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  • GBV  (28)
  • Ethn. Museum Berlin  (10)
  • Regensburg UB  (4)
  • MPI Ethno. Forsch.  (2)
  • Book  (37)
  • 2020-2024  (37)
  • Bielefeld : transcript  (14)
  • New York : Oxford University Press  (14)
  • New York, NY : Oxford University Press  (9)
  • Aldershot [u.a.] : Ashgate
  • Musicology  (37)
Datasource
Material
Language
Years
Year
  • 1
    Language: German
    Series Statement: Cultural Studies
    DDC: 000
    RVK:
    RVK:
    Keywords: Gegenkultur ; Musikleben ; Jugendkultur ; Musikerziehung
    Note: Band 1 herausgegeben von Marc Dietrich, Martin Seeliger
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  • 2
    Language: German
    Series Statement: Cultural Studies
    DDC: 000
    RVK:
    RVK:
    Keywords: Gegenkultur ; Musikleben ; Jugendkultur ; Musikerziehung
    Note: Band 1 herausgegeben von Marc Dietrich, Martin Seeliger
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  • 3
    ISBN: 9783837670103 , 3837670104
    Language: German
    Pages: 255 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 405 g
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021 ; Konferenzschrift 22.10.2021-24.10.2021 ; Konferenzschrift 22.10.2021-24.10.2021
    Note: Literaturangaben
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 4
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 5
    ISBN: 9780190856700
    Language: English
    Pages: xiv, 238 Seiten , Illustrationen
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
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  • 6
    ISBN: 9783837669411 , 3837669416
    Language: German
    Pages: 657 Seiten , Illustrationen , 24 cm x 15.5 cm, 1109 g
    Edition: [1. Auflage]
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Friedrich-Schiller-Universität Jena 2023
    DDC: 781.66
    RVK:
    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Rezension  (H-Soz-Kult)
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  • 7
    ISBN: 9783837669992 , 3837669998
    Language: German
    Pages: 202 Seiten , 22.5 cm x 14.8 cm, 324 g
    Series Statement: Schriften zum Kultur- und Museumsmanagement
    Parallel Title: Erscheint auch als Dirigent*innen im Fokus
    Parallel Title: Erscheint auch als Dirigent*innen im Fokus
    DDC: 784.2092
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Dirigentin ; Klassische Musik ; Musikleben ; Geschlechterverhältnis ; Intersektionalität ; Gleichstellung ; Patriarchat
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  • 8
    ISBN: 9780190661960 , 9780190661991
    Language: English
    Pages: xx, 541 Seiten , Illustrationen, Notenbeispiele , 25.5 cm x 18 cm
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Note: Literaturangaben
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  • 9
    ISBN: 9780197692684 , 9780197692677
    Language: English
    Pages: xx, 424 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Music for Inclusion and Healing in Schools and Beyond
    DDC: 306.4/8424
    RVK:
    Keywords: Popular music Social aspects ; Popular music Instruction and study ; Social aspects ; Culturally sustaining pedagogy ; Rap (Music) Moral and ethical aspects ; Music therapy for teenagers ; Hip-hop ; Aufsatzsammlung ; Konferenzschrift
    Abstract: "The chapters that make up this book recognize through examples from research, practice and evaluation of quality with lived experiences that diverse contemporary popular musics can provide useful tools not just for entertainment and fun, but for learning, growth and healing/wellness. Hip hop, techno, grime, drill and suchlike are contemporary genres that have been stigmatized through association with the BAME community. At the same time, however, these musics are typically the listening diet of choice today in our inner cities. These contemporary musics of the inner-city and their associated music-related activities (e.g., deejaying, beat making, mixtape making but also dance, visual art and more) are celebrated and embraced as extraordinarily powerful tools for building and maintaining academic, social, and emotional competencies. These musics are loved and they can open up opportunities for creativities among those who often feel seriously marginalized. In turn, these musics (and activities associated with them) can provided opportunities to engage and/or support those at the social and educational margins. In other words, the musics at the heart of this book have faced exclusionary pressures but they can also work for inclusion when utilized in educational/pedagogical or therapeutic practices. As a whole, the book seeks to account for the power and impact of a set of contemporary popular musics in educational, therapeutic and community contexts, and to ask questions as to just where this power comes from, how we can measure its impact and where the future might lead"--
