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  • HeBIS  (339)
  • Regensburg UB  (89)
  • Ethnoguide
  • Englisch  (400)
  • Unbestimmte Sprache  (12)
  • Polnisch  (4)
  • 2020-2024  (371)
  • 1950-1954  (51)
  • Musikwissenschaft  (416)
Datenlieferant
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  • 1
    Zeitschrift/Serie
    Zeitschrift/Serie
    Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat | Berlin : Logos Verlag Berlin ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Sprache: Englisch
    Seiten: 24 cm
    Erscheinungsverlauf: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Suppl.: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Suppl.: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council
    Suppl.: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Suppl.: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music
    Suppl.: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments
    Suppl.: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting
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    Schlagwort(e): Volksmusikinstrument ; Volksmusik ; Zeitschrift ; Schriftenreihe
    Anmerkung: 13 u. 14 nicht ersch.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Zeitschrift/Serie
    Zeitschrift/Serie
    Antwerpen [u.a.] : Soc. | Brussel : Soc. ; 1.1946/47 -
    Dazugehörige Bände/Artikel
    ISSN: 0771-6788
    Sprache: Unbestimmte Sprache
    Erscheinungsverlauf: 1.1946/47 -
    Paralleltitel: Online-Ausg. Revue belge de musicologie
    RVK:
    Schlagwort(e): Geschichte ; Musikwissenschaft ; Musik ; Belgien ; Zeitschrift ; Zeitschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Zeitschrift/Serie
    Zeitschrift/Serie
    Fleet : Frog Records Ltd. ; 1.2009(2010) -
    Sprache: Englisch
    Zusätzliches Material: CDs als Beil.
    Erscheinungsverlauf: 1.2009(2010) -
    RVK:
    Schlagwort(e): Zeitschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Zeitschrift/Serie
    Zeitschrift/Serie
    Warszawa : [Verlag nicht ermittelbar] ; 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    Dazugehörige Bände/Artikel
    ISSN: 0541-4830 , 0027-5344
    Sprache: Polnisch
    Erscheinungsverlauf: 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    Suppl.: CD-Beil. Folk music collection
    Paralleltitel: Erscheint auch als Muzyka
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    Schlagwort(e): Musikwissenschaft ; Zeitschrift ; Zeitschrift
    Anmerkung: Index als Bibliografia bezeichnet , Beteil. Körp. anfangs: Pánstwowy Instytut Sztuki, Związek Kompozytorów Polskich , Index 1/18.1956/73; 19/23.1974/78; 24/33.1979/88; [N.S.]1/49.1956/2005
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Zeitschrift/Serie
    Zeitschrift/Serie
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Sprache: Englisch
    Erscheinungsverlauf: [1.]1953/57=Nr. 1-11; 2.1958 -
    Suppl.: Bibliographie ab 2000 Ographies
    Paralleltitel: Online-Ausg. Ethnomusicology
    Vorheriger Titel: newsletter
    DDC: 390
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 6
    Zeitschrift/Serie
    Zeitschrift/Serie
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Sprache: Englisch
    Erscheinungsverlauf: [1.]1953/57=Nr. 1-11; 2.1958 -
    Suppl.: Bibliographie ab 2000 Ographies
    Paralleltitel: Online-Ausg. Ethnomusicology
    Vorheriger Titel: newsletter
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    Schlagwort(e): Zeitschrift
    Anmerkung: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 7
    Zeitschrift/Serie
    Zeitschrift/Serie
    Austin, Tex. : Univ. of Texas Press ; 1.1980 -
    ISSN: 0163-0350 , 1536-0199
    Sprache: Englisch
    Erscheinungsverlauf: 1.1980 -
    Paralleltitel: Online-Ausg. Latin American music review
    Vorheriger Titel: Vorg.: Yearbook for Inter-American musical research
    DDC: 780
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Index 1/10.1980/89 in: 10.1989
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  • 8
    Zeitschrift/Serie
    Zeitschrift/Serie
    Grahamstown : [Verlag nicht ermittelbar] | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Sprache: Englisch
    Erscheinungsverlauf: 1.1954/57 - 7.1991/99; 8.2007 -
    Paralleltitel: Online-Ausg. African music
    Vorheriger Titel: Vorg.: African Music Society Newsletter / African Music Society
    Vorheriger Titel: journal of the African Music Society
    DDC: 780
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Repr.: Amsterdam : Swets & Zeitlinger
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  • 9
    Zeitschrift/Serie
    Zeitschrift/Serie
    London : Soc. ; 1.1965/69 -
    ISSN: 0531-9684 , 2056-6166
    Sprache: Englisch
    Erscheinungsverlauf: 1.1965/69 -
    Paralleltitel: Online-Ausg. Folk music journal
    Vorheriger Titel: Vorg.: English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Vorheriger Titel: the journal of traditional song, music & dance
    DDC: 390
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Repr. 1.1965/69: Nendeln : Kraus
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  • 10
    Zeitschrift/Serie
    Zeitschrift/Serie
    Johannesburg | Roodeport | Grahamstown ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Sprache: Englisch
    Erscheinungsverlauf: 1.1954/57 - 7.1991/99; 8.2007 -
    Paralleltitel: Online-Ausg. African music
    Vorheriger Titel: Vorg. African Music Society Newsletter
    Vorheriger Titel: journal of the African Music Society
    RVK:
    Schlagwort(e): Zeitschrift
    Anmerkung: Repr.: Amsterdam : Swets & Zeitlinger
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  • 11
    ISBN: 9789004531253
    Sprache: Englisch
    Seiten: XXI, 553 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: New edition
    Serie: Handbook of oriental studies = Handbuch der Orientalistik. Section 1, The Near and Middle East volume 177
    Serie: Handbuch der Orientalistik The Near and Middle East
    Paralleltitel: Erscheint auch als Feldman, Walter Music of the Ottoman court
    DDC: 784.0956
    RVK:
    Schlagwort(e): Dimitrie Cantemir ; Ali Ufkî ; Geschichte 1500-1700 ; Geschichte 1500-1750 ; Hofmusik ; Kunstmusik ; Maqām ; Instrumental music History and criticism 17th century ; Instrumental music History and criticism 18th century ; Peşrevs History and criticism 17th century ; Peşrevs History and criticism 18th century ; Maqām History and criticism 17th century ; Maqām History and criticism 18th century ; Osmanisches Reich ; Türkei
    Kurzfassung: "Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir's seminal "Book of the Science of Music" from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski-from fifty years earlier-together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures
    Anmerkung: Part 1. Musicians and Performance. Professionalism and the Music of the Ottoman Court ; Professionalism and the Music of the Ottoman Court ; Dervishes and Turkish Art Music ; Instruments and Instrumentalists ; The Ottoman Cyclical Concert-Formats Fasil and Ayin -- Part 2. Makam. The General Scale of Seventeenth-Century Ottoman Music ; Makam and Terkib ; Melodic Progression ; The Taksim and Modulation -- Part 3. Peşrev and Semai ; The Peşrev/Pishrow ; The Ottoman Peşrev ; Peşrevs and Analyses ; The Seventeenth-Century Persian Peşrev ; Transmission of the Ottoman Peşrev Repertoire ; The Instrumental Semai ; Conclusion
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  • 12
    ISBN: 9781032276977 , 9781032258010
    Sprache: Englisch
    Seiten: xvii, 126 Seiten , Illustrationen
    Serie: Eye on education book
    DDC: 428.00712
    RVK:
    Anmerkung: Includes bibliographical references.
