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  • HeBIS  (179)
  • Online Resource  (179)
  • 2005-2009  (137)
  • 1995-1999  (42)
  • Musicology  (179)
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Language
Years
Year
Author, Corporation
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Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Cajun breakdown : the emergence of an American-made music (2009)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780195343069
    Language: English
    Pages: XV, 317 S.
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: American musicspheres
    Parallel Title: Print version Cajun Breakdown : The Emergence of an American-Made Music
    DDC: 781.62/410763
    RVK:
    LS 48050
    Keywords: Popular music Social aspects ; Cajun music History and criticism ; Cajuns History ; Louisiana ; Cajun-Music ; Geschichte 1900-2008
    Abstract: 'Cajun Breakdown' examines the social and cultural roots of Cajun music's development through 1950. The idiom's synthetic nature suggests an extensive and intensive dialogue with popular culture that extinguishes the myth that Cajuns were an insular folk group astray in the American South
    Description / Table of Contents: Social music -- Early commercial era -- A heterogeneous tradition -- Becoming the folk -- Cajun swing era -- The modern Cajun sound -- Cajun national anthem -- A new mental world.
    Note: Includes bibliographical references (p. 287-308) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195343069.001.0001
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Cultural seeds : essays on the work of Nick Cave (2009)
    Farnham, England : Ashgate
    Details
    ISBN: 9780754663959 , 0754663957
    Language: English
    Pages: ix, 216 p
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    HQ 2999
    RVK:
    LS 48040
    Keywords: Cave, Nick Criticism and interpretation ; Cave, Nick ; Gesellschaft ; Rock music Social aspects ; Aufsatzsammlung ; Cave, Nick 1957-
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 3
    Online Resource
    Online Resource
    Performing Africa (2009)
    Princeton : Princeton University Press
    Details
    ISBN: 9780691074894
    Language: English
    Pages: Online-Ressource (264 p)
    Parallel Title: Print version Performing Africa
    DDC: 306.096
    RVK:
    LS 47940
    Keywords: Folklore ; Performance ; Gambia ; Gambia ; Social life and customs ; Griots ; Gambia ; Music ; History and criticism ; Mandingo (African people) ; Gambia ; Music ; History and criticism ; Music ; Gambia ; History and criticism ; Electronic books ; Electronic books
    Abstract: The jali--a member of a hereditary group of Mandinka professional performers--is a charismatic but contradictory figure. He is at once the repository of his people's history, the voice of contemporary political authority, the inspiration for African American dreams of an African homeland, and the chief entertainment for the burgeoning transnational tourist industry. Numerous journalists, scholars, politicians, and culture aficionados have tried to pin him down. This book shows how the jali's talents at performance make him a genius at representation--the ideal figure to tell us about the "Afr
    Description / Table of Contents: CONTENTS; OVERTURE: Where and When I Enter; INTRODUCTION: Performing Africa; PART ONE: Representations/Performances; CHAPTER ONE: Music: Europe and Africa; CHAPTER TWO: Performances; PART TWO: Professional Dreams; CHAPTER THREE: Curators of Tradition; CHAPTER FOUR: Personalistic Economy; CHAPTER FIVE: Interview Encounters: The Performance of Profession; PART THREE: Culture as Commodity; CHAPTER SIX: Travel Stories; CHAPTER SEVEN: Tourists as Pilgrims; CODA; NOTES; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y;
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
  • 4
    Online Resource
    Online Resource
    Music and the Play of Power in the Middle East, North Africa and Central Asia (2009)
    Farnham : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780754693840
    Language: English
    Pages: 1 Online-Ressource (359 pages)
    Series Statement: SOAS Musicology Series
    DDC: 306.4/8420956
    RVK:
    LR 57720
    RVK:
    MS 8020
    RVK:
    LQ 80000
    Keywords: Musik ; Politik ; Naher Osten ; Nordafrika ; Mittelasien ; Aufsatzsammlung
    Abstract: What is it about the history, geographical position and cultures of the Middle East, North Africa and Central Asia that has made music such a potent and powerful agent? This volume presents the first direct look at the complex relationship between music and power across a range of musical genres and countries. Discourses of power in the region centre on some of the most contested social issues, most notably in relation to nationhood, gender and religion. Individual chapters examine the ways in which music serves as a forum for playing out issues of power, ideology, resistance and subversion. How does music become a space for promoting - or conversely, resisting or subverting - particular ideologies or positions of authority? How does it accrue symbolic power in ways that are very particular, perhaps unique? And how does music become a site of social control or, alternatively, a vehicle for agency and empowerment, at times overt and at others highly subtle? What is it about music that facilitates, and sometimes disrupts, the exercise and flows of power? Who controls such flows, how and for what purposes?In asking such questions in the context of countries such as Afghanistan, Egypt, Iran, Tunisia and Tajikistan, the book draws on a wide range of relevant theoretical and critical ideas, and many disciplines including ethnomusicology, anthropology, sociology, politics, Middle Eastern studies, globalization studies, gender studies and cultural and media studies. The countries and areas explored share a great deal in historical and cultural terms, including a legacy of colonial and neo-colonial encounters and predominantly Judeo-Muslim religious traditions. It is hoped that the volume will contribute ultimately to a richer understanding of the role that music plays in these societies.
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 5
    Online Resource
    Online Resource
    Artificial Paradise : The Dark Side of the Beatles' Utopian Dream (2009)
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780313345876
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: Non-Ser.
    DDC: 782.42166092
    RVK:
    LS 48000
    Keywords: The Beatles
    Abstract: There is an epigram in this book from the Phil Ochs song, "Crucifixion", about the Kennedy assassination, that states: I fear to contemplate that beneath the greatest love, lies a hurricane of hate. On February 11th 1963, the Beatles recorded "There's a Place", a dazzling, unheralded tune which was included on their electrifying debut album, Please Please Me. This song firmly laid the foundation on which a huge utopian dream of the sixties would be built. Within that dream, however, also lay the seeds of a darker vision that would emerge out of the very counterculture that the Beatles and their music helped create. Thus, even as their music attracted adoring fans, it also enticed the murderous ambitions of Charles Manson; and though the Beatles may have inspired others to form bands, their own failed hopes ultimately led to their breakup. The disillusionment with the sixties, and the hopes associated with the group, would many years later culminate in the assassination of John Lennon and the attempted slaying of George Harrison by deranged and obsessive fans. In this incisive examination, author Kevin Courrier (Dangerous Kitchen: the Subversive World of Zappa, Randy Newman's American Dreams) examines how the Fab Four, through their astonishing music and comically rebellious personalities, created the promise of an inclusive culture built on the principles of pleasure and fulfillment. By taking us through their richly inventive catalogue, Courrier illustrates how the Beatles' startling impact on popular culture built a bond with audiences that was so strong, people today continue to either cling nostalgically to it, or struggle - and often struggle violently - to escape its influence.
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 6
    Online Resource
    Online Resource
    The Story of Boogie-Woogie : A Left Hand Like God (2009)
    Lanham : Scarecrow Press
    Details
    ISBN: 9780810869240 , 9780810869332 (Sekundärausgabe)
    Language: English
    Pages: 438 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780810869332
    Edition: [Online-Ausg.]
    DDC: 786.2165
    RVK:
    LS 48200
    Keywords: Boogie-Woogie
    Abstract: The Story of Boogie-Woogie presents a comprehensive history of boogie-woogie from the early 20th century to the present, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals.
