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  • BSZ  (271)
  • MPI Ethno. Forsch.  (138)
  • Kalliope (Nachlässe)
  • History  (376)
  • Philosophy  (236)
  • Musicology  (140)
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Material
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Subjects(RVK)
  • 1
    Language: English
    Uniform Title: Histoire de la sexualité 〈engl.〉
    DDC: 306.7
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    Keywords: Sex customs ; History ; Collected works
    Note: Includes bibliographies and indexes
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  • 2
    Book
    Book
    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    Show associated volumes/articles
    Language: English
    Uniform Title: Temps et récit 〈engl.〉
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    Keywords: Riœur, Paul ; Temps et récit ; Narration (Rhetoric) ; Time in literature ; Mimesis in literature ; Plots (Drama, novel, etc.) ; History ; Philosophy ; Ricœur, Paul 1913-2005 Temps et récit
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  • 3
    Book
    Book
    Paris : Gallimard
    Language: French
    Series Statement: Bibliothèque des histoires
    Series Statement: nrf
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    Keywords: Sex customs ; History ; Sexualverhalten ; Geschichte
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  • 4
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 5
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9780226823683
    Language: English
    Pages: 258 Seiten , Illustrationen
    Series Statement: The life of ideas
    DDC: 339.2/2
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    Keywords: Grundeinkommen ; Öffentliche Sozialleistungen ; Ökonomische Ideengeschichte ; Wirtschaftstheorie ; Basic income History ; Basic income Philosophy ; History ; Economic assistance, Domestic History ; Economic assistance History ; Friedman, Milton 1912-2006 ; Garantiertes Mindesteinkommen ; Wirtschaft ; Geschichte ; Ideengeschichte
    Abstract: "A sweeping intellectual history of the welfare state's policy-in-waiting From Thomas More to Thomas Paine, Milton Friedman to Mark Zuckerberg, centuries of public figures have hailed the power of government payments as a tool for advancing social justice. For some advocates, basic income is a moral imperative, a policy with potential to upend structural inequalities; for others, it's a market-friendly version of the welfare state that doesn't constrain capitalism. By appealing differently to different political sensibilities, basic income has persisted in the political imagination for centuries. In this deeply erudite and original work, Anton Jäger and Daniel Zamora offer the first historical examination of basic income as a policy of convenience--and, critically, as an intellectual backstop for the shortcomings of capitalism. With modern origins in works of neoliberals like Friedrich Hayek, basic income was conceived as a form of market-friendly welfare state-a safety net around capitalism that wouldn't impinge on capitalism. Although neoliberals failed to make the idea a reality, they succeeded in seeding a fascination that would permeate all corners of late-century capitalism, from supply-side Democrats to neoclassical economists and barons of Silicon Valley. Basic income, Jäger and Zamora show, is no mere political sideshow. Amid societies' ongoing search for market-friendly utopianism, it may be a policy whose time has finally come."
    Note: Index
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  • 7
    ISBN: 9783406800115 , 3406800114
    Language: German
    Pages: 592 Seiten , Illustrationen , 22 cm x 15 cm
    Parallel Title: Erscheint auch als Locher, Hubert, 1963 - Kunsttheorie
    Parallel Title: Erscheint auch als Kunsttheorie
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    Keywords: Art Philosophy ; History ; Europa ; Ästhetik ; Geschichte
    Note: Literaturverzeichnis: Seite 504-582 , Abbildungsnachweis: Seite 583-584 , Personenregister: Seite 585-592
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  • 8
    Book
    Book
    Ithaca : Northern Illinois University Press, an imprint of Cornell University Press
    ISBN: 9781501763182
    Language: English
    Pages: x, 250 Seiten
    Parallel Title: Erscheint auch als Beckeld, Benedict Western self-contempt
    DDC: 306.209182/1
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    Keywords: Political culture History ; Civilization, Western Political aspects ; History ; Social values History ; Western countries Politics and government ; Western countries Intellectual life ; Gesellschaft ; Niedergang
    Abstract: "A study of how and why oikophobia -- cultural self-hatred -- develops in Western societies"--
    Note: Includes bibliographical references and index
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  • 9
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 10
    ISBN: 9780691191072
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Eich, Stefan The currency of politics
    Parallel Title: Erscheint auch als Eich, Stefan The currency of politics
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    Keywords: Monetary policy History ; Money Political aspects ; History ; PHILOSOPHY / Political ; BUSINESS & ECONOMICS / Money & Monetary Policy ; Geldtheorie ; Ideengeschichte ; Aristoteles v384-v322 ; Locke, John 1632-1704 ; Fichte, Johann Gottlieb 1762-1814 ; Marx, Karl 1818-1883 ; Keynes, John Maynard 1883-1946
    Abstract: "The financial crisis of 2008 prompted a renewed critical interest in the moral limits and the sense of justice inherent in the market economy. But while the valuable pursuits of political theorists have enabled them to speak more directly to the economic dimension of our lives, they only rarely touch on the political roots of the central institution of all market economies-money. In The Currency of Politics, political theorist Stefan Eich responds to this blind-spot by offering an intellectual history of money, as the concept was developed over time through the insight of some key political philosophers. Showing the ways in which money is an inherently political institution, Eich examines six key moments of monetary crisis and the political reflection they elicited, from Aristotle and the invention of coinage to the "Great Inflation" of the 1970s and the subsequent disappearance of discussions of money from political theory. What ties the moments together, he argues, is a set of recurring concerns with monetary politics that unfold as a conversation across time, constantly offering revisionist assessments of prior crises. Whether we know it or not, these layers of crisis have come to define the way we look at money, and they continue to reverberate today. In surveying the history Eich responds to the most pressing political questions about money which arise from within the long history of political thought and maps out several possible paths for thinking politically about the governance of money."--
    Abstract: "Money in the history of political thought, from ancient Greece to the Great Inflation of the 1970sIn the wake of the 2008 financial crisis, critical attention has shifted from the economy to the most fundamental feature of all market economies-money. Yet despite the centrality of political struggles over money, it remains difficult to articulate its democratic possibilities and limits. The Currency of Politics takes readers from ancient Greece to today to provide an intellectual history of money, drawing on the insights of key political philosophers to show how money is not just a medium of exchange but also a central institution of political rule.Money appears to be beyond the reach of democratic politics, but this appearance-like so much about money-is deceptive. Even when the politics of money is impossible to ignore, its proper democratic role can be difficult to discern. Stefan Eich examines six crucial episodes of monetary crisis, recovering the neglected political theories of money in the thought of such figures as Aristotle, John Locke, Johann Gottlieb Fichte, Karl Marx, and John Maynard Keynes. He shows how these layers of crisis have come to define the way we look at money, and argues that informed public debate about money requires a better appreciation of the diverse political struggles over its meaning.Recovering foundational ideas at the intersection of monetary rule and democratic politics, The Currency of Politics explains why only through greater awareness of the historical limits of monetary politics can we begin to articulate more democratic conceptions of money."--
    Note: Includes bibliographical references and index
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  • 11
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
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    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 13
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 14
    Book
    Book
    [London] : Penguin Books
    ISBN: 9780141997063 , 0141997060
    Language: English
    Pages: 87 Seiten , Karten , 18 cm
    Series Statement: Green ideas 13
    Series Statement: Penguin classics
    Series Statement: Green ideas
    Parallel Title: Erscheint auch als
    DDC: 304.2099618
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    Keywords: Human ecology ; Human ecology ; History ; Easter Island History ; Easter Island
    Abstract: This is Jared Diamond's haunting account of visiting the mysterious stone statues of Easter Island, showing how a remote civilisation destroyed itself by exploiting its own natural resources - and why we must heed this warning
    Note: "First published in Collapse: How Societies Choose to Fail or Survive by Penguin Books 2006. This extract published in Penguin Books 2021"--Title page verso , Includes bibliographical references
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  • 15
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 16
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
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    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 17
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108990783 , 9781108845748 , 9781108964975
    Language: English
    Pages: 1 online resource (viii, 336 pages) , digital, PDF file(s).
