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  • New York : Oxford University Press  (193)
  • Bielefeld : transcript Verlag  (171)
  • Mainz [u.a.] : Schott
  • Musicology  (345)
  • Geography  (98)
Language
  • 1
    Language: German
    Edition: 12., völlig neubearb. Aufl. in drei Bd
    RVK:
    Keywords: Wörterbuch ; Musik
    Note: Später u.d.T.: Brockhaus-Riemann-Musiklexikon , Literaturangaben
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  • 2
    Language: German
    Edition: 12., völlig neubearb. Aufl. in drei Bd
    RVK:
    Keywords: Wörterbuch ; Musik
    Description / Table of Contents: Literaturangaben
    Note: Später u.d.T.: Brockhaus-Riemann-Musiklexikon
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  • 3
    ISBN: 9780197662809
    Language: English
    Pages: pages cm
    Edition: Third edition
    Parallel Title: Erscheint auch als Short, John R Human geography
    DDC: 304.2
    RVK:
    Keywords: Human geography
    Abstract: "The aim of this book is to introduce students to a wide range of important and exciting work in human geography. The primary audience is students in colleges and universities. We decided to write this book because many of the standard texts are too big, and increasingly too expensive to provide the accessible and affordable base most of us need for our human geography courses. The overly large and expensive books available now have grown into, to use Henry James's description of many nineteenth-century novels, "loose and baggy monsters." There is room for a more interesting and subtle book than the standard texts. This briefer and more accessible alternative is written in a more familiar style that can be augmented by other resources. We can use as metaphor the attempts on the big Himalayan peaks. In the 1970s, the attempts were increasingly organized as large teams with many climbers and elaborate systems of camps and base camps. Then, in the late 1970s, a number of climbers dispensed with the large teams and sought to climb alone or with one other climber. Less burdened by organizational weight, they were much more successful in reaching the summits in quick direct assaults. This book adapts a similar ethic of "light and fast" that affords more flexibility to instructors than a traditional textbook. Not an exact metaphor, to be sure, but close enough to give you a sense of the book's character and mission"--
    Note: Includes index
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839469415
    Language: German
    Pages: 1 Online-Ressource (658 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    RVK:
    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Heavy Metal; Extreme Metal; Musik; Wandel; Sozialgeschichte; Strukturwandel; 1980er Jahre; Zeitgeschichte; Kulturgeschichte; Popkultur; Popmusik; Musikwissenschaft; Music; Change; Social History; Structural Change; 1980s; Contemporary History; Cultural History; Popular Culture; Pop Music; Musicology; ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Heavy Metal ist eine soziale Kraft, die uns viel über den zeitgeschichtlichen Wandel verraten kann. Ursprünglich ein Phänomen der Arbeiterklasse, eroberte die Musikkultur seit den 1970er Jahren neue soziale Milieus, Regionen, Medien und Märkte. Heavy Metal wurde dabei nicht nur zum Lebensinhalt vieler Fans, sondern auch zur Erwerbsarbeit, zum musikalischen und kommerziellen Experimentierfeld sowie zum sozialen Abgrenzungsinstrument. Erstmals nimmt Marco Swiniartzki diese Entwicklungen auf Grundlage eines breiten Quellenfundaments unter die Lupe. Zahlreiche Interviews mit Musiker*innen geben einen Einblick in die 1980er Jahre und zeigen: Die Sozialgeschichte des Heavy Metal und der gesamtgesellschaftliche Wandel dieser Zeit gehen Hand in Hand.
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  • 5
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 7
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 8
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 9
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 10
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 11
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 12
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
    RVK:
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 13
    ISBN: 9783839460108
    Language: German
    Pages: 1 Online-Ressource (330 Seiten) , Illustrationen
    Series Statement: Sozial- und Kulturgeographie 52
    Series Statement: Sozial- und Kulturgeographie
    Parallel Title: Erscheint auch als Die Region - eine Begriffserkundung
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    Keywords: Human geography ; Urban & municipal planning ; Aufsatzsammlung ; Region
    Abstract: Klappentext: "Die Region" begegnet uns ganz selbstverständlich in Alltag, Politik, Wirtschaft und Medien sowie als (raum-)wissenschaftlicher Fachbegriff. Auch wenn Regionen auf den ersten Blick als etwas Faktisches erscheinen, zeigt sich beim zweiten Hinsehen, wie sich das Regionale einer konkreten Begriffsbestimmung entzieht - was auch als Stärke verstanden werden kann. Die Beiträge des Bandes erkunden "die Region", indem sie von Begriffskombinationen ausgehend - etwa "die arme Region", "die flexible Region", "die Genussregion" oder "die Untersuchungsregion" - eine Reise durch verschiedene Dimensionen des Regionalen unternehmen und neue Verständnisse von Regionen, Regionalisierungen und Regionalität anregen.
    Note: German
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  • 14
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839463369
    Language: German
    Pages: 1 Online-Ressource (296 p.)
    Edition: 1st ed.
