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  • Hochschulschrift  (678)
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  • Art History  (901)
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  • 1
    ISBN: 9783835355064 , 3835355066
    Language: German
    Pages: 347 Seiten , Illustrationen, Diagramme, Karten , 22.7 cm x 14,5 cm
    Series Statement: Polen: Kultur - Geschichte - Gesellschaft Band 8
    Series Statement: Polen: Kultur - Geschichte - Gesellschaft
    Parallel Title: Erscheint auch als Rochow, Frank, 1985 - Architektur und Staatsbildung
    Dissertation note: Dissertation Martin-Luther-Universität Halle-Wittenberg 2021
    DDC: 940.28
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    Keywords: zweite Hälfte 19. Jahrhundert (1850 bis 1899 n. Chr.) ; Europäische Geschichte ; Frühe moderne Kriegsführung (inklusive Schießpulver) ; Geschichtsforschung: Quellen ; Gewalt, Intoleranz und Verfolgung in der Geschichte ; Krakau ; Ukraine ; Galizien ; Habsburger ; Lwiw ; Lwów ; Militärgeschichte ; Monarchie ; Territorialherrschaft ; Verwaltung ; k.u.k ; polnische Unabhängigkeitsbewegung ; Österreich-Ungarn ; Hochschulschrift ; Habsburger Dynastie : 1200- ; Krakau ; Lemberg ; Befestigung ; Militarismus ; Verwaltung ; Geschichte 1848-1870 ; Krakau ; Lemberg ; Habsburger Dynastie : 1200- ; Befestigung ; Militarismus ; Geschichte 1848-1870
    Abstract: Eine interdisziplinäre Analyse von Aushandlungsprozessen staatlicher Herrschaft am Beispiel des habsburgischen Befestigungsbaus in Galizien nach 1848.Die Revolution von 1848/49 stellte die Habsburgermonarchie vor existentielle Herausforderungen. Nur mit militärischer Gewalt konnte dieser Staat zusammengehalten und die habsburgische Herrschaft im Inneren gesichert werden. Die folgenden Jahre waren gekennzeichnet von einer überragenden Stellung des Militärs und einer umfassenden Modernisierung des habsburgischen Staates.Frank Rochow zeigt an Fallstudien zu Lemberg und Krakau, dass Befestigungsbauten nicht nur Ausdruck, sondern auch ein wesentliches Instrument zur Umsetzung dieses Prozesses waren. Über die detaillierte Analyse der Planungs- und Realisierungsgeschichte der Bauprojekte arbeitet er die Mechanismen heraus, mit denen der habsburgische Staat versuchte, sein Territorium gegen polnische Unabhängigkeitsbestrebungen zu behaupten und flächendeckend zu durchdringen. Die Unzulänglichkeiten des habsburgischen Verwaltungsapparates und die Herausforderungen durch lokale Akteur:innen setzten diesem Herrschaftsanspruch jedoch Grenzen, deren genauer Verlauf in der Interaktion vor Ort immer wieder neu ausgehandelt wurde. Daraus ergibt sich ein dynamisches Bild staatlicher Herrschaft zu einem kritischen Zeitpunkt des habsburgischen Staatsbildungsprozesses
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource
    Dissertation note: Diplomarbeit Leipzig, Hochschule für Grafik und Buchkunst 2023
    DDC: 100
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    Keywords: Hochschulschrift
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  • 3
    ISBN: 9783731512387
    Language: German
    Pages: 1 Online-Ressource (363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Gantner, Manuela Das "friedliche Atom" als Narrativ in Politik, Wissenschaft und Design
    Dissertation note: Dissertation Karlsruher Institut für Technologie (KIT) 2022
    DDC: 303.483
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    Keywords: Hochschulschrift ; Deutschland ; Kunst ; Kernenergie ; Geschichte 1953-1978
    URL: Volltext  (kostenfrei)
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  • 4
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 5
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 6
    Image
    Image
    Memphis, TN : Dixon Gallery and Gardens | New Haven ; London : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten
    DDC: 709.2396073
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    Keywords: Simpson, Merton Daniel ; Porter, James A. ; Geschichte 1950-1980 ; Künstler ; Kunst ; Künstlerin ; Schwarze ; USA ; African American art / 20th century / Exhibitions ; Porter, James A. / (James Amos) / 1905-1970 / Exhibitions ; Simpson, Merton D. / (Merton Daniel) / 1928-2013 / Exhibitions ; Art noir américain / 20e siècle / Expositions ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 22.10.2023-14.01.2024 ; Ausstellungskatalog Crocker Art Museum 04.02.2024-19.05.2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Schwarze ; Künstler ; Künstlerin ; Kunst ; Geschichte 1950-1980 ; Porter, James A. 1905-1970 ; Simpson, Merton Daniel 1928-2013
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone
    Note: Impressum: This publication was produced in conjunction with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023 - January 14, 2024, and at the Crocker Art Museum, Sacramento, February 4 - May 19, 2024
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  • 7
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 8
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
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    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 9
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 10
    Image
    Image
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
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    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 11
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231555807
    Language: English
    Pages: 1 Online-Ressource (287 Seiten)
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, 1989 - The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9780231205023 , 9780231205030
    Language: English
    Pages: xi, 287 Seiten , Illustrationen
    Series Statement: Literature now
    Parallel Title: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
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    Keywords: American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Abstract: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9780367754815 , 9780367754822
    Language: English
    Pages: 237 Seiten , Illustrationen
    Series Statement: Routledge research in transnational indigenous perspectives
    Uniform Title: Signifying futures : future imaginaries in indigenous North American literatures and new media arts
    Parallel Title: Erscheint auch als Baudemann, Kristina The future imaginary in indigenous North American arts and literatures
    Dissertation note: Dissertation Europa-Universität Flensburg 2019
    DDC: 810.9/897
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    Keywords: Science fiction, American Indian authors ; History and criticism ; American fiction 21st century ; History and criticism ; Science fiction, Canadian Indian authors ; History and criticism ; Canadian fiction 21st century ; History and criticism ; Indian art ; Indian arts 21st century ; Indian arts 21st century ; Hochschulschrift ; Nordamerika ; Indianer ; Literatur ; Kunst ; Zukunft ; Geschichte 1970-2021
    Abstract: Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy.
