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  • Online-Ressource  (1.796)
  • AV-Medium  (111)
  • Englisch  (1.900)
  • Japanisch  (10)
  • Musikwissenschaft  (1.907)
Materialart
Erscheinungszeitraum
  • 1
    AV-Medium
    AV-Medium
    Cambridge, Mass. : Rounder Records
    Sprache: Englisch
    Serie: The Alan Lomax collection
    RVK:
    Anmerkung: Remastered to 20-bit digital from the original field recordings
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    AV-Medium
    AV-Medium
    Washington, DC : Smithsonian Folkways Recordings
    Sprache: Englisch
    Seiten: 4 CDs , 12 cm
    Zusätzliches Material: Beih.
    RVK:
    Schlagwort(e): CD
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Wien : Hollitzer | [Ann Arbor] : ProQuest
    ISBN: 9783990129814
    Sprache: Englisch
    Seiten: 1 Online-Ressource (242 Seiten)
    Serie: Beiträge zur Jazzforschung = Studies in jazz research 16
    Paralleltitel: Erscheint auch als
    RVK:
    Anmerkung: Diskografie Seite 198-216 , Literaturverzeichnis Seite 193-197 , Verzeichnis der Songtitel Seite 217-222
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  • 4
    Online-Ressource
    Online-Ressource
    London : FOCAL | London : Taylor & Francis Group
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Perspectives on music production
    DDC: 782.421649
    RVK:
    Schlagwort(e): Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Kurzfassung: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
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  • 5
    ISBN: 9783031086151
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als Popular music scenes
    DDC: 306.48424
    RVK:
    Schlagwort(e): Popular music Social aspects
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  • 6
    Online-Ressource
    Online-Ressource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 pages)
    Serie: Eastman/Rochester studies in ethnomusicology 13
    RVK:
    RVK:
    Schlagwort(e): Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Kurzfassung: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Hamburg, Germany : adocs
    ISBN: 9783943253641
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Ausgabe: 1. edition
    Paralleltitel: Erscheint auch als
    DDC: 781.230964
    RVK:
    Schlagwort(e): Kolonialismus ; Klang ; Vielfalt ; Marokko ; Ethnographie ; Sound Studies ; künstlersche Forschung ; postkoloniale Theorie ; akustische Praktiken ; Marokko ; Kolonialismus ; Klang ; Vielfalt
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 8
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 221 Seiten)
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Kurzfassung: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online-Ressource
    Online-Ressource
    London ; New York : Bloomsbury Academic
    ISBN: 9781350287006 , 9781350286986
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 544 Seiten) , Illustrationen, Diagramme
    Serie: Bloomsbury handbooks
    Serie: Bloomsbury collections
    Paralleltitel: Erscheint auch als
    DDC: 781.64/112
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Religion ; Popular music Religious aspects ; Religiosität ; Unterhaltungsmusik ; Religion ; Volksmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Volksmusik ; Religion ; Religiosität ; Geschichte
    Kurzfassung: "The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises 33 updated essays, a replacement of one of the chapters (on Buddhism), and six new chapters on the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres, and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular."
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Schlagwort(e): Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781003081876
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 498 Seiten)
    Serie: Routledge music companions
    Paralleltitel: Erscheint auch als The Routledge companion of jazz and gender
    DDC: 781.6509
    RVK:
    Kurzfassung: "The Routledge Companion of Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present"--
    Anmerkung: Includes bibliographical references and index
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  • 12
    Online-Ressource
    Online-Ressource
    La Vergne : Feral House
    ISBN: 9781627311281
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    RVK:
    RVK:
    Schlagwort(e): Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Kurzfassung: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 13
    Online-Ressource
    Online-Ressource
    New York, NY : Routledge | London : Taylor & Francis Group
    ISBN: 9781000896510 , 100089651X , 9781003293767 , 100329376X , 9781000896541 , 1000896544
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Eye on education
    DDC: 428.0071/2
    RVK:
    Schlagwort(e): English language Study and teaching (Secondary) ; Hip-hop ; Music in education ; Culturally relevant pedagogy ; EDUCATION / Teaching Methods & Materials / Reading ; LANGUAGE ARTS & DISCIPLINES / Literacy
    Kurzfassung: This book presents practical approaches for engaging with Hip Hop music and culture in the classroom. As the most popular form of music and youth culture today, Hip Hop is a powerful medium through which students can explore their identities and locate themselves in our social world. Designed for novice and veteran teachers, this book is filled with pedagogical tools, strategies, lesson plans, and real-world guidance on integrating Hip Hop into the curriculum. Through a wide range of approaches and insights, Lauren Leigh Kelly invites teachers to look to popular media culture to support students' development and critical engagement with texts. Covering classroom practice, assessment strategies, and curricular and standards-based guidelines, the lessons in this book will bolster students' linguistic and critical thinking skills and help students to better understand and act upon the societal forces around them. The varied activities, assignments, and handouts are designed to inspire teachers and easily facilitate modification of the assignments to suit their own contexts. The impact of Hip Hop on youth cultureis undeniable, now more than ever; this is the perfect book for teachers who want to connect with their students, support meaning-making in the classroom, affirm the validity of youth culture, and foster an inclusive and engaging classroom environment
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  • 14
    ISBN: 9781911036081
    Sprache: Englisch
    Seiten: 1 Online-Ressource (194 Seiten)
    Ausgabe: 1. edition
    DDC: 782.42166092
    RVK:
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  • 15
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501383441
    Sprache: Englisch
    Seiten: 1 Online-Ressource (195 pages)
    Serie: Genre: a 33 1/3 Series
    DDC: 781.630968
    RVK:
    Schlagwort(e): Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 16
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004542723 , 9789004542716
    Sprache: Englisch
    DDC: 306.48420943
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Modern history to 20th century: c 1700 to c 1900 ; Classical Music ; German Empire ; German History ; Migration ; Music ; Musicians ; National Socialism ; Professionalization ; Weimar Republic ; World War I ; World War II ; World War 1 ; World War 2
    Kurzfassung: Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession 'from below' sheds new light on German musical life in the modern era.