    Series Statement: Ideas in context 135
    Parallel Title: Erscheint auch als
    DDC: 301.092
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    Keywords: Simmel, Georg ; Sociologists Biography ; Sociologists Biography ; Sociology Philosophy ; History ; Germany Civilization ; Germany Intellectual life 19th century
    Abstract: The significance of the German philosopher and social thinker, Georg Simmel (1858-1918), is only now being recognised by intellectual historians. Through penetrating readings of Simmel's thought, taken as a series of reflections on the essence of modernity and modern civilisation, Efraim Podoksik places his ideas within the context of intellectual life in Germany, and especially Berlin, under the Kaiserreich. Modernity, characterised by the growing differentiation and fragmentation of culture and society, was a fundamental issue during Simmel's life, underpinning central intellectual debates in Imperial Germany. Simmel's thought is depicted here as an attempt at transforming the complexity of these debates into a coherent worldview that can serve as an effective guide to understanding their main parameters. Paying particular attention to the genealogy and usage of the concepts of Bildung, culture and civilisation in Germany, this study offers contextual analyses of Simmel's philosophies of culture, society, art, religion and the feminine, as well as his interpretations of Dante, Kant, Nietzsche, Schopenhauer, Goethe and Rembrandt.
    Note: Title from publisher's bibliographic system (viewed on 09 Jul 2021)
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  • 18
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 19
    ISBN: 978-1-003-00319-9 , 1-003-00319-2 , 978-1-000-36146-9 , 1-000-36146-2 , 9781-000-36152-0 , 1-000-36152-7 , 978-1-000-36149-0 , 1-000-36149-7
    Language: English
    Pages: 1 Online-Ressource (xvi, 265 Seiten) : , Illustrationen.
    Series Statement: Routledge advances in feminist studies and intersectionality
    Parallel Title: Erscheint auch als
    DDC: 305.309
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    Keywords: 2000-2099 ; Feminism / History / 21st century ; Sex role / History / 21st century ; Neoliberalism / History / 21st century ; Race / Political aspects ; Postcolonialism / Social aspects ; Post-communism / Social aspects ; Feminism ; Neoliberalism ; Sex role ; SOCIAL SCIENCE / Sociology / General ; Postkolonialismus. ; Postkommunismus. ; Feminismus. ; Aufsatzsammlung ; History ; Aufsatzsammlung ; Postkolonialismus ; Postkommunismus ; Feminismus
    Abstract: "Through staging dialogues between scholars, activists and artists from a variety of disciplinary, geographical and historical specializations, Postcolonial and Postsocialist Dialogues explores the possible resonances and dissonances between the postcolonial and the postsocialist in feminist theorizing and practice. While postcolonial and postsocialist perspectives have been explored in feminist studies, the two analytics tend to be viewed separately. This volume brings together attempts to understand if and how postcolonial and postsocialist dimensions of the human condition - historical, existential, political, and ideological - intersect and correlate in feminist experiences, identities, and struggles. In the three sections that probe the intersections, opacities and challenges between the two discourses, the authors put under pressure what postcolonialism and postsocialism mean for feminist scholarship and activism. The contributions address the emergence of new political and cultural formations as well as circuits of bodies and capital in post-Cold War and postcolonial era in currently re-emerging neo-colonial and imperial conflicts. They engage with issues of gender, sexuality, race, migration, diasporas, indigeneity, and disability, while also developing new analytical tools such as postsocialist precarity, queer postsocialist coloniality, uneventful feminism, feminist opacity, feminist queer crip epistemologies. The collection will be of interest for postcolonial and postsocialist researchers, students of gender studies, feminist activists and scholars"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9783412523930 , 3412523933
    Language: German
    Pages: 468 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine, 1984 - Künstler-Ehe
    Parallel Title: Erscheint auch als Fornoff-Petrowski, Christine Künstler-Ehe
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2020
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    Keywords: Kinkel, Gottfried ; Schumann, Clara ; Music Social aspects 19th century ; History ; Musicians Public opinion ; Musicians' spouses Public opinion ; Artist couples Public opinion ; Bildnis ; Hochschulschrift ; Biografie ; Musiker ; Musikerin ; Ehepaar ; Bürgerliche Gesellschaft ; Geschlechterverhältnis ; Geschichte 1800-1899 ; Musiker ; Musikerin ; Ehepaar ; Geschichte 1800-1899 ; Künstler ; Ehepaar ; Geschichte 1800-1899
    Abstract: Auch zu Clara Schumann und Gottfried Kinkel
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  • 21
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
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    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 23
    Book
    Book
    London : Routledge, Taylor and Francis Group
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
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    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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  • 24
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 25
    ISBN: 9781315681597
    Language: English
    Pages: 1 Online-Ressource (xv, 437 Seiten) , Illustrationen
    Series Statement: Routledge handbooks
    Series Statement: Routledge handbooks in philosophy
    Parallel Title: Erscheint auch als The Routledge handbook of philosophy of the city
    DDC: 307.7601
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    Keywords: Cities and towns Philosophy ; History ; PHILOSOPHY ; General ; Cities and towns ; Philosophy ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Philosophie ; Stadtforschung
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
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    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
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    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
    URL: Cover
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 29
    ISBN: 9783458178446 , 3458178449
    Language: German
    Pages: 751 Seiten , Illustrationen , 22 cm
    Edition: Erste Auflage
    Parallel Title: Erscheint auch als Duerr, Hans Peter, 1943 - Diesseits von Eden
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    Keywords: Magic Religious aspects ; Shamanism ; Parapsychology ; Religion History ; Experience (Religion) ; Religion and civilization History ; Religion and culture History ; Religion - Histoire ; Expérience religieuse ; Religion et civilisation - Histoire ; Religion et culture - Histoire ; religious history ; Experience (Religion) ; Religion ; Religion and civilization ; Religion and culture ; History ; Religiöse Erfahrung ; Bewusstseinsveränderung ; Kulturvergleich ; Religionsethnologie ; Religiöse Erfahrung ; Bewusstseinsveränderung ; Kulturvergleich ; Religionsethnologie
    Note: Literaturverzeichnis: Seite 603-745
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  • 30
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 31
    Online Resource
    Online Resource
    Berlin : Insel Verlag
    ISBN: 9783458765721
    Language: German
    Pages: 1 Online-Ressource (751 Seiten)
    Edition: Erste Auflage
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Duerr, Hans Peter, 1943 - Diesseits von Eden
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    Keywords: Religion History ; Experience (Religion) ; Religion and civilization History ; Religion and culture History ; Religion - Histoire ; Expérience religieuse ; Religion et civilisation - Histoire ; Religion et culture - Histoire ; religious history ; Experience (Religion) ; Religion ; Religion and civilization ; Religion and culture ; History ; Religiöse Erfahrung ; Bewusstseinsveränderung ; Kulturvergleich ; Religionsethnologie ; Religiöse Erfahrung ; Religionsethnologie ; Kulturvergleich ; Bewusstseinsveränderung
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  • 32
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 33
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 34
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
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    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 35
    ISBN: 9781138928787
    Language: English
    Pages: xv, 437 Seiten
    Series Statement: Routledge handbooks in philosophy
    Parallel Title: Erscheint auch als The Routledge handbook of philosophy of the city
    DDC: 307.7601
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    Keywords: Cities and towns Philosophy ; History ; Aufsatzsammlung ; Aufsatzsammlung ; History ; Aufsatzsammlung ; Philosophie ; Stadtforschung