    Series Statement: Kultur und soziale Praxis
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    Keywords: Geschichte 2015-2016 ; Ehrenamtliche Tätigkeit ; Flüchtling ; Soziale Integration ; Soziales Engagement ; Asylpolitik ; Flüchtlingshilfe ; Zivilgesellschaft; Flüchtlingshilfe; Asylpolitik; Engagement; DDR; Humanitäre Hilfe; Politische Partizipation; Fluchtforschung; Migration; Integration; Sachsen; Leipzig; Flucht; Flüchtlingsforschung; Soziale Bewegungen; Kulturanthropologie; Civil Society; Asylum Policy; Civil Engagement; GDR (East Germany); Political Participation; Refugee Research; Saxony; Fleeing; Refugee Studies; Social Movements; Cultural Anthropology; ; Deutschland ; Leipzig ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Die »Flüchtlingskrise« und ihre »Willkommenskultur« 2015 haben auch in Sachsen für viel Improvisation und Spontanität gesorgt. Migration und Integration als Lernfelder für Gesellschaft und Politik haben dabei eine Fülle an Engagementformen hervorgebracht. Aber was geschieht langfristig mit ihnen? Wo sind die Grenzen und Möglichkeitsräume von Engagement? Stefanie Adamitz beleuchtet in ihrer ethnografischen Studie zum Engagement in Leipzig den dynamischen Wandel in Zivilgesellschaft und Asylpolitik als Wechselwirkung. Sie hinterfragt gängige Beschreibungen politischer Handlungen und Felder und wirft einen detaillierten Blick auf die Beziehungen von Zivilgesellschaft und Staat.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 15
    ISBN: 9783839460573
    Language: German
    Pages: 1 Online-Ressource (182 pages)
    Series Statement: Transdisziplinäre Popkulturstudien 5
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    Keywords: Drone Music ; Klang ; Körper ; Körperlichkeit ; Medienkunst ; Musik ; Musikrezeption ; Musikwissenschaft ; Popkultur ; Popmusik ; Resonanz ; Sonische Materialität ; The Haxan Cloak ; MUSIC / History & Criticism
    Abstract: Die Drone Music von »The Haxan Cloak« bespielt den Körper und macht ihn in seiner Tiefenresonanz spürbar. Hörer*innen erleben eine ganze Welt, andere verlieren sich darin, empfinden Angst, Leere oder Ohnmacht. Welche Rezeptionsweisen führen zu so unterschiedlichen Hörerfahrungen? Wie kann Musik, die die Sinne überwältigt, andere Selbst- und Wirklichkeitserfahrungen evozieren? Luise Wolf verschränkt kunst- und kulturwissenschaftliche mit (psycho-)akustischen Perspektiven, um die Resonanz in ihren leiblich-reflexiven und künstlerisch-materiellen Bedingungen zu ergründen
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9783839463109 , 9783837663105
    Language: Undetermined
    Pages: 1 Online-Ressource (388 p.)
    Series Statement: Urban Studies
    RVK:
    Keywords: Urban communities ; Human geography
    Abstract: Metropolitan research requires multidisciplinary perspectives in order to do justice to the complexities of metropolitan regions. This volume provides a scholarly and accessible overview of key methods and approaches in metropolitan research from a uniquely broad range of disciplines including architectural history, art history, heritage conservation, literary and cultural studies, spatial planning and planning theory, geoinformatics, urban sociology, economic geography, operations research, technology studies, transport planning, aquatic ecosystems research and urban epidemiology. It is this scope of disciplinary - and increasingly also interdisciplinary - approaches that allows metropolitan research to address recent societal challenges of urban life, such as mobility, health, diversity or sustainability
    Note: English
    URL: Cover  (lizenzpflichtig)
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  • 17
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 18
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
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    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 20
    Language: English
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 21
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
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    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 22
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (374 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
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    Keywords: Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft ; Populäre Musikkultur; Marken; Musikwirtschaft; Werbeindustrie; Audio Branding; Musik; Homogenisierung; Werbung; Wirtschaft; Pharrell Williams; Popkultur; Popmusik; Musikwissenschaft; Kulturwirtschaft; Klang; Popular Music Culture; Branding; Music Industry; Music; Homogenization; Advertising; Economy; Popular Culture; Pop Music; Musicology; Cultural Industry; Sound; ; Hochschulschrift
    Abstract: Der Einfluss werbetreibender Marken auf die Musikkulturen der Gegenwart ist ungeachtet ihrer dortigen Omnipräsenz bislang kaum Gegenstand musikwissenschaftlicher Forschung. Andreas Schoenrocks Pionierarbeit Fremdbestimmte Freude legt die autoritative Wirkkraft von Marken und Werbeindustrie auf kontemporäre populäre Musikkulturen im jungen 21. Jahrhundert offen und untersucht die von diesem Markenmandat ausgehenden musikalischen Homogenisierungseffekte. Die transparente Darstellung des Zusammenhangs zwischen werbetreibenden Marken und Musikentwicklung kulminiert in der detaillierten Analyse eines prototypischen Beispiels für »synchronisationsfreundliche« Musik: Pharrell Williams' Happy.
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  • 23
    ISBN: 9783837660418 , 3837660419
    Language: English
    Pages: 293 Seiten , Illustrationen, Karten , 24 cm x 16 cm, 530 g
    Edition: First published
    Series Statement: Social and cultural geography
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Shifts in mapping
    Parallel Title: Erscheint auch als Shifts in Mapping
    Parallel Title: Erscheint auch als Shifts in Mapping
    DDC: 304.2
    RVK:
    Keywords: Konferenzschrift 20.01.2021-21.01.2021 ; Anthropogeografie ; Sozialgeografie ; Kartografie ; Visualisierung
    Note: This publication appears on the occasion of the Symposium "Shifts in Mapping" (20/21 January 2021), an event of the FHNW Academy of Art and Design Basel, and the Exhibition "Shaping the Invisible World" (March 3 until May 25 2021), at HeK (House of Electronic Arts Basel)
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  • 24
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839457580
    Language: English
    Pages: 1 Online-Ressource (228 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    RVK:
    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Electronic Dance Music; Discourse; Community; Culture; Identity; Music; Language; Popular Culture; Pop Music; Linguistics; Cultural Studies; Musicology; ; Hochschulschrift ; Hochschulschrift
    Abstract: Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview of the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 26
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
    RVK:
    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    RVK:
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 28
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839458952
    Language: German
    Pages: 1 Online-Ressource (298 Seiten) , 230 MB
    Edition: 1st ed
    Series Statement: Edition Kulturwissenschaft 259
    Parallel Title: Erscheint auch als
    Dissertation note: Doctoral Thesis Eberhard Karls Universität Tübingen 2020
    DDC: 305.8
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    Keywords: Rassismus; Identität; Nation; Raum; Kultur; Sozialgeographie; Soziale Ungleichheit; Kulturwissenschaft; Racism; Identity; Space; Culture; Social Geography; Social Inequality; Cultural Studies ; Rassentheorie ; Rassismus ; Identität ; Diskurs ; Nation ; Raum ; Nationalismus ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rassismus ; Raum ; Rassentheorie ; Nationalismus ; Identität ; Diskurs ; Rassismus ; Identität ; Nation
    Abstract: Rassismus und Raum bedingen sich gegenseitig. (Neo-)Rassismus bedient sich raumtheoretischer Konzeptionen, um sich selbst zu konstituieren und zu legitimieren. Carolin Mehnert greift diese bisher kaum beachtete Korrelation auf, um ein relationales und reziprokes Raumverständnis als anti-rassistische Denk-, Sprech- und Handlungsweise gegen eine absolutistische Containerraum-Vorstellung produktiv zu machen. Wieso braucht Rassismus, um an sein konsequentes Ende zu gelangen, nicht nur ein biologistisch-naturalisierendes Moment, sondern gleichermaßen eine Verortung in einem absoluten und eindeutig geographisch zu fassenden Raum?
