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  • BVB  (1,442)
  • Popmusik  (844)
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Keywords
  • 1
    ISBN: 9783839470107
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    DDC: 306.4842
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    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021
    Note: Literaturangaben
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 3
    Book
    Book
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Language: English
    Pages: vii, 156 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Popmusik ; Popmusik
    Abstract: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 4
    Book
    Book
    London : Louder Than War Books
    ISBN: 9781526173201
    Language: English
    Pages: viii, 539 Seiten , Illustrationen
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    Keywords: Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 5
    ISBN: 9780367546311 , 9780367546328
    Language: English
    Pages: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
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    Keywords: Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 6
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Language: English
    Pages: 1 Online-Ressource (221 Seiten)
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.6309591
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    Keywords: Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Abstract: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Note: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
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    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Language: English
    Pages: XIX, 696 Seiten , 26,2 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423
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    Keywords: Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Note: Description based upon print version of record
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  • 9
    ISBN: 9783968219295
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Edition: 1. Auflage
    Series Statement: Die Gesellschaft der Musik Band 1
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Musikwissenschaft ; Popmusik ; Geschlecht ; Musikvideo ; Image ; Pop ; Schlager ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 11
    ISBN: 9783948486761 , 394848676X
    Language: German
    Pages: 300 Seiten , Illustrationen , 22 cm, 378 g
    Edition: 1. Auflage
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Additional Information: Supplement
    Parallel Title: Erscheint auch als
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    Keywords: Girgsdies, Kornelia ; Musikleben ; Rockmusik ; Musikbranche ; Wacken ; U2 ; David Gilmour ; Udo Lindenberg ; Herbert Grönemeyer ; Extrabreit ; Grobschnitt ; Iron Maiden ; Coldplay ; Motörhead ; Gary Morre ; Die Toten Hosen ; Deep Purple ; Lady Gaga ; Phil Collins ; Rolling Stones ; Bob Dylan ; W:O:A ; Musik ; Else Somebodys ; Bands ; Erlebnisse ; Dublin ; London ; Autobiografie ; Autobiographie ; Trauer ; Tod ; Verlust ; Anker ; Wacken;U2;David Gilmour;Udo Lindenberg;Herbert Grönemeyer;Extrabreit;Grobschnitt;Iron Maiden;Coldplay;Motörhead;Gary Morre;Die Toten Hosen;Deep Purple;Lady Gaga;Phil Collins;Rolling Stones;Bob Dylan;W:O:A;Musik;Else Somebodys;Bands;Erlebnisse;Dublin;London;Autobiografie;Autobiographie;Trauer;Tod;Verlust;Anker ; Erlebnisbericht ; Autobiografie ; Erlebnisbericht ; Autobiografie ; Girgsdies, Kornelia 1960- ; Rockmusik ; Musikbranche ; Musikleben
    Note: Auf dem Umschlag: Autobiografie
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  • 12
    Language: Spanish
    Pages: viii, 342 Seiten , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Katholische Universität Eichstätt-Ingolstadt 2023
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    Keywords: Geschichte 1968-2015 ; Rockmusik ; Spanisch ; Textanalyse ; Korpus ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Spanisch ; Popmusik ; Rockmusik ; Korpus ; Textanalyse ; Geschichte 1968-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 13
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837666434 , 3837666433
    Language: English
    Pages: 206 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 348 g
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
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    Keywords: Musikethnologie ; Actor-Network-Theory ; Klang ; Geräusch ; Lärm ; Urbanität ; Sound Studies ; Stadtforschung ; Autoethnografie ; Stadt ; Wien ; Soundscapes ; Sensory Experiences ; Ethnography ; Urban Research ; Affect ; City ; Sound ; Life ; Urban Studies ; Space ; Sociology of Culture ; Sociology ; Stadtforschung ; Klang ; Sound Studies ; Urbanität ; Actor-Network-Theory ; Musikethnologie ; Stadt ; Geräusch ; Lärm ; Wien ; Stadtforschung ; Klang ; Urbanität ; Autoethnografie
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  • 14
    ISBN: 9783957324764 , 3957324769
    Language: German
    Pages: 462 Seiten , Illustrationen , 17 cm x 12 cm
    Edition: Erste Auflage
    DDC: 781.640943109048
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    Keywords: Geschichte 1979-1990 ; Popmusik ; Musikleben ; Underground ; Deutschland ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview
    URL: Cover
    URL: Cover
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  • 15
    ISBN: 9783111247090
    Language: German
    Pages: 1 Online-Ressource (VI, 666 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kraftwerk ; Kältepop ; Neue Deutsche Welle ; Rammstein ; HISTORY / General ; Rockmusik ; Kälte ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    Abstract: Am Ende der 1970er Jahre entstand ein ästhetisch-subjektkulturelles Konzept in der deutschsprachigen Pop-Musik, das alles ,Kalte' affirmierte: ,Kälte-Pop'. Bands wie Kraftwerk, DAF und Einstürzende Neubauten entwickelten als Gegenentwurf zum pop- wie gegenkulturell hegemonialen Wärme-Kult ein System von Motiven und Strategien, das all jene Zeichen und Prozesse der (Post-)Moderne ästhetisierte und glorifizierte, die in der bundesdeutschen Gesellschaft und vor allem im linksalternativen Milieu als negative Aspekte einer vermeintlich kalten Welt interpretiert wurden: Gefühlslosigkeit und Dehumanisierung, Industrie und Großstadt, Künstlichkeit und Entfremdung, Disziplin und körperliche Funktionalität, Schnee und Eis, Beton und Stahl sowie Computer, Maschinen und Roboter. Dabei schlugen die ,Kälte'-Akteur:innen eine Brücke zu den Historischen Avantgarden der 1920er Jahre und inszenierten sich stereotypisch als ,kalte Deutsche'. Die Arbeit analysiert unter Einbeziehung der transnationalen Verknüpfungen die ,Kälte-Welle' (1978-1983) in der deutschen Pop-Musik, ihre Bildwelten und Codes, historischen Bezüge und Rezeption, das historische Umfeld ihrer Entstehung sowie nachfolgende Erscheinungsformen ,kalter' Musik, die sich bis heute in der internationalen Pop-Musik und bei Acts wie Rammstein zeigen