    Note: Description based upon print version of record , Online-Ausg.:
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    Online Resource
    HeBIS
  • 7
    Online Resource
    Online Resource
    Digging : The Afro-American Soul of American Classical Music (2009)
    Berkerley : University of California Press
    Details
    ISBN: 9780520257153 , 9780520943094 (Sekundärausgabe)
    Language: English
    Pages: 425 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520943094
    Edition: [Online-Ausg.]
    Series Statement: Music of the African Diaspora v.13
    DDC: 780.89/96073
    RVK:
    LS 48050
    RVK:
    HD 370
    Keywords: Afroamerikanische Musik
    Abstract: For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous-Max Roach, Charlie Parker, Miles Davis, John Coltrane-and on those whose names are known mainly by jazz aficionad...
    Note: Description based upon print version of record , Online-Ausg.:
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    Online Resource
    HeBIS
  • 8
    Online Resource
    Online Resource
    Saying Something : Jazz Improvisation and Interaction (2009)
    Chicago, IL : University of Chicago Press
    Details
    ISBN: 9780226534787 , 9780226534794 (Sekundärausgabe)
    Language: English
    Pages: 267 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780226534794
    Edition: [Online-Ausg.]
    Series Statement: Chicago Studies in Ethnomusicology v.1996
    DDC: 781.65
    RVK:
    LS 48100
    Keywords: Improvisation ; Jazz
    Abstract: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about ""saying something"" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has ""interactiveness"" at its core, in the creation...
    Note: Description based upon print version of record , Online-Ausg.:
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    Online Resource
    HeBIS
  • 9
    Online Resource
    Online Resource
    Beyond Memory : Recording the History, Moments and Memories of South African Music (2009)
    [Cape Town, South Africa] (ZA) : African Minds | Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg
    Details
    ISBN: 1920355901 , 9781920355906
    Language: English
    Pages: 1 Online-Ressource (380 pages)
    DDC: 781
    RVK:
    LS 47925
    Keywords: Musik ; Musikethnologie ; Südafrika
    Abstract: South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
    URN: urn:nbn:de:hebis:30:3-596289
    URL: http://afrika.proxy.fid-lizenzen.de/fid/abc-ebooks/publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/59628
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    HeBIS
  • 10
    Online Resource
    Online Resource
    Step into a world : HipHop zwischen Marginalität und Mitte (2009)
    Münster : Unrast | Grünwald : Preselect.media
    Details
    ISBN: 9783986840365
    Language: German
    Pages: 1 Online-Ressource (150 Seiten)
    Edition: 1. Auflage
    DDC: 782.421649
    RVK:
    DU 3000
    RVK:
    LS 48000
    Keywords: Geschichte ; Hip-Hop
    URL: http://www.content-select.com/index.php?id=bib_view&ean=9783986840365
    URL: Inhaltsverzeichnis
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    HeBIS
  • 11
    Online Resource
    Online Resource
    Music in Motion (2009)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: English
    Pages: 1 Online-Ressource (438 pages)
    RVK:
    LC 87005
    RVK:
    LS 20100
    Keywords: Minderheit ; Musik ; Kulturelle Identität ; Migration ; Europa ; Aufsatzsammlung
    Abstract: Diverse musical cultures of migrant and minority communities have existed in Europe for centuries and shaped its countries significantly. As part of an EU-funded project this volume deals with the musical activities of minorities and their impact on musical traditions in Europe. It also raises questions such as: How are musical traditions of minorities integrated in education and the public music life? Can music facilitate transcultural dialogue? And to what extent do musical practice and performance reassert the own cultural tradition in a foreign environment? Answers to those and similar questions as well as a review on what can be observed in the 21st century Europe are gathered in various thematic approaches. The book also provides model projects with a practical insight into the life and work with music of migrant and minority cultures across Europe
    URL: kostenfrei
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    HeBIS
  • 12
    Online Resource
    Online Resource
    Brahms Handbuch (2009)
    Stuttgart : Metzler | Ann Arbor : ProQuest E-Book Central
    Details
    ISBN: 9783476052209
    Language: German
    Pages: 1 Online-Ressource (XXX, 632 Seiten)
    DDC: 301
    RVK:
    LP 63370
    RVK:
    LP 65620
    Keywords: Brahms, Johannes ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 13
    Online Resource
    Online Resource
    Songs of Khorchin Shamans to Jayagachi, the Protector of Livestock and Property (2009)
    Boston : BRILL | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783657768608
    Language: German
    Pages: 1 Online-Ressource (132 pages)
    Series Statement: Nordrhein-Westfälische Akademie der Wissenschaften und der Künste - Abhandlungen Beider Klassen Ser.
    RVK:
    LC 42435
    RVK:
    LS 44000
    Keywords: Fruchtbarkeitskult ; Schamanismus ; Gesang ; Innere Mongolei
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 14
    Online Resource
    Online Resource
    The foundations of rock : from "Blue suede shoes" to "Suite : Judy blue eyes" (2009)
    Oxford [u.a.] : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780199718702 , 0199718709
    Language: English
    Pages: 1 Online-Ressource (xvi, 425 pages) , Illustrations
    DDC: 781.66/09046
    RVK:
    LS 48000
    Keywords: Rockmusik
    Abstract: Preface; Acknowledgements; Note on Website; List of Text's Figures, Tables, and Photographs. 1. Drums, Other Percussion, and a Bit About Rhythm. 2. Guitars, the Bass, and an Introduction to Harmony. n3. Keyboards and a Summary of Early-Rock. 5. Vocal Color, Technique, and Arrangement. 6. Forms: Phrases and Sections. 7. Melody: Materials and Patterns. 8. Chord Construction. 9. Diatonic Harmonic Function. 10. Harmony in Minor and Other Non-Major Modes. 11. Chromatic Harmony. 12. Musical Time: Rhythm, Meter and Tempo. 13. Engineering the Master. 14. Creating an Interpretation. Appendix: Lexicon o.
    Note: Includes bibliographical references (pages 407-410) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    Library Location Call Number Volume/Issue/Year Availability
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    HeBIS
  • 15
    Online Resource
    Online Resource
    Die Religion des Grals (2009)
    Schwalbach : Wochenschau Verlag | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783734401923
    Language: German
    Pages: 1 Online-Ressource (609 pages)
    Edition: 1st ed.
