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  • 1
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Springer International Publishing AG
    ISBN: 9783031547522 , 3031547527
    Language: English
    Pages: 1 Online-Ressource (XVI, 199 Seiten) , 12 illus., 1 illus. in color.
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als Danesi, Marcel AI-Generated Popular Culture
    DDC: 306
    Keywords: Popular Culture ; Semiotics ; Artificial intelligence ; Popular Culture ; Semiotics ; Artificial Intelligence
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412196
    Language: English
    Pages: 1 Online-Ressource(XIV, 166 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Creative nonfiction. ; Space. ; Culture. ; Ecocriticism.
    Abstract: 1. Preface; Susannah B. Mintz and Gregory Fraser -- 2. Disability and Memoir; G. Thomas Couser -- 3. Disability and Space; Rob Imrie -- Part 1: Into the Wide Open -- 4. Learning the Camino Real—Disability and the Desert; Sheila Black -- 5. Headlamps and Fireside Light; Rachel Kolb -- 6. A Sense of Place and Cyberspace: The Hybrid Way I Live, Work, and Play; Gyasi Burks-Abbott -- 7. Ad Astra Per Aspera (To the Stars Through Difficulties); Brenda Jo Brueggemann -- Part 2: Metro-Geographies -- 8. Peaks and Valleys: A Collaborative Essay about Disability in the Bronx; Annette Serrano, Cindy Hernandez, Andrew Whyte, Sonia Gonzalez, Jovan Campbell, and Mary Morfe (with an introduction by Julia Miele Rodas) -- 9. Blindness and Dyslexia in the Movements of Everyday Life in Toronto; Rod Michalko and Tanya Titchkosky -- 10. Disability in New York City Schools and Preparing Teachers to Work in Them; Laurie Rabinowitz -- 11. Drenched Lands, Blood Compost: Disability, Land, and the Asylum Project; Petra Kuppers -- Part 3: Liminal (Dis)locations -- 12. A Tide in the River: Auditory Ecologies of Dyarubbin; Nicole Matthews -- 13. Hydra, New Hampshire; Stephen Kuusisto -- 14. Between Places; Leigh A. Neithardt -- 15. The Lie of the Land; Annmaree Watharow -- 16. Body Workers; Ellen Samuels -- 17. Never in one Place: On Waking in a Different Body; Anand Prahlad.
    Abstract: Placing Disability presents an international collection of personal essays that address the experience of disability in particular geographical locations. Each chapter engages the question of what it means to be disabled in a specific place, exploring issues of movement, work and play, community and activism, artistic production, love and marriage, access and social services, family and friendship, memory and aging—all informed by the places that people inhabit. The book is organized in terms of topographies and vistas, rather than being bound by the map, to emphasize the defining, constitutive effects of place. The authors included in Placing Disability hail from different countries, neighborhoods, climates, and landscapes; from various backgrounds and professions; from a range of disciplinary perspectives and strategies. They are trained as academics, literary critics, poets, students, public speakers, memoirists, educators, philosophers, administrators, and activists. Their essays refine our understanding of the complex dynamic between self and circumstance as they survey the impact of geographical region on their life experiences. This book is intended to be useful in creative-writing workshops, Disability Studies seminars, and classes on environmental literature, and to appeal to general readers of memoir as well as to scholars of contemporary body theory or the Anthropocene. Susannah B. Mintz is Professor of English at Skidmore College. Her books include the memoir Love Affair in the Garden of Milton (2021) and four scholarly volumes on disability and literature. She is also the co-editor of four collections of work on disability issues, including Disability Experiences (2019, with G. Thomas Couser). Gregory Fraser is Professor of English at the University of West Georgia. He is the author of four poetry collections, most recently Little Armageddon (2021), and co-author of two writing textbooks. Fraser’s poetry has appeared in journals including The New Yorker, The Paris Review, The Southern Review, and Ploughshares. He is the recipient of several awards, including grants from the National Endowment for the Arts and the Guggenheim Foundation.
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  • 3
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031531842
    Language: English
    Pages: 1 Online-Ressource(X, 214 p.)
    Edition: 1st ed. 2024.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Ethnology ; Culture. ; Mass media and crime.
    Abstract: Chapter 1. Sherlock Holmes versus Jack the Ripper -- Chapter 2. Enter Holmes and Jack -- Chapter 3. Parallel Culture-Texts -- Chapter 4. The Versus Storyworld -- Chapter 5. Palimpsestuous Holmes -- Chapter 6. Polymorphous Jack -- Chapter 7. (Mis)Remembering Secondary Characters -- Chapter 8. Neo-Casting or Decentring the Great Detective -- Chapter 9. Detective Doyle.
    Abstract: "Lucyna Krawczyk-Żywko’s ambitious study pursues the endlessly intriguing parallel textual lives of Sherlock Holmes and Jack the Ripper. The strange case that she sets out to solve is the extensive but neglected corpus of versus narratives: texts in which the great detective sets out to defeat the Whitechapel murderer. Krawczyk-Żywko convincingly reads these works as part of a rich textual constellation influenced by the overlapping Sherlockian and Ripperological culture texts. Her book’s focus will inevitably intrigue aficionados of Holmes and its insights into aspects of adaptation, neo-Victorianism and biofiction mean it will also appeal strongly to scholars in these areas." —Dr Chris Louttit, Radboud University, The Netherlands In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction. Lucyna Krawczyk-Żywko is Assistant Professor at the Institute of English Studies, University of Warsaw, Poland. She coordinates the research group 'From Queen Anne to Queen Victoria' and initiated the Changing Narratives conference series. Her research combines neo-Victorian, crime fiction, and adaptation studies and focuses on the rewritings of Victorian villains and detectives.
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031456381
    Language: English
    Pages: 1 Online-Ressource(XIX, 275 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Technology ; Technology ; Artificial intelligence.
    Abstract: 1. Introduction -- 2. Respect for Humanity -- 3. Mobile Devices and Autonomy: Individual-Level Effects -- 4. The Duty to Promote Digital Minimalism in Ourselves -- 5. The Duty to Promote Digital Minimalism in Others I: Duties of Virtue -- 6. The Duty to Promote Digital Minimalism in Others II: Duties of Right -- 7. The Duty to Promote Digital Minimalism in Group Agents -- 8. Conclusion.
    Abstract: In this open access book, Timothy Aylsworth and Clinton Castro draw on the deep well of Kantian ethics to argue that we have moral duties, both to ourselves and to others, to protect our autonomy from the threat posed by the problematic use of technology. The problematic use of technologies like smartphones threatens our autonomy in a variety of ways, and critics have only begun to appreciate the vast scope of this problem. In the last decade, we have seen a flurry of books making “self-help” arguments about how we could live happier, more fulfilling lives if we were less addicted to our phones. But none of these authors see this issue as one involving a moral duty to protect our autonomy.
    Note: Open Access
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  • 5
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513299
    Language: English
    Pages: 1 Online-Ressource(VIII, 104 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Continental Philosophy. ; Phenomenology . ; Philosophy
    Abstract: 1: Introduction -- 2: Facts And Essences -- 3: Intentionality -- 4: The Incomplete Reduction -- 5: Phenomenology And Non-Phenomenology -- 6: Conclusion.
    Abstract: This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface to the Phenomenology of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. .
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  • 6
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499456
    Language: English
    Pages: 1 Online-Ressource(XIV, 300 p. 17 illus., 13 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Continental Philosophy. ; Aesthetics. ; Literature
    Abstract: Part I Theoretical Advances in the Pulsatile Imaginary and Disimagination -- Chapter 1 Introduction -- Chapter 2 States Of Image: Elan, Pulsion, Rapt, Rupture, Caesura and Syncopation -- Part II Emergences – Resurgences. Pulsatile Flow -- Chapter 3 Emergences and Resurgences: Notes on the Unformed in Conversation with Henri Michaux -- Chapter 4 Pulsatile Choreography: Rhythm, (Dis)Enchantment, and Disimagination in Premodern Dance -- Chapter 5 Passing and Flowing: Rhythmical Entanglements of Writing, Painting and Knitting in Virginia Woolf and Berthe Morisot -- Chapter 6 Confusion at Sea: The Return to Water -- Part III Tearing Mimesis – Ways Of Disimagination And Re-Incarnation Of Image -- Chapter 7 Incarnation and Déchirure; Annunciation and Crucifixion -- Chapter 8 Painting Matter and Trace. Reflections on Horia Bernea’s art -- Chapter 9 Rite of Spring – Rite of Disimagination: An Inquiry into the Pulsatile Imaginary of Stravinsky’s Le Sacre -- Chapter 10 Kneading dreams: Material imagination and agency in performative clay works -- Part IV Vibrant Mimesis, New Materialism, And Otherness -- Chapter 11 Vibrant Mimesis: New Materialism to Mimetic Studies -- Chapter 12 Motor of Darkness: On the Cartographic Visual Drive of Anthropocene Culture -- Chapter 13 A Venture into the realm of the nonhuman - or how artistic performative methods can propose a practice of exchanging knowledge with matter.
    Abstract: Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits of imagination to create pulsatile imaginaries, i.e., a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.” Nicoletta Isar is Associate Professor Emerita in the Department of Arts and Cultural Studies at the University of Copenhagen (Denmark). She is author of numerous peer-reviewed articles and the books XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography (2011) and Elemental Chorology, Vignettes Imaginales (2020).
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  • 7
    Online Resource
    Online Resource
    Singapore : Springer Nature Singapore | Cham : Springer International Publishing AG
    ISBN: 9789819704446 , 9819704448
    Language: English
    Pages: 1 Online-Ressource (IX, 138 Seiten) , 1 illus.
    Edition: 1st ed. 2024
    Series Statement: South-South Migration
    Parallel Title: Erscheint auch als Ferdous, Jannatul Gendered Migrations
    DDC: 305.3
    Keywords: Sex ; Identity politics ; Economic development ; Gender Studies ; Politics and Gender ; Development Studies
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  • 8
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031375224
    Language: English
    Pages: 1 Online-Ressource(XIV, 374 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Ethics. ; Philosophy of mind. ; Moral development.
    Abstract: Part 1: What is Empathy? -- 1: A Brief Historical Reconstruction -- 2: The Way to a Definition -- 3: A Taxonomy of Empathy -- 4: Conclusions to Part 1 -- Part 2: Empathy and Morality -- 5: Anti-Empathism -- 6: The Bright Side of Empathy -- 7: Conclusions.
    Abstract: This book has two main objectives. The first is to identify and adequately describe the phenomenon of empathy. This essentially means offering a strong, reasoned and accurate description of the phenomenon of empathy in order to capture the essence of the empathic phenomenon and clearly distinguish it from other similar emotional phenomena such as sympathy or compassion The second part focuses on the role that this phenomenon can play on the ethical-moral level. The question is whether empathy is necessary or at least important for morality, and if so, to what extent, in what way and for what reasons. This is an open access book.
    Note: Open Access
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  • 9
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031421594
    Language: English
    Pages: 1 Online-Ressource(XII, 159 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Ethics.
    Abstract: 1. Existence Is Overrated. What Is a Value? -- 2. Even More. Where Do Values Come from? And How Many Are There? -- 3. Allure of the Temporary. How Is a Value? -- 4. The Power to Connect, the Power to Relativize. What Do Values Relate To? -- 5. At Home Nowhere and Everywhere. Where and When Are Values (in Use)? -- 6. Excursus I: Values and Human Rights -- 7. The Unstable Recovery Position. How Is a Value Positioned? -- 8. Miracles of Motivation and Guarantors of Paralysis. What Do Values Have? What Do They Do? -- 9. An Unruly Victim Tamed. What Things Are Done to Values? -- 10. Excursus II: Values in the Political Soap Opera -- 11. Against Prescriptions. Why Values?.
    Abstract: In his book, Andreas Urs Sommer reflects on the question of what it really means when everybody’s appealing to values, all the time – the question, fundamentally, of what values actually are. Values explores both of these points, arriving at two intriguing suggestions: Maybe what we call values are just a set of elaborate fictions. And maybe those fictions serve some very important purposes.
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  • 10
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031494918
    Language: English
    Pages: 1 Online-Ressource(XIX, 313 p. 5 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Education ; Social sciences ; Knowledge, Theory of. ; Science ; Political science
    Abstract: 1. Bad Philosophy, the Climate Crisis, and other Global Problems -- 2. Bad Academic Philosophy Responsible for Global Problems -- 3. The Post-Cartesian Blunder, and The Failure to Develop Philosophy as Critical Fundamentalism -- 4. The Post-Newtonian Blunder, and The Failure to Develop Aim-Oriented Empiricism -- 5. The Post-Enlightenment Blunder, and the Failure to Develop Academic Inquiry so as to Become Rationally Devoted to Helping Humanity Create a Civilized World -- 6. What We Need to Do -- 7. Appendix 1 How to Solve Hume’s Problem of Induction -- 8. Appendix 2 How Aim-Oriented Empiricism Would Benefit Science.
    Abstract: Universities have long been dominated by a philosophy of inquiry that may be called knowledge-inquiry. This holds that, in order to do justice to the basic humanitarian aim of helping to promote human welfare, academic inquiry must, in the first instance, seek knowledge and technological know-how. First, knowledge is to be acquired; once acquired, it can be applied to help promote human welfare. But this philosophy of knowledge-inquiry is an intellectual and humanitarian disaster. It violates three of the four most elementary rules of rational problem solving conceivable, and as a result fails to give priority to the task of helping humanity resolve those conflicts and problems of living, such as the climate and nature crises, that need to be resolved if we are to make progress to a better world – a world in which there is peace, democracy, justice, liberty, and sustainable prosperity, for all. Very few academics today are aware of this rationality scandal. We urgently need to bring about a revolution in universities around the world, wherever possible, so that academic inquiry puts all four rules of rational problem solving into practice, and becomes rationally devoted to helping humanity learn how to make progress towards a better world. Knowledge-inquiry needs to become wisdom-inquiry, rationally devoted to helping humanity create a wiser world. Nicholas Maxwell is Emeritus Reader at University College London. He has devoted much of his working life to arguing we need to bring about a revolution in academia so that it comes to seek and promote wisdom and does not just acquire and apply knowledge. He has published fifteen books on this theme.
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  • 11
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031521430
    Language: English
    Pages: 1 Online-Ressource(XII, 175 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Continental Philosophy. ; Ethics. ; Applied ethics.
    Abstract: 1. Introduction -- 2. Acting Before Future Generations -- 3. Nuclear Waste and the Site of Intergenerational Responsibility -- 4. Derrida: Iterability and Biodegradability -- 5. Turning Towards Irradiated Futures -- 6. Conclusion.
    Abstract: This book argues for the necessity of a re-evaluation of our thinking about responsibly relating to future generations in the context of environmental philosophy. Using long-term nuclear waste disposal as its paradigmatic case, this book makes the case that the predominant mode of thinking the future in terms of continuity and repetition of the present requires a critique informed by French philosopher Jacques Derrida in order to think responsibility adequately. The book begins by surveying contemporary accounts of intergenerational responsibility before outlining the specifics of nuclear waste disposal policy. With these stakes established, the contributions of Jacques Derrida to future-oriented ethics are introduced. These include discussions of communication across contexts, the relationship between inheritance and responsibility, and the political imperatives that result from this critique. This book concludes by arguing for an intergenerational environmental policy that rejects policy and infrastructural projects that depend on the present reproducing itself indefinitely.
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  • 12
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412110
    Language: English
    Pages: 1 Online-Ressource(XVII, 259 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Metaphysics. ; Science
    Abstract: Introduction -- Michael Polanyi and the Post-Critical Approach to Philosophy -- Polanyi’s Copernican Realism: Content, Reception, and Relation to Three Contemporary Realisms -- From Epistemology to Metaphysics -- The Material and the Immaterial in a Post-Critical Platonist Metaphysics -- Aristotle, Plato, and Polanyi on Access to Forms -- Post-Critical Platonism -- Conclusion./.
    Abstract: “A provocative interpretation of such Polanyian ideas as fields, ordering principles, and comprehensive entities which re-energize Plato’s notion of the Forms.” —Walter Gulick, Professor Emeritus of Philosophy, Humanities and Religious Studies, Montana State University Billings “Some of the most intellectually exciting work in Polanyi studies. It promises to have an important impact beyond most all that has gone before. It makes plain how Polanyi fits into the history of metaphysics and it enables us to see beyond Polanyi's own shortcomings and lacunae qua philosopher, resolving many of the long-standing controversies among Polanyi scholars.” —Dale Cannon, Professor Emeritus of Philosophy & Religious Studies, Western Oregon University This book tells the story of how the Platonic vision of Michael Polanyi – the Hungarian-British chemist and philosopher – bridges the gap between speculative metaphysics and scientific practice, thus making sense of the broad swathe of human experience in a phenomenologically satisfying fashion. The central proposal is that Polanyi is a Platonist due to his affirmation of the ontological status of abstract objects, with particular focus placed on the question of uninstantiated universals. The book engages contemporary, speculative realists from both continental and analytic traditions as it introduces Polanyi’s influential epistemology and unpacks the fascinating metaphysics implied thereby. It then proceeds to develop Polanyi’s rather unsystematic metaphysics into a coherent, post-critical Platonism which incorporates his well-known theory of tacit knowledge, thus achieving something akin to the ancient Neoplatonic synthesis of Plato and Aristotle in our contemporary, scientific context. Martin E. Turkis II is a philosopher, teacher, and musician residing in San Francisco. He holds a Ph.D. in philosophy with honors from the University of Navarra. His interests include political economy, virtue ethics, and philosophy of education. He is an associate editor of the journal Tradition and Discovery.
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  • 13
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031482700
    Language: English
    Pages: 1 Online-Ressource(XX, 699 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Christianity. ; Religion ; Africa ; Africa ; Ethnology ; Culture.
    Abstract: Chapter 1. Introduction -- Part I Mentors -- Chapter 2. The Writings and Influence of Edward W. Blyden -- Chapter 3. The Writings and Legacy of John Mbiti -- Chapter 4. The Writings and Legacy of Adrian Hastings -- Chapter 5. Elizabeth Isichei’s Contributions to the Study of Christianity -- Chapter 6. The Writings and Legacy of Andrew Walls -- Chapter 7. The Writings and Legacy of Lamin Sanneh -- Chapter 8. The Writings and Legacy of John Peel -- Chapter 9. The Legacy of Terrence Ranger for Historians of African Christianity -- Chapter 10. The Writings and Legacy of J. F. Ade Ajayi -- Chapter 11. The Writings and Legacy of Ogbu Kalu -- Part II Trans-Atlantic Christianity in Africa -- Chapter 12. Missionaries and African Christians -- Chapter 13. Catholic Missions and African Responses I: 1450–1800 -- Chapter 14. African Initiatives and Agency Within British Protestant Missions in Africa, c.1792–c.1914 -- Chapter 15. Abolitionism and the Evangelization of Africa -- Chapter 16. Continental ProtestantMissions and the Evangelization of Africa (1800–1880) -- Chapter 17. European Settlers and Christianity in Africa -- Chapter 18. Catholic Missions and African Responses II: 1800–1885 -- Chapter 19. European Christianity and European Imperialism in Africa -- Chapter 20. “New World Ethiopianism and the Evangelization of Africa” -- Chapter 21. Catholic Missions and Colonial States -- Chapter 22. Protestant Missions and Colonial States -- Chapter 23. Women Missionaries and the Evangelization of Women in Africa -- Chapter 24. Christian Africans, Muslim Africans, and the European Colonial Project -- Part III The Rooting of Christianity in Africa I: Christian Life from Ancient Times to the Independence Era -- Chapter 25. Christian Communities and Religious Movements in Roman Africa -- Chapter 26. Christian Communities and Religious Movements in Ethiopia and Nubia -- Chapter 27. Mission Station Christianity in the Nineteenth Century: A Spatial Lens -- Chapter 28. Christianity, Witchcraft, Magic, and Healing in Africa -- Chapter 29. African Women Christians -- Chapter 30. Ethiopianism in Africa -- Chapter 31. Garveyism and Christianity in Colonial Africa -- Chapter 32. The East African Revival -- Chapter 33. The Transfer of Protestant Mission Churches to African Christians -- Part IV The Rooting of Christianity in Africa II: Christian Life in Contemporary Africa -- Chapter 34. Christian Devotional Practice in Contemporary Africa -- Chapter 35. Catholic Church Growth in Independent Africa -- Chapter 36. Christian Femininity in Independent Africa -- Chapter 37. Change and Continuity in AIC Church Life and Their Scholarship: A Question of Maturation? -- Chapter 38. Significant Trends in Contemporary African Pentecostalism -- Chapter 39. African Pentecostalism from an African Perspective -- Chapter 40. Missions and Contemporary African Rulers -- Chapter 41. African Christianity Rising: Lessons from a Documentary Film Project -- Chapter 42. African Christians Outside of Africa./.
