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  • Art History  (127)
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  • 1
    ISBN: 9781478027256 , 1478027258 , 9781478093718 , 1478093714
    Language: English
    Pages: 1 online resource (554 pages) , illustrations
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 2
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 4
    ISBN: 9781107133372 , 9781107589896
    Language: English
    Pages: xxii, 324 Seiten , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Montrul, Silvina Native speakers, interrupted
    DDC: 306.44/60973
    RVK:
    Keywords: Bilingualism ; Heritage language speakers ; Linguistic change ; Spanish language Direct object ; Spanish language Morphosyntax ; Hindustani language Direct object ; Hindustani language Morphosyntax ; Romanian language Direct object ; Romanian language Morphosyntax ; USA ; Amerikanisches Englisch ; Zweisprachigkeit ; Morphosyntax ; Sprachwandel
    Abstract: "A heritage language is the term given to a language spoken at home by bilingual children of immigrant parents. Written by a leading figure in the field, this pioneering, in-depth study brings together three heritage languages - Hindu, Spanish, and Romanian - spoken in the United States. It demonstrates how heritage speakers drive morphosyntactic change when certain environmental characteristics are met and considers the relationship between social and cognitive factors and timing in language acquisition, bilingualism, and language change. It also discusses the implications of the findings for the language education of heritage speakers in the USA and considers how the heritage language can be maintained in the English-speaking school system. Advancing our understanding of heritage language development and change, this book is essential reading for students and researchers of linguistics and multilingualism, immigration, education studies, and language policy, as well as for educators and policy makers"--
    Note: Literaturverzeichnis: Seite 293-321
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  • 5
    ISBN: 9781138041936 , 9781138041905
    Language: English
    Pages: xiv, 352 Seiten , Illustrationen, Diagramme, Karten
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Former Title: Vorangegangen ist Lippi-Green, Rosina English with an accent
    DDC: 306.440973
    RVK:
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    Keywords: Soziolinguistik ; Amerikanisches Englisch ; Sprachvariante ; Ideologie ; Sprachpolitik ; Black English ; Aussprache ; Diskriminierung ; Sprache ; Englisch ; Standardsprache ; Akzent ; USA ; Amerikanisches Englisch ; Sprachvariante ; Aussprache ; Ideologie ; Soziolinguistik ; USA ; Englisch ; Akzent ; Soziolinguistik ; USA ; Black English ; Standardsprache ; USA ; Sprache ; Diskriminierung ; USA ; Sprachvariante ; USA ; Sprachpolitik
    Note: First edition published by Routledge 1997. - Second edition published by Routledge 2012
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  • 6
    Image
    Image
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 7
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197577356 , 9780197577349
    Language: English
    Pages: xxxiv, 230 Seiten
    Edition: Updated edition
    Parallel Title: Erscheint auch als
    DDC: 305.8960730905
    RVK:
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    Keywords: Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Abstract: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
    URL: Cover  (lizenzpflichtig)
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  • 8
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 9
    ISBN: 9783864893919 , 3864893917
    Language: German
    Pages: 702 Seiten , 23 cm x 17 cm
    Uniform Title: Manufacturing consent
    Parallel Title: Erscheint auch als Herman, Edward S., 1925 - 2017 Die Konsensfabrik
    DDC: 302.2/34
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    Keywords: 1975-1988 ; Mediensektor ; USA ; Mass media Political aspects ; World politics 1975-1985 ; World politics 1985-1995 ; Public opinion ; Mass media Objectivity ; Massenmedien ; Realitätsbezug ; Propaganda ; USA ; Politik ; Massenmedien ; Politische Berichterstattung ; Objektivität
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 10
    ISBN: 9781479819775 , 9781479819768
    Language: English
    Pages: 1 Online-Ressource (221 Seiten)
    Series Statement: LGBTQ Politics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.760973
    RVK:
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    Keywords: SOCIAL SCIENCE / LGBT Studies / General ; LGBT ; USA ; USA ; LGBT
    Abstract: A compelling explanation of the American public's acceptance of LGBT freedoms through the lens of pop cultureHow did gay people go from being characterized as dangerous perverts to military heroes and respectable parents? How did the interests of the LGBT movement and the state converge to transform mainstream political and legal norms in these areas?Using civil rights narratives, pop culture, and critical theory, LGBT Inclusion in American Life tells the story of how exclusion was transformed into inclusion in US politics and society, as pop culture changed mainstream Americans thinking about "non-gay" issues, namely privacy, sex and gender norms, and family. Susan Burgess explores films such as Casablanca, various James Bond movies, and Julie and Julia, and television shows such as thirtysomething and The Americans, as well as the Broadway sensation Hamilton, as sources of growing popular support for LGBT rights. By drawing on popular culture as a rich source of public understanding, Burgess explains how the greater public came to accept and even support the three central pillars of LGBT freedoms in the post-World War II era: to have consensual adult sex without fear of criminal penalty, to serve openly in the military, and to marry legally. LGBT Inclusion in American Life argues that pop culture can help us to imagine unknown futures that lead beyond what we currently desire from contemporary politics, and in return asks now that the mainstream public has come to accept LGBT freedoms, where might the popular imagination be headed in the future?
