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  • München BSB  (2,076)
  • MEK Berlin  (11)
  • USA  (1,601)
  • Popmusik  (564)
  • Musicology  (1,228)
  • Political Science  (860)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    München BSB
    Regensburg UB
    BVB
  • 2
    Image
    Image
    Afrofuturism : a history of black futures (2023)
    Washington, DC : Smithsonian Books
    Details
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    LB 53465
    RVK:
    MK 2700
    RVK:
    AP 14000
    RVK:
    HU 1728
    RVK:
    HV 17230
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
    Library Location Call Number Volume/Issue/Year Availability
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    Image
    HU Berlin
    München BSB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 3
    Online Resource
    Online Resource
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    LS 48620
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197635216.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BVB
  • 4
    Book
    Book
    Dark waves : the synthesizer and the dystopian sound of Britain (1977-80) (2023)
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    Details
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    KOBV
  • 5
    Online Resource
    Online Resource
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    DOI: 10.1017/9781108938075
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    München UB
    Würzburg UB
    BVB
  • 6
    Book
    Book
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    LS 48620
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BVB
  • 7
    Book
    Book
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LS 48010
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BSZ
    GBV
    HeBIS
    BVB
  • 8
    Book
    Book
    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    BVB
  • 9
    Book
    Book
    El discurso del pop-rock en español : análisis de corpus y sociosemiótico de 1.000 letras (1968-2015) = Der Diskurs des Pop-Rock im Spanischen (2023)
    Eichstätt ; Ingolstadt
    Details
    Language: Spanish
    Pages: viii, 342 Seiten , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Katholische Universität Eichstätt-Ingolstadt 2023
    RVK:
    LS 48600
    RVK:
    IM 6520
    Keywords: Geschichte 1968-2015 ; Rockmusik ; Spanisch ; Textanalyse ; Korpus ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Spanisch ; Popmusik ; Rockmusik ; Korpus ; Textanalyse ; Geschichte 1968-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Book
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BVB
    Bayreuth UB
  • 10
    Book
    Book
    The Bloomsbury handbook of popular music and youth culture (2023)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501333699
    Language: English
    Pages: XIX, 696 Seiten , 26,2 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423
    RVK:
    LR 56607
    RVK:
    LS 48015
    Keywords: Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Note: Description based upon print version of record
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 11
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    BVB
  • 12
    Online Resource
    Online Resource
    Atemlos zum Erfolg : Gender, Frauenbild und Entwicklungstendenzen im deutschen Schlager (2023)
    Baden-Baden : Rombach Wissenschaft
    Details
    ISBN: 9783968219295
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Edition: 1. Auflage
    Series Statement: Die Gesellschaft der Musik Band 1
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    RVK:
    LS 21420
    RVK:
    LR 56618
    RVK:
    LS 48615
    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Musikwissenschaft ; Popmusik ; Geschlecht ; Musikvideo ; Image ; Pop ; Schlager ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild
    DOI: 10.5771/9783968219295
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    München UB
    KOBV
    BVB
  • 13
    Book
    Book
    Kälte-Pop : die Geschichte des erfolgreichsten deutschen Popmusik-Exports (2023)
    Berlin : De Gruyter Oldenbourg
    Details
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
    RVK:
    LS 48015
    RVK:
    LS 48040
    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Unbekannt  (lizenzpflichtig)
    URL: Rezension
    URL: Rezension
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: https://swbplus.bsz-bw.de/bsz1832507718inh.htm
    URL: Cover
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  • 14
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    South African popular music (2023)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
    RVK:
    LS 47925
    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 15
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    Book
    Aesthetics of pop music (2023)
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    Details
    ISBN: 9781509552030 , 9781509552023
    Language: English
    Pages: vii, 156 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48000
    Keywords: Popmusik ; Popmusik
    Abstract: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis
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  • 16
    Online Resource
    Online Resource
    Burma's pop music industry : creators, distributors, censors (2023)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781580467377
    Language: English
    Pages: 1 Online-Ressource (221 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.6309591
    RVK:
    LC 87405
    RVK:
    LS 44270
    RVK:
    LS 48070
    Keywords: Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Abstract: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    DOI: 10.1017/9781580467377
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
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    Book
    Analyzing recorded music : collected perspectives on popular music tracks (2023)
    London ; New York : Routledge
    Details
    ISBN: 9780367546311 , 9780367546328
    Language: English
    Pages: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 18
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    Book
    Magnetizdat DDR : Magnetbanduntergrund Ost 1979-1990 (2023)
    Berlin : Verbrecher Verlag
    Show associated volumes/articles
    Details
    ISBN: 9783957324764 , 3957324769
    Language: German
    Pages: 462 Seiten , Illustrationen
    Edition: Erste Auflage
    DDC: 781.640943109048
    RVK:
    LS 48645
    RVK:
    NQ 7010
    RVK:
    AP 18250
    Keywords: Protestbewegung ; Opposition ; Gegenkultur ; Musik ; Frauenbewegung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Interview ; Deutschland ; Popmusik ; Musikleben ; Underground ; Geschichte 1979-1990 ; Deutschland ; Musikleben ; Geschichte 1979-1990 ; Sachsen ; Musikleben ; Geschichte
    Abstract: Im letzten Jahrzehnt der DDR fanden Punk und seine experimentellen Verästelungen in Post-Punk, New Wave, Elektronischer Musik und Avantgarde-Rock und -Pop auch in dem stillen Land ihre Hörer. Wer hörte, wollte oft aber auch mehr: "Magnetizdat DDR" erzählt, wie aus Konsumenten schnell Produzenten wurden und DDR-weit eine sich selbst verlegende Kassettentäter-Szene entstand, der Magnetbanduntergrund. Ein Magnetizdat, in Ableitung von Samizdat und Tamizdat in der sowjetischen Gegenkultur. Hier wie dort, in Ost wie West, war dabei Multimedialität das Gebot der Stunde. Literaten ließen sich von Bands befeuern, Musiker entdeckten Barock- und Experimental-Lyrik, Super-8-Filmer und bildende Künstler griffen zum Mikrofon, international renommierte Projekte nahmen hier ihren Anfang.