    Series Statement: Edition Archiv der deutschen Jugendbewegung
    DDC: 398.4
    RVK:
    BO 6270
    RVK:
    LP 66475
    RVK:
    MS 2500
    RVK:
    NT 8500
    Keywords: Geschichte 1871-1945 ; Gralssage ; Gral ; Literatur ; Völkische Religion ; Jugendbewegung
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 16
    Online Resource
    Online Resource
    Jazz diplomacy : promoting America in the Cold War era (2009)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781604732689 , 1604732687
    Language: English
    Pages: 219 p
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.650973/0947
    RVK:
    LS 48200
    RVK:
    NQ 5910
    Keywords: Geschichte 1900-2000 ; Geschichte 1954-1968 ; Geschichte ; Gesellschaft ; Politik ; Jazz Political aspects 20th century ; History ; Cold War Social aspects ; Ost-West-Konflikt ; Kulturaustausch ; Kulturvermittlung ; Diplomatie ; Jazz ; USA ; USA ; Sowjetunion ; Ost-West-Konflikt ; Diplomatie ; Jazz ; Geschichte 1954-1968 ; USA ; Sowjetunion ; Kulturaustausch ; Geschichte 1954-1968 ; USA ; Jazz ; Kulturvermittlung ; Sowjetunion
    Description / Table of Contents: Introduction -- Battling the Reds -- Jazz diplomacy at home and abroad, 1954-1957 -- Jazz means freedom, 1957-1960 -- The paradox of jazz diplomacy, 1961-1966 -- Jazz behind the iron curtain, 1961-1966 -- Bedlam from the decadent West, 1967-1968 -- Conclusion
    Note: Includes bibliographical references (p. [199]-212) and index
    URL: http://dx.doi.org/10.14325/mississippi/9781604732689.001.0001
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    HeBIS
    BVB
  • 17
    Online Resource
    Online Resource
    Flow, Gesture, and Spaces in Free Jazz : Towards a Theory of Collaboration (2009)
    Berlin, Heidelberg : Springer Berlin Heidelberg | Cham : Springer International Publishing AG
    Details
    ISBN: 9783540921950 , 3540921958
    Language: English
    Pages: 1 Online-Ressource (XIII, 141 Seiten)
    Edition: 1st ed. 2009
    Series Statement: Computational Music Science
    Parallel Title: Erscheint auch als Mazzola, Guerino Flow, Gesture, and Spaces in Free Jazz
    DDC: 780
    RVK:
    LS 48270
    Keywords: Music ; Digital humanities ; Artificial intelligence ; Algebra, Homological ; Mathematics Data processing ; Interactive multimedia ; Multimedia systems ; Music ; Digital Humanities ; Artificial Intelligence ; Category Theory, Homological Algebra ; Computational Science and Engineering ; Media Design
    DOI: 10.1007/978-3-540-92195-0
    URL: https://doi.org/10.1007/978-3-540-92195-0
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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    Online Resource
    HeBIS
  • 18
    Online Resource
    Online Resource
    The Myth of Popular Culture : From Dante to Dylan (2009)
    Newark : John Wiley & Sons | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781444317503
    Language: English
    Pages: 1 Online-Ressource (224 pages)
    Series Statement: New York Academy of Sciences Ser.
    RVK:
    MR 7100
    RVK:
    AK 18000
    RVK:
    LB 40000
    RVK:
    LP 19900
    RVK:
    LP 91020
    RVK:
    LS 48000
    Keywords: Popkultur ; Massenkultur ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 19
    Online Resource
    Online Resource
    Genre in Popular Music (2009)
    Chicago, IL : University of Chicago Press
    Details
    ISBN: 9780226350394 , 9780226350400 (Sekundärausgabe)
    Language: English
    Pages: 238 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780226350400
    Edition: [Online-Ausg.]
    DDC: 781.64
    RVK:
    LR 57730
    RVK:
    LR 57760
    RVK:
    LS 48015
    Keywords: Musikgattung ; Unterhaltungsmusik ; Jazz ; Country Rock ; USA ; Chicago, Ill.
    Abstract: The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album's inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn't bluegrass, but "roots music," a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, chang...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 20
    Online Resource
    Online Resource
    Barrelhouse Words : A Blues Dialect Dictionary (2009)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252090714
    Language: English
    Pages: 1 Online-Ressource (321 pages)
    DDC: 781.64303
    RVK:
    LS 48500
    Keywords: Blues ; Lied ; Wörterbuch
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 21
    Online Resource
    Online Resource
    King of the Queen City : The Story of King Records (2009)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252091278
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    Series Statement: Music in American Life
    DDC: 338.7/61781640973
    RVK:
    LQ 89507
    RVK:
    LR 57430
    RVK:
    LR 57440
    RVK:
    LS 48000
    Keywords: King Record Company ; Geschichte
    Abstract: In its time--1943 to the late 1960s--King Records was absolutely unique, and it deserves a unique account of its history. King of the Queen City is that account: focused, thoroughly researched, well written, and filled with vital information about America's most important independent record label.--Nolan Porterfield, author of Jimmie Rodgers: The Life and Times of America's Blue Yodeler_x000B__x000B__x000B__x000B_"A much needed glimpse of an underappreciated pop culture institution.--Publishers Weekly.
    Note: Description based on publisher supplied metadata and other sources
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  • 22
    Online Resource
    Online Resource
    Klang - Struktur - Konzept : Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik (2009)
    Bielefeld : transcript Verlag | The Hague : OAPEN Foundation
    Details
    ISBN: 9783839409305
    Language: German
    Pages: 1 Online-Ressource (264 Seiten)
    Series Statement: Studien zur Popularmusik
    RVK:
    LR 56969
    RVK:
    LR 56090
    RVK:
    LS 48200
    RVK:
    LS 48270
    Keywords: Free Jazz ; Neue Musik ; Improvisation
    URL: kostenfrei
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
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    HeBIS
    MPI Ethno. Forsch.
  • 23
    Online Resource
    Online Resource
    Enabling creative chaos : the organization behind the Burning Man event (2009)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226102394 , 9780226102399
    Language: English
    Pages: 1 Online-Ressource (xii, 240 pages, [12] pages of plates)
    Parallel Title: Erscheint auch als
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    DDC: 394.2509793/54
    RVK:
    LO 94037
    RVK:
    LR 56600
    Keywords: Burning Man (Festival) / Management ; Burning Man (Festival) Management ; Black Rock City, LLC Management ; Geschichte 2005-2007 ; SOCIAL SCIENCE / Customs & Traditions ; Art festivals Management ; Kunst ; USA ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 2005-2007
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and index , Introduction: the perils of under- and overorganizing -- Context: the development of the Burning Man event and organization -- Reflexive organizing: incorporating suggestions and criticisms -- Radical inclusion: attracting and placing members -- No spectators: motivating members to contribute -- Managing relations in the pursuit of legitimacy -- Conclusion: sustaining creative chaos -- Appendix 1. Ethnography and qualitative research -- Appendix 2. Interview protocols , In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun. Enabling Creative Chaos tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times
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  • 24
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    Online Resource
    Johnny Cash and the paradox of American identity (2009)
    Bloomington : Indiana University Press
    Details
    ISBN: 0253003172 , 9780253003171
    Language: English
    Pages: 1 Online-Ressource (xi, 241 pages)
    Series Statement: Profiles in popular music
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    DDC: 781.642092
    RVK:
    LR 54270
    RVK:
    LS 48000
    RVK:
    LS 48040
    RVK:
    PR 2217
    Keywords: Cash, Johnny / Criticism and interpretation ; Cash, Johnny ; Cash, Johnny ; Cash, Johnny Criticism and interpretation ; Cash, Johnny ; MUSIC / Genres & Styles / Country & Bluegrass ; Country music ; Country musicians ; Nationalbewusstsein ; Countrymusic ; Country music History and criticism ; Country musicians ; Nationalbewusstsein ; Countrymusic ; USA ; USA ; USA ; Countrymusic ; Nationalbewusstsein ; Cash, Johnny 1932-2003
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and index , Introduction : Cash as contradiction -- "What is truth?" : authenticity and persona -- "A boy named Sue" : American manhood -- Gender and "the beast in me" : ramblers and rockabillies authenticity and persona -- Race and identity politics -- Man in black : class and national mythologies -- The gospel road : Cash as saint and sinner -- Conclusion : "God's gonna cut you down" : cultural legacies , From the Publisher: Throughout his career, Johnny Cash has been depicted-and has depicted himself-as a walking contradiction: social protester and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a complete, albeit fragmented, portrait of Cash and his significance as a cultural icon
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  • 25