    Abstract: Concrete and steel, machines and industry, robots and artificiality, discipline and emotionlessness: the bands that preceded and came from Neue Deutsche Welle, such as Kraftwerk, DAF, Ideal, and Einstürzende Neubauten, focused on "coldness" in their performances, lyrics, and sounds in contrast to the "warmth" cult of the leftist alternative milieu, and influenced groups that would follow - like Rammstein - by staging the "cold German.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 16
    Book
    Book
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 17
    ISBN: 9783968219288
    Language: German
    Pages: 281 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.4 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik Band 1
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 782.42164
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Popmusik ; Musikwissenschaft ; Schlager ; Geschlecht ; Image ; Musikvideo ; Pop ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild ; Deutschland ; Schlager ; Social Media ; Frauenbild
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 18
    Online Resource
    Online Resource
    Lisboa : Imprensa de História Contemporânea
    ISBN: 9789898956491 , 9789898956477 , 9789898956484
    Language: Portuguese
    Pages: 1 Online-Ressource
    Edition: 1.a edição
    Series Statement: Contemporânea
    Parallel Title: Erscheint auch als
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    Keywords: Rockmusik ; Portugal ; Popular culture ; Portugal ; Rockmusik
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 19
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
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    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 20
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839467404
    Language: German
    Pages: 1 Online-Ressource (218 Seiten)
    Series Statement: Urban studies
    Parallel Title: Erscheint auch als Dell, Christopher, 1965 - Raum und Handlung
    DDC: 307.76
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    Keywords: Stadt ; Stadtplanung ; Raum
    Abstract: Cover -- Inhalt -- Einführung -- 1 Relationaler Raum und Handlung -- 1.1 Raum und Stadt -- 1.2 Raum in Bewegung -- 1.3 Global Cities/Hybridisierung -- 1.4 Raum und Organisation -- 1.5 Raumkonstitution: Spacing und Syntheseleistung -- 1.6 Strukturen -- Exkurs Giddens: Struktur vs. Agency -- 1.7 Relationalität -- Exkurs Pierre Bourdieu: Der soziale Raum -- 1.8 Schaltung -- 2 Raumgebrauch und (Um‑)Funktion -- 2.1 Performanz: Von der Funktion zum Gebrauch -- Exkurs Wittgenstein: Gebrauch, Funktion und Spiel -- 2.2 Politiken der Performanz: Strategie vs. Taktik -- 2.3 Zeit und Geschichte -- 2.4 Schaltung -- 3 Geschichtliche Situiertheit des Raums -- 3.1 Perzeption/Konzeption/Projektion: Wahrgenommener,konzipierterund gelebter Raum -- 3.2 Der konkrete Raum -- 3.3 Geschichte wird gemacht: Absoluter,abstrakterunddifferentiellerRaum -- 3.4 Einheit und Kultur: Der absolute Raum -- 3.5 Abstrakter Raum -- 3.6 Der differentielle Raum -- 3.7 Kritik des Städtebaus? -- 3.8 Schaltung -- 4 Welches Handeln? -- 4.1 Fünf Quellen der Unbestimmtheit -- Erste Quelle: Die Gruppe -- Zweite Quelle: Die Handlung -- Dritte Quelle: Die Dinge -- Vierte Quelle: Das Wissen -- Fünfte Quelle: Der Raum der Darstellung -- 4.2 Schaltung -- 5 Die emanzipierten Raumgebrauchenden -- 5.1 Zuschauen und Emanzipation -- 5.2 Wissen und Emanzipation -- 5.3 Position des Zuschauens -- 5.4 Schaltung -- 6 Abschluss und Ausblick -- 6.1 Das Politische des Raums -- 6.2 Ermöglichungsgestaltung -- 6.3 Raumimprovisation.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 21
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
    RVK:
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
    RVK:
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 23
    ISBN: 9781913172336
    Language: English
    Pages: xiii, 514 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Abstract: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Note: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 24
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Language: English
    Pages: viii, 158 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hass ; Popmusik ; Popmusik ; Hass
    Abstract: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 25
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357275 , 9781501387715
    Language: English
    Pages: xii, 242 Seiten , Diagramme (schwarz-weiß)
    RVK:
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    Keywords: Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Abstract: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Description / Table of Contents: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Description / Table of Contents: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Description / Table of Contents: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 26
    ISBN: 9781032149011 , 9781032149028
    Language: English
    Pages: xvii, 124 Seiten
    Parallel Title: Äquivalent
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1920- ; Generationskonflikt ; Sozialer Wandel ; Popmusik ; Korea ; Korea ; Popmusik ; Generationskonflikt ; Sozialer Wandel ; Geschichte 1920-
    Abstract: You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history
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  • 27
    Online Resource
    Online Resource
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783031190001
    Language: English
    Pages: 1 Online-Ressource (xvi, 459 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    ISBN: 9783495492703
    Language: German
    Pages: 239 Seiten , 21.5 cm x 13.5 cm
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Phänomenologie ; Lautwahrnehmung ; Raumwahrnehmung ; Geräusch ; Stadt ; Phänomenologie ; Raumerleben ; Stadtsoziologie ; Situationen ; Wahrnehmung ; Orte ; Stadt ; Geräusch ; Lautwahrnehmung ; Raumwahrnehmung ; Phänomenologie
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  • 29
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345326 , 9781501389917
    Language: English
    Pages: xiv, 409 Seiten
    Series Statement: Bloomsbury handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikpolitik ; Popmusik ; Musikwirtschaft ; Popular music / Law and legislation ; Popular music / Political aspects ; Cultural policy ; Music trade ; Music and state ; Cultural policy ; Music and state ; Music trade ; Popular music / Political aspects ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Abstract: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Description / Table of Contents: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 30
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 31
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030924621
    Language: English
    Pages: 1 Online-Ressource (XI, 202 p. 2 illus)
    Edition: 1st ed. 2022
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63
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    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online Resource
    Online Resource
    Baden-Baden : Verlag Karl Alber
    ISBN: 9783495999721
    Language: German
    Pages: 1 Online-Ressource (239 Seiten)
