Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • Englisch  (762)
  • History and criticism  (451)
  • Schwarze  (372)
  • Musikwissenschaft  (762)
Schlagwörter
  • 1
    Buch
    Buch
    Leiden : Brill
    ISBN: 9004048731
    Sprache: Englisch
    Serie: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Schlagwort(e): Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Anmerkung: Erschienen: 1 - 2
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Buch
    Buch
    Leiden : Brill
    ISBN: 9004048731
    Sprache: Englisch
    Serie: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Schlagwort(e): Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Anmerkung: Erschienen: 1 - 2
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    New York : Dover Publications
    Sprache: Englisch
    Seiten: 25 cm
    Ausgabe: 2. rev. ed
    DDC: 016.398
    RVK:
    Schlagwort(e): Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Anmerkung: The first ed. of this work appeared in one vol
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    Leiden : Brill
    Dazugehörige Bände/Artikel
    ISBN: 9004048731
    Sprache: Englisch
    Serie: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
    RVK:
    RVK:
    Schlagwort(e): Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Anmerkung: Erschienen: 1 - 2
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    ISBN: 9783955932626 , 3955932621
    Sprache: Englisch , Deutsch
    Seiten: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Ausgabe: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Buch
    Buch
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190661960
    Sprache: Englisch
    Seiten: xx, 541 Seiten , Illustrationen, Diagramme, Notenbeispiele , 25.5 cm x 18 xm
    Serie: Oxford handbooks
    Paralleltitel: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Schlagwort(e): Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 541 Seiten)
    Serie: Oxford handbooks series
    Paralleltitel: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Schlagwort(e): Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Kurzfassung: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Anmerkung: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Online-Ressource
    Online-Ressource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 pages)
    Serie: Eastman/Rochester studies in ethnomusicology 13
    RVK:
    RVK:
    Schlagwort(e): Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Kurzfassung: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Beschreibung / Inhaltsverzeichnis: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    ISBN: 9781800109537 , 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Paralleltitel: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Kurzfassung: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 11
    Buch
    Buch
    Cairo : The American University in Cairo Press
    ISBN: 9781649033048
    Sprache: Englisch
    Seiten: xxii, 318 Seiten , Illustrationen
    Serie: Refugees and migrants within the Middle East series
    DDC: 780.89/9274
    RVK:
    RVK:
    Schlagwort(e): Palestinian Arabs Music ; History and criticism ; Palestinian Arabs Music ; Political aspects ; Music History and criticism ; Music History and criticism ; Expatriate musicians ; Expatriate musicians
    Kurzfassung: "Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate and undocumented locations. The stories taking center stage show creatively divergent and revolutionary performance springing from conditions of colonialism, repression, and underdevelopment. What role does music play in the social spaces of Palestinian exile? How are the routes and roadblocks to musical success impacted by regional and international power structures? And how are questions of style, genre, or national tradition navigated by Palestinian musicians? Based on seven years of research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies is the first oral history of contemporary Palestinian musicianship to appear in book form, and the only study to encompass such a broad range of experiences of the ghurba, or place of exile."--
    Beschreibung / Inhaltsverzeichnis: Strings Of The Street : Resistance Aesthetics Of A Nation In Movement Chapter -- Za'atar, Zeit, And Fairuz : Growing Up Palestinian In Kuwait : Reem Kelani's Musical Beginnings -- 'Nothing Stops Tradition' : Dialects Of Cultural Reinvention In Exile : Experiences Of Palestinian Instrumentalism In Bilad al-Sham -- Village Dreams In Urban Gaza : A Young Girl's Musical Intifada : Music And Land In A Palestinian Socialist Household -- Smashing The Pyramids : Encores Of Palestinian Radicalism In Egypt : Tamer Abu Ghazaleh, The Cairo Underground, And The Sabreen Influence -- 'An Even Tougher Act Of Resistance' : Instrumentalism In The Dakhil Saied Silbak And The Music Of Internal Displacement -- Ahla Ayām' : The Most Beautiful Days Tarab, al-Waṭan, And Gaza's New Generation Of Musicians -- Sumud And The City : Old And New Comradeship In Istanbul : Fares Anbar, Ahmed Haddad, and The Turkish Migrant Scene ; Conclusion : Where To?