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    Online Resource
    The shadow and the act : black intellectual practice, jazz improvisation, and philosophical pragmatism (2009)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226554252 , 9780226554259
    Language: English
    Pages: 1 Online-Ressource (xi, 216 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 810.9/3578
    RVK:
    LS 48200
    Keywords: Baldwin, James / 1924-1987 ; Baraka, Amiri / 1934-2014 ; Ellison, Ralph ; Ellison, Ralph Criticism and interpretation ; Baldwin, James Criticism and interpretation ; Baraka, Amiri Criticism and interpretation ; American literature ; Ellison, Ralph ; Jazz ; LITERARY CRITICISM / American / General ; American literature / African American authors ; Improvisation (Music) ; Jazz ; Jazz in literature ; Jazz ; Improvisation ; Intellektuelle Anschauung ; American literature African American authors ; History and criticism ; Jazz in literature ; Jazz History and criticism ; Improvisation (Music) ; Improvisation ; Jazz ; Intellektuelle Anschauung ; Jazz ; Improvisation ; Jazz ; Intellektuelle Anschauung
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 189-196) and index , Introduction: Vamping 'til ready -- Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka -- Black is, black ain't : violence, black masculinity, and the novel as democratic symbol -- Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual -- Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka -- Coda , Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226554259.001.0001/upso-9780226554235
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  • 26
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    B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present (2009)
    Farnham, England : Ashgate
    Details
    ISBN: 9780754665618 , 0754665615
    Language: English
    Pages: xii, 209 p
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64097309045
    RVK:
    LP 19507
    RVK:
    LQ 89307
    RVK:
    LR 57737
    RVK:
    LR 57790
    RVK:
    LS 48015
    Keywords: Geschichte 1960-2007 ; Musik ; Popular music History and criticism ; Music History and criticism ; Popmusik ; USA ; USA ; USA ; Popmusik ; Geschichte 1960-2007
    Note: Includes bibliographical references (p. [195]-201) and index
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  • 27
    Online Resource
    Online Resource
    How the Beatles destroyed rock 'n' roll : an alternative history of American popular music (2009)
    Oxford : Oxford University Press
    Details
    ISBN: 9780195341546 , 0195341546
    Language: English
    Pages: x, 323 p., [16] p. of plates
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640973
    RVK:
    LS 48000
    RVK:
    LS 48005
    Keywords: Geschichte 1900-1970 ; Musik ; Popular music History and criticism ; Music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte 1900-1970
    Note: Includes bibliographical references (p. [281]-289) and index
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  • 28
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    Online Resource
    1989 : Bob Dylan didn't have this to sing about (2009)
    Berkeley : University of California Press
    Details
    ISBN: 052094464X , 1282772635 , 9780520944640 , 9781282772632
    Language: English
    Pages: 1 Online-Ressource (xiii, 187 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409/048
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: 1981 - 1990 ; Geschichte 1980-1990 ; Geschichte 1989 ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Grunge music ; Nineteen eighty-nine, A.D. ; Popular music ; Rap (Music) ; Underground dance music ; Popular music History and criticism 1981-1990 ; Rap (Music) History and criticism ; Underground dance music History and criticism ; Grunge music History and criticism ; Nineteen eighty-nine, A.D. ; Grungerock ; Rap ; Techno ; Gesellschaft ; Popmusik ; Rap ; Grungerock ; Techno ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1980-1990 ; Popmusik ; Gesellschaft ; Geschichte 1989
    Note: Includes bibliographical references and index , The Bourgeois and the Boulevard -- The Second Summer of Love -- Negative Creep -- The Billboard Consensus -- The Image-Event and the Blind Spot , In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility."
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  • 29
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    Remains of ritual : northern gods in a southern land (2009)
    Chicago : University of Chicago Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780226265063 , 0226265064
    Language: English
    Pages: 1 Online-Ressource (xvi, 254 pages, [2] pages of plates) , Illustrations (some color), music
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.7/9683374
    RVK:
    LS 46724
    Keywords: Ewe ; Religion ; Musik
    Abstract: "Remains of Ritual, Steven M. Friedson's second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality--in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson's careful scrutiny, as does his own position and experience within this ritual-dominated society"--Provided by publisher.
    Note: Includes bibliographical references (pages 219-229) and index
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226265063.001.0001/upso-9780226265049
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  • 30
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    Dark side of the tune : popular music and violence (2009)
    Farnham, England [u.a.] : Ashgate | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780754699606 , 0754699609 , 0754658724 , 9780754658726 , 9781409400493 , 1409400492 , 1282261460 , 9781282261464
    Language: English
    Pages: 1 Online-Ressource (xiv, 238 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64
    RVK:
    LR 56600
    RVK:
    LR 57810
    RVK:
    LS 48000
    Keywords: Unterhaltungsmusik ; Gewalt
    Abstract: This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music stud.
    Note: Includes bibliographical references (pages 195-221), filmography (p
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  • 31
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    Klang - Struktur - Konzept : die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik (2009)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839409305
    Language: German
    Pages: 1 Online Ressource (250, [11] Seiten) , Diagramme, Notenbeispiele
    Series Statement: Studien zur Popularmusik
    DDC: 781.656
    RVK:
    LR 56969
    RVK:
    LR 56090
    RVK:
    LS 48200
    RVK:
    LS 48270
    Keywords: Free Jazz ; Neue Musik ; Improvisation ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Welche Bedeutung haben musikalische Klangbilder, kompositorische Strukturen und ästhetische Konzepte der Kunstmusik des 20. Jahrhunderts für Free Jazz und Improvisationsmusik? Die Studien in diesem Buch bieten breit gefächerte Einblicke in die kreative Transformation von musikalischen Elementen und analysieren zugrunde liegende Motivationen und deren künstlerische Resultate sowie die sie begleitenden Erläuterungen der Musikkritik. Eine Verbindung verschiedener Analysemethoden erschließt dabei die Relevanz Neuer Musik in improvisatorischen Musikpraktiken und zeigt die divergierenden Perspektiven zwischen künstlerischer Originalität und theoretischer Kanonisierung auf.
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  • 32
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    Music in Motion : Diversity and Dialogue in Europe : Study in the frame of the »ExTra! Exchange Traditions« project (2009)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839410745
    Language: English
    Pages: 1 Online Ressource (438 Seiten) , Illustrationen, Diagramme
    Series Statement: Kultur und soziale Praxis
    RVK:
    LC 87005
    RVK:
    LS 20100
    Keywords: Minderheit ; Musik ; Kulturelle Identität ; Migration ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Diverse musical cultures of migrant and minority communities have existed in Europe for centuries and shaped its countries significantly. As part of an EU-funded project this volume deals with the musical activities of minorities and their impact on musical traditions in Europe. It also raises questions such as: How are musical traditions of minorities integrated in education and the public music life? Can music facilitate transcultural dialogue? And to what extent do musical practice and performance reassert the own cultural tradition in a foreign environment? Answers to those and similar questions as well as a review on what can be observed in the 21st century Europe are gathered in various thematic approaches. The book also provides model projects with a practical insight into the life and work with music of migrant and minority cultures across Europe.
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    URL: OAPEN Library: description of the publication
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    MPI Ethno. Forsch.
  • 33
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    A Language of Song : Journeys in the Musical World of the African Diaspora (2009)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822392071
    Language: English
    Pages: 1 Online-Ressource (365 pages)
    Edition: 1st ed.
