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  • Online Resource  (292)
  • New York : Oxford University Press  (107)
  • New York, NY : Oxford University Press  (106)
  • Bielefeld : transcript  (79)
  • Musicology  (292)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Dark matter in breaking cyphers : the life of Africanist aesthetics in global hip hop (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190856731
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    LS 48650
    Keywords: Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
    Abstract: Imani Kai Johnson offers a key to thinking about the relationship between Hip Hop aesthetics and Africanism on a global scale, tracking its mutations as Hip Hop has moved from New York to nearly every city and radio station around the globe.
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190856694.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1093/oso/9780190856694.001.0001
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    The Oxford handbook of music in China and the Chinese diaspora (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    LS 41000
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oxfordhb/9780190661960.002.0003
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
    KOBV
  • 3
    Online Resource
    Online Resource
    »All the things you are« - Die materielle Kultur populärer Musik (2023)
    Bielefeld : transcript
    Details
    ISBN: 9783839470107
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    DDC: 306.4842
    RVK:
    LS 48015
    RVK:
    LR 54600
    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021
    Note: Literaturangaben
    DOI: 10.1515/9783839470107
    URL: https://doi.org/10.1515/9783839470107
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    HeBIS
    BVB
  • 4
    Online Resource
    Online Resource
    Music theory in ethnomusicology (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LS 16000
    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199303526.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1093/oso/9780199303526.001.0001
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 5
    Online Resource
    Online Resource
    The Oxford handbook of care in music education (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197611685 , 9780197611678
    Language: English
    Pages: 1 Online-Ressource (xlii, 608 Seiten) , Illustrationen
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of care in music education
    DDC: 780.71
    RVK:
    LR 56900
    Keywords: Music Instruction and study ; Social aspects ; Music Instruction and study ; Psychological aspects ; Music Instruction and study ; Political aspects ; Music Instruction and study ; Philosophy ; Music ; Music ; Musikerziehung
    Abstract: This handbook addresses multiple conceptualizations of caring relationships in music education. Principal themes of the handbook include philosophical perspectives on care and music education; co-creating caring relationships; caring for wellbeing and human flourishing; and care, social activism, and critical consciousness. The essays highlight the essence of authentic relationships and shared experiences between teachers and learners, extending previous conceptions of care to meet the needs of contemporary music learners and the teachers who care for, about, and with them.
    Note: Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on August 22, 2023)
    DOI: 10.1093/oxfordhb/9780197611654.001.0001
    URL: lizenzpflichtig
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    Music and citizenship (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197555187.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1093/oso/9780197555187.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 7
    Online Resource
    Online Resource
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    LS 48620
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197635216.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 8
    Online Resource
    Online Resource
    Dancing black, dancing white : rock 'n' roll, race, and youth culture of the 1950s and early 1960s (2023)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197536292
    Language: English
    Pages: 1 Online-Ressource (xviii, 220 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 791.45097309045
    RVK:
    LS 48050
    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; Television dance parties History 20th century ; Rock and roll dancing History 20th century ; Dance and race History 20th century ; Music and race History 20th century ; Performing Arts ; Films, cinema ; USA ; United States Race relations 20th century ; History
    Abstract: 'Dancing Black, Dancing White' offers a new look at a popular phenomenon of the 1950s and 1960s - the televised teen dance program. Through a social and cultural history lens, the book uses these shows to explore rock and roll and how it affected both white and Black teenagers. The crux of the book is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197536254.001.0001
    URL: https://doi.org/10.1093/oso/9780197536254.001.0001
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    HeBIS
  • 9
    Online Resource
    Online Resource
    Dave Brubeck and the performance of whiteness (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197525104
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65092
    RVK:
    LS 48100
    Keywords: Brubeck, Dave / Criticism and interpretation ; Brubeck, Dave / Political and social views ; Music / ukslc ; Music / thema ; Jazz / History and criticism ; Jazz / Social aspects / United States / History / 20th century ; Music and race / United States / History / 20th century ; Civil rights movements / United States / History / 20th century
    Abstract: How can we - jazz fans, musicians, writers, and historians - understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. This book uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197525074.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 10
    Online Resource
    Online Resource
    On African music : techniques, influences, scholarship (2023)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
    RVK:
    LS 46000
    RVK:
    LS 76000
    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197664063.001.0001
    URL: https://doi.org/10.1093/oso/9780197664063.001.0001
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  • 11
    Online Resource
    Online Resource
    The Oxford handbook of music performance : Volume 2 (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    LR 56000
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
    DOI: 10.1093/oxfordhb/9780190058869.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 12
    Online Resource
    Online Resource
    The Oxford handbook of music performance : Volume 1 (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    LR 56000
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
    DOI: 10.1093/oxfordhb/9780190056285.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 13
    Online Resource
    Online Resource
    Menergy : San Francisco's gay disco sound (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197511114
    Language: English