    Note: Ressource lag 2019 vor , Literaturangaben
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  • 36
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
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    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 37
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226682518
    Language: English
    Pages: 1 Online-Ressource (xii, 228 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Lincoln, Bruce Authority
    Parallel Title: Erscheint auch als Lincoln, Bruce Authority
    Parallel Title: Erscheint auch als Lincoln, Bruce Authority
    DDC: 303.3/6
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    Keywords: Thersites ; Geschichte ; Gezag ; Politik ; Authority History ; Political oratory History ; Rhetoric Political aspects ; History ; Autorität ; Autorität
    Note: Auf der Rückseite des Titelblattes: "First published 1994, Paperback and e-book published 2019"
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Book
    Book
    Saint-Joseph-du-Lac (Québec), Canada : M Éditeur
    ISBN: 9782924924068
    Language: French
    Pages: 197 Seiten , Illustrationen , 21 cm
    Series Statement: Collection Mouvements
    DDC: E
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    Keywords: Free jazz History ; Free jazz ; History ; Québec (Province) History 1960- ; Québec ; Free Jazz ; Provinz Quebec ; Québec
    Abstract: "Quelle est la place du free jazz dans les luttes menées contre le capitalisme et l'impérialisme anglo-saxon au lendemain de la Révolution tranquille? En quoi l'improvisation collective en musique est-elle le moteur d'une révolte politico-culturelle, voire le vecteur d'une utopie collective? Quel est le rôle des travailleur·euses culturel·les dans le militantisme politique du Québec des années 1960 et 1970? Cette histoire du groupe Jazz libre retrace le parcours emprunté par un collectif d'improvisateurs engagés dans la recherche de nouvelles formes de communication et d'organisation : de leurs débuts à « L'Atelier de jazz » au centre-ville jusqu'à l'Amorce dans le Vieux-Montréal, en pas­sant par l'Association espagnole, la Colonie artistique de Val-David et la commune socialiste « P'tit Québec libre ». La pratique musicale du groupe se veut rassembleuse, participative, démocratique et libératrice. Elle l'amène à participer aux expérimentations de Raôul Duguay et de Walter Boudreau dans l'Infonie, et celles de Robert Charlebois et de ses complices de l'Osstidcho. Elle est surtout une « musique-action », c'est-à-dire un outil de désaliénation avec lequel le Jazz libre invite les gens à communiquer ensemble pour ensuite prendre conscience de leur capacité d'agir et de se libérer - individuellement puis collectivement. Cette démarche lui permet d'établir des réseaux avec des membres de la revue Parti pris et du Front de libération du Québec ainsi que des militant·es étudiant·es et ouvrier·ères. Dès lors, sa destinée est fatalement liée à celle de la gauche indépendantiste ; une gauche bigarrée qui, à la fin des années 1960 et au début des années 1970, fait face aux champs des possibles."--Page 4 of cover
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  • 39
    Book
    Book
    London : Bloomsbury Academic
    ISBN: 1474212859 , 9781474212854
    Language: English
    Parallel Title: Erscheint auch als A cultural history of law
    Parallel Title: Online version Cultural history of law
    DDC: 340.09
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    Keywords: Law History ; Law Social aspects ; History ; Rechtskultur ; Geschichte
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  • 40
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
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    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
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  • 41
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190908942
    Language: English
    Pages: 1 Online-Ressource (vii, 527 Seiten)
    Series Statement: Oxford scholarship online
    Series Statement: Political Science
    Parallel Title: Erscheint auch als Nail, Thomas Being and motion
    DDC: 304.809
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    Keywords: Political science Philosophy ; Emigration and immigration Political aspects ; Human beings Migrations ; History ; Migration, Internal Political aspects ; Human beings ; Migrations ; History ; Emigration and immigration ; Political aspects ; Migration, Internal ; Political aspects ; Political science ; Philosophy ; Migration ; Bewegung ; Philosophie
    Abstract: 'Being and Motion' offers an original philosophical ontology of movement
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  • 42
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 43
    ISBN: 9783518294536
    Language: German
    Pages: 476 Seiten
    Edition: 5. Auflage
    Series Statement: Suhrkamp Taschenbuch Wissenschaft 1853
    Uniform Title: Les Anormaux
    DDC: 100
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    Keywords: Abnormalities, Human Social aspects ; History ; Philosophical anthropology History ; Deviant behavior ; Power (Social sciences) History ; Anomalie ; Stigmatisierung ; Gesellschaft ; Kultur ; Geschichte ; Anomalie ; Stigmatisierung ; Gesellschaft ; Kultur ; Geschichte ; Foucault, Michel 1926-1984 ; Normalisierung
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  • 44
    Online Resource
    Online Resource
    Acton, ACT, Australia : Australian National University Press
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
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    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 45
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
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    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 46
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
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    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 47
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
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    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 48
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
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    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 49
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 50
    ISBN: 9783837644272 , 3837644278
    Language: German
    Pages: 352 Seiten , 22.5 cm x 14.8 cm, 558 g
    Series Statement: Histoire Band 143
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation RWTH Aachen 2016
    DDC: 306.461094309046
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    Keywords: Geschichte 1961-1970 ; Presse ; Medizin ; Berichterstattung ; Politische Sprache ; Arzneimittelschaden ; Fachsprache ; Beschwichtigungsverhalten ; Thalidomid ; Deutschland ; Sprache ; Kollektivsymbol ; Presse ; 1960er-Jahre ; Arzneimittelskandal ; Fachsprache ; Journalismus ; Öffentlichkeit ; Kulturgeschichte ; Medizin ; Deutsche Geschichte ; Medizingeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; Language ; Collective Symbol ; Press ; Journalism ; Public Sphere ; Cultural History ; Medicine ; German History ; History of Medicine ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Thalidomid ; Arzneimittelschaden ; Presse ; Berichterstattung ; Geschichte 1961-1970 ; Deutschland ; Thalidomid ; Arzneimittelschaden ; Politische Sprache ; Beschwichtigungsverhalten ; Geschichte 1961-1970 ; Deutschland ; Thalidomid ; Arzneimittelschaden ; Medizin ; Fachsprache ; Geschichte 1961-1970
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  • 51
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 52
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520285415 , 9780520285408
    Language: English
    Pages: x, 257 Seiten , Illustrationen, Karten
    DDC: 781.6509747
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1970-1980 ; Geschichte ; Gesellschaft ; Jazz History and criticism 1971-1980 ; Jazz Social aspects 20th century ; History ; Loft ; Jazz ; Fabrikgebäude ; Lagerhalle ; Musikleben ; New York, NY ; New York, NY ; Jazz ; Fabrikgebäude ; Lagerhalle ; Loft ; Musikleben ; Sozialgeschichte 1970-1980
    Abstract: "The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination"...Provided by publisher
    Note: Includes bibliographical references and index
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  • 53
    Book
    Book
    Chicago, IL : The University of Chicago Press
    ISBN: 9780226344553 , 9780226510453
    Language: English
    Pages: 311 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Reardon, Jenny, 1972 - The postgenomic condition
    Parallel Title: Erscheint auch als Reardon, Jenny, 1972 - The Postgenomic Condition
    DDC: 611/.01816
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    Keywords: Human genome Research ; History ; Genomics Moral and ethical aspects ; Genomics Social aspects ; Sociogenomics ; Genomics ; Human genome ; Sociogenomics ; Genomik ; Ethik