    Abstract: "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--
    Note: Includes bibliographical references and index , "This book is a revised version of the doctoral dissertation 'Signifying futures : future imaginaries in indigenous North American literatures and new media arts', written and defended at the Europa-Universität Flensburg."
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  • 14
    ISBN: 9783949257025
    Language: German
    Pages: 407 Seiten , Illustrationen
    Series Statement: Veröffentlichungen der Schwäbischen Forschungsgemeinschaft Band 48
    Series Statement: Reihe 1, Studien zur Geschichte des Bayerischen Schwaben
    Dissertation note: Dissertation Universität Stuttgart 2018
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    Keywords: Kunst ; Sakralbau ; Barock ; Kirchenbau ; Ausstattung ; Oberschwaben ; Hochschulschrift ; Oberschwaben ; Barock ; Sakralbau ; Geschichte 1710-1780
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 15
    ISBN: 9783954905195 , 3954905191
    Language: English
    Pages: 158 Seiten, 56 ungezählte Seiten , Illustrationen, Karten , 24 cm x 17 cm
    Series Statement: Studien zur islamischen Kunst und Archäologie Band 3
    Series Statement: Studien zur islamischen Kunst und Archäologie
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Chicago 2014
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    Keywords: Geschichte 750-900 ; Palast ; Abbasidenreich ; Irak ; Jawsaq al-Khāqānī ; Art History ; Archaeology ; Islamic art and architecture ; Architectural history ; Middle Eastern Studies ; Kunstgeschichte/Islamische Kunstgeschichte ; Altertumswissenschaften ; Hochschulschrift ; Jawsaq al-Khāqānī ; Geschichte 750-900 ; Irak ; Abbasidenreich ; Palast ; Geschichte 750-900
    Note: Literaturverzeichnis: Seite [141]-151
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  • 16
    Language: German
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Visuelle Geschichtskultur 19
    Series Statement: Visuelle Geschichtskultur
    Uniform Title: Die sowjetischen Ehrenmale in Berlin und Wien : zum geschichtspolitischen Umgang mit einem schwierigen Erbe (1945-2010)
    Parallel Title: Erscheint auch als Töpfer, Steffi, 1978 - Ungeliebtes Erbe
    Dissertation note: Dissertation Universität Leipzig 2019/2020
    DDC: 709.47080904
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    Keywords: Sozial- und Kulturgeschichte ; Berlin ; Berlin-Treptow ; Entstehungsgeschichte ; Sowjetunion ; Symbole sowjetischer Präsenz ; Wien ; Zweiter Weltkrieg ; monumentale Siegesdenkmäler ; Hochschulschrift ; Berlin ; Wien ; Siegesdenkmal ; Sowjetunion ; Architektur ; Kollektives Gedächtnis ; Geschichtspolitik ; Geschichte 1945-2010 ; Sowjetisches Ehrenmal ; Sowjetisches Ehrenmal ; Befreiungsdenkmal
    Abstract: Unmittelbar nach dem Ende des Zweiten Weltkriegs errichtete die Sowjet­union monumentale Siegesdenkmäler in den Zentren Wiens (Schwarzenbergplatz) und Berlins (Tiergarten). 1949 folgte als dritte Anlage das Ehrenmal in Berlin-Treptow, das größte Monument seiner Art außerhalb der Sowjetunion. Neben ihrer Funktion als Ruhestätte für die Gefallenen der Roten Armee sollten diese Anlagen in beiden Hauptstädten als dauerhafte Symbole sowjetischer Präsenz dienen. Erstmals werden die drei Denkmalsanlagen auf einer breiten Quellenbasis vergleichend untersucht sowie kunsthistorisch und erinnerungskulturell eingeordnet. Die Studie zeichnet ihre Entstehungsgeschichte nach und leuchtet in einer langen zeitlichen Perspektive ihre Nutzung und geschichtspolitische Bedeutung in den unterschiedlichen politischen Systemen vielfältig aus.
    Note: Quellen- und Literaturverzeichnis: Seite 212-232
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 17
    ISBN: 9783839462881
    Language: German
    Pages: 1 Online-Ressource , 124 SW-Abbildungen
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig, Deutschland 2020
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    Keywords: Geschichte 1960-1989 ; Geschichte 1960-1990 ; Kollektives Gedächtnis ; Rezeption ; Judenvernichtung ; Nationalsozialismus ; Vergangenheitsbewältigung ; Kunst ; Deutschland ; Deutschland ; Kunst ; DDR ; Bundesrepublik ; Nationalsozialismus ; Nachkriegszeit ; Aufarbeitung ; Erinnerungskultur ; Erinnerungsdiskurs ; Kunstrezeption ; Deutsch-deutsches Verhältnis ; Museum ; Kunstgeschichte des 20. Jahrhunderts ; Politische Kunst ; Kunstwissenschaft ; Art ; GDR (East Germany) ; Federal Republic of Germany ; National Socialism ; Post-war ; Refurbishment ; Memory Culture ; Memory ; Art Reception ; Art History of the 20th Century ; Political Art ; Fine Arts ; Hochschulschrift ; Nationalsozialismus ; Judenvernichtung ; Rezeption ; Deutschland ; Deutschland ; Kunst ; Kollektives Gedächtnis ; Geschichte 1960-1990 ; Deutschland ; Deutschland ; Nationalsozialismus ; Vergangenheitsbewältigung ; Kunst ; Kollektives Gedächtnis ; Geschichte 1960-1990 ; Deutschland ; Deutschland ; Nationalsozialismus ; Vergangenheitsbewältigung ; Kunst ; Kollektives Gedächtnis ; Geschichte 1960-1989
    Abstract: In der Bundesrepublik Deutschland und in der DDR setzten sich Künstler*innen in vielfältigen Ausdrucksformen und Stilen mit der nationalsozialistischen Vergangenheit auseinander. Dabei wurde das künstlerische Schaffen nicht nur durch staatsübergreifende Erinnerungsdiskurse beeinflusst. Vielmehr erzielten künstlerische Auseinandersetzungen mit der Vergangenheit eine emotionalisierende Wirkung auf das Ausstellungspublikum in Ost- und Westdeutschland und beeinflussten somit auch die Vergangenheitsdiskussionen. Florian Korn untersucht diese Auseinandersetzungen mit der NS-Vergangenheit sowie die Auswirkungen von Bildern auf den deutsch-deutschen Erinnerungsdiskurs in vergleichender Perspektive.