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
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    Keywords: Phänomenologie ; Lautwahrnehmung ; Raumwahrnehmung ; Geräusch ; Stadt ; Phänomenologie ; Raumerleben ; Stadtsoziologie ; Situationen ; Wahrnehmung ; Orte ; Stadt ; Geräusch ; Lautwahrnehmung ; Raumwahrnehmung ; Phänomenologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 33
    ISBN: 3406792847 , 9783406792847
    Language: German
    Pages: 346 Seiten , Illustrationen , 23.2 cm x 18.7 cm
    Uniform Title: The philosophy of modern song
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1924-2004 ; Folk music ; Rockmusik ; Song ; Interpretation ; Popmusik ; Popmusik ; Rockmusik ; Folk music ; Song ; Interpretation ; Geschichte 1924-2004
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  • 34
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Language: English
    Pages: XI, 202 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 781.63
    RVK:
    RVK:
    RVK:
    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
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  • 35
    ISBN: 9783848771479 , 3848771470
    Language: German
    Pages: 301 Seiten , Illustrationen , 22.7 cm x 15.3 cm
    Edition: 1. Auflage
    Series Statement: Interdisziplinäre Antisemitismusforschung Band 13
    Series Statement: Interdisziplinäre Antisemitismusforschung
    Parallel Title: Erscheint auch als
    DDC: 780.0305
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    Keywords: Musik ; Antisemitismus ; Popmusik ; Verschwörungsmythen ; Antiamerikanismus ; BDS ; Rechtsextremismus ; BDS-Kampagne ; Juden ; Lügenpresse ; Systemkritik ; Verschwörung ; Rap ; Raggae ; klassische Musik ; Volksmusik ; Metal ; Punk ; Techno ; Rock ; Popmusik ; Hardcover, Softcover / Sachbücher/Politik, Gesellschaft, Wirtschaft/Gesellschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Antisemitismus ; Musik ; Popmusik ; Antisemitismus
    Abstract: Der Sammelband stellt die Frage nach den Erscheinungsformen und Ausdrucksweisen des Antisemitismus in der Musik. Als "negative Leitidee der Moderne" ist Antisemitismus in sämtlichen Musikrichtungen zu finden und wird auf unterschiedlichen Ebenen vermittelt: sei es durch Songtexte, Albumcover, Musikvideos, Bühnenauftritte, durch die Musikform bzw. des Stils an sich oder die ideologische und strukturelle Einbindung von Musiker:innen in die extrem rechte Szene bis hin zur Beeinflussung ganzer Musikszenen durch die antisemitische BDS-Kampagne. In den Aufsätzen geben die Autor:innen daher einen Überblick zu aktuellen Entwicklungen und liefern Analysen und Einschätzungen zu den mannigfaltigen antisemitischen Verstrickungen in der Musik.Mit Beiträgen von Lukas Geck, Maria Kanitz, Annica Peter, Jan Schäfer, Jakob Baier, Kai E. Schubert, Niels Penke, Marcus Stiglegger, Timo Büchner, Melanie Hermann, Marc Grimm, Nico Unkelbach, Nicholas Potter, Nathalie Friedländer, Tom D. Uhlig
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  • 36
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
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  • 37
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 38
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
    RVK:
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    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
    URL: Cover
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  • 39
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 40
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336287
    Language: English
    Pages: XIV, 394 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Ort ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Ort
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  • 41
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501393273 , 9781501342332
    Language: English
    Pages: xvi, 445 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Musikvideo ; Popmusik ; Aufsatzsammlung ; Popmusik ; Musikvideo
    Note: Literaturverzeichnis: Seite 404-437
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  • 42
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 43
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
    URL: Cover
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  • 44
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9782343246024
    Language: French
    Pages: 275 Seiten , 24 cm
    Series Statement: Musiques et champ social
    DDC: 781
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    Keywords: Musiksoziologie ; Popmusik ; Popmusik ; Musiksoziologie
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  • 46
    Book
    Book
    Köln : Verlag Kiepenheuer & Witsch
    ISBN: 9783462001204 , 3462001205
    Language: German
    Pages: 226 Seiten , Illustration, Karte , 17 cm, 230 g
    Edition: 1. Auflage
    Series Statement: KiWi Musikbibliothek
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Dylan, Bob ; Verdamp' lang her ; Musikreihe ; Chronicles ; Bob Dylans Amerika ; Musikbibliothek ; BAP ; Lieblingsband ; Pop-Musik ; Rockmusik ; Folk ; Dylan, Bob 1941-
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  • 47
    ISBN: 9783830944423 , 383094442X
    Language: German
    Pages: 290 Seiten , Illustrationen , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 32
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 780.74
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    Keywords: Computermusik ; Museum ; Sachkultur ; Abspielgerät ; Tonträger ; Speichermedien ; Popmusik ; Musik, Musikobjekte, Medientechnologie, Musikproduktion, Apparate, Objektgeschcihte, Archiv, populäre Kultur ; Volksmusik und populäre Musikkulturen ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Popmusik ; Tonträger ; Abspielgerät ; Speichermedien ; Computermusik ; Sachkultur ; Museum
    Note: Beiträge der interdisziplinären Tagung "Musikobjektgeschichten. Populäre Musik und materielle Kultur" (Oktober 2020, Weimar) - Vorwort
    URL: Cover
    URL: Cover
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  • 48
    ISBN: 9783830992394
    Language: German
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen, Plan
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Musikleben ; Kunstbetrieb ; Kunst ; Popmusik ; London ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
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  • 50
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
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    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 51
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 52
    ISBN: 9783937550305 , 3937550305
    Language: German
    Pages: 288 Seiten , 19 cm, 269 g
    Edition: Originalausgabe
    DDC: 781.640943
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    Keywords: Subkultur ; Musealisierung ; Popmusik ; Deutschland ; Pop-Kultur ; Pop ; deutsche Pop-Szene ; Konferenzschrift 29.09.2019 ; Konferenzschrift 29.09.2019 ; Deutschland ; Popmusik ; Subkultur ; Musealisierung
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  • 53
    ISBN: 9781501368899 , 9781501368882