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  • 13
    ISBN: 9780367461812 , 9780367461805
    Sprache: Englisch
    Seiten: xx, 175 Seiten , Illustrationen
    Serie: Perspectives on music production
    DDC: 782.421649
    RVK:
    Anmerkung: Literaturangaben
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  • 14
    Buch
    Buch
    Huntington Beach, California : Free Spirit Publishing, an imprint of Teacher Created Materials, Inc.
    ISBN: 9781631988769 , 163198876X
    Sprache: Englisch
    Seiten: xxxiii, 174 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Miles, James (Educator) Gotta stay fresh
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    Schlagwort(e): Educational change ; Language arts Correlation with content subjects ; Hip-hop ; Art Study and teaching ; Affective education ; Culturally relevant pedagogy ; Enseignement Réforme ; Arts du langage Relation avec les matières d'enseignement ; Hip-hop ; Art Étude et enseignement ; Éducation affective ; Pédagogie culturellement adaptée ; art education ; EDUCATION / Teaching / Methods & Strategies ; EDUCATION / Urban
    Anmerkung: Includes bibliographical references and index.
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  • 15
    AV-Medium
    AV-Medium
    Merenberg/Germany : Zyx Music
    Sprache: Englisch
    Seiten: 1 Schallplatte
    Zusätzliches Material: 1 Blatt
    Originaltitel: Hammerschmitt 2024 Zusammenstellung, Zyx Music, Firma
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    Schlagwort(e): Rockgruppe ; Königstein-Falkenstein ; Schallplatte
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  • 16
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 17
    ISBN: 9783447111058 , 3447111054
    Sprache: Englisch
    Seiten: XVIII, 475 Seiten , Illustrationen , 24 cm x 17 cm
    Suppl.: Überarbeitung von Nemtsov, Jascha, 1963- Die Neue jüdische Schule in der Musik
    Serie: Jüdische Musik Band 17
    Originaltitel: Die Neue jüdische Schule in der Musik
    Dissertationsvermerk: Dissertation Universität Potsdam 2004
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    Schlagwort(e): Geschichte 1908-1938 ; Musik ; Judentum ; Neue jüdische Schule ; Juden ; Sankt Petersburg ; Moskau ; Wien ; Osteuropa ; Hochschulschrift
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  • 18
    Buch
    Buch
    London : Bloomsbury Academic
    ISBN: 1350331813 , 9781350331815
    Sprache: Englisch
    Seiten: xvii, 334 Seiten , Illustrationen
    RVK:
    Anmerkung: Literaturangaben
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  • 19
    Online-Ressource
    Online-Ressource
    Berlin, Heidelberg : Springer Berlin Heidelberg | Cham : Springer International Publishing AG
    ISBN: 9783662672525 , 3662672529
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 173 Seiten) , 9 illus. in color.
    Ausgabe: 1st ed. 2024
    Paralleltitel: Erscheint auch als Berlich, Sebastian Who You Think I Am?
    DDC: 302.2
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    Schlagwort(e): Popmusik ; Maske ; Communication ; Culture Study and teaching ; Popular Culture ; Clothing and dress Social aspects ; Human body in popular culture ; Popular music ; Media and Communication ; Cultural Studies ; Popular Culture ; Fashion and the Body ; Pop and Rock
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online-Ressource
    Online-Ressource
    Abingdon, Oxon ; : Routledge,
    ISBN: 9781003273363 , 100327336X , 9781003862185 , 1003862187 , 9781003862222 , 1003862225
    Sprache: Englisch
    Seiten: 1 online resource (xi, 168 pages).
    Serie: Sound in urban and popular culture
    Paralleltitel: Print version: Walsh, Michael James, 1983- Streaming sounds
    DDC: 306.4/842
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    Schlagwort(e): Music Social aspects. ; Sound recordings Social aspects. ; Streaming audio Social aspects. ; Musique Aspect social. ; Audio en continu Aspect social. ; SOCIAL SCIENCE / Media Studies ; Music Social aspects ; Sound recordings Social aspects
    Kurzfassung: "In a time when music streaming has become the dominant mode of consuming music recordings, this book interrogates how users go about listening to music in their everyday lives in a context where streaming services are focused on not only the circulation of music for users but also the circulation of user data and attention. Drawing insights directly from interviews with users, music streaming is explained as never merely a neutral technology but rather one that seeks to actively shape user engagement. Users respond to streaming platforms with some relishing these aspects that provide music to be drawn into daily activities while others show signs of resistance. It is this tension that this book explores. This unique and accessible study will be ideal reading for both scholars and students of popular music studies, communication studies, sociology, media and cultural studies"--
    Beschreibung / Inhaltsverzeichnis: Introduction: Streaming and the transformation of music listening -- User Made Playlists and the Shaping of Social Interaction -- Platform-Generated Playlists and the Curation of Musical Listening -- Social Media Convergence: Presenting the Self through Music Listening -- The Networking of Music Streaming: Facilitating Interaction and Obtaining Discretion -- Ubiquitous Music Streaming: Incorporating Music into the Everyday.