    Note: In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 12
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 13
    Image
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
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    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 14
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 15
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674278622 , 9780674979963
    Language: English
    Pages: 391 Seiten , Illustrationen
    Edition: First Harvard University Press paperback edition
    DDC: 305.896073
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    Keywords: Amerikanische Geschichte ; Black & Asian studies ; Civil rights & citizenship ; Cultural studies ; Ethnic Studies ; HIS056000 ; History of the Americas ; Human rights & civil liberties law ; Kulturwissenschaften ; LAW / Civil Rights ; LAW117000 ; POLITICAL SCIENCE / Political Freedom & Security / Civil Rights ; Politische Bildung und Zivilgesellschaft ; Recht: Menschenrechte und Bürgerrechte ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Social & cultural history ; Sozial- und Kulturgeschichte ; Transport law ; Transportrecht ; USA
    Abstract: Winner of the Bancroft PrizeWinner of the David J. Langum PrizeWinner of the Lillian Smith Book AwardWinner of the Order of the Coif Book AwardWinner of the OAH Liberty Legacy Foundation AwardA New York Times Critics' Top Book of the Year"This extraordinary book is a powerful addition to the history of travel segregation...Mia Bay shows that Black mobility has always been a struggle."-Ibram X. Kendi, author of How to Be an Antiracist"In Mia Bay's superb history of mobility and resistance, the question of literal movement becomes a way to understand the civil rights movement writ large."-Jennifer Szalai, New York Times"Traveling Black is well worth the fare. Indeed, it is certain to become the new standard on this important, and too often forgotten, history."-Henry Louis Gates, Jr., author of Stony the RoadFrom Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought to move freely around the United States. But why this focus on Black mobility? From stagecoaches and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape in America and brilliantly portrays what it was like to live with them.Mia Bay rescues forgotten stories of passengers who made it home despite being insulted, stranded, re-routed, or ignored. She shows that Black travelers never stopped challenging these humiliations, documenting a sustained fight for redress that falls outside the traditional boundaries of the civil rights movement. A riveting, character-rich account of the rise and fall of racial segregation, it reveals just how central travel restrictions were to the creation of Jim Crow laws-and why free movement has been at the heart of the quest for racial justice ever since
    URL: Cover  (lizenzpflichtig)
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  • 16
    ISBN: 9781479819720 , 9781479819751
    Language: English
    Pages: 221 Seiten
    Series Statement: LGBTQ politics series
    DDC: 306.760973
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    Keywords: Sexual minorities History ; Sexual minorities in popular culture ; Sexual minorities Social conditions ; Sexual minorities Public opinion ; Sexual minorities Civil rights ; USA ; Inklusion ; LGBT ; Homosexualität ; Homosexueller ; Bürgerrecht ; Soziale Wahrnehmung ; Akzeptanz
    Abstract: "Using popular culture, political time, critical race theory, and queer theory, this book explores how LGBT people were transformed in the post-WWII era from dangerous perverts who threatened family and state, to military heroes and respectable married couples and parents"--
    Note: Includes bibliographical references and index
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  • 17
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520972568
    Language: English
    Pages: 1 online resource (xiv, 367 pages)
    Additional Information: Rezensiert in Strong, Justin D. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Additional Information: Rezensiert in Smoyer, Amy B. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Parallel Title: Erscheint auch als Shah, Nayan, 1966 - Refusal to eat
    DDC: 303.6109
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    Keywords: Electronic books ; Großbritannien ; Irland ; USA ; Indien ; Südafrika ; Australien ; Papua-Neuguinea ; Suffragette ; Aktivist ; Politischer Gefangener ; Gefängnis ; Hungerstreik
    Abstract: The first global history of hunger strikes as a tactic in prisons, conflicts, and protest movements. The power of the hunger strike lies in its utter simplicity. The ability to choose to forego eating is universally accessible, even to those living under conditions of maximal constraint, as in the prisons of apartheid South Africa, Israeli prisons for Palestinian prisoners, and the detention camp at Guantánamo Bay. It is a weapon of the weak, potentially open to all. By choosing to hunger strike, a prisoner wields a last-resort personal power that communicates viscerally, in a way that is undeniable--especially when broadcast over prison barricades through media and to movements outside. Refusal to Eat is the first book to compile a global history of this vital form of modern protest, the hunger strike. In this enormously ambitious but concise book, Nayan Shah observes how hunger striking stretches and recasts to turn a personal agony into a collective social agony in conflicts and contexts all around the world, laying out a remarkable number of case studies over the last century and more. From suffragettes in Britain and the US in the early twentieth century to Irish political prisoners, Bengali prisoners, and detainees at post-9/11 Guantánamo Bay; from Japanese Americans in US internment camps to conscientious objectors in the 1960s; from South Africans fighting apartheid to asylum seekers in Australia and Papua New Guinea, Shah shows the importance of context for each case and the interventions the protesters faced. The power that hunger striking unleashes is volatile, unmooring all previous resolves, certainties, and structures and forcing supporters and opponents alike to respond in new ways. It can upend prison regimens, medical ethics, power hierarchies, governments, and assumptions about gender, race, and the body's endurance. This
    Abstract: Cover -- Refusal to Eat -- Title -- Copyright -- CONTENTS -- List of Illustrations -- Preface -- Acknowledgments -- Introduction -- PART ONE HUNGER STRIKING IN THE CRISIS OF IMPERIAL DEMOCRACY -- 1 Suffragists and the Shaping of Hunger Striking -- 2 The Medical Ethics of Forcible Feeding and a Brief History of Four Objects -- 3 Irish Republicans Innovating Hunger Strikes for Anticolonial Rebellion -- 4 Gandhi's Fasts, Prisoner Hunger Strikes, and Indian Independence -- PART TWO HUNGER STRIKING AND DEMOCRATIC UPHEAVALS -- 5 Solidarity and Survival in the Tule Lake Stockade -- 6 South African Anti-apartheid Hunger Strikes -- 7 Controversies of Medical Intervention in Northern Ireland -- 8 Biomedical Technologies, Medical Ethics, and the Management of Hunger Strikers -- 9 Australian Refugee Detention, Trauma, and Mental Health Crisis -- 10 Captives in U.S. Detention and Their Networks of Resistance and Solidarity -- Conclusion: Hunger-Striking Contingencies -- Notes -- Selected Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
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    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 20
    ISBN: 9783897711792 , 3897711796
    Language: German
    Pages: 247 Seiten , 21 cm x 14 cm, 250 g
    Edition: 1. Aufl.
    Uniform Title: Women, race & class
    DDC: 305.48896073
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    Keywords: USA ; Schwarze Frau ; Frauenbewegung ; Rassismus ; Klassenkampf ; Geschichte ; USA ; Schwarze ; Klassenkampf ; Feminismus
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  • 21
    ISBN: 9780226817989
    Language: English
    Pages: xxvi, 286 Seiten
    Edition: Enlarged second edition with a new foreword by Isabel Wilkerson
    DDC: 305.5/12208996073075
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    Keywords: African Americans ; Social classes ; Southern States Social conditions ; Southern States Economic conditions ; USA ; Wirtschaftliche Lage ; USA ; Soziale Klasse ; USA ; Schwarze ; USA ; Soziale Situation
    Abstract: Foreword / Isabel Wilkerson -- Preface -- Part I. Deep south : a social anthropological study of caste and class / W. Lloyd Warner -- The system of color-castes -- The class system of the white caste -- The white upper-class family -- The white middle-class family -- The white lower-class family -- Social cliques in the white society -- Social mobility within the white caste -- The class system fo the colored caste -- Part II. Intimidation of labor -- The plantation in the social setting -- Relation between the caste system and the economic system -- Caste, class, and local government : white power -- Retrospect, 1965 : power and caste -- Afterword, 1986.