    Abstract: The postgenomic condition: an introduction -- The information of life or the life of information? -- Inclusion: can genomics be antiracist? -- Who represents the human genome? What is the human genome? -- Genomics for the people or the rise of the machines? -- Genomics for the 98 percent? -- The genomic open 2.0: the public v. the public -- Life on Third: knowledge and justice after the genome -- Epilogue
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9783518292693
    Language: German
    Pages: 819 Seiten , 18 cm
    Edition: 5. Auflage, aktualisierte, mit einem neuen Vorwort versehene Ausgabe
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1669
    DDC: 301.01
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    Keywords: Social sciences Philosophy ; History ; 20th century ; Sociology Philosophy ; History ; 20th century ; Sociologie ; Theorie ; Soziologische Theorie ; Geschichte 1945-2004
    Note: Literaturverzeichnis: Seite 767-801
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  • 55
    ISBN: 9781409444398
    Language: English
    Pages: XII, 279 S. , Ill., Kt., Notenbeisp. , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 306.4842094
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    Keywords: Music Social aspects ; History ; Sound Social aspects ; History ; Noise Social aspects ; History ; Aufsatzsammlung
    Note: "Includes bibliographical references and index"
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  • 56
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 57
    ISBN: 9781138887824 , 9781138887817 , 1138887811 , 113888782X
    Language: English
    Pages: xviii, 364 Seiten , Illustrationen , 24 cm
    Series Statement: Transnational studies in jazz
    DDC: 781.6509
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    Keywords: Jazz Political aspects 20th century ; History ; Totalitarianism and music ; Jazz History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Totalitarismus ; Internationaler Vergleich
    Abstract: Jazz and fascism : contradictions and ambivalences in the diffusion of jazz music under the Italian fascist dictatorship (1925-1935) / Marilisa Merolla -- Jazz in Moscow after Stalinism / Rüdiger Ritter -- Four spaces four meanings : narrating jazz in late-Stalinist Estonia / Heli Reimann -- Jazz in Poland : totalitarianism, Stalinism, socialist realism / Igor Pietraszewski -- Jazz in socialist Czechoslovakia during the 1950s and 1960s / Wolf-Georg Zaddach -- Trouble with the neighbours : jazz, geopolitics, and Finland's totalitarian shadow / Marcus O'Dair -- Performing the "anti-Spanish" body : jazz and biopolitics in the early Franco regime (1939-1957) / Iván Iglesias -- "The purest essence of jazz" : the appropriation of blues in Spain during Franco's dictatorship / Joseph Pedro -- Jazz and the Portuguese dictatorship before and after WWII : from moral panic to suspicious acceptance / Pedro Roxo -- A kind of "in-between" : jazz and politics in Portugal (1958-1974) / Pedro Cravinho -- A climbing vine through concrete : jazz in 1960s Apartheid South Africa / Jonathan -- "Fanfare for the warriors" : jazz, education, and state control in 1980s South Africa and after / Mark Duby -- From the 'Sultan' to the 'Persian side' : jazz in Iran and Iranian jazz since the 1920s / Gay Breyley -- On the marginality of contemporary jazz in China : the case of Beijing / Adiel Portugali -- Afterword : conclusions / Bruce Johnson
    Abstract: "Jazz and Totalitarianism" examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory
    Note: Includes bibliographical references (pages 353-354) and index
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  • 58
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Language: English
    Pages: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    DDC: 306.4/842094
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    Keywords: Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 59
    ISBN: 9780226403366 , 9780226403229 , 022640322X , 022640336X
    Language: English
    Pages: xiv, 411 Seiten , Diagramme
    Parallel Title: Erscheint auch als Josephson-Storm, Jason Ānanda The myth of disenchantment
    DDC: 001.09/03
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    Keywords: Science and magic ; Philosophy, Modern ; Myth ; Magic History ; Science Philosophy ; Science and magic ; Philosophy, Modern ; Myth ; Magic History ; Science Philosophy ; Magic ; Myth ; Philosophy, Modern ; Science and magic ; Science Philosophy ; History ; Magic ; Myth ; Philosophy, Modern ; Science ; Science and magic ; History ; Europa ; Moderne ; Magie ; Okkultismus ; Humanwissenschaften ; Entmythologisierung
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9781786633729
    Language: English
    Pages: 179 Seiten , 22 cm
    DDC: 335.43092
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    Keywords: Gramsci, Antonio ; Communism ; Socialism ; Political science Philosophy 20th century ; History ; Gramsci, Antonio 1891-1937 ; Marxismus ; Politische Philosophie
    Abstract: "A major essay on the thought of the great Italian Marxist An explosive analysis of the central strategic concepts in the thought of the great Italian Marxist, Anderson's essay has been the subject of book-length attacks across four decades for its disentangling of the hesitations and contradictions in Gramsci's highly original usage of such key dichotomies as East and West, domination and direction, hegemony and dictatorship, state and civil society, war of position and war of movement. In a critical tribute to the international richness of Gramsci's work, it shows how deeply embedded these notions were in the revolutionary debates in Tsarist Russia and Wilhemine Germany, in which arguments criss-crossed between Plekhanov, Lenin, Kautsky, Luxemburg, Lukacs and Trotsky, with contemporary echoes in Brecht and Benjamin. A new preface considers the objections this account of Gramsci provoked and the reasons for them"--
    Note: With a new preface
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  • 62
    Online Resource
    Online Resource
    London : Pluto Press | Berlin : Knowledge Unlatched
    ISBN: 1786800071 , 9781786800077
    Language: English
    Pages: 1 Online-Ressource (xvi, 174 Seiten) , illustrations, figures, tables
    Series Statement: Reading Gramsci
    Parallel Title: Print version Using Gramsci, A New Approach
    DDC: 320.5322
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    Keywords: Communism ; Political science Philosophy ; Communism History ; Communism ; Communism ; Political science ; Gramsci, Antonio ; Italy ; History ; 1900-1999 ; Electronic books ; Gramsci, Antonio 1891-1937 ; Politische Theorie ; Politische Philosophie
    Abstract: This is a new approach to one of the greatest political theorists, Antonio Gramsci. Gramsci’s Prison Notebooks are one of the most popular Marxist texts available and continue to inspire readers across the world. Here, Michele Filippini proposes a new approach based on the analysis of previously ignored concepts in his works, creating a book which stands apart. Including chapters on ideology, the individual, collective organisms, society, crisis and temporality, Using Gramsci offers a new pattern in Gramscian studies aimed to speak to the broader audience of social sciences scholars beyond the field of political theory and Marxism, while remaining firmly rooted in his writings. Working from the original Italian texts, Filippini also examines the more traditional areas of Gramsci’s thought, including hegemony, organic intellectuals and civil society. This book will be perfect for all scholars and students of Gramsci’s thought
    Description / Table of Contents: 1. Ideology -- The problem of ideology -- The historicity of the concept of ideology -- The complexity of ideology -- The truth/falsity of ideology -- The conceptual constellation of ideology including hegemony -- 2. The individual -- The structure of the individual -- The social production of the individual: Gramsci and Durkheim -- `Man is a social worker': Gramsci and Sorel -- The theory of personality and molecular transformations -- 3. Collective organisms -- Collective organisms between civil society and the State -- Bureaucracy and officials: Gramsci and Weber -- The political party and the political class -- Organic centralism and living philology -- Machiavelli and the modern Prince -- 4. Society -- The organicity of society -- Organic intellectuals and mass intellectuality -- How society works -- Gramsci's `sociological operators' -- 5. The crisis -- A new understanding of the crisis -- The multiple meanings of `crisis' -- The political science of crisis -- Crisis and organization -- 6. Temporality -- The dual character of Gramscian time -- Signs of time: the theory of personality, common sense, language, East and West -- The shape of duration: the passive revolution -- The form of epoch: how novelty emerges.