    Pages: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    LS 48640
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Abstract: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Note: Also issued in print: 2022. - Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780197511077.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780197511077.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 14
    Online Resource
    Online Resource
    From servant to savant : musical privilege, property, and the French Revolution (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
    LQ 82204
    RVK:
    NW 2335
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197511510.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197511510.001.0001
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  • 15
    Online Resource
    Online Resource
    City of song : music and the making of modern Jerusalem (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
    LS 33100
    RVK:
    RR 19633
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197546475.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197546475.001.0001
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  • 16
    Online Resource
    Online Resource
    American popular song : the great innovators, 1900-1950 (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
    RVK:
    LS 22525
    RVK:
    LS 48000
    RVK:
    LS 48050
    RVK:
    LS 50525
    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190939946.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190939946.001.0001
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  • 17
    Online Resource
    Online Resource
    Turn on, tune in, drift off : ambient music's psychedelic past (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190699345
    Language: English
    Pages: 1 Online-Ressource (xii, 376 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.648
    RVK:
    LS 48635
    RVK:
    LS 48015
    Keywords: Music / ukslc ; Music / thema ; Ambient music / History and criticism ; Psychedelic rock music / History and criticism
    Abstract: Explores the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic counterculture. It examines landmark psychedelic, new age, electronic dance, and ambient records, as well as related media discourses, that plotted the conventions of ambient music
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190699307.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 18
    Online Resource
    Online Resource
    Deutscher Gangsta-Rap III : soziale Konflikte und kulturelle Repräsentationen (2022)
    Bielefeld : transcript
    Details
    ISBN: 9783839460559
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Cultural studies Band 56
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    LC 87015
    RVK:
    LS 48650
    RVK:
    MS 2350
    Keywords: Gangsta-Rap ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc. ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    DOI: 10.14361/9783839460559
    DOI: 10.1515/9783839460559
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: https://doi.org/10.1515/9783839460559?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839460559
    URL: Cover
    URL: JSTOR
    URL: EBSCOhost
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 19
    Online Resource
    Online Resource
    The Oxford handbook of time in music (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190947309
    Language: English
    Pages: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
    RVK:
    LR 55250
    RVK:
    LR 56650
    Keywords: Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Abstract: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
    DOI: 10.1093/oxfordhb/9780190947279.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 20
    Online Resource
    Online Resource
    Brithop : the politics of UK rap in the new century (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
    DOI: 10.1093/oso/9780190656805.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
  • 21
    Online Resource
    Online Resource
    Transforming ethnomusicology, Volume II : political, social & ecological issues (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197517550.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
  • 22
    Online Resource
    Online Resource
    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 23
    Online Resource
    Online Resource
    Fremdbestimmte Freude : der Einfluss werbetreibender Marken auf die populäre Musikkultur im frühen 21. Jahrhundert (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
    RVK:
    LC 87000
    RVK:
    LR 57768
    RVK:
    LR 57440
    RVK:
    LS 48015
    RVK:
    LS 48010
    RVK:
    QP 632
    RVK:
    LR 57760
    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    DOI: 10.14361/9783839454619
    DOI: 10.1515/9783839454619
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9783839454619?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454619
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    HU Berlin
    München BSB
    Regensburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 24
    Online Resource
    Online Resource
    Pop-Musik sammeln : zehn ethnografische Tracks zwischen Plattenladen und Streamingportal (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839455272 , 9783732855278
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2018
    RVK:
    LC 87000
    RVK:
    LS 48015
    Keywords: Streaming ; Musiktonträger ; Ethnologie ; Sammeln ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musiktonträger ; Streaming ; Sammeln ; Popmusik ; Streaming ; Ethnologie ; Sammeln
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.14361/9783839455272
    DOI: 10.1515/9783839455272
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Open Access
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 25
    Online Resource
    Online Resource
    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    HeBIS
    BVB
  • 26
    Online Resource
    Online Resource
    Sound relations : native ways of doing music history in Alaska (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    LS 49780
    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190869137.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190869137.001.0001
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    HeBIS
  • 27
    Online Resource
    Online Resource
    Sweet thing : the history and musical structure of a shared American vernacular form (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
    RVK:
    LS 48400
    RVK:
    LS 48050
    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190881979.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190881979.001.0001
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    HeBIS
  • 28
    Online Resource
    Online Resource
    Pop masculinities : the politics of gender in twenty-first century popular music (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190938833
    Language: English
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.640811
    RVK:
    LR 56618
    RVK:
    LS 48015
    Keywords: Popular music / History and criticism ; Masculinity in music