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  • 17
    Online-Ressource
    Online-Ressource
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383920 , 9780520383937
    Sprache: Englisch
    Seiten: 1 Online-Ressource (227 p.)
    DDC: 782.421649
    RVK:
    Schlagwort(e): Rap & Hip-Hop ; Music ; Hip-hop
    Kurzfassung: How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop’s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre’s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre’s growing popularity transformed ideas about who constitutes the mainstream. “Here it is—bam! The definitive story of rap, race, radio, and marketplace during hip hop’s Golden Age. Amy Coddington combines an archivist’s rigor and a raconteur’s wit in documenting what those of us of a certain age remember but, perhaps, never fully grasped: how, amidst expanding racial inequalities and against all odds, rap music became the most popular genre in America.” — Anthony Kwame Harrison, author of Hip Hop Underground: The Integrity and Ethics of Racial Identification “Making use of trade publications that have received little scholarly attention, Coddington has crafted a provocative and lucid alternative history that tracks how the radio industry’s engagement with hip hop in the 1980s and 1990s both reflected and shaped changing ideas about race and music.” — Loren Kajikawa, author of Sounding Race in Rap Songs...
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  • 18
    Online-Ressource
    Online-Ressource
    Baden-Baden, Germany : Tectum Verlag
    ISBN: 9783828879379
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXVI, 323 Seiten) , Illustrationen, Karte, Notenbeispiele
    Ausgabe: 1st edition
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 19
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Pontifical Institute of Sacred Music Rom 2011
    RVK:
    Schlagwort(e): Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    ISBN: 3990940031 , 9783990940037
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    DDC: 780.9436
    RVK:
    Schlagwort(e): Digital media Archives ; Music History ; Audio-visual aids ; Audio-visual archives ; Digitales Archiv ; Musikwissenschaft
    URL: Volltext  (kostenfrei)
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  • 20
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 541 Seiten)
    Serie: Oxford handbooks series
    Paralleltitel: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Schlagwort(e): Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Kurzfassung: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Anmerkung: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 21
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219559
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XXVI, 466 p. 69 illus.)
    Ausgabe: 1st ed. 2023.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.44
    RVK:
    Schlagwort(e): Music—History and criticism. ; Civilization—History. ; Sociolinguistics. ; Anthropological linguistics. ; Race. ; Civilization ; Music ; Aufsatzsammlung
    Kurzfassung: INTRODUCTION:Hip Hop’s here, there… and everywhere: An introduction to Global Hiphopography.-PART I – NOW CHECK THE METHOD.-CHAPTER 1:Public Enemy, public scholarship: Hiphopography and the co-production of knowledge with Chuck D.-CHAPTER 2:Rappin’ for rap’s sake: Towards T.R.A.P. research for collective liberation.-CHAPTER 3:Recalculating…: Hiphopography and decentring scholarship.-CHAPTER 4:Relational hiphopography: Some notes on shared study .-CHAPTER 5:Homeboys: A photo essay on Delhi’s underground hip hop culture.PARTII – FEMININE ENERGY.-CHAPTER 6:Decolonizing African Studies approaches to research on African women in Hip-Hop -- CHAPTER 7:Sisters in the hood: Re-centring gender balance in HipHop by creating safe spaces for women -- PART III – MIND, BODY AND SOUL.-CHAPTER 8:How I know, be, move: Embodied Hip Hop Pedagogies as teaching, research, writing, and living praxis .-CHAPTER 9:Flipping the academic discourse: Reflections on corporeal knowledge and gender negotiations in breaking.-CHAPTER 10:Graffuturism: Hiphopographic futures for urban art -- PART IV – FEAR OF A BLACK PLANET.-CHAPTER 11:Translocal hip hop aesthetics: Contemporary performances in Brazilian hip hop.-CHAPTER 12:Racialization and strategic / normalized otherness: A hiphopography of Danish and Finnish rap scenes -- PART V – POLITRICKS -- CHAPTER 13:Real and hypocrisy: The “moral turn” in Chinese Hip Hop music.-CHAPTER 14:Transidiomatism in Da Billas’ Mafohlana rap song: The socio-cultural integration of Mozambican migrants in South Africa -- PART VI – THIS IS A JOURNEY INTO SOUND:CHAPTER 15:The mixtape as Hip Hop historiography: A systematic analysis of record releases of German 1980s Hip Hop.-CHAPTER 16:‘My space trips from Chimoio’: Notes about space and temporality in sampling.-CHAPTER 17:Black sound designs: Reflections on one Brazilian DJ’s approach to a profession .