    Note: September 2022
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  • 18
    ISBN: 9783837660845
    Language: German
    Pages: 403 Seiten , Illustrationen , 24 cm
    Edition: 1. Auflage
    Series Statement: Image Band 207
    Series Statement: Image
    Uniform Title: Arte Argentino - Bildende Kunst in Bewegung. Marta Minujín und Luis Felipe Noé
    Parallel Title: Erscheint auch als Geuer, Lena Arte argentino - Ästhetik und Identitätsnarrative in der argentinischen Kunst
    Dissertation note: Dissertation Heinrich-Heine-Universität Düsseldorf 2020
    DDC: 709.8209045
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    Keywords: Kunst ; Ästhetik ; Argentinien ; Hochschulschrift ; Argentinien ; Kunst ; Ästhetik ; Nationalbewusstsein ; Geschichte 1960-2022 ; Minujin, Marta 1943- ; Noé, Luis Felipe 1933- ; Argentinien ; Kunst ; Ästhetik ; Nationalbewusstsein ; Geschichte 1960-2022 ; Noé, Luis Felipe 1933- ; Minujin, Marta 1943-
    URL: Cover
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  • 19
    ISBN: 9791037018656
    Language: French
    Pages: 388 Seiten , Illustrationen, Faksimiles , 26 x 21 cm
    Uniform Title: Reconsidération du surréalisme 1945-1969 (du "Déshonneur des poètes" au "surréalisme éternel")
    Dissertation note: Dissertation Université Paris 10 2019
    DDC: 306.094409044
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    Keywords: Geschichte 1945-1969 ; Surrealismus ; Frankreich ; Hochschulschrift
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  • 20
    ISBN: 9783700182184
    Language: English
    Pages: 1 Online-Ressource (417 Seiten) , Illustrationen, Diagramme, Karten
    Series Statement: Denkschriften / Österreichische Akademie der Wissenschaften, Philosophisch-historische Klasse 530. Band
    Series Statement: Veröffentlichungen zur Sozialanthropologie Band 26
    Parallel Title: Erscheint auch als Feiglstorfer, Hubert, 1967 - Material aspects of building and craft traditions
    Dissertation note: Habilitationsschrift Technische Universität Wien 2022
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    Keywords: Hochschulschrift ; Himalaja ; Architektur ; Baustoff ; Traditionale Kultur
    Abstract: Der Himalaya bietet sich für die Forschung zu Handwerkstraditionen durch dessen vielfältige naturräumliche Gegebenheiten an. Das Buch zeigt anschaulich Zusammenhänge zwischen natur- und kulturräumlichen Parametern und regionalen Bau- und Handwerkstraditionen und deren Einfluss auf die materielle Kultur im Himalaya.
    Note: Überarbeitete Fassung der Habilitationsschrift des Autors an der TUW (Acknowledgements)
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  • 21
    ISBN: 9783837658507
    Language: German
    Pages: 442 Seiten , Illustrationen, Karten
    Series Statement: Architekturen Band 64
    Series Statement: Architekturen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Technische Universität Darmstadt 2014
    DDC: 720.94309041
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    Keywords: Schultze-Naumburg, Paul ; Rudorff, Ernst ; March, Otto ; Bund Heimatschutz ; Deutscher Bund Heimatschutz ; Geschichte 1904-1939 ; Heimat ; Nationalbewusstsein ; Architektur ; Architekturtheorie ; Bund Heimatschutz ; Kaiserreich ; Nationalsozialismus ; Olympiastadion Berlin ; Ernst Rudorff ; Volkstum ; Heimat ; Nationalisierung ; Kollektive Identität ; Architektur ; Kulturgeschichte ; Geschichte des 20. Jahrhunderts ; Architectural Theory ; German Empire ; National Socialism ; Olympia Stadium Berlin ; Home ; Nationalization ; Collective Identity ; Architecture ; Cultural History ; History of the 20th Century ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bund Heimatschutz ; Heimat ; Nationalbewusstsein ; Architektur ; Geschichte 1904-1939 ; Rudorff, Ernst 1840-1916 ; Schultze-Naumburg, Paul 1869-1949 ; March, Otto 1845-1913 ; Deutscher Bund Heimatschutz ; Heimat ; Nationalbewusstsein ; Architektur ; Geschichte 1904-1939
    Note: Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 22
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 23
    Image
    Image
    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 24
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 25
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 26
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 27
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Iveković, Sanja ; Abramović, Marina ; Sozialismus ; Kunst ; Kulturpolitik ; Künstlerin ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 28
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469664644 , 9781469664637
    Language: English
    Pages: xiii, 231 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; USA ; Karibik
    Note: Literaturverzeichnis Seite 203-220
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  • 29
    ISBN: 9783906927275 , 390692727X
    Language: German
    Pages: 463 Seiten , Illustrationen , 25 cm
    Series Statement: Basel Southern Africa studies 13
    Dissertation note: Dissertation Universität Bayreuth 2020
    DDC: 709.688109051
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    Keywords: Geschichte ; Kunst ; Kolonialismus ; Kollektives Gedächtnis ; Namibia ; Hochschulschrift
    Note: Auf der Titelrückseite: Diese Arbeit entstand im Rahmen des Exzellenzclusters Africa Multiple, an der Universität Bayreuth, gefördert durch die Deutsche Forschungsgemeinschaft (DFG) im Rahmen der Exzellenzstrategie des Bundes und der Länder - EXC 2052/1 - 390713894
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  • 30
    Book
    Book
    Basel : Basler Afrika Bibliographien
    ISBN: 9783906927275 , 390692727X
    Language: German
    Pages: IX, 463 Seiten , Illustrationen
    Series Statement: Basel Southern Africa Studies 13
    Series Statement: Basel Southern Africa Studies
    Dissertation note: Dissertation Universität Bayreuth 2020
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    Keywords: Geschichte ; Kollektives Gedächtnis ; Kolonialismus ; Kunst ; Namibia ; Hochschulschrift ; Namibia ; Kunst ; Kolonialismus ; Kollektives Gedächtnis ; Geschichte
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  • 31
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 32
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Language: English
    Pages: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Edition: First issued in paperback
    Series Statement: Routledge companions
    Series Statement: Visual studies
    DDC: 700.8996073
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    Keywords: African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Note: First published 2020 by Routledge