    Note: Literaturverzeichnis: Seite 449-454 , Zeitgleich zu diesem Buch erscheint bei Iron Curtain Radio/Major Label die 3-LP-Edition "Magnetizdat DDR. Magnetbanduntergrund Ost 1979-1990"
    URL: Inhaltsverzeichnis
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  • 19
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    Canada and the United States : differences that count (2023)
    Toronto ; Buffalo , London : University of Toronto Press
    Details
    ISBN: 9781487544225
    Language: English
    Pages: xiv, 402 Seiten , 33 Illustrationen, 5 Diagramme , 234 grams
    Edition: Fifth edition
    DDC: 971.0648
    RVK:
    MG 72000
    RVK:
    MG 70000
    Keywords: bisacsh / POLITICAL SCIENCE / Comparative Politics ; bisacsh / POLITICAL SCIENCE / World / Canadian ; Canada - Social conditions - 21st century ; Canada - Economic conditions - 21st century ; Canada - Politics and government - 21st century ; United States - Social conditions - 21st century ; United States - Economic conditions - 21st century ; United States - Politics and government - 21st century ; Politik ; Unterschied ; USA ; Kanada ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Lehrbuch ; Kanada ; USA ; Politik ; Unterschied
    URL: Inhaltsverzeichnis
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  • 20
    Online Resource
    Online Resource
    The Cambridge companion to Democracy in America (2022)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781316995761
    Language: English
    Pages: 1 Online-Ressource (xxv, 474 Seiten)
    Series Statement: Cambridge companions
    Parallel Title: Erscheint auch als
    DDC: 306.2092
    RVK:
    MC 6552
    Keywords: Tocqueville, Alexis de / 1805-1859 / De la démocratie en Amérique ; Tocqueville, Alexis de ; Tocqueville, Alexis de ; Democracy / United States ; Demokratie ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Tocqueville, Alexis de 1805-1859 ; Tocqueville, Alexis de 1805-1859 De la démocratie en Amérique ; Demokratie ; USA
    Abstract: This collection of essays is an invaluable companion for understanding the composition, reception, and contemporary legacy of Alexis de Tocqueville's classic work Democracy in America. Chapters by political theorists, intellectual historians, economists, political scientists, and community organizers explore the major intellectual influences on Tocqueville's thought, the book's reception in its own day and by subsequent political thinkers, and its enduring relevance for some of today's most pressing issues. Chapters tackle Tocqueville's insights into liberal democracy, civil society and civic engagement, social reform, religion and politics, free markets, constitutional interpretation, the history of slavery and race relations, gender, literature, and foreign policy. The many ways in which Tocqueville's ideas have been taken up - sometimes at cross-purposes - by subsequent thinkers and political actors around the world are also examined. This volume demonstrates the enduring global significance of one of the most perceptive accounts ever written about American democracy and the future prospects for self-government
    Note: Title from publisher's bibliographic system (viewed on 24 Mar 2022) , Introduction : revisiting democracy in America in the twenty-first century / Richard Boyd -- Tocqueville and the philosophy of the Enlightenment / Ryan Patrick Hanley -- Tocqueville's Dialogues / Aurelian Craiutu - Fugitive aristocracy : Tocqueville's search for remnants of the ancien r�egime / Richard Avramenko -- Tocqueville's conservatism and the conservative's Tocqueville / Richard Boyd -- Tocqueville and the political left in America : heeding a call for decisive action / Robert T. Gannett, Jr. -- Tocqueville and anti-Americanism / Alan Levine -- Democracy in the (other) America / Jose Antonio Aguilar Rivera -- Tocqueville in Japan and China : readings and questions / James T. Schleifer -- "Ideas for the intellect and emotions for the heart" : the literary dimensions of Democracy in America / Christine Dunn Henderson -- Tocquevillean association and the market / Rachael K. Behr and Virgil Henry Storr -- Tocqueville on the federal constitution / Jeremy D. Bailey -- Religion in Democracy in America / Carson Holloway -- Tocqueville's Puritans / Joshua Mitchell -- Tocqueville's American girls : women, manners, and the Engendering of democracy / Eileen Hunt Botting -- Picturing American democracy : Tocqueville, Morrison, and the "three races" / Lawrie Balfour -- Democracy in America in the twenty-first century : new challenges of diversity and inequality / Rogers M. Smith
    DOI: 10.1017/9781316995761
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
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    American song and struggle from Columbus to World War II : a cultural history (2022)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    Details
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    LS 21520
    RVK:
    HR 1761
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
    URL: Inhaltsverzeichnis
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  • 22
    Book
    Book
    Democracy lives in darkness : how and why people keep their politics a secret (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197557013 , 9780197557020
    Language: English
    Pages: x, 274 Seiten , Illustrationen , 24 cm
    Series Statement: Journalism and political communication unbound
    Uniform Title: Networked silence (political dissent in a digital era, 2019)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Texas 2019
    DDC: 306.20973
    RVK:
    MG 70070
    Keywords: Politische Einstellung ; Politische Meinungsäußerung ; Politische Soziologie ; Massenmedien ; Demokratie ; Geheimhaltung ; Polarisierung ; USA ; Political sociology / United States ; Mass media / Political aspects / United States ; Secret societies / United States / Political aspect ; Party affiliation / United States ; United States / Politics and government ; Mass media / Political aspects ; Party affiliation ; Political sociology ; Politics and government ; United States ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Politische Einstellung ; Politische Meinungsäußerung ; Polarisierung ; Geheimhaltung ; Politische Soziologie ; Demokratie ; Massenmedien
    Abstract: "Republicans and Democrats increasingly distrust, avoid, and wish harm upon those from the other party. To make matters worse, they also increasingly reside among like-minded others and are part of social groups that share their political beliefs. All of this can make expressing a dissenting political opinion hard. Yet digital and social media have given people new spaces for political discourse and community, and more control over who knows their political beliefs and who does not. With Democracy Lives in Darkness, Van Duyn looks at what these changes in the political and media landscape mean for democracy. She uncovers and follows a secret political organization in rural Texas over the entire Trump presidency. The group, which organized out of fear of their conservative community in 2016, has a confidentiality agreement, an email listserv and secret Facebook group, and meets in secret every month. By building relationships with members, she explores how and why they hide their beliefs and what this does for their own political behavior and for their community. Drawing on research from communication, political science, and sociology along with survey data on secret political expression, she finds that polarization has led even average partisans to hide their political beliefs from others. And although intensifying polarization will likely make political secrecy more common, she argues that this secrecy is not just evidence that democracy is hurting, but that it is still alive; that people persist in the face of opposition and that this matters if democracy is to survive"--
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  • 23
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    Die Philosophie des modernen Songs (2022)
    München : C.H. Beck
    Details
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    HU 3540
    RVK:
    LS 48070
    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
    URL: Inhaltsverzeichnis
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  • 24
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    Book
    Schmalz und Rebellion : der deutsche Pop und seine Sprache (2022)
    Berlin : Dudenverlag
    Details
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
    RVK:
    LS 48060
    RVK:
    LS 48070
    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: http://deposit.dnb.de/cgi-bin/dokserv?id=cc39d3e8e6854af7a55284184c01c796&prov=M&dok_var=1&dok_ext=htm
    URL: Inhaltstext
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  • 25
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    The Bloomsbury handbook of popular music and place (2022)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501336287
    Language: English
    Pages: XIV, 394 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48020
    Keywords: Ort ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Ort
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 26
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    Rock and roll, desegregation movements, and racism in the post-Civil Rights era : an "integrated effort" (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    LS 48630
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Inhaltsverzeichnis
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  • 27
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    Alan Lomax, the South, and the American Folk Music Revival, 1933-1969 (2022)
    Berlin : Peter Lang
    Details
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    LS 48610
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Inhaltstext
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  • 28
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    You call that music?! : Korean popular music through the generations (2022)
    London ; New York : Routledge
    Details
    ISBN: 9781032149011 , 9781032149028
    Language: English
    Pages: xvii, 124 Seiten
    Parallel Title: Äquivalent
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    LS 42000
    RVK:
    LS 48635
    Keywords: Geschichte 1920- ; Generationskonflikt ; Sozialer Wandel ; Popmusik ; Korea ; Korea ; Popmusik ; Generationskonflikt ; Sozialer Wandel ; Geschichte 1920-
    Abstract: You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history
    URL: Inhaltsverzeichnis
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  • 29
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    One-hit wonders : an oblique history of popular music (2022)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    LS 48030
    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 30
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    Book
    Fight the power : law and policy through hip hop songs (2022)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 31
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    Black ephemera : the crisis and challenge of the musical archive (2022)
    New York : New York University Press
    Details
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
    URL: Inhaltsverzeichnis
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  • 32
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    Book
    Hooks in popular music (2022)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    LR 56650
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
    URL: Inhaltsverzeichnis
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  • 33
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    Book
    Republics of myth : national narratives and the US-Iran conflict (2022)
    Baltimore, Maryland : Johns Hopkins University Press
    Details
    ISBN: 9781421443317
    Language: English
    Pages: xii, 418 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 303.34
    RVK:
    ML 6300
    RVK:
    ML 9326
    Keywords: Geschichte ; Diplomatische Beziehungen ; Außenbeziehungen ; Politischer Konflikt ; Iran ; USA ; Political leadership ; National characteristics ; United States / Territorial expansion ; Manifest Destiny ; Mythology, Iranian ; Islam and politics / Iran / History ; United States / Foreign relations / Iran ; Iran / Foreign relations / United States ; United States / Politics and government ; Iran / Politics and government ; Caractéristiques nationales ; États-Unis / Expansion territoriale ; Destinée manifeste (Politique américaine) ; Mythologie iranienne ; États-Unis / Politique et gouvernement ; Iran / Politique et gouvernement ; Diplomatic relations ; Islam and politics ; Manifest Destiny ; Mythology, Iranian ; National characteristics ; Political leadership ; Politics and government ; Iran ; United States ; History ; USA ; Iran ; Außenbeziehungen ; Diplomatische Beziehungen ; Politischer Konflikt ; Geschichte
