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  • English  (79)
  • Bielefeld : transcript
  • Birmingham, AL, USA : EBSCO Industries, Inc.
  • Musicology  (79)
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Language
  • 1
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837657586
    Language: English
    Pages: 225 Seiten , Illustrationen
    Series Statement: Popular Music
    DDC: 781.6480141
    RVK:
    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 2
    Language: English
    Pages: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Series Statement: Music and sound culture Volume 47
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    DDC: 780.78
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    Keywords: Deutschland Kulturpolitik ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturelle Veranstaltung ; Festspiele ; Musik ; Theater ; Ziele und Programme von Institutionen/Organisationen ; Innere Organisation von Institutionen/Organisationen ; Konzeption ; Wandel ; Theoriebildung ; Fallstudie ; München ; Berlin ; Reformvorschlag ; Germany Cultural policy ; International cultural cooperation ; Cultural projects ; Cultural events ; Pageants ; Music ; Theatre ; Aims and programmes of institutions/organizations ; Internal organization of institutions/organizations ; Concepts ; Change ; Theory formation ; Case studies ; Reform proposals ; Künstler Komponist ; Zusammenarbeit ; Visualisierung ; Bildende Kunst ; Darstellende Kunst ; Tanz ; Management (funktional) ; Arbeitsbeziehungen ; Kreativität ; Internationaler Vergleich/Ländervergleich ; Vereinigtes Königreich ; London ; Documenta 11 (Kassel, 2002-06-08/2002-09-15) ; Kassel ; Artists Composer ; Cooperation ; visualisation ; Visual arts ; Performing arts ; Dance ; Management (functional) ; Industrial relations ; Creativity ; International/country comparison ; United Kingdom ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben
    Note: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden."
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  • 3
    ISBN: 9783839452431
    Language: English
    Pages: 1 Online-Ressource (326 Seiten)
    Series Statement: Music and Sound Culture Volume 47
    Series Statement: Musik und Klangkultur Volume 47
    Series Statement: Musik und Klangkultur
    Uniform Title: Curating festivals for contemporary music
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    RVK:
    Keywords: Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Abstract: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Abstract: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Note: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
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  • 4
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (247 Seiten) , Illustrationen
    Series Statement: Soviet and post-Soviet politics and society vol. 203
    DDC: 322.409477
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    Keywords: Geschichte 2013-2017 ; Popmusik ; Internationale Politik ; Politische Bewegung ; Euromaidan ; Ukraine ; Russland
    Note: Literaturverzeichnis, Filmverzeichnis und Verzeichnis von Musikvideos Seite 203-235
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  • 5
    ISBN: 9783837646672 , 383764667X
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Series Statement: Music and sound culture Volume 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music Practices Across Borders
    DDC: 306.4842
    RVK:
    Keywords: Music and globalization ; Emigration and immigration Social aspects ; Global Musik ; Kulturaustausch ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturindustrie ; Transnationale Beziehungen ; Künstler ; Netzwerk (institutionell/sozial) ; Rezeption ; Evaluation ; Migrationsforschung ; Länderbezogene Beiträge ; Global Music ; Cultural exchange ; International cultural cooperation ; Cultural projects ; Cultural industries ; transnational relations ; Artists ; Networks (institutional/social) ; reception ; Evaluation ; migration research ; Country related contents ; Internet Kenia ; Festspiele ; Interethnische Beziehungen ; Argentinien ; Diaspora ; Italiener ; Jahrhundert 19. ; Europa ; Afrika ; Brasilien ; Deutschland ; Internationaler Vergleich/Ländervergleich ; Internet Kenya ; Pageants ; Interethnic relations ; Argentina ; Diaspora ; Italians ; Century 19th ; Europe ; Africa ; Brazil ; Germany ; International/country comparison ; Konferenzschrift ; Aufsatzsammlung ; Globalisierung ; Internationale Migration ; Kulturkontakt ; Weltmusik ; Interkulturalität
    Note: Literaturangaben , Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
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  • 6
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
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  • 7
    ISBN: 3837646491 , 9783837646498
    Language: English
    Pages: 374 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 498 g
    Series Statement: Music and sound culture volume 33
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Decentering musical modernity
    Parallel Title: Erscheint auch als Decentering musical modernity
    DDC: 780.904
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    Keywords: Music History and criticism 20th century ; Music History and criticism ; Music Western influences ; Music History and criticism 20th century ; Civilization, Modern, in music ; Postcolonialism ; Modernism (Music) ; Civilization, Modern, in music ; Modernism (Music) ; Music ; Music ; Western influences ; Postcolonialism ; East Asia ; Criticism, interpretation, etc ; Aufsatzsammlung ; Ostasien ; Europa ; Musik ; Modernität ; Neue Musik ; Musikwissenschaft ; Ostasien ; Europa ; Musik ; Modernität ; Neue Musik ; Geschichte 1945-
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  • 8
    ISBN: 9783837645736 , 3837645738
    Language: English
    Pages: 237 Seiten , Notenbeispiele , 22.5 cm x 14.8 cm, 393 g
    Series Statement: Musik und Klangkultur Volume 32
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Houben, Eva-Maria, 1955 - Musical practice as a form of life
    DDC: 781.11
    RVK:
    Keywords: Musikwahrnehmung ; Musizieren ; Lebensform
    Note: Literaturverzeichnis Seite [225] - 237
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  • 9
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (233 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016
    RVK:
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; music ; Music ; Performance ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Ethnography ; Anonymity ; Culture; Pop Music; Performance; Ethnography; Anonymity; Musicology; Popular Culture; Music; Cultural Studies; ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: 〈p〉Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?〈br /〉This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.〈/p〉