    Note: Online resource; title from title screen (viewed February 28, 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover
    URL: JSTOR
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  • 29
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 30
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
    RVK:
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  • 31
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190945978 , 9780197555422
    Language: English
    Pages: 1 Online-Ressource (xiii, 279 Seiten) , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    DDC: 304.8
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    Keywords: Migration ; Humanbiologie ; Globalisierung ; Anthropogeografie ; Human beings / Migrations ; Migrations of nations ; Globalization / Sociological aspects ; Globalization / Sociological aspects ; Human beings / Migrations ; Migrations of nations ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Migration ; Globalisierung ; Anthropogeografie ; Humanbiologie
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  • 32
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839460412 , 9783837660418
    Language: English
    Pages: 1 Online-Ressource (294 p.)
    Series Statement: Sozial- und Kulturgeographie
    Parallel Title: Erscheint auch als Shifts in Mapping
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    Keywords: Human geography ; Urban communities ; Aufsatzsammlung ; Aufsatzsammlung ; Anthropogeografie ; Sozialgeografie ; Kartografie ; Visualisierung
    Abstract: Klappentext: Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space?
    Note: English
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  • 33
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
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    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 34
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
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    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 35
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839457580
    Language: English
    Pages: 1 Online-Ressource (225 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.648
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    Keywords: Community ; Cultural Studies ; Culture ; Discourse ; Identity ; Language ; Linguistics ; Music ; Musicology ; Pop Music ; Popular Culture ; MUSIC / History & Criticism ; Electronic dance music ; Music and language ; Elektronische Musik ; Diskursanalyse ; Online-Community ; Tanzmusik ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse
    Abstract: Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview on the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
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    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 37
    ISBN: 9783839457337 , 9783837657333
    Language: English
    Pages: 1 Online-Ressource (430 p.)
    Series Statement: Sozial- und Kulturgeographie
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    Keywords: Human geography ; Sociology ; Urban & municipal planning ; Aufsatzsammlung
    Abstract: Post-Growth Geographies examines the spatial relations of diverse and alternative economies between growth-oriented institutions and multiple socio-ecological crises. The book brings together conceptual and empirical contributions from geography and its neighbouring disciplines and offers different perspectives on the possibilities, demands and critiques of post-growth transformation. Through case studies and interviews, the contributions combine voices from activism, civil society, planning and politics with current theoretical debates on socio-ecological transformation
    Note: English
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  • 38
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839455562 , 9783837655568
    Language: German
    Pages: 1 Online-Ressource (340 p.)
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    Keywords: Theory of music & musicology ; Rock & Pop music ; Popular culture ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Erstmals wird in diesem Buch die für Deutschrap oft impulsgebende österreichische HipHop-Musiklandschaft auf Buchlänge ins Zentrum gerückt. Frederik Dörfler-Trummer zeichnet die Karrieren der wichtigsten Vertreter*innen - von Falco über Money Boy bis RAF Camora - nach und analysiert ihre Musik. Dabei werden genredefinierende Charakteristika des HipHop für die Subgenres BoomBap, Gangsta-Rap, Trap und Cloud-Rap herausgearbeitet. Über den Aspekt der Glokalisierung wird zudem das Zusammenspiel von globaler Verbreitung und lokaler Aneignung von HipHop-Musik demonstriert
    Note: German
    URL: Volltext  (kostenfrei)
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 39
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
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    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 40
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Pages: xii, 458 Seiten , Illustrationen
    Series Statement: Readers on American musicians
    DDC: 782.254092
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    Keywords: Jackson, Mahalia
    Note: Includes bibliographical references and index.
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  • 41
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
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    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 42
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562628
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 pages) , Illustrations (colour), maps (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 304.2
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    Keywords: Anthropogeografie ; Globalisierung ; Human geography ; Globalization
    Abstract: We are all born into natural and cultural environments that shape what we become, individually and collectively. From our "mother tongue" to our father's faith, from medical risks to natural hazards, where we start our journey has much to do with our destiny, and thus with our chances of overcoming the obstacles in our way. Incorporating a series of revealing maps, de Blij focuses on the rough terrain of the world's human and environmental geography. The world's continuing partition into core and periphery, and apartheid-like obstructions to migration from the former to the latter, help explain why, in this age of globalisation, less than 3 percent of "mobals" live in countries other than where they were born. Maps of language distribution suggest why English, the Latin of the latter day, may become as hybridised as its forerunner.
    Note: Previously issued in print: 2009 , Includes bibliographical references and index
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  • 43
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 p.)
    Edition: 1st ed.
    Series Statement: Kultur und soziale Praxis
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    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Türkei; Kurden; Aleviten; Protestmusik; Migration; Musik; Politik; Musikwissenschaft; Kulturanthropologie; Cultural Studies; Turkey; Kurds; Alevis; Protest Music; Music; Politics; Musicology; Cultural Anthropology; ; Deutschland ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren möchten, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik in die Türkei zurückgelangen soll.