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  • 33
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
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  • 34
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Language: English
    Pages: xii, 224 Seiten , Illustrationen
    Series Statement: The John Hope Franklin series in African American history and culture
    Parallel Title: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
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    Keywords: Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Note: Includes bibliographical references and index
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  • 35
    Book
    Book
    Delhi : B.R. Publishing Corporation
    ISBN: 9789388789714
    Language: English
    Pages: xii, 108 Seiten , Illustrationen (farbig), Karte , 29 cm
    Dissertation note: Dissertation Sri Venkateswara University, Tirupati 2006
    DDC: 294.4095485
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    Keywords: Jainism ; Jaina architecture ; Jaina art ; Jaina architecture ; Jaina art ; Jainism ; India ; Rayalaseema ; Hochschulschrift ; Rayalaseema ; Jainismus ; Kunst ; Architektur
    Note: Enthält Bibliografie: Seite 79-85
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  • 36
    ISBN: 9783662640746
    Language: German
    Pages: XV, 258 Seiten , Illustrationen , 21 cm, 366 g
    Series Statement: Research
    Parallel Title: Erscheint auch als Kommoß, Fabian Alexander Die Sichtbarmachung des Unsichtbaren
    Parallel Title: Erscheint auch als Kommoß, Fabian Alexander Die Sichtbarmachung des Unsichtbaren
    Dissertation note: Dissertation Universität Potsdam 2020
    DDC: 755.943927095209023
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    Keywords: Hochschulschrift ; Japan ; Zen-Buddhismus ; Malerei ; Unsichtbarkeit ; Visualisierung ; Ästhetik ; Mokuan Budai ; Japan ; Zen-Buddhismus ; Kunst ; Visualisierung
    Note: Literaturverzeichnis: Seite 249-258
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  • 37
    ISBN: 9783830992394
    Language: German
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen, Plan
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Musikleben ; Kunstbetrieb ; Kunst ; Popmusik ; London ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    ISBN: 9783786128755
    Language: German
    Pages: 216 Seiten , Illustrationen, Diagramme , 30 cm
    Series Statement: Jahrbuch der Berliner Museen Neue Folge, 61. Band, Beiheft (2020)
    Series Statement: Jahrbuch der Berliner Museen
    Dissertation note: Dissertation Hochschule für Bildende Künste Dresden 2020
    DDC: 759.3
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    Keywords: Hochschulschrift ; Friedrich, Caspar David 1774-1840 Der Mönch am Meer ; Friedrich, Caspar David 1774-1840 Abtei im Eichwald ; Maltechnik ; Friedrich, Caspar David 1774-1840 ; Maltechnik ; Malmaterial ; Friedrich, Caspar David 1774-1840 Der Mönch am Meer ; Friedrich, Caspar David 1774-1840 Abtei im Eichwald
    Note: Literaturverzeichnis: Seiten 169-183
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  • 39
    ISBN: 9783731906353 , 373190635X
    Language: German
    Pages: 448 Seiten , Illustrationen, Karten, Pläne , 30 cm x 22 cm, 1200 g
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte 189
    Series Statement: Studien zur internationalen Architektur- und Kunstgeschichte
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2016
    DDC: 726.09498409034
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    Keywords: Hochschulschrift ; Hermannstadt ; Braşov ; Gesellschaftsordnung ; Sakralbau ; Architektur ; Geschichte 1880-1900 ; Siebenbürgen ; Hermannstadt ; Kronstadt ; Sakralbau ; Stadt ; Gesellschaftsordnung ; Geschichte 1880-1900
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  • 40
    ISBN: 9783496016649
    Language: German
    Pages: 231 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ruppio, Christin, 1985 - Karl Ernst Osthaus und der Hohenhof in Hagen
    Dissertation note: Dissertation Technischen Universität Dortmund
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    Keywords: Hochschulschrift ; Osthaus, Karl Ernst 1874-1921 ; Hohenhof
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  • 41
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 42
    Book
    Book
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Language: English
    Pages: 282 Seiten
    DDC: 391.00973
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    Keywords: Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 43
    ISBN: 9783906927275
    Language: German
    Pages: IX, 463 Seiten , Illustrationen
    Series Statement: Basel Southern Africa studies 13
    Series Statement: Basel Southern Africa studies
    Dissertation note: Dissertation Universität Bayreuth 2020
    DDC: 709.688109051
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    Keywords: Hochschulschrift ; Namibia ; Kunst ; Kolonialismus ; Kollektives Gedächtnis ; Geschichte ; Namibia ; Deutschland ; Kolonialismus ; Erinnerung ; Denkmal ; Vergangenheitsbewältigung
    Note: Literaturverzeichnis: Seiten 425-463
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  • 44
    ISBN: 9783991060390
    Language: German
    Pages: 1 Online-Ressource (350 p.) , Illustrationen
    Parallel Title: Erscheint auch als Obermeir, Reinhard Hans Semper: Visionär der Kunstgeschichte im 19. Jahrhundert
    Dissertation note: Dissertation Universität Innsbruck 2020
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    Keywords: History of art / art & design styles ; Exhibition catalogues & specific collections ; Hochschulschrift ; Semper, Hans 1845-1920 ; Universität Innsbruck Institut für Kunstgeschichte ; Geschichte 1876-1918 ; Semper, Hans 1845-1920
    Abstract: Hans Semper was born in 1845 to well known architect Gottfried Semper, who is most famous for creating the „Semperoper“ in Dresden. This study gives insight into his academic and personal biography. Semper was called to the University of Innsbruck as a private lecturer in 1876 to establish the recently founded discipline of art history. While teaching and researching until his retirement from professorship in 1916, Semper, as the first tenured professor, created an institute that could easily stand up to comparison with the larger universities of Vienna, Munich or Berlin. For this, he used state of the art teaching materials, such as photographies, diapositives, printed works and an extensive academic library, all of which later became the foundation of the „Sempersammlung“.