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 12
    ISBN: 9783030987046 , 3030987043
    Sprache: Englisch
    Seiten: xxvii, 465 Seiten , Illustrationen , 22 cm
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: volume 2
    RVK:
    Schlagwort(e): Popular music History and criticism ; Africans Music ; History and criticism
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 13
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Serie: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Kurzfassung: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 14
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 153 pages).
    Serie: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Kurzfassung: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 15
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Kurzfassung: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 16
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 17
    ISBN: 9780520281844 , 9780520281837
    Sprache: Englisch
    Seiten: xvii, 287 Seiten
    Serie: Phono
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 18
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Sprache: Englisch
    Seiten: 140 Seiten
    Paralleltitel: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Schlagwort(e): Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Kurzfassung: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Beschreibung / Inhaltsverzeichnis: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 19
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479806904 , 9781479806881
    Sprache: Englisch
    Seiten: 225 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Kurzfassung: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Beschreibung / Inhaltsverzeichnis: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 20
    ISBN: 9783030978839 , 3030978834
    Sprache: Englisch
    Seiten: xxiii, 401 Seiten , Illustrationen , 22 cm
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    Angaben zur Quelle: volume 1
    DDC: 781.63096
    RVK:
    Schlagwort(e): Popular music History and criticism ; Africans Music ; History and criticism
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 21
    ISBN: 9780231189187 , 9780231189194
    Sprache: Englisch
    Seiten: xiii, 275 Seiten , Illustrationen
    Serie: Leonard Hastings Schoff memorial lectures
    Paralleltitel: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
    RVK:
    Schlagwort(e): Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Kurzfassung: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Kurzfassung: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Anmerkung: Includes index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 22
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 23
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Kurzfassung: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 24
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478023500
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Anmerkung: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 25
    ISBN: 9781496832108 , 9781496832115
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele , 23 cm
    Ausgabe: First printing
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Kurzfassung: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 26
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Sprache: Englisch
    Seiten: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Serie: American musicspheres
    Serie: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    Schlagwort(e): Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Kurzfassung: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references, discography and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 27
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197549568 , 9780197549551
    Sprache: Englisch
    Seiten: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Schlagwort(e): Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Kurzfassung: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Beschreibung / Inhaltsverzeichnis: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 28
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    RVK:
    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 29
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197533000
    Sprache: Englisch
    Seiten: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Serie: Oxford scholarship online
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Kurzfassung: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 30
    Online-Ressource
    Online-Ressource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 31
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479849697 , 9781479800360
    Sprache: Englisch
    Seiten: 1 Online-Ressource (247 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 32
    Online-Ressource
    Online-Ressource
    [New York] : Bloomsbury Academic
    ISBN: 9781501333507
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 233 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.951
    RVK:
    RVK:
    Schlagwort(e): Music China ; 21st century ; History and criticism ; Music China ; 20th century ; History and criticism ; Music China ; Philosophy and aesthetics
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 33
