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  • Online-Ressource  (41)
  • 2015-2019  (41)
  • Schwarze  (41)
  • Musikwissenschaft  (28)
  • Amerikanistik  (16)
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  • 1
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780199913930
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Currents in Latin American and Iberian mMusic
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    Schlagwort(e): Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Kurzfassung: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
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  • 2
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    ISBN: 9780231547253
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Schlagwort(e): Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Kurzfassung: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Kurzfassung: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 3
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: North Carolina scholarship online
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    Schlagwort(e): Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Kurzfassung: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 4
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190903220
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen, Karte
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6409861
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    Schlagwort(e): Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online-Ressource
    Online-Ressource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 pages)
    Serie: Music and Society Ser.
    DDC: 781.64089960421
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    Schlagwort(e): Schwarze ; Musikleben ; Sozialer Wandel ; London
    Kurzfassung: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 6
    Online-Ressource
    Online-Ressource
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781453918968
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 1st, New ed.
    Serie: Black Studies and Critical Thinking 60
    DDC: 305.896073
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    Schlagwort(e): Schwarze ; Intersektionalität ; USA ; Aufsatzsammlung
    Kurzfassung: The Critical Black Studies Reader is a ground-breaking volume whose aim is to criticalize and reenvision Black Studies through a critical lens. The book not only stretches the boundaries of knowledge and understanding of issues critical to the Black experience, it creates a theoretical grounding that is intersectional in its approach. Our notion of Black Studies is neither singularly grounded in African American Studies nor on traditional notions of the Black experience. Though situated work in this field has historically grappled with the question of «where are we?» in Black Studies, this volume offers the reader a type of criticalization that has not occurred to this point. While the volume includes seminal works by authors in the field, as a critical endeavor, the editors have also included pieces that address the political issues that intersect with – among others –power, race, class, gender, sexuality, religion, place, and economics.
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  • 7
    ISBN: 9783839446010
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Post_koloniale Medienwissenschaft 8
    Serie: Post-colonial media studies v. 8
    Paralleltitel: Erscheint auch als We travel the space ways
    DDC: 000
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    Schlagwort(e): Afrofuturism ; African American art History and criticism ; Science fiction, African History and criticism ; Science fiction, American History and criticism ; American literature African American authors ; History and criticism ; African Americans Social conditions ; African diaspora ; Postcolonialism ; Art, African History and criticism ; Schwarze ; Identität ; SOCIAL SCIENCE / Gender Studies ; African diaspora ; Afrofuturism ; American literature ; African American authors ; Art, African ; Civilization ; Postcolonialism ; Science fiction, African ; Science fiction, American ; African Americans ; Social conditions ; Criticism, interpretation, etc ; African American art ; Africa Civilization ; Amerika ; Africa ; Aufsatzsammlung ; Künste ; Afrofuturismus
    Kurzfassung: 0. Constellation --Black Astrophysics: A Homemade Field of Love /Gumbs, Alexis Pauline --Lift Off... an Introduction /Lynch, Kara / Gunkel, Henriette --I. --City of Mirage /Henda, Kiluanji Kia --Reach, Robot: AfroFuturist Technologies /Coleman, Grisha / Defrantz, Thomas F. --Glitches Running Trains Out In Negrizonia, A Gynocidal Western /Tate, Greg --To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars /Eshun, Kodwo --Black Atlantis /Hameed, Ayesha --II. --The Palace of the Quilombos /Two Feathers, Frohawk --The Sound of Afrofuturism /Alisch, Stefanie / Maier, Carla J. --The Revolutionist /Haimbe, Milumbe --The Crypt of Blackness: or Assotto Saint with Gilles Deleuze /Nyong'O, Tavia --Rise of the Astro Blacks /Tate, Greg --III. --The Archivist's Vault :: Door Of No Return /Lynch, Kara --An Afrofuturist Time Capsule - One Point in Space-Time in the Collective Consciousness of Black Speculation /Dukan, M. Asli --Organize Your Own Temporality: Notes on Self-Determined Temporalities and Radical Futurities /Phillips, Rasheedah --"I Feel Love": Race, Gender, Technē, and the (Im)Proper Sonic Habitus /Keeling, Kara --Afrofuturism On My Mind: Imagining Black Lives in a Post-Obama World /Everett, Anna --IV. --Brother Kyot /Schrade, Daniel Kojo --Intervening into the Future Script: A Conversation about Fiction, Magic, and the Speculative Power of Images /Henda, Kiluanji Kia / Siegert, Nadine --Dismantle Imperia /Smith, Robyn --Textures of Time - Abstraction, Afronauts, and the Archive in the Artwork of Daniel Kojo Schrade /Nagl, Tobias --There Are Storytellers Everywhere /Gbadamosi, Raimi --V. --Prophetika /DeVille, Abigail --The Secessionist Manifestos of Certain Received Wisdoms /Akomfrah, John / Eshun, Kodwo --They Sent You? /Chuchu, Jim --Alienation and Queer Discontent /Gunkel, Henriette --FAR SPACE-WISE - Without Edges a Center Cannot Exist in Stasis /Ajalon, Jamika --VI. Final Orbit --Future /Phillips, Rasheedah