    Note: eng
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 63
    ISBN: 9781501327612 , 9781501327629
    Language: English
    Pages: 1 Online-Ressource (xvi, 198 Seiten) , Illustrationen
    Edition: First published
    Series Statement: Music & sound studies
    Parallel Title: Erscheint auch als Eck, Cathy van, 1979 - Between air and electricity
    DDC: 781.49
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    Keywords: Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Sound Recording and reproducing ; History ; Electronic music History and criticism ; Microphone ; Loudspeakers ; Audiotechnik ; Musikinstrument ; Mikrofon ; Lautsprecher ; Musikinstrument
    Abstract: Machine generated contents note: 1
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen , 23 cm
    DDC: 305.235094109047
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    Keywords: Youth Social conditions ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Youth Social conditions ; 20th century ; Great Britain ; Punk culture ; Youth ; Youth ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Note: Literaturverzeichnis: Seiten 343-379. - Index
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  • 65
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 66
    Book
    Book
    [England] : British Violin Making Association
    ISBN: 9780954970291 , 0954970292
    Language: English
    Pages: 112 Seiten , Illustrationen, Karten, Porträts , 31 cm
    Edition: Standard edition
    DDC: 787.219
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    Keywords: W.E. Hill & Sons History ; W.E. Hill & Sons ; Violin makers History ; Violin bows Construction ; History ; Violin makers ; History
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9781472468086 , 9781472468093 , 9781472468109
    Language: English
    Pages: xx, 180 Seiten
    Series Statement: An Ashgate book
    DDC: 303.48/24701713
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    Keywords: Geschichte 1900-2000 ; Geschichte 1938-1981 ; Geschichte ; Musik ; Politik ; Music and diplomacy ; Music Political aspects 20th century ; History ; Arts and diplomacy ; Cold War ; Musik ; Künste ; Ost-West-Konflikt ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift 2012 ; Aufsatzsammlung ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Geschichte 1938-1981
    Description / Table of Contents: Includes bibliographical references and index
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  • 68
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
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    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 69
    ISBN: 9781138253780 , 9781409439790
    Language: English
    Pages: xviii, 342 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Music in nineteenth-century Britain
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 306.4842094109034
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    Keywords: 1800-1899 ; Music Social aspects 19th century ; History ; Performance practice (Music) History 19th century ; Musique - Aspect social - Grande-Bretagne - Histoire - 19e siècle ; Pratique de l'exécution (Musique) - Grande-Bretagne - Histoire - 19e siècle ; Music - Social aspects ; Performance practice (Music) ; History ; Great Britain
    Note: Originally published: Farnham: Ashgate, 2012
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  • 70
    Online Resource
    Online Resource
    Tübingen : Mohr Siebeck
    ISBN: 9783161546808 , 3161546806 , 3161546806 , 9783161546808
    Language: German
    Pages: 1 Online-Ressource (373 p)
    Series Statement: Historische Wissensforschung v.5
    Parallel Title: Erscheint auch als Bauer, Julian Zellen, Wellen, Systeme
    Parallel Title: Print version Bauer, Julian Zellen, Wellen, Systeme : Eine Genealogie systemischen Denkens, 1880-1980
    Dissertation note: Dissertation Universität Konstanz 2012
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    Keywords: Systems biology ; Biology History 19th century ; System theory History 20th century ; Biology History 20th century ; System theory History 19th century ; Systems biology ; Biology ; System theory ; Biology ; System theory ; HISTORY ; Essays ; Biology ; System theory ; Systems biology ; History ; Electronic books ; Hochschulschrift ; Systemdenken ; Systemtheorie ; Geschichte 1880-1980 ; Wissenschaft ; Wissen ; Wissenschaftstheorie ; Geschichte ; Kognition ; Denken ; Systemdenken ; Systemtheorie ; Geschichte 1880-1980
    Abstract: Cover; Inhaltsverzeichnis; Vorwort; 0. Einleitung: Minervas Eule fliegt oft. Vorgehensweise und Zielsetzung einer Genealogie systemischen Denkens, 1880-1980; 0.1 Die Dunkelkammern der Theoriegeschichte. Zum Aufbau und den Absichten des Buchs; 0.2 Vergangenheiten und Gegenwarten systemischer Weltbilder bei Gabriel Tarde, Rudolf Burckhardt, Karl Camillo Schneider und Alfred North Whitehead; Zukünftige Vergangenheit 1896. Tardes ‚Fragment d'histoire future'; Gegenwärtige Vergangenheit 1904. Burckhardts Reise in die Antike; Vergangene Gegenwart 1931. Das autobiographische Drama Schneiders
    Abstract: Cover; Inhaltsverzeichnis; Vorwort; 0. Einleitung: Minervas Eule fliegt oft. Vorgehensweise und Zielsetzung einer Genealogie systemischen Denkens, 1880-1980; 0.1 Die Dunkelkammern der Theoriegeschichte. Zum Aufbau und den Absichten des Buchs; 0.2 Vergangenheiten und Gegenwarten systemischer Weltbilder bei Gabriel Tarde, Rudolf Burckhardt, Karl Camillo Schneider und Alfred North Whitehead; Zukünftige Vergangenheit 1896. Tardes ‚Fragment d'histoire future'; Gegenwärtige Vergangenheit 1904. Burckhardts Reise in die Antike; Vergangene Gegenwart 1931. Das autobiographische Drama Schneiders
    Abstract: Die Einheit der Welt. Biologisches Wissen über natürliche Sozialformen im 19. JahrhundertDie Statik des Sozialen. Über die Ursprünge des Funktionalismus in der organismischen Soziologie; Die Dynamik der Differenzierung. Sozialtheoretische Wurzeln der Weltgesellschaft um 1900; Die Natur der Gesellschaft. Systemische Semantiken des Sozialen im 20. Jahrhundert; 1.3 Parapsychologie. Zu nützlichen Irrtümern und systemischen Denkansätzen der Geisterwissenschaften; Ist Okkultismus ‚die Metaphysik der dummen Kerle'?
    Abstract: Johannes Reinke und das Paradigma der AnschauungJakob von Uexkülls Abstraktionen und die Pluralisierung von Wirklichkeit; Axiomatisierung und Diagrammatik. Ludwig von Bertalanffys Systemtheorie des Lebens; Reflexion, Relation und Risiko. Die epistemischen Werte und Bild-programme systemischen Denkens in der theoretischen Biologie um 1900; 1.2 Organismen als Grenzobjekte. Über Anfänge von Funktionalismus und Differenzierungstheorie in den Lebens- und Sozialwissenschaften; Auf der Suche nach Gesellschaft. Neue Perspektiven auf die Geschichte der Lebens- und Sozialwissenschaften
    Abstract: Johannes Reinke und das Paradigma der AnschauungJakob von Uexkülls Abstraktionen und die Pluralisierung von Wirklichkeit; Axiomatisierung und Diagrammatik. Ludwig von Bertalanffys Systemtheorie des Lebens; Reflexion, Relation und Risiko. Die epistemischen Werte und Bild-programme systemischen Denkens in der theoretischen Biologie um 1900; 1.2 Organismen als Grenzobjekte. Über Anfänge von Funktionalismus und Differenzierungstheorie in den Lebens- und Sozialwissenschaften; Auf der Suche nach Gesellschaft. Neue Perspektiven auf die Geschichte der Lebens- und Sozialwissenschaften
    Abstract: Zukünftige Gegenwart 1925. Whiteheads Wissenschaftsgeschichte der modernen Welt0.3 Ethnohistoriographien, epistemische Ideale, Bildprogramme und Begriffsnetze. Umrisse der intellektuellen Kultur systemischen Denkens; 1. Lebens-, Sozial- und Geisterwissenschaften. Die vielen Ursprünge systemischer Vorstellungen, 1880-1930; 1.1 Anschauung, Abstraktion und Axiomatisierung. Die epistemischen Ideale der theoretischen Biologie und die Bildgeschichte der frühen Systemtheorie; Die materialisierten Epistemologien der theoretischen Biologie an der Wende vom 19. zum 20. Jahrhundert
    Note: 2. Niedergang, Wiederholung und Fortschritt. Die eigentüm-lichen Dynamiken systemischer Geschichtstheorien, 1910-1960 , Description based upon print version of record
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  • 71
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
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    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 72
    ISBN: 9783865992925 , 3865992927
    Language: German
    Pages: 389 Seiten , Diagramme , 23 cm
    Series Statement: [Kaleidogramme] [Band 135]
    Series Statement: Kaleidogramme
    Dissertation note: Dissertation Otto-von-Guericke-Universität Magdeburg 2014
    DDC: 306.072
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    Keywords: Culture Study and teaching ; History ; Culture Study and teaching ; History ; Culture ; Ethnology ; Kulturwissenschaften ; Disziplin ; Forschung ; Lehre ; Theorie ; Methode ; Wissenschaft ; Forschungsgegenstand ; Fallstudie ; Forschungsergebnis ; Fachliteratur ; Analyse ; Politik ; Gesellschaft ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kulturwissenschaften ; Disziplin ; Geschichte 1990-2010
    Note: Gesamttitel der Internetseite des Verlages entnommen , Reihenangabe und Zählung von der Verlags-Homepage übernommen
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  • 73
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    ISBN: 9780822361510 , 9780822361701
    Language: English
    Pages: 329 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Kazanjian, David, 1967 - The brink of freedom
    DDC: 966.62/02
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    Keywords: African Americans Colonization 19th century ; History ; Mayas History 19th century ; African Americans Colonization ; History ; 19th century ; Liberia ; Mayas History ; 19th century ; Mexico ; Yucatán (State) ; Liberia History 20th century ; Yucatán (Mexico : State) History 19th century ; Liberia History ; 20th century ; Yucatán (Mexico : State) History ; 19th century ; Schwarze
    Abstract: Atlantic speculations, quotidian globalities -- Liberia -- It all most cost us death seeking life? Recursive returns and unsettled nativities -- Suffering gain and it remain? The speculative freedom of early Liberia -- Yucatán -- En sus futuros destinos? Casta capitalism -- Por eso peleamos? Recasting libertad -- Coda -- Archives for the future
    Description / Table of Contents: Atlantic speculations, quotidian globalitiesLiberia -- It all most cost us death seeking life? Recursive returns and unsettled nativities -- Suffering gain and it remain? The speculative freedom of early Liberia -- Yucatán -- En sus futuros destinos? Casta capitalism -- Por eso peleamos? Recasting libertad -- Coda -- Archives for the future.