    Abstract: "Iran and the United States have been at odds for forty years, locked in a Cold War that has run the gamut from harsh rhetoric to crippling sanctions, internal repression to targeted killings. The authors argue that this intractable conflict arises from how each nation sees itself-that is, the story it tells itself about its fundamental nature and character. These stories have led to failed diplomatic relations"--
    Description / Table of Contents: Introduction: Foundations of a conflict -- The narrative trap -- The fraught U.S.-Iran relationship, from Mosaddeq to Khomeini -- The Iran-Iraq war -- Rafsanjani and the post-Khomeini order -- Khatami and the possibility of dialogue -- The shadow of Khobar in Washington -- Bush in the Khatami era -- The Iraq war and Its consequences -- The nuclear file under Bush 43 -- Obama enters -- Rouhani, Zarif, and the nuclear deal -- Trump and regeneration through violence -- Conclusion: narratives and national interests
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  • 34
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    Who hears here? : on Black music, pasts and present (2022)
    Oakland : University of California Press
    Details
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    LS 48650
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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  • 35
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    Mixing pop and politics : political dimensions of popular music in the 21st century (2022)
    New York, NY ; London : Routledge
    Details
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    AP 14900
    RVK:
    LR 57728
    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
    URL: Inhaltsverzeichnis
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  • 36
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    Bodies, noise and power in industrial music (2022)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783030924614
    Language: English
    Pages: XI, 202 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 781.63
    RVK:
    MS 8020
    RVK:
    LR 57760
    RVK:
    LS 48015
    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Inhaltsverzeichnis
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  • 37
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    From Twitter to Capitol Hill : far-right authoritarian populist discourses, social media and critical pedagogy (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
    RVK:
    HD 472
    RVK:
    MG 70150
    RVK:
    AP 19830
    RVK:
    AP 15992
    RVK:
    AP 15965
    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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  • 38
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    Media narratives in popular music (2022)
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501357275 , 9781501387715
    Language: English
    Pages: xii, 242 Seiten , Diagramme (schwarz-weiß)
    RVK:
    AP 36360
    RVK:
    LS 48015
    Keywords: Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Abstract: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Description / Table of Contents: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Description / Table of Contents: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Description / Table of Contents: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 39
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    Folk music : a Bob Dylan biography in seven songs (2022)
    New Haven, CT : Yale University Press
    Details
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    LS 48040
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
    URL: Inhaltsverzeichnis
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  • 40
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    Queer voices in hip hop : cultures, communities, and contemporary performance (2022)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
    URL: Inhaltsverzeichnis
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  • 41
    Online Resource
    Online Resource
    Fight the power : law and policy through hip-hop songs (2022)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    DOI: 10.1017/9781009019804
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009019804
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  • 42
    Online Resource
    Online Resource
    American song and struggle from Columbus to World War II : a cultural history (2022)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    HR 1761
    RVK:
    LS 21520
    RVK:
    LS 22525
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    DOI: 10.1017/9781009086769
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009086769
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  • 43
    Book
    Book
    O say can you hear? : a cultural biography of The Star-spangled banner (2022)
    New York, NY : W. W. Norton & Company
    Details
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    HD 475
    RVK:
    LS 21400
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
    URL: Inhaltsverzeichnis
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  • 44
    Book
    Book
    An exploration of hatred in pop music : viva hate (2022)
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    Details
    ISBN: 9781527586222
    Language: English
    Pages: viii, 158 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48070
    Keywords: Hass ; Popmusik ; Popmusik ; Hass
    Abstract: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 45
    Book
    Book
    Rock and roll, social protest, and authenticity : historical, philosophical, and cultural explorations (2022)
    Lanham : Lexington Books
    Details
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
    LC 87610
    RVK:
    LS 48050
    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
    URL: Inhaltsverzeichnis
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  • 46
    Book
    Book
    Listening to the music the machines make : inventing electronic pop 1978-1983 (2022)
    London : Omnibus Press
    Details
    ISBN: 9781913172336
    Language: English
    Pages: xiii, 514 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LQ 84007
    RVK:
    LS 48655
    Keywords: Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Abstract: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Note: Verfasser des Vorwort vom Schutzumschlag entnommen
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 47
    Book
    Book
    American popular music : from minstrelsy to MP3 (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    LS 48050
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
    URL: Inhaltsverzeichnis
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  • 48
    Book
    Book
    The Bloomsbury handbook of popular music policy (2022)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501345326 , 9781501389917
    Language: English
    Pages: xiv, 409 Seiten
    Series Statement: Bloomsbury handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Musikpolitik ; Popmusik ; Musikwirtschaft ; Popular music / Law and legislation ; Popular music / Political aspects ; Cultural policy ; Music trade ; Music and state ; Cultural policy ; Music and state ; Music trade ; Popular music / Political aspects ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Abstract: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Description / Table of Contents: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 49
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    Book
    The gratifications of Whiteness : W. E. B. Du Bois and the enduring rewards of Anti-Blackness (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780197556771 , 9780197556764
    Language: English
    Pages: xi, 243 Seiten
    DDC: 305.809
    RVK:
    MG 70968
    RVK:
    MS 3450
    RVK:
    MS 3530
    RVK:
    MS 4450
    Keywords: White privilege ; United States Ethnic relations History ; Society ; Rassismus ; USA ; USA ; Rassismus
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  • 50
    Online Resource
    Online Resource
    Democratic resilience : can the United States withstand rising polarization? (2022)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781108999601
    Language: English
    Pages: 1 Online-Ressource (xx, 406 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.20973
    RVK:
    MG 70010
    RVK:
    MG 70070
    Keywords: Democracy / United States / History ; Political culture / United States / History ; Polarization (Social sciences) / United States ; Demokratie ; Polarisierung ; United States / Politics and government ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Demokratie ; Polarisierung
    Abstract: Politics in the United States has become increasingly polarized in recent decades. Both political elites and everyday citizens are divided into rival and mutually antagonistic partisan camps, with each camp questioning the political legitimacy and democratic commitments of the other side. Does this polarization pose threats to democracy itself? What can make some democratic institutions resilient in the face of such challenges? Democratic Resilience brings together a distinguished group of specialists to examine how polarization affects the performance of institutional checks and balances as well as the political behavior of voters, civil society actors, and political elites. The volume bridges the conventional divide between institutional and behavioral approaches to the study of American politics and incorporates historical and comparative insights to explain the nature of contemporary challenges to democracy. It also breaks new ground to identify the institutional and societal sources of democratic resilience
    DOI: 10.1017/9781108999601
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1017/9781108999601
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  • 51
    Online Resource
    Online Resource
    Queer voices in hip hop : cultures, communities, and contemporary performance (2022)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    DOI: 10.3998/mpub.11306619
    DOI: 10.1353/book.103295
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 52
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    Book
    Deutscher Gangsta-Rap III : soziale Konflikte und kulturelle Repräsentationen (2022)
    Bielefeld :transcript,
    Details
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    RVK:
    LC 87015
    RVK:
    LS 48650
    RVK:
    MS 2350
    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Klappentext
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    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 53
    Online Resource
    Online Resource
    Klaviatur des Hasses : Antisemitismus in der Musik (2022)
    Baden-Baden : Nomos
    Details
    ISBN: 9783748911982
    Language: German
    Pages: 1 Online-Ressource (301 Seiten)
    Edition: 1. Auflage
    Series Statement: Interdisziplinäre Antisemitismusforschung Band 13
    Series Statement: Nomos eLibrary
    Series Statement: Politikwissenschaft
    Series Statement: Interdisziplinäre Antisemitismusforschung
    Parallel Title: Erscheint auch als Klaviatur des Hasses
    RVK:
    MC 7400
    Keywords: Rechtsextremismus ; Popmusik ; Juden ; Antiamerikanismus ; Punk ; RAP ; klassische Musik ; Lügenpresse ; Verschwörung ; Verschwörungsmythen ; BDS ; BDS-Kampagne ; Systemkritik ; Raggae ; Volksmusik ; Metal ; Techno ; Rock ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Antisemitismus ; Musik ; Boycott, Divestment and Sanctions (BDS) Movement ; Techno ; Heavy Metal ; Punk Rock ; Reggae ; Verschwörung ; Rock ; Rechtsradikalismus
    Abstract: Der Sammelband stellt die Frage nach den Erscheinungsformen und Ausdrucksweisen des Antisemitismus in der Musik. Als „negative Leitidee der Moderne“ ist Antisemitismus in sämtlichen Musikrichtungen zu finden und wird auf unterschiedlichen Ebenen vermittelt: sei es durch Songtexte, Albumcover, Musikvideos, Bühnenauftritte, durch die Musikform bzw. des Stils an sich oder die ideologische und strukturelle Einbindung von Musiker:innen in die extrem rechte Szene bis hin zur Beeinflussung ganzer Musikszenen durch die antisemitische BDS-Kampagne. In den Aufsätzen geben die Autor:innen daher einen Überblick zu aktuellen Entwicklungen und liefern Analysen und Einschätzungen zu den mannigfaltigen antisemitischen Verstrickungen in der Musik. Mit Beiträgen von Lukas Geck, Maria Kanitz, Annica Peter, Jan Schäfer, Jakob Baier, Kai E. Schubert, Niels Penke, Marcus Stiglegger, Timo Büchner, Melanie Hermann, Marc Grimm, Nico Unkelbach, Nicholas Potter, Nathalie Friedländer, Tom D. Uhlig.