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  • 21
    Buch
    Buch
    New York : Routledge, an imprint of Taylor & Francis
    ISBN: 9781032403557 , 9781032412566
    Sprache: Englisch
    Seiten: XII, 768 Seiten
    Ausgabe: Third Edition
    DDC: 782.42164909
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  • 22
    ISBN: 9783447111058
    Sprache: Englisch
    Seiten: XVIII, 475 Seiten , Illustrationen, Porträts , 24 cm x 17 cm
    Serie: Jüdische Musik Band 17
    Serie: Jüdische Musik
    DDC: 780.89924
    RVK:
    Schlagwort(e): Jews Music ; History and criticism ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Osteuropa ; Juden ; Musik ; Geschichte 1908-1938
    Kurzfassung: "The history of the so-called 'New Jewish School of Music' began in 1908 in St. Petersburg with the founding of the Society for Jewish Folk Music by students from the St. Petersburg Conservatory. The end of this movement came with the invasion of Austria by Nazi Germany in 1938, and the dissolution of the Vienna Society for the Promotion of Jewish Music later that year. The fascinating and dramatic history of the New Jewish School is the subject of this monograph, which summarizes the author's years of intensive international archival research. While many other national schools of music--such as the Russian, Czech, or Hungarian--were able to develop freely and establish themselves in a favorable cultural environment, the Jewish school was violently suppressed. The reconstruction of its historical development in Russia and, after 1917, increasingly in other Eastern and Central European countries, was first presented in German in 2004 and has since served as the basis for rediscovery of the valuable, highly original repertoire of New Jewish School composers. For this English-language publication, the entire book has been thoroughly revised and richly supplemented with extensive additional texts and materials"--Page 4 of cover
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  • 23
    ISBN: 9783830947561 , 3830947569
    Sprache: Englisch
    Seiten: 233 Seiten , Illustrationen
    Serie: Populäre Kultur und Musik Band 40
    Serie: Populäre Kultur und Musik
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Kultur ; Ästhetik ; Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik ; USA ; Unterhaltungsmusik ; Kultur ; Ästhetik
    Kurzfassung: "The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan hip hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to country rap, and from Steve Earle to the Trans Chorus of Los Angeles."
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  • 24
    ISBN: 9781636673691 , 1636673694
    Sprache: Englisch
    Seiten: xiv, 114 Seiten , 21 cm x 14.8 cm, 198 g
    Serie: Hip-Hop Education vol. 4
    DDC: 370.117
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    Schlagwort(e): Interkulturelle Erziehung ; Interkulturelles Lernen ; Fremdverstehen ; Hip-Hop
    Anmerkung: Literaturangaben
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  • 25
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197549285
    Sprache: Englisch
    Seiten: xxvi, 210 Seiten , Illustrationen
    DDC: 781.650946
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    Schlagwort(e): Montoliu, Tete Criticism and interpretation ; Jazz History and criticism ; Montoliu, Tete 1933-1997 ; Jazz ; Spanien
    Kurzfassung: "At the same time that this chapter continues to introduce readers to Tete Montoliu's life, musical work, and impact, it also challenges certain transnational assumptions regarding Spanish jazz. It is important to attend to ways in which the listening practices of mid-twentieth-century Anglophone audiences were shaped by the popular jazz market. In particular, it is by dispensing with misrepresentations of the connection between jazz and flamenco that readers can move beyond mere sketches of Spain and begin to appreciate the full complexity of Iberian jazz. This effort is further supported by Montoliu's own strong opinion that "Mezclar flamenco con el jazz es como mezclar las almejas con el chocolate. Es una mezcla imposible de digerir" [Mixing flamenco with jazz is like mixing clams with chocolate. It is a mixture that is impossible to digest"--
    Anmerkung: Includes bibliographical references and index
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  • 26
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197555224
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations.