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  • 10
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
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  • 11
    Online Resource
    Online Resource
    London : Rowman & Littlefield International | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781786606235
    Language: English
    Pages: 1 Online-Ressource (ix, 277 Seiten) , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 781.640943
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Identität ; Deutschland ; Deutschland ; Hochschulschrift
    Note: Bibliographie: Seite 235-262
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Popular music
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
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  • 13
    ISBN: 3837642569 , 9783837642568
    Language: English
    Pages: 232 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 393 g
    Series Statement: Popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016
    DDC: 306.484248
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    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
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  • 14
    ISBN: 3837643581 , 9783837643589
    Language: English
    Pages: 328 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 543 g
    Series Statement: Popular Music
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
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  • 15
    ISBN: 9783837646641
    Language: German , English
    Pages: 265 Seiten , Illustrationen, graphische Darstellungen, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 44
    Parallel Title: Erscheint auch als
    DDC: 781.63072
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    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung
    Note: Größtenteils Beiträge der 27. Arbeitstagung der GfPM, gehalten 17.-19.11.2017 an der Universität für Musik und darstellende Kunst Graz unter dem Titel "Populäre Musik und ihre Theorien. Begegnungen - Perspektivwechsel - Transfer" , Beiträge teilweise deutsch, teilweise englisch
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  • 16
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Dissertation note: Dissertation University of London
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    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Anonymity. ; Cultural Studies. ; Ethnography. ; Music. ; Musicology. ; Performance. ; Pop Music. ; Popular Culture. ; MUSIC / History & Criticism ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
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  • 17
    Online Resource
    Online Resource
    Bielefeld : transcript | Gießen : Giessener Elektronische Bibliothek
    Language: German , English
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
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    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beiträge teilweise deutsch, teilweise englisch
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  • 18
    ISBN: 9783839433584
    Language: German , English
    Pages: 1 Online-Ressource (189 Seiten) , Illustrationen
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als Landscapes of music in Istanbul
    DDC: 300
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    Keywords: Aufsatzsammlung ; Istanbul ; Musik ; Urbanität ; Gentrifizierung ; Pop-Kultur ; Stadtforschung
    Abstract: Everyday articulations of music, place, urban politics, and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music, community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis. Alex Papadopoulos is Associate Professor of Geography at DePaul University, Chicago. He studies the contestation of urban space in European cities. Asli Duru is Marie Curie Fellow at The Open University, London, and studies everyday geographies of health and wellbeing.
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  • 19
    ISBN: 9783837638561 , 3837638561
    Language: German , English
    Pages: 309 Seiten , Illustrationen , 23 cm, 393 g
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Unterhaltungsmusik ; Popmusik ; Rezeption ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Note: Beiträge größtenteils deutsch, teilweise englisch
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  • 20
    ISBN: 9783837633580 , 3837633586
    Language: English
    Pages: 189 Seiten , Illustrationen, Diagramme, Karten , 22.5 cm x 14.8 cm, 288 g
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
    DDC: 300
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    Keywords: Musikleben ; Urbanität ; Subkultur ; Ausgrenzung ; Inklusion ; Vielfalt ; Istanbul ; Music ; Landscape ; Politics ; Exclusion ; Inclusion ; Urbanity ; Gentrification ; Sulukule ; Rembetika ; Subculture ; Zakir ; Alevi ; Hip-Hop ; City ; Popular Culture ; Urban Studies ; Pop Music ; Cultural Anthropology ; Turkey ; Sociology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Istanbul ; Musikleben ; Vielfalt ; Urbanität ; Subkultur ; Inklusion ; Ausgrenzung
    Note: Erscheint auch als Open Access bei De Gruyter
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  • 21
    ISBN: 9783839433584
    Language: English
    Pages: 1 Online-Ressource (189 Seiten) , Illustrationen
    Series Statement: Urban Studies
    DDC: 300
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    Keywords: Music ; music ; Urban Studies ; Politics ; Sociology ; Urbanity ; City ; Cultural Anthropology ; Popular Culture ; Pop Music ; Turkey ; Subculture ; inclusion ; Landscape ; Exclusion ; Gentrification ; Hip-Hop ; Sulukule ; Rembetika ; Zakir ; Alevi ; Istanbul; Music; Landscape; Politics; Exclusion; Inclusion; Urbanity; Gentrification; Sulukule; Rembetika; Subculture; Zakir; Alevi; Hip-Hop; City; Popular Culture; Urban Studies; Pop Music; Cultural Anthropology; Turkey; Sociology; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Istanbul ; Musik ; Urbanität ; Gentrifizierung ; Pop-Kultur ; Stadtforschung
    Abstract: Everyday articulations of music, place, urban politics, and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music, community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis. Alex Papadopoulos is Associate Professor of Geography at DePaul University, Chicago. He studies the contestation of urban space in European cities. Asli Duru is Marie Curie Fellow at The Open University, London, and studies everyday geographies of health and wellbeing.