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  • 44
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
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    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 45
    Book
    Book
    Bielefeld : transcript Verlag
    ISBN: 9783825253608
    Language: German
    Pages: 187 Seiten , Illustrationen, Diagramme, Karten
    Edition: 3., aktualisierte Auflage
    Series Statement: UTB 5360
    Series Statement: Kulturwissenschaft
    Parallel Title: Erscheint auch als
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    Keywords: Spatial turn ; Kulturwissenschaften ; Kulturtheorie ; Theorie ; Raum ; Raum ; Einführung ; Raum ; Kulturtheorie ; Raum ; Kulturwissenschaften ; Raum ; Theorie ; Kulturwissenschaften ; Raum ; Theorie ; Spatial turn
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  • 46
    Book
    Book
    Bielefeld : transcript Verlag
    ISBN: 9783825253608 , 3825253600
    Language: German
    Pages: 187 Seiten , Illustrationen, Karten
    Edition: 3., aktualisierte Auflage
    Series Statement: utb 5360
    Series Statement: Kulturwissenschaft
    Parallel Title: Erscheint auch als
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    Keywords: Raum ; Kulturtheorie ; Raum ; Theorie ; Spatial turn ; Kulturwissenschaften ; Raum ; Kulturtheorie ; Raum ; Kulturwissenschaften ; Raum ; Theorie ; Kulturwissenschaften ; Raum ; Theorie ; Spatial turn
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  • 47
    ISBN: 9783825253622
    Language: German
    Pages: 384 Seiten
    Edition: 3. [aktualisierte] Auflage
    Series Statement: Utb. Kulturwissenschaft 5362
    Parallel Title: Erscheint auch als
    Former Title: Vorangegangen ist María do Mar Castro Varela, Nikita Dhawan Postkoloniale Theorie
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    Keywords: Postkolonialismus ; Soziologische Theorie ; Theoriebildung ; Lehrbuch ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; Einführung ; Einführung ; Einführung ; Postkolonialismus ; Theoriebildung ; Postkolonialismus ; Soziologische Theorie
    URL: Cover
    URL: Cover
    URL: Cover
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  • 48
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Antisemitismus ; Kultursoziologie ; Musik ; Popkultur ; Literatur ; Geschlechterverhältnisse ; music ; Subkultur ; Sociology of Culture ; Popular Culture ; literature ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Allgemeine Literaturwissenschaft ; General Literature Studies ; Subculture ; Textanalyse ; Text Analysis ; antisemitism ; Hip-Hop ; Hip Hop ; Gender Relations ; Songtext ; Identitätsdiskurse ; Identity Discourses ; Rap; Hip-Hop; Songtext; Textanalyse; Identitätsdiskurse; Geschlechterverhältnisse; Subkultur; Antisemitismus; Popkultur; Musik; Literatur; Popmusik; Allgemeine Literaturwissenschaft; Kultursoziologie; Musikwissenschaft; Hip Hop; Text Analysis; Identity Discourses; Gender Relations; Subculture; Antisemitism; Popular Culture; Music; Literature; Pop Music; General Literature Studies; Sociology of Culture; Musicology;
    Abstract: Rap ist zuletzt vor allem negativ in die Schlagzeilen geraten. Antisemitismus, Sexismus und Homophobie dominieren nicht ohne Grund die mediale Berichterstattung, wie die vorliegenden Forschungsergebnisse zeigen. Damit ist der deutschsprachige Rap aber nicht abschließend erfasst. Längst ist die Musikrichtung kein Nischenphänomen mehr, sondern die Rap-Szene zeichnet sich durch vielfältige Formen, Stile und Haltungen aus. Der Sammelband widmet sich deutschsprachigem Rap seit 2000 und legt den Fokus erstmals auf Einzeltextanalysen, die sich diesem Musikgenre und seinen Künstler*innen multiperspektivisch und -disziplinär annähern.
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  • 49
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190886912
    Language: English
    Pages: xi, 381 Seiten , Notenbeispiele
    Edition: 20th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 781.22
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    Note: Literaturverzeichnis: Seite 375-377
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  • 50
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
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    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
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  • 51
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
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    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 52
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562710
    Language: English
    Pages: 1 Online-Ressource (xv, 294 pages) , Illustrations (black and white), maps (black and white).
    Series Statement: Oxford scholarship online
    DDC: 307.1/4164097471
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    Keywords: Stadtforschung ; Gentrifizierung ; Stadtleben ; City and town life ; Urbanization ; Community development, Urban ; New York, NY
    Abstract: As cities have gentrified, educated urbanites have come to prize what they regard as 'authentic' urban life, but as Sharon Zukin shows in 'Naked City', the rapid and pervasive demand for authenticity has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists.
    Note: Previously issued in print: 2010 , Includes bibliographical references and index
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  • 53
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190846121
    Language: English
    Pages: 471 Seiten
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  • 54
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 55
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
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    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 56
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
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    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 57
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9780190882044
    Language: English
    Pages: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Series Statement: Oxford cultural biographies
    DDC: 782.42164092
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    Keywords: Cole, Nat King
    Abstract: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Note: Literaturangaben
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  • 59
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
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    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
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    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 61
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
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    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 62
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Antisemitismus ; Kultursoziologie ; Musik ; Popkultur ; Literatur ; Geschlechterverhältnisse ; music ; Subkultur ; Sociology of Culture ; Popular Culture ; literature ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Allgemeine Literaturwissenschaft ; General Literature Studies ; Subculture ; Textanalyse ; Text Analysis ; antisemitism ; Hip-Hop ; Hip Hop ; Gender Relations ; Songtext ; Identitätsdiskurse ; Identity Discourses ; Rap; Hip-Hop; Songtext; Textanalyse; Identitätsdiskurse; Geschlechterverhältnisse; Subkultur; Antisemitismus; Popkultur; Musik; Literatur; Popmusik; Allgemeine Literaturwissenschaft; Kultursoziologie; Musikwissenschaft; Hip Hop; Text Analysis; Identity Discourses; Gender Relations; Subculture; Antisemitism; Popular Culture; Music; Literature; Pop Music; General Literature Studies; Sociology of Culture; Musicology;
    Abstract: Rap ist zuletzt vor allem negativ in die Schlagzeilen geraten. Antisemitismus, Sexismus und Homophobie dominieren nicht ohne Grund die mediale Berichterstattung, wie die vorliegenden Forschungsergebnisse zeigen. Damit ist der deutschsprachige Rap aber nicht abschließend erfasst. Längst ist die Musikrichtung kein Nischenphänomen mehr, sondern die Rap-Szene zeichnet sich durch vielfältige Formen, Stile und Haltungen aus. Der Sammelband widmet sich deutschsprachigem Rap seit 2000 und legt den Fokus erstmals auf Einzeltextanalysen, die sich diesem Musikgenre und seinen Künstler*innen multiperspektivisch und -disziplinär annähern.