    Abstract: In this work, Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists' representations of masculinity, Hansen argues that pop performances tend to operate in ways that simultaneously reinforce and challenge gender norms and social inequalities
    Note: Also issued in print: 2022. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190938796.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780190938796.001.0001
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 29
    Online Resource
    Online Resource
    The history of jazz (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190087210.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190087210.001.0001
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    Online Resource
    HeBIS
  • 30
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    LS 33100
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197532973.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780197532973.001.0001
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    Online Resource
    HeBIS
  • 31
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197532997
    Language: English
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Jews / Germany / Music / History and criticism ; Music / Germany / 20th century / History and criticism ; Juden ; Musikleben ; Musiker ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    DOI: 10.1093/oso/9780197532973.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    KOBV
    BVB
  • 32
    Online Resource
    Online Resource
    Transforming ethnomusicology, Volume I : methodologies, institutional structures, and policies (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (280 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LS 17000
    Keywords: Ethnomusicology ; Ethnomusicology / Methodology ; Wissenschaftsethik ; Musikethnologie ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
  • 33
    Online Resource
    Online Resource
    Africanness in action : essentialism and musical imaginations of Africa in Brazil (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197549599
    Language: English
    Pages: 1 Online-Ressource (320 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.629608142
    RVK:
    LS 48800
    Keywords: Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197549551.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 34
    Online Resource
    Online Resource
    Voices of the field : pathways in public ethnomusicology (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197526729
    Language: English
    Pages: 1 Online-Ressource (288 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LS 12100
    RVK:
    LS 17000
    Keywords: Applied ethnomusicology ; Ethnomusicologists / Vocational guidance ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie
    Abstract: 'Voices of the Field' provides a reflection on the challenges, opportunities, and often overlooked importance of public ethnomusicology, capturing the authors' years of experience simultaneously navigating the academic world and the world outside academia, and sharing lessons often missing in ethnomusicological training
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197526682.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
    RVK:
    LS 48015
    RVK:
    LS 48630
    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197548813.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Between beats : the jazz tradition and black vernacular dance (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197559314
    Language: English
    Pages: 1 Online-Ressource (272 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6509730904
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz / Social aspects / United States / History / 20th century ; Jazz dance ; Music and dance / United States / History / 20th century ; Jazztanz ; Jazztanz ; Geschichte
    Abstract: 'Between Beats' explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a 'legitimate' art form better suited for still, seated listening
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197559277.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
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    Online Resource
    The Oxford handbook of western music and philosophy (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    LR 56800
    RVK:
    CC 6800
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
    DOI: 10.1093/oxfordhb/9780199367313.001.0001
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 38
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    Sampling politics : music and the geocultural (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190855512
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.4842
    RVK:
    LC 87000
    RVK:
    LR 57720
    Keywords: Music Social aspects ; Music Political aspects ; Sampling (Sound)
    Abstract: Sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making around the world. Digital networks allow artists to sample music across national borders and cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and 'copywrongs.' Based on archival research and musical analysis, alongside conversations with artists and their own public reflections, this book provides ways to listen more closely and hear (again) music making.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190855475.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190855475.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 39
    Online Resource
    Online Resource
    Play the way you feel : the essential guide to jazz stories on film (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    LS 48100
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
    DOI: 10.1093/oso/9780190847579.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 40
    Online Resource
    Online Resource
    A blaze of light in every word : analyzing the popular singing voice (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190052249
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164143
    RVK:
    LR 11000
    RVK:
    LS 48015
    Keywords: Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Note: Also issued in print: 2020. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190052201.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 41
    Online Resource
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    Theological stains : art music and the Zionist project (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    LS 33100
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
    DOI: 10.1093/oso/9780197504642.001.0001
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 42
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    Online Resource
    Capital bluegrass : country music in Washington D.C (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190933685
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64209753
    RVK:
    LS 48610
    Keywords: Bluegrass music History and criticism ; Old-time music History and criticism ; Washington, DC ; Bluegrass
    Abstract: Documenting the history and development of bluegrass in and around the nation's capital since it emerged in the 1950s, 'Capital Bluegrass' is central to our understanding of bluegrass in the United States and its place in our nation's capital.