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    DDC: 306.4842
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    Schlagwort(e): Music Political aspects ; Music Social aspects ; Citizenship ; Ethnomusicology ; Music ; Society & culture: general
    Kurzfassung: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Anmerkung: Also issued in print: 2023 , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online-Ressource
    Online-Ressource
    Piraí : University of Wisconsin Press
    ISBN: 9780299340339
    Sprache: Englisch
    Seiten: 1 online resource (216 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84609675112
    RVK:
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    Schlagwort(e): Women dancers-Congo (Democratic Republic)-Kinshasa ; Dance-Congo (Democratic Republic)-Kinshasa ; Women-Congo (Democratic Republic)-Kinshasa-Social conditions ; Electronic books ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 28
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Sprache: Englisch
    Seiten: xvii, 210 Seiten , Notenbeispiele
    Paralleltitel: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
    RVK:
    Schlagwort(e): Music History and criticism ; Music Social aspects ; Music African influences ; Criticism, interpretation, etc ; Criticism, interpretation, etc
    Kurzfassung: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Anmerkung: Includes bibliographical references and index
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  • 29
    Buch
    Buch
    Madison : The University of Wisconsin Press
    ISBN: 9780299340308
    Sprache: Englisch
    Seiten: xiii, 201 Seiten
    DDC: 306.484609675112
    RVK:
    RVK:
    Schlagwort(e): Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa
    Anmerkung: Includes bibliographical references
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  • 30
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
    RVK:
    Schlagwort(e): Rockmusik ; Kultur ; Popmusik ; Geschichte ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 31
    Online-Ressource
    Online-Ressource
    London : FOCAL | London : Taylor & Francis Group
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Perspectives on music production
    DDC: 782.421649
    RVK:
    Schlagwort(e): Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Kurzfassung: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
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  • 32
    Buch
    Buch
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819500748
    Sprache: Englisch
    Seiten: xxiv, 175 Seiten , Illustrationen
    DDC: 780.954
    RVK:
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  • 33
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Sprache: Englisch
    Seiten: xii, 221 Seiten
    Serie: Oxford theory in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Kurzfassung: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 34
    Online-Ressource
    Online-Ressource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 pages)
    Serie: Eastman/Rochester studies in ethnomusicology 13
    RVK:
    RVK:
    Schlagwort(e): Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Kurzfassung: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 35
    Buch
    Buch
    Berlin : Palgrave Macmillan
    ISBN: 9783662672518
    Sprache: Englisch
    Seiten: x, 173 Seiten , Illustrationen
    Ausgabe: 1st edition 2024
    RVK:
    Schlagwort(e): Popmusik ; Maske
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  • 36
    ISBN: 9791221041989
    Sprache: Englisch
    Seiten: XIX, 301 Seiten , Illustrationen, Notenbeispiele
    RVK:
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  • 37
    Buch
    Buch
    Oakland, CA : University of California Press
    ISBN: 9780520383920
    Sprache: Englisch
    Seiten: x, 212 Seiten , Illustrationen
    DDC: 782.421649
    RVK:
    Anmerkung: Open access version available. , Bibliographie: Seite 175-194
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  • 38
    Online-Ressource
    Online-Ressource
    New York, NY : Routledge | London : Taylor & Francis Group
    ISBN: 9781000896510 , 100089651X , 9781003293767 , 100329376X , 9781000896541 , 1000896544
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Eye on education
    DDC: 428.0071/2
    RVK:
    Schlagwort(e): English language Study and teaching (Secondary) ; Hip-hop ; Music in education ; Culturally relevant pedagogy ; EDUCATION / Teaching Methods & Materials / Reading ; LANGUAGE ARTS & DISCIPLINES / Literacy
    Kurzfassung: This book presents practical approaches for engaging with Hip Hop music and culture in the classroom. As the most popular form of music and youth culture today, Hip Hop is a powerful medium through which students can explore their identities and locate themselves in our social world. Designed for novice and veteran teachers, this book is filled with pedagogical tools, strategies, lesson plans, and real-world guidance on integrating Hip Hop into the curriculum. Through a wide range of approaches and insights, Lauren Leigh Kelly invites teachers to look to popular media culture to support students' development and critical engagement with texts. Covering classroom practice, assessment strategies, and curricular and standards-based guidelines, the lessons in this book will bolster students' linguistic and critical thinking skills and help students to better understand and act upon the societal forces around them. The varied activities, assignments, and handouts are designed to inspire teachers and easily facilitate modification of the assignments to suit their own contexts. The impact of Hip Hop on youth cultureis undeniable, now more than ever; this is the perfect book for teachers who want to connect with their students, support meaning-making in the classroom, affirm the validity of youth culture, and foster an inclusive and engaging classroom environment
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  • 39
    ISBN: 9781911036081
    Sprache: Englisch
    Seiten: 1 Online-Ressource (194 Seiten)
    Ausgabe: 1. edition
    DDC: 782.42166092
    RVK:
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  • 40
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Sprache: Englisch
    DDC: 782.421649
    RVK:
    Schlagwort(e): Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Kurzfassung: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 41
    Buch
    Buch
    London : Gallery Books UK
    ISBN: 9781398522527
    Sprache: Englisch
    Seiten: 277 Seiten
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Spears, Britney ; Biografie
    Kurzfassung: The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice-her truth-was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey-and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love-and the importance of a woman telling her own story, on her own terms, at last.
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  • 42
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031219559 , 3031219554
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXVI, 466 Seiten) , 69 illus.
    Ausgabe: 1st ed. 2023
    Paralleltitel: Erscheint auch als Global Hiphopography
    DDC: 306.44
    RVK:
    Schlagwort(e): Hip-Hop ; Musiksoziologie ; Internationaler Vergleich ; Forschung ; Sociolinguistics ; Anthropological linguistics ; Music History and criticism ; Civilization History ; Race ; Sociolinguistics ; Linguistic Anthropology ; Contemporary Music ; Cultural History ; Race and Ethnicity Studies ; Aufsatzsammlung
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  • 43
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501383441
    Sprache: Englisch
    Seiten: 1 Online-Ressource (195 pages)
    Serie: Genre: a 33 1/3 Series
    DDC: 781.630968
    RVK:
    Schlagwort(e): Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 44
    Online-Ressource
    Online-Ressource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830997566
    Sprache: Englisch
    Seiten: 1 Online-Ressource (250 p.)
    Ausgabe: 1st ed.
    Serie: Populäre Kultur und Musik 40
    RVK:
    Schlagwort(e): Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Kurzfassung: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 45
    Buch
    Buch
    New York : hachette Books
    ISBN: 9780306826436 , 9780306826429
    Sprache: Englisch
    Seiten: xii, 256 Seiten
    DDC: 782.421660922
    RVK:
    Schlagwort(e): Pearl Jam ; Geschichte 1990- ; Rockgruppe ; Grungerock ; USA
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  • 46
    Online-Ressource
    Online-Ressource
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383920 , 9780520383937
    Sprache: Englisch
    Seiten: 1 Online-Ressource (227 p.)
    DDC: 782.421649
    RVK:
    Schlagwort(e): Rap & Hip-Hop ; Music ; Hip-hop
    Kurzfassung: How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop’s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre’s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre’s growing popularity transformed ideas about who constitutes the mainstream. “Here it is—bam! The definitive story of rap, race, radio, and marketplace during hip hop’s Golden Age. Amy Coddington combines an archivist’s rigor and a raconteur’s wit in documenting what those of us of a certain age remember but, perhaps, never fully grasped: how, amidst expanding racial inequalities and against all odds, rap music became the most popular genre in America.” — Anthony Kwame Harrison, author of Hip Hop Underground: The Integrity and Ethics of Racial Identification “Making use of trade publications that have received little scholarly attention, Coddington has crafted a provocative and lucid alternative history that tracks how the radio industry’s engagement with hip hop in the 1980s and 1990s both reflected and shaped changing ideas about race and music.” — Loren Kajikawa, author of Sounding Race in Rap Songs...