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  • 63
    ISBN: 9783839446966
    Language: German
    Pages: Online-Ressource, 298 Seiten , Dispersionsbindung, 15 SW-Abbildungen, 41 Farbabbildungen
    Series Statement: Sozial- und Kulturgeographie 32
    Series Statement: Sozial- und Kulturgeographie
    Parallel Title: Erscheint auch als Reichel, Christian, 1978- Mensch - Umwelt - Klimawandel
    DDC: 304.28094947358
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    Keywords: Klimaänderung ; Anpassung ; Bergbauer ; Naturverständnis ; Lokales Wissen ; Klimaänderung ; Umwelt ; Bergbauer ; Deutungsmuster ; Safiental ; Schweiz ; Safiental ; (Produktform)Electronic book text ; (Zielgruppe)Fachpublikum/ Wissenschaft ; Schweiz ; Resilienz ; Lokales Wissen ; Landwirtschaft ; Hochgebirge ; Alpen ; Partizipative Kartierung ; Lebenswirklichkeit ; Natur ; Kultur ; Kulturanthropologie ; Umweltsoziologie ; Humanökologie ; Ökologie ; Climate Change ; Switzerland ; Resilience ; Local Knowledge ; Agriculture ; High Mountains ; Alps ; Participatory Mapping ; Living Reality ; Nature ; Culture ; Cultural Anthropology ; Environmental Sociology ; Human Ecology ; Ecology ; (BIC subject category)RNT ; (VLB-WN)9753 ; Klimawandel ; (DDC Deutsch 22)300 ; (BISAC Subject Heading)SOC002010 ; (BIC subject category)JHMC ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Safiental ; Klimaänderung ; Anpassung ; Bergbauer ; Naturverständnis ; Lokales Wissen
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  • 64
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 65
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
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    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 66
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 67
    ISBN: 9780190056650
    Language: English
    Pages: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 68
    ISBN: 9783839447284
    Language: German
    Pages: 1 Online-Ressource (328 p.)
    Edition: 1st ed.
    Series Statement: Postmigrantische Studien 3
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    Keywords: Multikulturelle Gesellschaft ; Migration ; Transnationalisierung ; Geschlechterverhältnis ; Intersektionalität ; Care ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: »Postmigrantisch« steht für gesellschaftliche Zustände, die durch die Erfahrung der Migration strukturiert sind. Migration wird dabei als soziale Praxis verstanden, die politisch, medial und sozial kontrovers verhandelt und reguliert wird - und gleichzeitig Gesellschaften nachhaltig prägt. In diesem Band geht es um eine Gegenwartsanalyse, die aktuelle gesellschaftliche Entwicklungen als Ganzes in den Blick nimmt. In den Beiträgen stehen nicht ›die Migrant*innen‹ im Mittelpunkt, sondern die Verwobenheiten von verschiedenen Akteur*innen, Geschichten und Kontexten. Postmigrantische Perspektiven werden hierbei mit transnationalen, postkolonialen und diversitätsbewussten Ansätzen zusammengebracht und mithilfe einer dezidiert feministischen, gendersoziologischen, intersektionalen Perspektive erweitert. Das Potenzial einer postmigrantischen Perspektive wird im Kontext von Gender, Transnationalität, Care und anderen Forschungsfeldern (neu) erprobt.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Book
    Book
    New York : Oxford University Press
    ISBN: 0190656840 , 9780190656843 , 0190656859 , 9780190656850
    Language: English
    Pages: vii, 295 Seiten , Illustrationen
    Series Statement: American musicspheres
    DDC: 781.629697298307471
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    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Note: References Seite 261-266
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  • 70
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
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    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 71
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
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    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
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  • 72
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
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    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
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  • 73
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190864422
    Language: English
    Pages: XXI, 346 Seiten , Illustrationen, Karten
    Edition: Fourth edition
    DDC: 304.20973
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    Keywords: Human ecology History ; United States ; Philosophy of nature History ; United States ; Human beings Effect of environment of ; History ; United States ; United States Environmental conditions ; USA ; Natur ; Umwelt ; Geschichte
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  • 74
    ISBN: 9780190885694
    Language: English
    Pages: x, 312 Seiten
    Series Statement: An Oxford handbook of applied ethnomusicology / edited by Svanibor Pettan and Jeff Todd Titon Volume 1
    Series Statement: Oxford handbooks
    Series Statement: An Oxford handbook of applied ethnomusicology
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Angewandte Musikwissenschaft
    Abstract: An introduction to applied ethnomusicology. Applied ethnomusicology : a descriptive and historical account / Jeff Todd Titon ; Applied ethnomusicology in the global arena / Svanibor Pettan ; An introduction to the chapters / Jeff Todd Titon and Svanibor Pettan -- Theoretical and methodological considerations. Transcending researcher vulnerability through applied ethnomusicology / Dan Bendrups ; Evaluating values in applied ethnomusicology / Klisala Harrison ; Cultural engagement and ownership through participatory approaches in applied ethnomusicology / Tan Sooi Beng ; Applied ethnomusicology and intangible cultural heritage : understanding ecosystems of music as a tool for sustainability / Huib Schippers ; Sustainability, resilience, and adaptive management for applied ethnomusicology / Jeff Todd Titon -- Conflict. The role of applied ethnomusicology in post-conflict and post-catastrophe communities / Erica Haskell ; The study of survivors' music / Joshua D. Pilzer ; Music and conflict resolution : the public display of migrants in nationalist conflicts in Europe : an analytical reflection on university-based ethnomusicological activism / Britta Sweers
    Note: Includes bibliographical references and index
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  • 75
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190637231
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
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    Keywords: Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Abstract: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Abstract: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Note: Includes bibliographical references and index
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  • 76
    ISBN: 9783839444054
    Language: German
    Pages: 1 Online-Ressource (482 p.)