    Abstract: This comprehensive Handbook provides chapter length surveys of the history of Christian missions and Christian churches on the African continent since the time of Christ. Africa is rapidly becoming the most Christianized region of the world. While common narratives about Christianity tend to present Christianity as a set of ideas and beliefs imposed on Africa from the outside, such narratives hold little meaning for African Christians or for those seeking to understand Christianity in Africa as an indigenous faith. The proposed collection of chapters therefore provides a set of scholarly starting points for a new set of narratives. The chapters collected here communicate an idea of Christianity as it has been embraced among African peoples at particular historical moments. It therefore grants voice to the various strands of African Christianity on their own terms, and offers scholarly study of what these voices teach us about how the world's most adhered to religion is practiced and understood on the continent of Africa. Andrew E. Barnes is Professor of History at Arizona State University, USA. He is the author of The Social Dimension of Piety: Associative Life and Religious Change in the Penitent Confraternities of Marseille 1499-1792 (1994), Making Headway: The Introduction of Western Civilization in Colonial Northern Nigeria (2009), and Global Christianity and the Black Atlantic: Tuskegee, Colonialism and the Shaping of African Industrial Education (2017). Presently he is working on a monograph of the evolution of Ethiopianism among Christians of African descent across the Atlantic, 1780-1930. Toyin Falola is University Distinguished Teaching Professor and Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA.
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  • 14
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031464560
    Language: English
    Pages: 1 Online-Ressource(XVII, 300 p.)
    Edition: 1st ed. 2024.
    Series Statement: The Palgrave Macmillan Animal Ethics Series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Animal welfare ; Animal culture. ; Human ecology ; Philosophy of nature.
    Abstract: 1. Introduction: ‘caught with ourselves in the net of life and time’ -- Part I. Animals as Experiencing Entities, Theories and Perspectives -- 2. Je suis, Je suis – I am, I follow: Formation of Animal Individual and Cultural Selves -- 3. Pain in Context: Indicators and Expressions of Animal Pain -- 4. Critical Animal Historiography, Experiential Subjectivity and Animal Standpoint Theory -- 5. Sensing Life: Intersections of Animal and Sensory Histories -- Part II. Animals’ Experiences in Narratives and History -- 6. History According To Cattle -- 7. A Historiography of Great Animal Massacres -- 8. From French Guinea to Florida: Chimpanzees as Multi-Purpose Objects of Research (1920s-1940s) -- 9. Animals And Colonial Indian Archives: Locating Nonhuman Agency and Subjectivities -- 10. Law Through the Eyes of Animals -- 11. Stolen Children of the Endless Night. A Critical Account of the Lives of British PitPonies.
    Abstract: “In an era when the collective human footprint threatens not only the future of other species, but our own, we need a radical reassessment of our place in the pantheon of life. Specifically, we need a rebuke of anthropocentrism. This book— with contributions from a variety of academic disciplines—delivers.” —Jonathan Balcombe, author of What a Fish Knows and Super Fly “Science clearly shows that numerous nonhuman animals are sentient, feeling beings who care about their own well-being and quality of life along with that of their family and friends. For decades we’ve known that animals’ inner lives are complex, rich, and deep, and this book makes the inarguable case that it’s high time to use what we know on their behalf.” —Marc Bekoff, author of The Emotional Lives of Animals This volume explores the experiences of those with little or no power—usually, although not exclusively, animals. The theme of animals as experiencing entities is what links the chapters and characterises the volume. Broadly each author in this volume contributes in one of two ways. The first group, in Section 1, theoretically engages animal subjectivity, animal experiences, and ways in which these are to some extent accessible and knowable to humans. The second group of authors, in Section 2, offer narrative accounts about specific animals or groups of animals and explore to some extent their subjective historical experiences. In summary, the first section diversely theorises about animal experiences, while the second section’s authors assume animals’ subjective experiences and construct narratives that take into account how animals might have subjectively experienced historical phenomena. Michael Glover is an Associate Fellow of the Oxford Centre for Animal Ethics and a member of the Australasian Animal Studies Association. Les Mitchell is a Research Fellow at the International Studies Group, University of the Free State. He is also a Fellow of the Oxford Centre for Animal Ethics.
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  • 15
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541254
    Language: English
    Pages: 1 Online-Ressource(XI, 222 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Political science ; Social sciences ; Political science.
    Abstract: 1. Introduction -- Part 1: Legitimacy in Global Governance -- 2. Subject and Concept of Legitimacy -- 3. Legitimacy, Justice and Democracy -- 4. The All-Affected Principle -- 5. Towards a Standard of Legitimacy for Global Governance Institutions -- Part 2: The G20 -- 6. Nature and Functions of the G20 -- 7. The Legitimacy of the G20 -- 8. Conclusions.
    Abstract: “Sören Hilbrich’s work on legitimacy and global governance is original, illuminating and very thorough in its discussion of the question of the nature of legitimacy for international institutions. I am especially impressed with the in-depth discussion of the legitimacy of the G20.” —Thomas Christiano, University of Arizona “Sören Hilbrich develops a conception of legitimacy as the right to function, which is applicable to all political institutions. The implication of this conceptually rich discussion is that we should not be too ambitious in our legitimacy standards for Global Governance institutions. This study is a remarkable achievement and is a must for those interested in International Political Theory.” —Michael Zürn, WZB Berlin Social Science Center Global governance has a major impact on the lives of people around the world. However, traditional theories of legitimacy were usually developed for states and are not suitable for the diversity of global governance institutions that exist today. This book first develops a normative concept of legitimacy that is applicable to all political institutions. According to this concept, to regard an institution as legitimate means ascribing it the right to exercise its function in political practice. Secondly, the book discusses how the use of this concept opens up new perspectives in the debate on legitimacy criteria for global governance institutions. In this context, the book analyses the relationship of legitimacy to the values of justice and democracy and discusses the role of feasibility constraints and the all-affected principle in legitimacy judgements. The concept of legitimacy as the right to function opens up the conceptual space to accommodate the insight that legitimacy criteria are not the same for all global governance institutions, but depend on their function and context. Thirdly, the book applies the developed theoretical framework to a specific global governance institution, the G20. Sören Hilbrich is a researcher at the German Institute of Development and Sustainability in Bonn, Germany.
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  • 16
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031544194
    Language: English
    Pages: 1 Online-Ressource(IX, 311 p. 2 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; Continental Philosophy. ; Political science
    Abstract: Chapter 1. Introduction -- Part Ⅰ. Intentionality and Actions -- Chapter 2. From Speech Act to Intentionality -- Chapter 3. The Structure of Intentionality -- Chapter 4. The Meaningful Action and Commitment -- Part Ⅱ. Collective Intentionality and Normativity -- Chapter 5. Normativity as Rational Ground -- Chapter 6. Normativity as Collective Creation -- Chapter 7. Normativity as Intersubjective Control -- Part Ⅲ. Normativity with Universal Validity -- Chapter 8. Communication and Social Evolution -- Chapter 9. Discourse Ethics and Moral Cognitivism -- Chapter 10. Critique of Cognitive Parallelism -- Chapter 11. Conclusion./ .
    Abstract: This book focuses on the formation of human social consciousness and develops a naturalist approach to social normativity. Beginning from Marx's uncompleted concept of social consciousness, the book retrospects the studies about collective intentionality in the area of philosophy of mind and social ontology. Specifically, a reinterpretation of social consciousness with respect to collective intentionality can offer us a new, naturalistic approach to the social formation and normativity. According to the naturalistic approach, we can discern the inner structure of social consciousness as a systematic pattern of Intentionality. Social consciousness involves three levels of development: subjective, objective and absolute. With this new pattern of social consciousness, the “naturalism” of the young Karl Marx can be revived. And by grasping the most essential ability of human Intentionality as the source of social formation, it also makes an interdisciplinary study of social philosophy and philosophy of mind possible. Yang Chen is an assistant professor of philosophy in the Institute of Marxist Philosophy and Chinese Modernization and the Department of Philosophy at Sun Yat-sen University in Guangzhou, China. He received his Ph.D from Goethe-University Frankfurt am Main (2022) and M.A in Philosophy from Humboldt University of Berlin (2016).
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  • 17
    ISBN: 9783031503924
    Language: English
    Pages: 1 Online-Ressource(XIX, 342 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Sustainable Development Goals Series
    Parallel Title: Erscheint auch als
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    Keywords: Africa ; Human ecology ; Food science.
    Abstract: Chapter 1. Religion, Climate change and Food security in Africa -- Chapter 2. Prophetic action, Climate Change, food security and SDG 2 in Africa -- Chapter 3. Islam, Climate Change, food security and SDG 2 in Morocco -- Chapter 4. Religion, Climate Change and food availability and accessibility in Africa -- Chapter 5. Religious Perspectives on Climate Change and Food Security in Ghana -- Chapter 6. Rastafarianism, climate change and Crop Failure in Africa -- Chapter 7. Catholicism, climate change and pests in Africa -- Chapter 8. Farming God's Way to avert crop failure and pests in Malawi -- Chapter 9. Crop diseases and Food insecurity in Africa: A Hindu Perspective -- Chapter 10. Indigenous Knowledge Systems and Food Security in the Context of Climate Change: A Case Study of Bota Reshupa (Herbal Porridge) among the Ndau of Zimbabwe -- Chapter 11. Indigenous knowledge systems, climate Change and food security in Kenya -- Chapter 12. African Women, Religion and Food Securityin the Context of Pandemics -- Chapter 13. Gender, Religion, food security and climate change in Africa -- Chapter 14. Women, Religion and food insecurity of urban people in South Africa -- Chapter 15. Climate-related conflicts, religion and food production and distribution in Africa -- Chapter 16. Faith-Based Organisations and Food Security in Africa: A Critical Review -- Chapter 17. Pentecostalism, Theology of Survival and Food Security in Zimbabwe -- Chapter 18. Religion, food security and resilience of Rural people in Ghana -- Chapter 19. Religion, Food security and Climate Change Mitigation: A Case of Luangwa Valley Women of Present Eastern Zambia.
    Abstract: This book addresses the relationship between religion, climate change, and food security in Africa. Contributors to this volume interrogate how and to what extent religion in Africa serves as a resource (or confounding factor) in responding to Sustainable Development Goals 13 (action on climate change) and 2 (achieve Zero Hunger, achieve food security and improved nutrition, and promote sustainable agriculture). Approaching the theme from diverse disciplinary and methodological angles, contributors probe the potential role of religion in Africa to accelerate the achievement of these two SDGs, especially the role of religion with regard to food availability, food accessibility, food utilization, and food systems stability. Loreen Maseno is a Senior Lecturer, Department of Religion, Theology and Philosophy, Maseno University, Kenya and Research fellow, University of South Africa (UNISA). David Andrew Omona is an Associate Professor of Ethics and International Relations and Dean School of Social Sciences at Uganda Christian University. Ezra Chitando is Professor of History and Phenomenology of Religion at the University of Zimbabwe. Sophia Chirongoma is a Senior Lecturer in the Religious Studies Department at Midlands State University, Zimbabwe.
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  • 18
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499678
    Language: English
    Pages: 1 Online-Ressource(XIV, 280 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy. ; Economics. ; Law ; Social sciences
    Abstract: Chapter 1: Introduction: Breaking Free from Private Control Over Knowledge -- Chapter 2: First Prolegomena: A Brief History of Intellectual Property -- Chapter 3: Prolegomena: Rationalisation of Intellectual Property -- Chapter 4: Prolegomena: The Dangers of Intellectual Property -- Chapter 5: Conclusion: Social Disintegration and the Privatisation of Knowledge.
    Abstract: The Paradox of Intellectual Property in Capitalism is an innovative book that comprehensively discusses and analyses intellectual property under capitalistic social conditions and relations. It not only addresses some historical developments of intellectual property but also brings to the fore the very notion of what knowledge is, knowledge creation, and knowledge production and appropriation within a Marxist framework. Nonetheless, the adopted approach pays heed to multiple fields of knowledge, providing rich discussions that facilitate the understanding of actual social totality in which capitalism, knowledge production and appropriation, and the struggles of appropriation mutually reinforce each other, although not devoid of antagonisms and contradictions. In light of contemporary capitalism, the transformations that social property relations are undergoing must be scrutinised – such as those brought about by the development of digitalisation and the convergence between big pharma and tech giants. What are the conditions of intellectual property creation today? What theoretical assumptions does it make? Under what social relations is intellectual property produced? Throughout, the emphasis is not on individual cases or symptoms but on the overarching logic: the logic of capitalism as revealed in intellectual property. João Romeiro Hermeto holds a PhD in philosophy from the Witten/Herdecke University, Germany.
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  • 19
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031477393
    Language: English
    Pages: 1 Online-Ressource(XXI, 239 p. 22 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Structuralism. ; Science ; Poststructuralism. ; Literature ; Continental Philosophy.
    Abstract: 1. Natural magic -- 2. Postmodern utopias -- 3. The debate: Cuvier and Geoffroy -- 4. Adaptationism and the author -- 5. Formalism and autonomy -- 6. The poetic function -- 7. Constitutive relations of life -- 8. The interpreting organism -- 9. Literary and biological evolution -- 10. The post-structuralist subject -- 11. Constructed views of life -- 12. Working with the whole organism.
    Abstract: The book considers biology in parallel with philosophical structuralism in order to argue that notions of form in the organism are analogous to similar ideas in structuralist philosophy and literary theory. This analogy is then used to shed light on debates among biological scientists from the turn of the 19th century to the present day, including Cuvier, Geoffroy Saint-Hilaire, Dawkins, Crick, Goodwin, Rosen and West-Eberhard. The book critiques the endorsement of genetic manipulation and bioengineering as keys to solving agricultural and environmental problems, suggesting that alternative models have been marginalized in the promotion of this discourse. Drawing from the work of philosophers including Cassirer, Saussure, Jakobson and Foucault the book ultimately argues that methods based on agroecology, supported by molecular applications (such as marker-assisted selection, MAS), can both advance agricultural development and remain focused on the whole organism. .
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  • 20
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463679
    Language: English
    Pages: 1 Online-Ressource(XVIII, 400 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Companions
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy, American. ; Pragmatism. ; Philosophy
    Abstract: 1. Introduction; Martin Coleman and Glenn Tiller -- I. Scepticism and Animal Faith -- 2. Santayana: Philosopher for the Twenty-First Century; Herman J. Saatkamp Jr -- 3. The Last Sceptic: Santayana, Descartes, and the External World; Douglas McDermid -- 4. Laying Siege to the Truth: Santayana’s Discourse on Method; Diana B. Heney -- 5. Scepticism, Anti-scepticism, and Santayana’s Singularity; Daniel Pinkas -- 6. Knowledge as a Leap of Faith; Jessica Wahman -- 7. Animal Faith and Its Object; John J. Stuhr -- 8. Natural Knowledge and Transcendental Criticism in Scepticism and Animal Faith; Paul Forster -- 9. Santayana’s Naturalism at the Junction of Epistemology and Ontology; Ángel M. Faerna -- 10. Reconstruction from Ultimate Scepticism; Angus Kerr-Lawson -- II. Ontology and Spirit -- 11. The Centrality of the Imagination in Scepticism and Animal Faith; Richard Marc Rubin -- 12. Spiritual Exercises and Animal Faith; Martin A. Coleman -- 13. The Cries of Spirit: Santayana in Dialogue with Andrey Platonov; Matthew Caleb Flamm -- 14. Fumbling Towards the Animal in “Animal Faith”; Charles Padrón -- 15. A Tension at the Center of Santayana’s Philosophy; Michael Hodges -- 16. Truth and Ontology; Glenn Tiller -- III. Philosophical Relations -- 17. On Gnats and Barnacles, or Some Similarities between Santayana’s Idea of Change and Ancient Greek Thought; Andrés Tutor de Ureta -- 18. The Ideal of a Philosophic Redemption: Baruch Spinoza’s Place in Western Philosophy and in Santayana’s Thought; Lydia Amir -- 19. G. Santayana (Scepticism and Animal Faith, 1923) and E. Husserl (Cartesianische Meditationen, 1929), Readers of R. Descartes; Daniel Moreno -- 20. Hermes as an Interpreter and the Guide to Hades: Re-reading “The Letter of Lord Chandos” with Reference to Santayana’s Scepticism and Animal Faith; Katarzyna Kremplewska -- 21. The Conservative Disposition in Santayana’s Philosophy; Michael Brodrick.
    Abstract: The first of its kind, this project is a collection of critical and interpretive essays on George Santayana’s seminal work in American philosophy, Scepticism and Animal Faith (1923), 100 years after its first edition. The reader will be guided through the intricacies of Scepticism and Animal Faith by expert scholars. This book is a companion to Scepticism and Animal Faith for both first-time readers and readers intimately familiar with this work. Martin Coleman is Director and Editor of the Santayana Edition. He is Associate Professor of Philosophy and Adjunct Associate Professor of American Studies at Indiana University Indianapolis. Glenn Tiller is Professor of Philosophy at Texas A&M University-Corpus Christi.
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  • 21
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    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031322884
    Language: English
    Pages: 1 Online-Ressource(XIX, 231 p. 71 illus., 48 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Knowledge, Theory of. ; Ontology. ; Education ; Teaching.
    Abstract: 1. An Ontology of Belongingness through Art and Education -- 2. Belongingness in Civil Society -- 3. Indigenous Queenslanders: Inclusion and Exclusion -- 4. Experiences of Cherbourg (Barambah) -- 5. Cherbourg's Art -- 6. Aboriginality in Art Genre and Pedagogy -- 7. Kabi-Kabi Genre in Art & Education Pedagogy -- 8. Art in Pedagogy -- 9. Reclaming our Belongingness: 'Our Australia'.
    Abstract: The intent of this book focuses on Australia’s First Nations truth, voice, recognition, diversity, and respect. Hope O’Chin explains that knowledge about Australian First Nations culture and learning can be seen through new conceptual lens, which she refers to as an Ontology of Dreaming Hope for Australians. The book proposes to move from ontological propositions embedded in pedagogies and methodologies that center on the relevance of Indigenous epistemes and ways of doing. O’Chin offers a conceptual framing for engaging with Indigenous peoples, and forming communities of belongingness and relationality. She offers suggestions for ways in which art and education can act as ‘healing’ and a way forward towards a more inclusive civil society. Reflexive practice, ethnographic principles, and action research is described in a way that methodologies provide an understanding of a sense of Belonging. O'Chin argues that theoretical research, art, and educational practice can add to the value of determining a strategy of Indigenous art investment within Australia, and to address how art and education can be used to validate contemporary expression of Aboriginality within contemporary Australian society. Ultimately, the book is about Indigenous strengths and what Indigenous ways of being, knowing and doing can offer, and how one might go about honouring and working in this way respectfully. Hope O’Chin is a Kabi-Kabi, Wakka-Wakka, Koa, Gugu-Yalanji elder, educator, and artist. She obtained her PhD from the University of the Sunshine Coast, Queensland, Australia. She has worked within Government and the Private Sector, and, within the Education Sector as a Teacher, Executive Administrator, Tutor, Lecturer, and Senior Lecturer. As an artist, Hope has more than 45 exhibitions.
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  • 22
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031538698
    Language: English
    Pages: 1 Online-Ressource(IX, 95 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Religion. ; Religion ; Psychology and religion.
    Abstract: Chapter 1: Initial Considerations -- Chapter 2: Dimensions of Meaningful Aging -- Chapter 3: The Longevity of Justice: Assessing Peter Derkx’s Approach.
    Abstract: Aging is a topic of growing interest. As life expectancy in western societies is increasing, the growing number and proportion of ‘elderly’ persons raise urgent questions on how to age ‘well’. Predominantly, questions on aging are taken from biomedical and economic paradigms, which are intertwined. While people of age are seen as a cost in society, biomedical research aims at curing the declining effects of aging, thus furthering ideals of ‘healthy’ aging, ‘active’ aging, or ‘successful’ aging. In this book, Peter Derkx offers a comprehensive account of meaningful aging with Anthony Pinn responding in a fruitful and constructive way, for the benefit and edification of all of us. Peter Derkx is Professor Emeritus of Humanism and Worldviews at the University of Humanistic Studies. Anthony B. Pinn is Agnes Cullen Arnold Distinguished Professor of Humanities at Rice University.