    Kurzfassung: This book brings together a range of hip hop scholars, artists and activists working on Hip Hop in the Global North and South with the goal of advancing Hiphopographic research as a critical methodology with critical fieldwork methods that can provide a critical perspective of our world. The authors’ focus in this volume is to present an anthology of essays that expand the remit of Hiphopography as an approach to the study of Hip Hop that is not only sensitive to the social, economic, political and cultural lives of Hip Hop Culture participants as interpreters and theorists, but one that continues to humanize the “whole person” behind the decks, on the mic, rocking on the linoleum floor, painting in front of a wall, and seeking that Knowledge of Self. This book will be relevant to Hip Hop scholars in fields such as cultural studies and history, sociolinguistics, linguistic anthropology and ethnography, and race studies, while Hip Hop heads themselves will find parts of this book that represent their culture in ethical and informative ways. Jaspal Naveel Singh is a hip hop head, knowledge producer and soul searcher. He currently works as a Lectuer in Applied Linguistics and English Language at the Open University, UK. His first monograph Transcultural Voices: Narrating Hip Hop Culture in Complex Delhi (2022) develops a hiphopographic approach called global hip hop linguistics to study breakers, graffiti artists, musicians and rappers in the emergent scenes in urban India. Originally from Germany, he has lived and worked in India, Hong Kong and Wales. Quentin Williams is Director of the Centre for Multilingualism and Diversities Research and an Associate Professor of Sociolinguistics in the Linguistics Department at the University of the Western Cape, South Africa. His most recent books are Struggles for Multilingualism and Linguistic Citizenship with Tommaso Milani and Ana Deumert (2022) and Neva Again: Hip Hop Art, Activism and Education in post-apartheid South Africa with Adam Haupt, H Samy Alim and Emile YX? (2019). .
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  • 22
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190856731
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 793.3
    RVK:
    Schlagwort(e): Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
    Kurzfassung: Imani Kai Johnson offers a key to thinking about the relationship between Hip Hop aesthetics and Africanism on a global scale, tracking its mutations as Hip Hop has moved from New York to nearly every city and radio station around the globe.
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online-Ressource
    Online-Ressource
    New York ; London : Routledge
    ISBN: 9781003043904
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 349 Seiten)
    Serie: Routledge music companions
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Beschreibung / Inhaltsverzeichnis: Includes bibliograpical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Sprache: Englisch
    Seiten: 1 Online-Ressource (221 Seiten)
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 781.6309591
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Kurzfassung: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Sprache: Englisch
    DDC: 782.421649
    RVK:
    Schlagwort(e): Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Kurzfassung: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 26
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197525104
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.65092
    RVK:
    Schlagwort(e): Brubeck, Dave / Criticism and interpretation ; Brubeck, Dave / Political and social views ; Music / ukslc ; Music / thema ; Jazz / History and criticism ; Jazz / Social aspects / United States / History / 20th century ; Music and race / United States / History / 20th century ; Civil rights movements / United States / History / 20th century
    Kurzfassung: How can we - jazz fans, musicians, writers, and historians - understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. This book uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Serie: Eastman studies in music
    Paralleltitel: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Schlagwort(e): Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Kurzfassung: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Anmerkung: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197664100
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Oxford scholarship online
    DDC: 780.96
    RVK:
    RVK:
    Schlagwort(e): Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Kurzfassung: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Anmerkung: Also issued in print: 2023 , Includes bibliographical references and index
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  • 29
    Online-Ressource
    Online-Ressource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Routledge music companions
    DDC: 780.89
    RVK:
    RVK:
    Schlagwort(e): Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 30
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197611685 , 9780197611678
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xlii, 608 Seiten) , Illustrationen
    Serie: Oxford handbooks series
    Paralleltitel: Erscheint auch als The Oxford handbook of care in music education
    DDC: 780.71
    RVK:
    Schlagwort(e): Music Instruction and study ; Social aspects ; Music Instruction and study ; Psychological aspects ; Music Instruction and study ; Political aspects ; Music Instruction and study ; Philosophy ; Music ; Music ; Musikerziehung
    Kurzfassung: This handbook addresses multiple conceptualizations of caring relationships in music education. Principal themes of the handbook include philosophical perspectives on care and music education; co-creating caring relationships; caring for wellbeing and human flourishing; and care, social activism, and critical consciousness. The essays highlight the essence of authentic relationships and shared experiences between teachers and learners, extending previous conceptions of care to meet the needs of contemporary music learners and the teachers who care for, about, and with them.