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 22
    ISBN: 3839435048 , 9783839435045
    Language: English
    Pages: 1 Online-Ressource (428 Seiten) , Illustrationen
    Series Statement: Mainz historical cultural sciences volume 33
    Series Statement: Mainzer historische Kulturwissenschaften
    Parallel Title: Erscheint auch als Music Migrations: from Source Research to Cultural Studies (Veranstaltung : 2014 : Mainz) Musicians' mobilities and music migrations in Early Modern Europe
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    Keywords: Konferenzschrift 2014 ; Europa ; Musikleben ; Musiker ; Mobilität ; Migration ; Geschichte 1600-1899
    Abstract: "During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge
    Abstract: Cover -- Content -- Preface -- Roads which are commonly wonderful for the musicians -- Early Modern Times Musicians' Mobility and Migration -- Between Collective Biography and Biography: Cultural -- Historical Approaches to Musicians' Migrations in the Early Modern Age. -- Migration and Biography. The Case of Agostino Steffani try it elsewhere ... -- Konrad Hagius and Musicians' Mobility in Early Modern Times in Light of Local and Regional Profile -- Competition at the Catholic of Munich. Italian Musicians and Family Networks. -- Foreign Musicians at the Polish Court in the Eighteenth Century. The Case of Pietro Mira Luka Sorgo -- a Nobleman and Composer from Dubrovnik -- MUSICI and MusMig. Continuities and Discontinuities -- Sources of Musicians' Migrations Between Court and City. -- Musical Travels. Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century " & und bißhero mein Glück in der Welt zu suchen & -- Notes on the Biography of Jonas Friederich Boenicke -- The Russian Experience. The Example of Filippo Balatri
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  • 23
    ISBN: 3837631885 , 9783837631883
    Language: German , English
    Pages: 406 Seiten , Illustrationen, Diagramme , 225 mm x 148 mm, 648 g
    Series Statement: Musik und Klangkultur [14]
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Improvisation erforschen - improvisierend forschen
    Parallel Title: Erscheint auch als Improvisation erforschen - improvisierend forschen
    DDC: 781.46072
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    Keywords: Improvisation (Music) ; Konferenzschrift 2014 ; Musizieren ; Aufführung ; Improvisation ; Forschung ; Improvisation
    Note: Literaturangaben , Beiträge deutsch und englisch
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  • 24
    ISBN: 9783839410745
    Language: English
    Pages: 1 Online-Ressource (439 pages)
    Edition: 1st ed.
    Series Statement: Kultur und soziale Praxis
    DDC: 780.9
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    Keywords: Minderheit ; Musik ; Kulturelle Identität ; Migration ; Music-Social aspects ; Music and globalization ; Europa ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    ISBN: 3837632245 , 9783837632248
    Language: English , German
    Pages: 215 Seiten , Illustration, Diagramme , 225 mm x 148 mm, 393 g
    Series Statement: Beiträge zur Popularmusikforschung 42
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Speaking in tongues
    Parallel Title: Erscheint auch als Speaking in tongues
    DDC: 781.63
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    Keywords: Popular music Congresses ; Music and globalization Congresses ; Aufsatzsammlung ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Unterhaltungsmusik ; Musiksoziologie ; Musikmarkt ; Globalisierung ; Identifikation ; Musik ; Globalisierung
    Note: Literaturangaben
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  • 26
    ISBN: 9783837630763 , 3837630765
    Language: German , English
    Pages: 350 Seiten , Illustrationen, Diagramme, Pläne, Notenbeispiele
    Series Statement: Musik und Klangkultur
    Series Statement: Music and sound culture
    Parallel Title: Erscheint auch als Kompositionen für hörbaren Raum
    Parallel Title: Erscheint auch als Kompositionen für hörbaren Raum
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    Keywords: Aufsatzsammlung ; Elektronische Musik ; Raumklang ; Räumliches Hören ; Sound ; Audiotechnik ; Geschichte
    Note: Text teilweise deutsch teilweise englisch
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  • 27
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839421796
    Language: English
    Pages: 1 Online-Ressource (231 pages)
    Edition: 1st ed.
    Series Statement: Sound Studies v.5
    DDC: 700.108
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    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; City sounds-Netherlands-Amsterdam ; City sounds ; Sound in art ; Berlin ; London ; Amsterdam ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 28
    ISBN: 1306997267 , 9783839422984 , 9781306997263
    Language: English
    Pages: Online-Ressource (229 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 39
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Print version Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik
    DDC: 780.2
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    Keywords: Electronic books ; Konferenzschrift 2011
    Abstract: Populäre Musik ist 'performte' Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, wel
    Description / Table of Contents: Cover Ware Inszenierungen; INHALT; EDITORIAL; EDITORIAL; THE VALUE OF LIVE MUSIC; THE VALUE OF LIVE MUSIC; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIK
    Description / Table of Contents: INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIKABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK
    Description / Table of Contents: DER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHREDER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHRE; FACETTEN DER JOSEPHINE BAKER; FACETTEN DER JOSEPHINE BAKER; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEIN
    Description / Table of Contents: PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEINÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ZU DEN AUTOREN; ZU DEN AUTOREN
    Note: Description based upon print version of record
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  • 29
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780252094200 , 0252094204 , 9780252036323 , 0252036328
    Language: English
    Pages: 1 Online-Ressource (xi, 280 pages)
    Series Statement: Music in American life
    DDC: 782.421642092
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    Keywords: Robbins, Marty ; Geschichte 1925-1981 ; Country-Musiker ; Rennfahrer ; USA ; Biographie
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9783839418789
    Language: German , English
    Pages: 1 Online-Ressource (282 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Black Box Pop
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    Keywords: Music ; music ; Musik ; Popkultur ; Klang ; Musikwissenschaft ; Rockmusik ; Popmusik ; Populäre Musik ; Jazz ; Popular Culture ; Sound ; Musicology ; Pop Music ; Analyse; Populäre Musik; Rockmusik; Jazz; Musik; Popkultur; Popmusik; Musikwissenschaft; Klang; Music; Popular Culture; Pop Music; Musicology; Sound; ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Abstract: Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz
    Note: Beitr. teilw. dt., teilw. engl. - Zsfassungen in engl. Sprache
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  • 31
    ISBN: 3837618811 , 9783837618815
    Language: German , English
    Pages: 217 S. , Ill.