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  • 23
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031525858
    Language: English
    Pages: 1 Online-Ressource(XXXI, 290 p. 4 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Philosophy, Modern.
    Abstract: Chapter 1, Logical Doubts Concerning Induction -- Chapter 2, Socrates and the Skeptical Craft -- Chapter 3, The Active Fallibilism of a Situational Skeptic -- Chapter 4, Pyrrhonian, a School of Skeptics -- Chapter 5, Freedom by Confinement -- Chapter 6, The Sphinx -- Chapter 7, Evidence and Its Refutation -- Chapter 8, Francis Bacon’s Elenchus -- Chapter 9, A Mathematical Method for Physics -- Chapter 10, A Foundational Skepticism -- Chapter 11, Applying the Foundational Method -- Chapter 12, Applying The Experimental Philosophy.
    Abstract: The book sets an ambitious goal. It devises a new account of scientific methodology that makes it possible to explain how scientists manage, at least occasionally, to find true models of reality. The new methods may be contrasted with all those currently available that employ “coherence theories” of knowledge. Under this designation are grouped positions that can seem very different (such as those of Poincaré, Duhem, Popper, Hempel, Quine, Kuhn, and Feyerabend) but are united by the idea that the most general statements of science are merely hypotheses. They may be conjectures, opinions, conventions, posits, paradigms, or even myths. The most we can claim to know from such generalities is that they are internally consistent and coherent with empirical data. Consistency is insufficient to establish the truth of a conceptual system because many different systems, perhaps an infinite number, can be logically consistent and cohere with recorded data. Such is the well-known problem of the empirical under-determination of theories. Francis Bacon’s Skeptical Recipes for New Knowledge suggests a new methodology that solves this fundamental problem of knowledge. Jagdish Hattiangadi is Professor of Philosophy at York University, Canada.
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  • 24
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    Online Resource
    Cham : Springer International Publishing AG
    ISBN: 9783031416262
    Language: English
    Pages: 1 online resource (339 pages)
    Edition: 1st ed.
    Series Statement: Palgrave Studies in Relational Sociology Series
    Parallel Title: Erscheint auch als
    DDC: 301
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509230
    Language: English
    Pages: 1 Online-Ressource(XIII, 196 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Buddhism and culture. ; Communication.
    Abstract: 1. Introduction -- 2. Buddhist Advocacy and Activism Research -- 3. Historical Developments of Buddhist Advocacy and Activism in Siam and Modern Thailand -- 4. Identification and Humanizing and Dehumanizing Rhetoric -- 5. A Buddhist Rhetoric of Dignity and Degradation -- 6. A Buddhist Rhetoric of Duty: Justifying Advocacy and Activism -- 7. Conclusion.
    Abstract: This book studies Buddhist public advocacy and activism in Thailand—a movement often broadly called socially engaged Buddhism—from the perspective of rhetorical studies, specifically, on humanizing and dehumanizing communication practices. In modern Thailand and historical Siam, Buddhism has been integral to the social change processes shaping civil society and an emerging democracy. This study examined two problems: How do contemporary Buddhists in Thailand use rhetorical practice to influence the way the issues they work on are understood, and how do these Buddhists justify their advocacy and activism in rhetorical practice? To the first, a rhetoric of dignity, or humanization, was the central answer. To the second, a rhetoric of duty was the central answer. For researchers in Southeast Asian Studies, Thai Studies, and Buddhist Studies, this book offers a fresh perspective on socially engaged Buddhism through the lens of the communication discipline. For researchers in Psychology and Communication, it sheds light on the understudied practices of humanizing communication. The bulk of the current research is focused on its opposite—dehumanization—and most of this literature is in the field of psychology even though humanization and dehumanization are fundamentally and ontologically communication phenomena. For researchers within the field of Communication and Rhetorical Studies, this book advances innovations in the emerging practices of rhetorical field methods by applying rhetorical criticism to interview data in a new way and provides a non-western perspective on communication and rhetorical theory for which there has been continual calls. Craig M. Pinkerton (Ph.D., Ohio University) is Visiting Assistant Professor in the Department of Communication at Denison University. He is an educator and researcher of communication with an emphasis in rhetoric, public culture, and qualitative methods combined with interdisciplinary inquiry in Southeast Asian Studies and Buddhist Studies. He has won over fifteen academic awards and honors, including the prestigious Foreign Language and Area Studies Fellowship (FLAS) for the study of Thai language. Since 2007, he has taught over 20 courses on a wide variety of subjects on communication, including public speaking and presentation communication, argumentation, rhetoric, public advocacy and activism, marketing and public relations, organizational development, interpersonal conflict management, and the dark side of media. From 2011 to 2015, he lived in Thailand teaching communication and researching Buddhist public advocacy and activism.
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  • 26
    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031513916
    Language: English
    Pages: 1 Online-Ressource(XXI, 267 p. 41 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    DDC: 306
    Keywords: Culture ; Art ; Cultural property. ; United States
    Abstract: Chapter 1: Archaeological Ambassadors -- Chapter 2: Cleopatra’s Needle: An Obelisk for a Rising Metropolis -- Chapter 3: Greek Bearing Gifts: The Marathon Stone, Casts, and Presidential Gifts -- Chapter 4. Columns as Cultural Capital: The Jordanian Practice of Gifting Archaeological Objects -- Chapter 5: An Exquisite Toy: The Temple of Dendur, a Gift for New York -- Chapter 6: Walks with Minerva and the Contemporary Lives of Archaeological Gifts. .
    Abstract: “A thorough and insightful analysis of the histories of four archaeological artifacts which entered the public space of New York City as diplomatic gifts. The objects are important in-and-of themselves as archaeological artifacts but Macaulay shows that they came to be intricately embedded in the city’s evolving identity as a powerhouse of international political and economic relations. Her refreshing approach takes into account the political framework of gift exchange both in originating countries and in the US as well as the legal framework of circulation of antiquities.” —Nassos Papalexandrou, University of Texas, Austin. This book investigates why nations with rich archaeological pasts like Egypt, Greece, and Jordan gave important antiquities—often unique, rare, and highly valued monuments—to New York City, New York Institutions, and the United States from 1879 to 1965. In addition to analyzing the givers’ motivations, the author examines why New Yorkers and Americans coveted such objects. The book argues that these gifted antiquities function as archaeological ambassadors and that the objects given were instruments of cultural diplomacy. These gifts sought to advance the goals of Egypt, Greece, and Jordan—all states that had rich cultural and archaeological heritages—with the United States, once an ascendent nation and then a global superpower, to strengthen cultural, economic, and political relations. Elizabeth R. Macaulay is an Associate Professor of Liberal Studies, Classics, Middle Eastern Studies, and Digital Humanities at The Graduate Center, The City University of New York. Her research examines the intersection of antiquity and modernity. She is the author or editor of six books, including Antiquity in Gotham: The Ancient Architecture of New York City (2021) and Classical New York: Discovering Greece and Rome in Gotham (2018). Educated at Cornell and Oxford Universities, she has served as a general trustee of the Archaeological Institute of America. She chairs the board of Smarhistory.org, the Center for Public Art History, where she is also a regular contributor and acquiring editor.
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  • 27
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031517532
    Language: English
    Pages: 1 Online-Ressource(XIII, 150 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; Ethics. ; Political science ; Philosophy of nature. ; Climatology.
    Abstract: 1. Introduction to collective and shared responsibility for climate change -- 2. Calling all collective agents -- 3. Responsibility as members -- 4. Shared social orientation and responsibility as constituents -- 5. Carbon inequality and direct responsibility -- 6.Why we need ethical arguments to set good climate policies.
    Abstract: "In this innovative book, Hormio effectively argues for an 'all hands on deck' approach to assigning climate change responsibility to a wider array of agents than is typically recognized, making the case that ethical analysis matters for complex policy problems like climate change.” —Steve Vanderheiden, Professor of Political Science, University of Colorado at Boulder, USA "By interweaving philosophical argument with real-world examples, Säde Hormio makes an important contribution to debates about collective responsibility for climate change." —Stephanie Collins, Associate Professor of Philosophy, Monash University, Australia This book proposes that it is not only states and international bodies that have a responsibility to take action toward mitigating climate change. Other collective agents, such as corporations, need to also come onboard. Additionally, the book argues that climate change is not solely a problem for collective agents, but also for individuals, as they are members of collectives and groups of several kinds. Therefore, framing climate change responsibility exclusively from either the collective or the individual perspective leaves out something crucial: how we all are influenced by the collectives we belong to and how, in turn, collectives are influenced by individuals. The focus of the book is on areas of climate change responsibility that are often left out of the picture or get too little attention in climate ethics, such as carbon inequality within countries. But why should any theoretical arguments about normative issues matter when we have a real-life climate crisis on our hands? Säde Hormio argues that ethical arguments have an important role in setting climate policy: they can highlight what values are at stake and help ground normative arguments in public deliberations. Säde Hormio is an Academy Research Fellow in Practical Philosophy at the University of Helsinki. She is also affiliated with the Institute for Futures Studies in Stockholm. Her research focuses on shared and collective responsibility.
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  • 28
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031536922
    Language: English
    Pages: 1 Online-Ressource(XVIII, 181 p. 35 illus., 33 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Popular music. ; Ethnology ; Culture. ; Jazz.
    Abstract: Chapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad “in-between:” the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders.
    Abstract: “An invaluable study of Cuban music making in diaspora.” —Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA “Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.” —Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.” —Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
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  • 29
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031369544
    Language: English
    Pages: 1 Online-Ressource(XI, 115 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Creative writing. ; Ecocriticism. ; Literature and technology. ; Mass media and literature. ; Literature ; Feminism and literature.
    Abstract: 1 -- Introduction: Digital Life Writing, Women Vloggers, and Rural Life -- 2 Li Ziqi: Narrativising Rural China through Vlogging and the Digital Ecobiography -- 3 Dianxi Xiaoge: Constructing Rural Life Vlogging, Cultural Ecology and the Digital Archiving of Rural Community -- 4 Jonna Jinton: Ecospiritualty, the Walking Body and Landscape -- 5 The Green Witch: The Celebration of Witchcraft, Beauty and Wild Remedies -- 6 The Cottage Fairy: Becoming Rural Dweller to Resist the Attention Economy -- 7 Conclusions: Rural Life Vloggers Becoming Ecofeminist Life Writers.
    Abstract: This book explores the nature-inspired and place-based vlogging activities of five young women who have become global icons in the last five years, and whose digital projects are a form of ‘nature life writing’ in the Anthropocene. Li Ziqi, Dianxi Xiaoge, Jonna Jinton, Annabel Margaret and Paola Merrill draw on their culture and use technological equipment and social media (especially YouTube) to build dynamic narratives about living in the countryside. Through their online platform they show unique, picturesque footage of their daily routines and rural environments, and present the ways in which they nurture connections between people in the community and animals and landscapes. The study shows how, paradoxically, their digital life writing projects attempt to resist the attention economy but at the same time use strategies to sustain it. Through the various lenses of ecobiography, cultural ecology, digital archiving, ecospirituality, phytography, and ethological poetics, this book also foregrounds the significance of plant life and landscapes – they are reminders of how human lives are inextricably entangled with traditional values and the natural world. Alberta Natasia Adji is a contemporary author and researcher in women’s life narratives. She completed her PhD on auto/biographical fiction at Edith Cowan University, Perth, Western Australia, in 2023. Her autobiographical project focuses on family history of Chinese Indonesians from 1959 to 2014. Adji was awarded the 2023 School of Arts and Humanities Research Medal by ECU for the quality of her doctoral research thesis. Before coming to Australia, she has published two novels in Indonesian language, Youth Adagio (2013) and Dante: The Faery and the Wizard (2014). Since then, she has continued publishing her short fiction works in New Writing, Meniscus, and TEXT as well as refereed articles in academic journals.
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  • 30
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031421822
    Language: English
    Pages: 1 Online-Ressource(XLIX, 304 p. 22 illus., 17 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion picture plays, European. ; Motion picture industry. ; Television broadcasting.
    Abstract: Section I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU’s Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King’s College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja’s Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix’s Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent).
    Abstract: ‘Timely and wide-ranging, this is a lucid and essential read. It offers a telling account of the far-reaching impacts of the global streaming revolution on all facets of today’s European film industries, as they transition from the recent sweeping changes to a still evolving future.’ Laura Rascaroli, Professor of Film and Media at University College Cork ‘This excellent collection demonstrates how European producers, distributors and exhibitors have found various ways of engaging with the streaming platforms – oppositional, evasive or integrational. What constitutes “Europeanness” is being revised and redefined through the work of numerous important scholars in the field.’ Andrew Spicer, Professor of Cultural Production, University of the West of England This collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific ‘original’ films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution. Christopher Meir is Assistant Professor of Communication at the Universidad Carlos III de Madrid. Roderik Smits is Research Fellow in Film and Media Studies at the Universidad Carlos III de Madrid. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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  • 31
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    ISBN: 9783031242434
    Language: English
    Pages: 1 Online-Ressource (342 pages)
    Edition: 1st ed.
    Series Statement: Palgrave Studies in Globalization, Culture and Society Series
    DDC: 303.482
    Keywords: Electronic books ; Electronic books.
    Note: Description based on publisher supplied metadata and other sources
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  • 32
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031504112
    Language: English
    Pages: 1 Online-Ressource(XI, 211 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Frontiers in Philosophy of Religion
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Knowledge, Theory of. ; Religion
    Abstract: Chapter 1. Introduction -- Chapter 2. The Epistemological Relevance of Disagreement -- Chapter 3. Disagreement and Meaning -- Chapter 4. Disagreement and Belief I: Puzzles About Disagreement -- Chapter 5. Disagreement and Belief II: Managing the Puzzles -- Chapter 6. Disagreement from the Radical Interpreter’s Point of View -- Chapter 7. Interpretation, Meaning, and Disagreement -- Chapter 8. Disagreement in Religion.
    Abstract: This book examines how the semantics and metaphysics of disagreement affect the epistemology of disagreement. It thus broadens the philosophical discourse by relating the epistemological discussion of (peer) disagreement to inquiries into the nature of disagreement and disagreeing. By doing this, it paints a new picture of the epistemological situation evoked by disagreement: To the same extent that an interpersonal dispute undermines the justification of the disputing persons’ beliefs, it also presents an obstacle to interpersonal understanding. This follows from the nature of meaning, belief and communication, rightly understood. In demonstrating the relevance of this to philosophical reflections on peer disagreement and resolution of disagreement, the book addresses arguably the most contentious kind of disagreement, namely, religious disagreement. It shows that apparent disagreement in religion suggests that the dialog partners might not have reached sufficient mutual understanding. This has important ramifications for the rationally right conduct in the face of religious disagreement, and for the possibility of rational resolution of religious disputes. Åke Wahlberg is a post-doctoral research fellow and lecturer in philosophy at Sankt Georgen Graduate School of Philosophy and Theology, Frankfurt am Main, Germany. His main research interests are in the fields of philosophy of language, philosophy of religion and ethics. .
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  • 33
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031391330
    Language: English
    Pages: 1 Online-Ressource(XIX, 301 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Feminist theology. ; Liberation theology. ; Ethics. ; Africa ; Philosophy, African.
    Abstract: 1. Introduction: Ethics and Philosophy, African Women’s Perspective -- Part I Ethics, African Philosophy and Liberation -- 2. Katie Geneva Cannon’s Cross-Cultural and Bridge-Building Womanist Ethics -- 3. “A Beautiful Black Pearl Bead”: Dube’s Poetics of Spiritual Esthetics of Dark Luminosity -- 4. Ethics and Values of Mercy A. Oduyoye’s Theology of Liberation -- 5. Social Motherhood and Masculinization of the Church in Bernadette Mbuy-Beya’s Ethics and Philosophical Anthropology -- 6 -- The Ethics of Liberation of Rosemary Nkoyo Edet and Peggy Mulambya-Kabonde -- Part II Founding Matriarchs on African Communal Philosophy and Environmental Ethics -- 7. Beyond Isirika: Problematizing and Theorizing Musimbi Kanyoro’s Communal Ethics -- 8. Hannah Kinoti: African Religion, Community Consciousness, and Virtue Ethics -- 9. Ethics, Gender, and Philosophy of Puleng LenkaBula -- 10. Ethics and Philosophy of Anne Nasimiyu Wasike -- 11. Environmental Ethics of African Women Theologians -- Part III Ethics of Reading for Liberation and Biblical Interpretation -- 12. Unveiling Hidden Narratives: Musa Dube’s Postcolonial Feminist Lens on Biblical Studies -- 13. Bosadi Hermeneutics: Mapping Masenya’s Journey of Collisions and Relationships in Biblical Interpretation -- 14. Ethical Readings of Elna Mouton: Exploring Gender, Household Code, and Ethos in New Testament Writings -- 15. Afterword: A Flame Blazes in the Darkness!.
    Abstract: This volume explores the ethical and philosophical paradigms presented by most of the influential Matriarchs of the Circle of African Women Theologians. It critically evaluates the effectiveness of their ethical and philosophical theories, models, and frameworks in pursuing justice and liberation for women in Africa and globally. The authors address critical questions: How have African women theologians reimagined existing ethical paradigms? What original ethical and philosophical ideas have they generated? How have their ethical frameworks influenced the theologies and interpretations they have developed? What purposes do their ethical and philosophical paradigms serve? How do these renderings intersect with various social categories, including gender, race, class, sexuality, capitalism, and colonialism? What liberating frameworks do they propose? The volume further explores the dialogue between distinct African contexts and universal experiences and values. It explores how universal themes such as humanity, human dignity, rights, justice, motherhood, and more can coexist with communal African concepts and themes. It contemplates how embracing African approaches engages these themes more globally, bringing together particular African contexts of women and the universal ethical, philosophical, and theological theories, models, and frameworks to advance the cause of justice and liberation for African women and women worldwide into the future. Beatrice Okyere-Manu is a Professor of Applied Ethics at the University of KwaZulu-Natal, South Africa. Léocadie Lushombo is Assistant Professor in Theological Ethics at the Jesuit School of Theology of Santa Clara University and Visiting Professor at the Catholic University of the Congo.
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  • 34
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031153136
    Language: English
    Pages: 1 Online-Ressource(X, 240 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Music. ; Queer theory. ; Philosophy. ; Postcolonialism. ; Race.
    Abstract: 1. Introduction: Silencing -- 2. 'This is to Enrage You' -- 3. We Don't Need Another Hero -- 4. Street Cred and Locker Room Glances -- 5. Diverse People in Special Places -- 6. (No) Body/ (No) Homo -- 7. Affecting the Colonist -- 8. Non-fundamental Tones; or, The Pharmakon of Silence -- 9. Conclusion: 'Such People Do Not Exist'.
    Abstract: This open access book explores the disciplinary and recent interdisciplinary sites, relations, and productions of ethnomusicology and queerness, arguing that both are founded upon a destructive masculinity—indissolubly linked to coloniality and epistemic hegemony—and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology’s fetishization of masculinizing fieldwork; queerness’s functioning as Anglocentric master category; and both spheres’ devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are seen as precluding the possibility of an equitable, dialogic pluriversality. Ultimately reimagining the fates of both in relation to negative emotions and intractable affect, and enlisting the sonic as theoretical-material intervention, the disciplines are envisioned as vanquished, replaced by explorations of sound, sex/uality, and experiential somaticity occurring in a protean, postdisciplinary space of material/epistemic equity. This uncompromising and long-overdue critique will be of interest to researchers and students from numerous disciplinary and theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies. Stephen Amico is Associate Professor of Musicology at the University of Bergen, Norway. He is the author of Roll Over, Tchaikovsky!: Russian Popular Music and Post-Soviet Homosexuality (2014).
    Note: Open Access
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  • 35
    ISBN: 9783031557071
    Language: English
    Pages: 1 Online-Ressource(X, 122 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Religion ; Social sciences ; Philosophy of mind. ; Self.
    Abstract: 1. Introduction -- 2. Ethos as Spiritual Dimension of Human Person -- 3. Do We Really Want a World Lacking of Silence– and Humanity? -- 4. Cinematic Time as a Spiritual Memory: Tarkovsky and Kierkegaard -- 5. Language and its Cultural Future -- 6. Albert Schweitzer´s Philosophy of Culture and Spiritual Awakening -- 7. Ortega y Gasset and the Bigotry of Culture -- 8. Actuality of Spirituality in the Paradigm of Human Flourishing -- 9. Cultural Evolution of Human Self-Awareness.