    Description / Table of Contents: PART ONE. CURRICULUM AND MUSIC EDUCATION. Beat(s) For Blame: UK Drill Music, 'Race' and Criminal Injustice / Lambros Fatsis ; DJ School UK and Beyond : My Journey As a DJ and DJ Educator / Jim Reiss ; 'Bildung Life' - Holistic Ideals of Hip Hop Education / Johan Söderman ; Technology and the Music Curriculum : Maximising Inclusion, Diversifying Options / Pete Dale ; Musical Futures and Music Technology in Mainstream Music Education / Fran Hannan & Martin Ainscough ; Rethinking the curriculum with Future DJs and Virtuoso / Austen Smart & Scott Smart -- PART TWO. HEALING AND WELLNESS. Power and Connection / Rawz ; Intentional Uses of Music : Hip Hop, Healing, and Empowerment for Youth Self-Care and Community Well-Being / Raphael Travis, Alex Crooke, and Ian Levy ; Becoming a Therapeutic Hip Hop Mentor / Kiran Manley ; Global Inclusion and Healing through Therapeutic Beat Making / Elliot Gann and Alex Crooke ; The Sound Pad Project : Co-Creation of Breakdancing, Dance Education, and an Inclusive Educational Technology / Nathan Geering and Simon Hayhoe ; Using Social Media to Cultivate Connected Learning and Social and Emotional Support through a Hip Hop Based Education Programme / Jabari Evans -- PART THREE. EVALUATION AND IMPACT. The Hip Hopification of Education and its Evaluation / BREIS ; Translating Evaluation and Research into Practice : What Matters for Socially Engaged Arts Programmes in and Beyond Schools? / Pamela Burnard ; Untangling Earphones - Voice and Agency in Participatory Music Impact Evaluation / Douglas Lonie ; Evaluating Young People's Spoken Word : Popular Music Projects / Beate Peter ; Evaluating Well-being Outcomes of the Social Enterprise 'Noise Solution': Digital Approaches to Outcome Capture / Simon Glenister ; Who is Heard and Who Gets to Belong in Hip Hop? The Counterspaces of Women and Gender Minority Rappers in Finland / Inka Rantakallio.
    Note: Literaturangaben
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  • 10
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 11
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
    RVK:
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 12
    ISBN: 9783837660579 , 3837660575
    Language: German
    Pages: 180 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 288 g
    Series Statement: Transdisziplinäre Popkulturstudien Band 5
    Series Statement: Transdisziplinäre Popkulturstudien
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Wolf, Luise, 1989 - Tiefenresonanz
    DDC: 786.701
    RVK:
    RVK:
    Keywords: Elektronische Musik ; Leiblichkeit ; Resonanz
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  • 13
    ISBN: 9783837660555
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Deutscher Gangsta-Rap 3
    Series Statement: Cultural Studies Band 56
    Series Statement: Deutscher Gangsta-Rap
    Series Statement: Cultural studies
    DDC: 780
    RVK:
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  • 14
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
    RVK:
    RVK:
    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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  • 15
    ISBN: 9783837653236 , 3837653234
    Language: German
    Pages: 236 Seiten , Illustrationen
    Series Statement: Transdisziplinäre Popkulturstudien Band 1
    Series Statement: Transdisziplinäre Popkulturstudien
    Parallel Title: Erscheint auch als Druckwellen
    DDC: 302.24
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Populismus ; Provokation ; Eskalation ; Hassrede ; Rockmusik ; Popmusik ; Popkultur ; Provokation ; Tabuverletzung
    Abstract: Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien – das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag. Pop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen – mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.