    Series Statement: Mainzer Historische Kulturwissenschaften 7
    Series Statement: Mainzer historische Kulturwissenschaften
    DDC: 781.230901
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    Keywords: Altertum ; Kult ; Stimme ; Klang ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 32
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199875573 , 019987557X , 9780195399714 , 0195399714
    Language: English
    Pages: 1 Online-Ressource (xvii, 264 pages) , Illustrations, music
    DDC: 780.9/02
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    Keywords: Geschichte 1000-1600 ; Marienverehrung ; Marienlied ; Vokalmusik ; Weltliche Musik
    Abstract: There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres-one sacred, the other secular; one Latin, the other vernacular-both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms-Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes.
    Note: Includes bibliographical references (pages 241-256) and index
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  • 33
    ISBN: 9783839415719
    Language: German , English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen, Diagramme
    Edition: 2014
    Series Statement: Beiträge zur Popularmusikforschung 37
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Thema Nr. 1
    DDC: 781.64003067
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    Keywords: Sexuality ; Music ; sexuality ; music ; Sexualität ; Sex ; Musik ; Popkultur ; Erotik ; Geschlechterverhältnisse ; Musikwissenschaft ; Popmusik ; Jazz ; Gender ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Jazz; Sexualität; Sex; Erotik; Geschlechterverhältnisse; Musik; Popkultur; Gender; Popmusik; Musikwissenschaft; Sexuality; Music; Popular Culture; Pop Music; Musicology; ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Unterhaltungsmusik ; Popmusik ; Sexualität
    Abstract: Sex ist Ekstase – und auch Musik kann Ekstase sein. Sex provoziert – und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert – und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend wie in diesem Band wurde das intime Verhältnis von Sex und Musik bisher noch nicht aufgearbeitet
    Note: Beitr. teilw. dt., teilw. engl. - Abstracts in engl
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  • 34
    Online Resource
    Online Resource
    Amsterdam : Editions Rodopi | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9789042032101 , 9042032103 , 904203209X , 9789042032095
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Series Statement: Nature, culture and literature 07
    DDC: 781
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    Keywords: Geschichte 1960-2010 ; Popmusik ; USA
    Abstract: Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox.
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    Baton Rouge : Louisiana State University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780807138106 , 080713810X
    Language: English
    Pages: 1 Online-Ressource (xiii, 275 pages) , Illustrations
    Series Statement: Making the modern South
    DDC: 781.6430975/09041
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    Keywords: Geschichte 1890-1945 ; Blues ; Tonträger ; USA Südstaaten ; Verzeichnis
    Abstract: In the late nineteenth century, black musicians in the lower Mississippi Valley began to create a new musical form that lamented Jim Crow's social, legal and economic restrictions--the blues. In Jim Crow's Counterculture, R.A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African-American struggle during early twentieth century.
    Note: Includes bibliographical references (pages 245-265) and index , Includes discography (pages 201-210)
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  • 36
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199718702 , 0199718709
    Language: English
    Pages: 1 Online-Ressource (xvi, 425 pages) , Illustrations
    DDC: 781.66/09046
    RVK:
    Keywords: Rockmusik
    Abstract: Preface; Acknowledgements; Note on Website; List of Text's Figures, Tables, and Photographs. 1. Drums, Other Percussion, and a Bit About Rhythm. 2. Guitars, the Bass, and an Introduction to Harmony. n3. Keyboards and a Summary of Early-Rock. 5. Vocal Color, Technique, and Arrangement. 6. Forms: Phrases and Sections. 7. Melody: Materials and Patterns. 8. Chord Construction. 9. Diatonic Harmonic Function. 10. Harmony in Minor and Other Non-Major Modes. 11. Chromatic Harmony. 12. Musical Time: Rhythm, Meter and Tempo. 13. Engineering the Master. 14. Creating an Interpretation. Appendix: Lexicon o.
    Note: Includes bibliographical references (pages 407-410) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 37
    Online Resource
    Online Resource
    Farnham, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754699606 , 0754699609 , 0754658724 , 9780754658726 , 9781409400493 , 1409400492 , 1282261460 , 9781282261464
    Language: English
    Pages: 1 Online-Ressource (xiv, 238 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64
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    Keywords: Unterhaltungsmusik ; Gewalt
    Abstract: This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music stud.
    Note: Includes bibliographical references (pages 195-221), filmography (p
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  • 38
    Online Resource
    Online Resource
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780226265063 , 0226265064
    Language: English
    Pages: 1 Online-Ressource (xvi, 254 pages, [2] pages of plates) , Illustrations (some color), music
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.7/9683374
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    Keywords: Ewe ; Religion ; Musik
    Abstract: "Remains of Ritual, Steven M. Friedson's second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality--in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson's careful scrutiny, as does his own position and experience within this ritual-dominated society"--Provided by publisher.