    Edition: 1st ed.
    Series Statement: Theater 112
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    Keywords: Protestbewegung ; Protest ; Chor ; Widerstand ; Ästhetik ; Theaterwissenschaft ; Arabischer Frühling ; Occupy Wall Street ; Stuttgart 21 ; Hochschulschrift
    Abstract: Protestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben. Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.
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  • 77
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839445198
    Language: English
    Pages: 1 Online-Ressource (352 Seiten) , 42 SW-Abbildungen, 233 Farbabbildungen
    Edition: 2nd ed
    Series Statement: Sozial- und Kulturgeographie 26
    Parallel Title: Erscheint auch als
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    Keywords: Maps; Counter-Cartography; Global; Social Movements; Manual; Handbook; Space; Globalization; Politics; Social Geography; Cultural Geography; Geography ; Politik ; Anthropogeografie ; Bevölkerungsgeografie ; Kultursoziologie ; Globalisierung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Electronic books. ; Electronic books. ; Globalisierung ; Kultursoziologie ; Politik ; Anthropogeografie ; Globalisierung ; Bevölkerungsgeografie
    Abstract: This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself
    Abstract: »Dieser Atlas könnte auch wie eine multiperspektivische Weltkarte gelesen werden, mit der man sich global orientieren, oder in die man lokal eintauchen kann.« Antje Lehn, dérive, 76 (2019) »Wer über die Welt der Diercke-Atlanten und Fischer-Weltalmanachs hinausblicken will, sollte unbedingt diese Publikation zur Hand nehmen. Er wird viel Gewinn daraus ziehen, wenn er die eindrucksvollen Beispiele durchblättert.« Burkhard Luber, www.dasmili.eu, 15.04.2019 »Ein Aufruf zum genauen Hinsehen, zur Transparenz in der Kartographie und zum Hinterfragen der eigenen Position, aus der heraus kartographiert wird.« Elena von Ohlen, Südlink, 187 (2019) O-Ton: »Wer Karten erstellt, hat Deutungsmacht« - Paul Schweizer vom kollektiv orangotango bei Deutschlandfunk Kultur am 14.03.2019.
    Abstract: »Auch wenn politische Kämpfe nicht auf dem Papier ausgetragen werden, wie Halder und Michel schreiben: Karten sind Weisen der Welterzeugung und somit Instrumente, sie zu ändern.« Mladen Gladic, der Freitag, 11 (2019) »Das anregende Werk lädt zum Stöbern ein und bietet gleichzeitig vielfältige und nützliche Ideen und Werkzeuge für ›angehende Nicht-Kartografierer‹.« Peter Streiff, Contraste, 414 (2019) »Gemeinsam ist allen Beiträgen, dass sie mit den Wassern der Semiotik, Diskursanalyse, Dekonstruktion und Postkolonialität gewaschen sind. Forschung und Aktivismus sind für sie zwei Seiten derselben Medaille.« Diba Shokri, Frankfurter Allgemeine Sonntagszeitung, 27.01.2019 »Ein Projekt spannender als das andere.
    Note: [2., unveränderte Auflage 2019]. - Online resource; title from title screen (viewed December 28, 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: FULL  ((Currently Only Available on Campus))
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  • 78
    ISBN: 9780190296612 , 9780190296605
    Language: English
    Pages: xviii, 229 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
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    Keywords: Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Note: Includes bibliographical references and index
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  • 79
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190653774 , 9780190870522
    Language: English
    Pages: xiii, 292 Seiten , Diagramme, Notenbeispiele
    DDC: 781.66117
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    Keywords: Einführung ; Einführung ; Einführung ; Einführung
    Note: Literaturverzeichnis: Seite 267-275
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  • 80
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190679835 , 0190679832 , 9780190679927 , 0190679921
    Language: English
    Pages: xv, 320 Seiten , Illustrationen, Karten
    Edition: Second edition
    DDC: 304.2
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    Keywords: Human geography ; Human geography ; Anthropogeografie
    Note: Includes bibliographical references and index
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  • 81
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
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    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 82
    ISBN: 9783839442081
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Image 129
    Parallel Title: Erscheint auch als Kühnemund, Jan, 1975 - Topographies of "Borderland Schengen"
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    Keywords: Film ; Image ; Media Studies ; Political Art ; Visuality ; Border ; Documentary Film ; Refugee Studies ; Migration; Border; Documentary Film; Visuality; Film; Image; Political Art; Refugee Studies; Media Studies; ; Hochschulschrift ; Hochschulschrift ; Europäische Union ; Illegale Einwanderung ; Dokumentarfilm
    Abstract: Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.
    Note: Includes filmography and bibliography
    URL: Cover
    URL: Cover
    URL: Cover
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  • 83
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
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    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 84
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199733163
    Language: English
    Pages: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    DDC: 303.376
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    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index.
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  • 85
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839444177
    Language: German
    Pages: 1 Online-Ressource (472 p.)
    Edition: 1st ed.
    Series Statement: American Culture Studies 23
    DDC: 000
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    Keywords: Smith, Patti ; Soziales Netzwerk ; Transnationalisierung ; Weltbürgertum ; Pop-Kultur
    Abstract: Über die facettenreiche Arbeit der 71-jährigen Künstlerin Patti Smith gibt es eine Flut von Informationen - nicht zuletzt durch das Internet. Auch ihre autobiografischen Werke Just Kids und M Train haben eine internationale Leserschaft gefunden. Henning E. Kuckuk setzt sich ausgehend von der interdisziplinären Amerikanistik und den Cultural Studies - mit Bezug auf politik- und sozialwissenschaftliche Parameter - erstmals wissenschaftlich mit ihrem Werk und Leben auseinander. Der Analyse liegen empirische Untersuchungen von Performances und der Website der Künstlerin zugrunde, die von einem breiten Publikum rezipiert werden. Wie Patti Smith spricht auch dieses Buch eine politisch aktive Öffentlichkeit an.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190244736
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 306.4842
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music (i.e., amateur, recreation) as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present a myriad of ways for reconsidering-refocusing attention on-the rich, exciting, and emotionally charged ways in which people of all ages make time for making music through music learning and participation.