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on August 22, 2023)
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  • 31
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 295 Seiten)
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63095195
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    ISBN: 9781800109537 , 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Paralleltitel: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Kurzfassung: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Anmerkung: Includes bibliographical references and index
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  • 33
    ISBN: 9781800109537 , 9781800109520
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Paralleltitel: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Kurzfassung: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Anmerkung: Includes bibliographical references and index
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  • 34
    Online-Ressource
    Online-Ressource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830997566
    Sprache: Englisch
    Seiten: 1 Online-Ressource (250 p.)
    Ausgabe: 1st ed.
    Serie: Populäre Kultur und Musik 40
    RVK:
    Schlagwort(e): Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Kurzfassung: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 35
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478024040
    Sprache: Englisch
    Seiten: 1 online resource (153 pages)
    Ausgabe: 1st ed.
    Serie: Practices Ser.
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
    RVK:
    RVK:
    Schlagwort(e): Electronic books
    Kurzfassung: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 36
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478027058
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    DDC: 306.4846
    RVK:
    RVK:
    Schlagwort(e): Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    Online-Ressource
    Online-Ressource
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780299340339
    Sprache: Englisch
    Seiten: 1 Online-Ressource (216 pages)
    Ausgabe: 1st ed.
    DDC: 306.484609675112
    RVK:
    RVK:
    Schlagwort(e): Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 38
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781009036535
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Serie: Cambridge companions to music
    Serie: Cambridge companions online
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
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    Schlagwort(e): Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Kurzfassung: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Kurzfassung: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Anmerkung: Includes index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 39
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197536292
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 220 pages) , Illustrations (black and white, and colour).
    Serie: Oxford scholarship online
    DDC: 791.45097309045
    RVK:
    Schlagwort(e): Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; Television dance parties History 20th century ; Rock and roll dancing History 20th century ; Dance and race History 20th century ; Music and race History 20th century ; Performing Arts ; Films, cinema ; USA ; United States Race relations 20th century ; History
    Kurzfassung: 'Dancing Black, Dancing White' offers a new look at a popular phenomenon of the 1950s and 1960s - the televised teen dance program. Through a social and cultural history lens, the book uses these shows to explore rock and roll and how it affected both white and Black teenagers. The crux of the book is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time.
    Anmerkung: Also issued in print: 2023 , Includes bibliographical references and index
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  • 40
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780197555224
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Serie: Oxford theory in ethnomusicology
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 306.4842
    RVK:
    Schlagwort(e): Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197555200
    Sprache: Englisch
    Seiten: 1 Online-Ressource (193 pages)
    Serie: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    Schlagwort(e): Electronic books
    Kurzfassung: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 42
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108937443
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 295 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.642
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    Schlagwort(e): Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Kurzfassung: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Anmerkung: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781009272575
    Sprache: Englisch
    Seiten: 1 Online-Ressource (81 Seiten)
    Serie: Cambridge elements
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Geschichte 2006- ; Ethnomusicology / Cross-cultural studies ; Ethnomusicology / Vietnam ; Music / Methods / Cross-cultural studies ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
    Kurzfassung: This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2023)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Online-Ressource
    Online-Ressource
    Rochester : University of Rochester Press
    ISBN: 9781805430643
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiii, 277 Seiten)
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Ethnomusicology / Uganda ; Performing arts / Uganda ; Gender identity in music ; Gender identity in dance ; Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Kurzfassung: Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda
    Anmerkung: Title from publisher's bibliographic system (viewed on 15 Dec 2023) , "Traditional dance preserves culture and shows people how to behave": Runyege, MDD, and gender -- Singing marriage, Runyege, and labor -- "Women aren't supposed to": instrument playing in the past and today -- Shaking the hips, stamping the feet : the Runyege dance -- Narrating and representing local culture : theater in songs and dances -- Trans-performing and morality in cultural groups -- Postlude: gendering culture -- Appendix I. Glossary of terms in Runyoro-Rutooro -- Appendix II. Historical recordings from Bunyoro and Tooro -- Author's interviews
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    ISBN: 9783031164668
    Sprache: Englisch
    Seiten: 1 Online-Ressource (213 pages)
    Ausgabe: 1st ed.
    DDC: 781.64159
    RVK:
    Schlagwort(e): Popular music ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 46
    ISBN: 9781003043478 , 9781000574746 , 9781000574791
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxxi, 516 Seiten)
    Serie: SOAS studies in music
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Music Social aspects ; Music Political aspects ; Human rights ; Music and state ; Electronic books
    Kurzfassung: The Routledge Companion to Music and Human Rights is a collection of case studies spanning a wide range of concerns about music and human rights in response to intensifying challenges to the well-being of individuals, peoples, and the planet. It brings forward the expertise of academic researchers, lawyers, human rights practitioners, and performing musicians who offer critical reflection on how their work might identify, inform, or advance mutual interests in their respective fields. The book is comprised of 28 chapters, interspersed with 23 voices' - portraits that focus on individuals' intimate experiences with music in the defence or advancement of human rights - and explores the following four themes: 1) Fundamentals on music and human rights; 2) Music in pursuit of human rights; 3) Music as a means of violating human rights; 4) Human rights and music: intrinsic resonances
    Anmerkung: Includes bibliographical references and index
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  • 47
    Online-Ressource
    Online-Ressource
    Bielefeld :transcript Verlag,
    ISBN: 978-3-8394-5851-8
    Sprache: Englisch
    Seiten: 1 Online-Ressource (208 pages).