    DDC: 780.89/96
    RVK:
    LS 48000
    RVK:
    LS 48900
    Keywords: Afrikaner ; Musik ; Electronic books ; Electronic books. ; Electronic books.
    Abstract: Samuel Charters recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.
    Note: Description based on publisher supplied metadata and other sources
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    URL: Concordia University of Edmonton Access
    URL: De Gruyter
    URL: De Gruyter
    URL: ebrary
    URL: EBSCOhost
    URL: Internet Archive
    URL: JSTOR
    URL: MyiLibrary
    URL: Open Library
    URL: ProQuest Ebook Central
    URL: https://doi.org/10.1215/9780822392071
    URL: De Gruyter, Cover
    URL: View this content on Open Research Library.
    URL: Image  (Thumbnail cover image)
    URL: HathiTrust Digital Library
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  • 34
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    The Cambridge companion to the Beatles (2009)
    Cambridge : Cambridge Univ. Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781139002745
    Language: English
    Pages: XXIII, 316 Seiten , Notenbeispiele
    Edition: 1. publ.
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Series Statement: Complete Cambridge companions
    DDC: 782.42166092/2
    RVK:
    LS 48600
    Keywords: The Beatles ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliografical references and index
    DOI: 10.1017/CCOL9780521869652
    URL: https://doi.org/10.1017/CCOL9780521869652
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    München UB
    Würzburg UB
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  • 35
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    A language of song : journeys in the musical world of the African diaspora (2009)
    Durham : Duke University Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9781478090717
    Language: English
    Pages: 1 Online-Ressource (x, 352 Seiten) , Illustrationen
    DDC: 780.89/96
    RVK:
    LS 48000
    RVK:
    LS 48900
    Keywords: Afrikaner ; Musik
    Note: Literaturverzeichnis: Seite 339-342
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  • 36
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    The Disney Song Encyclopedia (2009)
    Lanham : Scarecrow Press
    Details
    ISBN: 9780810869370 , 9780810869387 (Sekundärausgabe)
    Language: English
    Pages: 368 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780810869387
    Edition: [Online-Ausg.]
    DDC: 782.42164097
    RVK:
    LP 10550
    RVK:
    LR 53509
    RVK:
    LS 48000
    Keywords: Disney, Walt ; Animationsfilm ; Song ; Verzeichnis
    Abstract: This book describes and discusses over 900 of the most famous and not-so-famous songs from Disney films, television, Broadway, and theme parks from the 1930s to the present day, and does so in great detail to determine exactly what it is that makes them so memorable. It includes a glossary of song terms, a list of all the Disney songs and their sources, a songwriter's directory in which every song by each composer/lyricist is listed, a bibliography, a guide to recordings and DVDs of Disney productions, and an index of people and titles.
    Note: Description based upon print version of record , Online-Ausg.:
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    Die Stimme im HipHop : Untersuchungen eines intermedialen Phänomens (2009)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 9783839409985
    Language: German
    Pages: 1 online resource
    Edition: 1. Aufl
    Series Statement: Studien zur Popularmusik
    DDC: 305.906910943
    RVK:
    LS 48900
    Keywords: Beats ; Flow ; Klang ; Music ; Musicology ; Musik ; Musikvideo ; Musikwissenschaft ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Sound ; Stimme ; Ästhetik ; Rhythmus ; Stimme ; Rap ; MUSIC / History & Criticism ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008 ; Konferenzschrift 2008
    Abstract: In diesem Buch widmet sich die HipHop-Forschung erstmals eingehend dem intermedialen Phänomen der Rap-Stimme, in der sich verschiedene Medien kreuzen: Sound, Text und visuelle Inszenierungen. Aus unterschiedlichen wissenschaftlichen Perspektiven werden Stimmen US-amerikanischer, afrikanischer, französischer und deutscher Rapperinnen und Rapper untersucht.Musikwissenschaftliche Ansätze, die den konkreten Klang der Stimme in den Vordergrund stellen, werden kombiniert mit kulturwissenschaftlichen Fragestellungen nach der abstrakten Seite der Stimme, um die Zusammenhänge zwischen Rap-Stimmen und kulturellen Konzepten wie Macht, Autorität oder Selbstbehauptung zu analysieren
    DOI: 10.14361/9783839409985
    URL: https://doi.org/10.14361/9783839409985
    URL: Cover
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  • 38
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    Rock und Pop als Ritual : Über das Erwachsenwerden in der Mediengesellschaft (2009)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839410943
    Language: German
    Pages: 1 Online-Ressource (264 Seiten)) , Illustrationen
    Series Statement: Pädagogik
    RVK:
    DW 4000
    RVK:
    MS 2350
    RVK:
    LS 48015
    Note: Mode of access: Internet via World Wide Web , In German
    DOI: 10.1515/9783839410943
    URL: http://dx.doi.org/10.1515/9783839410943?locatt=mode:legacy
    URL: Cover
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  • 39
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    Big Ears : Listening for Gender in Jazz Studies (2008)
    Carol Stream : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822389224
    Language: English
    Pages: 1 Online-Ressource (474 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.65082
    RVK:
    HD 370
    RVK:
    LR 56600
    RVK:
    LS 48100
    Keywords: Jazz ; Geschlechterforschung ; Aufsatzsammlung ; Electronic books
    Abstract: Collection of essays on the role of gender in jazz studies.
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  • 40
    Online Resource
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    Mexican American Mojo : Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 (2008)
    Honolulu : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822389385
    Language: English
    Pages: 1 Online-Ressource (403 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.640896872079494
    RVK:
    HD 475
    RVK:
    LS 48015
    Keywords: Sozialgeschichte 1935-1968 ; Geschichte 1935-1968 ; Chicanos ; Musikleben ; Rockmusik ; Jazz ; Los Angeles, Calif. ; Electronic books
    Abstract: A study of the creation of jazz, swing, and R&B music within the multicultural, multiethnic terrain of Los Angeles during and after World War II.
    Note: Description based on publisher supplied metadata and other sources
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  • 41
    Online Resource
    Online Resource
    Ramblin' on My Mind : New Perspectives on the Blues (2008)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252091124
    Language: English
    Pages: 1 Online-Ressource (441 pages)
    Series Statement: African American Music in Culture
    DDC: 781.643
    RVK:
    LS 48500
    Keywords: Blues
    Note: Description based on publisher supplied metadata and other sources
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  • 42
    Online Resource
    Online Resource
    Bessie : Revised and expanded edition (2008)
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780300127065
    Language: English
    Pages: 1 Online-Ressource (335 pages)
    DDC: 782.421643092
    RVK:
    LS 48500
    Keywords: Smith, Bessie ; Biographie
    Note: Description based on publisher supplied metadata and other sources
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  • 43
    Online Resource
    Online Resource
    Africa and the Blues (2008)
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781604737288
    Language: English
    Pages: 1 Online-Ressource (320 pages)
    DDC: 781.643096
    RVK:
    LS 48500
    Keywords: Geschichte ; Blues ; Afrika
    Abstract: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Abstract: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Note: Description based on publisher supplied metadata and other sources
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  • 44
    Online Resource
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    Blues Empress in Black Chattanooga : Bessie Smith and the Emerging Urban South (2008)
    Baltimore : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252092374
    Language: English
    Pages: 1 Online-Ressource (218 pages)
    DDC: 782.421643092
    RVK:
    LS 48500
    Keywords: Smith, Bessie ; Tennessee
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Online Resource
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    The Grammar of Carnatic Music (2008)
    Berlin, New York : Mouton de Gruyter
    Details
    ISBN: 3110183137
    Language: Undetermined
    Pages: Online-Ressource
    Series Statement: Phonology and Phonetics
    Parallel Title: Print version: The Grammar of Carnatic Music
    RVK:
    LS 39040
    Note: Description based upon print version of record
    DOI: 10.1515/9783110198881
    URL: http://dx.doi.org/10.1515/9783110198881
    URL: http://www.degruyter.com/doi/book/10.1515/9783110198881
    URL: Cover
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  • 46
    Online Resource
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    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195178326.001.0001
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  • 47
    Online Resource
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    The music of Joni Mitchell (2008)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199864003
    Language: English
    Pages: 1 Online-Ressource (xi, 276 p.) , Ill.