    Note: Includes bibliographical references and index
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  • 87
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839434314
    Language: German
    Pages: 1 Online-Ressource (244 p.)
    Edition: 1st ed.
    Series Statement: Religion und Medien 3
    DDC: 200
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    Keywords: Heavy Metal ; Neuheidentum ; Religiosität ; Massenkultur ; Medien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Religion findet sich nicht nur in Kirchen und Moscheen, sondern auch an profanen Orten wie Heavy Metal-Konzerten. Mittels der Analyse von Konzerten, Liedtexten, CD-Covern und Interviews mit bekannten Musikern im Bereich des Pagan Metal diskutiert Serina Heinen das Verhältnis von Religion und Populärkultur. Dabei tritt ein wichtiger Aspekt von moderner Religion zutage, der in religionssoziologischen Debatten kaum Beachtung findet: Religion im populärkulturellen Kontext ist vieldeutig. Pagan Metal ist voller explizit religionsbezogener Symbolik, doch verstehen die Musiker ihre künstlerische Auseinandersetzung mit Religion nicht zwingend als religiöses Bekenntnis.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    ISBN: 9780190212605 , 9780190212599
    Language: English
    Pages: xv, 210 Seiten , Illustrationen
    DDC: 306.484240948
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    Keywords: Popmusik ; Rap ; Reggae ; Folk music ; Radikalismus ; Nationalismus ; Schweden
    Note: Literaturverzeichnis: Seite 189-206
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  • 89
    ISBN: 9783839440506
    Language: German
    Pages: 1 Online-Ressource (400 p.)
    Edition: 1st ed.
    Series Statement: Rurale Topografien 3
    DDC: 800
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    Keywords: Dorf ; Landleben ; Literatur ; Massenkultur ; Fremdbild ; Literaturwissenschaft ; Kulturwissenschaften ; Ländlicher Raum ; Landleben ; Anthropogeografie ; Konferenzschrift 2016
    Abstract: Angesichts aktueller gesellschaftlicher Umbrüche hat auch das Landleben wieder Konjunktur. In Medien und politischen Reden, ökonomischen Kalkulationen, demografischen Untersuchungen und infrastrukturellen Planungen werden Bilder ruraler Lebenswelten aufgerufen. Sie greifen auf romantische Vorstellungen zurück, entwerfen aber auch düstere Untergangsszenarien. Nicht zuletzt haben zeitgenössische Literaturen, Filme und alltagsbezogene Forschungen - abseits gängiger Polarisierungen - das Landleben wieder für sich entdeckt. Die Beiträge des Bandes zeigen: Leben auf dem Land wird so zur Projektionsfläche, aber auch zu einem Erkundungsraum und Verhandlungsort gesellschaftlicher Entwicklungen und darauf bezogener Diskurse.
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  • 90
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839436646
    Language: German
    Pages: 1 Online-Ressource (428 p.)
    Edition: 1st ed.
    Series Statement: Kultur und soziale Praxis
    DDC: 390
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    Keywords: Raum ; Aneignung ; Alternativbewegung ; Kunst ; Zivilgesellschaft ; Teilhabe ; Stadtentwicklung ; Kreativität ; Salzburg
    Abstract: Wie kann das Denken von Möglichkeiten und das Potenzial für gesellschaftliche Veränderung im konkreten Lebensumfeld Stadt gefasst werden? Aufbauend auf ein Verständnis von Kreativität und Imagination als sozialen Prozessen schlägt Laila Lucie Huber vor, Verbindungslinien zwischen Kunst und Politik neu zu denken und das Gestalten von physischem, sozialem und symbolischem Raum als prozessuale Collage in den Blick zu nehmen. Am Beispiel Salzburg und den dortigen mikropolitischen Praxen von selbstorganisierten Initiativen zwischen Kunst und Politik zeigt ihre ethnografische Forschung, wie die dominante Erzählung der Stadt infrage gestellt werden kann.
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  • 91
    ISBN: 9783839434116
    Language: German
    Pages: 1 Online-Ressource (364 Seiten) , Illustrationen, Diagramme
    Series Statement: Aging Studies Band 10
    Series Statement: Aging studies
    Parallel Title: Erscheint auch als Alter(n) in Beziehungen. Ordnungen - Praktiken - Materialiäten (Veranstaltung : 2015 : Hamburg) Alter(n) als soziale und kulturelle Praxis
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    Keywords: Kulturwissenschaft ; Medien ; Interdisziplinarität ; Culture ; Kultur ; Soziologische Theorie ; Materielle Kultur ; Kulturtheorie ; media ; biography ; Biographie ; Alltag ; Cultural Theory ; cultural studies ; Praxis ; sociological theory ; interdisciplinarity ; everyday life ; Aging Studies ; material culture ; altern ; Practice ; Ageing ; Alter; Altern; Aging Studies; Biographie; Kultur; Praxis; Materielle Kultur; Alltag; Medien; Interdisziplinarität; Kulturtheorie; Soziologische Theorie; Kulturwissenschaft; Ageing; Biography; Culture; Practice; Material Culture; Everyday Life; Media; Interdisciplinarity; Cultural Theory; Sociological Theory; Cultural Studies; ; Konferenzschrift ; Konferenzschrift ; Alter ; Altern
    Abstract: Wie wird man eigentlich alt? Können Dinge auch altern? Und wie verändern sich die eigenen biographischen Erfahrungen und der Umgang mit Erinnerung(en)?Dieser Band rückt die Frage nach den Beziehungen des Alter(n)s ins Zentrum und stellt dabei verschiedene interdisziplinäre Perspektiven auf das Altern als soziale Praxis und kulturelle Ordnung vor. Entlang der drei leitenden Begriffe - Ordnungen, Praktiken, Materialitäten - loten die ethnographischen, historischen und diskursorientierten Beiträge kulturelle Vorstellungen, alltagsweltliche Aushandlungen und materielle Erscheinungsformen des Alter(n)s aus.
    Abstract: How does one actually age? Can things also age? How do biographical experiences change, and how do we deal with memory/memories? Interdisciplinary perspectives on ageing as a social practice.
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  • 92
    ISBN: 9783837629354 , 383762935X
    Language: German
    Pages: 355 Seiten , Illustrationen , 225 mm x 148 mm, 588 g
    Series Statement: TanzScripte Band 35
    Series Statement: TanzScripte
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken - Das Ornamentale des Balletts im frühen 19. Jahrhundert
    Parallel Title: Erscheint auch als Wittrock, Eike Arabesken - Das Ornamentale des Balletts im frühen 19. Jahrhundert
    Dissertation note: Dissertation Freie Universität Berlin 2017
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    Keywords: Hochschulschrift ; Ballett ; Arabeske ; Das Ornamentale ; Geschichte 1800-1850
    Note: Literaturverzeichnis: Seite 319-352
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  • 93
    Journal/Serial
    Journal/Serial
    Mainz : Schott | Mainz [u.a.] : Schott ; 24.1988 - 38.2002 = Nr. 68-96; [N.F.] [1.]2003,1; 2.2004 - 9.2011,2; 2011,3-17, 4 ; damit Erscheinen eingestellt
    Show associated volumes/articles
    ISSN: 0935-2562 , 2199-5729 , 2199-5729
    Language: German
    Pages: 30 cm
    Dates of Publication: 24.1988 - 38.2002 = Nr. 68-96; [N.F.] [1.]2003,1; 2.2004 - 9.2011,2; 2011,3-17, 4 ; damit Erscheinen eingestellt
    Additional Information: Index Musikforum. Bibliographie
    Additional Information: 2008 - 2016 Beil. Deutscher Musikrat DMR aktuell
    Additional Information: Ab 2014 teils Beil Arpeggio
    Additional Information: Supplement Musici magazin
    Parallel Title: Erscheint auch als Musikforum
    Former Title: Fortsetzung von Deutscher Musikrat Referate und Informationen
    Former Title: das Magazin des deutschen Musiklebens
    Former Title: Musik leben und erleben in Deutschland
    Former Title: das Magazin des Deutschen Musikrats
    DDC: 780
    RVK:
    Keywords: Deutscher Musikrat ; Zeitschrift ; Deutscher Musikrat ; Deutschland ; Musikleben
    Note: Ungezählte Beilage 17, 1-17, 4: DMR aktuell , Beteil. Körp. anfangs: Deutsche-Musikrat-Projektgesellschaft mbH , Ersch. vierteljährl., bis 2002 halbjährl., 2003 jährl.
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  • 94
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 95
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190248192
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 781.64209
    RVK:
    Keywords: Countrymusic ; Musikbranche
    Abstract: Country music studies is a thriving interdisciplinary field. 'The Oxford Handbook of Country Music' draws upon the expertise of leading and emerging scholars to present an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century and to suggest potential avenues for further research.
    Note: Includes bibliographical references and index
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  • 96
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190204938
    Language: English
    Pages: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
    RVK:
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    Keywords: Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Abstract: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Description / Table of Contents: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Note: Literaturverzeichnis: Seite 697-705
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  • 97
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190603922
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Oxford handbooks online
    DDC: 781.640948
    RVK:
    Abstract: The Nordic countries, a group of countries spanning a large area of northern Europe and the North Atlantic, present unique natural and cultural environments in which popular music has come to play a significant role. Research on the region's music has largely followed national narratives and ignored more complex geographies and transcultural issues. This first handbook of music in the Nordic countries explores the significance of popular music in the history of the region, with implications for broader debates about the region's uniqueness and its future. The chapters highlight music's place in media and tourism industries, in sustaining exotic images of the North, but also in more serious issues such as racism and environmentalism.
    Note: Includes bibliographical references and index
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  • 98
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197619544
    Language: English
    Pages: xii, 575 Seiten , Illustrationen, Diagramme , 25 cm
    Edition: First printed as an Oxford University Press paperback
    DDC: 781.64209
    RVK:
    Keywords: Country music History and criticism ; Countrymusic ; Countrymusic
    Note: Originally published: 2017
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  • 99
    ISBN: 9780190215866
    Language: English
    Pages: 177 Seiten , 25 cm
    DDC: 781.1/7
    RVK:
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    Keywords: Musical criticism History 20th century ; Music critics
    Abstract: How to be a music critic in 1940s Spain : expectations and restrictions -- Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain
    Description / Table of Contents: How to be a music critic in 1940s Spain : expectations and restrictions Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain.
    Note: Includes bibliographical references
    URL: Cover
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  • 100
    Book
    Book
    Bielefeld : transcript Verlag
    ISBN: 9783837633542 , 3837633543
    Language: German
    Pages: 317 Seiten , 23 cm
    Series Statement: Urban studies
    Parallel Title: Erscheint auch als Erzählte Stadt - Der urbane Raum bei Janet Cardiff und Jeff Wall
    Dissertation note: Dissertation Hochschule für Bildende Künste Hamburg 2016
    DDC: 704.944097109049
    RVK:
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    Keywords: Wall, Jeff ; Cardiff, Janet ; Kultur ; Literatur ; Wissenschaftliche Literatur ; Film ; Roman ; Raumwahrnehmung ; Stadt ; Allgemeine Literaturwissenschaft ; City ; City Perception ; Contemporary Art ; Cultural Studies ; Film ; General Literature Studies ; Janet Cardiff ; Jeff Wall ; Kulturwissenschaft ; Literatur ; Literature ; Poststructural Narration ; Poststrukturelles Erzählen ; Raumtheorie ; Sociology ; Soziologie ; Spatial Theory ; Stadt ; Stadtwahrnehmung ; Urban Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Cardiff, Janet 1957- ; Stadt ; Raumwahrnehmung ; Wall, Jeff 1946- ; Stadt ; Raumwahrnehmung ; Kultur ; Film ; Literatur ; Roman ; Wissenschaftliche Literatur
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