    Serie: Studien zur Popularmusik
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Gender Studies ; Gender ; Music ; Musicology ; Pop Music ; MUSIC / History & Criticism ; Popmusik. ; Sound. ; Gesang. ; Musikwahrnehmung. ; Sexismus. ; Feminismus. ; Musikalische Analyse. ; Geschlechterforschung. ; Hochschulschrift ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Sexismus ; Feminismus ; Musikalische Analyse ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Geschlechterforschung
    Kurzfassung: If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? L.J. Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    Online-Ressource
    Online-Ressource
    Ibadan : Noirledge Publishing
    ISBN: 9782493207098
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: Revised edition
    Serie: Africae monographs
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Fela ; Fela 1938-1997
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 49
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781003177555
    Sprache: Englisch
    Seiten: 1 Online-Ressource (pages cm)
    Serie: Transnational studies in jazz
    Originaltitel: Femmes du jazz
    Paralleltitel: Erscheint auch als Buscatto, Marie Women in jazz
    DDC: 782.42165092/2
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    Schlagwort(e): Women jazz musicians ; Women jazz singers ; Jazz Social aspects ; Sex role in music
    Kurzfassung: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
    Anmerkung: Includes bibliographical references and index
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  • 50
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Serie: Transnational studies in jazz
    Paralleltitel: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
    RVK:
    Schlagwort(e): Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Kurzfassung: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Anmerkung: Includes bibliographical references and index
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  • 51
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    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Serie: Oxford scholarship online
    DDC: 780.899240569442
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    Schlagwort(e): Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Kurzfassung: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 52
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Oxford scholarship online
    DDC: 782.421640973
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    Schlagwort(e): Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Kurzfassung: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 53
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Serie: Oxford scholarship online
    DDC: 306.48420944
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    Schlagwort(e): Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Kurzfassung: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 54
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 153 pages).
    Serie: Mississippi scholarship online
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Kurzfassung: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 55
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    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago studies in ethnomusicology
    Serie: Chicago scholarship online
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    Schlagwort(e): Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Kurzfassung: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Anmerkung: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 56
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago studies in ethnomusicology
    Serie: Chicago scholarship online
    DDC: 780.89928073
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    Schlagwort(e): Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Kurzfassung: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 57
    Online-Ressource
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    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Serie: Archaeopress Archaeology
    Paralleltitel: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
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    Schlagwort(e): Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Kurzfassung: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 58
    Online-Ressource
    Online-Ressource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 246 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 306.4/842094109034
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    Schlagwort(e): Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Anmerkung: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
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    London : Anthem Press
    ISBN: 9781785273858
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vi, 241 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 780.89
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    Schlagwort(e): Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Kurzfassung: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Anmerkung: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 9780429284526
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 61
    Online-Ressource
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    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
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    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    ISBN: 9781644698952
    Sprache: Englisch
    Seiten: 1 Online-Ressource (362 p.)
    Serie: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    Schlagwort(e): Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Kurzfassung: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
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    New York : Oxford University Press
    ISBN: 9780190056315
    Sprache: Englisch
    Seiten: 1 Online-Ressource (714 Seiten)
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    Schlagwort(e): Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Kurzfassung: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 64
    ISBN: 9789004501546
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 207 Seiten)
    Serie: Brill studies in Middle Eastern literatures volume 44
    Serie: Brill studies in Middle Eastern literatures
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 900-1100 ; Geschichte 1250 ; Musiker ; Musiktheorie ; Arabien ; Music / Arab countries / 500-1400 / History and criticism ; Music / Middle East / 500-1400 / History and criticism ; Muwashshah / History and criticism ; Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān / 742 or 743-803 or 804 ; Ziryāb, ʻAlī ibn Nāfiʻ / active 9th century ; Musicians / Arab countries / Biography ; Musicians / Middle East / Biography ; Abū al-Faraj al-Iṣbahānī / 897 or 898-967 / Kitāb al-aghānī ; Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf / 987 or 988-1076 / Muqtabas fī tārīkh al-Andalus / 2 ; Ibn Sanāʼ al-Mulk, Hibat Allāh ibn Jaʻfar / 1150 or 1151-1211 or 1212 / Dār al-ṭirāz fī ʻamal al-muwashshaḥāt ; Quelle ; Quelle ; Arabien ; Musiktheorie ; Geschichte 1250 ; Arabien ; Musiker ; Geschichte 900-1100
    Kurzfassung: "Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
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    Oxford : Oxford University Press
    ISBN: 9780191897801
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Ausgabe: First edition