    Note: Previously issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 14, 2020)
    DOI: 10.1093/oso/9780199863112.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 43
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    Online Resource
    Musical solidarities : political action and music in late twentieth-century Poland (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    LQ 86507
    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190938284.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190938284.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 44
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    Online Resource
    Curating contemporary music festivals : a new perspective on music's mediation (2020)
    Bielefeld : transcript
    Details
    ISBN: 9783839452431
    Language: English
    Pages: 1 Online-Ressource (326 Seiten)
    Series Statement: Music and Sound Culture Volume 47
    Series Statement: Musik und Klangkultur Volume 47
    Series Statement: Musik und Klangkultur
    Uniform Title: Curating festivals for contemporary music
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    RVK:
    LR 57220
    Keywords: Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Abstract: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Abstract: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Note: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
    DOI: 10.14361/9783839452431
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
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    GRASSI Mus. Leipzig
  • 45
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    Rap - Text - Analyse : deutschsprachiger Rap seit 2000 : 20 Einzeltextanalysen (2020)
    Bielefeld : transcript
    Details
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online-Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Aufsatzsammlung ; Deutsch ; Rap ; Text ; Geschichte 2000-2019
    URL: lizenzpflichtig
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  • 46
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    Online Resource
    Sounding Roman : representation and performing identity in Western Turkey (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908294
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.62914970561
    RVK:
    LS 36800
    Keywords: Geschichte ; Romanies / Turkey / Music / History and criticism ; Music / Social aspects / Turkey ; Romanies / Turkey / Social life and customs ; Music / Turkey / History and criticism ; Identität ; Musikleben ; Roma ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Abstract: 'Sounding Roman' traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman ('Gypsy') groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199949243.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 47
    Online Resource
    Online Resource
    Rap - Text - Analyse : deutschsprachiger Rap seit 2000 : 20 Einzeltextanalysen (2020)
    Bielefeld : transcript | Berlin : De Gruyter
    Details
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online-Ressource (279 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Studien zur Popularmusik
    RVK:
    GO 18518
    RVK:
    LS 48650
    Keywords: Geschichte 2000-2019 ; Deutsch ; Rap ; Text ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturhinweise
    DOI: 10.1515/9783839446287
    URL: https://doi.org/10.1515/9783839446287?locatt=mode:legacy
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-4628-3
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839446287
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München BSB
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  • 48
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    Online Resource
    Straighten up and fly right : the life and music of Nat King Cole (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    LS 48040
    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190882044.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190882044.001.0001
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  • 49
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    Online Resource
    The invention of Latin American music : a transnational history (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    LS 48800
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190687403.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190687403.001.0001
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  • 50
    Online Resource
    Online Resource
    Eubie Blake : rags, rhythm, and race (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190635961
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.14092
    RVK:
    LS 48040
    Keywords: Blake, Eubie ; Blake, Eubie ; African American composers Biography ; Composers Biography ; Jazz musicians Biography ; Biografie
    Abstract: Drawing from a rich trove of archival sources, 'Eubie Blake: Rags, Rhythm, and Race' tells the extraordinary story of a key 20th-century African American composer and traces the path his career blazed for other black artists.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190635930.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190635930.001.0001
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  • 51
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    Charlie Parker, composer (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    LS 48040
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190923389.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190923389.001.0001
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  • 52
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    Rebel music in the triumphant empire : punk rock in the 1990s United States (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197534922
    Language: English
    Pages: 1 Online-Ressource (288 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    LS 48645
    Keywords: Geschichte 1990-2000 ; Punk Rock ; Punk rock music History and criticism ; Rock music History and criticism 1991-2000 ; USA
    Abstract: At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 World Trade Organization meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197534885.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780197534885.001.0001
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  • 53
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    Meter as rhythm (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
    RVK:
    LR 55250
    RVK:
    LS 23750
    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190886912.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190886912.001.0001
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  • 54
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    Brithop : the politics of UK rap in the new century (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