    Abstract: This book seeks to generate a theoretical and a reflective framework to re-connect people with culture and spirituality. It seeks to recreate important links between these domains to provide interpretative, foundational, and ethical perspectives. It is distinctive in that it focusses on the challenges that humanity is facing at a cultural, social, moral, and spiritual level. It provides a philosophical understanding of humanity from a humanistic and multidisciplinary perspective (encompassing ethics, language, art/cinema, political, cultural and gender approaches) and offers a variety of ways of how we can rethink our culture and our society for the future. Catalina Elena Dobre has a PhD in Philosophy and is National Researcher and Professor at University Tecnológico de Monterrey, Mexico. Rafael García Pavón has a PhD in Philosophy and is National Researcher, Professor and Coordinator of Research Area in University El Claustro de Sor Juana, Mexico. Francisco Díaz Estrada has a PhD in the Humanities and is National Researcher and Associate Dean of Research in School of Humanities and Education, Tecnológico de Monterrey University, Mexico.
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  • 36
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031547195
    Language: English
    Pages: 1 Online-Ressource(XV, 148 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Religion. ; Religion ; Science
    Abstract: Chapter 1. Preliminary Metaphysical Discourse -- Chapter 2. The Theseus’ Ship Paradox: Possibilities and Limits of a Trans-/Posthumanist Interpretation -- Chapter 3. Theseus and the Minotaur, Ariadne and the Labyrinth. Addressing Contemporary Monsters, Death, and Trans-/Posthumanist ‘Mysticism’.
    Abstract: “Any book of contemporary metaphysics that draws so heavily on Bruno and Leibniz is clearly on the right track! Mattia Geretto does that and more in his book, which extends new materialism down unexpected paths. This is a learned and imaginative work.” —Graham Harman, Southern California Institute of Architecture, USA “In this compact but rich and erudite book, Geretto accomplishes the nearly impossible, reconciling contemporary trans-/post-humanist theories with key texts and concepts—modern and classical, secular and spiritual—threatened with obsolescence in the ongoing deconstruction of the Humanist tradition. In elaborating the possibility of a different metaphysical basis for posthuman thought, Geretto balances the turn to a radical materialism with a pre-modern mystical tradition that locates the immateriality of intelligence in the materiality of being-beyond-the-human.” — Russell Kilbourn, Wilfried Lauriel University, Canada This book addresses the most suggestive themes of transhumanism and critical posthumanism by placing them in dialogue with classic problems of metaphysics, and with some great thinkers of the past (Bruno, Spinoza, and above all Leibniz). The main purpose of this comparison is to invite transhumanists and critical posthumanists to consider a highly complex problematic tradition rooted in the history of philosophy. This study also makes use of examples drawn from the history of mythology, angelology, and mysticism. At the same time, the book promotes dialogue between scholars of classical metaphysics and philosophy of religion, and the potential metaphysical/spiritual theories developed independently by transhumanist and posthumanist thinkers within an anti-dualist and naturalistic philosophical framework. The goal is to ‘enhance’ contemporary transhumanism and posthumanism by promoting the need to safeguard intelligence as a principle, without falling into the trap of a violent and egotistic metaphysics. Mattia Geretto received a PhD in Philosophy of Religion at the University of Perugia, Italy. Among his publications, L’angelologia leibniziana (2010) and many other articles on Leibniz. Since 2011 he is affiliated to Ca' Foscari University of Venice. .
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  • 37
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031590207
    Language: English
    Pages: 1 Online-Ressource(X, 267 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Workplace Spirituality and Fulfillment
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Business ethics. ; Industrial organization. ; Strategic planning. ; Leadership. ; Management. ; Personnel management.
    Abstract: 1. Introduction -- 2. Superstition: An overview of key disciplinary perspectives -- 3 -- Workplace spirituality -- 4. The relationship between religion, superstition and spirituality -- 5. Superstitious beliefs and behaviours -- 6. Superstition and rationality -- 7. Key assumptions about the nature of superstition -- 8. Individual and group factors associated with superstitious beliefs -- 9. Numerological and related superstitions -- 10. Mainstream industries and organisations influenced by superstition -- 11. Industries and organisations thriving on superstitious and New Age beliefs -- 12. Concluding remarks.
    Abstract: This book addresses how people and organisations sometimes respond to uncertainty in making decisions. Those decisions are rooted in beliefs and behaviours that are not always rational, especially in response to perceived randomness, chaos and unexpected circumstances. The author uses a transdisciplinary approach to the study of superstition in the context of business and management, taking care to acknowledge that what is regarded as superstition to one person may well be constructed as a spiritual belief by another. Respect and sensitivity in explicating individual and social constructions of spirituality is a core value in structuring the narrative of the text. The work also explores the interwoven relationships amongst superstition, religion, spirituality and empiricism and how cultural, political, economic and environmental factors are likely to influence organisations and those who are employed by them. Further, it examines the influence of beliefs related to topics such as feng shui, astrology, phrenology and the I Ching in recruitment. This comprehensive treatment of the role of superstition in business will advance the scholarly conversation on uncertainty in decision making. It points to the power of belief that defies empirical validation and how it can be used in a variety of contexts, such as the marketing of products and images to manipulate unwary consumers or inhibit the implementation of health advice in times of COVID-19. .
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  • 38
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031412226
    Language: English
    Pages: 1 Online-Ressource(XI, 273 p. 21 illus.)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    Keywords: Television broadcasting. ; Motion pictures ; Comedy.
    Abstract: Chapter 1 – Introduction -- Chapter 2 – Precursors and Pioneers: 1940-1960 -- Chapter 3 - The ‘Golden Age’: 1969-1980. Part 1: Racists, Romans and Randy Busmen -- Chapter 4 - The ‘Golden Age’: 1969-1980. Part 2: Soldiers, Shopping and Sexual Frustration -- Chapter 5 – Revival and Revisionism: 1986-2007. Part 1: Global Destruction and Domination -- Chapter 6 – Revival and Revisionism: 2007-2021. Part 2: Schools, Legacies and Mockumentaries -- Chapter 7 – Conclusion.
    Abstract: Stephen Glynn has produced a terrific book on British TV sitcom spinoff films. He writes clearly and concisely and with a demonstrable passion for the subject. He pulls off the difficult trick of bringing an impressive breadth of knowledge to this material while also communicating it in helpful and often amusing ways. -Paul Newland, University of Worcester This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of a proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality. Stephen Glynn lectures in Film and Television at De Montfort University, UK. He has published widely on British cinema and genre and previous volumes for Palgrave include The British Pop Music Film (2013), The British School Film (2016) and The British Football Film (2018).
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  • 39
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031480942
    Language: English
    Pages: 1 Online-Ressource(XI, 144 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Cultural Policy Research
    Parallel Title: Erscheint auch als
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    DDC: 302.23
    Keywords: Mass media ; Communication and traffic.
    Abstract: 1. Introduction -- 2. CCI as concept and policy domain -- 3. Research perspectives on policymaking -- 4. CCI policymaking at EU level: an overview -- 5. CCI policymaking in Sweden -- 6. CCI policymaking in the EU and Sweden from a policy regime perspective -- 7. Integrated CCI policy – unrealistic or irrelevant?.
    Abstract: This book traces the emergence and development of cultural and creative industries (CCI) policy in Europe in the last 25 years. Why and how CCI policy has been designed and implemented in Europe is a central question of the book, in particular with regards to negotiations and relations between policy actors across established policy domains. There are many policy publications and reports on best practice and general descriptions of how policy systems work, fewer describe policy development over time and from a comparative perspective. Drawing mainly on research in policy studies, this book aims to improve knowledge of the dynamics of cultural and creative activities as well as that of policymaking in a changing policy landscape and increasingly cross-disciplinary research frameworks. Katja Lindqvist is Associate Professor and Senior Lecturer at Lund University, Sweden. As Art Historian with a PhD in Business Administration, she researches and teaches in the field of arts management and has published texts on museum economy and competence development, entrepreneurship and the arts, public policy and governance, and other related fields.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    ISBN: 3031386183 , 9783031386183
    Language: English
    Pages: 350 pages , 24 cm
    DDC: 304.60973
    Keywords: 1942-1945 ; Japanese Americans Forced removal and internment, 1942-1945 ; Ethnicity Political aspects ; History ; Américains d'origine japonaise - Relogement et internement forcés, 1942-1945 ; Ethnicité - Aspect politique - États-Unis - Histoire ; Ethnicity - Political aspects ; Census data ; History ; United States Census ; United States
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Language: English
    Pages: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Abstract: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Abstract: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031366369
    Language: English
    Pages: 1 Online-Ressource(VII, 215 p.)
    Edition: 1st ed. 2024.
    Series Statement: African Histories and Modernities
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    Keywords: Creative nonfiction. ; African literature. ; Literature.
    Abstract: Chapter 1- Introduction -- Chapter 2 - Place and Privilege in Helene Cooper’s The House at Sugar Beach: In Search of a Lost African Childhood -- Chapter 3. Exiled Place in Sisonke Msimang’s Always Another Country: A Memoir of Exile and Home -- Chapter 4 - Family History and Place in Leila Ahmed’s A Border Passage: From Cairo to America – A Woman’s Journey -- Chapter 5- Redemptive Place in Elamin Abdelmahmoud’s Son of Elsewhere: A Memoir in Pieces -- Chapter 6- Disillusioned Place in Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria -- Chapter 7- Place and Politics in Douglas Rogers’s The Last Resort: A Memoir of Zimbabwe -- Chapter 8 - Place and Trauma in The Girl Who Smiled Beads: A Story of War and What Comes After by Clemantine Wamariya and Elizabeth Weil -- Chapter 9 - From Place to Place in Aminatta Forna’s Autobiographical Writing -- Chapter 10- Home and Nation in Autobiographical Writing.
    Abstract: This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s The House at Sugar Beach, Sisonke Msimang’s Always Another Country, Leila Ahmed’s A Border Passage, Noo Saro-Wiwa’s Looking for Transwonderland, Douglas Rogers’s The Last Resort, Elamin Abdelmahmoud’s Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil’s The Girl Who Smiled Beads and Aminatta Forna’s autobiographical writing – to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label ‘African’ writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone ‘Africa’, often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation. Lena Englund currently works as senior researcher at the School of Humanities, University of Eastern Finland. She is the author of South African Autobiography as Subjective History: Making Concessions to the Past (Palgrave, 2021).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031391866
    Language: English
    Pages: 1 Online-Ressource(XV, 208 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Creative nonfiction. ; Creative writing. ; Language and languages ; Rhetoric. ; Literature ; Poststructuralism.
    Abstract: Chapter 1: Introduction -- Chapter 2: Making Truth Claims -- Chapter 3: Critiquing Habit, Habitus, and Modernity -- Chapter 4: Fighting Narration -- Chapter 5: Shifting Roles, Mimesis, Sustaining Community -- Chapter 6: Critiquing and Claiming Memory -- Chapter 7: Making Confessions -- Chapter 8: Reflecting on Self as Other -- Chapter 9: Situating Scenes -- Chapter 10: Conclusion.
    Abstract: This book explores issues of identity, ethics and epistemology that arise around the writing and reception of creative nonfiction. It examines a range of different nonfiction forms – including the personal essay and memoir – and ethical questions that arise in relation to them, such as truth claims, the confessional mode, counter-narratives. Drawing on the ideas of Bakhtin, Nietzsche and Foucault; examples from creative non-fiction writers such as Strayed and Knausgaard; and the founding principles of the originators of the genre, Seneca, Augustine and Montaigne, Jensen argues that a limited conception of nonfiction leads to a limited view of its ethics. Writing about the truth in an authentic way is more important than ever before – and essential to this is the creation of the ethical subject. George H. Jensen is Professor Emeritus with the Department of Rhetoric and Writing at the University of Arkansas at Little Rock, USA. His recent books include Some of the Words Are Theirs: A Memoir of an Alcoholic Family (2000), Storytelling in Alcoholics Anonymous: A Rhetorical Analysis (2000), and Identities Across Texts (2002).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403453
    Language: English
    Pages: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Abstract: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Abstract: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031450655
    Language: English
    Pages: 1 Online-Ressource(VIII, 227 p.)
    Edition: 1st ed. 2024.
    Series Statement: The New Middle Ages
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    Keywords: Literature, Medieval. ; Europe ; Religion ; Islam ; Philosophy, Medieval.
    Abstract: Chapter 1. Introduction. Friendly Chivalrous Enemies: Contradiction, Stereotypes, and Colonialism in the Representations of Muslims by Medieval Christians -- Chapter 2. Indispensable Enemies, Subjects, and Friends: The Political Instrumentalization of Muslims in the Cantar de mio Cid -- Chapter 3. The Learned Conquerors and Their Muslims: Intercultural Conflict and Collaboration in the Cantigas de Santa Maria and the Llibre dels fets -- Chapter 4. From Great Muslim Heroes to Good Christian Subjects: Converting the Legend of the Seven Infantes of Lara -- Chapter 5. Across the Mediterranean and Beyond: Fighting Islam by Embracing Muslims in Tirant lo Blanch -- Chapter 6. An Empire of Faith and Its Infidels: Portuguese Colonialism and Muslims, According to Os Lusíadas and Its Sources -- Chapter 7. Conclusion. Christian Supremacy and Contradictory Non-Christians Beyond Muslims and Iberia.
    Abstract: This book argues that literary and historiographical works written by Iberian Christians between the twelfth and sixteenth centuries promoted contradictory representations of Muslims in order to advocate for their colonization through the affirmation of Christian supremacy. Ambivalent depictions of cultural difference are essential for colonizers to promote their own superiority, as explained by postcolonial critics and observed in medieval and early modern texts in Castilian, Catalan, and Portuguese, such as the Cantar de mio Cid, Cantigas de Santa Maria, Llibre dels fets, Estoria de España, Crónica geral de 1344, Tirant lo Blanch, and Os Lusíadas. In all these works, the contradictions of Muslim enemies, allies, and subjects allow Christian leaders to prevail and profit through their opposition and collaboration with them. Such colonial dynamics of simultaneous belligerence and assimilation determined the ways in which Portugal, Spain, and later European powers interacted with non-Christians in Africa, Asia, and even the Americas.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449956
    Language: English
    Pages: 1 Online-Ressource(IX, 235 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Fiction. ; Economics. ; Culture.
    Abstract: 1. Introduction: Cosmopolitanism’s New Orientations -- 2. New Intersections in Fiction: Cosmopolitanism, Culture and Economics -- 3. Narrative Glocality and The Cosmoflâneur in Ian McEwan’s Saturday.-4. Vernacular Cosmopolitanism, Cosmopolitan Culture and Economics in Zadie Smith’s NW.-5. Cosmopolitan Identity and Narration in Salman Rushdie’s The Golden House: The Move Towards Vernacular Cosmopolitanism.-6. Posthuman Cosmopolitanism and Post-Covid-19 Sensitivities In Kazuo Ishiguro’s Klara And The Sun.-7. Conclusion: The Genre of The Contemporary -- References.-Index.
    Abstract: “A nuanced, carefully articulated and insightful piece of scholarship. Paying attention to urgent political and social developments, including Brexit and Covid-19, Elif Toprak Sakız deepens our understanding of the dynamic interplay between culture and economics in the twenty-first century.” - Kristian Shaw, Associate Professor of English Literature, University of Lincoln, U.K “Through an engaging assessment of exemplary works of contemporary British fiction, Toprak-Sakiz provides a rich, thoughtful and critical reflection on the multiple meanings and dimensions of cosmopolitanism. This is an extremely timely and vital discussion on a key topic for our turbulent times.” - Steven Vertovec, Director of the Department of Socio-Cultural Diversity, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central. Elif Toprak Sakız holds a PhD in English Literature from Middle East Technical University, Ankara, Türkiye. Her areas of interest include cultural studies, twenty-first-century fiction, narrative theory and posthumanism. She is a lecturer of Foreign Languages and Comparative Literature at Dokuz Eylul University, where she has been teaching since 2010. She has published several articles in the fields of contemporary fiction, postcolonialism, gender studies and comparative literature.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031369032
    Language: English
    Pages: 1 Online-Ressource(XVIII, 278 p. 45 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Experimental Film and Artists’ Moving Image
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    Keywords: Experimental films. ; Arts. ; Photography.
    Abstract: Chapter 1 Social Consideration, Communication, Observation: From Sculpture to Film and Photography -- Chapter 2 Ethnographic, Structuralist and Real-Time Filmmaking -- Chapter 3 Images of People at Work -- Chapter 4 Education, Participation, and the Making of the Subject -- Chapter 5 Social Activism.
    Abstract: The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past. Mercedes Vicente is a curator, writer, and researcher. She is Associate Lecturer in Critical and Contextual Studies at the London Metropolitan University and was a lecturer at Royal College of Art, UK. She has held museum positions as interim Director of Education and Public Programmes at Whitechapel Gallery in London, Curator of Contemporary Art and Darcy Lange Curator-at Large at Govett-Brewster Art Gallery in New Zealand, and Research Curatorial Assistant at the Whitney Museum of American Art in New York.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Language: English
    Pages: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Abstract: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Abstract: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031436154
    Language: English
    Pages: 1 Online-Ressource(XVI, 248 p. 31 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Cultural property. ; Medicine and the humanities.
    Abstract: Chapter 1: I Introduction -- Chapter 2: Storytelling -- Chapter 3: Inclusivity & Environment -- Chapter 4: Gamification -- Chapter 5: Immersive Technologies -- Chapter 6: Conclusion: Future Directions for Neuro-Inclusivity in Museums and Heritage Sites.
    Abstract: James Hutson is Professor and Department Head of Art History and Visual Culture, and Lead XR Disruptor, at Lindenwood University, USA. Piper Hutson is a Corporate Art Curator and Adjunct Professor at Lindenwood University, USA. This book delves into the significant and timely intersection of cultural heritage, neurodiversity, and smart museums, exploring how various immersive techniques can create more inclusive and engaging heritage experiences for neurodiverse audiences. By focusing on these three aspects, the book aims to contribute significantly to the fields of cultural heritage, neuro-inclusivity, and smart museums, offering practical solutions and examples for heritage professionals and researchers. The book highlights the importance of preserving and enhancing cultural heritage by incorporating immersive technologies and inclusive practices that cater to the needs of neurodiverse audiences. It emphasizes the need for museums and heritage sites to be more inclusive and accessible for neurodivergent individuals, showcasing best practices and innovative techniques to engage this audience effectively. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031355462
    Language: English
    Pages: 1 Online-Ressource(XXI, 200 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Literature, Modern ; Comparative literature.
    Abstract: Introduction -- Part 1. Modernism and Peripherality: Theoretical Considerations.-1.1.Benita Parry – ‘Stylistic Irrealism in Peripheral Literatures as Symptom, Mediation and Critique of Modernity’.-1.2.Irene Ramalho Santos – ‘What is Peripheral about Peripheral Modernisms?’ -- Part 2. Liminality in the ‘Semi-peripheries’ -- 2.1. Katia Pizzi – ‘Trieste and the Untranslatable Modernism’ -- 2.2. Roberta Gefter – ‘“From the Periphery of the Metropolis”: on Joyce’s Modern Irish Peripherealities’ -- 2.3. Marilena Parlati – ‘Australian Modernisms Strike Back, or still Harping on “Margins”’ -- Part 3. Metropolis, Technology, Cultural Transfer -- 3.1. Andreas Kramer – ‘Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tret’iakov)’ -- 3.2. Patricia Silva – ‘Transcultural Reception in the Postcolonial Periphery: Brazilian Modernism and the European Avant-Garde’ -- 3.3. Ali Mozaffari & Nigel Westbrook – ‘In Search of the Authentic Modern: The Rhetoric of Architecture in Late 20th Century Iran’.
    Abstract: This collection of essays reappraises the contributions made by modernist movements from regions generally regarded as peripheral or semi-peripheral to a global aesthetic of Modernism. It particularly focuses on European semi-peripheries, combining theoretical chapters and individual case studies to examine the cultural and aesthetic complexities of so-called peripheral modernisms. Contributing to research on the ‘transnational turn’ in New Modernist Studies, the volume takes recent scholarship on postcolonial modernisms one step further by exploring a broader geopolitical expanse than the (formerly) colonised regions under global capitalism. It highlights the local and translocal specificities of modernist movements from regions such as Eastern and Central Europe and the Mediterranean to offer new insights into the concept of global modernism.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498886
    Language: English
    Pages: 1 Online-Ressource(XV, 200 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Science and Medicine
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Medical Ethics. ; Science
    Abstract: 1. “Poems are Bodies that Remind Us We Have Bodies”—Poetry, Medical Posthumanism, and Ethical Practice -- 2. Entangled Species / Entangled Health: The Inclusive Poetics of Juliana Spahr -- 3. Health Inequity, Structural Racism, and The Trans-Corporeal Ethics of Claudia Rankine’s Investigative Poetics -- 4. Shared Suffering and Chronic Vulnerability in the Poetry of Brian Teare -- 5. Global Health Equity, Community Building, and the Innovative Poetics of Hong and Perez -- 6. Conclusion: Affirmative Medicine: Queer Figurations and Porous Boundaries.