    Note: German
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  • 45
    ISBN: 9783961761258 , 3961761256
    Language: German
    Pages: 112 Seiten , 80 Illustrationen, 1 Karte , 28 cm x 19.5 cm
    Edition: 1. Auflage
    Series Statement: Sammlungskataloge des Lippischen Landesmuseums 2
    Series Statement: Sammlungskataloge des Lippischen Landesmuseums
    DDC: 730.96707443565
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    Keywords: Scheideler, Karl-Josef ; Lippisches Landesmuseum Detmold ; Geschichte 1960-1980 ; Sammlung ; Plastik ; Souvenir ; Maske ; Subsaharisches Afrika ; Afrika ; kulturelles Phänomen ; Souvenirkunst ; Schwarzafrika ; Zentralafrika ; Westafrika ; Touristenkunst ; Airport Art ; Katalog ; Hochschulschrift ; Katalog ; Katalog ; Lippisches Landesmuseum Detmold ; Afrika ; Plastik ; Maske ; Sammlung ; Subsaharisches Afrika ; Plastik ; Souvenir ; Geschichte 1960-1980 ; Scheideler, Karl-Josef 1936-2020 ; Sammlung ; Lippisches Landesmuseum Detmold
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  • 46
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 47
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 48
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 50
    Book
    Book
    München : Universitätsbibliothek Ludwig-Maximilians-Universität München
    ISBN: 9783959250733
    Language: German
    Pages: XIII, 668 Seiten , Illustrationen
    Series Statement: Dissertationen der LMU München Band 19
    Series Statement: Dissertationen der LMU München
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2017
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    Keywords: Museum Fünf Kontinente ; Islamische Kunst ; Museum ; Keramik ; Deutschland ; Hochschulschrift ; Deutschland ; Museum ; Islamische Kunst ; Keramik ; Museum Fünf Kontinente ; Islamische Kunst ; Keramik
    URL: Volltext  (kostenfrei)
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  • 51
    ISBN: 9781478007326
    Language: English
    Pages: 1 Online-Ressource (241 Seiten)
    Parallel Title: Erscheint auch als Beck, John, 1963 - Technocrats of the imagination
    DDC: 700.1/050973
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    Keywords: Technology and the arts History 20th century ; Military-industrial complex ; Arts Experimental methods ; Art / Criticism & Theory ; Electronic books ; USA ; Medienkunst ; Militärtechnik ; Geschichte 1960-1969 ; Experiments in Art and Technology ; Laboratorium ; Militär
    Abstract: Science, Art, Democracy -- A Laboratory of Form and Movement: Institutionalizing Emancipatory Technicity at MIT -- The Hands-on Approach: Engineering Collaboration at E.A.T. -- Feedback: Expertise, LACMA and the Think-Tank -- How to Make the World Work -- Heritage of Our Times.
    Abstract: "TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdis ...
    Note: A cultural politics book , Includes bibliographical references and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 52
    Language: German
    Pages: 39 Seiten , Illustrationen, Karte
    Dissertation note: Bachelorarbeit Universität München 2020
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    Keywords: Therese ; Museum Fünf Kontinente ; Indigenes Volk ; Sachkultur ; Südamerika ; Hochschulschrift ; Indigenes Volk ; Südamerika ; Sachkultur ; Therese Bayern, Prinzessin 1850-1925 ; Museum Fünf Kontinente Sammlung
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  • 53
    Image
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    Associated volumes
    In:  Journal Fünf Kontinente / Museum Fünf Kontinente Band 3 (2018/19), Seite 96-151
    Language: English
    Pages: Illustrationen
    Titel der Quelle: Journal Fünf Kontinente / Museum Fünf Kontinente
    Publ. der Quelle: München, 2020
    Angaben zur Quelle: Band 3 (2018/19), Seite 96-151
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    Keywords: Indigenes Volk ; Stab ; Prophet ; USA ; Indigenes Volk ; USA ; Prophet ; Stab
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  • 54
    Image
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Language: English
    Pages: 320 Seiten , Illustrationen
    Edition: First edition
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    Keywords: Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Note: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 55
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource , Illustrationen, Karten
    Series Statement: Alltag & Kultur 13
    Parallel Title: Elektronische Reproduktion von Binder, Beate Streitfall Stadtmitte
    Dissertation note: Habilitationsschrift Humboldt-Universität zu Berlin 2007
    DDC: 307.12120943155
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    Keywords: Geschichte 1999-2006 ; Geschichtsbewusstsein ; Kommunalpolitik ; Kontroverse ; Volkskunde ; Rekonstruktion ; Stadtplanung ; Platzgestaltung ; Politische Auseinandersetzung ; Schlossplatz ; Stadtschloss Berlin ; Hochschulschrift ; Schlossplatz ; Platzgestaltung ; Stadtplanung ; Geschichtsbewusstsein ; Kontroverse ; Schlossplatz ; Stadtplanung ; Kommunalpolitik ; Volkskunde ; Stadtschloss Berlin ; Rekonstruktion ; Politische Auseinandersetzung ; Geschichte 1999-2006
    Note: Literaturverzeichnis: Seite [305]-327
    URL: Volltext  (kostenfrei)
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  • 57
    ISBN: 9781912248667 , 1912248662
    Language: English
    Pages: xii, 431 Seiten , Illustrationen , 20 cm
    Parallel Title: Erscheint auch als Howell, Patrick Dispatches from the Vanguard
    DDC: 973.933
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    Keywords: Trump, Donald ; Trump, Donald ; Arts Political aspects ; Art, Black 21st century ; Multiculturalism in art ; Political culture ; Presidents ; African Americans Politics and government 21st century ; American literature African American authors 21st century ; African Americans Intellectual life 21st century ; African Americans ; Intellectual life ; African Americans ; Politics and government ; American literature ; African American authors ; Art, Black ; Arts ; Political aspects ; Multiculturalism in art ; Political culture ; Politics and government ; Presidents ; United States Politics and government 2017- ; United States ; USA ; Politische Kultur ; Trump, Donald 1946- ; Multikulturelle Gesellschaft ; Person of Color ; Geschichte 2017-2021
    Abstract: "A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book" -- Provided by the publisher
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  • 58
    ISBN: 9783825369378 , 3825369374
    Language: German
    Pages: 478 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Heidelberg transcultural studies volume 5
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2014
    DDC: 940
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    Keywords: Jesuiten ; Geschichte 1600-1800 ; Architektur ; Kirchenbau ; Gartenkunst ; Interkulturalität ; Macht ; Repräsentation ; Mission ; Peking ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: "Die vorliegende Studie ist die erweiterte Fassung einer Dissertationsschrift, welche von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg im Wintersemester 2014 angenommen wurde."