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197549599
    Sprache: Englisch
    Seiten: 1 Online-Ressource (320 Seiten) , Illustrationen
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.629608142
    RVK:
    Schlagwort(e): Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Afrikanischer Einwanderer ; Schwarze ; Musiksoziologie ; Identität ; Musik ; Bahia ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Kurzfassung: In 'Africanness in Action', author Juan Diego D iaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 34
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469661964 , 9781469661957
    Sprache: Englisch
    Seiten: xiii, 121 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.4216490975
    RVK:
    Schlagwort(e): OutKast ; Hip-Hop ; Schwarze ; Ethnische Identität ; USA Südstaaten ; Rap (Music) / Social aspects / Southern States ; Rap (Music) / Southern States / History and criticism ; Hip-hop / Southern States ; African Americans / Race identity / Southern States ; OutKast (Musical group) ; OutKast (Musical group) ; African Americans / Race identity ; Hip-hop ; Rap (Music) ; Rap (Music) / Social aspects ; Southern States ; Criticism, interpretation, etc ; USA Südstaaten ; Schwarze ; Hip-Hop ; OutKast ; Ethnische Identität
    Kurzfassung: "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
    Beschreibung / Inhaltsverzeichnis: The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 35
    ISBN: 9781496832115 , 9781496832108
    Sprache: Englisch
    Seiten: x, 192 Seiten , Notenbeispiele, Porträt
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Kurzfassung: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 36
    Online-Ressource
    Online-Ressource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Sprache: Englisch
    Seiten: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.9174927
    RVK:
    Schlagwort(e): Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Kurzfassung: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 37
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Sprache: Englisch
    Seiten: 1 online resource (645 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    Schlagwort(e): Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Kurzfassung: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Kurzfassung: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 38
    ISBN: 9781479806768 , 9781479871032
    Sprache: Englisch
    Seiten: 247 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 39
    ISBN: 9781912685806
    Sprache: Englisch
    Seiten: 1 Online-Ressource (171 Seiten) , Illustrationen
    Serie: Sonics series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 40
    ISBN: 9781912685790
    Sprache: Englisch
    Seiten: 171 Seiten , Illustrationen
    Serie: Sonics series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 41
    ISBN: 9780472038558
    Sprache: Englisch
    Seiten: XVII, 240 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 42
    Buch
    Buch
    Ithaca : Cornell University Press
    ISBN: 9781501759840
    Sprache: Englisch
    Seiten: xiii, 351 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    Paralleltitel: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
    RVK:
    Schlagwort(e): Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Kurzfassung: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Kurzfassung: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 43
    Online-Ressource
    Online-Ressource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Sprache: Englisch
    Seiten: 1 Online-Ressource (368 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.48428
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 44
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VI, 273 p.)
    Ausgabe: 2021
    RVK:
    Schlagwort(e): Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Kurzfassung: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 45
    Buch
    Buch
    New York : Abrams Image
    ISBN: 9781419751431 , 1419751433
    Sprache: Englisch
    Seiten: 351 Seiten , 24 cm
    DDC: 782.421640973
    RVK:
    Schlagwort(e): Popular music History and criticism ; African Americans Music ; History and criticism ; MUSIC / History & Criticism ; Popular music ; African Americans ; Comptes rendus de musique ; USA ; Popmusik ; Afroamerikanische Musik ; Geschichte 1971-2021
    Kurzfassung: "Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapestry, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan, and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music's most influential and original voices, Music Is History is a singular look at contemporary America"--
    Anmerkung: Includes discography (pages 324-333) and indexes , 1971: Stretched on history's wheel , 1972: Music is the message , 1973: Past is prologue, and protest , 1974 :Cool like that , 1975: The POV lane , 1976: Having two parties , 1977: Future to the back , 1978: Disco tech , 1979: An idea runs wild , 1980: Teach the children , 1981: Inside outside leave me alone , 1982: History by the numbers , 1983: Why does everybody have a bomb? , 1984: File under , 1985: Long for yesterday , 1986: And you don't stop , 1987: Greatness expectations , 1988: Taste! How low can you go? , 1989: Seeds of change , 1990: Return of the impressed , 1991: Furious styles , 1992: Echo park , 1993: X marks the spot , 1994: In the sun I feel as one , 1995: Present, tense , 1996: You've got me feeling emotions , 1997: Moving like you're standing still , 1998: Fair and unfair use , 1999: Things fall apart , 2000: Things come together , 2001: The bad minus , 2002-Present: Our twenty-first century.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 46