    Abstract: "Deep South was originally published in 1941, documenting in startling detail the nuances, character, and lived realities of racism in a southern town. Allison Davis and his co-authors, Burleigh and Mary Gardner, all went undercover, not revealing their scholarly project or even their association with one another. Their analysis notably revealed the importance of caste and class to both Black and White worldviews, and it anatomized how those are constructed, reified, and reinforced. Deep South is freshly relevant today to those interested in the concept of caste and how it continues to inform the many flavors of American inequality"--
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9781324021582
    Language: English
    Pages: xxxviii, 517 Seiten , Illustrationen
    Edition: Revised and updated paperback edition
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    Keywords: Unterdrückung ; Sklave ; USA ; USA ; Sklave ; Unterdrückung ; Selbstständigkeit ; Geschichte 1800-1900
    Note: Auswahlbibliographie S. 255 - 275 u. Index
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  • 23
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 24
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 25
    Book
    Book
    Trier : Wissenschaftlicher Verlag Trier | New Orleans : University of New Orleans Press
    ISBN: 9783868219593 , 9781608012299
    Language: English
    Pages: 280 Seiten , Illustrationen
    Series Statement: Inter-American studies 25
    Series Statement: Inter-American studies
    DDC: 323.119607
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    Keywords: Black power ; Black people Political activity ; Black people History 20th century ; African Americans Politics and government 20th century ; Black people Politics and government 20th century ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Amerika ; Black power ; Geschichte ; Lateinamerika ; USA ; Black power ; Schwarze ; Bürgerrechtsbewegung ; Geschichte
    Abstract: "When SNCC leader Stokely Carmichael first called for "Black Power" on a Civil Rights march in 1966 he not only gave name to a movement that shaped one of the most significant periods of the African American freedom struggle in the USA. His background as son of migrants from Trinidad and Tobago also gives an indication on the international dimension of the Black Power movement. Black Power was informed by the ideas of Afro-diasporic intellectuals and Pan-Africanists such as W.E.B. DuBois, Marcus Garvey, Frantz Fanon, and Malcolm X. Deeply rooted in practices of Black transnationalism, Black Power heralded a new era of African American defiance, militancy, and cultural awareness, which transcended the U.S. and left its footprints throughout the Hemisphere, providing marginalized communities beyond national and cultural boundaries with meaningful symbols of resistance and self-affirmation in the face of racial oppression. Black Power's hemispheric impact encouraged the emergence of musical genres, antiracist movements, and border-crossing networks of solidarity among Afro-descendants in the Caribbean, Latin and North America, and continues to be a source of inspiration for the political and cultural expressions of the Black Americas in the 21st century as manifested by the Black Lives Matter movement. This compilation of essays by scholars and activists intends to fill an important gap by addressing Black Power within a historical, polyvocal and multi-locational approach shedding light on manifestations of Black Power from Brazil, Canada, Colombia, Cuba, Jamaica, Panama, Puerto Rico, Uruguay, the United States and their entanglements"--
    Note: Includes bibliographical references
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  • 26
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 27
    ISBN: 9780691209272 , 0691209278
    Language: English
    Pages: 133 Seiten , 29 cm
    DDC: 709.73
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    Keywords: African Americans Exhibitions Violence against ; Black people Exhibitions Violence against ; African Americans in art Exhibitions ; Black people in art Exhibitions ; Violence in art Exhibitions ; African Americans Exhibitions Social conditions ; African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Racism Exhibitions History ; Art Exhibitions Political aspects ; Art, American Exhibitions 20th century ; Art, American Exhibitions 21st century ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Engagierte Kunst ; Rassismus ; Gewalt
    Abstract: Preface / Huey Copeland -- A site of struggle / Janet Dees -- Making racial violence visible / Leslie M. Harris -- Functional abstractions : sensorial afterlives of the Black body / Sampada Aranke -- Black redaction, Black evidence : another testimony of Black life / LaCharles Ward -- Pausing at the threshold / Courtney R. Baker.
    Abstract: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022 , Includes bibliographical references (pages 127-131)
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  • 28
    ISBN: 9780198864639
    Language: English
    Pages: xi, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als The verticalization model of language shift
    DDC: 306.440973
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    Keywords: Linguistic minorities Social aspects ; Bilingualism ; USA ; Soziolinguistik ; Sprachschichtung
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  • 29
    ISBN: 9781138041936
    Language: English
    Edition: 3rd editon
    DDC: 306.440973
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    Keywords: USA ; Englisch ; Sprachvariante ; Sozialstatus ; Diskriminierung
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  • 30
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 31
    Book
    Book
    New York : New York University Press
    ISBN: 9781479823963
    Language: English
    Pages: 309 Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.6970973
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    Keywords: Diskriminierung ; Muslim ; Araber ; Inklusion ; USA ; USA ; Araber ; Muslim ; Inklusion ; Diskriminierung
    Abstract: How diversity initiatives end up marginalizing Arab Americans and US Muslims One of Donald Trump's first actions as President was to sign an executive order to limit Muslim immigration to the United States, a step toward the "complete shutdown of Muslims entering the United States" he had campaigned on. This extraordinary act of Islamophobia provoked unprecedented opposition: Hollywood movies and mainstream television shows began to feature more Muslim characters in contexts other than terrorism; universities and private businesses included Muslims in their diversity initiatives; and the criminal justice system took hate crimes against Muslims more seriously. Yet Broken argues that, even amid this challenge to institutionalized Islamophobia, diversity initiatives fail on their promise by only focusing on crisis moments.Evelyn Alsultany argues that Muslims get included through "crisis diversity," where high-profile Islamophobic incidents are urgently responded to and then ignored until the next crisis. In the popular cultural arena of television, this means interrogating even those representations of Muslims that others have celebrated as refreshingly positive. What kind of message does it send, for example, when a growing number of "good Muslims" on TV seem to have arrived there, ironically, only after leaving the faith? In the realm of corporations, she critically examines the firing of high-profile individuals for anti-Muslim speech-a remedy that rebrands corporations as anti-racist while institutional racism remains intact. At universities, Muslim students get included in diversity, equity, and inclusion plans but that gets disrupted if they are involved in Palestinian rights activism. Finally, she turns to turns to hate crime laws revealing how they fail to address root causes. In each of these arenas, Alsultany finds an institutional pattern that defangs the promise of Muslim inclusion, deferring systemic change until and through the next "crisis".
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  • 32
    Online Resource
    Online Resource
    Stanford, California : Stanford University Press
    ISBN: 9781503632349
    Language: English
    Pages: 1 Online-Ressource (217 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Rassismus ; Humor ; Weiße ; Witz ; USA ; Racism / United States ; Wit and humor / Social aspects / United States ; Wit and humor / Political aspects / United States ; White people / United States / Attitudes ; White people / Race identity / United States ; United States / Race relations ; Racisme / États-Unis ; Humour / Aspect social / États-Unis ; Humour / Aspect politique / États-Unis ; États-Unis / Relations raciales ; Race relations ; Racism ; White people / Attitudes ; White people / Race identity ; Wit and humor / Social aspects ; United States ; USA ; Witz ; Rassismus ; USA ; Weiße ; Humor ; Rassismus
    Abstract: "Having a "good" sense of humor generally means being able to take a joke without getting offended--laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But, do the stakes change when the jokes are racist? In The Souls of White Jokes Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today. W.E.B. Du Bois's prescient essay The Souls of White Folk was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others--a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement. The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well-- and for racism to be eradicated we must face this truth"--
    Description / Table of Contents: The racial power of humor -- Amused racial contempt, or a theory of white racist humor -- Hiding in plain sight : the racist humor of the far right -- Blue humor : the racist insults and injuries of the police -- President chimp : the politics of amused racial contempt -- Epilogue : racist humor and the cult(ure) of whiteness
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 33
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520302693
    Language: English
    Pages: xiv, 367 Seiten , Illustrationen
    Additional Information: Rezensiert in Strong, Justin D. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Additional Information: Rezensiert in Smoyer, Amy B. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Parallel Title: Erscheint auch als Shah, Nayan, 1966 - Refusal to eat
    DDC: 303.6/109
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    Keywords: Hunger strikes History ; Prisoners ; Medical ethics ; HISTORY / World ; POLITICAL SCIENCE / Human Rights ; Großbritannien ; Irland ; USA ; Indien ; Südafrika ; Australien ; Papua-Neuguinea ; Suffragette ; Aktivist ; Politischer Gefangener ; Gefängnis ; Hungerstreik
    Abstract: Suffragists and the shaping of the hunger striking form -- The medical ethics of forcible feeding and a brief history of four objects -- Irish republicans innovating hunger strikes for anti-colonial rebellion -- Gandhi's fasts, prisoner hunger strikes, and Indian independence -- Solidarity and survival at Tule Lake stockade -- South African anti-apartheid hunger strikes -- Controversies of medical intervention in Northern Ireland -- Biomedical technologies, medical ethics, and the management of hunger strikes -- Australian refugee detention, trauma, and mental health crisis -- Captives in U.S. detention and their networks of resistance and solidarity.