    Kurzfassung: A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism.The editors and contributors of this exciting volume thus reflect on the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities
    URL: Cover
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  • 8
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 9
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822371977 , 0822371979
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 291 pages)
    Serie: Consent not to be a single being [v. 3]
    Paralleltitel: Erscheint auch als
    DDC: 305.89601
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    Schlagwort(e): Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Racism / Philosophy ; Rassismus ; Identität ; Schwarze ; Schwarze ; Identität ; Rassismus
    Kurzfassung: There is no racism intended -- Refuse, refuge -- The case of blackness
    Anmerkung: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: The new black studies series
    DDC: 810.9/896073
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    Schlagwort(e): Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Kurzfassung: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 11
    Online-Ressource
    Online-Ressource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Sprache: Englisch
    Seiten: 1 Online-Ressource (228 pages)
    Serie: SUNY Series, Philosophy and Race
    Serie: SUNY Series, Philosophy and Race Ser.
    Paralleltitel: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
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    Schlagwort(e): Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Kurzfassung: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 12
    ISBN: 9783839436608
    Sprache: Englisch
    Seiten: 1 Online-Ressource (284 Seiten) , Illustrationen
    Serie: American culture studies volume 17
    Paralleltitel: Erscheint auch als Power relations in black lives
    DDC: 810.9/896073
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    Schlagwort(e): Bourdieu, Pierre ; Elias, Norbert ; American literature African American authors ; History and criticism ; African Americans Music ; History and criticism ; African Americans Politics and government ; Racism in literature ; Violence in literature ; Literature History and criticism ; Literary Criticism / Subjects & Themes ; Electronic books ; Aufsatzsammlung ; USA ; Schwarze ; Literatur ; Kultur
    Kurzfassung: According to relational sociology, power imbalances are at the root of human conflicts and consequently shape the physical and symbolic struggles between interdependent groups or individuals. This volume highlights the role of power relations in the African American experience by applying key concepts of Pierre Bourdieu and Norbert Elias to black literature and culture. The authors offer new readings of power asymmetries as represented in works of canonical and contemporary black writers (Richard Wright, Ralph Ellison, Gwendolyn Brooks, Toni Morrison, Percival Everett, Colson Whitehead), rap music (e.g., Jay Z), images of black homelessness, and figurations of political activism (civil rights activist Bayard Rustin
    Anmerkung: Literaturangaben
    URL: Cover  (Thumbnail cover image)
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  • 13
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations (black and white)
    Serie: Currents in Latin American & Iberian music
    DDC: 793.319468
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    Schlagwort(e): Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Kurzfassung: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online-Ressource
    Online-Ressource
    Salvador : SciELO Books - EDUFBA
    ISBN: 9788523218720
    Sprache: Portugiesisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Kurzfassung: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 15
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VIII, 241 p)
    Serie: Palgrave Studies in Sound
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 16
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822372028 , 0822372029
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 321 pages)
    Serie: Consent not to be a single being [v. 2]
    Paralleltitel: Erscheint auch als
    DDC: 305.896
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    Schlagwort(e): Geschichte ; Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Schwarze ; Identität ; Soziale Situation ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Geschichte ; Philosophie ; Soziale Situation
    Kurzfassung: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 280 Seiten)
    Serie: The John Hope Franklin Series in African American History and Culture
    Paralleltitel: Erscheint auch als
    DDC: 782.25089/96073
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    Schlagwort(e): Schwarze ; Anthem ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 18
    Online-Ressource
    Online-Ressource
    London : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781783484003
    Sprache: Englisch
    Seiten: 1 Online-Ressource (194 pages)
    Ausgabe: 1st ed.