    Note: Includes bibliographical references (pages 219-229) and index
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  • 39
    ISBN: 9783899429831
    Language: German , English
    Pages: 175 Seiten
    Series Statement: Beiträge zur Popularmusikforschung 36
    Series Statement: Beiträge zur Popularmusikforschung
    DDC: 781.63
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    Keywords: Unterhaltungsmusik ; Kanon ; Popmusik ; Stadt ; Urbanität ; Konferenzschrift 2007
    Note: Literaturangaben , Zusammenfassung der Beiträge in englischer Sprache
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  • 40
    ISBN: 3899426037 , 9783899426038
    Language: German , English
    Pages: 281 S. , Ill., graph. Darst., Notenbeisp.
    Additional Information: Appen, Ralf von, 1975- PopMusicology [Rezension]
    Series Statement: Kultur- und Medientheorie
    DDC: 781.64
    RVK:
    Keywords: Popmusik ; Musikwissenschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beitr. teilw. dt., teilw. engl.
    URL: Cover
    URL: Cover
    URL: Cover
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  • 41
    ISBN: 9783899428421 , 3899428420
    Language: English
    Pages: 343 S. , Ill. , 225 mm x 135 mm, 495 gr.
    Series Statement: Cultural and media studies
    DDC: 302.231
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    Keywords: Neue Medien ; Interaktive Medien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 42
    Online Resource
    Online Resource
    New York, N.Y. : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199720859 , 0199720851
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 280 pages) , Illustrations
    Series Statement: AMS studies in music
    DDC: 780.89/924
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    Keywords: Geschichte ; Judentum ; Musik ; Modernität
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references (pages 247-263), discography (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 43
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
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    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
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  • 44
    ISBN: 9783839407967
    Language: German , English
    Pages: 1 Online Ressource (163 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 35
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Sound and the city
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    Keywords: Music ; Hiphop ; HipHop ; music ; Stadt ; Musik ; Popkultur ; Urbanity ; Musikwissenschaft ; Popmusik ; Blues ; Afrikanische Musik ; Urban Studies ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Stadt; HipHop; Blues; Afrikanische Musik; Popkultur; Musik; Popmusik; Urban Studies; Cultural Studies; Musikwissenschaft; Urbanity; Popular Culture; Music; Pop Music; Musicology; ; Unterhaltungsmusik ; Stadt ; Kultur
    Abstract: Städte haben ihren individuellen Sound - einen Klang, der sich auch musikalisch darstellt. Dazu gehört - aber nicht nur - die Umsetzung von industriellem Krach in futuristische »rumori« oder konkreten »bruit«. Städte sind Zentren der Kommunikation, hochaktive Knotenpunkte globaler Netzwerke. Hier treffen Menschen mit den unterschiedlichsten ethnischen, sozialen und kulturellen Hintergründen sowie musikalischen Bedürfnissen und Fähigkeiten aufeinander. Aus dieser Konfrontation entstehen Musiken, in denen sich ihr Anderssein und ihre Identität manifestieren, in denen sich aber auch Spuren der Anpassung und Integration finden - und die fast immer populäre Musikformen annehmen. Denn die Stadt als Handelsplatz macht zur Ware, was zuvor als Volksmusik mündlich tradiert wurde oder als Kunst gemeint war. Die Stadt ermöglicht unendlich viele Chancen der Kommunikation, die doch nie ausreichend zu sein scheinen.
    Note: Literaturangaben
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  • 45
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1423789660 , 9781423789666 , 9780520939462 , 0520939468
    Language: English
    Pages: 1 Online-Ressource (xvi, 350 pages) , Illustrations, music
    Series Statement: Music of the African diaspora 9
    DDC: 780/.97291/0904
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    Keywords: Geschichte 1951-2001 ; Politik ; Musik ; Kuba
    Abstract: Provides an introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959, and to the policies that have shaped artistic life. Tracing the development of dance styles, nueva trova, folkloric drumming, and other forms, this book describes how the arts have become a point of negotiation between individuals.
    Note: Includes bibliographical references (pages 317-339) and index
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  • 46
    Online Resource
    Online Resource
    Berkeley, Calif. : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520941427 , 052094142X , 1423752651 , 9781423752653
    Language: English
    Pages: 1 Online-Ressource (xviii, 264 pages)
    DDC: 781.65/092
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    Keywords: Silver, Horace ; Geschichte 1928-2001 ; Jazzmusiker ; Pianist ; USA ; Autobiographie
    Abstract: Horace Silver is one of the giants from the incredible flowering and creative extension of bebop music that became known as "hard bop" in the 1950s. This autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York.
    Note: Includes discography, bibliographical references and index
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  • 47
    Online Resource
    Online Resource
    Aldershot, Hants, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754681571 , 0754681572 , 9780754640561 , 0754640566 , 9780754640578 , 0754640574
    Language: English
    Pages: 1 Online-Ressource (xvi, 205 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64/078
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    Keywords: Geschichte 1964-1992 ; Popmusiker ; Popmusikerin ; Live-Auftritt
    Note: Includes bibliographical references (pages 188-197) and index
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  • 48
    Online Resource
    Online Resource
    Bristol [u.a.] : Intellect Books | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 184150906X , 9781841509068 , 9781841500782 , 184150078X , 1280476745 , 9781280476747
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.542
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    Abstract: Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, this offers instead a close examination of two pervasive and significant mediums in combination. The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in cinematic moments. The song as: role-play, memory trigger, narrator, ghost, marketing device, translator, alienator, membership rite etc. All provide.