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  • 47
    Buch
    Buch
    New York : W.W. Norton & Company
    ISBN: 9781324064473 , 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Notenbeispiele, Karte
    Ausgabe: Norton paperback
    Paralleltitel: Erscheint auch als
    DDC: 782.4215990973
    RVK:
    Schlagwort(e): The star-spangled banner ; Nationalhymne ; USA
    Anmerkung: Literaturangaben, Index
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  • 48
    Online-Ressource
    Online-Ressource
    Wien : Hollitzer | [Ann Arbor] : ProQuest
    ISBN: 9783990129814
    Sprache: Englisch
    Seiten: 1 Online-Ressource (242 Seiten)
    Serie: Beiträge zur Jazzforschung = Studies in jazz research 16
    Paralleltitel: Erscheint auch als
    RVK:
    Anmerkung: Diskografie Seite 198-216 , Literaturverzeichnis Seite 193-197 , Verzeichnis der Songtitel Seite 217-222
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  • 49
    ISBN: 9781501374753 , 9781501374715
    Sprache: Englisch
    Seiten: vii, 290 Seiten
    DDC: 781.63092
    RVK:
    Anmerkung: Literaturverzeichnis: Seite 261-276 , Bibliographie: Seite 277-283
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  • 50
    ISBN: 9781032184968
    Sprache: Englisch
    Seiten: xvii, 264 Seiten
    Serie: Routledge advances in sociology
    DDC: 306.484209052
    RVK:
    RVK:
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  • 51
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004542723 , 9789004542716
    Sprache: Englisch
    DDC: 306.48420943
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Modern history to 20th century: c 1700 to c 1900 ; Classical Music ; German Empire ; German History ; Migration ; Music ; Musicians ; National Socialism ; Professionalization ; Weimar Republic ; World War I ; World War II ; World War 1 ; World War 2
    Kurzfassung: Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession 'from below' sheds new light on German musical life in the modern era.
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  • 52
    Buch
    Buch
    New York : Canongate
    ISBN: 9781838858636
    Sprache: Englisch
    Seiten: 404 Seiten
    DDC: 153.35
    RVK:
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  • 53
    ISBN: 9781501369506 , 1501369504
    Sprache: Englisch
    Seiten: vi, 222 Seiten , Illustrationen , 24 cm
    RVK:
    Schlagwort(e): Music and older people ; Memory Age factors ; Music and intergenerational communication ; Music Social aspects ; Memory Age factors ; Music and intergenerational communication ; Music and older people ; Music Social aspects
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  • 54
    Buch
    Buch
    Wien : Hollitzer
    ISBN: 9783990129807
    Sprache: Englisch
    Seiten: 24 cm x 17 cm
    Serie: Beiträge zur Jazzforschung = Studies in jazz research 16
    Paralleltitel: Erscheint auch als
    RVK:
    Anmerkung: Literaturverzeichnis Seite 193-197 , Diskografie Seite 198-216 , Verzeichnis der Songtitel Seite 217-222
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  • 55
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478024040
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Practices
    DDC: 306.109747
    RVK:
    RVK:
    Schlagwort(e): Rave ; Subkultur ; LGBT ; New York, NY
    Kurzfassung: What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York's thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them. Extending the rave's sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.
    URL: Cover
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  • 56
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Sprache: Englisch
    Seiten: xx, 323 Seiten , Illustrationen
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als The Cambridge companion to Krautrock
    DDC: 781.660943/09047
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Krautrock (Music) History and criticism ; Popular music History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Kurzfassung: This first academic introduction to the 1960s/70s 'Krautrock' movement of German experimental music discusses key bands of the era including Can, Kraftwerk, Tangerine Dream, Neu!, and Faust. It also explores the contexts of Krautrock's emergence and its wide-ranging influence on music from punk, new wave, and Detroit techno to the present day.
    Anmerkung: Enthält Literaturangaben und ein Register , Introduction , Krautrock : definitions, concepts, contexts , Krautrock and the radical politics of 1968 , Krautrock in the British and American music press , Infrastructure of the German music business , The sound of Krautrock , Kraftwerk , Can , Tangerine Dream , Neu! , Faust , Cluster/Harmonia , Popol Vuh , Ash Ra Tempel, Manuel Göttsching, and Klaus Schulze , Amon Düül II , The flip side of Krautrock , Krautrock and German punk , Krautrock and British post-punk , Krautrock and German free jazz, Kraut fusion, and Detroit techno , Krautrock today
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  • 57
    ISBN: 9780197536261 , 9780197536254
    Sprache: Englisch
    Seiten: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
    RVK:
    Schlagwort(e): Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Anmerkung: Literaturverzeichnis: Seite 205-207
    URL: Cover
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  • 58
    Online-Ressource
    Online-Ressource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Serie: Bloomsbury handbooks
    Serie: Bloomsbury collections
    Paralleltitel: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Religion ; Volksmusik ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Kurzfassung: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
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    Schlagwort(e): Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Afrika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Cover
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  • 60
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478027058
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 Seiten)
    DDC: 306.4846
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    Kurzfassung: In Together, Somehow, Luis Manuel Garcia-Mispireta examines how people find ways to get along and share a dancefloor, a vibe, and a sound. Drawing on time spent in the minimal techno and house music subscenes in Chicago, Paris, and Berlin as the first decade of the new millennium came to a close, Garcia-Mispireta explains this bonding in terms of what he calls stranger-intimacy: the kind of warmth, sharing, and vulnerability between people that happens surprisingly often at popular electronic dance music parties. He shows how affect lubricates the connections between music and the dancers. Intense shared senses of sound and touch help support a feeling of belonging to a larger social world. However, as Garcia-Mispireta points out, this sense of belonging can be vague, fluid, and may hide exclusions and injustices. By showing how sharing a dancefloor involves feeling, touch, sound, sexuality, and subculture, Garcia-Mispireta rethinks intimacy and belonging through dancing crowds and the utopian vision of throbbing dancefloors.