    Abstract: Advancing Medical Posthumanism Through Twenty-First Century American Poetry places contemporary poetics in dialogue with posthumanism and biomedicine in order to create a framework for advancing a posthuman-affirmative ethics within the culture of medical practice. This book makes a case for a posthumanist understanding of the body—one that sees health and illness not as properties possessed by individual bodies, but as processes that connect bodies to their social and natural environment, shaping their capacity to act, think, and feel. Tana Jean Welch demonstrates how contemporary American poetry is specifically poised to develop a pathway toward a posthuman intervention in biomedicine, the field of medical humanities, medical discourse, and the value systems that guide U.S. healthcare in general. Tana Jean Welch is a poet and scholar of medical humanities and contemporary American poetry. She is Associate Professor of Medical Humanities at the Florida State University College of Medicine where she teaches courses in literature, writing, and humanities and serves as Director of the Chapman Humanities and Arts in Medicine Program. Her critical work has been published in MELUS, The Journal of Ecocriticism, Literature and Medicine, and Academic Medicine. She is also the author of the poetry collections In Parachutes Descending (2024) and Latest Volcano (2016). .
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031389023
    Language: English
    Pages: 1 Online-Ressource(XI, 256 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Book History
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    Keywords: Economics and literature. ; Printing. ; Publishers and publishing. ; Books ; Literature, Modern
    Abstract: Chapter 1 Introduction -- Chapter 2 Coffee-table Books: Seriously? -- Chapter 3 What’s in a Name? -- Chapter 4 A New Book-buying Market -- Chapter 5 More Than Meets the Eye -- Chapter 6 David Brower: An American Environmental Publisher -- Chapter 7 Paul Hamlyn: Britain’s Publishing Mould Breaker -- Chapter 8 Lloyd O’Neil: Australia in Colour -- Chapter 9 Conclusion.
    Abstract: The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400513
    Language: English
    Pages: 1 Online-Ressource(XIX, 179 p. 13 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature ; Feminism and literature. ; Continental Philosophy. ; Sex.
    Abstract: 1: Introduction: Digging, Unburying and Going to Writing School -- 2: Writing Myself Back Together -- 3: The School of the Dead and My Mother: A Story of Hunger -- 4: Finding a Language of My Own: Journeying to the School of the Dead with Cixous -- 5: The Narcissist Never Leaves, Only Dies: An Autoethno-graphic Account inspired by Cixous -- 6: Your Dreambody Must be Heard—Writing Trauma in the School of Dreams -- 7: The Fatal Blow: “Who are I­­­?” A Feminist Autoethnographer’s Encounter with Cixous -- 8: This Writing Chatters, Just Like a Dream: The Ragged Vitality of Teeth and Memory Loss -- 9: Learning Cixous’ Écriture Feminine Through the Flow of Words and Blood -- 10: Metis and Cixous—Cunning Resistance, Bodily Intelligence and Allies -- 11: Denying the Penis: Bringing Women to Writing [With/in and] Through Doc-toral Supervision -- 12: Writing Australian Gardens to Cross Borders Between the Online and Offline Worlds -- Inter-View. .
    Abstract: The project offers a collection of new interdisciplinary critical autoethnographic engagements with Hélène Cixous écriture feminine and work Three steps on the ladder of writing. Critical autoethnography shares a reciprocal, and inter-animating relationship with Hélène Cixous’ écriture feminine (“feminine writing”), and in this collection authors explore that inter-animation by explicitly engaging with Three steps on the ladder of writing. Three steps is a poetic, insightful, and ultimately moving reflection on the writing process and explores three distinct areas essential for writing: The School of the Dead—the notion that something or someone must die in order for good writing to be born; The School of Dreams—the crucial role dreams play in literary inspiration and output; and The School of Roots—the importance of depth in the 'nether realms' in all aspects of writing. Topics covered include: ways Cixous’ work can address the need for loss and reparation in writing critical autoethnography, how Cixous’ writing “makes our body speak” through concepts of birth and the body in, through and of critical autoethnography, whether writing in this way recast and reform prevailing orders of domination and oppression, and how Cixous’ writing around the ethics of loving and giving translates into response-able and non-violent forms of critical autoethnography in relation to otherness and difference. In this collection, we invite you to “Let us go to the school of [critical autoethnographic] writing” (Cixous, 1993, p. 3) with the work of Hélène Cixous, and speak in a different way and through a different medium of academic language, in an approach that reveals the tensions, the paradoxes, the pains and the pleasures of writing with critical autoethnography in the contemporary university.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031335136
    Language: English
    Pages: 1 Online-Ressource(XIV, 227 p.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Revolution and Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Latin American literature. ; Poetry. ; Social sciences ; Political science
    Abstract: 1. Introduction -- 2. A Poet of the "Ethics of the Real" -- 3.A Poet of the Language Crisis -- 4. A Poet of the "Part With No Part” -- 5. A Poet Who Announces the Event -- 6. A Poet of the Communist Event -- 7. A Poet of "Lost Causes” -- 8. Vallejo and Political: Art Beyond Death (Conclusions).
    Abstract: “This book reveals that the political reading of Vallejo's poetry demands that we radically rethink politics itself. The singular ethical force of this poetry resides there. We have to think reality from the excess, that is, from what does not fit in ideological schematisms, nor in the concepts themselves. With a great pedagogical spirit, through lucid theoretical expositions and precise commentaries on the texts, this book shows us that Vallejo wrote a poetry that is absolutely alive for our times: a poetry that demands that we live in a different way.” —William Rowe, Birkbeck College, University of London, UK “From this careful study, César Vallejo emerges as a poet-witness of the event, ready to assume the constitutive flaw of the human being but capable of affirming the radical possibility of a communist politics of equality. By following the philosophy of Alain Badiou, as well as the clues of other thinkers (from Marx to Mariátegui, from Butler to Žižek), Víctor Vich has succeeded in producing an original, new, and other Vallejo.” —Bruno Bosteels, Columbia University, USA This book argues that the poetry of César Vallejo announces the event, as a moment of irruption of a truth that destabilises the usual state of reality. It studies the emergence of a subject who affirms a truth that exceeds the law, interrupts hegemonic repetition, asserts universal solidarity, and defends "lost causes" despite political failure. The author reconfigures the traditional reading of Vallejo only as a poet of pain and human suffering, and offers new ways of understanding the relationship between poetry and politics. Víctor Vich is Professor at the Pontificia Universidad Católica del Perú in Lima. He has been a visiting Professor at several universities in the United States and has published various books about Peruvian poetry. He won the Guggenheim grant in 2010.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418082
    Language: English
    Pages: 1 Online-Ressource(XIII, 262 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion picture plays, European. ; Motion pictures
    Abstract: 1.European Scenes of Crime: Peripheries at the Centre -- 2.The Double Marginality of Peripheral Locations -- 3.Nordic Noir and Arctic Peripherality in Northern Europe -- 4.Mediterranean Noir and Nordic Peripheries in Southern Europe -- 5.Country Noir and Rural Peripheries in Western Europe -- 6.Eastern Noir and the Borderscapes of Eastern Europe -- 7.Brit Noir and the Hinterlands of the British Isles -- 8.Conclusion: Negotiating European Peripheries in TV Crime Series.
    Abstract: This book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services, the influence of Nordic Noir, and changes within the cognitive geography of Europe. The authors position peripheral European crime series in a complex relationship between universal appeal and local recognisability and offer a comprehensive theoretical approach to the aesthetics of peripherality. Grounded in desktop production studies, the book presents an original scholarly approach to analysing European crime series from a continental point of view. Despite local differences, the spatio-generic orientations scrutinized in the book – Nordic Noir, Mediterranean Noir, Country Noir, Eastern Noir, and Brit Noir – show remarkable aesthetic similarities in series from territories otherwise normally unconnected in television production. Consequently, television crime series reveal a common tongue and voice for dialogue on a continent in a deepening crisis. Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. He is the co-author of Locating Nordic Noir: From Beck to The Bridge (2017), the co-editor of European Television Crime Drama and Beyond (2018) and has written extensively on Nordic and European television crime series. Valentina Re is Full Professor of Film and Media Studies at Link Campus University, Italy. She is the editor of Streaming media. Distribuzione, circolazione, accesso (2017) and the PI of the research project The Atlas of Italian “Giallo”: Media History and Popular Culture (1954-2020), funded by the Italian Ministry of University and Research (2022-25). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031301797
    Language: English
    Pages: 1 Online-Ressource(XVII, 264 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Abstract: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Abstract: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031419393
    Language: English
    Pages: 1 Online-Ressource(XIV, 203 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Journalism. ; Digital media.
    Abstract: Part I -- Chapter 1 Hybrid Investigative Journalism During Times of Crisis, Maria Konow-Lund, Michelle Park and Saba Bebawi -- Part II -- Chapter 2 Making Investigative Journalism in a Hybrid Manner, Maria Konow-Lund and Michelle Park -- Chapter 3 Bristol Cable – A Local Hybrid Organisation, Maria Konow-Lund -- Chapter 4 The Bureau Local – A Hybrid Network for Local Collaborative Investigative Journalism, Michelle Park and Maria Konow-Lund -- Chapter 5 The Korea Center for Investigative Journalism – A Hybrid Nonprofit Funding Model, Michelle Park and Maria Konow-Lund -- Chapter 6 A Hybrid Investigative Ecology, Maria Konow-Lund and Michelle Park -- Part III -- Chapter 7 Global Investigative Collaboration, Maria Konow-Lund and Saba Bebawi -- Chapter 8 How a COVID-19 Live Tracker Led to Innovation in Investigative Journalism, Maria Konow-Lund and Jenny Wiik -- Chapter 9 How COVID-19 Affected the Practice of Investigative Journalism in Norway and China, Maria Konow-Lund, Lin Pan and Eva-Karin Olsson Gardell -- Chapter 10 Toward a Hybrid Future for Investigative Journalism, Maria Konow-Lund, Michelle Park, Saba Bebawi.
    Abstract: “[…]essential reading for anyone who believes in the importance of investigative journalism in holding the powerful to account.” —Richard Sambrook, Emeritus Professor, Cardiff University, UK and Co-Chair of The Bureau of Investigative Journalism, UK “A fantastic, timely and comprehensive look at the current state and challenges of investigative journalism.” —Henrik Örnebring, Professor of Media and Communication, Karlstad University, Sweden and winner of the 2023 AEJMC James A. Tankard Book Award This open access book is a rare example of the ethnographic study of investigative journalism. This book explores entrepreneurial attempts to combine traditional investigative journalism with alternative ways of organising this work. It transcends watershed investigative projects in favour of the ways in which new actors (citizens, technologists, bloggers and local reporters, among others) join experienced investigative journalists in experiments with the practices of watchdog journalism in the digital era. Cases include Bristol Cable, Bureau Local and the Korea Center for Investigative Journalism, as well as Forbidden Stories. The book also includes two chapters on the impact of COVID-19 upon the development of cross-disciplinary work in a traditional newsroom and in the larger media ecosystems of both Norway and China. This is a timely book for journalism students, scholars and investigative reporters, who share a passion for this form of journalism. Maria Konow-Lund is a professor at Oslo Metropolitan University. She was Marie Skłodowska-Curie fellow at Cardiff University (2017-2019). Her recent work focuses on investigative journalism, terror coverage, practice during COVID-19, and changing roles. Michelle Park and was recently awarded her PhD degree by the School of Journalism, Media and Culture at Cardiff University, UK, after working as a newspaper reporter in the USA. Saba Bebawi is Head of the Journalism and Writing discipline in the School of Communication at the University of Technology Sydney (UTS). .
    Note: Open Access
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031307843
    Language: English
    Pages: 1 Online-Ressource(XXX, 656 p. 28 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature ; Literature, Modern ; Literature. ; Emigration and immigration. ; World history.
    Abstract: Chapter 1: Introduction -- Chapter 2: Narrating Migration in the Settler Colonies: Recent Climate Fiction in Australia and New Zealand -- Chapter 3: Invasion and Replacement Fantasies: Jean Raspail’s The Camp of the Saints and the French Far Right -- Chapter 4: Between History and the Discord of Time: The Figure of the Migrant in A Seventh Man and Transit -- Chapter 5: A Border Poetics of Migration: Five Mappings of Migration Literature in Norwegian and Swedish -- Chapter 6: "A Strangely Familiar Place”: Cinematic (Re)framings of the EU’s Easternmost Border. Chapter 7: Migration, Romani Writers, and the Question of National Literatures. Chapter 8: Introduction -- Chapter 9: Setting the Stage of Contemporary Migration in the Italian Hostile Environment. Chapter 10: The Dystopian Imaginary, Climate Migration, and “Lifeboat-Nationalism”. Chapter 11: Black Parisians in Merry Colors: Queerness and Creolisation in the Popular Comedies of Lucien Jean-Baptiste -- Chapter 12: Classification and the Secrets of Kinship: Migration, Scientific Naturalism, and the Racialization of Blood in the Eighteenth Century -- Chapter 13: “There’s ways to survive these times… and I think one way is the shape the telling takes”: Hostile Environments and Hospitable Connections in Ali Smith’s Seasonal Quartet -- Chapter 14: Introduction -- Chapter 15: Migration, Forced Displacement, and Aesthetic Agency: Sharon Dodua Otoo’s Adas Raum. Chapter 16: Comparing Migrations? Russian German Jewish Writers on the “Refugee Crisis”. Chapter 17: Literary Archives and Alternative Futures. Memories of Labor Migration in Contemporary Turkish German Fiction. Chapter 18: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 19: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 20: Muslim Interpellation: Hijabs, Beards, and the Post-9/11 Border Regime. Chapter 21: Another Home. Chapter 22: Introduction -- Chapter 23: “Struggles with Identity Don’t Care about Latitude”: Saša Stanišić’s Herkunft (Where You Come From) as “Born Translated” Text -- Chapter 24: Verstummung”: Carmine Abate’s Dislocative Voices -- Chapter 25: Going for Nothing: Migration and Translation in Christina Rivera Garza -- Chapter 26: “Life Goes on, Defying Common Sense”: On Translating Russian Émigré Poetry -- Chapter 27: "It is hard to choose": An Italian Author on Migration, Diaspora, African Literature, and the Limits of Labels -- Chapter 28: Poetry as Love and Resistance -- Chapter 29: Introduction -- Chapter 30: Sound in Place: Italian Migrant Street Music in the Nineteenth-Century English Novel -- Chapter 31: Restorying the Greco-Turkish Population Exchange and the Partition of India and Palestine through Graphic Narrative: Hand-drawn Lines, Embroidered Histories, Portable Homelands -- Chapter 32: “Resonance is Contact Ripple”: Media and Contemporary Poems of Mediterranean Migration. Chapter 33: Ways of Seeing: Ethics of Looking in Refugee Films after 2015 -- Chapter 34: Curating Hospitality: Towards a More Sensitive Perception of Vulnerability -- Chapter 35: Introduction -- Chapter 36: Reading the Politics of Exile: Matei Vișniec’s Mr. K Released -- Chapter 37: Hassan Blasim’s God 99: Staying with Fragments, Designing Other Worlds -- Chapter 38: Melancholia of Migration in the Transnational Italian Imaginary -- Chapter 39: “not safe any where anymore”: Biopolitical Poetics and Irish Migration Poetry -- Chapter 40: “a historian of the soft tissue”: An Interview with Bhanu Kapil. .
    Abstract: The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Language: English
    Pages: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Abstract: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Abstract: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031444821
    Language: English
    Pages: 1 Online-Ressource(XIII, 189 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Disability Studies
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Performing arts. ; Theater. ; Games. ; People with disabilities
    Abstract: 1. Introduction Other Worlds, Other Selves: Moving Beyond Escapism -- 2. ‘Everyone’s a Composite’: Rethinking Three of Cyberpunk’s Overlooked Women Writers as Posthumanists -- 3. The Performing Wiggin Siblings: Reading Ender’s Game through Disability Theory -- 4. The Threat of Silence in Mark Alpert’s Dystopian Simulation -- From Memes to Comics: Virtual Embodiment in Visual Rhetoric -- 5. The Player and the Avatar: Performing as Other -- 6. Learning Through Play: An Inclusive Pedagogy for the 21st Century -- 7. Conclusion The Augmented Self: Rethinking Virtual Simulation and Disability.
    Abstract: Disability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow. Anelise Haukaas is an Assistant Professor of English at the College of Coastal Georgia, USA, as well as the faculty advisor of Seaswells, the art and literary magazine. Her research interests include genre fiction, disability studies, folklore and mythology, popular culture, and new media.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406546
    Language: English
    Pages: 1 Online-Ressource(XII, 329 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Literature, Culture and Economics
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Motion pictures ; Economic history.
    Abstract: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Abstract: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492860
    Language: English
    Pages: 1 Online-Ressource(XIII, 123 p. 2 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Fiction. ; Goth culture (Subculture). ; Audiences. ; Literature, Modern ; Literature, Modern ; America
    Abstract: 1. Introduction: Reading Austen-Vampire Mashups -- 2. To Kiss or Kill? Austen’s Vampire-Slaying Heroines -- 3. Trouble in Paradise: Pride and Prejudice as Vampire Romance -- 4. Eternally Yours: Jane Austen as Vampire -- 5. Conclusion: An Unlikely Confluence.
    Abstract: Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031242434 , 3031242432
    Language: English
    Pages: 1 Online-Ressource (XVI, 341 Seiten) , 15 illus., 14 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Globalization, Culture and Society
    Parallel Title: Erscheint auch als Planetary Hinterlands
    DDC: 306
    Keywords: Culture Study and teaching ; Globalization ; Science Social aspects ; Urban ecology (Biology) ; Bioclimatology ; Cultural Studies ; Globalization ; Posthumanism ; Urban Ecology ; Climate Change Ecology
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031420641 , 3031420640
    Language: English
    Pages: 1 Online-Ressource (XIX, 339 Seiten) , 30 illus.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Intermediality
    Parallel Title: Erscheint auch als Truth Claims Across Media
    DDC: 302.231
    Keywords: Digital media ; Intermediality ; Digital and New Media ; Intermediality
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031392597
    Language: English
    Pages: 1 Online-Ressource(XIII, 263 p. 12 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Mobilities, Literature, and Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature ; European literature. ; Oriental literature. ; World history. ; Culture. ; Emigration and immigration.
    Abstract: Introduction: “Cultural Mobilities and Interactions Between Modern China and Italy” Valentina Pedone, University of Florence and Gaoheng Zhang, University of British Columbia -- Chapter 1: “Chinese Mobility, Routes and Traces: Early-20th Century Discovery of Italian Culture” Alessandra Brezzi, Sapienza University of Rome -- Chapter 2: “Dragomans, Interpreters and Diplomats: Chinese Language Knowledge by Italians in Early 20th Century” Federico Masini, Sapienza University of Rome -- Chapter 3: “Mobility, Architecture, Chronotope: Tianjin’s Italian Concession, the 1930s” Gaoheng Zhang, University of British Columbia -- Chapter 4: “Representations of Socialist Mobility in Post-WWII China-Italy Cultural Exchange” Yang Wang, University of Colorado Boulder and Martina Tanga, Museum of Fine Arts, Boston -- Chapter 5: “Maoist China through the Lens of Italian Visitors (1950s-1970s)” Xin Liu, Penn State University -- Chapter 6: “The Journey and the Memory: 20th-century Travel Notes on Italy” Miriam Castorina, University of Florence -- Chapter 7: “Becoming Chinese-Italian: The Formation of a New Italian Ethnic Minority” Daniele Cologna, Insubria University -- Chapter 8: “Chased by Chineseness: Distance and Proximity in Chinese Italian Creative Expression” Valentina Pedone, University of Florence -- Chapter 9: “‘Ne vedrai delle belle in questo paese!’ Literary Representations of the Italian Community in China” Chiara Giuliani, University College Cork.