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  • 59
    Book
    Book
    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Language: English
    Pages: 241 Seiten , Illustrationen
    DDC: 759.13
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    Keywords: Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Abstract: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Abstract: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9783954901227 , 3954901226
    Language: German
    Pages: XVI, 58 Seiten, 76 Tafeln , Illustrationen, Karten , 31 cm, 890 g
    Series Statement: Ausgrabungen Kharab Sayyar Band 4
    Series Statement: Ausgrabungen Kharab Sayyar
    Parallel Title: Erscheint auch als
    Dissertation note: Magisterarbeit Goethe-Universität Frankfurt
    DDC: 729.50956912
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    Keywords: Geschichte 700-1000 ; Ausstattung ; Ausgrabung ; Wohngebiet ; Stuck ; Moschee ; Islamische Architektur ; Wohnraum ; Charāb Sējār ; Kunstgeschichte ; Archäologie ; Kulturgeschichte ; Mittlerer Osten ; Wanddekoration ; Archäologie/Außereuropäische Archäologie ; Kunstgeschichte/Islamische Kunstgeschichte ; Hochschulschrift ; Charāb Sējār ; Wohngebiet ; Wohnraum ; Moschee ; Stuck ; Ausstattung ; Ausgrabung ; Geschichte 700-1000 ; Charāb Sējār ; Islamische Architektur ; Geschichte 700-1000
    Note: Aus dem Vorwort des Herausgebers: "Die hier präsentierten Ergebnisse stellen eine überarbeitete Version ihrer Magisterarbeit [...] sowie ihrer Masterarbeit [...] dar; hinzu kommt noch die Bearbeitung von wenigen Fragmenten, die in einem großen Gebäude auf dem antiken Tell im Südosten der Siedlung Kharab Sayyar geborgen wurden."
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  • 61
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter | Ann Arbor, Michigan : ProQuest
    ISBN: 9783825378387
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Heidelberg transcultural studies volume 5
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    Keywords: Jesuiten ; Geschichte 1600-1800 ; Architektur ; Kirchenbau ; Gartenkunst ; Interkulturalität ; Macht ; Repräsentation ; Mission ; Peking ; Hochschulschrift
    Note: Description based on publisher supplied metadata and other sources
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  • 62
    Book
    Book
    Lincoln : University of Nebraska Press
    ISBN: 9781496202123
    Language: English
    Pages: xi, 254 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rezeption ; Indigenes Volk ; Soziale Verantwortung ; Kunst ; Kunstwerk ; USA ; Indian arts / Study and teaching ; Education, Higher / Aims and objectives ; Museums and Indians ; Cultural awareness ; Cultural awareness ; Education, Higher / Aims and objectives ; Museums and Indians ; USA ; Indigenes Volk ; Kunst ; Soziale Verantwortung ; USA ; Indigenes Volk ; Kunstwerk ; Rezeption
    Abstract: "'Knowing Native Arts' brings Nancy Marie Mithlo's Native, insider perspective to understanding the significance of indigenous arts in national and global milieus"--
    Abstract: "Knowing Native Arts brings Nancy Marie Mithlo's Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals."--book jacket
    Description / Table of Contents: Introduction: Dangerous for the heart -- 1. "The Manner in Which Knowledge Grows" -- 2. Native Arts' Visual Remix -- 3. Indigenous Arts Movements at Home and Abroad -- 4. On the Other Side of the Ocean -- 5. Postidentity Claims, Realism, and Radical Restructuring -- 6. The Encyclopedic Gaze -- 7. Decentering Durham -- 8. American Indians and Museums: The love/hate relationship -- Conclusion: The good fight -- Notes
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  • 63
    ISBN: 9783954903306 , 395490330X
    Language: German
    Pages: 264 Seiten, 56 Tafeln , Illustrationen , 30 cm x 24 cm, 1450 g
    Series Statement: Monographien zur Indischen Archäologie, Kunst und Philologie Band 26
    Series Statement: Monographien zur indischen Archäologie, Kunst und Philologie
    DDC: 745.670954709024
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    Keywords: Hochschulschrift ; Kalpasūtra ; Illuminierte Handschrift ; Ikonographie ; Geschichte 1400-1600 ; Kalpasūtra ; Handschrift ; Ikonographie ; Kalpasūtra ; Buchmalerei ; Miniatur
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 64
    ISBN: 9781439914236
    Language: English
    Pages: x, 235 Seiten , Illustrationen
    Additional Information: Rezensiert in Reynolds, Daniel P. Memory Passages: Holocaust Memorials in the United States and GermanyNatasha Goldman 2021
    Parallel Title: Erscheint auch als Goldman, Natasha, 1970 - Memory passages
    DDC: 940.5318640943
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    Keywords: Holocaust memorials ; Holocaust memorials ; Memorialization ; Memorialization ; Art and history ; Art and history ; USA ; Deutschland ; Judenvernichtung ; Denkmal ; Kollektives Gedächtnis ; USA ; Deutschland ; Denkmal ; Judenvernichtung
    Abstract: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust
    Note: Literaturverzeichnis: Seite 219-227 , Register
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  • 65
    Language: German
    Pages: 39 Seiten , Illustrationen, Karte
    Dissertation note: Bachelorarbeit Universität München 2020
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    Keywords: Therese ; Museum Fünf Kontinente ; Indigenes Volk ; Sachkultur ; Südamerika ; Hochschulschrift ; Indigenes Volk ; Südamerika ; Sachkultur ; Therese Bayern, Prinzessin 1850-1925 ; Museum Fünf Kontinente Sammlung
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  • 66
    Image
    Image
    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 67
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 68
    ISBN: 9783942214308 , 394221430X
    Language: German
    Pages: 448 Seiten , Illustrationen
    Dissertation note: Dissertation Hochschule für Grafik und Buchkunst 2018
    DDC: 700.103
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    Keywords: Hochschulschrift ; Botschaft e.V. ; Kulturarbeit ; Engagierte Kunst ; Raum ; Zwischennutzung
    Note: Literatur- und Quellenverzeichnis: Seite 362-409
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  • 69
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 70
    Language: German
    Pages: 56 Seiten , Illustrationen
    Dissertation note: Masterarbeit [Ludwig-Maximilians Universität München] 2019
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    Keywords: Museum Fünf Kontinente ; Kopfbedeckung ; Textilien ; Traditionale Kultur ; Kamerun ; Hochschulschrift ; Kamerun ; Traditionale Kultur ; Textilien ; Kopfbedeckung ; Museum Fünf Kontinente Sammlung
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  • 71
    Book
    Book
    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Language: English
    Pages: xiii, 134 Seiten , Illustrationen
    Series Statement: Richard D. Cohen lectures in African and African American Art
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    Keywords: Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 72
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Language: English
    Pages: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Keywords: Einfluss ; Massenkultur ; USA ; Hawaii
    Note: Bibliography Seite 256-264
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  • 73
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520299825
    Language: English
    Pages: ix, 236 Seiten , Illustrationen
    Dissertation note: Dissertation University of California
    DDC: 759.952
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    Keywords: Koga, Harue Criticism and interpretation ; Arts, Japanese Criticism and interpretation 20th century ; Avant-garde (Aesthetics) 20th century ; Hochschulschrift ; Japan ; Koga, Harue 1895-1933 ; Moderne ; Kunst ; Avantgarde
    Abstract: Introduction : parallel modernism -- Escaping academicism : watercolor, individualism, and popular art -- From form to content : cubism remixed -- Reconciling subjectivity and objectivity : expressionism, Paul Klee, and a new theory of watercolor -- Scientific surrealism : a parallel surrealism -- Collage modernity : machines, bodies, and nature in surrealist art -- Epilogue : surrealism's survival in wartime Japan.