    Note: Enthält Literaturangaben
    URL: Cover
    URL: Cover
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  • 16
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
    RVK:
    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 17
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9783837654615 , 3837654613
    Language: German
    Pages: 372 Seiten , Illustrationen, Diagramme , 24 cm, 623 g
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Humboldt-Universität Berlin 2019
    DDC: 658.872
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite [329]-372
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  • 19
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 20
    ISBN: 9780197517642
    Language: English
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume II
    Parallel Title: Erscheint auch als Transforming ethnomusicology Volume I
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Keywords: Ethnomusicology ; Applied ethnomusicology ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: "Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a very wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume One begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethnomusicologists have faced and the strategies they have adopted when working in situations as diverse and challenging as the courtrooms of America, the refugee camps of Kenya, the post-earthquake urban context of Haiti, and war-torn South Sudan. Other studies reflect on community activism and the complexities of sustaining and reviving cultural traditions. The final chapter offers a new perspective on disciplinary practice and methodology by examining the power relations implicit in ethnography and the potential of shifting our position to "witnessing." Volume Two focuses on social and ecological issues and includes Indigenous perspectives from America, Australia, and South Africa. The volume as a whole recognizes the interlinking of colonial and environmental damage as institutions that failed to respect the land and its peoples. As in chapter one, the authors deal with the challenging circumstances of the present day where historical practices, and modern neoliberal institutions threaten the creation and sustaining of musical knowledge, the memory of the land (both urban and rural), and the dignity of human life. As in Volume One, the second volume ends with a model for change, a radical rethinking of the structure of knowledge already underway in Brazil"--
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 22
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
    RVK:
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  • 23
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 24
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 25
    ISBN: 9783837655353
    Language: German
    Pages: 209 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 318 g
    Series Statement: Edition Museum Band 53
    Parallel Title: Erscheint auch als
    DDC: 780.74
    RVK:
    RVK:
    Keywords: Musik ; Museum ; Kulturvermittlung ; Narrativität ; Spezialmuseum ; Ausstellung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [205]-209
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  • 26
    ISBN: 9783837655810 , 3837655814
    Language: German
    Pages: 230 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 369 g
    Series Statement: Beiträge zur Popularmusikforschung Band 46
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Appen, Ralf One Nation Under a Groove - »Nation« als Kategorie populärer Musik
    Parallel Title: Erscheint auch als Gesellschaft für Popularmusikforschung (29. : 2019 : Mainz) One nation under a groove - »Nation« als Kategorie populärer Musik
    Parallel Title: Erscheint auch als Gesellschaft für Popularmusikforschung (29. : 2019 : Mainz) One Nation Under a Groove - »Nation« als Kategorie populärer Musik
    DDC: 782.42164
    RVK:
    Keywords: Konferenzschrift 01.11.2019-03.11.2019 ; Popmusik ; Nation ; Popmusik ; Rechtspopulismus ; Popmusik
    Note: Die Beiträge sind aus der 29. Jahrestagung der GfPM in Mainz hervorgegangen. (Seite 8) , Literaturangaben
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  • 27
    ISBN: 9783837646283
    Language: German
    Pages: 279 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.5 cm x 14.8 cm, 363 g
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 2000-2019 ; Rap ; Deutsch ; Text ; Textanalyse ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Rap ; Text ; Geschichte 2000-2019 ; Deutsch ; Rap ; Textanalyse ; Geschichte 2000-2019
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  • 28
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
    RVK:
    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9783837654769 , 3837654761
    Language: German
    Pages: 232 Seiten , Illustrationen
    Series Statement: Kultur und soziale Praxis
    Dissertation note: Dissertation Universität zu Köln
    DDC: 780.032
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 31
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
    RVK:
    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9783837651645 , 3837651649 , 9783839451649
    Language: German
    Pages: 262 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 363 g
    Series Statement: Musik und Klangkultur Band 46
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als
    DDC: 302.234409494
    RVK:
    Keywords: International broadcasting ; Broadcasters ; Radio audiences ; Hochschulschrift ; Hochschulschrift ; Schweizerischer Kurzwellendienst ; Kulturvermittlung ; Kultursendung ; Geschichte 1950-1975 ; Schweizer Alpen ; Klang ; Hören ; Autoethnografie
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  • 34
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 35
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
    RVK:
    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 36
    ISBN: 9780190616922
    Language: English
    Pages: vii, 553 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.484209034
    RVK:
    Note: Literaturangaben
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  • 37
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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