    RVK:
    LS 48650
    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture
    Note: Also issued in print: 2020. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190656805.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online Resource
    Online Resource
    Curating contemporary music festivals : a new perspective on music's mediation (2020)
    Bielefeld : transcript
    Details
    Language: English
    Pages: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Series Statement: Music and sound culture Volume 47
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    DDC: 780.78
    RVK:
    LR 57220
    Keywords: Deutschland Kulturpolitik ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturelle Veranstaltung ; Festspiele ; Musik ; Theater ; Ziele und Programme von Institutionen/Organisationen ; Innere Organisation von Institutionen/Organisationen ; Konzeption ; Wandel ; Theoriebildung ; Fallstudie ; München ; Berlin ; Reformvorschlag ; Germany Cultural policy ; International cultural cooperation ; Cultural projects ; Cultural events ; Pageants ; Music ; Theatre ; Aims and programmes of institutions/organizations ; Internal organization of institutions/organizations ; Concepts ; Change ; Theory formation ; Case studies ; Reform proposals ; Künstler Komponist ; Zusammenarbeit ; Visualisierung ; Bildende Kunst ; Darstellende Kunst ; Tanz ; Management (funktional) ; Arbeitsbeziehungen ; Kreativität ; Internationaler Vergleich/Ländervergleich ; Vereinigtes Königreich ; London ; Documenta 11 (Kassel, 2002-06-08/2002-09-15) ; Kassel ; Artists Composer ; Cooperation ; visualisation ; Visual arts ; Performing arts ; Dance ; Management (functional) ; Industrial relations ; Creativity ; International/country comparison ; United Kingdom ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben
    Note: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden."
    URL: kostenfrei
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    The Oxford handbook of social media and music learning (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    LR 56976
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
    DOI: 10.1093/oxfordhb/9780190660772.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190660772.001.0001/oxfordhb-9780190660772
    URL: https://doi.org/10.1093/oxfordhb/9780190660772.001.0001
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    The Oxford handbook of the operatic canon (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    LR 54170
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
    DOI: 10.1093/oxfordhb/9780190224202.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190224202.001.0001/oxfordhb-9780190224202
    URL: https://doi.org/10.1093/oxfordhb/9780190224202.001.0001
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  • 58
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    The Oxford handbook of music and Medievalism (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    LR 56820
    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
    DOI: 10.1093/oxfordhb/9780190658441.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190658441.001.0001/oxfordhb-9780190658441
    URL: https://doi.org/10.1093/oxfordhb/9780190658441.001.0001
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  • 59
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    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    LS 48015
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    DOI: 10.14361/9783839443583
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
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  • 60
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    Becoming creative : insights from musicians in a diverse world (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
    RVK:
    LS 19000
    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199365173.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780199365173.001.0001
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  • 61
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    Flow : the rhythmic voice in rap music (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
    RVK:
    LS 48650
    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
    DOI: 10.1093/oso/9780190670412.001.0001
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
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  • 62
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    Build : the power of hip-hop diplomacy in a divided world (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
    RVK:
    LS 48650
    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056117.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190056117.001.0001
    URL: lizenzpflichtig
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  • 63
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    Teaching school jazz : perspectives, principles, and strategies (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
    RVK:
    LS 48015
    RVK:
    LR 56970
    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
    DOI: 10.1093/oso/9780190462574.001.0001
    URL: lizenzpflichtig
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  • 64
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    Anonymity performance in electronic pop music : a performance ethnography of a critical practice (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (233 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016
    RVK:
    LS 48655
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; music ; Music ; Performance ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Ethnography ; Anonymity ; Culture; Pop Music; Performance; Ethnography; Anonymity; Musicology; Popular Culture; Music; Cultural Studies; ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: 〈p〉Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?〈br /〉This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.〈/p〉
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  • 65
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    Do you remember house? : Chicago's queer of color undergrounds (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    DDC: 781.6480977311
    RVK:
    LS 48050
    Keywords: House music History and criticism ; Illinois ; Chicago ; Homosexuality and popular music Illinois ; Chicago ; African American gays Illinois ; Chicago ; Popmusik ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregation. Engaging with and extending the fields of African American studies, urban studies, gender and sexuality studies, dance studies, performance studies, popular music studies, ethnomusicology, and media studies, Do You Remember House? considers house music culture’s liberatory potential in relation to its flexible repertoire in motion, an ever-expanding archive of danceable sounds.
