittlung ; Identitätsentwicklung ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italienische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
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    HU Berlin
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    Weltkulturen Museum
    Würzburg UB
    Regensburg UB
    BSZ
    GBV
    KOBV
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    Bayreuth UB
  • 91
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    Les "bandes de violons" en Europe : cinq siècles de transferts culturels : des anciens ménétriers aux Tsiganes d'Europe centrale (2018)
    Turnhout : Brepols
    Details
    ISBN: 9782503581187 , 2503581188
    Language: French
    Pages: 676 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Histoire générale et anthropologie des musiques populires en France vol. 1
    Series Statement: Collection Épitome musical
    Series Statement: Histoire générale et anthropologie des musiques populires en France
    RVK:
    LS 20970
    Keywords: Sozialgeschichte ; Musikleben ; Unterhaltungsmusik ; Musikethnologie ; Streicherensemble ; Zigeuner ; Kulturaustausch ; Europa ; Frankreich ; Europa ; Frankreich ; Zigeuner ; Streicherensemble ; Unterhaltungsmusik ; Musikleben ; Kulturaustausch ; Musikethnologie ; Sozialgeschichte
    Abstract: Histoire et anthropologie des ensembles populaires de violons en Europe.00Les fortes ressemblances entre anciens ensembles ménétriers de violons et actuelles bandes de violons ? tsiganes ? d?Europe centrale, autorisent l?hypothèse des transferts culturels.00Les Tsiganes étant présents en Europe depuis le xve siècle, les processus de mise en contact entre eux et les populations locales (Gadjé) sont multiples : circulations humaines de toutes sortes, cadre répressif et carcéral associé au vagabondage, fréquentation, par les Tsiganes, des nobles, des cours, de l?espace économique et performatif de la foire, des milieux du théâtre itinérant. Par ailleurs, au xviie siècle, les bandes de violons ? surtout françaises ? ont essaimé dans toute l?Europe, notamment centrale.
    Abstract: De ce fait, les actuelles bandes de violons européennes, témoignant de l?histoire migratoire tsigane, des échanges entre Tsiganes et Gadjé et entre Européens eux-mêmes, constituent une mémoire interculturelle de l?Europe.00Si l?itinérance, l?oralité, la périphérie sociale et culturelle, la dilution du ?Bohémien? dans le ?vagabond? complexifient le traitement d?une telle recherche en raison de la raréfaction des sources directes, l?un des objectifs de cet ouvrage est de révéler le dynamisme et le mouvement des sociétés européennes anciennes, l?extrême complexité de leur fonctionnement musical, l?enchevêtrement de leurs réalités sociales, économiques, politiques, culturelles.
    Abstract: Cette histoire des bandes de violons en Europe doit, certes, être appréhendée dans le cadre des cours, mais aussi d?une culture ménétrière urbaine, rurale, parfois foraine et marginale, itinérante et nomade.0L?autre ambition de cet ouvrage est de proposer une nouvelle approche de la technique et du jeu violonistiques des anciens ménétriers violonistes, à partir de l?étude des consorts populaires actuels de violons de certaines régions d?Europe occidentale (Italie), centrale et balkanique.0
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  • 92
    Online Resource
    Online Resource
    Jimi Hendrix and the Cultural Politics of Popular Music (2018)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783319770130
    Language: English
    Pages: 1 Online-Ressource (V, 158 p)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    LS 48050
    Keywords: Hendrix, Jimi ; Culture / Study and teaching ; United States / Study and teaching ; Music ; Ethnicity ; Cultural and Media Studies ; Popular Culture ; Music ; American Culture ; Culture and Gender ; Ethnicity Studies ; Politik ; Popkultur ; USA ; Hendrix, Jimi 1942-1970 ; USA ; Popkultur ; Politik
    DOI: 10.1007/978-3-319-77013-0
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Sounds in South Africa : School of Human and Social Sciences annual lectures, University of Venda, 2017 (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
    RVK:
    LS 47945
    RVK:
    LQ 92000
    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
    Library Location Call Number Volume/Issue/Year Availability
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    BVB
    Bayreuth UB
  • 94
    Online Resource
    Online Resource
    Musik und Migration (2018)
    Münster ; New York : Waxmann
    Details
    ISBN: 9783830986799 , 9783830987123
    Language: German
    Pages: 1 Online-Ressource (287 Seiten) , Diagramme
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
    RVK:
    LR 56600
    RVK:
    LS 12100
    Keywords: Kulturvermittlung ; Oper ; Identitätsentwicklung ; Musikwissenschaft ; Exil ; Migration ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italiensische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Online Resource
    HU Berlin
    München UB
    Würzburg UB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 95
    Book
    Book
    John Blacking and contemporary African musicology : reflections, reviews, analyses and prospects (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294212
    Language: English
    Pages: xvi, 240 Seiten , Illustrationen, Notenbeispiele
    Series Statement: CASAS book series no. 126
    Series Statement: CASAS book series
    RVK:
    LS 46000
    Keywords: Blacking, John ; Musikethnologie ; Afrika ; Blacking, John ; Ethnomusicology / Africa / History ; Musicology / Africa / History ; National songs / Africa ; Musicology ; Africa ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Blacking, John 1928-1990 ; Afrika ; Musikethnologie
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  • 96
    Book
    Book
    Jazz and totalitarianism (2017)
    New York ; London : Routledge
    Details
    ISBN: 9781138887817 , 9781138887824
    Language: English
    Pages: XVIII, 364 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Jazz / Political aspects / History / 20th century ; Totalitarianism and music ; Jazz / History and criticism ; Geschichte ; Politik ; Jazz ; Internationaler Vergleich ; Totalitarismus ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
    Description / Table of Contents: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Note: Literaturangaben
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    HU Berlin
    München BSB
    Würzburg UB
    KOBV
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    Bayreuth UB
  • 97
    Online Resource
    Online Resource
    Jazz and totalitarianism (2017)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781315713915 , 9781317499435
    Language: English
    Pages: 1 Online-Ressource (xviii, 364 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Jazz / Political aspects / History / 20th century ; Totalitarianism and music ; Jazz / History and criticism ; Geschichte ; Politik ; Jazz ; Totalitarismus ; Internationaler Vergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
    Description / Table of Contents: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Note: Literaturangaben
    DOI: 10.4324/9781315713915
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 98
    Book
    Book
    The jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: http://d-nb.info/1142821293/04
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 99
    Book
    Book
    Loft jazz : improvising New York in the 1970s (2017)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
    RVK:
    LQ 89507
    RVK:
    LS 48270
    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    BSZ
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    KOBV
    BVB
  • 100
    Online Resource
    Online Resource
    Plague and music in the Renaissance (2017)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316271476
    Language: English
    Pages: 1 online resource (ix, 284 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094
    RVK:
    LR 57803
    RVK:
    LR 57813
    Keywords: Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Abstract: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Note: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    DOI: 10.1017/9781316271476
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781316271476
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
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