    Serie: Global Critical Caribbean Thought
    DDC: 820.8
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    Schlagwort(e): Dixon, Melvin ; Schwarze ; Literatur ; Ethnische Identität ; English literature ; Electronic books
    Kurzfassung: This book explores how contemporary black literature challenges theoretical approaches of race, gender and sexualities.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 19
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
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    Schlagwort(e): African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Kurzfassung: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Kurzfassung: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 20
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Sprache: Englisch
    Seiten: 1 online resource (290 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Paralleltitel: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Schlagwort(e): Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Kurzfassung: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Kurzfassung: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Includes bibliographical references and index
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  • 21
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094460
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    DDC: 133.4308996073
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    Schlagwort(e): Schwarze ; Wodu ; Hoodoo (Cult) ; Vodou ; African American magic ; Medicine, Magic, mystic, and spagiric ; African Americans Religion ; African Americans Folklore ; Amerika
    Kurzfassung: Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls oregional Hoodoo clusters - and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.
    Anmerkung: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 22
    Online-Ressource
    Online-Ressource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Sprache: Englisch
    Seiten: 1 online resource (371 pages)
    Paralleltitel: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Schlagwort(e): Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Anmerkung: Includes index , Description based on print version record
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  • 23
    Online-Ressource
    Online-Ressource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Sprache: Englisch
    Seiten: 1 Online-Ressource (252 Seiten) , 9 ill
    Ausgabe: 1st, New ed
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Beschreibung / Inhaltsverzeichnis: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Anmerkung: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780190651305
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Karten, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 780.89/96
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    Schlagwort(e): Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Kurzfassung: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press
    ISBN: 9780231543477
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Struggle on their minds
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    Schlagwort(e): African Americans Intellectual life ; African Americans Political activity ; History ; African Americans Politics and government ; African American intellectuals ; Slavery Influence ; Slavery Influence ; African American intellectuals. ; African Americans. ; African Americans. ; African Americans. ; African American intellectuals ; African Americans ; Slavery ; Davis, Angela Y. ; Douglass, Frederick ; Newton, Huey P. ; Walker, David ; Wells-Barnett, Ida B. ; POLITICAL SCIENCE / History & Theory ; USA ; Schwarze ; Intellektueller ; Politisches Denken ; Politisches Handeln ; Aktivismus ; Widerstand ; Geschichte 1785-2017
    Kurzfassung: American political thought has been shaped by those who fought back against social inequality, economic exclusion, the denial of political representation, and slavery, the country's original sin. Yet too often the voices of African American resistance have been neglected, silenced, or forgotten. In this timely book, Alex Zamalin considers key moments of resistance to demonstrate its current and future necessity, focusing on five activists across two centuries who fought to foreground slavery and racial injustice in American political discourse. Struggle on Their Minds shows how the core values of the American political tradition have been continually challenged—and strengthened—by antiracist resistance, creating a rich legacy of African American political thought that is an invaluable component of contemporary struggles for racial justice.Zamalin looks at the language and concepts put forward by the abolitionists David Walker and Frederick Douglass, the antilynching activist Ida B. Wells, the Black Panther Party organizer Huey Newton, and the prison abolitionist Angela Davis. Each helped revise and transform ideas about power, justice, community, action, and the role of emotion in political action. Their thought encouraged abolitionists to call for the eradication of slavery, black journalists to chastise American institutions for their indifference to lynching, and black radicals to police the police and to condemn racial injustice in the American prison system. Taken together, these movements pushed political theory forward, offering new language and concepts to sustain democracy in tense times. Struggle on Their Minds is a critical text for our contemporary moment, showing how the political thought that comes out of resistance can energize the practice of democratic citizenship and ultimately help address the prevailing problem of racial injustice.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 26
    Online-Ressource
    Online-Ressource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Sprache: Englisch
    Seiten: 1 Online-Ressource (183 pages)
    Serie: New Black Studies Ser.