    URL: Cover
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  • 61
    Online-Ressource
    Online-Ressource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Routledge music companions
    DDC: 780.89
    RVK:
    RVK:
    Schlagwort(e): Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 62
    ISBN: 9789004542716
    Sprache: Englisch
    Seiten: XXII, 462 Seiten
    Serie: Studies in Central European histories Volume 73
    Originaltitel: Kunst, Spiel, Arbeit
    DDC: 306.48420943
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    Anmerkung: Aus dem Deutschen übersetzt , Literaturverzeichnis Seite 400-441
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  • 63
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9781501368509
    Sprache: Englisch
    Seiten: ix, 159 Seiten , Illustrationen
    DDC: 306.48424
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    Schlagwort(e): Popmusik ; Feminismus ; Geschlechterrolle
    Anmerkung: Literaturverzeichnis Seite 147-157
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  • 64
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9798765101315
    Sprache: Englisch
    Seiten: 215 Seiten , Illustrationen
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  • 65
    ISBN: 9781805252795
    Sprache: Englisch
    Seiten: v, 208 Seiten , Illustrationen
    RVK:
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  • 66
    Online-Ressource
    Online-Ressource
    Abingdon, Oxon : Routledge | London : Taylor & Francis Group
    ISBN: 9781000866834 , 1000866831 , 9781003309574 , 1003309577 , 9781000866728 , 1000866726
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: [First edition.]
    Serie: Ashgate popular and folk music series
    DDC: 781.630951
    RVK:
    Schlagwort(e): Popular music Social aspects ; History ; Music and globalization History ; Music Western influences
    Kurzfassung: Ya-Hui Cheng examines the emergence of popular music genres - jazz, rock, and hip-hop - in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. The political sensitivities across the strait have long eclipsed the discussion of these shared sonic intimacies. It was not until the rise of the digital age, when entertainment programs from China and Taiwan reached social media on a global scale, that audiences realized the existence of this sonic reciprocation. Analyzing Chinese pentatonicism and popular songs published from 1927 to the present, this book discusses structural elements in Chinese popular music to show how they aligned closely with Chinese folk traditions. While the influences from Western genres are inevitable under the phenomenon of globalization, Chinese songwriters utilized these Western inspirations to modernize their musical traditions. It is a sensitivity for exhibiting cultural identities that enabled popular music to present a unique Chinese global image while transcending political discord and unifying mass cultures across the strait
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  • 67
    ISBN: 9781032314037
    Sprache: Englisch
    Seiten: xi 218 Seiten
    Serie: Ashgate popular and folk music series
    DDC: 781.630951
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  • 68
    ISBN: 9783988225023
    Sprache: Englisch
    Seiten: 456 Seiten , Illustrationen , 22 cm
    Ausgabe: 1. edition
    Serie: Album age vol. 1
    RVK:
    Schlagwort(e): Genesis ; Geschichte 1974-1975 ; Progressive Rock ; Musikalbum
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  • 69
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367490034 , 9780367630355
    Sprache: Englisch
    Seiten: xvii, 349 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: First published
    Serie: Routledge music companions
    Serie: Routledge companions
    Serie: Ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
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    Schlagwort(e): Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 70
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478016762 , 9781478019381
    Sprache: Englisch
    Seiten: 119 Seiten, Seiten 3-26 Illustrationen
    Serie: Practices
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
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    Anmerkung: Literaturverzeichnis: Seite [107]-119
    URL: Cover
    URL: Cover
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  • 71
    Buch
    Buch
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Sprache: Englisch
    Seiten: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Archivierung ; Hip-Hop ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
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  • 72
    Online-Ressource
    Online-Ressource
    Lisbon : Imprensa de História Contemporânea
    ISBN: 9789898956460 , 9789898956477 , 9789898956484
    Sprache: Unbestimmte Sprache
    Seiten: 1 Online-Ressource (508 p.)
    Serie: Contemporânea
    RVK:
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    Schlagwort(e): Popular culture
    Kurzfassung: Songs like Chico Fininho, by Rui Veloso and the Banda Sonora, and Cavalos de Corrida, by the group UHF, were the first hits of the "Portuguese rock boom", an expression referring to the first moment of great commercial success for rock repertoire recorded and published in Portugal. At the beginning of the 1980s, "Portuguese rock" was central to the consolidation of a "modern" and cosmopolitan youth identity that increasingly identified with habits and lifestyles from the Anglo-American cultural universe. The intensification of the editorial commitment to this repertoire led to the emergence of new groups, record producers, sound companies and artist agencies, as well as the reconfiguration of the characteristics of various bands that sought to align themselves with the phenomenon, including the growing use of the Portuguese language, an aspect that until then had often been disregarded in the context of rock music. This book analyses the main changes that took place in rock practices in Portugal during the second half of the 1970s and early 1980s, looking at the links between the various music industries and the role of their agents as active participants in shaping the activity of the groups and their respective repertoires
    Kurzfassung: Canções como Chico Fininho, de Rui Veloso e a Banda Sonora, e Cavalos de Corrida, do grupo UHF, constituíram os primeiros êxitos do «boom do rock português», expressão referente ao primeiro momento de grande sucesso comercial de repertório rock gravado e publicado em Portugal. No início da década de 1980, o «rock português» foi fulcral na consolidação de uma identidade juvenil «moderna» e cosmopolita crescentemente identificada com hábitos e estilos de vida provindos do universo cultural anglo-americano. A intensificação da aposta editorial neste repertório motivou o aparecimento de novos grupos, produtores fonográficos, empresas de som e de agenciamento de artistas, assim como a reconfiguração das características de várias bandas que procuraram alinhar-se com o fenómeno, inclusive no crescente recurso à língua portuguesa, aspecto até então frequentemente desprezado no âmbito do rock. Neste livro, são analisadas as principais transformações ocorridas nas práticas do rock em Portugal durante a segunda metade da década de 1970 e inícios da década de 1980, contemplando a articulação entre as várias indústrias ligadas à música e o papel dos seus agentes enquanto participantes activos na configuração da actividade dos grupos e dos seus respectivos repertórios
    Anmerkung: Portuguese
    URL: Volltext  (kostenfrei)
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  • 73
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    ISBN: 978-1-108-83705-7 , 978-1-108-94003-0
    Sprache: Englisch
    Seiten: xv, 295 Seiten.
