ISBN:
9780520299825
Language:
English
Pages:
ix, 236 Seiten
,
Illustrationen
Dissertation note:
Dissertation University of California
DDC:
759.952
Keywords:
Koga, Harue Criticism and interpretation
;
Arts, Japanese Criticism and interpretation 20th century
;
Avant-garde (Aesthetics) 20th century
;
Hochschulschrift
;
Japan
;
Koga, Harue 1895-1933
;
Moderne
;
Kunst
;
Avantgarde
Abstract:
Introduction : parallel modernism -- Escaping academicism : watercolor, individualism, and popular art -- From form to content : cubism remixed -- Reconciling subjectivity and objectivity : expressionism, Paul Klee, and a new theory of watercolor -- Scientific surrealism : a parallel surrealism -- Collage modernity : machines, bodies, and nature in surrealist art -- Epilogue : surrealism's survival in wartime Japan.
Abstract:
"This significant historical study recasts modern art in Japan as a "parallel modernism" that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895-1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist's major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals"--Provided by publisher
Note:
Literaturverzeichnis Seite 213-226
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