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  • BVB  (121)
  • Ethn. Museum Berlin  (6)
  • 2020-2024  (93)
  • 1965-1969  (36)
  • USA  (114)
  • Anthologie
  • Musicology  (68)
  • History  (62)
Datasource
Language
Years
Year
  • 1
    Journal/Serial
    Journal/Serial
    Lexington ; 1.1930,3 -
    Language: Undetermined
    Dates of Publication: 1.1930,3 -
    Former Title: Vorg.: Reports in archaeology and anthropology
    Former Title: Reports in anthropology
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    Keywords: Archäologie ; Anthropologie ; Ethnologie ; USA ; Monografische Reihe ; USA ; Archäologie ; USA ; Anthropologie ; DE-604 ; USA ; Ethnologie ; DE-604
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  • 2
    Microfilm
    Microfilm
    Washington, DC : Smithsonian Inst. Press | Washington, DC : US Gov.Print.Off. ; 1889 -
    In:  Papers of the American Historical Association
    ISSN: 0065-8561 , 1048-6402
    Language: English
    Edition: Washington, DC US Gov. Print. Off. Mikrofiche-Ausg
    Dates of Publication: 1889 -
    Additional Information: Darin teils American Historical Association Proceedings / American Historical Association
    Additional Information: 1909 - 1911 darin u. 1918 - 1929 Suppl. Writings on American history
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives House documents / House of Representatives, US Congress Washington, DC : US Gov. Print. Off., 1831
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives Miscellaneous documents / House of Representatives Washington, DC : Gov. Print. Off., 1847
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. Senate Miscellaneous documents / Senate of the United States Washington, DC : Gov. Print. Off., 1847
    Additional Information: 1930,1=1930 - 1931,1=1931; 1935,1=1933/35 - 1937,1=1937; 1938=1938 - 1940=1940; 1941,1=1941; 1942,1=1942 - 1973,1=1973 von American Historical Association Proceedings / American Historical Association Washington, DC : Smithsonian Inst. Press, 1931
    Additional Information: 1944,1=Index 1895/1945 von The American historical review Oxford : Oxford University Press, 1895 0002-8762
    Additional Information: 1930,1=1930 - 1931,1=1931; 1935,1=1933/35 - 1937,1=1937; 1938=1938 - 1940=1940; 1941,1=1941; 1942,1=1942 - 1973,1=1973 von American Historical Association Proceedings / American Historical Association Washington, DC : Smithsonian Inst. Press, 1931
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives House documents / House of Representatives, US Congress Washington, DC : US Gov. Print. Off., 1831
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives Miscellaneous documents / House of Representatives Washington, DC : Gov. Print. Off., 1847
    Additional Information: 1944,1=Index 1895/1945 von The American historical review Oxford : Oxford University Press, 1895 0002-8762
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. Senate Miscellaneous documents / Senate of the United States Washington, DC : Gov. Print. Off., 1847
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress United States congressional serial set Washington, DC : U.S. Gov. Print. Off., 1817 1931-2822
    Additional Information: 1899,2=4; 1902,2=6;1903,2=7 von American Historical Association. Historical Manuscripts Commission Annual report of the Historical Manuscripts Commission Washington, 1900
    Additional Information: 1900,2=1; 1906,2=7 von American Historical Association. Public Archives Commission Report of the Public Archives Commission Washington, 1901
    Additional Information: 1907,2=8,1; 1908,2,1=8,2; 1908,2,2=8,3; 1911,2=9; 1913,2=11; 1916,2=12; 1918,2=14; 1919,2,1-2=15; 1922,2=[16] von American Historical Association. Historical Manuscripts Commission Report of the Historical Manuscripts Commission Washington, 1908
    Additional Information: 1930,2=1930; 1931,2=1931; 1931,3=1932; 1933=1933; 1934=1934; 1935,2=1935; 1936,2=1936; 1937,2=1937/38; 1943,2=1939/40; 1950,2=1948; 1951,2=1949; 1952,2=1950; 1953,2=1951; 1954,2=1952; 1955,2=1953; 1956,2=1954; 1957,2=1955; 1958,2=1956; 1959,2=1957; 1960,2=1958, 1961,2=1959; 1962,2=1960 von Writings on American history Boston, Mass. [u.a.] : American Historical Assoc., 1904
    Additional Information: 1941,3=1941 von List of doctoral dissertations in history in progress in the United States Washington, DC, 1943
    Additional Information: 1944,2=1; 1944,3=2 von American Fur Company Calendar of the American Fur Company's papers Washington, DC, 1945
    Parallel Title: Erscheint auch als American Historical Association Annual report of the American Historical Association
    Former Title: Vorg. American Historical Association Report of the proceedings of the American Historical Association
    Titel der Quelle: Papers of the American Historical Association
    Publ. der Quelle: New York, NY [u.a.], 1885
    DDC: 970
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    Keywords: Zeitschrift ; Bibliografie ; USA ; Geschichte ; Nordamerika ; Amerika ; USA ; Geschichte
    Note: Repr.: Arlington, Va. : Carrollton; Millwood, NY ; New York, NY : Kraus; ab 1982 auch als Mikrofiche , Mikrofiche-Ausg. , Index 1884/1914=1914,2
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  • 3
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 4
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 5
    ISBN: 9781119683827
    Language: English
    Pages: viii, 230 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.4
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    Keywords: Geschichte ; Sozialgeschichte ; Frau ; USA ; Women -- United States -- History ; Sozialgeschichte ; Geschichte ; Frau ; USA
    Note: Includes index
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  • 6
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781032452395 , 9781032452401
    Language: English
    Pages: 142 Seiten
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Geschichte 1920-2020 ; Ethnizität ; Kultur ; Religion ; Vielfalt ; USA ; 20. Jahrhundert (1900 bis 1999 n. Chr.) ; 20th century ; 20th century history: c 1900 to c 2000 ; Amerikanische Geschichte ; Ethnic Studies ; Ethnic studies ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of the Americas ; SOC069000 ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Ethnic Studies / General ; Social & cultural anthropology, ethnography ; Social & cultural history ; Sozial- und Kulturanthropologie, Ethnographie ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; USA ; Vielfalt ; Ethnizität ; Religion ; Kultur ; Geschichte 1920-2020
    Abstract: "Diversity in the United States: A Cultural History of the Past Century is a cultural history of diversity in the United States over the past 100 years. Diversity—defined here as Americans of different racial, ethnic, and religious backgrounds—is currently very much in the national conversation. The book explores diversity in a historical context, bringing a much-needed perspective on what is a passionate theme in contemporary American society. Told chronologically and divided into five 20-year eras, the book sheds new light on the important role that diversity has played in our national identity. The subject is parsed through the voices of intellectuals and journalists who have weighed in on its many different dimensions. The primary argument of the work is that the concept of diversity has functioned as a key site of both congruence and division in the United States for the past 100 years, providing a sense of who we are as a people while at the same time exposing inequities based on race, ethnicity, and religion. Both an academic audience and the many readers of nonfiction will find the book to be a valuable and insightful resource."