    Language: English
    Pages: viii, 255 Seiten , Ilustrationen
    DDC: 781.63074
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    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus
    Note: Literaturverzeichnis Seite 231-253
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  • 54
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527561649
    Language: English
    Pages: x, 187 Seiten , Illustrationen, Notenbeispiele, Tabellen
    RVK:
    Keywords: Popmusik ; Musikproduktion ; Audiovisuelle Medien ; Musikwirtschaft ; Soziale Identität ; Popular music / Social aspects ; Popular music / Psychological aspects ; Music and identity politics ; Music and identity politics ; Popular music / Psychological aspects ; Popular music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikwirtschaft ; Audiovisuelle Medien ; Musikproduktion ; Soziale Identität
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  • 55
    ISBN: 9781501313370
    Language: English
    Pages: vii, 273 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Popmusik ; Das Monströse ; Männlichkeit ; Popular music / Social aspects ; Masculinity in music ; Monsters ; Masculinity in music ; Monsters ; Popular music / Social aspects ; Popmusik ; Männlichkeit ; Das Monströse
    Abstract: "Through a series of case studies, Scary Monsters examines masculinity in popular music culture from the perspective of research into monstrosity"--
    Description / Table of Contents: Introduction / Jon Hackett -- A Night at the Opera : Updating The Phantom / Mark Duffett -- His Muscles Still Bulged Like Iron Bands' : King Kong and the Promotion of Lead Belly / Mark Duffett -- Colonel Parker and the Art of Commercial Exploitation : The Manager as Monster / Mark Duffett -- The Platformed Prometheus : Frankenstein and Glam Rock / Jon Hackett -- The Case of Mark Chapman : Extreme Fandom as Monstrosity? / Mark Duffett -- Exhuming the Gravediggaz : Gothic Hip Hop and Monster Capital / Jon Hackett -- Masculinity on Trial : Noir Désir and Perverse Narcissism / Jon Hackett -- 'Jingle Jangle Man' : Jimmy Savile, Paedophilia and the Music Industry / Mark Duffett
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  • 56
    ISBN: 9781478010678 , 9781478011798
    Language: English
    Pages: vi, 295 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Description / Table of Contents: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
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  • 57
    ISBN: 9781496837288 , 9781496837271
    Language: English
    Pages: xvii, 232 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Abstract: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Abstract: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Abstract: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 58
    ISBN: 9783658326890 , 3658326891
    Language: German
    Pages: XVI, 310 Seiten , Illustrationen, Notenbeispiele , 22 cm, 430 g
    Parallel Title: Erscheint auch als Das verdächtig Populäre in der Musik
    DDC: 306.48423
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    Keywords: Musikalischer Geschmack ; Unterhaltungsmusik ; Scham ; Rezeption ; Musiksoziologie ; Popmusik ; Soziokultureller Wandel ; Normativität ; Musiksoziologie ; Camp in der Musik ; Popularmusikforschung ; Trash in der Musik ; Guilty Pleasure ; Kitsch in der Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
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  • 59
    ISBN: 9783837655568
    Language: German
    Pages: 337 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 782.42164909436
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    Keywords: Geschichte ; Globalisierung ; Musikleben ; Hip-Hop ; Österreich ; Österreich ; Musik ; Glokalisierung ; Musikanalyse ; Popkultur ; Popmusik ; Musikwissenschaft ; Kultursoziologie ; Hip Hop ; Austria ; Music ; Glocalization ; Music Analysis ; Popular Culture ; Pop Music ; Musicology ; Sociology of Culture ; Hochschulschrift ; Österreich ; Hip-Hop ; Musikleben ; Globalisierung ; Geschichte
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  • 60
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367428464 , 9780367428471
    Language: English
    Pages: xvi, 248 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Südostasien ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Popmusik ; Südostasien ; Popmusik ; Geschichte
    Abstract: Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries.Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music
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  • 61
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 62
    ISBN: 9781250195753
    Language: English
    Pages: XIX, 535 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-1990 ; Musikleben ; Rockmusiker ; Rockmusik ; Rock music / 1981-1990 / Anecdotes ; Heavy metal (Music) / Anecdotes ; Glam metal (Music) / Anecdotes ; Rock musicians / Anecdotes ; Rock musicians / Interviews ; MUSIC / History & Criticism ; Glam metal (Music) ; Heavy metal (Music) ; Rock music ; Rock musicians ; 1981-1990 ; Anecdotes ; Interviews ; Gespräch ; Gespräch ; Rockmusiker ; Rockmusik ; Musikleben ; Geschichte 1980-1990
    Abstract: "The definitive, no-holds-barred oral history of 1980s hard rock and hair metal. 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated--and maybe even helped to define--a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister's 'We're Not Gonna Take It,' Mötley Crüe's 'Girls, Girls, Girls,' and Guns N' Roses' 'Welcome to the Jungle' are as inextricably linked to the era as Reaganomics, Pac-Man, and E.T. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. Featuring an impassioned foreword by Slipknot and Stone Sour vocalist and avowed glam metal fanatic Corey Taylor, and drawn from over 200 new interviews with members of Van Halen, Mötley Crüe, Poison, Guns N' Roses, Skid Row, Bon Jovi, Ratt, Twisted Sister, Winger, Warrant, Cinderella, Quiet Riot and others, as well as Ozzy Osbourne, Lita Ford and many more, this is the ultimate, uncensored, and often unhinged chronicle of a time where excess and success walked hand in hand, told by the men and women who created a sound and style that came to define a musical era--one in which the bands and their fans went looking for nothin' but a good time...and found it"--
    Abstract: 1980s hard rock was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated-- and maybe even helped to define-- a spectacularly over-the-top decade. From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Beaujour and Bienstock capture the energy and excess of the hair metal years in the words of the musicians, managers, producers, engineers, label executives, publicists, stylists, costume designers, photographers, journalists, magazine publishers, video directors, club bookers, roadies, groupies, and hangers-on who lived it. -- adapted from publisher
    Description / Table of Contents: Foreword / by Corey Taylor -- Cast of characters -- Introduction -- Everybody wants some!! -- Feel the noize -- Knock 'em dead, kid -- Youth gone wild -- The last mile -- Shut up, Beavis -- Epilogue