    RVK:
    LP 95900
    RVK:
    LS 48000
    RVK:
    LS 48040
    Keywords: Mitchell, Joni Criticism and interpretation
    Abstract: Whitesell explores Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195307993.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195307993.001.0001
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  • 48
    Online Resource
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    Die Fabrikation globaler Vielfalt (2008)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: German
    Pages: 1 Online-Ressource (368 pages)
    RVK:
    LR 57760
    RVK:
    LS 48000
    RVK:
    QR 750
    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie
    Abstract: Der Band bietet einen spannenden Einblick in das globale Geschäft mit Musik. An zahlreichen Beispielen wird illustriert, welchen Zwängen die Vermarktung von Popmusik unterworfen ist und welcher Logik die Akteure in der Industrie folgen. Im Zentrum steht dabei die Frage, wie sich die musikalische Vielfalt mit den Strukturen der Produktion und Distribution verändert hat. Haben lokale Innovationen in der Popmusikindustrie noch eine Chance gegenüber den international vermarkteten Superstars?
    URL: kostenfrei
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  • 49
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    Composing apartheid : music for and against apartheid (2008)
    Johannesburg : Wits University Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781868146987
    Language: English
    Pages: 1 Online-Ressource (311 pages)
    DDC: 781.5/990968
    RVK:
    LS 47949
    RVK:
    LS 47974
    Keywords: Apartheid ; Musik
    Abstract: Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. ...
    Note: Title from publisher's bibliographic system (viewed on 07 May 2018)
    URL: https://www.cambridge.org/core/product/identifier/9781868146987/type/BOOK
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  • 50
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    Chicano Rap : Gender and Violence in the Postindustrial Barrio (2008)
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780292794221
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    DDC: 782.421649
    RVK:
    LQ 89707
    RVK:
    LS 48650
    Keywords: Rap ; Erotik ; Gewalt
    Note: Description based on publisher supplied metadata and other sources
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  • 51
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    Die Fabrikation globaler Vielfalt : Struktur und Logik der transnationalen Popmusikindustrie (2008)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839408506
    Language: German
    Pages: 1 Online Ressource (367 Seiten)
    Series Statement: Texte zur populären Musik 5
    DDC: 338.4778164
    RVK:
    LR 57760
    RVK:
    LS 48000
    RVK:
    QR 750
    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie
    Abstract: Der Band bietet einen spannenden Einblick in das globale Geschäft mit Musik. An zahlreichen Beispielen wird illustriert, welchen Zwängen die Vermarktung von Popmusik unterworfen ist und welcher Logik die Akteure in der Industrie folgen. Im Zentrum steht dabei die Frage, wie sich die musikalische Vielfalt mit den Strukturen der Produktion und Distribution verändert hat. Haben lokale Innovationen in der Popmusikindustrie noch eine Chance gegenüber den international vermarkteten Superstars?...
    URL: kostenfrei
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    URL: Open Access
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    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
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    URL: kostenfrei
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  • 52
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    The new encyclopedia of Southern culture; 12: Music / Bill C. Malone vol. ed. (2008)
    Chapel Hill : Univ. of North Carolina Press | New York, NY : JSTOR
    Show associated volumes/articles
    Details
    ISBN: 9781469616674
    Language: English
    Pages: 1 Online-Ressource (XX, 428 Seiten) , Illustrationen
    Edition: [Online-Ausg.]
    RVK:
    LS 48000
    URL: http://www.jstor.org/stable/10.5149/9781469616667_malone
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  • 53
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    Jewish music and modernity (2008)
    New York, N.Y. : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780199720859 , 0199720851
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 280 pages) , Illustrations
    Series Statement: AMS studies in music
    DDC: 780.89/924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references (pages 247-263), discography (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 54
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    No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik (2008)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839409831 , 9783899429831
    Language: German
    Pages: 1 Online-Ressource (178 p.)
    RVK:
    LR 54600
    RVK:
    LS 48000
    RVK:
    EC 2440
    Keywords: Education ; Konferenzschrift 2007
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft. Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen
    Note: German
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 55
    Online Resource
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    Pop und Männlichkeit : Zwei Phänomene in prekärer Wechselwirkung? (2008)
    Berlin : Frank & Timme | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783865967046
    Language: German
    Pages: 1 Online-Ressource (248 Seiten)
    Series Statement: Kulturwissenschaften v.5
    RVK:
    GO 18516
    RVK:
    LB 44015
    RVK:
    LR 57710
    RVK:
    MS 3160
    Keywords: Geschichte ; Deutsch ; Popliteratur ; Männlichkeit ; Männlichkeit ; Rockmusik ; Masculinity in literature ; Masculinity in music ; Masculinity in popular culture -- Germany ; Konferenzschrift 2008
    Note: Description based on publisher supplied metadata and other sources
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  • 56
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    French music, culture, and national identity, 1870-1939 (2008)
    Rochester : University of Rochester Press
    Details
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Language: English
    Pages: 1 Online-Ressource (XIX, 260 Seiten)
    Series Statement: Eastman studies in music
    Parallel Title: Print version French Music, Culture, and National Identity, 1870-1939
    Parallel Title: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
    RVK:
    LQ 82206
    Keywords: Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Description / Table of Contents: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Description / Table of Contents: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Description / Table of Contents: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.cambridge.org/core/product/identifier/9781580467230/type/BOOK
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  • 57
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    No time for losers : Charts, Listen und andere Kanonisierungen in der populären Musik (2008)
    Bielefeld : transcript
    Details
    ISBN: 9783899429831
    Language: German , English
    Pages: 175 Seiten
    Series Statement: Beiträge zur Popularmusikforschung 36
    Series Statement: Beiträge zur Popularmusikforschung
    DDC: 781.63
    RVK:
    EC 2440
    RVK:
    LC 87000
    RVK:
    LR 54600
    RVK:
    LS 48000
    Keywords: Unterhaltungsmusik ; Kanon ; Popmusik ; Stadt ; Urbanität ; Konferenzschrift 2007
    Note: Literaturangaben , Zusammenfassung der Beiträge in englischer Sprache
    URN: urn:nbn:de:hebis:26-opus-75634
    URL: kostenfrei
    URL: kostenfrei
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  • 58
    Online Resource
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    Wissenschaftliche Perspektiven auf Musik und Medien (2008)
    Wiesbaden : VS Verlag für Sozialwissenschaften | Cham : Springer International Publishing AG
    Details
    ISBN: 9783531908595 , 3531908596
    Language: German
    Pages: 1 Online-Ressource (VI, 226 Seiten)
    Edition: 1st ed. 2008
    Series Statement: Musik und Medien
    Parallel Title: Erscheint auch als Wissenschaftliche Perspektiven auf Musik und Medien
    DDC: 302.2
    RVK:
    LR 57255
    RVK:
    AP 36360
    Keywords: Musik ; Medien ; Communication ; Media and Communication ; Aufsatzsammlung
    DOI: 10.1007/978-3-531-90859-5
    URL: https://doi.org/10.1007/978-3-531-90859-5
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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  • 59
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    Discovering Country Music (2008)
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780313352461
    Language: English
    Pages: 1 Online-Ressource (240 pages)
    DDC: 781.642
    RVK:
    LS 48610
    RVK:
    LS 48050
    Keywords: Geschichte ; Countrymusic
    Abstract: Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money - the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
    Note: Description based on publisher supplied metadata and other sources