    Note: Includes bibliographical references (pages 285-314) and index
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  • 75
    ISBN: 9783518291245
    Language: German
    Pages: 509 Seiten
    Edition: 4. Auflage
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1524
    DDC: 306.461309409034
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    Keywords: Body, Human Social aspects ; Sex ; Hygiene, Sexual ; Culture ; History ; Körper ; Soziale Konstruktion ; Maschine ; Metapher ; Hygiene ; Bürgerliche Gesellschaft ; Individualität ; Geschlechterverhältnis ; Sozialgeschichte ; Kultur ; Geschichte 1795-1914 ; Populärwissenschaftliche Darstellung ; Europa ; Hygiene ; Populärwissenschaftliche Darstellung ; Körper ; Maschine ; Metapher ; Bürgerliche Gesellschaft
    Note: Literaturverzeichnis Seite 482 - [510]
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  • 76
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963122 , 0520963121 , 9780520288027 , 0520288025
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    Parallel Title: Print version Patteson, Thomas Instruments for new music
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    Keywords: Music and technology History. ; Electronic musical instruments History. ; Music Philosophy and aesthetics. ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Musical instruments. ; Engineering. ; Civil engineering. ; Communication. ; Mass media. ; Music Philosophy and aesthetics ; Electronic musical instruments History ; Music and technology History ; Engineering ; Civil engineering ; Communication ; Mass media ; Musical instruments ; Music ; Electronic musical instruments ; Music and technology ; Civil engineering ; Communication ; Electronic musical instruments ; Engineering ; Mass media ; Music and technology ; Music ; Philosophy and aesthetics ; Musical instruments ; Musikinstrument ; Neue Musik ; Musik ; Music History & Criticism, Instrumental ; Music ; Music, Dance, Drama & Film ; MUSIC ; History & Criticism ; History ; Electronic books
    Abstract: "Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts."--Provided by publisher.
    Abstract: Listening to instruments -- "The joy of precision": mechanical instruments and the aesthetics of automation -- "The alchemy of tone": Jörg Mager and electric music -- "Sonic handwriting": media instruments and musical inscription -- "A new, perfect musical instrument": the trautonium and electric music in the 1930s -- The expanding instrumentarium
    Note: Includes bibliographical references (pages 209-228) and index , English
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  • 77
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9780804797177 , 9780804796088
    Language: English
    Pages: 343 Seiten , Karten , 23 cm
    Series Statement: South Asia in motion
    DDC: 968.04/9092
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    Keywords: Gandhi Political and social views ; Gandhi Relations with British ; East Indians Politics and government ; South Africa Race relations 19th century ; History ; South Africa Race relations 20th century ; History ; Great Britain Colonies ; History ; Gandhi, Mohandas Karamchand 1869-1948 ; Südafrika ; Gewaltloser Widerstand
    Abstract: The remains of empire -- Brown over black -- The war within -- Truth as experiments -- Gandhi's lieutenants -- Shadow-boxing on the highveld -- The Bhambatha Rebellion -- The Black Act -- Union and its discontents -- Hind swaraj -- The moderate as messiah -- Stalemates and new openings -- Women on the march -- Border crossings -- The Rajah is coming -- Striking at the heart of cities -- The provisional agreement -- The adjudication -- Goodbye Mr. Gandhi -- Man of peace, man of war -- Between leaving and returning
    Description / Table of Contents: The remains of empireBrown over black -- The war within -- Truth as experiments -- Gandhi's lieutenants -- Shadow-boxing on the highveld -- The Bhambatha Rebellion -- The Black Act -- Union and its discontents -- Hind swaraj -- The moderate as messiah -- Stalemates and new openings -- Women on the march -- Border crossings -- The Rajah is coming -- Striking at the heart of cities -- The provisional agreement -- The adjudication -- Goodbye Mr. Gandhi -- Man of peace, man of war -- Between leaving and returning.
    Note: Originating publisher: Navayana Publishing Pvt Ltd, New Delhi, India, 2015 , Literaturverzeichnis: Seite 307-322
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  • 78
    ISBN: 9781137540843
    Language: English
    Pages: 1 Online-Ressource (V, 241 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: History ; Asia History ; China History ; Oriental literature ; Philosophy ; Languages ; Language and languages ; Translation and interpretation ; History ; Asia History ; China History ; Oriental literature ; Philosophy ; Languages ; Language and languages ; Translation and interpretation
    Abstract: Recently discovered ancient silk and bamboo manuscripts have reformulated our understanding of ancient Chinese thought. They show that ancient Chinese philosophy was and is much richer and more complex than we ever imagined, and they chart the path from belief in powerful spirits and gods to the discovery of universal laws and order
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  • 79
    ISBN: 9783518294536
    Language: German
    Pages: 476 Seiten
    Edition: 4. Auflage
    Series Statement: Suhrkamp Taschenbuch Wissenschaft 1853
    Uniform Title: Les Anormaux
    DDC: 100
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    Keywords: Abnormalities, Human Social aspects ; History ; Philosophical anthropology History ; Deviant behavior ; Power (Social sciences) History ; Anomalie ; Stigmatisierung ; Gesellschaft ; Kultur ; Geschichte ; Anomalie ; Stigmatisierung ; Gesellschaft ; Kultur ; Geschichte ; Foucault, Michel 1926-1984 ; Normalisierung
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  • 80
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812292411
    Language: English
    Pages: 1 online resource (239 pages)
    Series Statement: Intellectual History of the Modern Age Ser
    Parallel Title: Wurgaft, Benjamin Aldes Thinking in public
    Parallel Title: Print version Wurgaft, Benjamin Aldes Thinking in Public : Strauss, Levinas, Arendt
    DDC: 001.09
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    Keywords: Intellectuals--Political activity--Germany--History--20th century ; Intellectuals Political activity ; Germany ; History ; 20th century ; Electronic books ; Strauss, Leo 1899-1973 ; Lévinas, Emmanuel 1906-1995 ; Arendt, Hannah 1906-1975 ; Politische Philosophie
    Abstract: Thinking in Public examines the ambivalence that public political life and the figure of the intellectual provoked in the generation of European Jewish thinkers born around 1900. By comparing Hannah Arendt, Emmanuel Levinas, and Leo Strauss, Wurgaft offers a new perspective on the relationship between philosophers and politics.