    Abstract: This anthology addresses the question of how anti-Semitism appears and is expressed in modern music. As a ‘negative guiding idea of modernity’, anti-Semitism can be found in all musical genres and is conveyed on different levels, be it through song lyrics, album covers, music videos, stage performances, through the musical form or style itself, or the ideological and structural integration of musicians into the extreme rightwing scene, all the way to the influence of entire music scenes through the anti-Semitic BDS campaign. In the essays in this book, the authors therefore give an overview of current develop-ments and provide analyses and assessments of the manifold anti-Semitic manifestations in music. With contributions by Lukas Geck, Maria Kanitz, Annica Peter, Jan Schäfer, Jakob Baier, Kai E. Schubert, Niels Penke, Marcus Stiglegger, Timo Büchner, Melanie Hermann, Marc Grimm, Nico Unkelbach, Nicholas Potter, Nathalie Friedländer, Tom D. Uhlig.
    Note: Literaturangaben
    DOI: 10.5771/9783748911982
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltstext
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 54
    Online Resource
    Online Resource
    Fremdbestimmte Freude : der Einfluss werbetreibender Marken auf die populäre Musikkultur im frühen 21. Jahrhundert (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
    RVK:
    LC 87000
    RVK:
    LR 57768
    RVK:
    LR 57440
    RVK:
    LS 48015
    RVK:
    LS 48010
    RVK:
    QP 632
    RVK:
    LR 57760
    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    DOI: 10.14361/9783839454619
    DOI: 10.1515/9783839454619
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9783839454619?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454619
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 55
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    Book
    Jazz/Rock/Pop - das Dresdner Modell : ein Beitrag zur Geschichte der Hochschule für Musik Carl Maria von Weber (2021)
    Baden-Baden : Tectum Verlag
    Details
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
    RVK:
    LS 48200
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
    URL: Inhaltstext
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  • 56
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    Book
    Von "Art School" bis "Underground Club" : Räume der Interaktion von visueller Kunst und Popmusik im London der 1960er Jahre (2021)
    Münster ; New York : Waxmann
    Details
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
    RVK:
    LO 50097
    RVK:
    LO 56411
    RVK:
    AP 14900
    RVK:
    LH 61100
    RVK:
    LR 57707
    RVK:
    LS 48070
    RVK:
    LQ 84407
    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
    URL: Inhaltsverzeichnis
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  • 57
    Online Resource
    Online Resource
    Pop-Musik sammeln : zehn ethnografische Tracks zwischen Plattenladen und Streamingportal (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839455272 , 9783732855278
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2018
    RVK:
    LC 87000
    RVK:
    LS 48015
    Keywords: Streaming ; Musiktonträger ; Ethnologie ; Sammeln ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musiktonträger ; Streaming ; Sammeln ; Popmusik ; Streaming ; Ethnologie ; Sammeln
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.14361/9783839455272
    DOI: 10.1515/9783839455272
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Open Access
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: kostenfrei
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  • 58
    Book
    Book
    Mediale Interferenzen : Literatur und Popmusik in Japan (1955-2005) (2021)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447116428 , 3447116420
    Language: German
    Pages: VI, 464 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Kulturwissenschaftliche Japanstudien Band 11
    Series Statement: Kulturwissenschaftliche Japanstudien
    Dissertation note: Dissertation Universität zu Köln 2020
    DDC: 895.609005
    RVK:
    EI 4930
    RVK:
    EI 4955
    RVK:
    EI 4963
    RVK:
    EI 4964
    RVK:
    EI 4965
    RVK:
    LS 48060
    Keywords: Geschichte 1955-2005 ; Japanisch ; Intermedialität ; Popmusik ; Literatur ; Japan ; Literaturgeschichte ; Japanologie ; Musikwissenschaft ; Literaturwissenschaft ; Populärkultur ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Japan ; Literatur ; Popmusik ; Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Geschichte 1955-2005
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  • 59
    Book
    Book
    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 60
    Book
    Book
    Rap w służbie narodu : Nacjonalizm i kultura popularna (2021)
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    Details
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
    RVK:
    KP 5430
    RVK:
    LS 48650
    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
    URL: Inhaltsverzeichnis
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    URL: Register // Personenregister
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    URL: Literaturverzeichnis
    URL: Register // Personenregister
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    URL: Literaturverzeichnis
    URL: Register // Personenregister
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  • 61
    Book
    Book
    The folk : music, modernity, and the political imagination (2021)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
    LR 56606
    RVK:
    LR 57726
    RVK:
    LS 48610
    RVK:
    LQ 89306
    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 62
    Image
    Image
    The best of Jamming! : Selections and stories from the fanzine that grew up, 1977-86 (2021)
    London ; New York : Omnibus Press
    Details
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 63
    Book
    Book
    Musikobjektgeschichten : populäre Musik und materielle Kultur (2021)
    Münster : Waxmann
    Details
    ISBN: 9783830944423 , 383094442X
    Language: German
    Pages: 290 Seiten , Illustrationen , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 32
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 780.74
    RVK:
    LC 87000
    RVK:
    LP 19800
    RVK:
    LS 48015
    Keywords: Computermusik ; Museum ; Sachkultur ; Abspielgerät ; Tonträger ; Speichermedien ; Popmusik ; Musik, Musikobjekte, Medientechnologie, Musikproduktion, Apparate, Objektgeschcihte, Archiv, populäre Kultur ; Volksmusik und populäre Musikkulturen ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Popmusik ; Tonträger ; Abspielgerät ; Speichermedien ; Computermusik ; Sachkultur ; Museum
    Note: Beiträge der interdisziplinären Tagung "Musikobjektgeschichten. Populäre Musik und materielle Kultur" (Oktober 2020, Weimar) - Vorwort
    URL: Rezension
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  • 64
    Book
    Book
    Das verdächtig Populäre in der Musik : warum wir mögen, wofür wir uns schämen (2021)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658326890 , 3658326891
    Language: German
    Pages: XVI, 310 Seiten , Illustrationen, Notenbeispiele , 22 cm, 430 g
    Parallel Title: Erscheint auch als Das verdächtig Populäre in der Musik
    DDC: 306.48423
    RVK:
    LR 56650
    RVK:
    LR 56657
    Keywords: Musikalischer Geschmack ; Unterhaltungsmusik ; Scham ; Rezeption ; Musiksoziologie ; Popmusik ; Soziokultureller Wandel ; Normativität ; Musiksoziologie ; Camp in der Musik ; Popularmusikforschung ; Trash in der Musik ; Guilty Pleasure ; Kitsch in der Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
    URL: Inhaltstext
    URL: http://www.springer.com/
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: http://www.springer.com/
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: http://www.springer.com/
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  • 65
    Book
    Book
    Gehört "deutsche" Popmusik ins Museum? : Materialien zu und von der Fünften Pop-Dekadentagung (2021)
    [Hamburg] : Nachttischbuch-Verlag
    Details
    ISBN: 9783937550305 , 3937550305
    Language: German
    Pages: 288 Seiten , 19 cm, 269 g
    Edition: Originalausgabe
    DDC: 781.640943
    RVK:
    LS 48070
    Keywords: Subkultur ; Musealisierung ; Popmusik ; Deutschland ; Pop-Kultur ; Pop ; deutsche Pop-Szene ; Konferenzschrift 29.09.2019 ; Konferenzschrift 29.09.2019 ; Deutschland ; Popmusik ; Subkultur ; Musealisierung
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  • 66
    Book
    Book
    HipHop aus Österreich : lokale Aspekte einer globalen Kultur (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783837655568
    Language: German
    Pages: 337 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 782.42164909436
