ISBN:
9780253064776
,
9780253064769
Sprache:
Englisch
Seiten:
xiii, 306 Seiten
,
Illustrationen, Porträts
,
24 cm
Serie:
Activist encounters in folklore and ethnomusicology
Paralleltitel:
Erscheint auch als
Schlagwort(e):
Soziale Gerechtigkeit
;
Musik
;
Musikethnologie
;
Angewandte Musikwissenschaft
;
Applied ethnomusicology / Congresses
;
Ethnomusicology / Social aspects / Congresses
;
Music / Political aspects / Congresses
;
Social justice / Congresses
;
Applied ethnomusicology
;
Music / Political aspects
;
Social justice
;
Conference papers and proceedings
;
Conference papers and proceedings
;
Aufsatzsammlung
;
Konferenzschrift 2018
;
Aufsatzsammlung
;
Konferenzschrift 2018
;
Musik
;
Soziale Gerechtigkeit
;
Soziale Gerechtigkeit
;
Musikethnologie
;
Angewandte Musikwissenschaft
Kurzfassung:
"Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"--
Anmerkung:
"This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface
,
Preface
,
Introduction : pathways toward a justice-oriented ethnomusicology
,
Diversity on repeat : the deceptive cadence of social domination in ethnomusicology
,
Social justice and my work as a music scholar, teacher, and artist
,
Punk and politics and transforming musical academe
,
Going forward with vigilance : American Indian music is always there
,
Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice
,
Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church
,
Unsettling Euro-American conceptions of race in the Egyptian independent music scene
,
Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes
,
"If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine
,
promoting social justice through traditional Irish music : a new model for applied research
,
The sonic politics of interracial coalitions
,
"¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement
,
"Music is liberation" : the Brass Liberation Orchestra and direct action
,
Ecological frictions and borderless futures : art and activism on a sailing ship
,
Raising the imperative for direct action
,
Circling back on direct action : on difference and representation
Permalink