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  • 81
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Robinson, Danielle Modern moves
    DDC: 793.33097471
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    Keywords: Ballroom dancing History 20th century ; Dance History 20th century ; Dance Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race History 20th century ; Immigrants History 20th century ; Racism History 20th century ; New York (N.Y.) Race relations 20th century ; History ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 24, 2015)
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  • 82
    ISBN: 0367879395 , 9780367879396
    Language: English
    Pages: xii, 244 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Music in 19th-century Britain
    DDC: 306.09
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    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: First published 2015 by Ashgate Publishing
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  • 83
    ISBN: 1783270640 , 9781783270644
    Language: English
    Pages: 329 Seiten , Illustrationen , 24 cm
    Edition: First published
    Series Statement: Music in Britain, 1600 - 2000
    DDC: 780.92
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    Keywords: Smart, George ; Smart, George ; Conductors (Music) Biography ; Composers Biography ; Concerts History 19th century ; Music Performance 19th century ; History ; Music History and criticism ; Smart, George Thomas 1776-1867
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Abstract: Sir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure
    Note: Literaturverzeichnis: Seiten 293-303
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  • 84
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
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    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 85
    Book
    Book
    Turnhout : Brepols Publishers
    ISBN: 9782503566283
    Language: English , Italian
    Pages: xiii, 418 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music, criticism & politics Volume 1
    Series Statement: Music, criticism & politics
    DDC: 306.4/842
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    Keywords: Protest songs Congresses History and criticism 20th century ; Music Congresses Political aspects 20th century ; History ; Konferenzschrift ; Musik ; Politischer Protest ; Protestsong ; Geschichte 1900-2000
    Abstract: This book focuses on protest music and "dissident" composers and musicians during the twentieth century, with a particular focus on the forms with which dissent may be expressed in music and the ways composers and performers have adopted stances on political and social dissent. Twenty-one articles by scholars of different nationalities explore not only the way in which protest music is articulated in artistic-cultural discourse and the political matter, but also the role it played in situations of mutual benefit. Moreover, the phenomenon of dissent is investigated within the contexts of musical historiography and criticism, approaching the topic from historical, sociological, and philosophical perspectives
    Abstract: part 1. Protest music and politics: Irish traditional music, nationalist politics and the struggle for recognition / Roger W.H. Savage -- Right-extremist protest music and the idea of metapolitical activism / James Garratt -- An evolution of protest : genre and extreme-right music / Joe Stroud -- "If this isn't love, it's red propaganda" / James O'Leary -- Exposing demagoguery : the use of mass-communication as anti-totalitarian protest in Mauricio Kagel's Der Tribun (1979) / Christine Dysers -- Kurt Weill's and Georg Kaiser's Der Silbersee : ein Wintermärchen : a tall tale of protest / Russ Manitt -- Jazz as rebellion : Jewish musical protest surrounding World War II / Kara Stewart Meredith -- The corruption of the homeland : Carl Orff's repudiation of Friedrich Hebbel in Die Bernauerin / Andrew S. Kohler -- Visionary lines, avant-garde sounds : Francisco de Goya as an aesthetic and ideological reference-point in Spanish contemporary music / Germán Gan Quesada
    Abstract: part 2. Social and protest songs: "You say you want a revolution?" : a new analysis of John Lennon's political music / David Thurmaier, John Cox -- Cercando la nostra musica : note sulla appropriazione della Nueva Canción Chilena nell'Italia degli anni '80 / Stefano Gavagnin -- Protest songs and record labels : political opposition and the music industry in Latin-America / Santiago Niño Morales -- Communities, territories and genres on the Uruguayan "Resistance Music", 1962-2011 / Marita Fornaro Bordolli -- Charly García: el 'Lewis Carroll" del rock and roll argentino / Maria Favoretto -- Niggaz Wit' Attitude (N.W.A.), Fuck the polics and the 1992 Los Angeles rebellion / Jessica Winterson -- 'People getting angry' : The Specials' Ghost Town (1981) as political discourse / Marie Bennett -- Morphology of the protest in the music of area / Giuseppe Sergi -- Taking which power back? Overpowerments of Rage Against the Machine / Henrik Marstal -- From romance to protest : the folklorisation of an Armenian song in Iran / Upa Mesbahian -- Antoonee in Armenian ethnic music / Tatevik Shakhkulyan
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  • 86
    ISBN: 9780822360186 , 9780822360322 , 9780822374855
    Language: English
    Pages: XLVIII, 183 S.
    Uniform Title: Sguardo di Giano 〈engl.〉
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    Keywords: Schmitt, Carl Influence ; Political science Philosophy 20th century ; History ; Schmitt, Carl 1888-1985 ; Rechtsphilosophie
    Abstract: Schmitt and the state -- Schmitt's political theologies -- Schmitt and Machiavelli -- Schmitt, Strauss, and Spinoza -- Schmitt and the global era
    Description / Table of Contents: Schmitt and the stateSchmitt's political theologies -- Schmitt and Machiavelli -- Schmitt, Strauss, and Spinoza -- Schmitt and the global era.
    Note: Originally published as Lo sguardo di Giano, 2008 by Società editrice Il Mulino, Bologna , Includes bibliographical references and index
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  • 87
    ISBN: 9781472446237 , 9781472446244
    Language: English
    Pages: 192 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.5/42095173
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    Keywords: Motion picture music Political aspects 20th century ; History ; Motion picture music History and criticism 20th century ; Socialism and motion pictures ; Mongolei ; Filmmusik
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Abstract: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime
    Description / Table of Contents: Tradition, politics and film musicTradition and transition in Mongolian music -- New beginnings : patriotism, propaganda and professional music -- Socialist cinema from conception to dissemination -- A standard of socialist cinema : the Clear River tamir (Tungalag tamir, 1970-1973) -- Perestroika, a wise queen and a delinquent rock star -- New directions : the democratic revolution and the aftermath of the socialist era -- Tradition, revolution, propaganda and consolidation : a brief conclusion.
    Note: Includes bibliographical references and index
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  • 88
    ISBN: 9783406674907 , 3406674909
    Language: German
    Pages: 372 S. , 22 cm
    DDC: 501
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    Keywords: Science Philosophy ; History ; Knowledge, Theory of ; Philosophical anthropology History ; Manual work ; Intellect ; Naturwissenschaften ; Handwerk ; Geschichte ; Wissenschaftstheorie ; Handarbeit ; Intellekt ; Sprachphilosophie ; Erkenntnistheorie ; Arbeitsethik ; Philosophische Anthropologie
    Note: Literaturangaben
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  • 89
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Language: English
    Pages: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842#n/a
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    Keywords: Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 90
    ISBN: 9781472427175 , 9781472427182 , 9781472427199
    Language: English
    Pages: XII, 229 S , Ill.
    Series Statement: Music in nineteenth-century Britain
    DDC: 784.2092
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    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Biografie ; Biografie ; Costa, Michele 1808-1884 ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: Includes bibliographical references and index
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  • 91
    ISBN: 9780739166932 , 9781498508759
    Language: English
    Pages: vi, 310 Seiten , 24 cm
    Parallel Title: Erscheint auch als Risch, William Jay Youth and Rock in the Soviet Bloc
    DDC: 306.4/84260947
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    Keywords: Popular music Political aspects 20th century ; History ; Popular music Social aspects 20th century ; History ; Popular music Political aspects ; Popular music Social aspects ; Music and state History 20th century ; Music and state ; Youth History 20th century ; Youth ; Cold War Music and the war ; Aufsatzsammlung ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: Swinging between East and West: Yugoslav Communism and the Dilemmas of Popular Music
    Note: Includes bibliographical references, select bibliography (Seite 285-292) and index
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  • 92
    Book
    Book
    Bloomington ; Indianapolis : Indiana University Press
    ISBN: 9780253017680 , 9780253018038
    Language: English
    Pages: xiii, 346 pages , illustrations , 23 cm
    Series Statement: African expressive cultures
    Series Statement: Ethnomusicology multimedia
    DDC: 780.96891
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    Keywords: Zimbabwe ; Colonial influence ; Zimbabwe ; Social conditions ; 20th century ; Missions ; Zimbabwe ; Popular music ; Political aspects ; Zimbabwe ; History ; 20th century ; Popular music ; Social aspects ; Zimbabwe ; History ; 20th century ; Popular music / Social aspects / Zimbabwe / History / 20th century ; Popular music / Political aspects / Zimbabwe / History / 20th century ; Missions / Zimbabwe ; Zimbabwe / Social conditions / 20th century ; Zimbabwe / Colonial influence
    Description / Table of Contents: Introduction: cross-cultural encounters: song, power, and being -- Missionary witchcrafting African being: cultural disarmament -- Purging the "heathen" song, mis/grafting the missionary hymn -- "Too many don'ts": reinforcing, disrupting the criminalization of African musical cultures -- Architectures of control: African urban re/creation -- The "tribal dance" as a colonial alibi: ethnomusicology and the tribalization of African being -- Chimanjemanje: performing and contesting colonial modernity -- The many moods of "Skokiaan": criminalized leisure, underclass defiance, and self-narration -- Usable pasts: crafting Madzimbabwe through memory, tradition, song -- Cultures of resistance: genealogies of Chimurenga song -- Jane Lungile Ngwenya: a transgenerational conversation -- Epilogue: postcolonial legacies: song, power, and knowledge production..