    DDC: 810.98960729999999
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    Schlagwort(e): Literatur ; Schwarze ; Musik ; Jazz ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 27
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780190606640
    Sprache: Englisch
    Seiten: 1 online resource
    Paralleltitel: Erscheint auch als Sorett, Josef Spirit in the dark
    DDC: 810.9896073
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    Schlagwort(e): American literature; African American authors; History and criticism ; Religion and literature; United States; History, 20th century ; Religion in literature ; African Americans in literature ; Blacks; Race identity; United States ; USA ; Schwarze ; Literatur ; Das Religiöse ; Spiritualität ; Ethnische Identität ; Geschichte 1920-1960
    Kurzfassung: 'Spirit in the Dark' tells the story of the many ways that ideas about religion animated and organized African American literary visions across the years between the Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. In doing so, it unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood by authors, readers, and critics alike, as modern and secular.
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  • 28
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Schlagwort(e): Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Kurzfassung: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Anmerkung: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 29
    Online-Ressource
    Online-Ressource
    Charlottesville : University of Virginia Press
    ISBN: 9780813938257
    Sprache: Englisch
    Seiten: Online-Ressource
    Ausgabe: Online-Ausg.
    Paralleltitel: Erscheint auch als Wheelock, Stefan M., - 1971- Barbaric culture and black critique
    DDC: 820.9/3552
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    Schlagwort(e): Stewart, Maria W ; Equiano, Olaudah ; Cugoano, Ottobah ; Walker, David ; English literature History and criticism 18th century ; Slavery in literature ; Slavery Religious aspects ; Slavery Political aspects ; Slaves' writings, English History and criticism ; American literature History and criticism 19th century ; American literature African American authors ; History and criticism ; Electronic books ; USA ; Schwarze ; Cugoano, Ottobah 1757-1803 ; Equiano, Olaudah 1745-1797 ; Stewart, Maria W. 1803-1880 ; Walker, David 1785-1836 ; Englisch ; Literatur ; Sklaverei ; Geschichte 1770-1830
    Kurzfassung: "In an interdisciplinary approach to black antislavery literatures at the dawn of the nineteenth century, Stefan Wheelock shows how the political character of freedom and a religious sensibility allowed Black antislavery writers to countermand ideologies of white supremacy while fostering a sense of racial community and identity. The major figures he selects--Ottobah Cugoano, Olaudah Equiano, David Walker, and Maria Stewart--were principally concerned with ending racial slavery and the slave trade, but they employed antislavery rhetoric at a time when the institution of slavery was preparing progressive Western politics to enter a new phase of imperial and racial domination. This contradictory circumstance, Wheelock argues, poses a significant challenge for understanding the development of this watershed moment in Western political identity. The author looks at the ways in which, during this period, religious and secular versions of collective political destiny both competed and cooperated to forge a vision for a more perfect and just society. What especially captures his interest is how the writers of the African Atlantic deployed religious sensibilities and the call for emancipation as a way of characterizing the liberal foundations of Atlantic political modernity. Although neither "modernity" nor "progress" is a term these writers used, Wheelock contends that a concern with modernity and its liberal character is implicit in their critiques and/or portrayals of the advanced political structures that gave rise to racial enslavement in the first place" --
    Beschreibung / Inhaltsverzeichnis: PrefaceIntroduction -- Ottobah Cugoano, liberty, and modern Atlantic barbarism -- Interesting narratives, civility, and the problem of freedom -- David Walker, false grammars, and American racial inheritance -- Maria Stewart and the paradoxes of early national virtue -- Conclusion.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 30
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781782046936
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 242 Seiten)
    Serie: Eastman studies in music v. 131
    Paralleltitel: Erscheint auch als
    DDC: 781.640973/0954
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    Schlagwort(e): Popular music / India / History and criticism ; Popular music / United States / History and criticism ; Popular music / India / American influences ; African American musicians / India ; Afroamerikanische Musik ; Unterhaltungsmusik ; Musiker ; Popmusik ; Schwarze ; Britisch-Indien ; USA ; USA ; Schwarze ; Musiker ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Unterhaltungsmusik ; Britisch-Indien
    Kurzfassung: 〈I〉American Popular Music in Britain's Raj〈/I〉 is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value.〈BR〉 Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space -- including between the United States, England, and India -- and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries.〈BR〉〈BR〉 Bradley G. Shope is assistant professor of music at Texas A & M-Corpus Christi
    Beschreibung / Inhaltsverzeichnis: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Anmerkung: Title from publisher's bibliographic system (viewed on 23 Feb 2018)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online-Ressource
    Online-Ressource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226362687
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 307 Seiten) , Illustrationen, Notenbeispiele, Karte