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  • 63
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197548844
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6608623
    RVK:
    RVK:
    Keywords: Geschichte ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Unterhaltungsmusik ; Rock 'n' Roll ; Arbeiterklasse ; Rockmusik ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 64
    Title: Янка Дягилева : жизнь и творчество самой известной представительницы женского рок-андеграунда
    Author, Corporation: Пауэр, Кристина Юрьевна
    Author, Corporation: ut
    Publisher: Москва : Издательство Бомбора
    Publisher: Москва : Эксмо
    ISBN: 9785041177249
    Language: Russian
    Pages: 398 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 22 cm
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    Keywords: Di͡agileva, I͡Anka ; Djagileva, Jana Stanislavovna ; Poets, Russian / 20th century / Biography ; Women rock musicians / Soviet Union / Biography ; Women rock musicians / Russia (Federation) / History ; Russian poetry / 20th century / History and criticism ; Rock musicians' writings, Russian / History and criticism ; Punk rock music / Russia (Federation) / History ; Poètes russes / 20e siècle / Biographies ; Musiciennes rock / URSS / Biographies ; Musiciennes rock / Russie / Histoire ; Punk (Musique) / Russie / Histoire ; Poets, Russian ; Punk rock music ; Rock musicians' writings, Russian ; Russian poetry ; Women rock musicians ; Untergrundkunst ; Rockmusik ; Punk Rock ; Russia (Federation) ; Soviet Union ; Sowjetunion ; Djagileva, Jana Stanislavovna 1966-1991 ; Sowjetunion ; Rockmusik ; Punk Rock ; Untergrundkunst
    Note: Text russisch
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  • 65
    ISBN: 9783658326906
    Language: German
    Pages: 1 Online-Ressource (XVI, 310 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Popular Culture ; Cultural Theory ; Music ; Media Sociology ; Popular Culture ; Culture—Study and teaching ; Music ; Mass media ; Communication ; Scham ; Musiksoziologie ; Unterhaltungsmusik ; Normativität ; Rezeption ; Soziokultureller Wandel ; Musikalischer Geschmack ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 66
    ISBN: 9783837659498
    Language: German
    Pages: 294 Seiten , 22.5 cm x 14.8 cm, 498 g
    Edition: 1. Auflage
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Bauhaus-Universität Weimar 2021
    DDC: 711.13
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    Keywords: Stadt ; Klang ; Stadtentwicklung ; Stadtplanung ; Lärmbelastung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seiten [273]-294
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  • 67
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368929
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Museum ; Popmusik ; Kommerzialisierung ; Neoliberalismus ; Popular music / Museums / Social aspects ; Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus
    Abstract: "An examination of the popular music museum and its relationship to commercialism and neoliberalism"--
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  • 68
    ISBN: 978-3-8394-5268-4
    Language: German
    Pages: 1 Online-Ressource (554 Seiten).
    Series Statement: Transdisziplinäre Popkulturstudien Band 3
    Series Statement: Transdisziplinäre Popkulturstudien
    Uniform Title: Suchtgenese & Selbstkonzept(e)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Leuphana Universität Lüneburg 2019
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    Keywords: Biographieforschung ; Cultural Studies ; Gesellschaft ; Ikone ; Junkie ; Lebensstil ; Los Angeles ; MUSIC / History & Criticism ; Musik ; Musiker*innen ; Musikwissenschaft ; Popkultur ; Popmusik ; Qualitative Sozialforschung ; Selbstkonzept ; Sucht ; Popmusiker. ; Drogenabhängigkeit. ; Heroin. ; Los Angeles, Calif. ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusiker ; Drogenabhängigkeit ; Heroin
    Abstract: Getreu dem Motto »Sex & Drugs & Rock'n'Roll« scheint der Konsum von Drogen geradezu prototypisch zum Lifestyle vieler Musiker*innen dazuzugehören. Auffällig ist, dass es immer wieder musikalische Vertreter*innen des Typus »Junkie« sind, die zu Weltstars und Ikonen werden. Doch warum ist dieser Lebenswandel und dabei ausgerechnet der Konsum von Heroin so populär (gewesen)? Durch die Rekonstruktion individueller Lebensgeschichten heroinabhängiger Musiker*innen in Los Angeles bestimmt Melanie Ptatscheck nicht nur sozialpsychologische und musikspezifische Suchtfaktoren. Ebenso zeigt sie auf, durch welche individuellen Bedürfnisse und gesellschaftlichen Narrative die Selbstvorstellungen dieser Musiker*innen geprägt sind
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478013143
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095/0904
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    Keywords: Geschichte 1950-1980 ; HISTORY / Asia / General ; Cold War ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism ; Popular music Political aspects ; Popular music History and criticism ; Popmusik ; Asien ; Aufsatzsammlung ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 70
    ISBN: 9783830994428
    Language: German
    Pages: 1 Online-Ressource (290 Seiten) , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 32
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Musikobjektgeschichten. Populäre Musik und materielle Kultur (Veranstaltung : 2020 : Weimar) Musikobjektgeschichten
    DDC: 780.74
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    Keywords: Aufsatzsammlung ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Popmusik ; Musikinstrument ; Audiotechnik ; Tonträger
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 71
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 72
    ISBN: 9783447116428 , 3447116420
    Language: German
    Pages: VI, 464 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Kulturwissenschaftliche Japanstudien Band 11
    Series Statement: Kulturwissenschaftliche Japanstudien
    Dissertation note: Dissertation Universität zu Köln 2020
    DDC: 895.609005
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    Keywords: Geschichte 1955-2005 ; Japanisch ; Intermedialität ; Popmusik ; Literatur ; Japan ; Literaturgeschichte ; Japanologie ; Musikwissenschaft ; Literaturwissenschaft ; Populärkultur ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Japan ; Literatur ; Popmusik ; Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Geschichte 1955-2005
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  • 73
    ISBN: 9783839455272 , 9783732855278
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2018
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    Keywords: Streaming ; Musiktonträger ; Ethnologie ; Sammeln ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musiktonträger ; Streaming ; Sammeln ; Popmusik ; Streaming ; Ethnologie ; Sammeln
    Note: Erscheint als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 74
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | The Hague : OAPEN FOUNDATION
    ISBN: 9783839459492 , 9783837659498
    Language: German
    Pages: 1 Online-Ressource (296 p.)