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  • 60
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    Dark side of the tune : popular music and violence (2008)
    Burlington, VT : Ashgate | [Ann Arbor, Michigan] : [ProQuest]
    Details
    ISBN: 9781409400493
    Language: English
    Pages: xiv, 238 p.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64
    RVK:
    LR 56600
    RVK:
    LR 57810
    RVK:
    LS 48000
    Keywords: Unterhaltungsmusik ; Gewalt
    Note: Includes bibliographical references (p. [195]-221), filmography (p. 221), and index
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  • 61
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    Die Fabrikation globaler Vielfalt : Struktur und Logik der transnationalen Popmusikindustrie (2008)
    Bielefeld : transcript Verlag | The Hague : OAPEN Foundation
    Details
    ISBN: 9783839408506
    Language: German
    Pages: 1 Online-Ressource (368 Seiten)
    Series Statement: texte zur populären musik
    RVK:
    LR 57760
    RVK:
    LS 48000
    RVK:
    QR 750
    Keywords: Musikwirtschaft ; Popmusik ; Globalisierung ; Tonträgerindustrie
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 62
    Online Resource
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    No time for losers : Charts, Listen und andere Kanonisierungen in der populären Musik (2008)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839409831
    Language: German
    Pages: 1 Online-Ressource (179 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 36
    RVK:
    LR 54600
    RVK:
    LS 48000
    RVK:
    EC 2440
    Keywords: Popmusik ; Stadt ; Urbanität ; Unterhaltungsmusik ; Kanon ; Musik ; Popkultur ; Music ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Kanonbildung ; Hitlisten ; Charts ; Bestenlisten ; Konferenzschrift 2007
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft.Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen.
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    URL: Open Access
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  • 63
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    Shadows in the field : new perspectives for fieldwork in ethnomusicology (2008)
    New York : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    Language: English
    Pages: xix, 325 p. , Ill.
    Edition: 2nd ed.
    DDC: 780.89
    RVK:
    LS 17100
    Keywords: Musikethnologie ; Feldforschung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references (p. 289-311) and index
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    Monk's music : Thelonious Monk and jazz history in the making (2008)
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
    URL: http://dx.doi.org/10.1525/california/9780520252004.001.0001
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  • 65
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    The musical playground : global tradition and change in children's songs and games (2008)
    Oxford : Oxford University Press
    Details
    ISBN: 9780195308976 , 0195308972 , 9780195308983 , 0195308980
    Language: English
    Pages: viii, 431 p.
    DDC: 398.8
    RVK:
    LR 56985
    Keywords: Geschichte 1990-2008 ; Musical ability in children ; Games with music Analysis, appreciation ; Kinderspiel ; Musik ; Kulturwandel ; Kinderspiel ; Musik ; Kulturwandel ; Geschichte 1990-2008
    Description / Table of Contents: Children's musical play and creativity : adult views -- Into the field -- Transmission processes in the playground -- Composition in performance -- Conclusions and pedagogical implications
    Note: Includes bibliographical references (p. 387-400) and index
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  • 66
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    Fiddling in West Africa : touching the spirit in Fulbe, Hausa, and Dagbamba cultures (2008)
    Bloomington : Indiana University Press
    Details
    ISBN: 0253000092 , 9780253000095
    Language: English
    Pages: 1 Online-Ressource (ix, 337 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 787.20966
    RVK:
    LS 46418
    Keywords: Geschichte ; MUSIC / Musical Instruments / Strings ; Fiddling ; Music ; Kultur ; Fidel ; Musik ; Music History and criticism ; Fiddling ; Fidel ; Kultur ; Westafrika ; Westafrika ; Fidel ; Kultur ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references, discography and index , Introduction : A master fiddler and a significant but little-known tradition -- Fiddling in West Africa : understanding the culture area -- An affirmation of identity : Fulbe fiddling in Senegambia -- Calling the Bori spirits : Hausa fiddling in Nigeria -- In service to the king : Dagbamba fiddling in Ghana , Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the mu
    URL: Volltext
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  • 67
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    Beyond Memory : Recording the History, Moments and Memories of South African Music (2008)
    Somerset West, South Africa : African Minds | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9781920355906
    Language: English
    Pages: 1 Online-Ressource (xv, 360 p. )
    DDC: 781.630968
    RVK:
    LS 47925
    Keywords: Musik ; Musikethnologie ; Südafrika
    Abstract: "South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. If one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the music of the black communities. Beyond memory: recording the history, moments and memories of South African music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a DJ at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries"--Publisher's description.
    Note: Includes bibliographical references (p. 342) and index , Description based on print version record
    URL: kostenfrei
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  • 68
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    Cajun and Zydeco Dance Music in Northern California : Modern Pleasures in a Postmodern World (2008)
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781604733372
    Language: English
    Pages: 1 Online-Ressource (260 pages)
    Series Statement: American Made Music
    DDC: 781.62/410763
    RVK:
    LS 20610
    Keywords: Cajun ; Zydeco ; Volkstanz ; Musik ; Kalifornien
    Abstract: Queen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in "Cajun Country." In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.14325/mississippi/9781604730906.001.0001
    URL: Volltext
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  • 69
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    Intonations : a social history of music and nation in Luanda, Angola, from 1945 to recent times (2008)
    Athens, Ohio : Ohio University Press
    Details
    ISBN: 0821443046 , 9780821443040
    Language: English
    Pages: 1 Online-Ressource (xxv, 290 pages)
    Series Statement: New African histories series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/8423096732
    RVK:
    LS 46750
    RVK:
    LS 47250
    Keywords: Geschichte 1945-1990 ; Geschichte 1945-1990 ; Musik ; Musikleben ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Gesellschaft ; Musik ; Politik ; Music Social aspects ; Music Political aspects ; Nationalism in music ; Bürgerkrieg in Angola ; Musikleben ; Musik ; Luanda ; Angola ; Luanda ; Musik ; Geschichte 1945-1990 ; Angola ; Musikleben ; Geschichte 1945-1990 ; Bürgerkrieg in Angola ; Musikleben
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 255-273) and index , Musseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s
    URL: Volltext
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  • 70
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    No Time for Losers (2008)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: German
    Pages: 1 Online-Ressource (178 Seiten)
    RVK:
    LR 54600
    RVK:
    LS 48000
    RVK:
    EC 2440
    Keywords: Popmusik ; Stadt ; Urbanität ; Unterhaltungsmusik ; Kanon ; Konferenzschrift 2007
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft. Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen
    URL: kostenfrei
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  • 71
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    Rumba rules : the politics of dance music in Mobutu's Zaire (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822389262 , 0822389266
    Language: English
    Pages: xxiii, 300 p , ill
    DDC: 306.4/8423096751
    RVK:
    LS 47950
    RVK:
    LC 87534
    Keywords: Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Abstract: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Note: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    DOI: 10.1215/9780822389262
    URL: Volltext
    URL: Volltext
    URL: https://doi.org/10.1515/9780822389262?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822389262
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 72
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    78 blues : folksongs and phonographs in the American South (2008)
    Jackson, [Miss.] : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781604733273
    Language: English
    Pages: 1 Online-Ressource (x, 288 p.) , Ill.