    Abstract: "The first global history of hunger strikes as a tactic in prisons, conflicts, and protest movements. The power of the hunger strike lies in its utter simplicity. The ability to choose to forego eating is universally accessible, even to those living under conditions of maximal constraint, as in the prisons of apartheid South Africa, Israeli prisons for Palestinian prisoners, and the detention camp at Guantánamo Bay. It is a weapon of the weak, potentially open to all. By choosing to hunger strike, a prisoner wields a last-resort personal power that communicates viscerally, in a way that is undeniable-especially when broadcast over prison barricades through media and to movements outside. Refusal to Eat is the first book to compile a global history of this vital form of modern protest, the hunger strike. In this enormously ambitious but concise book, Nayan Shah observes how hunger striking stretches and recasts to turn a personal agony into a collective social agony in conflicts and contexts all around the world, laying out a remarkable number of case studies over the last century and more. From suffragettes in Britain and the US in the early twentieth century to Irish political prisoners, Bengali prisoners, and detainees at post-9/11 Guantánamo Bay; from Japanese Americans in US internment camps to conscientious objectors in the 1960s; from South Africans fighting apartheid to asylum seekers in Australia and Papua New Guinea, Shah shows the importance of context for each case and the interventions the protesters faced. The power that hunger striking unleashes is volatile, unmooring all previous resolves, certainties, and structures and forcing supporters and opponents alike to respond in new ways. It can upend prison regimens, medical ethics, power hierarchies, governments, and assumptions about gender, race, and the body's endurance. This book takes hunger strikers seriously as decision-makers in desperate situations, often bound to disagree or fail, and captures the continued frustration of authorities when confronted by prisoners willing to die for their positions. Above all, Refusal to Eat revolves around a core of moral, practical, and political questions that hunger strikers raise, investigating what it takes to resist and oppose state power"--
    Note: Includes bibliographical references and index
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  • 34
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367488338 , 9780367488345
    Language: English
    Pages: xix, 288 Seiten , Illustrationen, Diagramme, Karte
    Edition: Third Edition
    Parallel Title: Erscheint auch als
    DDC: 305.5120973
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    Keywords: Soziale Ungleichheit ; USA ; Equality / United States ; Social stratification / United States ; Power (Social sciences) / United States ; USA ; Soziale Ungleichheit
    Abstract: "Why does inequality have such a hold on American society and public policy? And what can we, as citizens, do about it? Inequality in America takes an in-depth look at race, class, and gender-based inequality across a wide range of issues from housing and education to crime, employment, and health. Caliendo explores how individual attitudes can affect public opinion and lawmakers' policy solutions. He also illustrates how these policies result in systemic barriers to advancement that often then contribute to individual perceptions. This cycle of disadvantage and advantage can be difficult-though not impossible-to break. "Representing" and "What Can I Do?" feature boxes highlight key public figures who have worked to combat inequality and encourage students to do the same. The third edition has been thoroughly revised to include the most current data and cover recent issues and events such as Trump Administration policies, the #MeToo movement, and U.S. Supreme Court decisions affecting issues of racial representation and voting rights. Concise and accessible, Inequality in America paves the way for students to think critically about the attitudes, behaviors, and structures of inequality. New to the Third Edition. Consideration of the heightened discussion of racial reckoning that has been occurring since the summer of 2020. The disproportional effect to communities of color of the Covid-19 global pandemic and related recession. Trump Administration policies on education, immigration, housing and urban development. Updated boxes, including features on U.S. Representative Alexandria Ocasio-Cortez and Bryan Stevenson of the Equal Justice Initiative. An early glimpse into Biden Administration priorities Discussion of the January 6, 2021 riot at the U.S. Capitol. Coverage of the opioid crisis, student activism in the wake of school shootings, and the #MeToo and #TimesUp Movements"--
    Note: Revised edition of the author's Inequality in America, [2018] , Literaturangaben
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  • 35
    Online Resource
    Online Resource
    Amsterdam : John Benjamins Publishing Company
    ISBN: 9789027257949
    Language: English
    Pages: 1 Online-Ressource (VIII, 261 Seiten)
    Series Statement: Varieties of English around the world volume G66
    Series Statement: Varieties of English around the world General series
    Parallel Title: Erscheint auch als Earlier North American Englishes
    DDC: 306.440973
    RVK:
    Keywords: English language-18th century ; Electronic books ; Essays ; Aufsatzsammlung ; Electronic books ; USA ; Kanada ; Englisch ; Sprachvariante
    Abstract: Varieties of English in the U.S. and Canada display fascinating developments from colonial times up until the twenty-first century. To throw light on the linguistics of North American Englishes and their socio-historical contexts, this volume brings together research from various traditions.