    Series Statement: Urban Studies
    DDC: 720
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    Keywords: Stadt ; Klang ; Stadtentwicklung ; Stadtplanung ; Lärmbelastung ; Architecture ; Theory of music & musicology ; Urban communities ; Stadt ; Klang ; Akustik ; Raum ; Gestaltung ; Architektur ; Urban Studies ; City ; Sound ; Acoustic ; Space ; Shaping ; Architecture ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; History. ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Der Klang ist ein elementarer Teil städtischen Lebens und Erlebens. Er ist sinnbehaftet und bedeutsam. In der Stadtgestaltung findet er jedoch, von der Lärmbekämpfung abgesehen, bislang kaum Berücksichtigung. Ausgehend von dieser Feststellung fragt Thomas Kusitzky nach den Konditionen einer bewussten Praxis der Stadtklanggestaltung und zeigt Ansatzpunkte für deren Etablierung auf. Dabei fragt er nicht nur nach der Rolle der Entwerfer*innen und Planer*innen, sondern betrachtet das gesamte Netzwerk der Akteur*innen, die durch ihr aufeinander bezogenes Handeln eine solche Gestaltungspraxis hervorbringen.
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
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    URL: Cover  (lizenzpflichtig)
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  • 75
    ISBN: 9781419742132 , 1419742132
    Language: English
    Pages: xiv, 380 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Gruen, Bob Right Place, Right Time
    DDC: 770.92
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    Keywords: Gruen, Bob ; Gruen, Bob ; Photographers Biography ; Rock musicians Anecdotes ; Photographers ; Rock musicians ; Anecdotes ; Autobiographies ; Biographies ; Autobiographies ; Anecdotes ; United States ; Autobiografie ; Autobiografie ; Gruen, Bob 1945- ; Fotografie ; Rockmusik ; Rockmusiker
    Abstract: Introduction -- Where it all began -- Growing up -- The Emerald City -- Where there's smoke -- The rise and fall of Glitterhouse -- The Ike and Tina express -- 1971: it's all happening -- Elephant's memory -- Coast to coast -- Some time in New York City -- In the thick of it -- Surreal days -- New York to LA and back again -- Airborne! -- New York clubs -- Central Park to Byblos -- Whatever gets you through the night -- Right place, right time -- Money honey -- Trouble in Japan -- The club scene -- London calling -- Everything will be alright -- Anarchy in the UK -- Anarchy in the USA -- All-access pass -- Full moon rising -- The record plant -- Now he is everywhere -- The view from here -- See you in Jamaica -- Stars in my eyes -- Happy birthday to me -- Epilogue.
    Abstract: The veteran rock-and-roll photographer shares memories from nearly half a century in the industry, from his cross-country trip with the Ike and Tina Turner band to his backstage encounters with KISS
    Abstract: For more than fifty years Gruen has documented the music scene in pictures that have captured the world's attention. Here he tells of his winding, adventure-filled journey in a series of wildly entertaining stories. Gruen offers a unique window into the evolution of American music culture over the last five decades. -- adapted from jacket
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  • 76
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345395 , 9781501345388
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Series Statement: Bloomsbury handbooks
    Parallel Title: Erscheint auch als
    DDC: 306.4/8424
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    Keywords: Popmusik ; Soziale Klasse ; Popular music / Social aspects ; Social classes ; Popular music / Social aspects ; Social classes ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Soziale Klasse
    Abstract: "Using a variety of musical genres, this collection addresses the intersections, conflicts, agreements, and anomalies central to popular music and social class"--
    Note: Bevorzugte Informationsquelle: Landingpage (Bloomsbury Collections), da weder Titelblatt noch Impressum vorhanden und Printausgabe
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336638
    Language: English
    Pages: 162 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660941/09047
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    Keywords: Geschichte 1970-1980 ; Fortschrittlichkeit ; Popmusik ; Großbritannien ; Popular music / Great Britain / 1971-1980 / History and criticism ; Großbritannien ; Popmusik ; Fortschrittlichkeit ; Geschichte 1970-1980
    Abstract: "Considers the often overlooked significance of early 1970s British pop-rock as a period during which the boundaries between pop and rock uniquely overlapped"--
    Note: Includes bibliographical references and index
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  • 78
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030431006
    Language: English
    Pages: 1 Online-Ressource (XV, 442 p)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.1
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    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030430993
    Language: English
    Pages: xv, 442 Seiten
    Parallel Title: Erscheint auch als
    DDC: 780.1
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    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
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  • 80
    ISBN: 9781350075368 , 9781350075375
    Language: English
    Pages: 1 Online-Ressource (xii, 260 Seiten) , Illustrationen, Karten
    Series Statement: Imagines : classical receptions in the visual performing arts
    Parallel Title: Erscheint auch als Classical antiquity in heavy metal music
    DDC: 781.66
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    Keywords: Heavy metal (Music) History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Classical antiquities in music ; Heavy metal (Music)-History and criticism.. ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Abstract: Vergil's Aeneid and nationalism in Italian metal / K.F.B. Fletcher -- Eternal defiance: Celtic identity and the classical past in heavy metal / Matthew Taylor -- Screaming ancient Greek hymns: the case of Kawir and the Greek black metal scene / Christodoulos Apergis -- Cassandra's plight: gender, genre, and historical concepts of femininity in gothic and power metal / Linnea Åshede and Anna Foka -- Heavy metal Dido: Heimdall's "Ballad of the Queen" / Lissa Crofton-Sleigh -- A metal Monstrum: Ex Deo's Caligula / Iker Magro-Martínez -- Occult and pulp visions of Greece and Rome in heavy metal / Jared Secord -- "When the land was milk and honey and magic was so strong and true": Edward Said, ancient Egypt, and heavy metal / Leire Olabarria -- Coda: some trends in metal's use of classical antiquity / Osman Umurhan