    URL: Cover  (lizenzpflichtig)
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  • 7
    Book
    Book
    Lausanne ; Berlin ; Bruxelles : Peter Lang
    ISBN: 9783631889633 , 3631889631
    Language: English
    Pages: 154 Seiten , 22 cm, 280 g
    Series Statement: United States studies: culture, politics, media volume 5
    Series Statement: United States studies: culture, politics, media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: Geschichte ; Rassismus ; Diskriminierung ; Schwarze ; USA ; USA ; Schwarze ; Diskriminierung ; Rassismus ; Geschichte
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 8
    ISBN: 9783406808296
    Language: German
    Pages: 1 Online-Ressource
    Edition: deutsche Ausgabe
    Uniform Title: Stamped From The Beginning: A Graphic History of Racist Ideas in America
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rassismus ; Rassentheorie ; Sklaverei ; USA ; Comic ; USA ; Rassentheorie ; Sklaverei ; Rassismus ; Geschichte
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  • 9
    ISBN: 9781469674674 , 9781469674667
    Language: English
    Pages: x, 218 Seiten , Illustrationen
    Series Statement: Islamic civilization and Muslim networks
    Parallel Title: Erscheint auch als
    DDC: 306.362092
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    Keywords: Said, Omar ibn ; Geschichte 1770-1805 ; Geschichte 1805-1863 ; Westafrikaner ; Ulema ; Sklave ; USA ; Westafrika ; Said, Omar ibn / 1770?-1863 ; Muslim scholars / Africa, West / Biography ; Enslaved Muslims / North Carolina / Biography ; Said, Omar ibn / 1770?-1863 ; Muslim scholars ; North Carolina ; West Africa ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Said, Omar ibn ca. ca. 1770 bis 1864 ; USA ; Westafrikaner ; Sklave ; Geschichte 1805-1863 ; Westafrika ; Ulema ; Geschichte 1770-1805
    Abstract: "This work centers on the life and writing of Omar Ibn Said, born in 1770 in a border region between Senegal and Mauritania that played a significant role in Islamic nations. Omar studied for 25 years at an Islamic seminary and was poised to become a leader in the faith, but after being captured by an invading army, he fell into the hands of transatlantic slave traders. He was sold to a plantation owner near Charleston, South Carolina, in 1808. What we know of Omar's life comes largely from a series of brief autobiographical writings and transcriptions, comprising the only known narrative written in Arabic by an enslaved person in North America. In this book, Mbaye Lo and Carl Ernst weave fresh and accurate translations of Omar's writing together with context and interpretation to provide the fullest possible account of this West African Islamic scholar's life and significance"--
    Note: Literaturverzeichnis Seite [195]-206
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  • 10
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 11
    ISBN: 9780374601539
    Language: English
    Pages: 434 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Edition: First edition
    DDC: 305.420973
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    Keywords: National Organization for Women ; Geschichte 1939-2023 ; Feminismus ; Frauenbewegung ; USA ; National Organization for Women ; Feminism / United States / History ; Women / Political activity / United States / History ; Women's rights / United States / History ; Hernandez, Aileen C. ; Collins, Mary Jean / 1939- ; Burnett, Patricia Hill / 1920- ; Féminisme / États-Unis / Histoire ; Femmes / Activité politique / États-Unis / Histoire ; SOCIAL SCIENCE / Sociology / General ; National Organization for Women ; Feminism ; Women / Political activity ; Women's rights ; United States ; Feminism / United States ; Women / Political activity ; Women's rights / United States ; History ; Biographies ; Biographies ; USA ; Frauenbewegung ; Feminismus ; National Organization for Women ; Geschichte 1939-2023
    Abstract: "The story of the National Organization for Women-its structures, trials, and revolutionary mission--told through the work of three extraordinary, little-known members"--
    Abstract: "In the summer of 1966, crammed into a D.C. hotel suite, twenty-eight women devised a revolutionary plan. Betty Friedan, the well-known author of The Feminine Mystique, and Pauli Murray, a lawyer at the front lines of the civil rights movement, had called this renegade meeting from attendees at the annual conference of state women's commissions. Fed up with waiting for government action and trying to work with a broken system, they laid out a vision for an organization to unite all women and fight for their rights. Alternately skeptical and energized, they debated the idea late into the night. In less than twenty-four hours, the National Organization for Women was born. In The Women of NOW, the historian Katherine Turk chronicles the growth and enduring influence of this foundational group through three lesser-known members who became leaders: Aileen Hernandez, a federal official of Jamaican American heritage; Mary Jean Collins, a working-class union organizer and Chicago Catholic; and Patricia Hill Burnett, a Michigan Republican, artist, and former beauty queen. From its bold inception through the tumultuous training ground of the 1970s, NOW's feminism flooded the nation, permanently shifted American culture and politics, and clashed with conservative forces, presaging our fractured national landscape. These women built an organization that was radical in its time but flexible and expansive enough to become a mainstream fixture. This is the story of how they built it--and built it to last"--
    Description / Table of Contents: Prologue: You can't stop NOW -- We recognized the honest fire -- Be what you are, a woman -- Women are going to have to organize -- We have different problems -- Getting paid -- The Chicago Machine vs. the Pennsylvania Railroad -- Put it on the line now for equality -- You better be in the throne -- Epilogue: It was personal, political, everything -- Afterword: What it takes to begin again
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 12
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 13
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 14
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
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    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781350297661 , 9781350297678
    Language: English
    Pages: xiii, 344 Seiten , Illustrationen , 24 cm
    Edition: Second edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.3/620973
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    Keywords: Geschichte ; African Americans Reparations ; Slavery History ; Entschädigung ; Sklavenhandel ; Sklaverei ; Schwarze ; USA ; African Americans / Reparations ; Slavery / United States / History ; Slavery ; United States ; History ; USA ; Schwarze ; Sklaverei ; Sklavenhandel ; Entschädigung ; Geschichte
    Note: Previous edition: 2017
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  • 16
    ISBN: 9781496847522 , 9781496847515
    Language: English
    Pages: XIII, 380 Seiten , Illustrationen, Porträts , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48896073
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    Keywords: Geschichte ; Intellektualismus ; Schwarze Frau ; Öffentlichkeit ; Kultur ; USA ; African American intellectuals / History ; African American women / Intellectual life ; African Americans / Intellectual life ; African American women / Political activity / History ; African Americans / Politics and government ; African American intellectuals / Biography ; African American women / Biography ; Intellectuels noirs américains / Histoire ; Noires américaines / Vie intellectuelle ; Noirs américains / Vie intellectuelle ; Noires américaines / Activité politique / Histoire ; Noirs américains / Politique et gouvernement ; Intellectuels noirs américains / Biographies ; Noires américaines / Biographies ; African American intellectuals ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Intellectual life ; African Americans / Politics and government ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Intellektualismus ; Öffentlichkeit ; Kultur ; Geschichte
    Abstract: "While Black women's intellectual history continues to grow as an important subfield in historical studies, there remains a gap in scholarship devoted to the topic. To date, major volumes on American intellectual history tend to exclude the words, ideas, and contributions of these influential individuals. A Seat at the Table: Black Women Public Intellectuals in US History and Culture seeks to fill this void, presenting essays on African American women within the larger context of American intellectual history. Divided into four parts, the volume considers women in politics, art, government, journalism, media, education, and the military. Essays feature prominent figures such as Shirley Chisholm, Oprah Winfrey, journalist Charlotta Bass, and anti-abortion activist Mildred Fay Jefferson, as well as lesser-known individuals. The anthology begins with a discussion of the founders in Black women's public intellectualism, providing a framework for understanding the elements, structure, and concerns central to their lives and work in the nineteenth century. The second section focuses on leaders in the Black Christian intellectual tradition, the civil rights era, and modern politics. Part three examines Black women in society and culture in the twentieth century, with essays on such topics as artists in the New Negro era; Joycelyn Elders, a public servant and former surgeon general; and America's foremost Black woman influencer, Oprah. Lastly, part four concerns Black women and their ideas about public service-particularly military service-with essays on service members during World War II and the post-WWII military. Taken as a whole, A Seat at the Table is an important anthology that helps to establish the validity and existence of heretofore neglected intellectual traditions in the public square"--
    Note: Includes bibliographical references and index
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  • 17
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197577356 , 9780197577349
    Language: English
    Pages: xxxiv, 230 Seiten
    Edition: Updated edition
    Parallel Title: Erscheint auch als
    DDC: 305.8960730905
    RVK:
    RVK:
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    Keywords: Geschichte ; Geschichte 2013-2021 ; Politik ; Schwarze. USA ; Black lives matter movement ; African Americans Social conditions 21st century ; African Americans Politics and government 21st century ; Equality ; Racism ; Black Lives Matter ; Soziale Ungleichheit ; Schwarze ; Rassismus ; Entstehung ; Soziale Situation ; Protestbewegung ; USA ; United States Race relations ; USA ; USA ; Schwarze ; Soziale Situation ; Rassismus ; Geschichte ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protestbewegung ; Geschichte 2013-2021 ; Black Lives Matter ; Protestbewegung ; Entstehung ; Geschichte
    Abstract: Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that 〈"Black Lives Matter〉" comes out of a much older and richer tradition arguing for the equal dignity-and not just equal rights-of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that 〈"Black Lives Matter〉" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America. Quelle: Klappentext.