    Note: Description based on publisher supplied metadata and other sources
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  • 36
    ISBN: 9781978828513 , 9781978828520
    Language: English
    Pages: viii, 240 Seiten , Illustrationen
    Series Statement: Cultural Studies / Women's Studies
    DDC: 306.81/53
    RVK:
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    Keywords: Single women Public opinion ; Single women Public opinion ; Single women in literature ; Single women in motion pictures ; Aufsatzsammlung ; Englisch ; Literatur ; Alleinstehende Frau ; USA ; Großbritannien ; Film ; Kultur ; Alleinstehende Frau
    Abstract: "Single Lives is a collection of singleness studies essays from the interdisciplinary humanities that explores the last two hundred years of literature and popular media by, about, and for single women in the US and the UK. Independent women have always been a center around which social anxieties and excitement coalesced. Moving between the family home and domestic independence, between household and public labor, and between celibacy and a range of sexual relations, the single woman remains a literary and cultural focus, as she has been from the 19th to the 21st centuries. This collection offers readers the opportunity to uncover the social, political, economic, and cultural connections between the "singly blessed" women and "bachelor girls" of the 19th and early 20th century and "all the single ladies" of the 21st century. Essays read singleness across genre and field, offering new approaches to studying modern and contemporary single women in literature, film, and history. Authors engage scholarship from wide ranging fields of social history, women's studies, queer theory, and Black feminism. The collection reads familiar texts against the grain, rethinking archival resources, revisiting familiar figures, and exploring new sources: cookbooks, ephemera, personal documents, recovered film histories, and forms of domestic space and labor. This is a book for scholars of gender and sexuality, social history, feminist film and media scholars, and literary historians, and reflects the urgent contemporary interest in single women as a political, economic, and cultural force"--
    Note: Literaturverzeichnis: Seite 199-218
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  • 37
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 38
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030890544
    Language: English
    Pages: 1 Online-Ressource (XII, 274 p)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 809.38729
    RVK:
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    Keywords: Geschichte 1938-2019 ; Gothic Studies ; Gender Studies ; Contemporary Literature ; Goth culture (Subculture) ; Sex ; Literature, Modern—20th century ; Literature, Modern—21st century ; Gespenstergeschichte ; Englisch ; Frauenliteratur ; USA ; Südostasien ; Großbritannien ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 40
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382503 , 9780520382527
    Language: English
    Pages: xvi, 402 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Belew, Kathleen, 1981- A field guide to white supremacy
    DDC: 320.56/909
    RVK:
    Keywords: White supremacy movements ; Anti-racism ; Aufsatzsammlung ; USA ; Weiße ; Vorherrschaft ; Migration ; Rassismus ; Geschichte
    Abstract: Building, protecting, and profiting from whiteness -- Iterations of white supremacy -- Anti-immigrant nation -- White supremacy from fringe to mainstream.
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  • 41
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
    RVK:
    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 42
    Online Resource
    Online Resource
    Hoboken, NJ : Wiley Blackwell
    ISBN: 9781119522690
    Language: English
    Pages: 1 Online-Ressource (xiii, 412 Seiten) , Illustrationen
    Edition: Second edition
    Series Statement: Wiley Blackwell companions to American history
    Parallel Title: Erscheint auch als
    DDC: 305.40973
    RVK:
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    Keywords: Geschichte ; Geschichte 1600-2018 ; Frau ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Frau ; Geschichte ; USA ; Frau ; Geschichte 1600-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674258709
    Language: English
    Pages: 1 Online-Ressource (391 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    Keywords: Geschichte ; Personenverkehr ; Rassentrennung ; Schwarze ; Reise ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Rassentrennung ; Personenverkehr ; Reise ; Geschichte
    Abstract: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"
    Description / Table of Contents: The road to Plessy: race, class, and gender on nineteenth-century common carriers -- Traveling by train: the Jim Crow car -- Traveling by car: race on the road in the automotive age -- Traveling by bus: from the Jim Crow car to the back of the bus -- Traveling by plane: segregation in the age of aviation -- Traveling for civil rights: the long fight to outlaw transportation segregation -- Traveling for freedom: the desegregation of American transportation -- Epilogue: #Black Travel Matters
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 45
    ISBN: 9781479850891 , 9781479855858
    Language: English
    Pages: ix, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alexander-Floyd, Nikol G. (Nikol Gertrude) Re-imagining Black women
    DDC: 305.48/896
    RVK:
    Keywords: Women, Black Social conditions ; Women, Black Political activity ; African American women Social conditions ; African American women Political activity ; USA ; Schwarze Frau ; Politik ; Massenkultur ; Psychoanalyse ; Ethnische Identität
    Abstract: Introduction: melodrama, liminality, and "post"-politics: neo-liberal racial and gender formation in the new millennium -- Splitting Condi(licious): Condoleezza Rice and melodramas of "closeness" in U.S. national community formation -- Unpacking President Barack Obama's "improbable story": a case study of gender, race, class, and melodrama in electoral politics -- Diary of a mad Black(wo)man: Tyler Perry, wounded masculinity, and post-feminist, postracial melodrama -- The reality of the white male rapist: Black women's rape, melodrama, and U.S.-based American political development -- MeToo? Black women, melodrama, and sexual harassment -- Conclusion: turbulent futures: post-politics as an analytic -- Coda: post-politics in the era of COVID-19.
    Abstract: "This book dissects "post-politics"--the repertoire of fantasies that hope for an afterlife beyond the social activism of the mid-Twentieth Century. Fusing political science, women's studies, media studies, and psychoanalysis, it provides a tour-de-force of Black politics, tackling gender and other subjects repressed or disavowed in the study of race"--
    Note: Literaturverzeichnis Seite: 257-279 , Includes bibliographical references and index
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  • 46
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 47
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
    RVK:
    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 48
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Language: English
    Pages: 1 Online-Ressource (261 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 49
    Book
    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Language: English
    Pages: 282 Seiten
    DDC: 391.00973
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    Keywords: Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 50
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 51
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 52
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 53
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781538142684 , 9781538142677
    Language: English
    Pages: XIV, 311 Seiten , 23 cm
    Edition: Fifth edition
    DDC: 306.0973
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    Keywords: Massenkultur ; Globalisierung ; Amerikanisierung ; USA
    Abstract: Now in a fully updated edition, this concise book explores the ways American movies, TV, music, fast food, sports, gaming, and fashion influence globalization. Projecting the future impact of popular culture, both from the United States and elsewhere, Crothers makes a powerful argument for its central role in shaping global politics and economies.
    Note: Literaturangaben
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  • 54
    Book
    Book
    New York : New York University Press
    ISBN: 9781479808373 , 9781479808380
    Language: English
    Pages: 195 Seiten , Illustrationen
    Series Statement: Critical cultural communication
    Parallel Title: Erscheint auch als Steele, Catherine Knight Digital Black feminism
    DDC: 305.48/896073
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    Keywords: Internet and women ; African American women ; Feminism ; Technology and blacks ; Technology and women ; USA ; Schwarze Frau ; Digitalisierung ; Feminismus
    Abstract: Introduction: For the Black Girls Who Don't Code -- A History of Black Women and Technology or Badges of Oppression and Positions of Strength -- Black Feminist Technoculture or The Virtual Beauty Shop -- Principles for a Digital Black Feminism or Blogging While Black -- Digital Black Feminist Praxis or Mavis Beacon Teaches Typing -- Digital Black Feminism as a Product or 'It's Funny How Money Change a Situation' -- Conclusion: A Digital Black Feminist Future.