    Note: Includes bibliographical references and index
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  • 49
    ISBN: 9783839404065
    Language: German , English
    Pages: 1 Online-Ressource (211 Seiten) , Diagramme
    Series Statement: Beiträge zur Popularmusikforschung 33
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Keiner wird gewinnen
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    Keywords: Music ; music ; Wettbewerb ; Popkultur ; Musikwissenschaft ; Popmusik ; Popstars ; Eurovision Song Contest ; Deutschland Sucht den Superstar ; Popular Culture ; Musicology ; Pop Music ; Musik; Wettbewerb; Eurovision Song Contest; Deutschland Sucht den Superstar; Popstars; Popkultur; Popmusik; Musikwissenschaft; Music; Popular Culture; Pop Music; Musicology; ; Popmusik ; Musikwettbewerb ; Geschichte 1930-2004
    Abstract: Deutschland sucht: den Superstar, Popstars oder auch den Finalteilnehmer für den Eurovision Song Contest. Musikalische Wettbewerbe in der populären Musik fesseln ein Millionenpublikum. Obwohl in der Vergangenheit Wettbewerbe oft entscheidend für die Weiterentwicklung der populären Musik wie auch der Kunstmusik waren, haben sich weder Musik- noch Kulturwissenschaften bisher ausführlich mit dem Thema auseinander gesetzt. Der Band untersucht Wettbewerbe, die aktuell Schlagzeilen machen, knüpft jedoch auch Verbindungen zur Geschichte dieser Form und zu vergleichbaren Events in anderen Kulturen.
    Note: Literaturangaben
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  • 50
    Online Resource
    Online Resource
    New Haven : Yale University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780300127386 , 0300127383
    Language: English
    Pages: 1 Online-Ressource (xiii, 214 pages)
    DDC: 781.65/0944/361
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    Keywords: Geschichte 1980-2000 ; Jazz ; Paris ; Aufsatzsammlung
    Abstract: 'The Parisian Jazz Chronicles' offers an engaging personal account of the jazz scene in Paris in the 1980's and 1990's. Zwerin writes about figures he knew and interviewed and about his own life, split allegiances to journalism and music, and to America and France, and his solitary battle for sobriety.
    Note: Includes index
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  • 51
    Online Resource
    Online Resource
    Nashville : Vanderbilt University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1423731433 , 9781423731436 , 1282267256 , 9781282267251
    Language: English
    Pages: 1 Online-Ressource (xvi, 264 pages) , Illustrations
    Edition: 1st ed.
    DDC: 781.64/09
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    Keywords: Popmusik ; Subkultur ; Rockmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: The fascinating world of “music scenes, â€₊ where local musicians and fans explore common musical tastesand create distinctive lifestyles.
    Note: Includes bibliographical references, discographies, and index
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  • 52
    Online Resource
    Online Resource
    Cambridge, Mass. : Harvard University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780674045125 , 0674045122
    Language: English
    Pages: 1 Online-Ressource (260 pages) , Illustrations
    DDC: 810.9/0054
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    Keywords: Literatur ; Beatgeneration ; Jazz ; Kulturwandel ; USA
    Note: Includes bibliographical references (pages 203-250) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 53
    Online Resource
    Online Resource
    New Haven : Yale University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780300127478 , 0300127472 , 1281740918 , 9781281740915
    Language: English
    Pages: 1 Online-Ressource (xiv, 242 pages) , Illustrations
    DDC: 781.65/092/2
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    Keywords: Armstrong, Louis ; Whiteman, Paul ; Jazz ; USA
    Abstract: Joshua Berrett offers a revision of the history of early jazz focusing on two legendary performers. Through this dual biography he explores the influence that issues of race & commercialism have had on our perceptions of early jazz history & how these have distorted what was a collective experience.
    Note: Includes bibliographical references and indexes
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  • 54
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780195348804 , 019534880X , 160256843X , 9781602568433 , 9780195149722 , 0195149726 , 1280482044 , 9781280482045
    Language: English
    Pages: 1 Online-Ressource (xii, 338 pages, [16] pages of plates) , Illustrations
    DDC: 782.421644/092/2
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    Keywords: Soul ; Schallplattenindustrie
    Abstract: Gamble, Huff, and Bell were the pre-eminent soul music producers of the 1970s. This book tells the story of their meteoric rise, their years of unstoppable success, and their demise from payola, competition, a tough economy, and the inevitability of changing popular tastes.
    Note: Includes bibliographical references (pages 319-328) and index
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  • 55
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520938434 , 0520938437
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    DDC: 781.6408996073
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    Keywords: Geschichte ; Afroamerikanische Musik
    Abstract: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
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  • 56
    Online Resource
    Online Resource
    Aldershot, Hants, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780754681694 , 0754681696 , 9780754632818 , 0754632814 , 9780754632825 , 0754632822
    Language: English
    Pages: 1 Online-Ressource (xii, 236 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.62/21
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    Keywords: Folk-Pop ; Großbritannien
    Note: Includes discography (pages 146-216), bibliographical references (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 57
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198031918 , 0198031912 , 9780195139433 , 0195139437 , 0195183908 , 9780195183900
    Language: English
    Pages: 1 Online-Ressource (xiv, 226 pages) , Illustrations
    Series Statement: Pivotal moments in American history
    DDC: 781.66/0973
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    Keywords: Rockmusik ; Sozialgeschichte ; USA
    Abstract: "The birth of rock 'n roll ignited a firestorm of controversy--one critic called it 'musical riots put to a switchblade beat'--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's 'switchblade beat' opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought 'race music' into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties."--Publisher description.