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.66094309047
    RVK:
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    Schlagwort(e): Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Kurzfassung: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Anmerkung: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
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    [Place of publication not identified] : Routledge | London : Taylor & Francis Group
    ISBN: 9781003033226 , 1003033229 , 9781000537963 , 100053796X , 9781000537987 , 1000537986
    Sprache: Englisch
    Seiten: 1 Online-Ressource (712 pages)
    Ausgabe: First edition
    Serie: Audience Research
    DDC: 306.4/84
    RVK:
    Schlagwort(e): Performing arts Audiences ; PERFORMING ARTS / General ; PERFORMING ARTS / Dance / General ; PSYCHOLOGY / General
    Kurzfassung: The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music, and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers, and postgraduates, as well as to theatre, dance, opera, and music practitioners, and performing arts organisations and stakeholders involved in educational activities
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  • 67
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    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Serie: Music and the early modern imagination
    Paralleltitel: Erscheint auch als Music and Jewish culture in early modern Italy
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 68
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Routledge advances in sociology
    DDC: 306.4/84209052
    RVK:
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    Schlagwort(e): Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Kurzfassung: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Anmerkung: Includes bibliographical references and index
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  • 69
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    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 441 Seiten)
    Serie: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Serie: Collected works of Jao Tsung-i: Xuantang anthology
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
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  • 70
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    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Tracking pop
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
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  • 71
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    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Sprache: Deutsch , Englisch , Hebräisch , Japanisch
    Seiten: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Paralleltitel: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    RVK:
    Schlagwort(e): Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Kurzfassung: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Anmerkung: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 72
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    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003259282 , 9781000580631 , 9781032194578 , 9781032194608
    Sprache: Englisch
    Seiten: 1 Online-Ressource (154 p.)
    RVK:
    Schlagwort(e): Music ; Sacred & religious music
    Kurzfassung: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities
    Anmerkung: English
    URL: Volltext  (kostenfrei)
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  • 73
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    Abingdon, Oxon : Routledge
    ISBN: 9781003183648 , 9781032025049 , 9781032025032
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 198 pages) , Illustrationen
    RVK:
    Schlagwort(e): Sacred & religious music ; Theory of music & musicology
    Kurzfassung: Music, as the form of art whose name derives from ancient myths, is often thought of as pure symbolic expression and associated with transcendence. Music is also a universal phenomenon and thus a profound marker of humanity. These features make music a sphere of activity where sacred and popular qualities intersect and amalgamate. In an era characterised by postsecular and postcolonial processes of religious change, re-enchantment and alternative spiritualities, the intersections of the popular and the sacred in music have become increasingly multifarious. In the book, the cultural dynamics at stake are approached by stressing the extended and multiple dimensions of the sacred and the popular, hence challenging conventional, taken-for-granted and rigid conceptualisations of both popular music and sacred music. At issue are the cultural politics of labelling music as either popular or sacred, and the disciplinary and theoretical implications of such labelling. Instead of focussing on specific genres of popular music or types of religious music, consideration centres on interrogating musical situations where a distinction between the popular and the sacred is misleading, futile and even impossible. The topic is discussed in relation to a diversity of belief systems and different repertoires of music, including classical, folk and jazz, by considering such themes as origin myths, autonomy, ingenuity and stardom, authenticity, moral ambiguity, subcultural sensibilities and political ideologies
    Anmerkung: English
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  • 74
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    Singapore : Springer Nature Singapore | Imprint: Palgrave Macmillan
    ISBN: 9789811923401
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 357 p. 24 illus)
    Ausgabe: 1st ed. 2022
    Serie: Palgrave Studies in Sound
    Paralleltitel: Printed edition
    Paralleltitel: Printed edition
    Paralleltitel: Printed edition
    DDC: 306
    RVK:
    Schlagwort(e): Culture ; Science—Social aspects ; Music—Philosophy and aesthetics ; Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
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    New York, NY : New York University Press
    ISBN: 9781479808212
    Sprache: Englisch
    Seiten: 1 Online-Ressource (216 Seiten) , Illustrationen
    Serie: Postmillennial Pop 32
    Serie: Postmillennial Pop
    DDC: 111/.8508996073
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    Schlagwort(e): MUSIC / Genres & Styles / Rap & Hip Hop ; Aesthetics, Black ; African American arts History ; Gay culture History ; Hip-hop History
    Kurzfassung: Unearths the queer aesthetic origins of NYC hip hopHip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality.To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic.Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) , In English
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  • 76
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    Cambridge, UK ; New York : Cambridge University Press
    ISBN: 9781009083508
    Sprache: Englisch
    Seiten: 1 Online-Ressource (66 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 792.028/8092
    RVK:
    Schlagwort(e): Xin, Fengxia ; Actors / China / Biography
    Kurzfassung: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success
    Anmerkung: Title from publisher's bibliographic system (viewed on 31 Aug 2022) , Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957--1975) -- Authoring her memories (1977-1998) -- Conclusion
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