    Abstract: "This book traces the long arc of Black women's relationship with technology from the antebellum south to the social media era demonstrating how digital culture transforms and is transformed by Black feminist thought"--
    Note: Includes bibliographical references and index
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  • 55
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9781478008880
    Language: English
    Pages: 1 Online-Ressource (xvi, 310 Seiten)
    Parallel Title: Erscheint auch als
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    DDC: 305.5/2
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    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Abstract: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 57
    ISBN: 9781351112499 , 9781351112512 , 9781351112505 , 9781351112482
    Language: English
    Pages: 1 Online-Ressource (vi, 295 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.6
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    Keywords: Violence in mass media ; Social learning ; Graphic novels ; Visuelle Medien ; Popkultur ; Gewalttätigkeit ; Massenmedien ; Gewaltkriminalität ; USA ; USA ; Massenmedien ; Visuelle Medien ; Popkultur ; Gewalttätigkeit ; Gewaltkriminalität
    Abstract: Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them, addressing issues ranging from social learning, to representations of war and terrorism, to gender and hyper-masculinity. Each chapter features original artwork presenting a story in the style of a graphic novel to demonstrate the concepts at hand. Truly unique in its approach to the subject and medium, this volume is an excellent resource for undergraduate students of communication and media theory as well as anyone interested in understanding the causes and effects of violence in media
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 59
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 61
    ISBN: 9783897712744
    Language: German
    Pages: 177 Seiten
    Edition: 1. Auflage, autorisierte Übersetzung der englischsprachigen Ausgabe
    Uniform Title: Where we stand: class matters
    DDC: 305.50973
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    Keywords: hooks, bell ; Schwarze Frau ; Arbeiterklasse ; Wirtschaftliche Lage ; Soziale Situation ; Klassengesellschaft ; Armut ; Ausgrenzung ; Rassenfrage ; Rassismus ; Sexismus ; Kapitalismus ; USA ; Autobiografie ; Autobiografie ; Autobiografie ; Autobiografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 62
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 63
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 64
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537
    Language: English
    Pages: 1 Online-Ressource (ix, 236 Seiten)
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Abstract: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 65
  • 66
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 67
    Image
    Image
    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 68
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517905095 , 9781517905088
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Klein, Lauren F An archive of taste
    DDC: 394.1/20973
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    Keywords: Food habits History ; Cooking, American History ; Slaves Social conditions ; African Americans Food ; History ; USA ; Sklaverei ; Ess- und Trinksitte ; Ernährung ; Geschmack ; Kulturwandel
    Abstract: Introduction: No eating in the archive -- Taste: eating and aesthetics in the early United States -- Appetite: eating, embodiment, and the tasteful subject -- Satisfaction: aesthetics, speculation, and the theory of cookbooks -- Imagination: food, fiction, and the limits of taste -- Absence: slavery and silence in the archive of eating -- Epilogue: two portraits of taste.
    Abstract: "A groundbreaking synthesis of food studies, archival theory, and early American literature"--
    Note: Literaturverzeichnis: Seite 205-224
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  • 69
    Book
    Book
    New York : New York University Press
    ISBN: 9781479897964 , 9781479822942
    Language: English
    Pages: 339 Seiten
    Edition: Third edition
    Series Statement: Keywords
    Parallel Title: Erscheint auch als
    DDC: 428.1
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    Keywords: Landeskunde ; Kultur ; USA ; Vocabulary ; Social structure / Terminology ; Culture / Terminology ; United States / Civilization ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Landeskunde ; USA ; Landeskunde
    Abstract: "This title is the third edition of the "Keywords for American Cultural Studies." It provides a list of essential terms for American cultural studies with discussions of each"--
    Note: Includes bibliographical references
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  • 70
    ISBN: 9780807033562
    Language: English
    Pages: 1 Online-Ressource (311 Seiten) , Illustrationen
    Series Statement: Revisioning American History
    Parallel Title: Erscheint auch als Berry, Daina Ramey A black women's history of the United States
    DDC: 305.48/896073
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    Keywords: African American women--History ; Electronic books ; Nordamerika ; USA ; Schwarze Frau ; Soziale Situation ; Diskriminierung ; Geschichte 1600-2000
    URL: Volltext  (lizenzpflichtig)
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  • 71
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367373481 , 9780367373474
    Language: English
    Pages: 294 Seiten
    Edition: Third edition
    DDC: 305.800973
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    Keywords: Rassendiskriminierung ; Ethnische Beziehungen ; Soziale Situation ; Schwarze ; USA
    Note: Previous edition: 2013.
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  • 72
    Book
    Book
    Amsterdam : John Benjamins Publishing Company
    ISBN: 9789027207395
    Language: English
    Pages: VII, 338 Seiten , Diagramm, Karte
    Series Statement: Varieties of English around the world volume G63
    Series Statement: Varieties of English around the world / General series
    Uniform Title: "like my homeboy will say, this na really Naija"
    Parallel Title: Erscheint auch als Honkanen, Mirka World Englishes on the web
    Dissertation note: Dissertation Albert-Ludwigs-Universität Freiburg i. Br. 2018
    DDC: 427/.9669
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    Keywords: English language Dialects ; Nigerian Americans Languages ; English language Variation ; Corpora (Linguistics) ; English language Globalization ; Hochschulschrift ; USA ; Nigerianer ; Black English
    Abstract: "World Englishes on the Web focuses on linguistic practices at the intersection of international migration and social media, examining the language repertoires of Nigerians living in the United States, and their negotiations of identity and authenticity on a Nigerian web forum. Based on a large corpus of informal, multilingual, interactive, online writing, this book describes how diasporic Nigerians employ African-American Vernacular English, Nigerian English, Nigerian Pidgin, and ethnic Nigerian languages in an online community of practice. The project combines corpus linguistic methods-relying on a corpus management tool custom-made for web forum data-with ethnographically-informed qualitative analyses of morphosyntactic, lexical, and orthographic features, and immigrants' language attitudes and ideologies. It is relevant particularly for linguists and other social scientists interested in World Englishes, the sociolinguistics of globalization and computer-mediated communication, corpus linguistics, and pidgin and creole languages"--
    Note: Includes bibliographical references and index , Dissertation erschienen unter dem Titel: "like my homeboy will say, this na really Naija" : African-Amerian and Nigerian resources in U.S.-Nigerians' digital communication
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  • 73
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 74
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
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    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 75
    ISBN: 9783825346614 , 3825346617
    Language: English
    Pages: 415 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American studies Volume 304
    Series Statement: American studies
    DDC: 303.380973
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    Keywords: Konferenzschrift 2018 ; Konferenzschrift 2018 ; USA ; Gegenöffentlichkeit ; Öffentliche Meinung ; Aktivismus ; Gefängnis ; Massenmedien ; Geschlechterverhältnis ; USA ; Öffentliche Meinung ; Öffentlicher Raum