    Online-Ressource
    Online-Ressource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Kurzfassung: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 47
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Sprache: Englisch
    Seiten: xiv, 392 Seiten
    Serie: Refiguring american music
    Paralleltitel: Online version Mahon, Maureen Black diamond queens
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Frau ; Rockmusik ; USA
    Kurzfassung: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Anmerkung: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 48
    Buch
    Buch
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Sprache: Englisch
    Seiten: xi, 227 Seiten , 24 cm
    Serie: African American intellectual history
    DDC: 780.8996073
    RVK:
    Schlagwort(e): Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Kurzfassung: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 49
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367136260
    Sprache: Englisch
    Seiten: xii, 120 Seiten , Illustrationen
    Serie: CMS cultural expressions in music series
    Serie: Routledge focus
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Trommelspiel ; Migration ; Musiker ; Musikleben ; Amerika ; Amerika ; Musiker ; Schwarze ; Migration ; Trommelspiel ; Musikleben ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 50
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Serie: Chicago scholarship online
    RVK:
    RVK:
    Schlagwort(e): Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Kurzfassung: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 51
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526131232 , 9781526131256
    Sprache: Englisch
    Seiten: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Serie: Music and society
    DDC: 781.64089960421
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Musikleben ; Sozialer Wandel ; London
    Anmerkung: Literaturverzeichnis Seite 248-263
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 52
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Sprache: Englisch
    Seiten: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Schlagwort(e): Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Kurzfassung: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 53
    ISBN: 9780197504642
    Sprache: Englisch
    Seiten: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Schlagwort(e): Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Kurzfassung: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Kurzfassung: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 54
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190461652
    Sprache: Englisch
    Serie: Readers on American musicians series
    Paralleltitel: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
    RVK:
    Schlagwort(e): Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Kurzfassung: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 55
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als
    DDC: 782.421660820973
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Kurzfassung: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 56
    Online-Ressource
    Online-Ressource
    Manchester : Manchester University Press
    ISBN: 9781526131249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 pages)
    Paralleltitel: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Anmerkung: Description based on print version record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 57
    Buch
    Buch
    Lanham : Lexington Books
    ISBN: 9781498530989
    Sprache: Englisch
    Seiten: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Anmerkung: Literaturverzeichnis: Seite 209-217
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 58
    Buch
    Buch
    Abingdon, Oxon ; New York : Routledge
    ISBN: 9781138389472
    Sprache: Englisch
    Seiten: xiii, 254 Seiten
    Ausgabe: This editon first published
    Serie: African American literature Volume 2
    Serie: African American literature
    RVK:
    Schlagwort(e): Musik ; Musik ; Prosa ; Schwarze ; USA ; USA ; Prosa ; Musik ; Schwarze ; USA ; Prosa ; Musik ; Schwarze
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 59
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Kurzfassung: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 60
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: North Carolina scholarship online
    RVK:
    Schlagwort(e): Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Kurzfassung: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 61
    Buch
    Buch
    London : Routledge, Taylor & Francis Group
    ISBN: 9781409426844
    Sprache: Englisch
    Seiten: xxii, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: SOAS musicology series
    Serie: An Ashgate book
    DDC: 788.9/209667
    RVK:
    Schlagwort(e): Trumpet ; Ashanti (African people) Music ; History and criticism ; Trumpet ensembles History and criticism ; Aschanti ; Trompetenmusik