    RVK:
    LS 48650
    Keywords: Geschichte ; Globalisierung ; Musikleben ; Hip-Hop ; Österreich ; Österreich ; Musik ; Glokalisierung ; Musikanalyse ; Popkultur ; Popmusik ; Musikwissenschaft ; Kultursoziologie ; Hip Hop ; Austria ; Music ; Glocalization ; Music Analysis ; Popular Culture ; Pop Music ; Musicology ; Sociology of Culture ; Hochschulschrift ; Österreich ; Hip-Hop ; Musikleben ; Globalisierung ; Geschichte
    URL: Inhaltsverzeichnis
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    URL: Unbekannt
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  • 67
    Online Resource
    Online Resource
    American immigration : a very short introduction (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197542453
    Language: English
    Pages: 1 Online-Ressource (176 Seiten) , Illustrationen
    Edition: Second edition
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als
    DDC: 304.873
    RVK:
    HD 370
    RVK:
    HD 470
    RVK:
    MG 70968
    RVK:
    MS 3600
    Keywords: Geschichte ; Immigrants / United States / History ; Citizenship / United States ; Cultural pluralism / United States ; Einwanderungspolitik ; Einwanderung ; United States / Emigration and immigration / History ; USA ; USA ; Einwanderung ; Geschichte ; USA ; Einwanderung ; Einwanderungspolitik
    Abstract: Americans have come from every corner of the globe, and they have been brought together by a variety of historical processes. This book provides a thoughtful look at immigration, anti-immigration sentiments and the motivations and experiences of the migrants themselves
    Note: Includes bibliographical references and index , This edition also issued in print: 2021
    DOI: 10.1093/actrade/9780197542422.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Book
    Book
    Devenir musicien de pop : socialisation et musiques de niche (2021)
    Paris : L'Harmattan
    Details
    ISBN: 9782343246024
    Language: French
    Pages: 275 Seiten , 24 cm
    Series Statement: Musiques et champ social
    DDC: 781
    RVK:
    LS 48015
    RVK:
    LR 56600
    Keywords: Musiksoziologie ; Popmusik ; Popmusik ; Musiksoziologie
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  • 69
    Book
    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
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  • 70
    Online Resource
    Online Resource
    Listening to the Lomax archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor, Michigan : University of Michigan Press
    Details
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 71
    Online Resource
    Online Resource
    American multiculturalism after 9/11 : transatlantic perspectives (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048510757
    Language: English
    Pages: 1 Online-Ressource (224 Seiten)
    Series Statement: American studies (Amsterdam, Netherlands)
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
    HD 470
    RVK:
    LB 56610
    RVK:
    MG 70968
    Keywords: Geschichte 2001-2009 ; Multiculturalism / United States / Foreign public opinion ; Emigration and immigration / Social aspects ; Multikulturelle Gesellschaft ; Interkulturalität ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Multikulturelle Gesellschaft ; Interkulturalität ; Geschichte 2001-2009
    Abstract: This groundbreaking volume explores the multicultural debate that has evolved in the United States and Europe since the cataclysmic events of 9/11. Instead of suggesting closure by presenting a unified narrative about cultural diversity, national identity, and social stratification, the essays in this well-balanced collection present a variety of perspectives, each highlighting the undiminished relevance of key issues such as immigration, assimilation, and citizenship, while also pointing to unresolved conflicts over universalism, religion, and tolerance. Most importantly, this volume shows that the struggle over multiculturalism is not limited to the political domain, but also has profound cultural implications. American Multiculturalism after 9/11: Transatlantic Perspectives is an invaluable, thought-provoking addition to the debate about multiculturalism as central to the study of the United States in a global context
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021)
    DOI: 10.1017/9789048510757
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 72
    Book
    Book
    From #BlackLivesMatter to Black liberation (2021)
    Chicago, Illinois : Haymarket Books
    Details
    ISBN: 9781642594553
    Language: English
    Pages: xv, 301 Seiten , 22 cm
    Edition: Updated edition
    DDC: 305.896073
    RVK:
    MG 70390
    RVK:
    NQ 8346
    Keywords: Black Lives Matter ; Rassismus ; Diskriminierung ; Schwarze ; USA ; Black lives matter movement ; Obama, Barack / Influence ; African Americans / Social conditions / 21st century ; Racism / United States / 21st century ; Racial profiling in law enforcement / United States ; Discrimination in criminal justice administration ; Social movements / United States / 21st century ; African Americans / Employment / History ; African Americans / Civil rights ; Police brutality / United States ; Police misconduct / United States ; Race discrimination / United States ; Post-racialism / United States ; USA ; Rassismus ; Schwarze ; Diskriminierung ; Black Lives Matter
    Abstract: Activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that the new struggle against police violence holds the potential to reignite a broader push for Black liberation
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  • 73
    Online Resource
    Online Resource
    Soundtrack to a movement : African American Islam, jazz, and Black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    DOI: 10.18574/9781479849697
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    The free world : art and thought in the Cold War (2021)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374158453
    Language: English
    Pages: XIV, 857 Seiten , Illustrationen
    Edition: First edition
    DDC: 306.09730904
    RVK:
    MK 2300
    Keywords: Geschichte 1945-1989 ; Kunst ; Kultur ; Massenkultur ; Politik ; Ost-West-Konflikt ; USA ; Popular culture / United States / History / 20th century ; Political culture / United States / History / 20th century ; Cold War / Social aspects ; United States / Intellectual life / 20th century ; United States / Civilization / 1945- ; USA ; Kunst ; Kultur ; Politik ; Massenkultur ; Ost-West-Konflikt ; Geschichte 1945-1989
    Abstract: "A history of the thinkers, writers, and artists who shaped intellectual culture in Cold War Europe and America"--
    Note: Includes bibliographical references and index , 2021
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  • 75
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    Poetic song verse : blues-based popular music and poetry (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    HG 550
    RVK:
    LS 48500
    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
    URL: Inhaltsverzeichnis
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  • 76
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    Sound alignments : popular music in Asia's cold wars (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478010678 , 9781478011798
    Language: English
    Pages: vi, 295 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    RVK:
    LS 33000
    Keywords: Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Description / Table of Contents: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
    URL: Inhaltsverzeichnis
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    My kind of sound : popular music and audiovisual culture (2021)
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    Details
    ISBN: 9781527561649
    Language: English
    Pages: x, 187 Seiten , Illustrationen, Notenbeispiele, Tabellen
    RVK:
    LS 48015
    Keywords: Popmusik ; Musikproduktion ; Audiovisuelle Medien ; Musikwirtschaft ; Soziale Identität ; Popular music / Social aspects ; Popular music / Psychological aspects ; Music and identity politics ; Music and identity politics ; Popular music / Psychological aspects ; Popular music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikwirtschaft ; Audiovisuelle Medien ; Musikproduktion ; Soziale Identität
    URL: Inhaltsverzeichnis
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  • 78
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    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
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    Musician in the museum : display and power in neoliberal popular culture (2021)
    London : Bloomsbury Academic
    Details
    ISBN: 9781501368899 , 9781501368882