    Note: "... annual conference of the German Association for American Studies, held in May 2018 at the John F. Kennedy Institute for American Studies of Freie Universität Berlin. ... conference theme "American Counter/Publics" ..." (Seite 11)
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  • 76
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 77
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 78
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190625368
    Language: English
    Pages: x, 220 Seiten , Illustrationen , 21 cm
    DDC: 306.097309
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    Keywords: United States Intellectual life ; United States History ; USA ; Ideengeschichte ; Geistesleben
    Abstract: "Spanning a variety of disciplines, from religion, philosophy, and political thought, to cultural criticism, social theory, and the arts, Ideas That Made America: A Brief History shows how ideas have been major forces in American history, driving movements such as transcendentalism, Social Darwinism, conservatism, and postmodernism"--
    Note: Literaturverzeichnis: Seite 195-204
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  • 79
    Book
    Book
    Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674057715
    Language: English
    Pages: xi, 297 Seiten
    DDC: 306.850973
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    Keywords: Heimatroman ; Familie ; Haus ; Inland ; USA ; Home / United States / History ; Home in popular culture / United States / History ; Home in literature ; United States / Race relations / History ; USA ; Haus ; Heimatroman ; Inland ; Familie
    Abstract: Prologue: Dad -- Habitations of the human -- Thomas Jefferson's Monticello -- Henry David Thoreau's Walden -- Laura Ingalls Wilder's Little House -- Emily Dickinson's House of Possibility -- Herman Wallace's Dream House -- Epilogue: Mom, revisited
    Abstract: "Home as an imagined refuge. Home as a place of mastery and domination. Home as a destination and the place we try to escape from. Thomas Dumm explores these distinctively American understandings of home. He takes us from Thomas Jefferson's Monticello and Henry David Thoreau's Walden to Laura Ingalls Wilder's little house on the prairie and Emily Dickinson's homestead, and finally to the house Herman Wallace imagined and that sustained him during his forty-one years of solitary confinement at Angola State Penitentiary. Dumm argues that it is impossible to separate the comforting and haunting aspects of home. Each chapter reveals a different dimension of the American experience of home: slavery at Monticello, radical individuality at Walden, Indian-hating in the pioneer experience, and the power of remembering and imagining home in extreme confinement as a means of escape. Hidden in these homes are ghosts--enslaved and imprisoned African Americans, displaced and massacred Native Americans, subordinated homemakers, all struggling to compose their lives in a place called home"--
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  • 80
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350063969 , 9781350063976
    Language: English
    Pages: xii, 187 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 200.8900973
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    Keywords: Geschichte 1750-2019 ; Cults / United States ; Race / Religious aspects ; Race / United States ; Religiöse Bewegung ; Rasse ; Neue Religion ; Ethnische Gruppe ; United States / Religion ; USA ; Quelle ; Quelle ; Quelle ; Quelle ; USA ; Rasse ; Ethnische Gruppe ; Neue Religion ; Religiöse Bewegung ; Geschichte 1750-2019
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  • 81
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231547253
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Keywords: Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Abstract: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Abstract: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 82
    Image
    Image
    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Language: English
    Pages: 93 Seiten , 22 cm
    DDC: 700.411
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    Keywords: Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Abstract: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 83
    Book
    Book
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Language: English
    Pages: xiii, 134 Seiten , Illustrationen
    Series Statement: Richard D. Cohen lectures in African and African American Art
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    Keywords: Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 84
    ISBN: 9780231187411 , 9780231187404
    Language: English
    Pages: 182 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
    DDC: 973/.0496073
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    Keywords: African Americans Politics and government ; African Americans Intellectual life ; Utopias ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Abstract: "Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible. In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W.E.B. Du Bois, and Sun Ra's cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice"--
    Note: Bibliographie: Seite [171]-178
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  • 85
    Book
    Book
    Lincoln : Co-published by the University of Nebraska Press and the American Philosophical Society
    ISBN: 9781496211903
    Language: English
    Pages: x, 463 Seiten
    Series Statement: New visions in Native American and indigenous studies
    DDC: 810.8/0897
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    Keywords: Deloria, Vine ; Indian authors Biography ; Indian activists Biography ; Biografie ; Biografie ; Deloria, Vine 1933-2005 ; USA ; Red Power
    Abstract: "In Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, David Martínez examines the activism, life, and writings of Vine Deloria Jr., the most influential indigenous activist and writer of the 20th century and one of the intellectual architects of the Red Power Movement"--
    Note: Includes bibliographical references and index
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  • 86
    ISBN: 9780241400722
    Language: English
    Pages: 288 Seiten , 24 cm
    DDC: 305.513
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    Keywords: Social mobility ; Elite (Social sciences) ; Elite (Social sciences) Attitudes ; Elite (Social sciences) Social conditions ; Elite (Social sciences) Economic conditions ; USA ; Kapitalismus ; Soziale Ungleichheit ; Elite ; Gesellschaft ; Beeinflussung ; Sozialer Wandel
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  • 87
    Book
    Book
    New York : New York University Press
    ISBN: 9781479895687 , 9781479870639
    Language: English
    Pages: V, 253 Seiten , Illustrationen
    DDC: 306.76
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    Keywords: Geschichte 1876-1936 ; Transgender ; Landleben ; USA
    Note: Literaturverzeichnis Seite 233-247
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  • 88
    ISBN: 9780190634735 , 9780190634728
    Language: English
    Pages: xviii, 286 Seiten , Illustrationen , 24 cm
    Series Statement: Oxford studies in anthropology of language
    Parallel Title: Erscheint auch als Rosa, Jonathan Looking like a language, sounding like a race
    DDC: 306.44973
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    Keywords: Linguistic minorities United States ; Group identity United States ; Latin Americans Ethnic identity ; Hispanic Americans Ethnic identity ; Anthropological linguistics United States ; USA ; Chicanos ; Hispanos ; Jugend ; Sprachliche Minderheit ; Ethnische Identität ; Ethnische Beziehungen ; USA ; Sprache ; Ethnische Identität ; Sprachliche Minderheit
    Note: Literaturverzeichnis: Seite 251-269
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  • 89
    Online Resource
    Online Resource
    London : Pluto Press
    ISBN: 9781786802361
    Language: English
    Pages: 1 online resource (294 Seiten)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Wendling, Mike Alt-Right : From 4chan to the White House
    Parallel Title: Erscheint auch als Wendling, Mike Alt-Right
    DDC: 320.569
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    Keywords: Trump, Donald,-1946- ; Republican Party (U.S. : 1854- ) ; Right-wing extremists-United States ; Right-wing extremists-Europe ; Republican Party (U.S. : 1854- ) ; Right-wing extremists-Europe ; Right-wing extremists-United States ; Trump, Donald,-1946- ; Electronic books ; USA ; Nationalismus ; Rassismus ; Politische Bewegung ; Weiße ; Antiliberalismus ; Faschismus ; Internet ; Kommunikation ; Geschichte 2007-2017
    Abstract: A sharp investigation into the dark path of the Alt-Right.