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    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781003168751
    Sprache: Englisch
    Seiten: 1 Online-Ressource (397 Seiten)
    Ausgabe: Fifth edition
    Serie: Routledge key guides
    Originaltitel: Key concepts in popular music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6403
    RVK:
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    Schlagwort(e): Popular music Encyclopedias ; Unterhaltungsmusik ; Popmusik ; Wörterbuch ; Popmusik ; Unterhaltungsmusik
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  • 78
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    New York : Bloomsbury Academic & Professional
    ISBN: 9781501336300
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 394 Seiten)
    Serie: Bloomsbury Handbooks Series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Ort ; Popmusik ; Electronic books ; Aufsatzsammlung ; Popmusik ; Ort
    Kurzfassung: Cover -- Contents -- List of contributors -- Introduction Geoff Stahl and J. Mark Percival -- Section I Theory and method -- 1 Music, space, place and non-place Geoff Stahl -- 2 Rhythmanalysis and circulation Will Straw -- 3 Global, local, regional and translocal: Towards a relational approach to scale in popular music Hyunjoon Shin and Keewoong Lee -- 4 Sociological perspectives on music and place Andy Bennett -- 5 Ethnomusicology and place Kimberly Cannady -- 6 Political economies of urban music Shane Homan -- 7 Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies Helmi Järviluoma -- Section II Space, place and consumption -- 8 At home with Sinatra Keir Keightley -- 9 Music radio J. Mark Percival -- 10 The record shop Nabeel Zuberi -- 11 The nightclub Hillegonda C Rietveld -- 12 The live venue Robert Kronenburg -- 13 Mobile listening cultures Raphaël Nowak -- Section III Space, place, production andperformance -- 14 In the city: Glasgow Martin Cloonan -- 15 Bedroom production Emília Barna -- 16 The studio Ruth Dockwray -- 17 The virtual studio Martin K. Koszolko -- 18 The space of the record: Something happening somewhere Simon Zagorski-Thomas -- 19 The live gig Sam Whiting -- Section IV Cities, suburbs, nations and beyond -- 20 Suburban breakout: Nomadic reverie in British pop Andrew Branch -- 21 Sounding South African township life Kathryn Olsen -- 22 Funk: A musical symbol of Rio de Janeiro's favelas Vincenzo Cambria -- 23 Postcolonial noise: How did French rap (re)invent 'the banlieue'? Christina Horvath -- 24 Music and the nation Melanie Schiller -- 25 Transnational music Simone Krüger Bridge -- Section V Selling, celebrating, representing spaceand place -- 26 Music, heritage and place Catherine Strong -- 27 Music and tourism Leonieke Bolderman -- 28 Festivals Chris Anderton.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 79
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    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    Online-Ressource
    Online-Ressource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Sprache: Englisch
    Seiten: 1 Online-Ressource (450 Seiten) , Illustrationen
    Ausgabe: 1st, New ed.
    Serie: American Culture 16
    RVK:
    Schlagwort(e): Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Kurzfassung: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 81
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Schlagwort(e): Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Kurzfassung: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 82
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Kurzfassung: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 83
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190699345
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 376 Seiten) , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.648
    RVK:
    RVK:
    Schlagwort(e): Music / ukslc ; Music / thema ; Ambient music / History and criticism ; Psychedelic rock music / History and criticism
    Kurzfassung: Explores the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic counterculture. It examines landmark psychedelic, new age, electronic dance, and ambient records, as well as related media discourses, that plotted the conventions of ambient music
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 511 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 784.4/973
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Kurzfassung: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Anmerkung: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197551875
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Serie: New Cultural History of Music
    DDC: 306.4842094
    RVK:
    Schlagwort(e): Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Kurzfassung: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Anmerkung: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
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  • 86
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501374739
    Sprache: Englisch
    Seiten: 1 Online-Ressource (305 pages)
    DDC: 781.63092
    RVK:
    Schlagwort(e): Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 87
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press
    ISBN: 9780190058890
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiii, 623 Seiten)
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Schlagwort(e): Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Kurzfassung: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Anmerkung: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 88
    Online-Ressource
    Online-Ressource
    Leiden : Brill, Schöningh
    ISBN: 9783657760527
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XXII, 263 Seiten) , Illustrationen
    Serie: Abhandlungen der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste Band 133
    Serie: Schöningh, Fink and mentis Religious Studies, Theology and Philosophy E-Books Online, Collection 2022
    Paralleltitel: Erscheint auch als Chiodo, Elisabetta Qorčin Mongol shamans and their songs
    RVK:
    Schlagwort(e): Civilization ; Mongols ; Mongolen ; Schamane ; Lied ; Khorchin ; Innere Mongolei
    Kurzfassung: The book presents the annotated texts of 21 songs of Eastern Mongol shamans. The transcriptions are kept in the Archives of Oral Literature of the Northrhine-Westphalian Academy of Sciences and Arts in Düsseldorf. The publication contributes new knowledge of the history, ritual practices, beliefs and customs of the Qorčin (Khorchin) Mongol shamans of eastern Inner Mongolia in particular. It focuses on 21 shamanic songs performed for different purposes. They are sung by 8 shamans who were born in the first decades of the 20th century. The Mongol texts of the songs are supplied with an English translation, extensive commentaries, and melodies in numeric notation. The author analyses the 21 songs by making use of passages from songs belonging to the repertoire of other Qorčin Mongol shamans. The 21 songs were placed within a broad framework of Mongolian oral legends and heroic epics, showing that they also evoke themes recurring in different contexts. The book contains 18 photos taken by the author during field trips among the Qorčin shamans
    Anmerkung: Literaturverzeichnis: Seite 249-263
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Kurzfassung: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 90
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Sprache: Englisch
    Seiten: 1 Online-Ressource (314 pages)
    Serie: American Made Music Ser.