    URL: Cover  (lizenzpflichtig)
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  • 18
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190637446 , 0190637447
    Language: English
    Pages: 313 Seiten , 24,2 c,m
    Parallel Title: Erscheint auch als Gautney, Heather New power elite
    DDC: 305.520973
    RVK:
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    Keywords: Neoliberalismus ; Elite ; Macht ; USA ; Elite (Social sciences) / United States ; Power (Social sciences) / United States ; Social institutions / United States ; Neoliberalism / United States ; SOCIAL SCIENCE / Social Classes & Economic Disparity ; Elite (Social sciences) ; Neoliberalism ; Power (Social sciences) ; Social institutions ; United States ; USA ; Elite ; Macht ; Neoliberalismus
    Abstract: "A "remake" of C. Wright Mills' The Power Elite, this book charts patterns of elite domination amid paradigmatic changes in the structuring of U.S. social institutions and political life since the postwar period that lay bare the essentially corrupt and authoritarian nature of neoliberal capitalism and the power elites behind it. Driven by an inexhaustible pursuit of profits and wealth accumulation, power elites of the last half century conceived of and imposed a new form of global capitalism that has positioned the "free market" as an ultimate political and cultural authority. In the process, they have suppressed policies and rules, social movements, and political organizations that might impede profitability and exacted an unspeakable toll on human and planetary life. Similar to Mills, The New Power Elite elucidates the means through which today's elites accumulate wealth and power, including the subordination of military and governmental systems, media and culture, and labor, finance, and production to "market imperatives." It departs from Mills, however, in accounting for major transformations in the political geography of corporations and labor, the rise of finance capital, and role of U.S. imperialism in the structuring of global capitalism. And, unlike Mills, the book argues that while the American State, mass media, and cultural institutions can still operate as a sites of contestation, political, military, and cultural institutions today should not be considered as autonomous from market forces, as their principal function is to serve the interests of capital and operate on its behalf"--
    Description / Table of Contents: Introduction -- The State (1973 -- 2000) -- The State (2000 -- 2017) -- The State (2017 -- 2022) -- The Military -- Wall Street -- Billionaires -- Celebrity -- Publics and Masses -- Conclusion
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  • 19
    ISBN: 9781000867695
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Routledge Studies in Modern History Ser
    Parallel Title: Erscheint auch als Frankel, Richard E. Antisemitism Before the Holocaust
    DDC: 305.892/4
    RVK:
    Keywords: Geschichte 1880-1945 ; Antisemitismus ; Deutschland ; USA ; Deutschland ; USA ; Antisemitismus ; Geschichte 1880-1945
    Note: Description based on publisher supplied metadata and other sources
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  • 20
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253059673
    Language: English
    Pages: 1 Online-Ressource (370 pages) , illustrations
    Parallel Title: Erscheint auch als Hobson Faure, Laura Jewish Marshall Plan : the American Jewish presence in post-Holocaust France
    DDC: 305.892404409044
    RVK:
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    Keywords: American Jewish Joint Distribution Committee ; Geschichte 1945-1970 ; Jews, American ; Wohltätigkeitsorganisation ; Juden ; Frankreich ; USA ; American Jewish Joint Distribution Committee ; Frankreich ; USA ; Juden ; Wohltätigkeitsorganisation ; Geschichte 1945-1970
    Note: Description based on print version record
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  • 21
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 22
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 25
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 26
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 27
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 28
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 30
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 31
    ISBN: 9781479811670 , 9781479811687
    Language: English
    Pages: 321 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 973.931
    RVK:
    RVK:
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    Keywords: Terrorismus ; Elfter September ; Museum ; Gedenkstätte ; Kollektives Gedächtnis ; USA ; USA ; Elfter September ; Terrorismus ; Kollektives Gedächtnis ; Gedenkstätte ; Museum
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  • 32
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 33
    Book
    Book
    New Haven ; London : Yale University Press
    ISBN: 9780300226867
    Language: English
    Pages: xii, 404 Seiten , Illustrationen (schwarz-weiß)
    DDC: 304.873
    RVK:
    Keywords: Geschichte ; Einwanderungspolitik ; Einwanderer ; Einwanderung ; Zuwanderungsrecht ; USA ; USA ; Einwanderer ; Einwanderung ; Einwanderungspolitik ; Zuwanderungsrecht ; Geschichte
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  • 34
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 35
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 36
    Book
    Book
    Notre Dame, Indiana : University of Notre Dame Press
    ISBN: 9780268201975
    Language: English
    Pages: 284 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.810973
    RVK:
    RVK:
    Keywords: Geschichte ; Marriage ; History ; USA ; Familienpolitik ; Ehe ; Eherecht ; USA ; USA ; Ehe ; Eherecht ; Familienpolitik ; Geschichte
    Note: Includes bibliographical references and index.