    Language: English
    Pages: viii, 255 Seiten , Ilustrationen
    DDC: 781.63074
    RVK:
    LS 48015
    RVK:
    AK 85100
    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus
    Note: Literaturverzeichnis Seite 231-253
    URL: Inhaltsverzeichnis
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  • 80
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    Scary monsters : monstrosity, masculinity and popular music (2021)
    New York : Bloomsbury Academic
    Details
    ISBN: 9781501313370
    Language: English
    Pages: vii, 273 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    Keywords: Popmusik ; Das Monströse ; Männlichkeit ; Popular music / Social aspects ; Masculinity in music ; Monsters ; Masculinity in music ; Monsters ; Popular music / Social aspects ; Popmusik ; Männlichkeit ; Das Monströse
    Abstract: "Through a series of case studies, Scary Monsters examines masculinity in popular music culture from the perspective of research into monstrosity"--
    Description / Table of Contents: Introduction / Jon Hackett -- A Night at the Opera : Updating The Phantom / Mark Duffett -- His Muscles Still Bulged Like Iron Bands' : King Kong and the Promotion of Lead Belly / Mark Duffett -- Colonel Parker and the Art of Commercial Exploitation : The Manager as Monster / Mark Duffett -- The Platformed Prometheus : Frankenstein and Glam Rock / Jon Hackett -- The Case of Mark Chapman : Extreme Fandom as Monstrosity? / Mark Duffett -- Exhuming the Gravediggaz : Gothic Hip Hop and Monster Capital / Jon Hackett -- Masculinity on Trial : Noir Désir and Perverse Narcissism / Jon Hackett -- 'Jingle Jangle Man' : Jimmy Savile, Paedophilia and the Music Industry / Mark Duffett
    URL: Inhaltsverzeichnis
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    URL: Inhaltsverzeichnis
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    The reckoning : our nation's trauma and finding a way to heal (2021)
    New York : St. Martin's Press
    Details
    ISBN: 9781250278456 , 9781250279859 , 9781250280176
    Language: English
    Pages: viii, 193 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    NQ 8550
    RVK:
    MG 70070
    Keywords: Nationalbewusstsein ; Politik ; Trauma ; USA ; Trump, Donald / 1946- ; United States / Politics and government / 2017-2021 ; United States / Social conditions / 21st century ; Collective memory ; National characteristics, American ; Political corruption / United States ; Post-traumatic stress disorder / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Presidents & Heads of State ; POLITICAL SCIENCE / Commentary & Opinion ; PSYCHOLOGY / Psychopathology / Post-Traumatic Stress Disorder (PTSD) ; Trump, Donald / 1946- ; Collective memory ; National characteristics, American ; Political corruption ; Politics and government ; Post-traumatic stress disorder ; Social conditions ; United States ; 2000-2099 ; Biography & Autobiography ; Biography & Autobiography ; Biographies ; USA ; Politik ; Nationalbewusstsein ; Trauma
    Abstract: Donald Trump's niece, Mary L. Trump, examines America's national trauma, rooted in our history but dramatically exacerbated by the impact of current events and the Trump administration's corrupt and immoral policies. Our failure to acknowledge this trauma, let alone root it out, has allowed it to metastasize. Whether it manifests itself in rising levels of rage and hatred, or hopelessness and apathy, the stress of living in a country we no longer recognize has affected all of us. America is suffering from PTSD - a new leader alone cannot fix us
    Description / Table of Contents: part I. A short history of American failure : 1865-2020. Atrocities ; Impunity -- part II. Here there be monsters. American carnage ; Abandon all hope ye who enter -- part III. American exceptionalism. Suffering in silence ; We hold these truths -- part IV. The reckoning. The precipice ; The long shadow ; Facing the truth -- Epilogue
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    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
    URL: Inhaltsverzeichnis
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  • 83
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    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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    Made in Nusantara : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780367428464 , 9780367428471
    Language: English
    Pages: xvi, 248 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    RVK:
    LS 40080
    RVK:
    LS 45700
    Keywords: Geschichte ; Popmusik ; Südostasien ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Popmusik ; Südostasien ; Popmusik ; Geschichte
    Abstract: Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries.Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music
    URL: Inhaltsverzeichnis
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    A troubled birth : the 1930s and American public opinion (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226812915 , 022681291X , 9780226813103 , 022681310X
    Language: English
    Pages: 301 Seiten , Illustrationen, Karten, Porträts , 24 cm
    Series Statement: Chicago studies in American politics
    Parallel Title: Erscheint auch als
    DDC: 303.380973
    RVK:
    MF 1000
    Keywords: Geschichte 1930-1940 ; Politische Kommunikation ; Medien ; Öffentliche Meinung ; USA ; Public opinion / United States ; United States / Politics and government / 1929-1933 ; United States / Politics and government / 1933-1945 ; Politics and government ; Public opinion ; United States ; 1929-1945 ; USA ; Politische Kommunikation ; Medien ; Öffentliche Meinung ; Geschichte 1930-1940
    Abstract: "Pollsters and pundits failed to predict the election of Donald Trump in 2016. Is this because they do not know our fellow Americans and how they think? Who are the public? In A Troubled Birth: The 1930s and American Public Opinion, Susan Herbst argues that we need to go back to the beginning of the idea of "public opinion" and a mass public to understand what the American public is now. Herbst contends that the idea that there was a public whose opinions mattered began in the 1930s, during the Great Depression, with the growth of mass media, the devastating impact of the economic collapse on so many people, and the entry of political leaders, like Franklin Roosevelt, who were talented at trying to shape what the public thought. In the 1930s we had a stew pot of political beliefs from far left to far right, many challenging the established democracy of the day, in the wake of the failure of government to deal with the economic and social effects of the depression. Herbst argues that public opinion about political matters can only be understood as a product of a messy mixture of culture, politics, economics-in short, all the things that influence how people live. If we are to understand what people think about politics we must dig deep into the context in which people are developing these opinions"--
    Description / Table of Contents: Introduction: Birth of a Public -- President in the Maelstrom: FDR as Public Opinion Theorist -- Twisted Populism: Pollsters and Delusions of Citizenship -- A Consuming Public: The Strange and Magnificent New York World's Fair -- Radio Embraces Race and Immigration, Awkwardly -- Interlude: A Depression Needn't Be So Depressing -- Public Opinion and Its Problems: Some Ways Forward
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    Audiowelten : Technologie und Medien in der populären Musik nach 1945 – 22 Objektstudien (2021)
    Münster : Waxmann
    Details
    ISBN: 9783830944386 , 3830944381
    Language: German
    Pages: 584 Seiten , Illustrationen, Diagramme
    Series Statement: Populäre Kultur und Musik Band 34
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Audiowelten
    DDC: 781.63
    RVK:
    LR 57737
    RVK:
    AP 14900
    RVK:
    LC 87000
    Keywords: Aufsatzsammlung ; Unterhaltungsmusik ; Abspielgerät ; Tonträger ; Streaming ; Musikinstrument ; Elektrifizierung ; Technologie ; Musikproduktion ; Musikerlebnis ; Geschichte 1945-2021 ; Technik ; Medien ; Popmusik ; Geschichte 1945-2021
    Abstract: Technologien und Medien haben die Entwicklung der populären Musik im 20. und 21. Jahrhundert maßgeblich geprägt. Durch Verfahren der Klangproduktion, -speicherung und -wiedergabe wurden die Möglichkeiten des Herstellens, Vermittelns und Erlebens von Musik stark erweitert und transformiert. Die in „Audiowelten“ versammelten 22 Objektstudien nähern sich diesen technologischen, medialen und musikkulturellen Veränderungen durch detaillierte Beschreibungen von konkreten Einzelobjekten sowie ihren Entstehungs- und Nutzungskontexten – von der Nachkriegszeit bis zur Gegenwart.