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Korea (South) ; Geschichte ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; K-Pop ; Popmusik. ; Musikleben. ; Musikbranche. ; Korea. ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 74
    Online-Ressource
    Online-Ressource
    Hamburg, Germany : adocs
    ISBN: 9783943253641
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Ausgabe: 1. edition
    Paralleltitel: Erscheint auch als
    DDC: 781.230964
    RVK:
    Schlagwort(e): Kolonialismus ; Klang ; Vielfalt ; Marokko ; Ethnographie ; Sound Studies ; künstlersche Forschung ; postkoloniale Theorie ; akustische Praktiken ; Marokko ; Kolonialismus ; Klang ; Vielfalt
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 75
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197555200
    Sprache: Englisch
    Seiten: 1 Online-Ressource (193 pages)
    Serie: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    Schlagwort(e): Electronic books
    Kurzfassung: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 76
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031219542
    Sprache: Englisch
    Seiten: xxvi, 466 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.66091810905
    RVK:
    Schlagwort(e): Hip-Hop ; Musiksoziologie ; Internationaler Vergleich ; Forschung ; Sociolinguistics ; Linguistic Anthropology ; Contemporary Music ; Cultural History ; Race and Ethnicity Studies ; Anthropological linguistics ; Music—History and criticism ; Civilization—History ; Race ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 77
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9781501333699
    Sprache: Englisch
    Seiten: xix, 696 Seiten , Diagramme
    Paralleltitel: Erscheint auch als The Bloomsbury handbook of popular music and youth culture
    Paralleltitel: Erscheint auch als Bennett, Andy The Bloomsbury Handbook of Popular Music and Youth Culture
    DDC: 306.4/8423
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    Schlagwort(e): Popular music Social aspects ; Music and youth ; Youth Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: "Offers a critical overview of key themes and debates in the field of popular music and youth culture studies"--
    Anmerkung: Enthält Literaturangaben und Index
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  • 78
    Buch
    Buch
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190856700 , 9780190856694
    Sprache: Englisch
    Seiten: xiv, 238 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Hip-Hop ; Tanz ; Ästhetik ; Hip-hop dance ; African American aesthetics
    Anmerkung: Literaturverzeichnis Seite 221-228
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  • 79
    Buch
    Buch
    London : Faber and Faber Limited
    ISBN: 0571372198 , 9780571372195 , 9780571320257 , 0571320252
    Sprache: Englisch
    Seiten: xx, 636 Seiten , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 782.42164
    RVK:
    Schlagwort(e): Geschichte 1900-1980 ; Popmusik ; Popular music History and criticism ; Musique populaire Histoire et critique ; Popular music ; Criticism, interpretation, etc
    Anmerkung: Quellen- und Literaturverzeichnis Seite [595]-603
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  • 80
    Buch
    Buch
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190247867
    Sprache: Englisch
    Seiten: xiv, 575 Seiten , Illustrationen , 26 cm
    DDC: 793.3
    RVK:
    Schlagwort(e): Hip-Hop ; Streetdance ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 81
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Schwarze ; Politik ; Rassendiskriminierung ; Hip-Hop ; Recht ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    ISBN: 9781644698952
    Sprache: Englisch
    Seiten: 1 Online-Ressource (362 p.)
    Serie: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    Schlagwort(e): Konferenzschrift 2020 ; Electronic books ; Konferenzschrift 2020 ; Electronic books.
    Kurzfassung: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Online-Ressource
    Online-Ressource
    Singapore : Springer Nature Singapore | Imprint: Palgrave Macmillan
    ISBN: 9789811923401
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 357 p. 24 illus)
    Ausgabe: 1st ed. 2022
    Serie: Palgrave Studies in Sound
    Paralleltitel: Printed edition
    Paralleltitel: Printed edition
    Paralleltitel: Printed edition
    DDC: 306
    RVK:
    Schlagwort(e): Culture ; Science—Social aspects ; Music—Philosophy and aesthetics ; Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839457580
    Sprache: Englisch
    Seiten: 1 Online-Ressource (228 p.)
    Ausgabe: 2021
    Serie: Studien zur Popularmusik
    DDC: 781.648
    RVK:
    Schlagwort(e): Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Hochschulschrift ; Hochschulschrift
    Kurzfassung: Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview on the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    ISBN: 9781793655639
    Sprache: Englisch
    Seiten: ix, 179 Seiten
    Serie: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
    RVK:
    Schlagwort(e): Rock 'n' Roll ; Protest ; USA ; History
    Anmerkung: References Seite 159-166
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  • 86
    ISBN: 9782503600789
    Sprache: Englisch
    Seiten: xxvi, 358 Seiten , Illustrationen, Notenbeispiele
    Serie: Specvlvm Mvsicae Volume 46
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben , Publications of the Centro Studi Opera Omnia Luigi Boccherini, Luca
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  • 87
    Online-Ressource
    Online-Ressource
    New York, NY : Routledge | London : Taylor & Francis Group
    ISBN: 9781003044642 , 1003044646 , 1000450589 , 9781000450590 , 9781000450583 , 1000450597
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: ISME global perspectives in music education
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Music Social aspects ; Music Environmental aspects ; Music Economic aspects ; Music Instruction and study ; Social aspects ; Ecomusicology ; Sustainability ; EDUCATION / General ; Electronic books.
    Kurzfassung: "Educating Musicians for Sustainability investigates the ways in which sustainability plays an important role in the education and professional preparation of musicians. It attempts to put into practice the aspirations of the United Nations Decade of Education for Sustainable Development (2005-2014) to integrate sustainability into education at all levels and disciplines. Organised around the four 'pillars of sustainability' - environmental, social, economic and cultural - aspects of music education reveal a multitude of intersections. Identifying and exemplifying these intersections assists aspiring musicians to develop a broader view of the profession of music as a human endeavour that is intimately related to the world in which they are living"--...