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  • 37
    ISBN: 9783546100427
    Language: German
    Pages: 527 Seiten , Illustrationen , 22 cm x 13.8 cm, 731 g
    Uniform Title: Wayward lives, beautiful experiments
    Parallel Title: Erscheint auch als Aufsässige Leben, schöne Experimente
    DDC: 305.48896073
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    Keywords: Geschichte 1890-1935 ; Großstadt ; Schwarze Frau ; Lebenswelt ; Marginalität ; Widerstand ; Soziokultureller Wandel ; Soziologie ; Anthropologie ; Emanzipation ; LGBT ; USA
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  • 38
    ISBN: 9781324021582
    Language: English
    Pages: xxxviii, 517 Seiten , Illustrationen
    Edition: Revised and updated edition
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1800-1900 ; Unterdrückung ; Sklave ; USA ; USA ; Sklave ; Unterdrückung ; Geschichte 1800-1900
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  • 39
    Book
    Book
    New Haven ; London : Yale University Press
    ISBN: 9780300249903 , 9780300271140
    Language: English
    Pages: 571 Seiten , Illustrationen
    DDC: 305.40973
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    Keywords: Ideengeschichte ; Soziale Rolle ; Weiblichkeit ; Frau ; USA ; USA ; Frau ; Soziale Rolle ; Weiblichkeit ; Ideengeschichte
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  • 40
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
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    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 41
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520389250
    Language: English
    Pages: 1 Online-Ressource (255 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.24
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    Keywords: Obama, Barack ; Verschwörungstheorie ; Internet ; Social Media ; Desinformation ; Gerücht ; USA ; Obama, Barack ; Rumor in mass media ; Fake news / United States ; Racism / Political aspects / United States / History / 21st century ; Racism against Black people / United States / History / 21st century ; Rumeur dans les médias ; Fausses nouvelles / États-Unis ; Racisme / Aspect politique / États-Unis / Histoire / 21e siècle ; Obama, Barack ; Fake news ; Racism against Black people ; Racism / Political aspects ; Rumor in mass media ; United States ; 2000-2099 ; History ; Obama, Barack 1961- ; USA ; Internet ; Social Media ; Gerücht ; Verschwörungstheorie ; Desinformation
    Abstract: "Barack Obama and his family have been the objects of rumors, legends, and conspiracy theories unprecedented in US politics in terms of vitriol, volume, and persistence. Outbreaks of anti-Obama lore have occurred with every national election cycle since 2004, continuing to the present day-two elections after his presidency ended. As internet communications vastly increased their reach over these years, rumors and conspiracy theories have become powerful political tools, and new types of lore, including the "hoax" and "fake news" have taken root. The mainstream press, the political establishment, and the major technology giants dismissed or ignored the anti-Obama lore, registering concern only after it became apparent that the Obamas weren't the only victims"
    Description / Table of Contents: Flagged down -- Articles of faith -- Born to run -- Michelle matters -- Pandemic levels -- Obama legends in the age of Trump
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    Book
    Book
    Paris : Philharmonie de Paris
    ISBN: 9791094642320
    Language: French
    Pages: 479 Seiten , Illustrationen , 21 cm
    Series Statement: La rue musicale. Série Anthologie
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    Keywords: Musique populaire / Anthologies ; Musique populaire / Étude et enseignement ; Música pop / Ensayos ; Popular music / Essays ; Anthologie ; Aufsatzsammlung
    Abstract: Au cours des dernières décennies, le monde de la musique s'est radicalement transformé sous l'impulsion du progrès technique de l'enregistrement, entraînant la recherche anglophone à renouveler les outils conceptuels qui permettent de le comprendre. L'analyse des formes musicales croise bientôt celle de leurs enjeux économiques et sociaux dans un dialogue interdisciplinaire fécond, où musicologie et sciences sociales s'associent aux cultural studies pour penser les musiques populaires. Ce foisonnement d'approches plurielles converge à l'aube des années 1980 dans un courant de recherche : les popular music studies. En proposant pour la première fois en France une traduction de textes fondateurs du champ, cette anthologie invite à faire le point sur ses apports. Qu'ils s'intéressent au travail visuel de Beyoncé et Lady Gaga (Carol Vernallis), aux tubes français produits dans les années yéyé (Antoine Hennion), ou aux fans vieillissants du punk (Andy Bennett), ces chercheuses et chercheurs ont accompagné les transformations des musiques populaires, forgeant et discutant les notions qui permettent d'explorer les arcanes de leur production, leur marchandisation et leur circulation, de les saisir telles qu'elles sont vécues.--
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  • 43
    ISBN: 9783868218978
    Language: English
    Pages: vii, 209 Seiten , Illustrationen
    Series Statement: Cultures in America in transition Band 11
    Series Statement: Cultures in America in transition
    Dissertation note: Dissertation Justus-Liebig-Universität Gießen 2019
    DDC: 306.484260973
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    Keywords: Geschichte 1979-1999 ; Männlichkeit ; Neoliberalismus ; Hardcore ; Lebensstil ; Subkultur ; Weißsein ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Neoliberalismus ; Geschichte 1979-1999 ; USA ; Hardcore ; Subkultur ; Männlichkeit ; Weißsein ; Lebensstil ; Neoliberalismus ; Geschichte 1979-1999
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  • 44
    ISBN: 9783837657173 , 3837657175
    Language: German , English
    Pages: 526 Seiten , Illustrationen, Diagramme , 23 cm, 810 g
    Series Statement: Gender, diversity and culture in history and politics Band 1
    Series Statement: Gender, diversity and culture in history and politics
    Parallel Title: Erscheint auch als
    DDC: 306.46109
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    Keywords: Geschichte 1500-2000 ; Beschneidung ; Abweichendes Sexualverhalten ; Gynäkologie ; Diskurs ; Frau ; Frankreich ; Deutschland ; USA ; Großbritannien ; Klitoridektomie ; Kliteridektomie ; Medizin ; Sexualität ; Europa ; Nordamerika ; Frühe Neuzeit ; Neuere und Neueste Geschichte ; Zeitgeschichte ; Sexuelle Devianz ; Deutschland ; Frankreich ; Großbritannien ; USA ; Frauengesundheit ; Frauenmedizin ; Kulturgeschichte ; Geschlecht ; Gewalt ; Geschlechtergeschichte ; Gender Studies ; Medizingeschichte ; Geschichtswissenschaft ; Genital Mutilation ; Clitoridectomy ; Medicine ; Sexuality ; Europe ; North America ; Early Modernity ; Newer and Latest History ; Contemporary History ; Sexual Devianz ; Germany ; France ; Great Britain ; Women's Health ; Women's Medicine ; Cultural History ; Gender ; Violence ; Gender History ; History of Medicine ; History ; Genitalverstümmelung ; Weibliche Genitalbeschneidung ; Female genital mutilation ; FGM ; Deutschland ; Frankreich ; Großbritannien ; USA ; Gynäkologie ; Frau ; Abweichendes Sexualverhalten ; Diskurs ; Beschneidung ; Geschichte 1500-2000
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  • 45
    ISBN: 9783839457177
    Language: German
    Pages: 1 Online-Ressource (526 Seiten) , Illustrationen, Diagramme
    Series Statement: Gender, diversity, and culture in history and politics Band 1
    Series Statement: Gender, diversity, and culture in history and politics
    Parallel Title: Erscheint auch als
    DDC: 306.46109
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    Keywords: Geschichte 1500-2000 ; Deutschland ; Europa ; Frankreich ; Frauengesundheit ; Frauenmedizin ; Frühe Neuzeit ; Gender Studies ; Geschichtswissenschaft ; Geschlecht ; Geschlechtergeschichte ; Gewalt ; Großbritannien ; Kliteridektomie ; Klitoridektomie ; Kulturgeschichte ; Medizin ; Medizingeschichte ; Neuere und Neueste Geschichte ; Nordamerika ; Sexualität ; Sexuelle Devianz ; USA. ; Zeitgeschichte ; HISTORY / Social History ; Beschneidung ; Abweichendes Sexualverhalten ; Gynäkologie ; Diskurs ; Frau ; Frankreich ; Deutschland ; USA ; Großbritannien ; Deutschland ; Frankreich ; Großbritannien ; USA ; Gynäkologie ; Frau ; Abweichendes Sexualverhalten ; Diskurs ; Beschneidung ; Geschichte 1500-2000