    Abstract: This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031359859 , 3031359852
    Language: English
    Pages: 1 Online-Ressource (XIII, 239 Seiten) , 2 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Communication for Social Change
    Parallel Title: Erscheint auch als Heywood, Emma Radio and Women's Empowerment in Francophone West Africa
    DDC: 302.2
    Keywords: Communication ; Journalism ; Communication in economic development ; Sex ; Feminism ; Feminist theory ; Media and Communication ; Journalism ; Development Communication ; Gender Studies ; Feminism and Feminist Theory
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  • 67
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031349027
    Language: English
    Pages: 1 Online-Ressource(XIII, 282 p. 15 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The New Antiquity
    Parallel Title: Erscheint auch als
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    Keywords: Poetry. ; Classical literature. ; Literature, Ancient. ; Literature, Modern ; European literature. ; History, Ancient.
    Abstract: 1 Introduction -- Part I: Cavafy Reads a Coin -- 2 A golden coin? -- 3 How to read a coin portrait in the early 1900s -- 4 What is a ‘poet-historian’? -- Part II: Cavafy Reads Inscriptions -- 5 ‘Caesarion’ as palimpsest -- 6 ‘In the month of Athyr’: Leucius and his friends -- Part III: Looking at Antiquity from Inside the Empire -- 7 Imperial desires -- 8 A Hellenistic Empire -- 9 How to read Cavafy inside the British Empire.
    Abstract: "Cavafy’s Hellenistic Antiquities is a fascinating and meticulous study of how the Greek poet breathes life into artefacts and textual fragments from the classical past. Kayalis delves deeply into the poems in order to lay bare the extraordinary complexity that hides beneath the surface. His book shows that modern poetry, modern homosexuality and even British imperialism were shaped by encounters with Hellenistic culture." – Stefano Evangelista, Professor of English, University of Oxford "Cavafy’s Hellenistic Antiquities offers an original critique of the poet as a belated antiquarian by redefining his archaeological poetics and aligning them with his Anglophilia and colonial positionality. Kayalis’s revisionist appraisal of Cavafy’s historicism presents compelling new readings of signature poems and forges new connections to overlooked homoerotic and popular sources. A brilliant contribution to Cavafy studies." – Peter Jeffreys, Associate Professor of English, Suffolk University This book reinterprets C. P. Cavafy’s historical and archaeological poetics by correlating his work to major cultural, political and sexualized receptions of antiquity that marked the turn of the 20th century. Focusing on selected poems which stage readings of Hellenistic and late ancient texts and material objects, this study probes the poet's personal library and archive to trace his scholarly sources and scrutinize their contribution to his creative practice. A new understanding of Cavafy's historicism emerges by comparing his poetics to a broad array of discourses and intellectual pursuits of his time; these range from antiquarianism, physiognomy and Egyptomania to cultural appropriations of the classics which sought to legitimate British colonial rule as well as homoerotic desire. As this volume demonstrates, Cavafy embraced antiquarianism as an empathetic and passionate way of relating to the past and shaped it into a method that allowed his poetry to render modern meanings to Hellenistic antiquities. Takis Kayalis is Professor of Modern Greek Literature at the Hellenic Open University, Greece. He has published extensively on nineteenth-century prose and modernist poetry and co-edited Teaching Literature at a Distance: Open, Online and Blended Learning (2010) and Cavafy as World Literature (forthcoming). In 2019 he co-curated the Cavafy Archive’s Digital Collection (Onassis Foundation).
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  • 68
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031409349
    Language: English
    Pages: 1 Online-Ressource(XVIII, 281 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Literature, Modern ; Literature. ; Art, Modern
    Abstract: I. Introduction. Rewriting the Soul: the Persistence of a Concept 2 -- II. Writing the Soul 23 -- 1. Egyptian Souls in Victorian Minds: The Transmigration of the “Ka” in Egyptianising Fiction -- 2. E. S. Dallas’s Literary Theory: The “Hidden Soul” and the Workings of the Imagination -- 3. “You haven’t let me call my soul my own”: Soul, psyche and the thrill of nothingness in May Sinclair’s fiction -- 4. Spectrality and Narrative Form in George Saunders’s Lincoln in the Bardo -- 5. Forging in the smithy of David Foster Wallace’s postmodern soul -- III. The Aesthetics of the Soul -- 6. Transmutations of the Soul: Anima and her Heart in Christopher Harvey’s School of the Heart (1647) -- 7. Let us go Forward: The Soul, Spiritualism and the Funerary Commemoration of Richard Cosway, Dante Gabriel Rossetti, and Evelyn de Morgan -- 8. “Dancing the American Soul: Secular and Sacred Motifs in the Choreographic American Renaissance.”- 9. Casting the Soul: Antony Gormley’s sculptures -- Sweet Soul Music -- IV. The Ethics and Politics of the Soul -- 11. Colliding Circles: Ralph Waldo Emerson’s Concept of the Soul Between Spiritual Self-Realization and Materialistic Expansion -- 12. “Souls on Board”: A Counter-History of Modern Mobility -- 13. African American Women’s Literary Renaissance: A Template for Spiritual Fiction in the 21st Century?- 14. “Persisting souls in a persisting myth: appropriation and transmigration in Ahmed Saadawi’s Frankenstein in Baghdad (2013).”.
    Abstract: This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins. Estelle Murail is a Senior Lecturer in English Literature and Culture at the Catholic University of Paris and Associate Researcher and Lecturer at the University of Paris, France. She has published several articles on the flâneur and cities, and co-edited Dickens and the Virtual City (Palgrave, 2017). Her current research focuses on urban spaces, the environment, crossings and networks, and the notion of persistence. Delphine Louis-Dimitrov is a Senior Lecturer in American Literature and Vice-Dean of the Faculty of Humanities at the Catholic University of Paris, France. Her research mostly focuses on the interplay of individuality with history and politics in fiction and autobiographical writings. Spirituality is central to her reflection on literary representations of individual and collective identities. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463457
    Language: English
    Pages: 1 Online-Ressource(XIII, 203 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature. ; Prose literature. ; Literature, Modern ; Literature, Modern ; Comparative literature.
    Abstract: 1 Introduction: Mourning as a Resistance Trope: Trauma, History and Memory in Indian Ocean Life Writing - Esther Pujolràs-Noguer & Felicity Hand -- Part I: Mourning Memoirs -- 2 The Ectopic Insider: Exploring the Interstices of Travel Writing, Memory and History in M.G. Vassanji’s And Home Was Kariakoo - Esther Pujolràs-Noguer -- 3 Of Father and Son: The Configuration of the Trauma of Return in Michael Ondaatje’s Running in the Family - Esther Pujolràs-Noguer -- Part II: Female Resilience -- 4 Rhizomatic Perennials: Resilience and Survival in Kenyan Asian Memoirs - Felicity Hand -- 5 ‘Learning to wear a sari is a rite of passage’: Shailja Patel’s Inventory of the Migrant Body in Migritude - Esther Pujolràs-Noguer -- Part III: Indian Ocean Crossing -- 6 Transoceanic Connections, Past and Present. Lindsey Collen’s The Indian Ocean as a Unifying Force: A Memoir - Felicity Hand -- 7 Banyans Behind Bars: Three South African Indian Memoirs - Felicity Hand.
    Abstract: This volume examines a selection of life writing in English by authors from the South West Indian Ocean, namely South Africa, East Africa, Mauritius and Sri Lanka. The two motifs that run through the chapters – mourning and resilience – are theoretical frameworks that have so far not been brought into conversation in this way. The combination of trauma studies and autobiographical analysis sharpens the focus of the discussions on Indian Ocean life writing, privileging an Indian Ocean imaginary that is transnational and cross-oceanic in its orientation and pointing to networks of connections that transcend the nation state, which is often the origin of trauma in the first place. Filling a gap in Indian Ocean studies in its close readings of trauma and resilience, the book also broadens perspectives on postcolonial life writing since little attention has been paid so far to Indian Ocean autobiographical literary products. By the same token, the volume also enriches the field of Indian Ocean literary studies by incorporating life writing as an aesthetic strategy which helps to configure Indian Ocean subjectivities. Esther Pujolràs-Noguer is a Serra-Húnter Fellow in the Department of Foreign Languages and Literatures of the University of Lleida, Spain. She teaches postcolonial literature and culture, gender studies and poetry in English. She is a poet and uses creative writing as a therapeutic tool to help people overcome traumas related to gender violence and forced displacements. She is the co-director with Felicity Hand of the research group Ratnakara, which explores the literatures and cultures of the South West Indian Ocean. Felicity Hand is Honorary Professor in the English Department of the Autonomous University of Barcelona, Spain.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395987
    Language: English
    Pages: 1 Online-Ressource(XXIII, 378 p. 52 illus., 46 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures. ; Art ; Art, Modern ; Art
    Abstract: Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer’s Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile’s Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich’s Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist’s Legacy. Chapter 8. Retrospective Anticipation: Georgia O’Keeffe’s Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS’s Return to Early Work -- Chapter 10. Confessin’ the Blues: The Rolling Stones’ Revisit of their Musical Roots -- Chapter 11. Artists’ Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet’s Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910).
    Abstract: “What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this “backward look,” resisting standard reductive formations such as ‘late style’ in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity – and indeed, in one memorable case, beyond the grave.” —Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams). Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449628
    Language: English
    Pages: 1 Online-Ressource(XVII, 240 p. 29 illus., 28 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Dance. ; Performing arts. ; Theater. ; Theater ; Actors.
    Abstract: 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant’s Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
    Abstract: This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being “read” in “languages” which alienate it. Even if emotion seems a significant part of people’s engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist’s personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012–2022 and head of the dance department between 2019–2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031239229
    Language: English
    Pages: 1 Online-Ressource(XXVII, 423 p. 100 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music ; Feminism. ; Feminist theory. ; Communication and traffic. ; Philosophy. ; Postcolonialism.
    Abstract: 1. Introduction: The 'Post-Feminist' Moment in Contemporary Classical Music; Lina Kouvaras -- Part 1: Activist Musical Projects and Intersectional C ollaborations -- 2. Borrowing from the Bard: Ruler of the Hive; Melody Eotvos -- 3. Letters to Clara: A Contemporary Composer's Homage to a Women Pioneer; Natalie Williams -- 4. Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andree Greenwell; Andree Greenwell -- 5. Holding, Handling, Moulding and Setting the Inner Thoughts of Another in Hidden Thoughts; Katy Abbott -- 6. Walking the Line: Emancipating the Complex Female Voice in Recent Operas; Missy Mazzoli -- 7. Democracy and Collective Composition; Cathy Milliken -- 8.Harmonia Mundi: Creating a New Work of Music Theatre to speak to the Current World Chaos; Judith Clingan -- 9. Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung; Vivian Fung -- 10. An overview of My Compositional Practice and Collaborations into China; Rachel Walker -- 11. Luck, Grief, Hospitality: Re-Routing Power Relationships in Music; Liza Lim -- 12. In Search of the Artistic Moment: Interdisciplinary Collaboration and 'The Space Between' from an Australian Screen -- Composer's Perspective; Yantra De Vilder -- Part 2: Philosophical and Phenomenological Dimensions of Time -- 13. Finding Time, Finding Space: An Autoethnography of Compositional Praxis; Christine mcCombe -- 14. A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin; Elena Kats-Chernin -- 15. Einstein's Dream: At the Threshold between Science and Art; Cindy McTee -- 16. The Pendulum Process: Point of Balance; Mary Finsterer -- 17. Gravity and Gravitas: Time, Passion, and Inevitability in the Music of Shulamit Ran; Shulamit Ran -- 18. Low Frequency as Concept in the Music of Cat Hope; Cat Hope -- 19. A Drone Opera Recast: Threat, Allure, Promise; Susan Frykberg -- Part 3: Music Awakenings: Reflecting Back, Projecting Forward -- 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition; Maria Grenfell -- 21.Finding a Reason: A Composer's Pathway Forged through Social Justice Advocacy; Kathleen McGuire -- 22.'I'm A Type Triple-A Composer!' Augusta Read Thomas -- 23. How My Music is Made: 'Tantot Libre, Tantot Recherche'; Nicola LeFanu -- 25. The Mirror: A Novel in Reflections; Lera Auerbach -- 26.Sometimes Dreams do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music; -- 27. My Awakening as a Composer: No Adjective; Judith Lang, Zaimont -- 28. Epilogue.
    Abstract: This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process. The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women. Linda Kouvaras is a professor at the Melbourne Conservatorium of Music, the University of Melbourne, Australia. Natalie Williams’ most recent academic posting was as Interim Dean at the School of Music, Art and Theatre, North Park University, Chicago, United States of America. Maria Grenfell is an associate professor at the School of Creative Arts and Media at the University of Tasmania, Australia.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031321344
    Language: English
    Pages: 1 Online-Ressource(XIX, 277 p. 46 illus., 36 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Parallel Title: Erscheint auch als
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    Keywords: Adaptation (Literary, artistic, etc.). ; Arts. ; Culture
    Abstract: INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS -- CHAPTER 1 Dave McKean: “One plus one equals three” -- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)” -- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: Alice for the iPad”.-PART 2: AFTERLIVES -- CHAPTER 4 Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt Gulliver’s Travels worldwide: street murals, adaptability and transmediality” -- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie” -- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in The New Yorker”.-PART 3: BEYOND ILLUSTRATION -- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedial consideration on clear line illustrations based on clear line film frames” -- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production” -- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s Deadly Invention”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION -- CHAPTER 10 Carol Adlam, “The Bobrov Affair: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel” -- CHAPTER 11 Xavier Giudicelli, “Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image” -- CHAPTER 12 Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations” -- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of The Little Prince to Brazilian cordel literature”.
    Abstract: This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions. Shannon Wells-Lassagne has worked extensively on film and television adaptation. She is the author of Television and Serial Adaptation, and the editor of Adapting Margaret Atwood (Palgrave), Adapting Endings, as well as of special issues of The Journal of Screenwriting, Interfaces, and TV/Series, Screen and Series. Sophie Aymes works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (inInterfaces and Image [&] Narrative), volumes on illustration (series Book Practices and Textual Itineraries), and a collection on Art and Science in Word and Image.
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031404238
    Language: English
    Pages: 1 Online-Ressource(VIII, 112 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Poetry. ; Literature, Modern ; Narration (Rhetoric). ; European literature.
    Abstract: Chapter 1- Sacrifice, Consciousness, and Narrative Pronoun Shifts -- Chapter 2- May Sinclair and Two Sides of Sacrifice -- Chapter 3 - From Ritual to Narrative in Mary Butts -- Chapter 4 - Mending a Broken Duality in H. D. (Hilda Doolittle).
    Abstract: This book explores sacrifice as a narrative theme and a stylistic strategy in works by May Sinclair, Mary Butts and H. D. It argues that the modernist experiment with pronoun use informs the treatment of acts of sacrifice in the texts, understood both as acts of self-renunciation and as ritual performance. It also suggests that sacrifice, if the conditions are right, can serve as the structure upon which a cohesive community might be built. The book offers in-depth analyses of the three authors and their works, deftly dissecting the modernist narrative experiment to show that it was by no means limited — it was a means by which to approach a wide range of stories and materials. Sanna Melin Schyllert is Visiting Lecturer at Université Sorbonne Nouvelle - Paris 3, France, having previously held posts at Lund University, the University of Westminster, and University College London. Her publications include ‘Sacrifice, Pronoun Shifts and the Creation of Self in H. D.’s Prose Works’ in The Space Between Journal (2019) and ‘Sacrifice, Community and Narrative Power in Mary Butts’s Taverner Novels’ in The Journal of Religious History, Literature and Culture (2016).
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031474606
    Language: English
    Pages: 1 Online-Ressource(XXIII, 229 p. 35 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in organizations. ; User interfaces (Computer systems). ; Human-computer interaction.
    Abstract: Introduction to Integral Communication -- The Power of Integral Networking -- Integral Communication Framework: Mapping, Tagging and Digital Identity -- Perspective of Integral Communication: The IoT Ecosystem.
    Abstract: This book explains how taxonomy can be used to describe and connect social actors in an integral way. Integral communication refers to a specific way of open information exchange which uses all qualities and preferences of subjects in conversation and allows anonymous feedback exchange, which enhances trust, learning and development. The role of integral communication is to promote perceptiveness, collaboration, personal development, and organizational learning among all the actors involved. In this book, the authors propose a new original way of digital communication that uses tags and their metadata to describe qualities and preferences of a particular node in the network. Although most social networks, sharing platforms and e-government frameworks are already applying taxonomies and social tagging to define user identity, none of them is focused on tags exclusively, while within an integral communication framework they represent the basic element of user definition and networking. In addition, other social platforms rarely allow anonymous feedback exchange, and they are usually not focused on the personal development of their end-users. Aside from helping actors present their attributes and preferences, integral communication promotes teamwork, sustainability, trust, organisational learning, and personalized communication with AI machines. After reading this book, readers will learn how to harness the power of integral networking and understand why anonymous feedback is a critical element for learning and development. Ozren Rafajac is an assistant professor at the University of Rijeka, Croatia, where he teaches e-business and cloud computing and a professor at the Polytechnic of Rijeka, Croatia, where he teaches sales management, HR management, business communications and digital marketing. He has worked on several EU-funded projects. His research interests focus on HR management, organisational intelligence, e-collaboration, communication, tourism, organisational development and leadership. Alen Jakupović is a professor at the Polytechnic of Rijeka, Croatia, where he teaches several courses in programming and project design. His scientific and professional interests include metrics and methods for information systems development, artificial intelligence, intelligent systems development, information and business systems dependability and ICT in education.
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  • 76
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031345975
    Language: English
    Pages: 1 Online-Ressource(XX, 332 p. 32 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Digital media.
    Abstract: Chapter 1. Introduction: Unlocking Memory Studies: Understanding Collective Remembrance During and of Covid-19 -- Part I Can We Speak of a Covid Memory Boom? -- Chapter 2. “It seemed right to keep some sort of history”: Performances of Digital Memory Work by Young Women in London During Covid-19 -- Chapter 3. Picturing Lockdown in the UK: Memorializing an Ongoing Crisis -- Chapter 4. #Mémoriascovid19: Reimagining and Narrating Trauma in the Core of the Covid-19 Pandemic in Brazil -- Chapter 5. The Danger of a Single Story: Epic-Pandemic Narratologies and Memorials of COVID-19 in Nigeria -- Chapter 6. Pandemic from the Margins: How United-States-Based College Students Think the Pandemic Should Be Remembered -- Part II Commemorative Events Between Memory Politics and Protests: What Has Changed During the Lockdowns? -- Chapter 7. “No quarantine to workers’ rights”: Recontextualizing Labour Day Commemoration in the Semiotic Landscape of a Pandemic Demonstration -- Chapter 8. The Struggle to Remember Tiananmen Under COVID-19 and the National Security Law in Hong Kong -- Chapter 9. “Memory Does Not Quarantine”: COVID-19, Remembering the Coup, and the Struggle for Democracy in Bolsonaro’s Brazil -- Chapter 10. Human Rights Day: Grassroots Commemoration of the 60th Anniversary of the Sharpeville Massacre Amidst the COVID-19 Pandemic Restrictions in South Africa -- Part III Memorial Museums and National Days: Did Digital Practices Transform Commemoration in Times of the Pandemic? -- Chapter 11. “Le goût d’un jour de fête”? Commemorating the End of the Second World War on Twitter During the Lockdown: A Comparison Between France and Italy -- Chapter 12. #Hashtag Commemoration: A Comparison of Public Engagement with Commemoration Events for Neuengamme, Srebrenica, and Beau Bassin During Covid-19 Lockdowns -- Chapter 13. #DigitalMemorial(s): How COVID-19 Reinforced Holocaust Memorials and Museums’ Shift Toward Social Media Memory -- Chapter 14. Holocaust Remembrance on Facebook During the Lockdown: A Turning Point or a Token Gesture? -- Chapter 15. Epilogue: Did the Pandemic Change the Future of Memory?./.
    Abstract: "This jewel of a book sets a new persuasive agenda for memory studies by an international group of scholars. Exploring individual and collective mnemonic practices that took place during Covid-19 and of Covid-19, this book offers indispensable contributions to timely questions: Has the pandemic transformed mnemonic practices? Will Covid-19 become part of collective memory?" —Vered Vinitzky-Seroussi, The Hebrew University of Jerusalem "How the Covid-19 pandemic unlocked memory. A truly international cast of authors throw light on archiving, mobilization, and the digitalization of memory – from Athens to Brazil, from Nigeria to Hong Kong. Essential reading for everyone interested in Corona and collective memory." —Astrid Erll, Goethe University Frankfurt "This innovative volume documents a profound transformation in digital memory practices triggered by the covid-19 pandemic. Empirically rich contributions interrogate mnemonic activism as a response to trauma, a form of protest and an homage to legacies of violence. It is an essential reference for the study of memory." —Denisa Kostovicova, London School of Economics and Political Science This book offers a platform for the analysis of commemorative and archiving practices as they were shaped and developed during the Covid-19 lockdown periods in 2020 and the years that followed. By offering an extensive global view the book enters a dialogue with what has emerged as an initial response to the pandemic and the ways in which it has affected memory and commemoration. It aims to critically and empirically engage with this abundance of memory tracing both memorialization of the pandemic and commemoration during the pandemic. Orli Fridman is an associate professor at the Belgrade Faculty of Media and Communications (FMK) and the academic director of the SIT learning center in Serbia. She is the author of Memory Activism and Digital Practices after Conflict: Unwanted Memories (2022). Sarah Gensburger is a professor at CNRS-Sciences Po Paris. Her most recent books are Beyond Memory. Can we really learn from the past? (Palgrave, 2020, with S. Lefranc) and Memory on my doorstep. Chronicles of the Bataclan Neighborhood (2019). .