    Serie: Chicago studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63096822/1
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    Schlagwort(e): Geschichte 1994-2014 ; Gesellschaft ; Politik ; Kwaito (Music) Social aspects ; Kwaito (Music) Philosophy and aesthetics ; Kwaito (Music) Political aspects ; Musicians, Black ; Soziale Funktion ; Kwaito ; Jugend ; Politischer Wandel ; Schwarze ; Südafrika (Staat) ; South Africa Social conditions 1994- ; Südafrika ; Südafrika ; Kwaito ; Politischer Wandel ; Jugend ; Schwarze ; Soziale Funktion ; Geschichte 1994-2014
    Kurzfassung: In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country s urban black youth developed "kwaito" a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today who face high unemployment, extreme inequality, and widespread crime Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that music is always political, Steingo elucidates a music that thrives on its its radically ambiguous relationship with politics, power, and the state. - Gavin Steingo is assistant professor of music at the University of Pittsburgh.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online-Ressource
    Online-Ressource
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 0674974646 , 9780674974647
    Sprache: Englisch
    Seiten: 1 Online-Ressource (340 pages)
    Ausgabe: [Place of publication not identified] HathiTrust Digital Library 2019 Electronic reproduction
    Paralleltitel: Erscheint auch als Shelby, Tommie, 1967- Dark ghettos
    DDC: 304.3/3660973
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    Schlagwort(e): Inner cities ; Social justice ; Racism in public welfare ; African Americans Social conditions ; Inner cities Government policy ; Inner cities ; Government policy ; Racism in public welfare ; Social justice ; Armut ; Schwarze ; Soziale Situation ; Soziale Ungleichheit ; Sozialpolitik ; Stadtviertel ; African Americans ; Social conditions ; Inner cities ; United States ; USA
    Kurzfassung: "Why do ghettos persist?" Tommie Shelby asks in Dark Ghettos. Today, ghettos are widely seen as social problems that public policy should aim to solve. Shelby calls this the "medical model" because it portrays ghettos as sick patients in need of treatment. In his view, this model ignores the political agency of the ghetto poor and the underlying social structures that perpetuate disadvantage in black communities. Shelby argues that we should conceive of ghettos within a "justice paradigm" instead. Adopting a Rawlsian framework, he considers the existence of ghettos as a sign of deeply embedded social injustice, and he offers a "nonideal" social theory, establishing what the government and citizens are obligated and permitted to do within fundamentally unfair conditions. His theory arises through practical considerations: should the American government enforce residential diversity? Should welfare programs disincentivize single motherhood? For those who live in ghettos, is voluntary non-work--or street violence, or hip-hop--a just and valid form of dissent? Ultimately, Shelby aims to establish principles that will lead to the abolishment of ghettos through just reform.--
    Kurzfassung: Introduction: Rethinking the problem of the ghetto -- Part I. Liberty, equality, fraternity. Injustice ; Community ; Culture -- Part II. Of love and labor. Reproduction ; Family ; Work -- Part III. Rejecting the claims of law. Crime ; Punishment ; Impure dissent -- Epilogue: Renewing ghetto abolitionism.
    Anmerkung: Includes bibliographical references and index , Electronic reproduction
    URL: Volltext  (lizenzpflichtig)
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  • 33
    Online-Ressource
    Online-Ressource
    Bielefeld : Transcript Verlag$h | Berlin : Knowledge Unlatched
    ISBN: 9783839436660 , 3839436664
    Sprache: Englisch
    Seiten: 1 Online-Ressource (212 Seiten) , Illustrationen
    Serie: Postcolonial studies volume 28
    Serie: Postcolonial studies
    Paralleltitel: Erscheint auch als Nehl, Markus, 1985 - Transnational black dialogues
    Dissertationsvermerk: Dissertation Universität Münster 2015
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    Schlagwort(e): African diaspora in literature ; English literature Black authors ; History and criticism ; English literature History and criticism ; 21st century ; Slavery in literature ; Violence in literature ; Hochschulschrift ; Electronic books ; USA ; Schwarze ; Roman ; Sklaverei ; Geschichte 2006-2009
    Kurzfassung: Cover. Transnational Black Dialogues -- Contents -- Acknowledgements -- Introduction: Slavery-An "Unmentionable" Past? -- 1. The Concept of the African Diaspora and the Notion of Difference -- 2. From Human Bondage to Racial Slavery: Toni Morrison's A Mercy (2008). -- 3. Rethinking the African Diaspora: Saidiya Hartman's Lose Your Mother (2007) 4. "Hertseer:" Re-Imagining Cape Slavery in Yvette Christiansë's Unconfessed (2006) -- 5. Transnational Diasporic Journeys in Lawrence Hill's The Book of Negroes (2007). -- 6. A Vicious Circle of Violence: Revisiting Jamaican Slavery in Marlon James's The Book of Night Women (2009) Epilogue: The Past of Slavery and "the Incomplete Project of Freedom" -- Works Cited
    Anmerkung: Leicht überarbeitete und aktualisierte Version der Dissertation, Universität Münster, 2015
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  • 34
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Serie: Music of the african diaspora 18
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6508996073044361
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Kurzfassung: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    ISBN: 9780253024947 , 9780253025128 (Sekundärausgabe) , 9780253024947 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 240 pages
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9780253025128
    Ausgabe: ISBN 9780253024947
    Ausgabe: [Online-Ausg.]
