1756900213     

Taking stakes in the unknown : tracing post-black art / Nana Adusei-Poku

Adusei-Poku, Nana [Verfasserin/Verfasser]

Bielefeld : transcript, 2021 [©2021]

1 Online-Ressource (215 Seiten) : Illustrationen

Englisch

Erscheint auch als: Taking stakes in the unknown / Adusei-Poku, Nana [GNDNR:1162342560] (Druck-Ausgabe)

978-3-8394-5294-3

978-3-8376-5294-9 (ISBN der Printausgabe)

Elektronische Ressource: Zugang über Aggregator-Datenbank (Lizenzangabe: Lizenzpflichtig)

LO 94037      Ähnliche Literatur

* Bradford, Mark [1961-] ; Hewitt, Leslie [1977-] ; Thomas, Mickalene [1971-] ; Thomas, Hank Willis [1976-] ; Metz, Philip [1971-] ; Engagierte Kunst ; Schwarze ; Postkolonialismus      Zum Register

*Kunst ; Afroamerikanismus ; Bradford, Mark [1961-]      Zum Register

*USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020      Zum Register

LOC-SH: Art, Black ; Blacks in art ; Blacks--Race identity

Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.