    Note: Includes bibliographical references and index
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  • 58
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520926967 , 052092696X , 0585465886 , 9780585465883 , 0520228871 , 9780520228870 , 0520228898 , 9780520228894 , 159734690X , 9781597346900 , 1282758934 , 9781282758933
    Language: English
    Pages: 1 Online-Ressource (xiii, 223 pages) , Illustrations
    DDC: 781.65
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    Keywords: Jazz ; USA
    Abstract: From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.
    Note: Includes bibliographical references (pages 177-208) and index
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  • 59
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780198025191 , 019802519X
    Language: English
    Pages: 1 Online-Ressource (x, 422 pages) , Illustrations
    DDC: 788.9/2165/092
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    Abstract: A biography of the American jazz trumpeter follows his career from the swing, bebop, and big band performances of the 30s, 40s, and 50s, through his recordings in the early 1990s.
    Note: Reprint. Originally published: 1999 , Includes bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1429403942 , 9781429403948
    Language: English
    Pages: 1 Online-Ressource (xxi, 330 pages) , Illustrations
    Series Statement: Readers on American musicians
    DDC: 782.42166092/2
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    Note: Includes index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 61
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520928985 , 0520928989
    Language: English
    Pages: 1 Online-Ressource (362 pages)
    DDC: 781.65
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    Keywords: Jazz ; Jazzmusiker ; USA
    Abstract: Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a.
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  • 62
    Online Resource
    Online Resource
    Baton Rouge : Louisiana State University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585301875 , 9780585301877
    Language: English
    Pages: 1 Online-Ressource (viii, 227 pages)
    DDC: 821/.914
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    Keywords: Larkin, Philip ; Lyrik ; Blues ; Jazz
    Note: Includes bibliographical references (pages (207-214) and index
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  • 63
    Online Resource
    Online Resource
    Hanover, N.H. : University Press of New England | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585371245 , 9780585371245 , 0819563579 , 9780819563576
    Language: English
    Pages: 1 Online-Ressource (xi, 495 pages)
    Series Statement: Music/culture
    DDC: 780/.89/96073
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    Note: Originally published: London : J. Calder ; New York : Riverrun Press, 1987. With new preface , "Wesleyan University Press , Includes bibliographical references and index
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  • 64
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1602563276 , 9781602563278 , 9780198029052 , 0198029055 , 9780195118339 , 0195118332 , 9780195125641 , 0195125649
    Language: English
    Pages: 1 Online-Ressource (xiii, 222 pages)
    DDC: 782.42166/092
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    Abstract: As rock critics have noted in the past, Bruce Springsteen's songs exist in a world of their own--they have their own settings, characters, words, and images. It is a world that even those who know only a handful of Springsteen's lyrics can instantly recognize, a world of highways and factories, loners and underdogs, hot rods and patrol cars. And it is a world that stretches far beyond the New Jersey state line. Indeed, Springsteen's attention to the ideals and struggles of ordinary Americans has significantly influenced American popular culture and public debate. As a rock-and-roll troubadour,...
    Note: Discography: pages 199-200 , Includes bibliographical references (pages 205-215) and index
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  • 65
    Online Resource
    Online Resource
    Gainesville, Fla. : University Press of Florida | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0813021936 , 9780813021935
    Language: English
    Pages: 1 Online-Ressource (xiv, 198 pages) , Illustrations
    DDC: 781.62/969729845
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    Abstract: The Big Drum is the lively ancient dance rite of the small island of Carriacou, Grenada. This book introduces 129 of the ceremonial song texts and dances that call and entertain the ancestors who are central to Carriacou religious experience. McDaniel, who lived in Carriacou at the time of the 1983 invasion of Grenada, frequently observed Big Drum dances and interviewed many "old heads" (wise people) for this book. She concludes it with an analysis of a single calypso that memorializes the invasion and illustrates the history-keeping function of the calypso and Big Drum. She uncovers a structural relationship between ancient praisesongs and modern political songs and suggests the continuing impact of music on the memory of Caribbean people.
    Note: Includes bibliographical references (pages 187-194) and index
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  • 66
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    Online Resource
    Nashville : Vanderbilt University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585146837 , 9780585146836
    Language: English
    Pages: 1 Online-Ressource (x, 218 pages, [8] pages of plates) , Illustrations
    Edition: 1st ed.
    DDC: 781.642
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    Keywords: Countrymusic ; Musikwirtschaft ; Nashville, Tenn.
    Abstract: "This book is about the value that an audience places on a commercial cultural product like country music. It explores why the concept of authenticity in country music is so crucial to so many of its fans. It does this by examining the dramatic changes that occurred in country music in the 1950s and 1960s, when one popular style - honky-tonk - was effectively supplanted by another - the smoother, more broadly accessible "Nashville Sound" associated with producers Owen Bradley, Chet Atkins, and others." "Author Joli Jensen shows how this change was an inventive compromise, a way to maintain the most important aspects of the music's roots while broadening its appeal. She documents this musical and cultural transition in a chapter focusing on the remarkable recording career of Nashville Sound artist Patsy Cline, the artist who most fully embodies these tensions." "Jensen explores a variety of far-reaching questions: What does it mean when we label a commercial music "authentic" or "traditional"? Why should an audience value one style of music over another? And, ultimately, what does this expression of taste - the choosing of a commercial musical style - tell us about ourselves, not only as consumers but also as human beings trying to find meaning in a transient world?"--Jacket.