    Note: Includes bibliographical references (pages 311-326), discography (pages 311-326) and index
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  • 93
    ISBN: 9783487085616 , 3487085615 , 9789996905506 , 9996905500 , 9783487085609 , 3487085607 , 9789996905490 , 9996905497
    Language: English
    Pages: 320 Seiten , zahlreichen Abbildungen, durchgehend 4farbig , 33.6 cm x 42 cm, 7925 g
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 725.822095353022
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    Keywords: Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ History ; Opera History ; Theaters History ; Royal Opera House Muscat ; Dār al-Ūbirā al-Sulṭānīyāh Masqaṭ ; Opera ; Theaters ; Oman ; Muscat ; History ; Bildband ; Royal Opera House Muscat ; Oman ; Maskat ; Theaterbau ; Opernhaus ; Musiktheater ; Oper ; Geschichte ; Royal Opera House Muscat ; Ibn-az-Zubair, Muḥammad
    Note: Nebentitel in arabischer Schrift , Includes bibliographical references (page 312)
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  • 94
    ISBN: 3848719029 , 9783848719020
    Language: German
    Pages: 437 Seiten , 23 cm
    Edition: 1. Auflage
    Series Statement: Schriftenreihe Zeitgenössische Diskurse des Politischen Bd. 9
    Series Statement: Schriftenreihe Zeitgenössische Diskurse des Politischen
    Dissertation note: Dissertation Technische Universität Darmstadt 2014
    DDC: 305.5520882960943
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    Keywords: Benjamin, Walter Criticism and interpretation ; Benjamin, Walter Political and social views ; Jews Cultural assimilation ; History ; Jewish youth History ; Jews Intellectual life ; Judaism and literature ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Benjamin, Walter 1892-1940 ; Denkstil ; Zeithintergrund ; Deutschland ; Bildungsbürgertum ; Juden
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  • 95
    ISBN: 9781782385004 , 1782385002
    Language: English
    Pages: xiii, 264 Seiten , Illustrationen
    Series Statement: Explorations in culture and international history volume 7
    Series Statement: Explorations in culture and international history
    Parallel Title: Online-Ausg. Music and international history in the twentieth century
    DDC: 7809/.04
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    Keywords: Music Political aspects 20th century ; History ; Music and diplomacy ; Music and state ; Kulturbeziehungen ; Bedeutung ; Rolle ; Musik ; Ost-West-Konflikt ; Auswärtige Kulturpolitik ; Erde ; Aufsatzsammlung ; Musik ; Politik ; Diplomatie ; Geschichte 1890-1990 ; Musik ; Politik ; Geschichte 1890-1990
    Abstract: Introduction: Sonic history, or, Why music matters in International history / Jessica C. E. Gienow-Hecht -- Part I: Music, international relations and the absence of the state. The wicked Barrisons / David Monod. The International Society for Contemporary Music and its political context (Prague 1935) / Anne C. Shreffler -- Part II: Music, international history, and the state. Music and international relations in occupied Germany, 1945-49 / Toby Thacker. Instruments of diplomacy : writing music into the history of Cold War international relations / Danielle Fosler-Lussier. "To reach... into the hearts and minds of our friends" : America's symphonic tours and the Cold War / Jonathan Rosenberg. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 / Emily Abrams Ansari. Intimate histories of the musical Cold War : Fred Prieberg and Igor Blazhkov's unofficial diplomacy / Peter J. Schmelz. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988 / Andrea F. Bohlman
    Note: Literaturangaben , Introduction. Sonic history, or, why music matters in International history , I: Music, international relations and the absence of the state ; 1. The wicked Barrisons , 2.The International Society for Contemporary Music and its political context (Prague, 1935) , II: Music, international history, and the state ; 3. Music and international relations in occupied Germany, 1945-49 , 4. Instruments of diplomacy: writing music into the history of Cold War international relations , 5. "To reach... into the hearts and minds of our friends": America's symphonic tours and the Cold War , 6. Music diplomacy in an emergency: Eisenhower's "secret weapon," Iceland, 1954-59 , 7. Intimate histories of the musical Cold War Fred Prieberg and Igor Blazhkov's unofficial diplomacy , 8. "Where I cannot roam, my song will take wing": Polish cultural promotion in Belarus, 1988
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  • 96
    ISBN: 9789004249738
    Language: English
    Pages: 178 S.
    Series Statement: Historical materialism book series 96
    Series Statement: Historical materialism book series
    DDC: 304.2/37
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    Keywords: Geschichte ; Gesellschaft ; Kapitalismus ; Time Social aspects ; History ; Time Economic aspects ; History ; Clocks and watches Social aspects ; History ; Capitalism Social aspects ; History ; Alienation (Social psychology) History ; Entfremdung ; Kapitalismus ; Zeit ; Zeit ; Kapitalismus ; Entfremdung
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  • 97
    Book
    Book
    Philadelphia, Pa. : Univ. of Pennsylvania Press
    ISBN: 9780812246841
    Language: English
    Pages: 219 S. , graph. Darst.
    Series Statement: American governance
    DDC: 782.4216491599
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    Keywords: Rap (Music) Political aspects 20th century ; History ; Rap (Music) Political aspects 21st century ; History ; African Americans Politics and government 20th century ; African Americans Politics and government 21st century ; African Americans Political activity 20th century ; History ; African Americans Political activity 21st century ; History ; African Americans Attitudes 20th century ; History ; African Americans Attitudes 21st century ; History ; Politik ; Schwarze ; Hip-Hop ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
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  • 98
    ISBN: 9780203093597
    Language: English
    Pages: Online-Ressource (xvi, 207 p.) , ill.
    Series Statement: Routledge advances in sociology 104
    Parallel Title: Erscheint auch als Syed Farid Alatas, 1961 - Applying Ibn Khaldun
    DDC: 297.27
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    Keywords: Ibn Khaldūn 1332-1406 ; Ibn Khaldun ; Sociology History ; Arab countries ; Islamic sociology History ; Social sciences Philosophy ; History ; Sociology Electronic books ; Sociology History ; Islamic sociology History ; Social sciences Philosophy ; History ; Sociology ; Ibn-Ḫaldūn, ʿAbd-ar-Raḥmān Ibn-Muḥammad 1332-1406 ; Soziologie
    Abstract: 1. The errors of history and the new science : introduction to the Muqaddimah -- 2. Ibn Khaldūn's theory of state formation -- 3. Ibn Khaldūn and modern sociology : an aborted tradition -- 4. Pre-modern readings and applications of Ibn Khaldūn -- 5. A Khaldūnian theory of Muslim reform -- 6. Ibn Khaldūn and the Ottoman modes of production -- 7. The rise and fall of the Safavid state in a Khaldūnian framework -- 8. A Khaldūnian perspective on modern Arab states : Saudi Arabia and Syria -- 9. Towards a Khaldūnian sociology of the state -- 10. Bibliographic remarks and further reading
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
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    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 100
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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