    Anmerkung: Literaturverzeichnis: Seite 191-199
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 62
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780199913930
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Currents in Latin American and Iberian mMusic
    RVK:
    Schlagwort(e): Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Kurzfassung: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 63
    Buch
    Buch
    Singapore : Palgrave Macmillan
    ISBN: 9789811335129
    Sprache: Englisch
    Seiten: ix, 179 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Ethnische Identität ; Homosexualität ; Rapmusiker ; Schwarze ; Männlichkeit ; Rap musicians ; Musicians, Black ; Gay musicians ; Music / Social aspects ; Rap (Music) ; Masculinity in music ; Gay musicians ; Masculinity in music ; Music / Social aspects ; Musicians, Black ; Rap (Music) ; Rap musicians ; Rapmusiker ; Schwarze ; Homosexualität ; Männlichkeit ; Ethnische Identität
    Beschreibung / Inhaltsverzeichnis: Introduction -- Black masculinity, homosexuality and hip-hop music -- The commoditisation of hip-hop music and queerness -- Revelations from Black gay men who rap -- Facing challenges -- Homosexual masculinity -- Conclusion
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 64
    ISBN: 9780199913923 , 9780199913947
    Sprache: Englisch
    Seiten: xiii, 319 Seiten , Illustrationen, Karten
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Schlagwort(e): Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 65
    Buch
    Buch
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Sprache: Englisch
    Seiten: xi, 241 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Schlagwort(e): Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 66
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190466923 , 9780190466916
    Sprache: Englisch
    Seiten: xix, 293 Seiten , 24 cm
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 793.319468
    RVK:
    Schlagwort(e): Geschichte 1492-1933 ; Flamenco ; Flamenco / Social aspects ; Dance and race ; Sinti ; Schwarze ; Flamenco ; Person of Color ; Roma ; Rasse ; Tanz ; Spanien ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Kurzfassung: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 67
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190903220
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen, Karte
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6409861
    RVK:
    Schlagwort(e): Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Kurzfassung: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 68
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Sprache: Englisch
    Seiten: 148 Seiten
    Serie: 33 1/3
    DDC: 782.42162130092
    RVK:
    Schlagwort(e): Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 69
    Buch
    Buch
    New Brunswick : Rutgers University Press
    ISBN: 9781978803596 , 9781978803589
    Sprache: Englisch
    Seiten: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
    RVK:
    Schlagwort(e): Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Kurzfassung: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Anmerkung: Literaturverzeichnis: Seite 225-236
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 70
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Serie: Chicago studies in ethnomusicology
    Paralleltitel: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Schlagwort(e): Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Kurzfassung: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Kurzfassung: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Anmerkung: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 71
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199949267 , 9780199949243
    Sprache: Englisch
    Seiten: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Paralleltitel: Erscheint auch als
    DDC: 781.62/914970561
    RVK:
    Schlagwort(e): Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 72
    Online-Ressource
    Online-Ressource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 pages)
    Serie: Music and Society Ser.
    DDC: 781.64089960421
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Musikleben ; Sozialer Wandel ; London
    Kurzfassung: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 73
    Online-Ressource
    Online-Ressource
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578648
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89/97
    RVK:
    Schlagwort(e): Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Konferenzschrift 2013 ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 74
    Online-Ressource
    Online-Ressource
    Abingdon, Oxon : Routledge
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: SOAS musicology series
    Paralleltitel: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    Schlagwort(e): Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Kurzfassung: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 75
    Buch
    Buch
    Philadelphia, Pennsylvania : Temple University Press
    ISBN: 9781439911730
    Sprache: Englisch
    Seiten: IX, 282 Seiten , Illustrationen , 24 cm
    Serie: Studies in Latin American and Caribbean music
    Paralleltitel: Erscheint auch als Ortiz, Fernando, 1881-1969, author Fernando Ortiz on music
    DDC: 780.97291