    Abstract: Die Kliteridektomie war auch in westlichen Gesellschaften ein massenhaft angewandtes Mittel zur Kontrolle weiblicher Sexualität. Norbert Finzsch geht der Geschichte der weiblichen Genitalverstümmelung, kurz FGM oder FMC, nach und konzentriert sich dabei territorial auf Deutschland, Frankreich, Großbritannien und die USA. Die Untersuchung reicht von der Frühen Neuzeit bis in die Gegenwart und gibt Einblicke in die diskursiven Schichten dieser sexistischen Praxis und in die gewaltsamen Auswirkungen für die betroffenen Frauen. Nicht zuletzt deckt die sozialpsychologische Perspektive vieles über männliche Ängste vor (sexueller) Autonomie von Frauen auf
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    ISBN: 9783862055340 , 3862055345
    Language: German
    Pages: 818 Seiten , Illustrationen , 24 cm
    Additional Information: Rezensiert in Weber, Torsten [Rezension von: Transpacifica - Quellen zum deutschsprachigen Diskurs über die USA und Ostasien, 1900-1945, Görbert, Johannes; Keppler-Tasaki, Stefan; Sommadossi, Tomas] 2022
    DDC: 909.82
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    Keywords: Quelle ; Deutschland ; Österreich ; Diskurs ; Internationale Politik ; USA ; China ; Japan ; Geschichte 1900-1945 ; Deutschland ; Österreich ; Diskurs ; USA ; China ; Japan ; Internationale Politik ; Geschichte 1900-1945
    Note: Literaturhinweise
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  • 47
    Online Resource
    Online Resource
    Hoboken, NJ : Wiley Blackwell
    ISBN: 9781119522690
    Language: English
    Pages: 1 Online-Ressource (xiii, 412 Seiten) , Illustrationen
    Edition: Second edition
    Series Statement: Wiley Blackwell companions to American history
    Parallel Title: Erscheint auch als
    DDC: 305.40973
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    Keywords: Geschichte ; Geschichte 1600-2018 ; Frau ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Frau ; Geschichte ; USA ; Frau ; Geschichte 1600-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 48
    ISBN: 9780807055588 , 9780807036297
    Language: English
    Pages: xxvii, 362 Seiten
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Geschichte 1600-1800 ; Kolonisierung ; USA
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  • 49
    ISBN: 9781108764971
    Language: English
    Pages: 1 Online-Ressource (xii, 317 Seiten)
    Series Statement: Global and international history
    Parallel Title: Erscheint auch als
    DDC: 305.896017/541
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    Keywords: Geschichte 1900-2000 ; Blacks / Civil rights / French-speaking countries / History / 20th century ; Blacks / Civil rights / United States / History / 20th century ; Bürgerrecht ; Schwarze ; Französisches Sprachgebiet ; USA ; Französisches Sprachgebiet ; USA ; Schwarze ; Bürgerrecht ; Geschichte 1900-2000
    Abstract: Sarah C. Dunstan constructs a narrative of black struggles for rights and citizenship that spans most of the twentieth century, encompassing a wide range of people and movements from France and the United States, the French Caribbean and African colonies. She explores how black scholars and activists grappled with the connections between culture, race and citizenship and access to rights, mapping African American and Francophone black intellectual collaborations from the Paris Peace Conference in 1919 to the March on Washington in 1963. Connecting the independent archives of black activist organizations within America and France with those of international institutions such as the League of Nations, the United Nations and the Comintern, Dunstan situates key black intellectuals in a transnational framework. She reveals how questions of race and nation intersected across national and imperial borders and illuminates the ways in which black intellectuals simultaneously constituted and reconfigured notions of Western civilization
    Note: Title from publisher's bibliographic system (viewed on 08 Mar 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 52
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 53
    Book
    Book
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
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    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
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  • 54
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
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    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 55
    Book
    Book
    Santa Barbara, California : ABC-CLIO®, an imprint of ABC-Clio, LLC
    ISBN: 9781440873188
    Language: English
    Pages: xlix, 350 Seiten , Illustrationen
    DDC: 782.421599097303
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    Keywords: The star-spangled banner ; Geschichte ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch
    Note: Literaturverzeichnis Seite 295-332
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  • 56
    ISBN: 9780226794754 , 9780226794617
    Language: English
    Pages: 356 Seiten , Illustrationen, Karten
    DDC: 306.810973
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    Keywords: Geschichte 1861-2021 ; Ehe ; Sexualität ; Fortpflanzung ; Familienleben ; Politik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index
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  • 57
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 58
    ISBN: 9781250278456 , 9781250279859 , 9781250280176
    Language: English
    Pages: viii, 193 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Nationalbewusstsein ; Politik ; Trauma ; USA ; Trump, Donald / 1946- ; United States / Politics and government / 2017-2021 ; United States / Social conditions / 21st century ; Collective memory ; National characteristics, American ; Political corruption / United States ; Post-traumatic stress disorder / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Presidents & Heads of State ; POLITICAL SCIENCE / Commentary & Opinion ; PSYCHOLOGY / Psychopathology / Post-Traumatic Stress Disorder (PTSD) ; Trump, Donald / 1946- ; Collective memory ; National characteristics, American ; Political corruption ; Politics and government ; Post-traumatic stress disorder ; Social conditions ; United States ; 2000-2099 ; Biography & Autobiography ; Biography & Autobiography ; Biographies ; USA ; Politik ; Nationalbewusstsein ; Trauma
    Abstract: Donald Trump's niece, Mary L. Trump, examines America's national trauma, rooted in our history but dramatically exacerbated by the impact of current events and the Trump administration's corrupt and immoral policies. Our failure to acknowledge this trauma, let alone root it out, has allowed it to metastasize. Whether it manifests itself in rising levels of rage and hatred, or hopelessness and apathy, the stress of living in a country we no longer recognize has affected all of us. America is suffering from PTSD - a new leader alone cannot fix us
    Description / Table of Contents: part I. A short history of American failure : 1865-2020. Atrocities ; Impunity -- part II. Here there be monsters. American carnage ; Abandon all hope ye who enter -- part III. American exceptionalism. Suffering in silence ; We hold these truths -- part IV. The reckoning. The precipice ; The long shadow ; Facing the truth -- Epilogue
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  • 59
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 60
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    ISBN: 978-0-252-04385-7 , 978-0-252-08584-0
    Language: English
    Pages: 316 Seiten
    Series Statement: The new Black studies series
    Parallel Title: Erscheint auch als
    DDC: 305.8960730904
    RVK:
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    Keywords: Geschichte 1900-2016 ; African Americans / Intellectual life / 20th century ; African American intellectuals / History / 20th century ; African Americans / Race identity / History / 20th century ; Blacks / Race identity / United States / History / 20th century ; Black nationalism / United States / History / 20th century ; African Americans / Social conditions / 20th century ; African American intellectuals ; African Americans / Intellectual life ; African Americans / Race identity ; African Americans / Social conditions ; Black nationalism ; Blacks / Race identity ; Race relations ; Rassismus ; Schwarze ; Geistesleben ; United States / Race relations / History / 20th century ; United States ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Geistesleben ; Rassismus ; Geschichte 1900-2016
    Abstract: "From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition. Throughout, contributors engage with important ideas ranging from the consideration of gender within the tradition, to intellectual products generated outside the intelligentsia, to the ongoing relationship between thought and concrete effort in the quest for liberation"--
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  • 62
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 63
    ISBN: 9781642594553
    Language: English
    Pages: xv, 301 Seiten , 22 cm
    Edition: Updated edition
    DDC: 305.896073
    RVK:
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    Keywords: Black Lives Matter ; Rassismus ; Diskriminierung ; Schwarze ; USA ; Black lives matter movement ; Obama, Barack / Influence ; African Americans / Social conditions / 21st century ; Racism / United States / 21st century ; Racial profiling in law enforcement / United States ; Discrimination in criminal justice administration ; Social movements / United States / 21st century ; African Americans / Employment / History ; African Americans / Civil rights ; Police brutality / United States ; Police misconduct / United States ; Race discrimination / United States ; Post-racialism / United States ; USA ; Rassismus ; Schwarze ; Diskriminierung ; Black Lives Matter
    Abstract: Activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that the new struggle against police violence holds the potential to reignite a broader push for Black liberation
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  • 64
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252085703 , 9780252043727
    Language: English
    Pages: xiv, 222 Seiten , Illustrationen und Portraits , 23 cm
    Series Statement: Disability histories
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte 1800-1861 ; Schwarze ; Sklave ; Alltag ; Behinderung ; USA ; Slaves / Abuse of / United States / History / 19th century ; African Americans with disabilities / History / 19th century ; People with disabilities / Abuse of / United States / History / 19th century ; People with disabilities / United States / Social conditions / History / 19th century ; Slaves / United States / Social conditions / 19th century ; United States / Race relations / History / 19th century ; African Americans with disabilities ; People with disabilities / Abuse of ; People with disabilities / Social conditions ; Race relations ; Slaves / Abuse of ; Slaves / Social conditions ; United States ; 1800-1899 ; History ; USA ; Schwarze ; Behinderung ; Sklave ; Alltag ; Geschichte 1800-1861
    Abstract: "Time and again, antebellum Americans justified slavery and white supremacy by linking blackness to disability, defectiveness, and dependency. Jenifer L. Barclay examines the ubiquitous narratives that depicted black people with disabilities as pitiable, monstrous, or comical, narratives used not only to defend slavery but argue against it. As she shows, this relationship between ableism and racism impacted racial identities during the antebellum period and played an overlooked role in shaping American history afterward. Barclay also illuminates the everyday lives of the ten percent of enslaved people who lived with disabilities. Devalued by slaveholders as unsound and therefore worthless, these individuals nonetheless carved out an unusual autonomy. Their roles as caregivers, healers, and keepers of memory made them esteemed within their own communities and celebrated figures in song and folklore. Prescient in its analysis and rich in detail, 'The Mark of Slavery' is a powerful addition to the intertwined histories of disability, slavery, and race"--
    Description / Table of Contents: Disability, Embodiment, and Slavery in the Old South -- Reimagined Communities: Disability and the Making of Slave Families, Communities, and Culture -- A Dose of Law: The Dialogics of Race and Disability in Southern Slave Law and Medicine -- "Cannibals All!" The Politics of Slavery, Ableism, and White Supremacy -- One Hell of a Metaphor: Disability and Race on the Antebellum Stage
    Note: Includes bibliographical references and index
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  • 65
    Book
    Book
    New York ; Bern ; Berlin : Peter Lang
    ISBN: 9781433174773
    Language: English
    Pages: xxxiii, 407 Seiten , Illustrationen, Karten
    Edition: Third edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 973.0496073
    RVK:
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    Keywords: Geschichte ; Schwarze ; USA ; African Americans / History ; African Americans ; History ; USA ; Schwarze ; Geschichte
    Abstract: "Every year more colleges and high schools are offering classes (and often making them required classes) in black history. Joanne Turner-Sadler provides a concise and probing treatment of 400 years of black history in America that can be used with age groups ranging from high school through college and beyond. Equally the book provides a digestible overview for anyone interested in African American history and the constructs of the culture. In African American History: An Introduction the author touches on key figures and events that have shaped African American culture beginning with a look at Africa and its various civilizations and the migration of the African people to America. Some essential topics covered in this updated edition: African Kingdoms --The roots of African education: Education vs Schooling -- African Americans in the New World -- The roots of slavery, separate but equal and the struggle for freedom -- Emancipation and the Quest for equality -- Civil Rights and the First Black President -- African American Culture and Institutions. This book is ... heavily illustrated (photos, maps, timelines) with useful end-of-the-chapter questions, summaries, and activities for further study. Additionally this book contains a handy bibliography of suggested readings"--
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  • 66
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 67
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    RVK:
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 68
    Online Resource
    Online Resource
    Wien ; Köln : Böhlau Verlag
    ISBN: 9783412522827
    Language: German
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Denkmal ; Kulturdenkmal ; Denkmaldebatten ; Denkmalstreit ; Denkmalkultur ; Erinnerungskultur ; Neue Wache ; Harburger Mahnmal gegen Faschismus ; Einheitsdenkmal "Bürger in Bewegung" ; "I am Queen Mary" ; National Memorial for Peace and Justice Montgomery ; Bremer Antikolonialdenkmal "Der Elefant" ; Mandela Capture Site ; Freiheitsstatue ; Anthologie ; Kulturdenkmal ; Denkmal
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520381452
    Language: English
    Pages: 1 Online-Ressource (266 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Nationalbewusstsein ; Weiße ; Identität ; Vietnamkrieg ; Veteran ; USA ; Whites / Race identity / United States / History / 20th century ; Whites / Race identity ; United States ; 1900-1999 ; History ; USA ; Weiße ; Vietnamkrieg ; Veteran ; Nationalbewusstsein ; Identität
    Description / Table of Contents: Introduction : the thin white line -- Post-traumatic whiteness -- Veteran American literature -- Whiteness on the edge of town -- The ethnicization of veteran America -- Like a refugee -- Epilogue : veteran America first
    Note: 2105
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    Wien ; Köln : Böhlau Verlag
    ISBN: 9783412522803 , 3412522805
    Language: German
    Pages: 261 Seiten , Illustrationen
    DDC: 830
    RVK:
    RVK:
    RVK:
    Keywords: Kulturdenkmal ; Denkmal ; Denkmaldebatten ; Denkmalstreit ; Denkmalkultur ; Erinnerungskultur ; Neue Wache ; Harburger Mahnmal gegen Faschismus ; Einheitsdenkmal "Bürger in Bewegung" ; "I am Queen Mary" ; National Memorial for Peace and Justice Montgomery ; Bremer Antikolonialdenkmal "Der Elefant" ; Mandela Capture Site ; Freiheitsstatue ; Anthologie ; Anthologie ; Anthologie ; Kulturdenkmal ; Denkmal
    Note: Zusatz auf dem Cover: Eine Anthologie zur Denkmalkultur
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  • 71
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 72
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00905
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 73
    Image
    Image
    Washington, DC : Smithsonian American Art Museum | Princeton : in association with Princeton University Press
    ISBN: 9780691200804 , 9780937311875 , 0937311871 , 0691193185 , 0691200807
    Language: English
    Pages: 442 Seiten , Illustrationen
    DDC: 700.973
    RVK:
    Keywords: Humboldt, Alexander von Exhibitions Influence ; Arts, American Exhibitions 19th century ; Arts, American Exhibitions German influences ; Nature and civilization Exhibitions ; Humboldt, Alexander von ; Arts, American ; Arts, American ; German influences ; Influence (Literary, artistic, etc.) ; Nature and civilization ; United States ; Exhibition catalogs ; Ausstellungskatalog Smithsonian American Art Museum 20.03.2020-16.08.2020 ; Humboldt, Alexander von 1769-1859 ; Einfluss ; USA ; Geschichte ; Humboldt, Alexander von 1769-1859 ; Rezeption ; USA ; Kunst ; Naturschutz ; Amerikanistik
    Abstract: The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics. Alexander von Humboldt (1769-18­59) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 20-August 16, 2020
