Note: Ersch. jährl.

Note: Später u.d.T.: Brockhaus-Riemann-Musiklexikon , Literaturangaben

Note: Anfangs auch in d. Akad. Verl.-Ges. Athenaion, Wiesbaden erschienen

Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig

Note: Titel des Behältnisses, in dem sich Bücher und CD's befanden , Zusätzlicher Text auf Behältnis: Including 10 CD's Arabic, English and French documentation

Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig

Note: Serienangabe von der LoC fälschlich als "The history of oriental studies ; volume 18" bezeichnet

Note: Includes bibliographical references and index , Front Matter -- Preliminary Material -- Copyright Page -- Acknowledgements -- Illustrations -- Japanese Periods and Eras -- Notes on the Text -- Notes on Contributors -- Map of Japan -- Introduction: Japanese Music in the Modern Era / , English

Note: Previously issued in print: 2008. - Includes bibliographical references and index

Note: Title from publisher's bibliographic system (viewed on 02 Oct 2023)

Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources

Note: Auf dem Umschlag: Autobiografie

Note: Literaturangaben

Note: Literaturverzeichnis: Seiten 584-737 , Vorwort , 1. Einleitung , 2. Schlüsselbegriffe , Agency , Akkulturation , Antirassismus , Critical Whiteness , Diaspora/Diasporisch , Differenz , Digital Humanities , Diskurs , Embodiment , Erinnerung/Gedächtnis , Ethnizität , Exil , Forschungsethik , Gemeinschaft , Geschichte , Globalgeschichte , Histoire croisee/Entangled history , Identität , Integration , Intersektionalität , Kreativität , Kultur , Kulturelle Mobilität , Kulturelles Kapital , Kulturökonomie , Liminalität , Materielle Kultur , Menschenrechte , Migration , Musik , Musikalische Analyse , Neues Mobilitätsparadigma , Performance/Performanz/Performativität , Postkolonialismus , Postmigrantisch , Quellen/Archive , Rassismus , Soziale Netzwerke , Transkulturalität , Übersetzung/Translation , Verstehen , 3. Zugänge [Einzeltitel siehe Aufsätze] , 4. Bewegungs- und Raumimpulse [Einzeltitel siehe Aufsätze] , 5. Interaktion, Inklusion und Partizipation [Einzeltitel siehe Aufsätze] , 6. Postkoloniale und transkulturelle Perspektiven [Einzeltitel siehe Aufsätze]

Note: Includes bibliographical references and index

Note: Also issued in print: 2023. - Includes bibliographical references and index

Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725

Note: GutachterInnen: Hartmut Möller (HMT Rostock) ; Britta Sweers (Universität Bern)

Note: Hier auch später erschienene, unveränderte Nachdrucke , Mit exklusivem Bonustrack zum Download

Note: Literaturverzeichnis Seite 135-140

Note: Literaturangaben

Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)

Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time

Note: Literaturverzeichnis Seite 277-295

Note: Includes index

Note: Literaturverzeichnis: Seite [391]-429

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) , In German

Note: GutachterInnen: Hartmut Möller (Hochschule für Musik und Theater Rostock) ; Britta Sweers (Universität Bern)

Note: Also issued in print: 2021. - Includes bibliographical references and index

Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening