ISBN:
9781402030529
Language:
English
Pages:
Online-Ressource
,
v.: digital
Edition:
Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law Electronic reproduction; Available via World Wide Web
Series Statement:
Springer International Handbook of Research in Arts Education 16
DDC:
700.71
Keywords:
Education
;
Arts
;
Humanities
;
Music
;
Performing arts
;
Ästhetische Erziehung
Abstract:
Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), the Handbook synthesizes existing research literature, helps define the past, and contributes to shaping the substantive and methodological future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the lived practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each centering on a major area or issue in arts education research. These areas include: History of arts education, curriculum, evaluation, cultural centers, appreciation, composition, informal learning, child culture, creativity, the body, spirituality, and technology. The individual chapters address cross-cultural research related to the central theme of the section from the perspectives of the particular arts discipline. Interludes provide reflective thoughts on the theme.
Description / Table of Contents:
CONTENTS; Introduction; List of Reviewers; Section 1 History; 1 Prelude: History of Education and Arts Education; 2 Capitalizing Art Education: Mapping International Histories; 3 Interlude: Arts Education, the Aesthetic and Cultural Studies; 4 A History of Drama Education: A Search for Substance; 5 The Teaching and Learning of Music in the Settings of Family, Church, and School: Some Historical Perspectives; 6 Interlude: History Looking Forward; 7 Social History and Dance as Education; 8 The Teaching of English Language Arts as Poetic Language: An Institutionalist View; Section 2 Curriculum
Description / Table of Contents:
9 Prelude: Making Sense of Curriculum Research in Arts Education10 Currents of Change in the Music Curriculum; 11 Experiencing the Visual and Visualizing Experiences; 12 Interlude: On Learning to Draw and Paint as an Adult; 13 Proteus, the Giant at the Door: Drama and Theater in the Curriculum; 14 Narrative as Artful Curriculum Making; 15 Interlude: Imagining Ms. Eddy Alive; or, the Return of the Arts Teacher and her Personalized Curriculum; 16 Dance Curriculum Research; 17 Music (and Arts) Education from the Point of View of Didaktik and Bildung
Description / Table of Contents:
18 Arts Integration in the Curriculum: A Review of Research and Implications for Teaching and Learning19 Artists in the Academy: Curriculum and Instruction; Section 3 Assessment and Evaluation; 20 Prelude: Making Connections in Assessment and Evaluation in Arts Education; 21 To See and to Share: Evaluating the Dance Experience in Education; 22 Harmonizing Assessment and Music in the Classroom; 23 Interlude: Reflections on a Line from Dewey; 24 Assessing English within the Arts; 25 Wrestling with Assessment in Drama Education; 26 Interlude: Assessment and Evaluation in Education and the Arts
Description / Table of Contents:
27 Evaluation Research in Visual Arts EducationSection 4 Composition; 28 Prelude: The Composition Section Composing as Metaphor and Process; 29 Compositional Process in Music; 30 Four Metaphors of the Composing Process; 31 Interlude: Metaphor and the Mission of the Arts; 32 Composition in Theater: Writing and Devising Performance; 33 Research in Choreography; 34 Interlude: Art and Metaphor, Body and Mind; 35 Composing in Visual Arts; Section 5 Appreciation; 36 Prelude: Locating the Heart of Experience; 37 Moving into Dance: Dance Appreciation as Dance Literacy
Description / Table of Contents:
38 Appreciation: The Weakest Link in Drama/Theater Education39 Music Appreciation: Exploring Similarity and Difference; 40 Later "In the Early World": The Changing Role of Poetry and Creative Writing in the K-12 Classroom; 41 Teaching Toward Appreciation in the Visual Arts; 42 Interlude: The Arches of Experience; 43 Interlude: On Reading Maxine's Interlude; 44 Postcards from "A World Made Possible": Excerpts from Virtual Conversations; Section 6 Musuems and Cultural Centers; 45 Prelude: Museums, Cultural Centers, and What We Don't Know
Description / Table of Contents:
46 The Role of Theater in Museums and Historic Sites: Visitors, Audiences, and Learners
Note:
Includes bibliographical references and index
,
Electronic reproduction; Available via World Wide Web
DOI:
10.1007/978-1-4020-3052-9
URL:
Volltext
(lizenzpflichtig)
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