    Abstract: Cover -- Contents -- Acknowledgements -- Introduction: Is it OK to Punch a Nazi? -- 1. The Intellectuals -- 2. The Racialists -- 3. The Channers -- 4. The Meninists -- 5. Language -- 6. Media -- 7. Neo-Nazis -- 8. Ordinary Guys -- 9. Conspiracy Theorists -- 10. The Violent Fringe -- 11. The White House -- 12. Downfall -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 90
    Book
    Book
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825368609 , 3825368602
    Language: English
    Pages: XIX, 483 Seiten , 21 cm x 13.5 cm
    Series Statement: American studies volume 286
    Series Statement: American studies
    DDC: 304.27
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    Keywords: Geschichte ; Kultur ; Schnittstelle ; Biologie ; Sachkultur ; Körperkultur ; USA ; amerikanische Literatur ; Biologie ; Humanbiologie ; amerikanische Kultur ; Leiblichkeit ; Körper ; Krankheit ; Epidemie ; Materialität ; Volkskrankheiten ; Postkolonialismus ; Öffentlichkeit ; Ungleichheit ; Normativität ; Alter ; Behinderung ; Kriegsveteranen ; Verletzbarkeit ; Semiotik ; Genetik ; Transhumanismus ; Biotechnologie ; Krebserkrankung ; Schmerz ; USA ; Biologie ; Kultur ; Schnittstelle ; Geschichte ; USA ; Körperkultur ; Sachkultur ; Geschichte
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  • 91
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478002918
    Language: English
    Pages: xix, 220 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.420973
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    Keywords: Feminism ; Misogyny ; Popular culture ; Feminism ; Misogyny ; Popular culture ; Frauenfeindlichkeit ; Popkultur ; Massenkultur ; Feminismus ; Frauenbewegung ; USA ; USA ; Popkultur ; Frauenbewegung ; Feminismus ; Frauenfeindlichkeit ; Massenkultur
    Note: Includes bibliographical references and index
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  • 92
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    Additional Information: In Beziehung stehendes Werk We wanted a revolution 2017
    DDC: 305.48896073
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    Keywords: Geschichte 1965-1994 ; Geschichte 1965-1985 ; Frauenkunst ; Künstlerin ; Person of Color ; USA ; African American feminists / Exhibitions / History / 20th century ; African American women authors / Exhibitions / History / 20th century ; African American radicals / Exhibitions / 20th century ; African American women / Exhibitions / Political activity / 20th century ; Feminist literature / Exhibitions / History / 20th century / United States ; Feminism and the arts / Exhibitions / History / 20th century / United States ; African American feminists ; African American radicals ; African American women authors ; African American women / Political activity ; Feminism and the arts ; Feminist literature / United States ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Published on the occasion of an exhibition held at Brooklyn Museum, April 21-September 17, 2017; California African American Museum, Los Angeles, October 13, 2017-January 14, 2018; Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018; and the Institute of Contemporary Art/Boston, June 26-September 30, 2018 , Includes bibliographical references (pages 143-151)
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  • 93
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190840624
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: [Oxford handbooks online
    Series Statement: Literature]
    Parallel Title: Erscheint auch als The Oxford handbook of American folklore and folklife studies
    DDC: 398.209473
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    Keywords: Folklore ; Volkskultur ; Volksliteratur ; USA ; Folklore ; United States ; United States ; Social life and customs ; United States Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Volkskunde ; Volkskultur
    Abstract: Surveying the materials, approaches, and contexts of American folklore and folklife studies, this handbook guides folklorists and students/scholars of American culture, history, and society through more than 350 years of work in the subject.
    Note: Titel ist noch nicht vollständig erschienen, Beiträge werden nach und nach online hinzugefügt
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  • 94
    Image
    Image
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 95
    ISBN: 0745337910 , 0745337929 , 9780745337913 , 9780745337920
    Language: English
    Pages: xv, 165 Seiten , Illustrationen , 20 cm
    Edition: First published
    DDC: 973.933092
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    Keywords: Trump, Donald 1946- Trump, Donald 1946- ; Since 2017 ; Trump, Donald 1946- Trump, Donald 1946- ; Since 2017 ; Conservatism United States ; Conservatism ; Politics and government ; Conservatism ; Conservatism United States ; Politics and government ; Conservatism ; Politics and government ; Trump, Donald ; United States ; Since 2017 ; United States Politics and government ; 2017- ; United States ; United States Politics and government ; 2017- ; United States ; Trump, Donald 1946- ; USA ; Die Rechte ; Konservativismus
    Note: Literaturverzeichnis: Seite 159-164
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  • 96
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 97
    ISBN: 9781479852833 , 9781479854899
    Language: English
    Pages: v, 261 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.440896/073
    RVK:
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    Keywords: African Americans Research ; Sociolinguistics ; Information retrieval ; Gesellschaft ; Kultur ; Schwarze ; USA ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; USA ; Schwarze ; Kultur ; Gesellschaft
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  • 98
    ISBN: 9781433134524 , 9781433134531
    Language: English
    Pages: x, 356 pages , 23 cm
    Edition: 1 Edition
    Series Statement: Frontiers in political communication Volume 31
    DDC: 305.420973
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    Keywords: Feminism ; United States Politics and government ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Feminismus ; Politische Kommunikation ; Massenkultur
    Abstract: Digital politics and embodied feminism(s) -- Reimagining feminist dissent : memetic celebration and "the notorious R.B.G. / Katie L. Gibson, Colorado State University -- Smart and authentic : "Amy Poehler's smart girls" and mediating authentic girls / Belinda Stillion Southard, University of Georgia -- #transisbeautiful : the polymediated, intersectional feminism of Laverne Cox / Danielle M. Stern, Christopher Newport University -- Feminist comedy's blond badass : Amy Schumer and the limits of white feminism / Valerie Renegar, Southwestern University, Lacy Lowry, Metropolitan State University of Denver, Kirsti Cole, MSU Mankato -- Feminist political parody, satire, and infotainment -- "How is this still a thing" : the materialist feminism of last week tonight with John Oliver / Mary Vavrus, University of Minnesota -- How to be "fierce as f*" : full frontal's angry feminist satire / Tasha Dubriwny, Texas A&M University -- Late night's funny feminists : the women of the daily show, satire, and postfeminism / Alyssa Samek, California State University, Fullerton -- Relying on or repudiating stereotypes : Saturday night live parodies of presidential candidate Hillary Clinton / Erika Falk, Israel Institute -- Feminist politicians in prime time -- The good wife's fatalistic feminism : televised feminist failures in work/life balance, romance, and feminist alliances / Michaela Meyer, Christopher Newport University -- The two madam secretaries : Elizabeth McCord, Hillary Rodham Clinton, and mimetic representations of 21st century feminism / Allison Prasch, University of Minnesota -- The badass and the president : scandal's prime-time presidency / Carrie Murowski and Tasha Dubriwny, Texas A&M University -- Burlesquing the veep : veep's absurdist rejection of female presidentiality / Kristina Horn Sheeler, Indiana University-Purdue University Indianapolis -- "Yes we can't not. Knope" : parks and recreation and the promise of comic feminist parody / Karrin Vasby Anderson, Colorado State University -- Conclusion: Political women and the power paradox : the case of hillary clinton / Shawn J. Parry-Giles, University of Marylan
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 9780748698950 , 9780748698936
    Language: English
    Pages: xv, 320 Seiten , Illustrationen
    DDC: 303.484097309046
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    Keywords: Geschichte 1968 ; Studentenbewegung ; Protestbewegung ; Vietnamkrieg ; Politik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 100
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
    RVK:
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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