    DDC: 780.266
    RVK:
    RVK:
    Schlagwort(e): Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Kurzfassung: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 91
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252053221
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 268 pages) , Illustrations (black and white).
    Serie: Music in American life
    Serie: Illinois scholarship online
    DDC: 781.642
    RVK:
    RVK:
    Schlagwort(e): Countrymusic ; Queer-Theorie ; Country music History and criticism ; Gender identity in music ; Gay musicians ; Transgender musicians ; Electronic books
    Kurzfassung: Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. 'Queer Country' blends ethnographic research with analysis and history to provide an i-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references, discography, filmography and index
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  • 92
    Online-Ressource
    Online-Ressource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 2nd Edition
    Paralleltitel: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Kurzfassung: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 93
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190947309
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 601 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of time in music
    DDC: 781.22
    RVK:
    RVK:
    Schlagwort(e): Time in music ; Musical meter and rhythm ; Music Psychological aspects ; Musik ; Zeit ; Metrik ; Takt ; Rhythmik
    Kurzfassung: As the art that calls most attention to temporality, music provides us with profound insight into the nature of time, and time equally offers us one of the richest lenses through which to interrogate musical practice and thought. In this volume, musical time, arrayed across a spectrum of genres and performance/compositional contexts is explored from a multiplicity of perspectives. The contributions to the volume all register the centrality of time to our understanding of music and music-making and offer perspectives on time in music, particularly though not exclusively attending to contemporary forms of musical work. In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
    Anmerkung: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2021)
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  • 94
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226817798
    Sprache: Englisch
    Seiten: 1 Online-Ressource (200 pages) , Illustrations (black and white), map (black and white).
    Serie: Chicago studies in ethnomusicology
    Serie: Chicago scholarship online
    DDC: 781.630951275
    RVK:
    RVK:
    Schlagwort(e): Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Kurzfassung: With a booming economy and abundant job opportunities, Guangzhou has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In this book, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 95
    Online-Ressource
    Online-Ressource
    New York : Oxford University PRess
    ISBN: 9780190247874
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 575 Seiten)
    Serie: Oxford handbooks
    Paralleltitel: Erscheint auch als
    DDC: 793.3
    RVK:
    Schlagwort(e): Hip-hop dance ; Hobbies and Games ; Indoor games
    Kurzfassung: 'The Oxford Handbook of Hip Hop Dance Studies' offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the 'studio-fication' of hip hop, and the cultural shift into theatre, TV, and the digital social media space.
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  • 96
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9780429281709 , 9781000510539 , 9781032158334 , 9780429281709 , 9780367243203
    Sprache: Englisch
    Seiten: 1 Online-Ressource (245 p.)
    Serie: Ashgate Interdisciplinary Studies in Opera
    RVK:
    Schlagwort(e): Music ; Opera
    Kurzfassung: The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers
    Anmerkung: English
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  • 97
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030796266
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VI, 212 p)
    Ausgabe: 1st ed. 2022
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63
    RVK:
    RVK:
    Schlagwort(e): Eminem ; Geschichte 1999-2020 ; Popular Music ; American Culture ; Literary Criticism ; Popular music ; Ethnology—America ; Culture ; Literature—History and criticism ; Song ; Lyrics ; Musikalbum ; Eminem 1972- ; Musikalbum ; Song ; Lyrics ; Geschichte 1999-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030924621
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 202 p. 2 illus)
    Ausgabe: 1st ed. 2022
    Serie: Pop Music, Culture and Identity
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031164668 , 3031164660
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 213 Seiten)
    Ausgabe: 1st ed. 2022
    Paralleltitel: Erscheint auch als Hirsch, Lily E Insulting Music
    DDC: 781.63
    RVK:
    Schlagwort(e): Popular music ; Music ; Popular Culture ; Popular Music ; Music ; Popular Culture ; Classical Music ; Pop and Rock
    URL: Cover
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  • 100
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031055553
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 275 p. 24 illus)
    Ausgabe: 1st ed. 2022
    Serie: Palgrave Studies in the History of Subcultures and Popular Music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 941
    RVK:
    Schlagwort(e): Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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