    Abstract: "This significant historical study recasts modern art in Japan as a "parallel modernism" that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895-1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist's major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals"--Provided by publisher
    Note: Literaturverzeichnis Seite 213-226
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  • 75
    ISBN: 9780367345426 , 0367345420 , 9780367345426
    Language: English
    Pages: XII, 372 Seiten , Illustrationen , 22 cm
    Series Statement: Archaeology and religion in South Asia
    DDC: 731.8894509541
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    Keywords: Hindu gods in art ; Hindu goddesses in art ; Hindu sculpture ; Hindu sculpture Collectors and collecting ; Hindu goddesses in art ; Hindu gods in art ; Hindu sculpture ; Asia ; Ganges River Valley ; Hochschulschrift ; Südasien ; Indien ; Bangladesch ; Hinduismus ; Ganges ; Gangestal ; Gangesebene ; Plastik ; Götter ; Göttin ; Sammeln ; Sammler ; Kunst ; Museum ; Archäologie
    Note: Im Vorwort: "This monograph is an outcome of my doctoral thesis submitted to the Jawaharlal Nehru University, New Delhi." , $dDissertation$eJawaharlal Nehru University, New Delhi
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  • 76
    Language: German
    Pages: 1 Online-Ressource (196 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Großmann, Maya Anna Rosalie Kunst gegen den Identitätsverlust
    Dissertation note: Dissertation Frankfurt am Main, Johann Wolfgang Goethe-Universität 2018
    DDC: 303.482
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    Keywords: Hochschulschrift ; Hansen-Jacobsen, Niels 1861-1941 ; Plastik ; Nationalbewusstsein ; Hansen-Jacobsen, Niels 1861-1941
    URL: Volltext  (kostenfrei)
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  • 77
    ISBN: 9781478001874 , 9781478003007
    Language: English
    Pages: xvi, 534 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chicano and Chicana art
    Parallel Title: Erscheint auch als Chicano and Chicana art
    DDC: 704.03/6872073
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    Keywords: Mexican American art ; Mexican American artists ; Art Political aspects ; Art and society ; Aufsatzsammlung ; USA ; Chicanos ; Kunst
    Note: Includes bibliographical references and index
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  • 78
    Book
    Book
    Baden-Baden : Tectum Verlag
    ISBN: 9783828842076 , 3828842070
    Language: German
    Pages: VIII, 450 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Gottfried Wilhelm Leibniz Universität Hannover 2016
    DDC: 363.6909431
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    Keywords: Geschichte 1989-2015 ; Geschichte 1926-1995 ; Neubewertung ; Denkmalschutz ; Denkmalpflege ; Berlin ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Denkmalschutz ; Denkmalpflege ; Geschichte 1989-2015 ; Deutschland ; Berlin ; Denkmalschutz ; Denkmalpflege ; Neubewertung ; Geschichte 1926-1995
    URL: Cover
    URL: Cover
    URL: Cover
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  • 79
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 80
    ISBN: 9783496016243 , 3496016248
    Language: English
    Pages: 246 Seiten , Illustrationen , 25 cm
    Additional Information: Rezensiert in Du Crest, Sabine, 1963 - [Rezension von: Anna Grasskamp, Objects in Frames. Displaying Foreign Collectibles in Early Modern China and Europe] 2020
    Uniform Title: Cultivated curiosities
    Dissertation note: Dissertation Universiteit Leiden 2013
    DDC: 709.510744
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    Keywords: Hochschulschrift ; Europa ; China ; Raritätenkammer ; Kunstwerk ; Präsentation ; Geschichte 1500-1700 ; China ; Europa ; Kulturaustausch ; China ; Europa ; Kulturaustausch ; Kunst ; Sammeln ; Geschichte 1500-1700 ; Europa ; China ; Exotismus ; Kunst ; Kunsthandwerk ; Raritätenkammer ; Chinoiserie ; Sammlung ; Präsentation ; Geschichte 1500-1699
    Note: Dissertation erschienen unter dem Titel: Cultivated Curiosities : a comparative study of Chinese artifacts in European Kunstkammern and European objects in Chinese elite collections , Mit Register
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  • 81
    Book
    Book
    Konstanz : Konstanz University Press
    ISBN: 9783835391147 , 3835391143
    Language: German
    Pages: 290 Seiten , Illustrationen, Pläne , 23 cm
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
    DDC: 720.94309042
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    Keywords: Geschichte 1880-1936 ; Funktionalität ; Zweckbau ; Aufbauorganisation ; Ablauforganisation ; Unternehmen ; Organisation ; Architektur ; Deutschland ; Kulturgeschichte ; Mediengeschichte ; Architekturgeschichte ; Gründerzeit ; Stummfilm ; Weimarer Republik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Zweckbau ; Funktionalität ; Ablauforganisation ; Aufbauorganisation ; Geschichte 1880-1936 ; Architektur ; Unternehmen ; Organisation ; Geschichte 1880-1936
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  • 82
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 83
    ISBN: 9783954903689
    Language: English
    Pages: 116 Seiten , Illustrationen, Pläne, Karten , 27 cm
    Series Statement: Menschen - Reisen - Forschungen Band 5
    Series Statement: Menschen, Reisen, Forschungen
    DDC: 728.5096216
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    Keywords: Hochschulschrift ; Gebäude des ehemaligen Hotels Shepheard ; Geschichte ; Shepheard's Hotel ; Ägypten ; Grandhotel ; Geschichte
    Note: Seite 9: "This book, in large part the publication of my MA thesis, ..."