    Note: Impressum: "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, D.C., March 20 to August 16, 2020." , Includes bibliographical references and index
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  • 74
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 75
    ISBN: 9781479881413
    Language: English
    Pages: 1 Online-Ressource (ix, 217 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.874/3
    RVK:
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    Keywords: Geschichte 1800-1899 ; Allowances;child;Children's Rights;Children's rooms;consumption;Creative Child ; Depravity ; Developmentalism ; Discipline ; Empathy ; Feminization ; Girlhood ; Malleability ; Market Research ; Memory ; Money ; Moral architecture ; Moral project ; Motherhood ; Pedagogy ; Pleasure ; Pre-capitalist child ; Predestination ; Property ; Provisioning ; Punishment ; Reward ; Simplicity ; Subjectivity ; Taste ; Value ; interiority ; materiality ; morality ; mother ; SOCIAL SCIENCE / Sociology of Religion ; Child consumers ; Consumers ; Motherhood ; Erziehung ; Mutter ; Verantwortung ; Kind ; USA ; USA ; Mutter ; Kind ; Erziehung ; Verantwortung ; Geschichte 1800-1899
    Abstract: Examines the Protestant origins of motherhood and the child consumer Throughout history, the responsibility for children's moral well-being has fallen into the laps of mothers. In The Moral Project of Childhood, the noted childhood studies scholar Daniel Thomas Cook illustrates how mothers in the nineteenth-century United States meticulously managed their children's needs and wants, pleasures and pains, through the material world so as to produce the "child" as a moral project. Drawing on a century of religiously-oriented child care advice in women's periodicals, he examines how children ultimately came to be understood by mothers-and later, by commercial actors-as consumers. From concerns about taste, to forms of discipline and punishment, to play and toys, Cook delves into the social politics of motherhood, historical anxieties about childhood, and early children's consumer culture. An engaging read, The Moral Project of Childhood provides a rich cultural history of childhood
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 76
    Online Resource
    Online Resource
    New York, NY : New York University Press
    ISBN: 9781479894369
    Language: English
    Pages: 1 Online-Ressource (299 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.48/80973
    RVK:
    Keywords: Convention on the Elimination of Discrimination Against Women (CEDAW) ; National Organization for Women ; New Voices ; Puerto Rico ; RJ 101 ; Stupak-Pitts Amendment ; Universal Declaration of Human Rights (UDHR) ; Universal Periodic Review (UPR) ; Women's Marches ; advocacy ; coalition ; coalition;coalition;domestication;exceptionalism;feminism;identity;intersectional feminism;intersectionality;mobilization;movements;politics;women of color;women's movement;Black feminists;human rights;reproductive health;reproductive justice;reproductive rights;sex;social justice;social justice;social movements;Supreme Court;women's health;African Americans;civil rights;domestic jurisdiction;economic rights;enterprise;norms;political rights;restrictive domestication;social rights;United Nations (UN);abortion;Hyde Amendment;Native American;population control;Roe v. Wade;sterilization;women's rights movement;Beijing;Black Women's Health Project;Ford Foundation;World Conference on Women;1996 welfare reform;Black feminism;Convention on the Elimination of Discrimination Against Women (CEDAW);Convention on the Elimination of Discrimination Against Women (CEDAW);education ; defining human rights ; envisioning ; epistemology ; framing ; legislation ; lobbying ; mission statements ; policy ; protest ; public health ; radical reaffirmation ; social justice ; SOCIAL SCIENCE / Sociology / Marriage & Family ; African American women Social conditions ; Birth control ; Human rights ; Minority women Social conditions ; Reproductive rights ; Women's rights ; Women, Black Social conditions ; Geburtenregelung ; Schwarze Frau ; Menschenrecht ; USA ; USA ; Schwarze Frau ; Geburtenregelung ; Menschenrecht
    Abstract: Reveals both the promise and the pitfalls associated with a human rights approach to the women of color-focused reproductive rights activism of SisterSongHow did reproductive justice-defined as the right to have children, to not have children, and to parent-become recognized as a human rights issue? In Reproductive Rights as Human Rights, Zakiya Luna highlights the often-forgotten activism of women of color who are largely responsible for creating what we now know as the modern-day reproductive justice movement.Focusing on SisterSong, an intersectional reproductive justice organization, Luna shows how, and why, women of color mobilized around reproductive rights in the domestic arena. She examines their key role in re-framing reproductive rights as human rights, raising this set of issues as a priority in the United States, a country hostile to the concept of human rights at home.An indispensable read, Reproductive Rights as Human Rights provides a much-needed intersectional perspective on the modern-day reproductive justice movement
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 77
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 78
    ISBN: 9783955751104 , 3955751104
    Language: German
    Pages: 469 Seiten
    Edition: 1. Auflage
    Uniform Title: The Sex Revolts
    RVK:
    RVK:
    Keywords: Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Note: Literaturverzeichnis Seite 459-463
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  • 79
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    ISBN: 9780571359806
    Language: English
    Pages: 371 Seiten , Illustrationen , 20 cm
    Edition: Paperback edition
    RVK:
    Keywords: Countrymusic ; Geschichte ; USA ; Country music / History and criticism ; Country musicians / United States ; Musiciens country / États-Unis ; Country music / History and criticism ; Country musicians / United States ; Country music ; Country musicians ; United States / https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq ; Criticism, interpretation, etc ; USA ; Countrymusic ; Geschichte
    Abstract: This book traces the story of country music in its golden period, from Jimmie Rodgers to Emmylou Harris, via the Carter Family, Ralph Stanley, the Louvin Brothers and, of course, the incomparable Johnny Cash. Journeying from Mace Springs, Virginia, to Bakersfield, California, Nicholas Dawidoff evokes the spirit, passion and pain that informs only true country music
    Note: First published in the UK in 1997 by Faber & Faber Limited
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  • 81
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226670836 , 9780226559360
    Language: English
    Pages: 428 Seiten , Illustrationen, Diagramme , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 302.14
    RVK:
    RVK:
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    Keywords: Geschichte 1780-1945 ; Nationalbewusstsein ; Wohltätigkeitsorganisation ; Solidarität ; Wohltätigkeit ; USA ; Voluntarism / United States / History ; Charity organization / United States / History ; Social service / United States ; Charity organization ; Social service ; Voluntarism ; United States ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Wohltätigkeit ; Solidarität ; Wohltätigkeitsorganisation ; Nationalbewusstsein ; Geschichte 1780-1945
    Abstract: "Civic Gifts traces how practices of reciprocity and organized mass benevolence-that is, philanthropy-have contributed to the development of novel forms of national solidarity and impressive governing capacities in the United States, contributing even to a famously anti-statist political culture. Sociologist Elisabeth Clemens paints a picture of the US, whether as nation or as state, as a puzzle. How, she asks, did a sense of shared nationhood develop despite the linguistic, religious, and ethnic differences among the settlers? How did a global power emerge from an often anti-statist political culture? How did some version of this collective identity come to be articulated with organized governance? With Civic Gifts, Clemens reveals that an important piece of the answer to these questions can be found in the unexpected political uses of philanthropy and the power of gifts to mobilize communities and to create solidarity among strangers"--
    Description / Table of Contents: Principles of Association and Combination -- Civil War, Civic Expansion: The "Divine Method" of Patriotism -- Municipal Benevolence -- The Expansible Nation-State -- "Everything but Government Submarines": Limits of a Semi-governmental System -- In the Shadow of the New Deal -- The People's Partnership -- Good Citizens of a World Power -- Combinatorial Politics and Constitutive Contradictions