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  • 77
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449239
    Language: English
    Pages: 1 Online-Ressource(IX, 219 p.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Religion ; Literature
    Abstract: Chapter 1: Dialectics -- Chapter 2: The Wisdom-Power Dialectic -- Chapter 3: The Ethics-Morality Dialectic -- Chapter 4: The Ideology Utopa Dialectic -- Chapter 5: The Theism-Atheism Dialectic -- Chapter 6: Summation and Closing Thoughts.
    Abstract: This book explores a heretofore unremarked linkage between Bernard Shaw, the twentieth-century French thinker Paul Ricoeur, and Jesus of Nazareth. The ties that bind them are a foundational interest in the social teachings of the Nazarene and their use of a shared dialectics with respect to living the kind of compassionate life that holds out the promise in our contemporary world of achieving something approximating universal wellness on a healthy planet at peace with itself. This work argues that the three principal subjects of the study—independently of one another—used the same dialectical method to reach the same dialectically derived conclusion about how humans can live redemptively in a fractured world. Howard Ira Einsohn was a part-time instructor at Middlesex Community College and Wesleyan University’s Institute of Lifelong Learning for a combined total of 15 years (2004-2019), most of which were spent at the former institution. During this period, he taught courses in writing, advanced writing, technical writing, literature surveys, drama and the short story, as well as courses on Ibsen, Flannery O’Connor, and Tim O’Brien.
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  • 78
    ISBN: 9783031398926
    Language: English
    Pages: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Abstract: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Abstract: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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  • 79
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031411847
    Language: English
    Pages: 1 Online-Ressource(XVI, 351 p. 15 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literatures, Cultures, and the Environment
    Parallel Title: Erscheint auch als
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    Keywords: Ecocriticism. ; Oriental literature. ; Human ecology ; Communication in the environmental sciences.
    Abstract: 1. Introduction -- Part 1: Theoretical Foundations -- 2. Christian CULAS: Protected Area Narratives in Vietnam: An Anthropological and Mesological Approach -- Part 2: Indigenous and Spiritual Narratives of the Environment -- 3. NGUYEN Thi Kim Ngan: Legends of Forest Spirits in the Central Vietnamese Highlands -- 4. Achariya CHOOWONGLERT: Tai Narrative, Ritual, and Discourses of the Environment in North Central Vietnam -- 5. THACH Mai Hoang: Animal Mercy Release, Environmental Conservation, and the Media in Vietnam -- Part 3: War Narratives and the Environment -- 6. HOANG Cam-Giang: Narratives of the Natural World in Vietnamese Postwar Movies (1986-2020) -- 7. Montira RATO: Ecopedagogy, War Memories, and Sensory Experiences of Nature in Contemporary Vietnamese Children’s Literature -- 8. Conor LAUESEN: Dinh Q. Lê's The Pure Land and Ecological Phantoms: Levitating Sarcophagi, Submerged Spirits -- Part 4: Communism, Global Markets, and the Environment -- 9. Ben TRAN: Civil War, Socialism’s Underworld, and the Environment -- 10. Sarah GRANT: Ecologies of Coffee Sustainability in the Central Highlands -- Part 5: Environmental Literature in Vietnam -- 11. NGUYEN Phuong Ngoc: Environmental Travel Narratives in the Magazine Nam Phong -- 12. CAO Lan: Gender and Environment in Nguyễn Ngoc Tu’s Narratives -- 13. TRẦN Tịnh Vy: When the City Speaks Up: Nature, City, and Identity in Lê Minh Hà's Phố vẫn gió -- 14. PHAM P. Chi: Political Dimensions in Vietnamese Ecofiction.
    Abstract: Environment and Narrative in Vietnam brings together essays about Vietnam’s natural environments and environmental crises from the perspective of culture, with particular attention to narrative templates that have shaped perceptions and interactions with nature on the part of different communities. The essays in this volume explore theoretical problems in the assessment of ecological stewardship and attitudes toward nature across cultures. They focus on both majority (Kinh) and ethnic minority narratives about nature and seek to outline how different ideas of modernization, from the French colonial project to the Marxist understanding of nature on the part of the Communist government, have shaped perceptions, policies, and activism regarding the environment. The essays also highlight the tensions and confluences between nationalist nation-building projects and economic integration into global markets for environmental thinking over the last half-century, and they analyze how texts from literary fiction to contemporary news media represent different environmental cultures in Vietnam. Taken together, the essays in Environment and Narrative in Vietnam begin to fill a significant gap in the understanding of environmental cultures in Asia and in the Environmental Humanities. This is an open access book. Ursula K. Heise is holds the Marcia H. Howard Term Chair in Literary Studies. She is co-founder and Director of the Lab for Environmental Narrative Strategies (LENS) at UCLA's Institute of the Environment and Sustainability. Her research and teaching focus on contemporary literature and the environmental humanities; environmental literature, arts, and cultures in the Americas, Germany, Japan, and Spain; literature and science; science fiction; and narrative theory. She is co-editor of Literatures, Cultures and the Environment series for Palgrave Macmillan. Chi P. Pham is a Tenured Researcher at the Institute of Literature, Vietnam Academy of Social Sciences, Hanoi. She received her first Ph.D. degree in Literary Theory in Vietnam and her second Ph.D. degree in Comparative Literature at the University of California, Riverside (USA). She is the secretary of the Association for the Study of Literature and Ecology in ASEAN (ASLE-ASEAN).
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  • 80
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219634
    Language: English
    Pages: 1 Online-Ressource(XV, 232 p. 5 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism.
    Abstract: 1. Introduction -- 2. Why study news? The democratic role of news -- 3. Understanding influences on the production of news -- 4. Routines and practices: studying the making of news -- 5. Journalism norms, values, and role perceptions -- 6. Journalism ethics -- 7. The news organisation -- 8. News audiences -- 9. News sources -- 10. Conclusion.
    Abstract: This book provides readers with the understanding required to analyse the range of key factors that shape the production of news, and to assess their implications for the role of news and journalism in democracy. It brings existing research together under the umbrella of a central organising framework to explore how news and its production is shaped by a multiplicity of factors including the norms, values, role perceptions and ethics associated with journalism as a profession, the role of news sources, the changing character and significance of news audiences, the aims and objectives of news organisations, and the political, economic and social contexts within which news is produced. Exploring these factors in depth, using examples, and considering the changing conditions of news production, the chapters chart significant changes, challenges, and responses to provide the essential background for understanding the consequences of current transformations for the democratic qualities of news. Julie Firmstone is Professor of Journalism and Political Communication at the School of Media and Communication, University of Leeds, UK. Her teaching and research explore a range of issues in the intersection between journalism, the news media, politics, and democratic engagement. She has published widely on the role of news and journalism in local democracy; journalism standards, press ethics and regulation; editorial journalism at newspapers; and communication about the European Union. .
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  • 81
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031401107
    Language: English
    Pages: 1 Online-Ressource(XII, 154 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Literature, Modern ; European literature. ; Poetry.
    Abstract: 1. ‘The Bride-Night Fire’: Hardy & the Voice of the Folk -- 2. A Pair of Blue Eyes: The Cliff-Scene and the Literary Sublime -- 3. Moments of (Technological) Vision -- 4. ‘The Withered Arm’ and History -- 5. (Un)Binding the Sheaves: Selfhood and Labour in Tess of the d’Urbervilles -- 6. ‘The Open’: Hardy and Jefferies -- 7. The d’Urberville Family Portraits: Faciality and Identity -- 8. Tess of the d’Urbervilles and the Fin de Siècle -- 9. Wayfaring -- 10. Hardy’s Lyric Voice: ‘Beeny Cliff’ -- 11. ‘The Face at the Casement’: Window Patterns in Hardy’s Poetry.
    Abstract: This book examines Thomas Hardy’s writing in both prose and poetry, focusing on issues of perception, ‘being’, class and environment. It illustrates the ways in which Hardy represents a social world which serves as a ‘horizon’ for the individual and explores the dialectic between the perceptible world and human consciousness. Ebbatson demonstrates how, in Hardy’s oeuvre, modern life becomes alienated from its roots in rural life – individual freedom is achieved in works like Tess of the d'Urbervilles, Jude the Obscure or The Woodlanders at the cost of personal insecurity and a deepening sense of homelessness. However, this development occurs against the marginalisation of dialect forms of speech. This book also explores how Hardy’s impressionist vision serves to undermine the prevailing conventions of plot structure. Roger Ebbatson is Visiting Professor at Lancaster University and Emeritus Professor at University of Worcester, UK. He is the author of numerous books, including Literature and Landscape (2013) and Landscapes of Eternal Return (2016).
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  • 82
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031383519
    Language: English
    Pages: 1 Online-Ressource(XV, 253 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Cultures and Childhoods
    Parallel Title: Erscheint auch als
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    Keywords: Children's literature. ; Comparative literature. ; Literature, Modern ; Social history.
    Abstract: Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Brontë, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children’s magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrate the variability and fluidity of literary cultures and nineteenth-century childhoods. Kristine Moruzi is an Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. She has written two monographs, Constructing Girlhood through the Periodical Press, 1850-1915 (2012) and From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (with Michelle J. Smith and Clare Bradford, 2018). She is co-editor (with Nell Musgrove and Carla Pascoe Leahy) of Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives (2019). Michelle J. Smith is an Associate Professor in Literary Studies at Monash University, Australia. Her most recent monograph is Consuming Female Beauty: British Literature and Periodicals, 1840-1914 (2022). Her other authored books are From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (2018, with Clare Bradford and Kristine Moruzi) and Empire in British Girls’ Literature and Culture: Imperial Girls, 1880–1915 (2011). .
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  • 83
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031451980
    Language: English
    Pages: 1 Online-Ressource(XI, 287 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Performing arts. ; Theater. ; Motion pictures. ; Television broadcasting. ; Motion picture acting. ; Cultural policy. ; Popular Culture.
    Abstract: Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities .
    Abstract: Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate. Mike Ingham is Adjunct Professor of English Studies in the English Department at The Chinese University of Hong Kong and a dedicated tertiary teacher and former teacher-trainer. His research interests include stage and screen drama, Shakespeare studies, Hong Kong literature in English, and drama in education. Mike is also a founder member of Theatre Action, a Hong Kong-based drama group specialising in action research on literary dramatic texts. Previous monograph publications include Staging Fictions - The Prose Fiction Stage Adaptation as Social Allegory (2004), Hong Kong - A Cultural and Literary History (2007), Stage-play and Screen-play: The Intermediality of Theatre and Cinema (2017) and The Intertextuality and Intermediality of the Anglophone Popular Song (2022). He has also produced journal articles and book chapters on adaptation for stage and screen, early modern drama, documentary and feature film in Asian and Western contexts, and drama pedagogy.
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  • 84
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393181
    Language: English
    Pages: 1 Online-Ressource(XVII, 279 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater. ; Theater ; World politics. ; World War, 1939-1945.
    Abstract: Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .
    Abstract: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.
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    ISBN: 9783031414015
    Language: English
    Pages: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in organizations. ; Sustainability. ; Political science.
    Abstract: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Abstract: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
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  • 86
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031443008
    Language: English
    Pages: 1 Online-Ressource(XV, 173 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
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    Keywords: America ; Literature, Modern ; Cities and towns
    Abstract: Introduction -- 1 Post-Civil War Stories -- 2 Art, Music, and Language -- 3 Postbellum Transitions -- 4 The “Protomodern” City -- 5 New Orleans and Chopin’s Novels -- Conclusion.
    Abstract: This book examines selected short stories and novels by Kate Chopin through the lens of the city of New Orleans. Chopin’s depictions of and references to New Orleans celebrate the vibrancy of this unique American city, but also illustrate the complex, interdependent relationships defined within its coded system of racial, gendered, and class designations. These stories feature canny depictions of the complexity of human struggles for freedom as well as love within this nineteenth-century southern city. While Chopin has been highly regarded as a local color writer and especially as a feminist literary icon, this book shows how the author’s “city” stories also point to her sophistication as an author who perceived the shifting literary landscape, and it identifies the ways many of these stories’ protomodernist elements anticipate the advent of the Modern era.
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  • 87
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416446
    Language: English
    Pages: 1 Online-Ressource(XI, 266 p. 17 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Music and Literature
    Parallel Title: Erscheint auch als
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    Keywords: Comparative literature. ; Literature. ; Music ; Culture. ; Civilization ; World politics.
    Abstract: 1. Introduction -- Section I: General Perspectives -- “National Anthems in the Nineteenth-Century: Honor Anthems vs. Revolutionary Anthems” -- 2. “What to Sing? Anthems and the Problems of National Building” -- 3. “A Connected History of Republican Anthems: Independence, Decolonization and Nationalism” -- 4. “The Voices of the Nation. The Form and Content of National Anthems” -- 5. “Resounding Nations: Anthems in Europe at War (1936-1945)” -- 6. “Songs of Redemption: A Comparison of the Anthems of European Substate Nationalisms in the Long Twentieth Century” -- Section II Case Studies -- “The National Anthem’s Moment” -- 7. “Globalization of the National Anthem: The Case of Japan and the Japanese Empire in Asia -- 8. “Displaced national anthems: An Example from Iran” -- 9. “Anthems in Schools: Negotiating National and Youth Identities in a Bilingual Florida Elementary School”. .
    Abstract: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed. Javier Moreno-Luzón is Professor of Political History at the Complutense University of Madrid, Spain. He is a specialist in the political life of Modern Spain. He has published several books in English including: Modernizing the Nation: Spain during the Reign of Alfonso XIII, 1902-1931 (2012); Metaphors of Spain: Representations of Spanish National Identity in the 20th Century (with Xosé M. Núñez Seixas, eds., 2017); and The Politics of Representation: Elections and Parliamentarism in Portugal and Spain, 1875–1926 (with Pedro Tavares de Almeida, eds., 2017). María Nagore-Ferrer is Associate Professor in Musicology at the Complutense University of Madrid, Spain. Her main area of research is Spanish music in the nineteenth and twentieth centuries. She is the author of several books, including La revolución coral (2001) and Sarasate, el violín de Europa (2013), as well as numerous articles published in national and international journals.
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  • 88
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031414442
    Language: English
    Pages: 1 Online-Ressource(XXV, 339 p. 61 illus., 45 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Photography. ; Art, Modern
    Abstract: 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio.
    Abstract: This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. Mathilde Bertrand is Senior Lecturer in the Department of English Studies at Université Bordeaux-Montaigne, France. Her research focuses on the history of independent British photography in the post-war period, particularly on the role of photography collectives, photographic magazines and the community photography movement in fostering a discussion around the politics of representation from the 1970s onwards. She has published in the journals Photography and Culture, LISA e-journal, Revue Française de Civilisation Britannique, and co-edited Ici notre défaite a commencé, on The Miners' Strike, 1984-5 (Syllepses, 2016). Karine Chambefort-Kay is Senior Lecturer in English studies and Visual Culture at Université Paris Est Créteil, France. Her research interests include the cultural, social, and political uses of images in British contemporary society, as well as exhibition and archive policies, and the issues of identity formation, memory and nationalism. She has published on various photographic practices and projects in the UK. She has published in the journals Image and Narrative, InMedia, Revue Française de Civilisation Britannique, and Archivo Papers Journal.
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  • 89
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031451430
    Language: English
    Pages: 1 Online-Ressource(XIII, 175 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Political Campaigning and Communication
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Middle East ; International relations.
    Abstract: Chapter 1. Introduction -- Chapter 2. The Media and US Foreign Policy in the MENA area: From the war on terror to the Arab Spring -- Chapter 3. The US Public Opinion: A Marginal Impact on US Foreign Policy -- Chapter 4. Interest Groups : An imperfect Impact -- Chapter 5. Think Tanks: A Circuitous Impact on US Foreign Policy -- Summary and conclusion.
    Abstract: “This is an innovative application of a brand personality model to political marketing. It is also an in-depth examination of the impact that such a model has in a unique national polity. All in all, this is a well-designed, well-executed study that is well worth reading.” —Ken Cosgrove, Professor of Political Science, Suffolk University, MA, Boston, USA “ How do American presidents justify their foreign policy in the Middle East in an era of hegemonic dominance? In this fascinating book, Touzani shows the answer is far more complicated than assumed. This work is impressive in its encyclopaedic scope. It is a welcome addition to any library on US foreign policy in the Middle East.” —Sean Yom, Associate Professor of Political Science, Temple University, USA “ After establishing the theoretical foundation for his study and drawing heavily throughout on a very impressive array of secondary and other sources, Touzani effectively traces the interaction between communications media and the main issues of US foreign policy across American administrations going back to that of US President Ronald Reagan.” —Mark Tessler, Samuel Eldersveld Collegiate Professor of Political Science, University of Michigan, USA The book examines how US media, public opinion, interest groups and think tanks respond to US Presidents’ attempts to market their foreign policies in the MENA Region. The scope of the analysis extends from the war on terror to the so-called Arab Spring. It focuses on some case studies including the Arab-Israeli conflict and the Iran nuclear deal. The book fills a gap in the literature pertaining to analyzing US foreign policy in the MENA area from a political communication perspective rather than from IR or a political-theory angle, which remains the dominant literature. In so saying, the book will appeal to students, researchers as well as thinks tanks and policy makers. Fouad Touzani is currently the founder and director of Ibn Ghazi Arabic Institute in Morocco. He has presented many research papers in many international conferences. His research interests include foreign policy, international security and political communication.
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  • 90
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418549
    Language: English
    Pages: 1 Online-Ressource(XVII, 350 p. 4 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Ethnology ; Culture. ; Popular Culture.
    Abstract: 1: Introduction and Background -- 2: Zimdancehall's Pre-History and Roots -- 3: Zimdancehall and Youth Culture -- 4: The Zimdancehall Underground and Youth Resistance from the Margins -- 5: Zimdancehall Music and the Voices of Zimbabwean Youth -- 6: Say Their Name: Zimdancehall Chanters & the Politics of Representation -- 7: Zimdancehall and The State -- 8: Zimdancehall and Everyday Urbanism -- 9. Zimdancehall's Elite Capture -- 10: Soul Jah Love's Necropolitianism -- 11: Soul Jah Love and Representations of Orphanhood and Motherhood in Zimdancehall -- 12: Soul Jah Love and the Ambivalent Representation of Women in Zimdancehall -- 13: Feminist Zimdancehall's Subversion of Women's Objectification -- 14: Religion and Spirituality in Zimdancehall -- 15: Zimdancehall and Afrofuturism -- 16: Zimdancehall's Future.
    Abstract: Zimdancehall is a musical movement in Zimbabwe that has grown significantly since 2010. The Zimdancehall Revolution brings together critical essays on various aspects of Zimdancehall culture by scholars from diverse disciplines. Traditionally, music critics and senior academics have not taken Zimdancehall seriously, regarding it as vulgar, transient, bubble gum, lacking depth, and in short, a fad. There were also allegations that the lyrics influenced factionalism, incited violence and glorified drug use and unbridled promiscuity among the youth. This book affords this movement the protracted intellectual engagement that it deserves and argues that Zimdancehall is more than just a musical genre but an everyday culture, a way of life. The genre’s close association with the ghetto is telling and enables critics to look at it as a social movement, a revolution, or a raw, petulant and raging disturbance of peace by those who live their lives on the margins. It is, thus, a violent irruption onto the public space by marginalised young people whose presence as artistes creating art from the margins, simultaneously as victims and agents, circulating in a geography that escapes the limits of nationalist ideological and physical territory, in a way subverts communitarian prescriptions and allows young people entry into the world, albeit in a painful, tumultuous and violent way. The essays range from the mapping of the genre’s historical development to theoretical interventions in understanding the genre and its relationship with various aspects of the Zimbabwean society like politics, gender, religion, language, dance, cultural values and other genres.