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  • 84
    Language: German
    Pages: 56 Seiten , Illustrationen
    Dissertation note: Masterarbeit [Ludwig-Maximilians Universität München] 2019
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    Keywords: Museum Fünf Kontinente ; Kopfbedeckung ; Textilien ; Traditionale Kultur ; Kamerun ; Hochschulschrift ; Kamerun ; Traditionale Kultur ; Textilien ; Kopfbedeckung ; Museum Fünf Kontinente Sammlung
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  • 85
    ISBN: 9783862056248 , 3862056244
    Language: German
    Pages: 321 Seiten , Illustrationen , 23 cm, 467 g
    Dissertation note: Dissertation Universität Trier 2017
    DDC: 390.0952
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Japan ; Geruch ; Räucherung ; Kultur ; Ästhetik ; Geschichte 1603-1868 ; Kōdō
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  • 86
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    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Language: English
    Pages: 93 Seiten , 22 cm
    DDC: 700.411
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    Keywords: Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Abstract: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 87
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
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    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 88
    ISBN: 3746742250 , 9783746742250
    Language: German
    Pages: 389 Seiten , Illustrationen , 24 x 17 cm
    Parallel Title: Erscheint auch als Enders, Tina Behagliche Monumentalität in Frankfurt
    Dissertation note: Dissertation Technische Universität Berlin 2018
    DDC: 720
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Jügelhaus ; Architektur ; Stadt ; Gesellschaft
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  • 89
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Language: English
    Pages: xx, 318 Seiten , Illustrationen , 28 cm
    Series Statement: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Keywords: African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Note: Includes bibliographical references and index
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  • 90
    ISBN: 9781943263141 , 9781943263141
    Language: English
    Pages: 149 Seiten , Illustrationen , 23 cm
    RVK:
    Keywords: Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Abstract: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 91
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 92
    Online Resource
    Online Resource
    Wien : Böhlau Verlag
    Language: German
    Pages: 1 Online-Ressource (350 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Hanisch, Ruth, 19XX - Moderne vor Ort
    Dissertation note: Habilitation ETH Zürich 2015
    DDC: 720.943613109041
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    Keywords: Hochschulschrift ; Wien ; Architektur ; Moderne ; Architekturtheorie ; Geschichte 1889-1938 ; Städtebau
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  • 93
    Language: German
    Pages: 1 Online-Ressource (389 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Enders, Tina Behagliche Monumentalität in Frankfurt
    Dissertation note: Dissertation Berlin, Technische Universität Berlin 2017
    DDC: 720
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Jügelhaus ; Architektur ; Stadt ; Gesellschaft
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  • 94
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
    RVK:
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9783868324877 , 3868324879
    Language: German
    Pages: 576 Seiten , 27 cm
    DDC: 759.13074435514
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    Keywords: Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; Ausstellungskatalog Wallraf-Richartz-Museum & Foundation Corboud 23.11.2018-24.03.2019 ; Aufsatzsammlung ; USA ; Malerei ; Plastik ; Geschichte 1670-1980 ; USA ; Kunst
    Abstract: "Es war einmal in Amerika. 300 Jahre US-Amerikanische Kunst" bietet einem breiten Publikum die einmalige Chance, der US-amerikanischen Kunst mit einem aktuellen Blick zu begegnen und nicht zuletzt auch das jeweils eigene Amerikabild zu erweitern. Der Band umfasst den Zeitraum von 1650 bis 1950 und bietet Einblicke in die Kunst der Kolonialzeit bis hin zu den Meistern des amerikanischen Realismus und Abstrakten Expressionismus. Die Lebendigkeit, Innovationskraft und Experimentierfreude amerikanischer Künstler werden umfassend behandelt und zusätzlich werden seltene Einblicke in die Bildwelten der Native American Art gegeben. "Es war einmal in Amerika" beweist eindrucksvoll, dass es nicht "die eine" US-amerikanische Kunstgeschichte gibt, sondern eine Vielzahl derer. (Verlagsang.)
    Note: Literaturverzeichnis: Seite 550-563 , "erschienen anlässlich der gleichnamigen Ausstellung im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 23. November 2018 bis 24. März 2019" - Rückseite der Titelseite
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  • 96
    Book
    Book
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Language: Spanish
    Pages: 348 Seiten , Illustrationen
    Series Statement: La casa de la riqueza 41
    Series Statement: La casa de la riqueza
    DDC: 306
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    Keywords: García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 97
    Language: Spanish
    Pages: XVII, 393 Seiten , Illustrationen, Diagramme
    Dissertation note: Masterarbeit Universidad de Costa Rica 2018
    RVK:
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    Keywords: Geschichte 1979-2017 ; Burunca ; Maske ; Costa Rica ; Hochschulschrift ; Burunca ; Costa Rica ; Maske ; Geschichte 1979-2017
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  • 98
    ISBN: 3837635236 , 9783837635232
    Language: German
    Pages: 301 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 573 g
    Edition: 1. Auflage
    Series Statement: Image Band 95
    Series Statement: Image
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Allerstorfer-Hertel, Julia, 1979 - Visuelle Identitäten
    Parallel Title: Erscheint auch als Allerstorfer-Hertel, Julia, 1979 - Visuelle Identitäten
    Parallel Title: Erscheint auch als Allerstorfer-Hertel, Julia, 1979 - Visuelle Identitäten
    Dissertation note: Katholische Privat-Universität Linz 2014
    DDC: 776.60955
    RVK:
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    Keywords: Hochschulschrift ; Iran ; Videokunst ; Medienkunst ; Moderne
    Note: Literaturverzeichnis: Seite 279-295
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  • 99
    ISBN: 9789004387836
    Language: English
    Pages: 1 Online-Ressource (339 Seiten)
    Series Statement: East and West: culture, diplomacy and interactions volume 4
    DDC: 909/.09821
    RVK:
    Keywords: Kunst ; Rezeption ; China ; Europa ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 100
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
    RVK:
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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