    RVK:
    Schlagwort(e): Music History and criticism ; Blacks Music ; History and criticism
    Anmerkung: Includes bibliographical references (pages 267-275) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 76
    Buch
    Buch
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578334 , 9780819578327
    Sprache: Englisch
    Seiten: xi, 241 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 781.62/92805694
    RVK:
    Schlagwort(e): Music Social aspects ; Ethiopians Music ; History and criticism ; Jews, Ethiopian Music ; History and criticism
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 77
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9781138585102
    Sprache: Englisch
    Seiten: viii, 131 Seiten , Illustrationen
    Serie: Routledge focus
    Paralleltitel: Erscheint auch als
    DDC: 786.8/5096891
    RVK:
    Schlagwort(e): International Library of African Music ; Mbira music History and criticism ; Shona (African people) Music ; History and criticism ; Lamellophonmusik ; Lautarchiv ; Simbabwe ; Simbabwe ; Lamellophonmusik ; Lautarchiv ; International Library of African Music
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 78
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442258396
    Sprache: Englisch
    Seiten: xix, 192 Seiten
    Serie: Listener's companion
    Paralleltitel: Erscheint auch als Frühauf, Tina, author Experiencing Jewish music in America
    DDC: 780.89/924073
    RVK:
    Schlagwort(e): Jews Music ; History and criticism ; Music History and criticism
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 79
    Buch
    Buch
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Sprache: Englisch
    Seiten: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Serie: CASAS book series no. 127
    Serie: CASAS book series
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Beschreibung / Inhaltsverzeichnis: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 80
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 146964648X , 9781469646480 , 1469646498 , 9781469646497
    Sprache: Englisch
    Seiten: XIII, 226 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; Amerika ; Hochschulschrift ; Biografie
    Kurzfassung: "Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre ... Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century
    Anmerkung: Bibliography Seite 207-218
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 81
    ISBN: 9781476673387
    Sprache: Englisch
    Seiten: vii, 459 Seiten
    DDC: 016.78089/96
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Kurzfassung: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 82
    ISBN: 9781438469874 , 9781438469867
    Sprache: Englisch
    Seiten: xxvi, 200 Seiten , Illustrationen , 23 cm
    Serie: SUNY series, philosophy and race
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/96073043
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Kurzfassung: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 83
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    RVK:
    Schlagwort(e): Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Kurzfassung: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 84
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: The new black studies series
    DDC: 810.9/896073
    RVK:
    RVK:
    Schlagwort(e): Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Kurzfassung: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 85
    ISBN: 3319660403 , 9783319660400
    Sprache: Englisch
    Seiten: viii, 241 Seiten , 21 cm x 14.8 cm
    Serie: Palgrave studies in sound
    DDC: 300
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Musik ; Technologie ; USA
    Anmerkung: Literaturverzeichnis Seite 225-233
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 86
    Buch
    Buch
    Bloomington : Indiana University Press
    ISBN: 9780253032072 , 9780253032096
    Sprache: Englisch
    Seiten: XXI, 210 Seiten , Illustrationen, 1 Karte
    Serie: African expressive cultures
    DDC: 782.2209669
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Geistliche Musik ; Gotteslob ; Musikpflege ; Yoruba ; Nigeria ; Lagos ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 87
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Sprache: Englisch
    Seiten: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Serie: SOAS musicology series
    Paralleltitel: Erscheint auch als
    DDC: 780.917/4943
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 88
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252050305
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Music in American life
    DDC: 782.2530973
    RVK:
    Schlagwort(e): Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Kurzfassung: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 89
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations (black and white)
    Serie: Currents in Latin American & Iberian music
    DDC: 793.319468
    RVK:
    Schlagwort(e): Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Kurzfassung: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 90
    Online-Ressource
    Online-Ressource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Sprache: Englisch
    Seiten: 1 Online-Ressource (228 pages)
    Serie: SUNY Series, Philosophy and Race
    Serie: SUNY Series, Philosophy and Race Ser.