    DOI: 10.1093/oso/9780190698416.001.0001
    URL: Volltext
    URL: Inhaltsverzeichnis
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  • 66
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    Jump up! : Caribbean carnival music in New York City (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190656881
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 781.629697298307471
    RVK:
    LS 48050
    RVK:
    LS 48700
    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Abstract: 'Jump Up!' provides a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, the work examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The text fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its island homeland and its burgeoning New York migrant community.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190656843.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190656843.001.0001
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    Music practices across borders : (e)valuating space, diversity and exchange (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    LS 48000
    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
    DOI: 10.14361/9783839446676
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
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    Western promises : Pop-Musik und Markennamen (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446447
    Language: German
    Pages: 1 Online-Ressource (261 Seiten) , Illustrationen
    Series Statement: Rivergate Regionals Collection
    Series Statement: Konsumästhetik Band 5
    Series Statement: Konsumästhetik
    Parallel Title: Erscheint auch als Baßler, Moritz, 1962 - Western promises: Pop-Musik und Markennamen
    RVK:
    LR 56827
    RVK:
    LS 48005
    Keywords: Local transit Political aspects ; Transportation and state ; Transportation Political aspects ; Advertising Music ; Branding (Marketing) Social aspects ; Mass media Aesthetics ; Popular music Social aspects ; SOCIAL SCIENCE / General ; SOCIAL SCIENCE / Sociology / General ; Popmusik ; Markenname ; Erwähnung ; Popkultur
    Abstract: Frontmatter -- Inhalt -- Pop und Marke -- Teenage Command Performance -- Pop Art Music -- »Bits of Americana«. Markenlogos auf Plattencovern -- Autos -- Pepsi -- NDW und Deutschpop -- Schluss -- Dank -- Abbildungsverzeichnis -- Markenverzeichnis -- Index
    Abstract: Markennamen sind das Erkennungszeichen für Pop Art und Popliteratur, finden sich jedoch fast nie in den Werken von Pop-Musiker_innen wieder. Die Rolling Stones nehmen 1964 zwar einen Werbeclip für Kellogg's auf, würden Rice Krispies aber nie in ihren Songs erwähnen - und auch in dem Gesamtwerk der Beatles lassen sich gerade mal zwei Erwähnungen finden. Das ist doch seltsam: Warum machen sich die Zeichen der Konsumkultur ausgerechnet in der Pop-Musik so rar? Im Ausgang von dieser Frage entwickelt Moritz Baßler eine Diskursgeschichte des Pop von Elvis bis heute, mit intensiven Songanalysen und speziellen Kapiteln zu Automarken, Pepsi und deutschsprachiger Pop-Musik. Was wird eingelöst von den 'Western Promises', den Versprechen unserer Pop- und Markenkultur?
    DOI: 10.14361/9783839446447
    URL: lizenzpflichtig
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    Rites, rights and rhythms : a genealogy of musical meaning in Colombia's black Pacific (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
    RVK:
    LS 48800
    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199913923.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
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    Rabbit's blues : the life and music of Johnny Hodges (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190055288
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 788.7165092
    RVK:
    LS 48040
    Keywords: Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Abstract: A full-length biography of Johnny Hodges, 'Rabbit's Blues' tells the story of one of the premier saxophonists in jazz history, who brought the woody tone and bluesy technique of New Orleans music to the hot East Coast jazz of the Ellington orchestra.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190653903.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190653903.001.0001
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  • 71
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    Postbop jazz in the 1960s : the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
    RVK:
    LS 48030
    RVK:
    LS 48100
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190604578.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190604578.001.0001
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  • 72
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    The Oxford handbook of musical repatriation (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190659820
    Language: English
    Pages: 1 Online-Ressource (lvi, 774 Seiten) , Illustrationen, Karten, Portraits
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Restitution ; Lautarchiv ; Musikethnologie ; Repatriierung ; Schallaufzeichnung ; Kulturerbe ; Music / Repatriation ; Sound recordings in ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Kulturerbe ; Schallaufzeichnung ; Lautarchiv ; Restitution ; Repatriierung
    DOI: 10.1093/oxfordhb/9780190659806.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 73
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    Online Resource
    The Oxford handbook of musical repatriation (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190659806
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karten, Portraits
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Restitution ; Lautarchiv ; Musikethnologie ; Repatriierung ; Schallaufzeichnung ; Kulturerbe ; Music / Repatriation ; Sound recordings in ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Kulturerbe ; Schallaufzeichnung ; Lautarchiv ; Restitution ; Repatriierung
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
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    Bangkok is rising : sound, space, and media at Thailand's Red Shirt protests (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    RVK:
    LS 44700
    RVK:
    MH 34090
    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190847524.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
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    Do you remember house? : Chicago's queer of color undergrounds (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6480977311
    RVK:
    LS 48050