    Note: Enthält Quellen- und Literaturangaben
    URL: Cover
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    URL: Rezension  (H-Soz-Kult)
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    Online Resource
    Das verdächtig Populäre in der Musik : warum wir mögen, wofür wir uns schämen (2021)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658326906
    Language: German
    Pages: 1 Online-Ressource (XVI, 310 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    LR 56650
    RVK:
    LR 56657
    Keywords: Popular Culture ; Cultural Theory ; Music ; Media Sociology ; Popular Culture ; Culture—Study and teaching ; Music ; Mass media ; Communication ; Scham ; Musiksoziologie ; Unterhaltungsmusik ; Normativität ; Rezeption ; Soziokultureller Wandel ; Musikalischer Geschmack ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
    DOI: 10.1007/978-3-658-32690-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    Online Resource
    HU Berlin
    München BSB
    München UB
    Würzburg UB
    BSZ
    KOBV
    BVB
    Bayreuth UB
    MPI-MMG
    MPI Ethno. Forsch.
  • 88
    Online Resource
    Online Resource
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    LS 48015
    RVK:
    HD 474
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    DOI: 10.4159/9780674258808
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Online Resource
    Online Resource
    A blaze of light in every word : analyzing the popular singing voice (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190052249
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164143
    RVK:
    LR 11000
    RVK:
    LS 48015
    Keywords: Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Note: Also issued in print: 2020. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190052201.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 90
    Book
    Book
    Östlich der Elbe : Songs und Bilder 1970-2013 (2020)
    Berlin : Christoph Links Verlag GmbH
    Details
    ISBN: 9783962890827
    Language: German
    Pages: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Edition: 1. Auflage
    DDC: 782.4216409431
    RVK:
    LS 48060
    Keywords: Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Rezension
    URL: Rezension
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Rezension
    URL: Rezension
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    Würzburg UB
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  • 91
    Online Resource
    Online Resource
    Tacit racism (2020)
    Chicago ; London : University of Chicago Press
    Details
    ISBN: 9780226703725
    Language: English
    Pages: 1 Online-Ressource (289 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    MG 70968
    Keywords: Racism / United States ; Social interaction / United States ; Race relations ; Racism ; Social interaction ; Alltag ; Rassismus ; United States / Race relations ; United States ; USA ; USA ; Alltag ; Rassismus
    Abstract: "Waverly Duck and Anne Rawls propose in this book that when "tacit" racism becomes institutionalized in the expectations of ordinary interaction-in what the authors call "Interaction Orders of Race"--it creates vast amounts of largely invisible and unconscious inequality. Because of this, interactions can produce race inequality whether the people involved are aware of it or not. The resulting divisions and exclusions divide the nation, providing fertile ground for political manipulation around issues associated with race (e.g. welfare, health care and government as the guarantor of equality). The growth of tacit and overt racism that followed the election of Barack Obama, the first African American President, ushered in a level of intolerance that most Americans thought they had left behind in the distant past. It has been a nation-wide display of how overlooking tacit racism and supporting the fiction of a "color-blind" society damages not only the least advantaged but threatens the majority; it encourages the expression of overt forms of racism that deprives society of the contributions of minorities, and it threatens democratic public spaces. As such, the authors argue, tacit racism is a clear and present danger to the survival of our nation, the public civility it depends on, the autonomy of its sciences, and its democratic institutions as a whole."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 92
    Book
    Book
    Just like us : the American struggle to understand foreigners (2020)
    New York : Columbia University Press
    Details
    ISBN: 9780231193528
    Language: English
    Pages: xiii, 258 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 305.800973
    RVK:
    MG 70010
    Keywords: Geschichte ; Inklusion ; Fremdheit ; Ausländer ; Nationalbewusstsein ; USA ; National characteristics, American / History ; Cultural awareness / United States ; Race awareness / United States / History ; United States / Race relations / History ; Cultural pluralism / United States / History ; Globalization / Social aspects / United States / History ; Exceptionalism / United States / History ; Americanization ; Cold War / Social aspects / United States ; Americanization ; Cultural awareness ; Cultural pluralism ; Exceptionalism ; Globalization / Social aspects ; National characteristics, American ; Race awareness ; Race relations ; Social aspects ; United States ; History ; USA ; Ausländer ; Fremdheit ; Inklusion ; Nationalbewusstsein ; Geschichte
    Abstract: "Americans have long considered themselves a people set apart. Yet American exceptionalism is built on a set of tacit beliefs about other cultures. From the founding exclusion of indigenous peoples and enslaved Africans to the uneasy welcome of waves of immigrants, from republican disavowals of colonialism to Cold War proclamations of freedom, Americans' ideas of their differences from others have shaped the modern world--and how Americans have viewed foreigners is deeply revealing of their assumptions about themselves. Just Like Us is a pathbreaking exploration of what foreignness has meant across American history. Thomas Borstelmann traces American ambivalence about non-Americans, identifying a paradoxical perception of foreigners as suspiciously different yet fundamentally sharing American values at heart beneath the layers of culture. Considering race and religion, notions of the American way of life, attitudes toward immigrants, competition with communism, Americans abroad, and the subversive power of American culture, he offers a surprisingly optimistic account of the acceptance of difference. Borstelmann contends that increasing contact with peoples around the globe during the Cold War encouraged mainstream society to grow steadily more inclusive in terms of who could be considered fully American. In a time of resurgent nativism and xenophobia, Just Like Us provides a reflective, urgent examination of how Americans have conceived of foreignness and their own exceptionalism throughout the nation's history"--
    Description / Table of Contents: The Challenge of Contact with Foreigners -- Freedom: American Culture as Human Nature -- Inbound: Immigrants from Internal Threat to Incorporation -- Lurking: Communists and the Threat of Captivity -- Outbound: U.S. Expansion Into Foreign Lands -- Subversion: The Power of American Culture in a Global Era -- Conclusion: Not So Foreign After All
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://www.gbv.de/dms/bowker/toc/9780231193528.pdf
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    HU Berlin
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    BSZ
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    BVB
  • 93
    Book
    Book
    Pop und Populismus : über Verantwortung in der Musik (2020)
    Bonn : Bundeszentrale für Politische Bildung
    Details
    ISBN: 9783742506412
    Language: German
    Pages: 206 Seiten
    Edition: Sonderausgabe für die Bundeszentrale für Politische Bildung
    Series Statement: Schriftenreihe / Bundeszentrale für Politische Bildung Band 10641
    DDC: 780.032
    RVK:
    MB 3450
    Keywords: Kultur ; Kultur, Politische ; Popmusik ; Populismus ; Popmusik ; Soziale Verantwortung