    Paralleltitel: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    Schlagwort(e): Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Kurzfassung: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 91
    Buch
    Buch
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Sprache: Englisch
    Seiten: viii, 181 Seiten , 1 Karte
    Serie: Public cultures of the Middle East and North Africa
    Paralleltitel: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
    RVK:
    Schlagwort(e): Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 92
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VIII, 241 p)
    Serie: Palgrave Studies in Sound
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 93
    Buch
    Buch
    Sheffield, UK ; Bristol, CT : Equinox
    ISBN: 9781781795712 , 9781781795705
    Sprache: Englisch
    Seiten: VI, 212 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1950- ; Soziokultur ; Popmusik ; England ; Popular music ; History and criticism ; England, Northern ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Popmusik ; Soziokultur ; Geschichte 1950-
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 94
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 280 Seiten)
    Serie: The John Hope Franklin Series in African American History and Culture
    Paralleltitel: Erscheint auch als
    DDC: 782.25089/96073
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Schwarze ; Anthem ; USA
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 95
    ISBN: 9780873488594 , 0873488598
    Sprache: Englisch
    Seiten: 186 Seiten , illustrations, portraits , 21 cm
    Ausgabe: 10th printing,2018
    DDC: 781.65
    RVK:
    Schlagwort(e): Jazz History and criticism ; African Americans Music ; History and criticism ; African American musicians ; African American musicians ; African Americans ; Music ; Jazz ; Criticism, interpretation, etc
    Kurzfassung: "You don't own your own product" : an introduction to the political economy of jazz -- Why let a little thing like death interfere with exploitation? -- "Selling records to colored people" : white contempt for black art -- If you're black, get back : double standards in the recording industry -- You don't have to be intellectually dishonest to defend the status quo in jazz, but it helps -- The "jazz tradition" : black music, white critic -- The Afro-American folk roots of innovation in jazz -- App. A. Mark Levine's contract with Catalyst Records -- App. B. Royalty payments to Mark Levine from United Artists Records.
    Kurzfassung: "Black Music, White Business probes the principal contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of jazz distribution - the recording companies, booking agencies, festivals, nightclubs and magazines - on the other."--BOOK JACKET. "Drawing on a wide variety of sources as well as his own experiences, Frank Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executives view jazz."--Jacket
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 96
    Online-Ressource
    Online-Ressource
    Philadelphia, Pennsylvania ; Rome, [Italy] ; Tokyo, [Japan] : Temple University Press
    ISBN: 9781439911754
    Sprache: Englisch
    Seiten: 1 Online-Ressource (282 pages) , illustrations, tables
    Serie: Studies in Latin America and Caribbean Music
    Paralleltitel: Erscheint auch als Fernando Ortiz on music : selected writing on Afro-Cuban culture
    DDC: 780.97291
    RVK:
    Schlagwort(e): Music History and criticism ; Blacks Music ; History and criticism
    Anmerkung: Description based on print version record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 97
    Online-Ressource
    Online-Ressource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253032089
    Sprache: Englisch
    Seiten: 1 Online-Ressource (236 pages)
    Serie: African Expressive Cultures
    Paralleltitel: Erscheint auch als Brennan, Vicki L. Singing Yoruba Christianity : music, media, and morality
    DDC: 782.2209669
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Gotteslob ; Geistliche Musik ; Yoruba ; Musikpflege ; Lagos ; Nigeria ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Anmerkung: Description based on print version record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 98
    ISBN: 9781433145650 , 9781433145704
    Sprache: Englisch
    Serie: Black Studies & Critical Thinking vol. 103
    Serie: Black Studies & Critical Thinking
    DDC: 370
    RVK:
    Schlagwort(e): Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 99
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Sprache: Englisch
    Seiten: 1 online resource (290 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Paralleltitel: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    Schlagwort(e): Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Kurzfassung: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Kurzfassung: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 100
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    ISBN: 9780226451787
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 360 Seiten) , 16 Illustrationen
    DDC: 781.64089/96073
    RVK:
    Schlagwort(e): African Americans Music ; History and criticism ; Minstrel music History and criticism ; Music and race History ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; HISTORY / General
    Kurzfassung: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order
    Kurzfassung: Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow’s Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End -- Notes -- Index
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...