    Keywords: Geschichte 1975-2019 ; House music / Illinois / Chicago / History and criticism ; Homosexuality and popular music / Illinois / Chicago ; African American gays / Illinois / Chicago ; House ; Chicago, Ill. ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago's queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of colour congregation
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190698416.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
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    Switched on pop : how popular music works, and why it matters (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190056681
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48070
    Keywords: Geschichte 2000-2019 ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Popular music / Analysis, appreciation ; Musikalische Analyse ; Musikalischer Stil ; Hit ; Popmusik ; Popmusik ; Hit ; Musikalischer Stil ; Musikalische Analyse ; Geschichte 2000-2019
    Abstract: 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056650.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190056650.001.0001
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  • 77
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    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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  • 78
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    Drumming Asian America : taiko, performance, and cultural politics (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    LS 27320
    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
    DOI: 10.1093/oso/9780199374014.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 79
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    Dawn of the DAW : the studio as musical instrument (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    LS 17200
    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190296605.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 80
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    The musical language of rock (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190653804
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.66117
    RVK:
    LS 48015
    Keywords: Einführung ; Einführung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780190653774.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 81
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    The Oxford handbook of music and queerness (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199984169
    Language: English
    Pages: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
    RVK:
    LR 56600
    RVK:
    LR 56610
    Keywords: Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Abstract: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
    DOI: 10.1093/oxfordhb/9780199793525.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 82
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    The Oxford handbook of timbre (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190637231
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
    RVK:
    LR 55180
    Keywords: Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Abstract: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Abstract: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190637224.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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  • 83
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    Anonymity performance in electronic pop music : a performance ethnography of critical practices (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Dissertation note: Dissertation University of London
    RVK:
    LS 48655
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Anonymity. ; Cultural Studies. ; Ethnography. ; Music. ; Musicology. ; Performance. ; Pop Music. ; Popular Culture. ; MUSIC / History & Criticism ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
    DOI: 10.14361/9783839442562
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: Cover
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  • 84
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    Pop weiter denken : neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte (2018)
    Bielefeld : transcript | Gießen : Giessener Elektronische Bibliothek
    Details
    Language: German , English
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
    RVK:
    LS 48010
    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beiträge teilweise deutsch, teilweise englisch
    URN: urn:nbn:de:hebis:26-opus-152870
    URL: kostenfrei
    URL: kostenfrei
    URL: https://doi.org/10.1515/9783839446645?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839446645
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
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  • 85
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    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: Volltext
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  • 86
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    Singing the congregation : how contemporary worship music forms evangelical community (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    LS 20525
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
    DOI: 10.1093/oso/9780190499631.001.0001
    URL: Volltext
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  • 87
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    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2018)
    Bielefeld : transcript | The Hague : OAPEN Foundation
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Popular music
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
    URL: kostenfrei
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    URL: kostenfrei
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    Würzburg UB
    Regensburg UB
    KOBV
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    MPI Ethno. Forsch.
  • 88
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    Discordant notes : marginality and social control in Madrid, 1850-1930 (2018)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
    RVK:
    LQ 83206
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780199392469.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780199392469.001.0001
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  • 89
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    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.641234
    RVK:
    LS 48015
    Abstract: 'The Relentless Pursuit of Tone' investigates the many ways tone and timbre function in popular music. From the twang of the banjo to the thump of subwoofers on the dance floor, the authors engage with the entire history of popular music as recorded sound, from the 1930s to the present day.