    Note: Includes bibliographical references and index
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  • 82
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030376475
    Language: English
    Pages: 1 Online-Ressource (XXIII, 275 p. 28 illus., 25 illus. in color)
    Edition: 1st ed. 2020
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    RVK:
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    Keywords: Geschichte 1800-1900 ; Geschichte 1780-1900 ; Media and Communication ; Memory Studies ; Modern History ; Communication ; Historiography ; History, Modern ; Gedenken ; Kollektives Gedächtnis ; Kultur ; Europa ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Europa ; Gedenken ; Kollektives Gedächtnis ; Geschichte 1800-1900 ; Kollektives Gedächtnis ; Kultur ; Geschichte 1780-1900
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 84
    ISBN: 9781496827890 , 9781496827883
    Language: English
    Pages: viii, 288 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Till death do us part
    DDC: 393.1
    RVK:
    RVK:
    Keywords: Geschichte ; Bestattungsritus ; Cemeteries History ; Burial ; Segregation History ; Minorities Social conditions ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: "A comprehensive study of how burial customs highlight social status and class
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 86
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
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  • 87
    ISBN: 9781951217020
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    RVK:
    Keywords: Countrymusic ; USA ; Countrymusic ; USA
    Note: Includes index
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  • 88
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781787446557
    Language: English
    Pages: 1 Online-Ressource (xiv, 465 Seiten)
    Series Statement: Rochester studies in African history and the diaspora
    Series Statement: 86
    Parallel Title: Erscheint auch als
    DDC: 306.3/6209609034
    RVK:
    Keywords: Geschichte 1807-1896 ; Slavery / Africa / History / 19th century ; Slavery / Law and legislation / History / 19th century ; Freedmen / Africa / History / 19th century ; Sklavenhandel ; Abolitionismus ; Europa ; USA ; Brasilien ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Europa ; Brasilien ; Sklavenhandel ; Abolitionismus ; Geschichte 1807-1896
    Abstract: Interrogates the development of the world's first international courts of humanitarian justice and the subsequent "liberation" of nearly two hundred thousand Africans in the nineteenth century
    Note: Title from publisher's bibliographic system (viewed on 20 Mar 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 90
    ISBN: 9781541617780
    Language: English
    Pages: xi, 365 Seiten
    Edition: First edition
    DDC: 306.362
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1837-1861 ; Underground Railroad ; Sklave ; Flucht ; USA ; Mexiko
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  • 91
    ISBN: 9783962890827
    Language: German
    Pages: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Edition: 1. Auflage
    DDC: 782.4216409431
    RVK:
    Keywords: Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Cover
    URL: Cover
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  • 92
    ISBN: 9780252084959 , 9780252043086
    Language: English
    Pages: xi, 250 Seiten
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als Vander Wel, Stephanie, 1969- Hillbilly maidens, okies, and cowgirls
    RVK:
    Keywords: Wells, Kitty ; Montana, Patsy ; Maddox, Rose ; Lulu Belle ; WLS (Radio station : Chicago, Ill ; Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; Country music History and criticism To 1951 ; USA
    Note: Literaturverzeichnis: Seiten [225]-237
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  • 93
    Online Resource
    Online Resource
    Chicago ; London : University of Chicago Press
    ISBN: 9780226670973
    Language: English
    Pages: 1 Online-Ressource (428 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.14
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1780-1945 ; Nationalbewusstsein ; Solidarität ; Wohltätigkeitsorganisation ; Wohltätigkeit ; USA ; Voluntarism / United States / History ; Charity organization / United States / History ; Social service / United States ; Charity organization ; Social service ; Voluntarism ; United States ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Wohltätigkeit ; Solidarität ; Wohltätigkeitsorganisation ; Nationalbewusstsein ; Geschichte 1780-1945
    Abstract: "Civic Gifts traces how practices of reciprocity and organized mass benevolence-that is, philanthropy-have contributed to the development of novel forms of national solidarity and impressive governing capacities in the United States, contributing even to a famously anti-statist political culture. Sociologist Elisabeth Clemens paints a picture of the US, whether as nation or as state, as a puzzle. How, she asks, did a sense of shared nationhood develop despite the linguistic, religious, and ethnic differences among the settlers? How did a global power emerge from an often anti-statist political culture? How did some version of this collective identity come to be articulated with organized governance? With Civic Gifts, Clemens reveals that an important piece of the answer to these questions can be found in the unexpected political uses of philanthropy and the power of gifts to mobilize communities and to create solidarity among strangers"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
    Language: English
    Pages: XLII, 146 S. , Ill., Notenbeisp.
    DDC: 784.7/56/008
    RVK:
    Keywords: Musik ; Schwarze. USA ; African Americans Music History and criticism ; Folk music History and criticism ; Folk songs, English ; Folk songs, English History and criticism ; Schwarze ; Musiksoziologie ; USA ; USA ; Schwarze ; USA ; Musiksoziologie
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  • 95
    Language: English
    Pages: 396 S. , Ill.
    DDC: 781.7/73
    RVK:
    Keywords: American country music - Encyclopaedias ; Musiciens - États-Unis - Biographies ; Musiciens country - États-Unis - Biographies ; Musique country - Encyclopédies ; Musique folklorique - États-Unis - Encyclopédies ; Country music Dictionaries ; Country musicians Biography ; Dictionaries ; Folk music Dictionaries ; Folk singers Biography ; Dictionaries ; Country and western music ; Volksmusik ; USA ; USA ; Biografie ; Enzyklopädie ; Wörterbuch ; Wörterbuch ; Biografie ; Enzyklopädie ; Wörterbuch ; Biografie ; Enzyklopädie ; Wörterbuch ; USA ; Volksmusik ; USA ; Country and western music
    Library Location Call Number Volume/Issue/Year Availability
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  • 96
    Book
    Book
    Ahrensburg [u.a.] : Damokles-Verl.
    Language: German
    Pages: 78 S., XIV , Notenbeisp.
    Series Statement: Songbücher 6
    Series Statement: Songbücher
    DDC: 831.008
    RVK:
    RVK:
    Keywords: Lied ; Revolution 〈1848〉 ; Geschichte ; Deutschland ; Germany Poetry History Revolution, 1848-1849 ; Literatur ; Literatur ; Anthologie ; Literatur
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  • 97
    Language: German
    Pages: 251 S. , Notenbeisp.
    Edition: 2. Aufl.
    RVK:
    Keywords: Lied ; Anthologie ; Jiddisch ; Musikdruck ; Lied ; Jiddisch ; Anthologie
    Note: Text jidd. und dt.
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  • 98
    Book
    Book
    New York : Columbia Univ.Pr.
    Language: English
    Pages: X,324 S.
    Edition: 4.print.
    RVK:
    Keywords: Schwarze ; Volksmusik ; USA ; USA ; Schwarze ; Volksmusik
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  • 99
    Language: English
    Pages: 1 Online-Ressource (viii, 182 p) , 24 cm
    Edition: Alexandria, VA Alexander Street Press 2003 North American Immigrant Letters, Diaries, and Oral Histories Sonstige Standardnummer des Gesamttitels: 041032-9
    Parallel Title: Reproduktion von Gustorf, Frederick Julius The uncorrupted heart
    DDC: 917.3
    RVK:
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    Keywords: Gustorf, Frederick Julius Correspondence ; Gustorf, Frederick Julius Diaries ; German Americans Correspondence ; German Americans Diaries ; USA ; United States Description and travel ; Tagebuch ; Tagebuch
    Note: Bibliographical footnotes
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 100
    Book
    Book
    Detroit, Mich. : Folklore Assoc.
    Language: English
    Pages: XV,464 S.m.Taf.
    DDC: 784.7/56
    RVK:
    Keywords: Geschichte 1800-1968 ; Blues - Histoire et critique ; Blues ; Blues (Music) History and criticism ; Country Blues ; Blues ; USA ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Blues ; USA ; Country Blues ; Geschichte 1800-1968
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