    Abstract: This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    ISBN: 9783944669793 , 3944669797
    Language: English
    Pages: 559 Seiten , Illustrationen
    DDC: 740
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    Keywords: Geschichte 1960-2020 ; Subkultur ; Stadt ; Nachtleben ; Nachtklub ; Fotografie ; Musiklokal ; Europa ; Afrika ; Fotografie ; Musiklokal ; Geschichte 1960-2020 ; Afrika ; Europa ; Stadt ; Nachtleben ; Subkultur ; Nachtklub ; Geschichte 1960-2020
    Abstract: Das Bild des seinen Plattenkoffer über internationale Non-Places ziehenden DJs, der rund um den Globus in Clubs auflegt, ist ein Stereotyp unserer Zeit. Clubkulturen haben eine reiche lokale Historie und sie sind zugleich geografisch viel differenzierter, als in der Geschichte von der nordatlantischen Achse Detroit–Chicago–Manchester–Berlin bislang erzählt wurde. Dieses Buch erweitert den Fokus. Es berichtet von zehn Club-Hauptstädten in Afrika und Europa, sowohl von prominenten als auch von vermeintlich peripheren Szenen. 21 Essays und Fotostrecken rekonstruieren die lokalen Musikgeschichten, die Szenen, Subkulturen und ihre globalen Netzwerke. Sie berichten von Clubs als Laboren des Andersseins, in denen Menschen mit neuen Lebensformen experimentieren und ihr Recht an der Stadt einklagen. Ten Cities ist eine Reise in zehn Gesellschafts- und Stadtgeschichten, aus dem Blickwinkel von Nacht und Sound von 1960 bis heute. Mit Texten von: Rui Miguel Abreu, Vitalii Bard Bardetski, Vítor Belanciano, Tony Benjamin, Danilo Capasso, Vincenzo Cavallo, Iain Chambers, Kateryna Dysa, Johannes Ebert, Maha ElNabawi, Michelle Henning, Rangoato Hlasane, Johannes Hossfeld Etyang, Rehan Hyder, Mukami Kuria, Ângela Mingas, Ali Abdel Mohsen, Marissa J. Moorman, Joyce Nyairo, Sean O’Toole, Sellanga Ochieng’ Blinky Bill, Bill Odidi, Tobias Rapp, Florian Sievers, Peter Wafula Wekesa, Mallam Mudi Yahaya. Edited by Johannes Hossfeld Etyang, Joyce Nyairo, Florian Sievers
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  • 82
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226738680
    Language: English
    Pages: 1 Online-Ressource (347 Seiten) , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.78
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    Keywords: Live-Auftritt ; Festival ; Sozialer Wandel ; Rockmusik ; Konzert ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501330452
    Language: English
    Pages: xvii, 636 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.66072
    RVK:
    RVK:
    Keywords: Rockmusik ; Forschung ; Rock music / History and criticism ; Rock music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rockmusik ; Forschung
    Abstract: "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"--
    Note: Includes bibliographical references and index
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  • 84
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781138121478 , 9780367784676
    Language: English
    Pages: 189 Seiten , Illustrationen
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Popmusik ; Alter ; Musiker ; Europa ; Popular music / Social aspects / Europe ; Older musicians / Europe ; Older musicians ; Popular music / Social aspects ; Europe ; Europa ; Popmusik ; Musiker ; Alter
    Abstract: Opening up the dialogue between popular music studies and aging studies, this book offers a major exploration of age and popular music across Europe. Using a variety of methods to illustrate how age within popular music is contingent and compelling, the volume explores how it provokes curation and devotion across a variety of sites and artists who record in several European languages, and genres including waltz music, electronica, pop, folk, rap, and the French 'chanson.' Visiting the many ways in which age is problematized, revered, and performed within Europe in relation to popular music, case studies analyze: French touring shows of popular music stars from the 1960s; Andre Rieu's annual Vrijthof concerts in the Netherlands; Kraftwerk and Bjoerk's appearances at renowned art museums as curated objects; queer approaches to popular music space and time; British folk music inheritances; pan-European strategies of stardom and career longevity; and inheritance and post-colonial hauntings of race and identity. The book works with the notion of travelling, across borders, genres, sexualities, and media, highlighting the visibility of the aging body across a variety of European sites in order to establish popular music through the lens of age as a positive methodology with which to approach popular music cultures, and to offer a counter-narrative to age as decline. This book will appeal to scholars of popular music, popular culture, media studies, cultural studies, aging studies, and cultural gerontology
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  • 85
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360179 , 9780815360155
    Language: English
    Pages: xix, 267 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.630951249
    RVK:
    Keywords: Geschichte ; Popmusik ; Taiwan ; Popular music / Taiwan / History and criticism ; Popular music ; Taiwan ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Taiwan ; Popmusik ; Geschichte
    Abstract: "Made in Taiwan: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Taiwanese popular music. Each essay, written by a leading scholar of Taiwanese music, covers the major figures, styles, and social contexts of pop music in Taiwan and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Taiwan, followed by essays organized into thematic sections: Trajectories, Identities, Issues, and Interactions"--
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  • 86
    ISBN: 9781138334748
    Language: English
    Pages: VI, 185 Seiten
    Series Statement: Routledge studies in popular music
    DDC: 782.421660922
    RVK:
    Keywords: Radiohead ; Rockmusik ; Musikalischer Stil
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  • 87
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
    RVK:
    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253052865 , 9780253052834
    Language: English
    Pages: 1 Online-Ressource (263 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Beyoncé ; Geschlechterrolle ; Visuelle Medien ; Popmusik ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Popular music / Social aspects ; Beyoncé / 1981- ; Popular music ; Popular music / Social aspects ; 2001-2020 ; Music criticism and reviews ; Criticism, interpretation, etc ; Music criticism and reviews ; Aufsatzsammlung ; Beyoncé 1981- ; Popmusik ; Visuelle Medien ; Geschlechterrolle