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  • 91
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400674
    Language: English
    Pages: 1 Online-Ressource(XXII, 264 p. 206 illus., 202 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Popular music. ; Service industries.
    Abstract: Section One: Record -- 1. An Introduction to How Sound Works -- 2. Speakers -- 3. Digital Audio Workstation (DAW) -- 4. Digital -- 5. Hardware -- 6. Gain Staging -- 7. Microphones -- 8. Phase -- 9. Room Acoustics -- 10. Recording Tips -- Section Two: Mix -- 11. Equalisers (Eq) -- 12. Dynamics -- 13. Effects -- 14. Subgroups -- 15. Monitoring in Mono -- 16. Mid-Side Processing -- 17. Transients -- 18. Panning -- 19. Plosives -- 20. Zero Crossing and Crossfades -- 21. Mixing Tips -- Section Three: Master -- 22. What is Mastering -- 23. Prepare Your Track for Mastering -- 24. Mastering Tools -- 25. Dither -- 26. Metering -- 27. Mastering Your Song – Things to Consider.
    Abstract: This textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering. Simon Duggal is an award-winning producer/composer who has been producing, writing, recording, editing and mixing music for more than 30 years. He has made records for many top international artists including: Shania Twain, Maxi Priest, Erasure, Apache Indian, Janet Kaye, Errol Reid (China Black), Nusrat Fateh Ali Khan, The Beat, Luciano, Desmond Dekker, Dillinger and many more. Duggal has composed music for adverts for companies including: Pepsi, Intel, Toshiba, Etisalat, Etihad and composed title and incidental music for a BAFTA winning UK TV drama. He is also an MA specialist mentor at the British and Irish Modern Music University in Birmingham, UK. Paul Rogers is the Course Leader for Postgraduate Studies at the British and Irish modern Music University in Birmingham, UK, and a seasoned music industry veteran. He holds a PhD in music composition from Goldsmiths (UK).
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  • 92
    ISBN: 9783031362798
    Language: English
    Pages: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Abstract: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Abstract: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
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  • 93
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031427985
    Language: English
    Pages: 1 Online-Ressource(XIV, 330 p. 18 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Urban Studies
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    Keywords: Literature, Modern ; Literature, Modern ; Space. ; Culture. ; Art, Modern ; Performing arts. ; Theater. ; Cities and towns
    Abstract: “(Im)mobility, Peripherality, and the City: Theoretical Orientations and Concepts”, Patricia García; Anna-Leena Toivanen (University of Alcalá; University of Eastern Finland) -- “Cihuateteo Wandering: navigating the Mexican Urban Space as a Woman”, Orly Cortés (UAM-Xochimilco) -- “Urban Ambivalence: Work and Home at Delhi’s margins”, Anubhav Pradhan (Indian Institute of Technology Bhilai) -- “The Nomadic Subject in Teju Cole’s Open City”, Aristi Trendel (Le Mans University) -- “Space, Mobility, and Belonging: Finding One’s Way through Pre-Apartheid Johannesburg”, Sophie U. Kriegel (Leipzig University) -- “Moving Upward in the City: Modes of Transport and Social Mobility in New York, My Village: A Novel and Behold the Dreamers", Lena Englund (University of Eastern Finland) -- “Delhi on the Move: a Literary Account on Urban Mobility”, Valentina Barnabei (Ca’ Foscari University of Venice and Heidelberg University) -- “Abject Urban-Rural Mobilities by Public Transport in Ousmane Sembène's "Niiwam" and Yvonne Vera's Without a Name”, Anna-Leena Toivanen (University of Eastern Finland) -- “'We take boundaries very seriously here at Positron!’: Transitions and Liminal Space in Margaret Atwood’s The Heart Goes Last”, Olga Springer (Dublin City University) -- “Space, Borders and Cognition in Urban Diasporic Fiction”, Johan Schimanski (University of Oslo) -- “What Lurks in the Peripheries: The Unusual in Liminal Suburban Territories in Recent Short Story Collections”, Rosa-María Cobo (Universidad de Burgos) -- “Moving on the Fringes of Literary Barcelona: Contemporary Novels from the Catalan Peripheries”, Patricia García (Universidad de Alcalá) -- “Once upon a Queer: Sexual Monstrosity, Sexual Misery and the Metropolis”, Jean-Philippe Imbert (Dublin City University) -- “From the Cartographic Fringes: Map Mobilizations and the Urban”, Tania Rossetto (University of Padova) -- “Narratives of Border Crossing in Kati Horna’s Photographic Tales”, Karla Segura Pantoja (CY Cergy Paris Université) -- “Urban//Rural: An Art Perspective”, Federica Mirra (Birmingham City University) -- “The (Political) Power of Not Moving”, Inga Iwasiów and Maciej Kowalewski (University of Szczecin).
    Abstract: Urban Mobilities in Literature and Art Activism explores the entwinement of mobility and immobility in urban spaces by focusing on their representation in literary narratives but also in visual and performing arts. Across a range of geographical contexts, this volume builds on the new mobilities paradigm developed by literary scholars, sociologists and human geographers. The different chapters employ a cohesive framework that is sensitive to the intersecting dimensions of power and discrimination that shape urban kinetic features. The contributions are divided into three sections, each of which places the focus on a different aspect of urban mobility: Itinerant Subjects, Modes of Transport and Places of Transit, and Urban Liminalities. Patricia García is a senior researcher in Literary Theory and Comparative Literature at the Universidad de Alcalá (Spain), where she currently leads a Ramón y Cajal project on urban peripheries in contemporary literature (2020-2025, Ministerio de Universidades, ES and European Social Fund) . Her research focuses on literary urban spaces, which she analyzes at their intersections with peripherality, gender and with representations of the supernatural. She is the author of The Urban Fantastic in Nineteenth-Century European Literature (Palgrave, 2021) and Space and the Postmodern Fantastic in Contemporary Literature (Routledge, 2015). She has held fellowships and research grants from the Netherlands Institute for Advanced Study, the Helsinki Collegium for Advanced Studies and the British Academy. She directs the network Fringe Urban Narratives (urbanfringes.com). She is the Vice-President of ALUS: Association for Literary Urban Studies, a member of the Executive Committees of the European Society of Comparative Literature and part of the editorial board of BRUMAL: Research Journal on the Fantastic. She is co-editor of the Palgrave series Literary Urban Studies. Anna-Leena Toivanen is Academy Research Fellow at the School of Humanities at the University of Eastern Finland. Her current research project, funded by the Academy of Finland (2021-2025), focuses on the poetics of mobility in Francophone African literatures. She has held a Marie Skłodowska-Curie Individual Fellowship at the University of Liège (2017-2019). Her monograph Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures was published by Brill in 2021, and she is currently working on her second book entitled Afroeuropean Mobilities in Francophone African Literatures (Palgrave Macmillan) She acts as the literary studies subject editor of the Nordic Journal of African Studies and has previously acted as the editor-in-chief of the Finnish literary studies journal Avain (2018-2019). She is in the editorial board of Mobility Humanities. She has co-edited a special issue entitled “European Peripheries” for the Journal of Postcolonial Writing (2021) and is currently guest-editing a special issue on public transport in African literatures for English Studies in Africa (forthcoming in 2024).
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  • 94
    ISBN: 9783031427718
    Language: English
    Pages: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Social media. ; Africa ; Identity politics.
    Abstract: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Abstract: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
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  • 95
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031459764 , 3031459768
    Language: English
    Pages: 1 Online-Ressource (XIX, 226 Seiten)
    Edition: 1st ed. 2024
    Series Statement: Global Transformations in Media and Communication Research - A Palgrave and IAMCR Series
    Parallel Title: Erscheint auch als Epistemic Rights in the Era of Digital Disruption
    DDC: 302.231
    Keywords: Digital media ; Human rights ; Mass media Political aspects ; Digital and New Media ; Politics and Human Rights ; Media Policy and Politics
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  • 96
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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  • 97
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    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031522840
    Language: English
    Pages: 1 Online-Ressource(XII, 188 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Bernard Shaw and His Contemporaries
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Theater ; Literature, Modern ; Drama.
    Abstract: Chapter 1: Introduction -- Chapter 2: Love and Marriage -- Chapter 3: Morals and Manners -- Chapter 4: Comedies of Realism and Romance -- Chapter 5: The Theatre of War -- Chapter 6: Deeper Waters -- Chapter 7: Drama and Contemporary Society -- Chapter 8: Post-War Drama and Fiction -- Chapter 9: Last Plays -- Chapter 10: The Entertainer.
    Abstract: Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123) Roger Kojecky: After an Oxford University English Faculty D. Phil. he held teaching positions in Tokyo and London University (lecturing on drama). He has been Secretary of the Christian Literary Studies Group, Oxford, and edits The Glass, covering a range of academic literature with articles and reviews. .
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  • 98
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472114
    Language: English
    Pages: 1 Online-Ressource(XV, 353 p.)
    Edition: 1st ed. 2024.
    Series Statement: Italian and Italian American Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion pictures, American.
    Abstract: Chapter 1/Introduction Daniele Fioretti and Fulvio Orsitto -- PART I -THE IMMIGRANT EXPERIENCE :Silent Films -- Chapter 2 Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramas Irene Lottini -- Chapter 3The Italian (1915) and the Representation of Italian Immigrants in Silent American Cinema Bernard Kuhn Revising Gender and Ethnic Perspectives -- Chapter 4: Italianness and Foundational Masculinity in Edward Dmytryk’s Rendition of Pietro Di Donato’s Christ in Concrete Gloria Pastorino -- Chapter 5 A Sting from the Past: Femininity and Ethnic Roots in Helen De Michiel’s Tarantella (1995) Daniele Fioretti -- Chapter 6: The Celluloid Closet: Sex, Power, and Coming Out Repression of the Italian American Closet in Nunzio’s Second Cousin (1994), Kiss Me, Guido (1997), and Mambo Italiano (2003) Ryan Calabretta-Sajder -- Chapter 7From True Love (1989) to Union Square (2011): Recovering the Exploded Family in Nancy Savoca’s Films Gloria Pastorino -- Chapter 8: A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio’s Amexicano (2007) Claudia Peralta and Fulvio Orsitto -- PART II - ITALIAN AMERICANS IN OTHER MEDIA -- Chapter 9: Italian American Gangsters Taking on a New Line of Work in Luc Besson’s The Family (2013) Rosetta Caponetto Giuliani -- Chapter 10: The Transnational Puppet: From Italy and Back Federico Pacchioni -- Chapter 11: Comfortable and Uncomfortable Fictions: Italian Americans in the First Decades of Television Fulvio Orsitto -- Chapter 12: Looking Back, Moving Forward: Italian Americans on Television from the 1970s to the1990s Fulvio Orsitto -- Chapter 13: Italian Americans on Television in the New Millennium: From Small to Smaller Screen(s) Fulvio Orsitto -- Chapter 14: The Goddess and the Huntress: Diana and DC’sHelena Bertinelli Felice Italo Beneduce -- Chapter 15: CNN’s Searching for Italy: Stanley Tucci as Foodways Icon Alan J. Gravano -- Chapter 16: Chef/Cook, Influencer, Mixologist, Travel Host: Stanley Tucci as Everyman Alan J. Gravano -- Chapter 17: An Unlimited Memeiosis of The Godfather: Diachronic and Synchronic Observations of a Pervasive and Ubiquitous Meme Anthony Dion Mitzel -- PART III - INTERVIEWS -- Chapter 18: Interview with Helen De Michiel Daniele Fioretti -- Chapter 19: Interview with Tony Vitale Daniele Fioretti -- Chapter 20: Interview with Michela Musolino Daniele Fioretti -- Chapter 21: Interview with Anthony Julian Tamburri Ryan Calabretta-Sajder.
    Abstract: Italian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith’s Biograph Italian Dramas (1908-1913) to the present day. Building on the editors’ previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films and is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films and Barker’s The Italian, 1915), and “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), and Bonifacio’s Amexicano (2007) – and survey essays that discuss the Italian American ‘celluloid closet’ and some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media. Daniele Fioretti is Associate Teaching Professor of Italian at Miami University, USA. He is the author of Utopia and Dystopia in Postwar Italian Literature (2017) and Carte di fabbrica. La narrativa industriale in Italia 1934-1989 (2013). He co-edited the book Italian Americans in Film: Establishing and Challenging Italian American Identities (2022). Fulvio Orsitto is Director of the Georgetown University campus in Fiesole, Italy. He has published more than thirty essays and book chapters on Italian and Italian American literature and cinema, and has edited and co-edited ten volumes, including Pasolini: American Perspectives (2015), TOTalitarian ARTs: The Visual Arts, Fascism(s) and Mass-society (2017), and Italian Americans in Film: Establishing and Challenging Italian American Identities (2022).
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  • 99
    ISBN: 9783031493867
    Language: English
    Pages: 1 Online-Ressource(XIX, 373 p. 3 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature ; Literature ; Knowledge, Theory of.
    Abstract: 1: Introduction (Davor Beganović, Zrinka Božić, Andrea Milanko, and Ivana Perica) -- PART I: SYNECDOCHIC PROCEDURES -- 2: Analytical vs Synthetic Theories in 1920s Russia (Aage A. Hansen-Löve) -- 3: The Leopard in the Temple: Svetozar Petrović and the Zagreb School (Predrag Brebanović) -- 4: An Analysis of Cultural Icons: A Synecdochic Procedure (Dagmar Burkhart) -- 5: The Points of No Return: The Avant-Garde and the Institutional Crisis (Marina Protrka Štimec) -- PART II: PROCEDURES OF ACCOUNTABILITY -- 6: Inter-esse: Narrative, Theory, and the Stakes of Literature (Tomislav Brlek) -- 7: Studying Literary Multilingualism, Revisiting National Philology: Post-Imperial East-Central European Literature as a Testing Ground (Stijn Vervaet) -- 8: The Rhetoric of the Unsayable (Renate Lachmann) -- 9: Reading the Cultural Trauma: Újvidék Raid (Nevena Daković) -- PART III: PROCEDURES OF MATERIALISM 172 -- 10: The Economies of Theory and Resistance (Stipe Grgas) -- 11: Procedures of Synthesis: Mannheim’s and Lukács’s Third Ways (Ivana Perica) -- 12: On the Heuristic Validity of Aesthetics: Economy, Media and Power in Arkadij and Boris Strugatskijs’ Monday Begins on Saturday (1965) (Jurij Murašov) -- 13: Justice and Guilt: Death and the Dervish by Meša Selimović (Davor Beganović) -- PART IV: MASTERING PROCEDURE -- 14: Is Literary Theory Possible? Interpreting Crisis, Mastering Procedures (Zrinka Božić) -- 15: Literature’s Theories (Svend Erik Larsen) -- 16: Literary Theory and the Return of the Lyric (Andrea Milanko) -- PART V: RESISTING PROCEDURES -- 17: On Halt! (Vivian Liska) -- 18: Writing the Theoria: Genre occidental, Jean-Luc Nancy and Pascal Quignard, a Footnote to Plato’s Seventh Letter, 344c (Nenad Ivić) -- 19: The Stereoscopic Effects of Theory: Procedures of Contingency or Contingencies of Procedure? Notes on the Relationship Between Speculative Realism and Aleatory Materialism (Aleksandar Mijatović).
    Abstract: This volume explores the state of literary theory today, decades after the repeatedly proclaimed end of theory. It builds on the idea that theory is historically constituted as it is “always becoming something else” as Leslie Fiedler claimed in the 1950s, arguing that the historical constitution of theory relies on theory’s procedural nature. In order to assess theory’s procedural challenge to the fundamental notions that all the disciplines within an episteme have brought to the fore, it addresses these questions: What are the procedures theory has relied on? Are they a secret to its resistance, or is resistance its primary procedure? And if so, a resistance to what? Secondly, if resistance were theory’s principal vehicle, at which point does resistance, conceptualized only procedurally (as resisting something, questioning anything, criticizing whatever), display hallmarks of a disciplinary closure that must call for new resistances, and perhaps for a fundamentally another kind? The book turns to what theory does in order to avoid a partial answer to what theory is. Davor Beganović is Lecturer in the Slavic Department of the University of Tübingen and a Research Fellow at the Slavic Department of the University of Münster, Germany. He is the author of Pripovijedanje bez kraja: "Hrvatska pripovjedačka Bosna" od Ive Andrića do Nebojše Lujanovića (2022). Zrinka Božić is an Associate Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of The Community in Avant-Garde Literature and Politics (2022). Andrea Milanko is an Assistant Professor of Literary Theory and History in the Faculty of Humanities and Social Sciences at the University of Zagreb, Croatia. She is the author of Pripovjedna proza Slobodana Novaka (forthcoming). Ivana Perica is Postdoctoral Researcher at the Leibniz Center for Literary and Cultural Research (ZfL), Berlin, Germany, and author of Die privat-öffentliche Achse des Politischen: Das Unvernehmen zwischen Hannah Arendt und Jacques Rancière (2016).
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  • 100
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031523151
    Language: English
    Pages: 1 Online-Ressource(XIV, 259 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature. ; Comparative literature. ; Communication in science.
    Abstract: Chapter 1. Pierre Boulle’s Planet of the Apes (1963) From Novel to Screenplay, Bernard Montoneri, Independent Researcher, Taiwan; Murielle El Hajj, Lusail University, Qatar -- Chapter 2. Travelling through Time and Space in the Works of Russian Speaking Science Fiction Writers, Iryna B. Morozova, Odesa Mechnikov National University, Ukraine -- Chapter 3. El anacronópete (1884, 1887), the First Journey in a Time Machine in Hispanic literature, Fernando Darío González Grueso, Tamkang University, Taipei Rachid Lamarti, Tamkang University, Taipei -- Chapter 4. The Ice People (1968), a story of humankind’s auto-destruction, Murielle El Hajj, Lusail University, Qatar -- Chapter 5. ‘I’m just a traveller’: Doctor Who and the Wibbly Wobbly Histories of Time and Space, Alyson Miller and Eleanore Gardner, Deakin University, Australia -- Chapter 6. Time Travel in M. Bugakov's Master and Margarita, Anna Toom, Touro College & University System, New York, USA -- Chapter 7. Chronotopes, Afrotropes, and Restorative Aesthetics in Pauline Elizabeth Hopkins’s Of One Blood: Or, The Hidden Self, Michaela Keck, Carl von Ossietzky University of Oldenburg, Germany -- Chapter 8. Femi Osofisan’s One Legend, Many Seasons, Oyewumi Olatoye, Agunbiade & Enongene Mirabeau, Sone, Walter Sisulu University, South Africa -- Chapter 9. Time Travel in Japan and The Girl who Leapt through Time, Akiyoshi Suzuki, Nagasaki University, Japan -- Chapter 10. The Concept of Time Travel in Vedic Literature- A Perspective, Beena Giridharan, Curtin University, Malaysia.
    Abstract: Time travel is an important theme in literature and other arts. This excellent collection introduces readers to some of the most innovative and influential works and offers insightful discussions of works from different literary traditions and in different forms, both famous classics and new discoveries. For anyone interested in this theme and its various manifestations, reading this collection will be remarkably rewarding. Professor Zhang Longxi, Hunan Normal University, China The book consists of fascinating chapters that explore in depth various themes related to time travel. Each chapter focuses on a different literary work or medium and explores how time travel has influenced different cultures, literature, and philosophies. It is a highly engaging resource for exploring this interesting topic from the perspectives of different literary works and cultures. Professor Yoriko Ishida, National Institute of Technology, Oshima College, Japan. In this wonderful collection, time travel is read under the temporal gaze of capitalism and imperialism, history and modernity, and across the undulating sheets of time. It is an essential edition to the field of time travel studies and a form of revelatory chrononautics. One enters the book and moves across the great and small histories of time and space. Professor Sean Redmond, Deakin University, Australia. Time Travel in World Literature and Cinema discusses various literary works, movies, and TV series with a special focus on time travel. Each chapter is written by professors and scholars from various countries, including the US, Japan, Germany, France, Spain, Taiwan, South Africa, Qatar, Russia, Ukraine and Australia. The book addresses themes of racism, sexism, feminism, and social injustice as well as dystopian futures. This will appeal to students and scholars studying science fiction, dystopian literature, world literature, and world cinema. Bernard Montoneri was an Associate Professor in the Department of European Languages and Cultures at the National Chengchi University, Taipei, Taiwan until January 2020. He is now an independent researcher. He has around 60 publications and was the co-founder and editor-in-chief of the IAFOR Journal of Education until 2017. He is the editor of the IAFOR Journal of Literature and Librarianship since 2019.
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