    Abstract: Der Ton wird aggressiver, auch in der populären Musik: Die Texte werden hasserfüllter, die Musik martialischer. Jens Balzer sieht hier eine klare Parallele zur politischen Debatten-Unkultur. Er seziert die Spannungsfelder eines kulturellen Feldes, dessen rhetorische Methoden und gezielt provozierende Haltungen auffallend denen der neuen Populisten ähneln. Zweifellos ist Pop ohne Provokation, ohne das Spiel mit Tabubrüchen nicht vorstellbar. Und diese Freiheit der Kunst darf weder einem moralischen Rigorismus noch politischen Interessen geopfert werden, betont Balzer. Das heißt aber nicht, dass man Verrohung, brutalen Sexismus und explizite Aufrufe zur Gewalt widerspruchslos hinnehmen muss. Vielmehr gilt es, sich über die roten Linien einer jeden Massenkultur zu verständigen. An vielen Beispielen - vom Echo-Skandal bis zur Debatte über "cultural appropriation" im Pop - zeigt Jens Balzer, wie schwierig es geworden ist, zwischen populär und populistisch zu unterscheiden. Und versteht es zugleich, für einen Pop zu begeistern, der mit den Mitteln der Kunst Freiheit und Solidarität feiert. "Das Buch Pop und Populismus gibt einen recht guten Überblick über die verschiedenen Entwicklungen, in denen Pop vermeintlich nach rechts rückt oder aggressiver wird. Das Buch hilft dem einen oder anderen, der ohnehin gegen Ausgrenzung, Rassismus und Antisemitismus ist, die Strategien der anderen Seite zu verstehen. Es fehlt jedoch ein Aufruf, eine Handlungsempfehlung und so bleibt Balzers Buch eine Analyse des Status quo" (novelero.de)
    Note: Deutsch
    URL: Inhaltsverzeichnis
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    MEK Berlin
  • 94
    Online Resource
    Online Resource
    Wirkungen des Protestantismus auf Einstellungen und Wertorientierungen : USA und Deutschland im Vergleich (2020)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658306540
    Language: German
    Pages: 1 Online-Ressource (XII, 286 Seiten)
    Series Statement: Politische Kultur in den neuen Demokratien Europas
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Martin-Luther-Universität Halle-Wittenberg 2019
    DDC: 306.6
    RVK:
    MF 2700
    Keywords: Sociology of Religion ; Political Sociology ; Sociology of Culture ; Religion and sociology ; Political sociology ; Culture ; Religionssoziologie ; Internationaler Vergleich ; Wertorientierung ; Protestantismus ; Kapitalismus ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Protestantismus ; Wertorientierung ; USA ; Internationaler Vergleich ; Deutschland ; USA ; Protestantismus ; Wertorientierung ; Kapitalismus ; Religionssoziologie
    DOI: 10.1007/978-3-658-30654-0
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 95
    Online Resource
    Online Resource
    The white racial frame : centuries of racial framing and counter-framing (2020)
    London : Taylor & Francis Group
    Details
    ISBN: 9781000070460
    Language: English
    Pages: 1 Online-Ressource (303 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Feagin, Joe R. White racial frame : centuries of racial framing and counter-framing
    DDC: 305.800973
    RVK:
    HD 472
    RVK:
    MG 70968
    RVK:
    MS 3530
    Keywords: Race discrimination ; Ethnische Beziehungen ; Rassendiskriminierung ; Soziale Situation ; Schwarze ; USA ; USA ; Soziale Situation ; Schwarze ; USA ; Rassendiskriminierung ; USA ; Ethnische Beziehungen
    Note: Includes index , Description based on print version record
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    Online Resource
    München BSB
    BVB
  • 96
    Image
    Image
    Punk, Post Punk, New Wave : onstage, backstage, in your face, 1978-1991 (2020)
    New York : Abrams
    Details
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48030
    RVK:
    LS 48645
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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    HU Berlin
    München BSB
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  • 97
    Online Resource
    Online Resource
    The American way of music : wie Pop und Rock die Welt eroberten (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    LS 48070
    RVK:
    NK 4940
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
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    KOBV
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  • 98
    Online Resource
    Online Resource
    Hate in the Homeland : The New Global Far Right (2020)
    Princeton, NJ : Princeton University Press
    Details
    ISBN: 9780691205892
    Language: English
    Pages: 1 Online-Ressource (272 p)
    Edition: [Online-Ausgabe]
    Additional Information: Rezensiert in Gruenewald, Jeff [Rezension von: Miller-Idriss, Cynthia, 1972-, Hate in the homeland] 2022
    Parallel Title: Erscheint auch als Miller-Idriss, Cynthia, 1972 - Hate in the homeland
    DDC: 306/.1
    RVK:
    MC 7200
    Keywords: White supremacy movements ; Hate Political aspects ; Right-wing extremists ; Right-wing extremists Social aspects ; SOCIAL SCIENCE / Sociology / General ; USA ; Vorherrschaft ; Weiße ; Rechtsradikalismus ; Rechter Flügel
    Abstract: A startling look at the unexpected places where violent hate groups recruit young peopleHate crimes. Misinformation and conspiracy theories. Foiled white-supremacist plots. The signs of growing far-right extremism are all around us, and communities across America and around the globe are struggling to understand how so many people are being radicalized and why they are increasingly attracted to violent movements. Hate in the Homeland shows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels.Instead of focusing on the how and why of far-right radicalization, Cynthia Miller-Idriss seeks answers in the physical and virtual spaces where hate is cultivated. Where does the far right do its recruiting? When do young people encounter extremist messaging in their everyday lives? Miller-Idriss shows how far-right groups are swelling their ranks and developing their cultural, intellectual, and financial capacities in a variety of mainstream settings. She demonstrates how young people on the margins of our communities are targeted in these settings, and how the path to radicalization is a nuanced process of moving in and out of far-right scenes throughout adolescence and adulthood.Hate in the Homeland is essential for understanding the tactics and underlying ideas of modern far-right extremism. This eye-opening book takes readers into the mainstream places and spaces where today's far right is engaging and ensnaring young people, and reveals innovative strategies we can use to combat extremist radicalization
    Abstract: Frontmatter -- Contents -- Preface and Acknowledgments -- Abbreviations -- Introduction: The Where and When of Radicalization -- Chapter 1. Space, Place, and the Power of Homelands -- Chapter 2. Mainstreaming the Message -- Chapter 3. Selling Extremism: Food, Fashion, and Far-Right Markets -- Chapter 4. Defending the Homeland: Fight Clubs and the Mixed Martial Arts -- Chapter 5. Grooming and Recruiting: Cultivating Intellectual Leadership -- Chapter 6. Weaponizing Online Spaces -- Conclusion: Whose Homeland? Inoculating against Hate -- Notes -- Bibliography -- Index
    Note: Mode of access: Internet via World Wide Web. , In English
    DOI: 10.1515/9780691205892
    URL: lizenzpflichtig
    URL: Cover
    URL: https://doi.org/10.1515/9780691205892
    URL: https://www.degruyter.com/isbn/9780691205892
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    Online Resource
    Online Resource
    Virtual pedophilia : sex offender profiling and U.S. security culture (2020)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478009153
    Language: English
    Pages: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.77
    RVK:
    AP 14000
    RVK:
    MG 10150
    Keywords: SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    DOI: 10.1515/9781478009153
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478009153?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478009153
    URL: Cover
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  • 100
    Online Resource
    Online Resource
    The meaning of soul : Black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012245
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012245?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012245
    URL: Cover
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    Online Resource
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    BVB
    Bayreuth UB
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