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  • 88
    Online-Ressource
    Online-Ressource
    New York : Routledge | London : Taylor & Francis Group
    ISBN: 9780367822330 , 0367822334 , 9781000540437 , 100054043X , 9781000540413 , 1000540413
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Transnational studies in jazz
    DDC: 781.6509485
    RVK:
    Schlagwort(e): Geschichte 1947-1963 ; Jazz ; Rezeption ; Jazz History and criticism ; Jazz History and criticism ; USA ; Schweden
    Kurzfassung: "Swedish Jazz in the United States: Swede and Cool traces and analyzes the dissemination and reception of jazz from Sweden in the United States in the period 1947-1963. It maps the network through which record companies from Sweden exchanged recordings with American record companies. The book shows that Swedish jazz became an established notion around 1950, a time that - in jazz studies - still is regarded as a predominantly American era. By following Swedish-American exchanges instead of the big, canonized names in jazz, new perspectives on jazz arise. It becomes clear how the notion of "Swedish jazz" was adapted to the American market and was defined differently in the US than in Sweden"--...
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  • 89
    Buch
    Buch
    Baltimore, [Maryland] : Johns Hopkins University Press
    ISBN: 9781421444987
    Sprache: Englisch
    Seiten: 400 Seiten , Illustrationen
    DDC: 781.66097309046
    RVK:
    Schlagwort(e): Geschichte 1960-1968 ; Rock 'n' Roll ; Rockmusik ; USA
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  • 90
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic | London : Bloomsbury Publishing
    ISBN: 9781350107472 , 9781350107465 , 9781350107458
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Ausgabe: [1.]
    DDC: 782.42166092/2
    RVK:
    Kurzfassung: "This book uses The Beatles as a lens through which to explore the sweeping, panoramic history of the social, cultural and political transformations that occurred in the 1960s. It draws on audience reception theory and untapped primary source material, including student newspapers, to understand how listeners would have interpreted The Beatles' songs and albums. Some key topics include race relations, gender dynamics, political and cultural upheavals, the Vietnam War and the evolution of rock music and popular culture. It also addresses the relevance of The Beatles' ideals of revolutionary change to our present day"--...
    Anmerkung: Enthält Literaturangaben , History 2021
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  • 91
    ISBN: 9780231189187 , 9780231189194
    Sprache: Englisch
    Seiten: xiii, 275 Seiten , Illustrationen
    Serie: Leonard Hastings Schoff memorial lectures
    Paralleltitel: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Schlagwort(e): Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Kurzfassung: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Kurzfassung: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Anmerkung: Includes index
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  • 92
    Online-Ressource
    Online-Ressource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Sprache: Englisch
    Seiten: 1 Online-Ressource (450 Seiten) , Illustrationen
    Ausgabe: 1st, New ed.
    Serie: American Culture 16
    RVK:
    Schlagwort(e): Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Kurzfassung: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 93
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031164668 , 3031164660
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 213 Seiten)
    Ausgabe: 1st ed. 2022
    Paralleltitel: Erscheint auch als Hirsch, Lily E Insulting Music
    DDC: 781.63
    RVK:
    Schlagwort(e): Popular music ; Music ; Popular Culture ; Popular Music ; Music ; Popular Culture ; Classical Music ; Pop and Rock
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 94
    ISBN: 9783982437101 , 3982437105
    Sprache: Englisch
    Seiten: 3 Bände , 22 cm
    DDC: 741.6609045
    RVK:
    Schlagwort(e): Geschichte 1945-1960 ; Cover ; Schallplatte ; Jazz
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 95
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Kurzfassung: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 96
    Online-Ressource
    Online-Ressource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 2nd Edition
    Paralleltitel: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Kurzfassung: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 97
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 pages)
    Serie: American Made Music Ser.
    DDC: 780.266
    RVK:
    RVK:
    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Kurzfassung: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 98
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226817804 , 9780226817743
    Sprache: Englisch
    Seiten: 200 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Serie: Chicago studies in ethnomusicology
    DDC: 781.6309512/75
    RVK:
    RVK:
    Schlagwort(e): Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Kurzfassung: "Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy has led to a thriving pop music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, rural migrants to the city are incorporating Chinese folk traditions into the musical tapestry. In Producing Sonic Worlds, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands as well as cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming People's Republic of China". - Rückumschlag
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  • 99
    Buch
    Buch
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476685229
    Sprache: Englisch
    Seiten: x, 213 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.978
    RVK:
    Schlagwort(e): Binnenwanderung ; Musik ; Soziale Funktion ; Nordamerika ; Oregon Trail ; Frontier
    Kurzfassung: Over 400,000 people moved their families in search of a better life in the American West during the Westward Expansion. The pioneers made room for musical instruments with their guns, food, and tools, while taking only the minimal necessities that would fit into modest wagons. During what seemed like an interminable dusty journey, music was often the sole source of light and happiness for these exhausted travelers. This book examines the roles of music in the Westward Expansion and the diverse cultural landscape of the Old West, including northern Cheyenne courtship flute makers, fiddle-playing explorers, dancing fur trappers, hymn-singing missionaries, frontier flutists, girls with guitars, wagon-driving balladeers, poetic cowboys, singing farmers, musical miners, and preaching songsters.
    Anmerkung: Literaturverzeichnis: Seite 197-201
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  • 100
    ISBN: 9781496839152
    Sprache: Englisch
    Seiten: xi, 321 Seiten , Illustrationen , 24 cm
    Serie: American made music series
    DDC: 780.266
    RVK:
    RVK:
    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten
    Kurzfassung: From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period's most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity-foibles, failures, and fabled feats-while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis's early days as a musician, jockey, and bartender at his mother's quarter horse track, and Ruth Brown's reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin' circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.
    Anmerkung: Diskographie Seite 281-298
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