    Abstract: "A collection of writings examining the multitalented star's significance to music, culture, and society. [...] From the Destiny's Child 2001 hit single 'Survivor' to her 2019 jam '7/11', Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. 'Beyoncé: At Work, On Screen, and Online' explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyoncé's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyoncé's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyoncé contends that because of her willingness to address societal issues within her career, Beyoncé has become an important touchstone for an entire generation-all in a day's work for Queen Bey." (Verlagsinformation)
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  • 89
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226738543 , 9780226738406
    Language: English
    Pages: 347 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 780.78
    RVK:
    RVK:
    RVK:
    Keywords: Konzert ; Festival ; Rockmusik ; Sozialer Wandel ; Live-Auftritt ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
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  • 90
    Online Resource
    Online Resource
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783030446598
    Language: English
    Pages: 1 Online-Ressource (XIX, 258 Seiten) , Illustrationen
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.46
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Culture and Technology ; Music ; Popular Culture ; Media and Communication ; Culture ; Technology ; Music ; Popular Culture ; Communication ; Medien ; Neue Medien ; Musikkonsum ; Technischer Fortschritt ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikwirtschaft ; Medien ; Musikkonsum ; Technischer Fortschritt ; Popmusik ; Neue Medien
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 91
    ISBN: 9783030446581
    Language: English
    Pages: xix, 257 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    DDC: 306.46
    RVK:
    Keywords: Popmusik ; Musikwirtschaft ; Medien ; Musikkonsum ; Technischer Fortschritt ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 92
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032236162 , 9781138317055
    Language: English
    Pages: 275 Seiten , Illustration
    Series Statement: Ashgate popular folk and music series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Kulturwissenschaften ; Kraftwagen ; Popmusik ; Automobiles / Songs and music / History and criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Automobiles / Social aspects ; Automobiles / Social aspects ; Popular music ; Popular music / Social aspects ; Criticism, interpretation, etc ; Kulturwissenschaften ; Popmusik ; Kraftwagen
    Abstract: "Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title"--
    Description / Table of Contents: Introduction. Revving Up -- "Come Away With Me, Lucille" : A Brief History of Popular Song and Automobiles -- "No Particular Place to Go" : Cars, Music, and African American Identity -- "Gotta Feel for My Automobile" : Cars, Music, Gender, and Sexuality -- If This Brand Were a Band : Sound and Music in Automotive Branding -- The Sound of Cars as Musical Objects : Tuning, Engine Sound Enhancement, and the Quest for Quiet -- Sound Systems, Sonic Performance, and the Car as Instrument of Identity -- Spare Parts : Cars and Soundtracks, Spiritual Connections, Location, and Theoretical Musings -- Conclusion. Shut Down
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  • 93
    ISBN: 9780367659929
    Language: English
    Pages: XV, 415 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge companion
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Kollektives Gedächtnis ; Geschichtsschreibung ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Geschichtsschreibung ; Kollektives Gedächtnis
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  • 94
    ISBN: 9781350075351
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    DDC: 781.66
    RVK:
    Keywords: Rockmusik ; Heavy Metal ; Rezeption ; Antike ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [217]-245
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  • 95
    ISBN: 9783962890827
    Language: German
    Pages: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Edition: 1. Auflage
    DDC: 782.4216409431
    RVK:
    Keywords: Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Cover
    URL: Cover
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  • 96
    ISBN: 9783709203064 , 3709203066
    Language: German
    Pages: 162 Seiten
    Edition: Deutsche Erstausgabe
    Series Statement: Passagen Architektur
    DDC: 720.288
    RVK:
    RVK:
    Keywords: Stadt ; Denkmalschutz ; Historismus ; Urbanität ; Resilienz ; Baudenkmal ; Originalität ; Authentizität ; Ästhetik ; Stadt ; Denkmalschutz ; Historismus ; Urbanität ; Resilienz ; Baudenkmal ; Originalität ; Authentizität ; Ästhetik
    Note: Quellenverzeichnis: Seite 155-156. - Literaturverzeichnis: Seite 157-162
    URL: Cover
    URL: Cover
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  • 97
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 98
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 99
    Book
    Book
    Lanham ; Bouldre ; New York ; London : Rowman & Littlefield
    ISBN: 9781538127179
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte 1960-1970 ; Musikleben ; Rockmusik ; London ; Rock music / England / London / 1961-1970 / History and criticism ; Rock musicians / England ; Rock music ; Rock musicians ; England ; England / London ; 1961-1970 ; Criticism, interpretation, etc ; London ; Rockmusik ; Musikleben ; Geschichte 1960-1970
    Abstract: "London, Reign Over Me captures all of the excitement, freedom of expression, love, wild abandon, and the moment of cultural transformation that gave us classic rock. Stephen Tow draws from an array of sources, including influential London music newspapers as well as original interviews with key participants in the scene"--
    Description / Table of Contents: Out of the gray and into the blues -- R&B boom! -- It was just bloody Wednesday -- Discovering prog rock -- You can all join in (progressive rock) -- Blues revisited
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  • 100
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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