    Note: Previous edition issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780199985227.001.0001
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  • 90
    Online Resource
    Online Resource
    Mahalia Jackson and the black gospel field (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    DOI: 10.1093/oso/9780190634902.001.0001
    URL: Volltext
    URL: http://dx.doi.org/10.1093/oso/9780190634902.001.0001
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  • 91
    Online Resource
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    Punk crisis : the global punk rock revolution (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190872397
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    LS 48645
    Keywords: Geschichte 1976-1989 ; Punk rock music / History and criticism ; Punk rock music / Political aspects ; Sozialer Wandel ; Ost-West-Konflikt ; Politik ; Punk Rock ; Punk Rock ; Ost-West-Konflikt ; Politik ; Sozialer Wandel ; Geschichte 1976-1989
    Abstract: This work tells the story of punk rock as a global movement that spanned the boundaries of the Cold War world, focusing on examples in Poland and elsewhere in Eastern and Central Europe, the United States, the United Kingdom, and their connections with the Third World. Drawing on archival documents, 'zines, mainstream publications, and other sources, it closely examines the appeal of punk to its practitioners and the reactions of each society to the rise of punk. It argues that punk grew out of and contributed to the global transition from the late Cold War era to the era of neoliberal/neoconservative globalization
    Note: Previously issued in print: 2018. - Includes bibliographical references, discography, videography and index
    DOI: 10.1093/oso/9780190872359.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
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    Drumming Asian America : taiko, performance, and cultural politics (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    LS 27320
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199374014.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 93
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    Sonidos Negros : on the blackness of flamenco (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
    RVK:
    LS 20670
    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    DOI: 10.1093/oso/9780190466916.001.0001
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
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    Musical minorities : the sounds of Hmong ethnicity in northern Vietnam (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190869366
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    LS 44300
    Keywords: Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Abstract: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190626969.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 95
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    Sense and sadness : Syriac chant in Aleppo (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190635299
    Language: English
    Pages: 1 Online-Ressource (250 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.32216300956913
    RVK:
    LS 35240
    Keywords: Syrian chants / Syria / Aleppo / History and criticism ; Church music / Syria / Aleppo ; Church music / Syrian Orthodox Church ; Kirchenmusik ; Kirchengesang ; Aleppo ; Aleppo ; Kirchenmusik ; Kirchengesang
    Abstract: 'Sense and Sadness' is a story of the living practice of Syriac chant in Aleppo, Syria. To understand and explain this oral tradition, the text puts forward the concept of the emotional economy of music aesthetics, an economy in which the emotional and the aesthetic interrelate in mutually indicative ways
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190635251.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 96
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    In hip hop time : music, memory, and social change in urban Senegal (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190913526
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164909663
    RVK:
    LS 46474
    RVK:
    LS 48650
    Keywords: Geschichte 1985- ; Popular music / Social aspects / Senegal ; Rap music / Social aspects / Senegal ; Social change / Senegal ; Globalisierung ; Urbanität ; Sozialer Wandel ; Hip-Hop ; Rap ; Senegal / Social life and customs / 21st century ; Senegal ; Senegal ; Rap ; Hip-Hop ; Urbanität ; Globalisierung ; Sozialer Wandel ; Geschichte 1985-
    Abstract: 'In Hip Hop Time' goes beyond popular narratives of hip hop resistance to address Senegalese hip hop - Rap Galsen - as a musical movement deeply tied to indigenous performance practices and changing social norms in a modernizing Africa
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190913489.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 97
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    Klingende Eklats : Skandal und Neue Musik (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (354 Seiten) , Illustrationen
    Series Statement: Histoire Band 118
    Parallel Title: Erscheint auch als Schürmer, Anna, 1980 - Klingende Eklats
    Dissertation note: Dissertation Universität Potsdam 2016
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Hochschulschrift ; Neue Musik ; Skandal ; Geschichte ; Neue Musik ; Skandal ; Musik ; Avantgarde ; Skandal ; Musik ; Klang ; Ereignis
    Note: Literaturverzeichnis: Seite 313-346
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-3983-4
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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  • 98
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    The Oxford handbook of algorithmic music (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190227012
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of algorithmic music
    DDC: 781.3/4
    RVK:
    LR 57790
    Keywords: Computer composition (Music) ; Computer composition ; Computer composition ; Algorithmische Komposition ; Computermusik ; Algorithmus ; Algorithmische Komposition ; Computermusik ; Algorithmus
    Abstract: Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190226992.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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  • 99
    Online Resource
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    The Oxford handbook of music and the body (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190636241
    Language: English
    Pages: 1 Online-ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
    LR 56600
    RVK:
    LR 56650
    Keywords: Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Abstract: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190636234.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 100
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    The Oxford handbook of music listening in the 19th and 20th centuries (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    LR 56606
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
    DOI: 10.1093/oxfordhb/9780190466961.001.0001
    URL: lizenzpflichtig
    URL: Volltext
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    MPI Ethno. Forsch.
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