    DDC: 305.896/073076335
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    Schlagwort(e): Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La. ; Online-Publikation
    Anmerkung: Online-Ausg.:
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  • 36
    Online-Ressource
    Online-Ressource
    London, [England] ; New York, New York : Routledge
    ISBN: 9781317096887
    Sprache: Englisch
    Seiten: 1 Online-Ressource (194 pages) , illustrations, tables
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als Manning, Harriet J. Michael Jackson and the blackface mask
    DDC: 782.42166092
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    Schlagwort(e): Jackson, Michael Criticism and interpretation ; Jackson, Michael ; Music and race ; Blackface entertainers ; Minstrel music History and criticism ; Minstrel show ; Maske ; Minstrel ; Schwarze ; Jackson, Michael 1958-2009 ; Schwarze ; Minstrel ; Maske ; Jackson, Michael 1958-2009 ; Schwarze ; Maske ; Minstrel show
    Anmerkung: "An Ashgate Book"--Cover , Description based on print version record
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  • 37
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839405970
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (180 p.)
    Ausgabe: 1st ed.
    Serie: Cultural Studies 24
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    Schlagwort(e): Geschichte 1967-1975 ; Geschichte 1968-1980 ; Kultur ; Rezeption ; Kulturkontakt ; Schwarze ; Amerikanisierung ; Deutschland ; Deutschland ; USA
    Kurzfassung: Soul-Musik und »Black Power«-Solidarität, blonde »Afros« und schwarz-weiße Werbekampagnen: Afroamerikanisches hatte in verschiedenen Feldern der Gegen- und Popkultur der Bundesrepublik um 1968 Konjunktur. Diese Studie zeigt Formen und Hintergründe der »Afroamerikanophilie« auf und zeichnet damit ein ungewohntes Bild der Zeit um 1968, als ein zunehmend »exklusives« afroamerikanisches Selbstbewusstsein entstand und die »weiße« Suche nach imaginären Einlassstellen in die »schwarze« Welt zugleich eine neue Qualität gewann. Aus einer Vielzahl von Quellen werden dabei auch theoretische Fragen nach dem Zusammenspiel von Identifikation und Solidarität, Rassismus, Aneignung und Nachahmung entwickelt.
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  • 38
    Online-Ressource
    Online-Ressource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIX, 256 Seiten)
    Serie: American Made Music Series
    Originaltitel: Free jazz - black power
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/96073
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    Schlagwort(e): Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white, and colour)
    Ausgabe: Online-Ausg. Online-Ressource ISBN 9780199354047
    Ausgabe: [Online-Ausg.]
    DDC: 791.08996073
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    Schlagwort(e): Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Kurzfassung: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Anmerkung: Includes bibliographical references and index , Online-Ausg.:
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  • 40
    Online-Ressource
    Online-Ressource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Sprache: Englisch
    Seiten: 1 Online-Ressource (219 Seiten)
    Serie: American Governance
    Paralleltitel: Erscheint auch als
    DDC: 782.421649/1599
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    Schlagwort(e): Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Anmerkung: In English
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  • 41
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469622712
    Sprache: Englisch
    Seiten: 1 Online-Ressource (308 pages)
    DDC: 780.899607307471
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    Schlagwort(e): Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
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