    Note: Includes bibliographical references (pages 200-209) and index
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  • 67
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    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199761333 , 0199761337 , 019518002X , 9780195180022
    Language: English
    Pages: 1 Online-Ressource (471 pages) , Illustrations
    DDC: 781.65/09
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    Keywords: Geschichte ; Jazz
    Abstract: Tells the story of jazz as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which jazz evolved.
    Note: Includes bibliographical references and index
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  • 68
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    Online Resource
    Vancouver [B.C.] : UBC Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0774805927 , 0295976101 , 9780295976105 , 9780774805926 , 9780774856379 , 0774856378
    Language: English
    Pages: 1 Online-Ressource (xiii, 239 pages) , color illustrations
    DDC: 782.1/0951
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    Keywords: Chinesische Oper
    Note: Simultaneously published: Seattle : University of Washington Press, 1977 , Includes bibliographical references (pages 229-230) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 69
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    Online Resource
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780226534794 , 0226534790
    Language: English
    Pages: 1 Online-Ressource (xii, 253 pages) , Illustrations, music
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.65/136
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    Keywords: Improvisation ; Jazz
    Abstract: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in t.
    Note: Includes bibliographical references and index
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  • 70
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    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781429401029 , 1429401028 , 9780195345209 , 0195345207 , 9781280524196 , 1280524197
    Language: English
    Pages: 1 Online-Ressource (x, 328 pages) , Illustrations
    DDC: 781.65/092
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    Keywords: Europe, James R. ; Geschichte 1900-1919 ; Jazz ; Ragtime
    Abstract: James Reese Europe is one of the important transitional figures in American music. As a composer at the height of ragtime, he had a strong influence on the first generation of jazz musicians who were to follow. Europe's life reveals much about the role of black musicians in American culture in a period when it was presumed they had little place.
    Note: List of Europe's works: pages 231-234 , Discography: pages 235-240 , Includes bibliographical references and index
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  • 71
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    Lincoln : University of Nebraska Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585253749 , 9780585253749
    Language: English
    Pages: 1 Online-Ressource (xxiv, 139 pages) , Illustrations, music
    DDC: 394/.3/09701
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    Note: "Bison book , Originally published: Boston : C.C. Birchard, 1915. With a new introduction , Includes bibliographical references , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 72
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    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520911079 , 0520911075 , 0585108455 , 9780585108452
    Language: English
    Pages: 1 Online-Ressource (xxvi, 481 pages) , Illustrations
    DDC: 786.8/848/0931
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    Note: Revision of the author's thesis (Ph. D.)--Harvard University, 1988 , Includes bibliographical references (pages 415-462) and index
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  • 73
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    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780195358827 , 0195358821
    Language: English
    Pages: 1 Online-Ressource (xvi, 378 pages) , music
    Series Statement: Studies in contemporary Jewry 9
    DDC: 780.89/924
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    Keywords: Geschichte 1800-1993 ; Musik ; Juden
    Note: Includes bibliographical references
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  • 74
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    Online Resource
    Reno, Nev. : University of Nevada Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0874173949 , 9780874173949
    Language: English
    Pages: 1 Online-Ressource (xix, 193 pages) , Illustrations
    DDC: 781.65/089/13
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    Note: Includes bibliographical references (pages 183-184) and index
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  • 75
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    Online Resource
    New York [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 1429407735 , 9781429407731 , 1280526823 , 9781280526824 , 6610526826 , 9786610526826
    Language: English
    Pages: 1 Online-Ressource (viii, 261 pages, [16] pages of plates) , Illustrations
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz
    Abstract: This is an informal history of New Orleans jazz from the turn of the 20th century to the present day, as told by the musicians themselves in interviews conducted by the author.
    Note: Includes index , Includes index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 76
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520913837 , 0520913833 , 0585132127 , 9780585132129
    Language: English
    Pages: 1 Online-Ressource (xvii, 233 pages) , Illustrations
    Series Statement: Comparative studies of health systems and medical care
    DDC: 615.8/82/09595
    RVK:
    Keywords: Musik ; Medizin ; Senoi ; Malaysia
    Note: Discography: page 190 , Includes bibliographical references (pages 209-224) nd index
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  • 77
    Online Resource
    Online Resource
    New York : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0195069048 , 9780195069044 , 0195054598 , 9780195054590 , 1423736893 , 9781423736899 , 1601298153 , 9781601298157 , 1280440899 , 9781280440892
    Language: English
    Pages: 1 Online-Ressource (xii, 272 pages)
    DDC: 785.42
    RVK:
    Keywords: Jazz
    Abstract: Martin Williams is one of the most perceptive and entertaining jazz critics writing in America today. This collection of pieces on the past, present, and future of the jazz idiom includes profiles of Sidney Bechet, Ornette Coleman, and Miles Davis, an assessment of jazz-rock fusion, and a look at the pressures placed on musicians and their music by commercialism.
    Note: Includes index
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  • 78
    Online Resource
    Online Resource
    Bloomington, Ind. : Indiana University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585201943 , 9780585201948
    Language: English
    Pages: 1 Online-Ressource (xx, 159 pages) , music
    Series Statement: Folkloristics
    DDC: 781.7/09
    RVK:
    RVK:
    Note: Includes bibliographical references (pages 141-151) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 79
    Online Resource
    Online Resource
    Albany : State University of New York Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 0585101272 , 9780585101279
    Language: English
    Pages: 1 Online-Ressource (188 pages)
    DDC: 016.78449/74738
    RVK:
    Keywords: Volkslied ; Bibliografie ; Catskill Mountains
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