    Series Statement: American made music series
    DDC: 781.640975
    RVK:
    LS 48500
    Keywords: Geschichte ; Volksmusik ; Schallplattenaufzeichnung ; Folk music History and criticism ; Folk songs History and criticism ; Sound recordings History 20th century ; USA Südstaaten
    Abstract: When record men first travelled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. This book covers a revolution in artist performance and audience perception through close examination of hundreds of key 'hillbilly' and 'race' records released between the 1920s and World War II.
    Note: Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781934110195.001.0001
    URL: http://dx.doi.org/10.14325/mississippi/9781934110195.001.0001
    URL: Volltext
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  • 73
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    How Britain got the blues : the transmission and reception of American blues style in the United Kingdom (2007)
    Aldershot, England : Ashgate
    Details
    ISBN: 9780754687207 , 0754687201 , 9780754655800 , 0754655806
    Language: English
    Pages: 1 Online-Ressource (xii, 267 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.6430941/09046
    RVK:
    LQ 84007
    RVK:
    LS 48500
    Keywords: Oliver, Paul ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; Blues (Music) ; Blues (Music) / Influence ; Blues ; Blues (Music) History and criticism ; Blues (Music) Influence ; Rezeption ; Blues ; Musikgeschichtsschreibung ; Oral history ; Großbritannien ; Großbritannien ; USA ; USA ; Blues ; Rezeption ; Großbritannien ; Oliver, Paul 1927-2017 ; Musikgeschichtsschreibung ; Oral history
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 247-259) and index , Jazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R & B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970 , This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties
    URL: Volltext
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  • 74
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    Soul Covers : Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) (2007)
    North Carolina : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822389491
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.644
    RVK:
    LS 48050
    Keywords: Franklin, Aretha ; Green, Al ; Rhythm and Blues ; Rezeption ; Snow, Phoebe ; Electronic books
    Abstract: Cultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow.
    Note: Description based on publisher supplied metadata and other sources
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  • 75
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    Balkan Popular Culture and the Ottoman Ecumene : Music, Image, and Regional Political Discourse (2007)
    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780810866775
    Language: English
    Pages: 1 Online-Ressource (461 pages)
    Series Statement: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
    RVK:
    LS 20975
    RVK:
    KD 5130
    Keywords: Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Abstract: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
    Note: Description based on publisher supplied metadata and other sources
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  • 76
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    Music, National Identity and the Politics of Location : Between the Global and the Local (2007)
    Farnham : Routledge | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
    RVK:
    LQ 82207
    RVK:
    LQ 85207
    RVK:
    LQ 87807
    RVK:
    LQ 90607
    RVK:
    LQ 93307
    RVK:
    LR 57730
    RVK:
    LS 48000
    RVK:
    MS 8020
    RVK:
    LS 48015
    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Note: Description based on publisher supplied metadata and other sources
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  • 77
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    Decline, Renewal and the City in Popular Music Culture (2007)
    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781351218412
    Language: English
    Pages: 1 Online-Ressource (263 pages)
    Edition: 1st ed.
    Series Statement: Ashgate Popular and Folk Music Series
    DDC: 307.76
    RVK:
    LS 48000
    Note: Description based on publisher supplied metadata and other sources
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  • 78
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    Public cowboy no : the life and times of Gene Autry (2007)
    Oxford [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    Language: English
    Pages: 406 p., [64] p. of plates , Ill.
    DDC: 791.4302/8092
    RVK:
    LS 48040
    RVK:
    LS 48610
    Keywords: Autry, Gene ; Biographie
    Abstract: The only performer to earn five stars on the Hollywood Walk of Fame--for film, recordings, television, radio, and live performance--Gene Autry was the singing cowboy king. Journalist George-Warren offers the first serious biography, tracing Autry's climb from farm boy to multimillionaire. Autry's loving mother died on the brink of her son's success, while his ne'er-do-well father married five times and wandered the West. Autry battled his own demons but emerges here as one of America's most charitable benefactors, known for his boundless generosity, and a patriot who enlisted during World War II. The book provides colorful details of Autry's lengthy radio and recording career; his movie career, where he breathed new life into the Western genre; and his role in early television, the first movie star to develop his own TV shows. Along the way, he invested shrewdly, becoming the only entertainer listed among 1990's Fortune 400.--From publisher description.
    Note: Includes filmography: p. [382]-385 , Includes discography: p. [337]-381 , Includes bibliographical references (p. [303]-336) and index
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  • 79
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    Country music originals : the legends and the lost (2007)
    New York [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    Language: English
    Pages: xx, 258 p. , photographs.
    DDC: 781.642092/273
    RVK:
    LS 48000
    Keywords: Country Rock ; Diskographie
    Note: Includes bibliographical references, discographies
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  • 80
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    Freedom sounds : civil rights call out to jazz and Africa (2007)
    Oxford [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    Language: English
    Pages: xi, 402 p.
    DDC: 781.65/1599
    RVK:
    LS 48100
    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; USA
    Note: Includes bibliographical references (p. ) and index
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  • 81
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    Freedom sounds : civil rights call out to jazz and Africa (2007)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
    RVK:
    LS 48100
    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
    DOI: 10.1093/acprof:oso/9780195128253.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195128253.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 82
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    Rockmusik in den 50er und 60er Jahren : von der jugendlichen Rebellion zum Protest einer Generation (2007)
    Baden-Baden : Nomos | Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG
    Details
    ISBN: 9783845202242
    Language: German
    Pages: 1 Online-Ressource (367 Seiten)
    Edition: 1. Auflage
    RVK:
    LS 48000
    RVK:
    LS 48005
    Keywords: Geschichte 1950-1970 ; Rockmusik ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite 347 - 356
    DOI: 10.5771/9783845202242
    URL: https://doi.org/10.5771/9783845202242
    URL: https://doi.org/10.5771/9783845202242
    URL: Volltext
    URL: Volltext
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  • 83
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    Kinderliederbücher 1770-2000 : Eine annotierte, illustrierte Bibliografie der deutschsprachigen Kinderliederbücher im Deutschen Volksliedarchiv. Mit einem Essay von Günther Noll (2007)
    [Erscheinungsort nicht ermittelbar] : Waxmann Verlag GmbH | Stuttgart : UTB GmbH
    Details
    ISBN: 9783830968191
    Language: German
    Pages: 1 Online-Ressource (445 p.)
    Edition: 1st, New ed.
    Series Statement: Volksliedstudien 8
    RVK:
    LC 86015
    RVK:
    LP 10110
    RVK:
    LS 21340
    Keywords: Deutsches Volksliedarchiv ; Geschichte 1770-2000 ; Liederbuch ; Kinderlied ; Deutschland
    URL: https://elibrary.utb.de/doi/book/10.31244/9783830968191
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  • 84
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    Rapocalypse (2007)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: German
    Pages: 1 Online-Ressource (282 pages)
    RVK:
    LS 48900
    Keywords: Geschichte ; Rap
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Times done run out!«
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  • 85
    Online Resource
    Online Resource
    Monk’s Music : Thelonious Monk and Jazz History in the Making (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940963
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 786.2165092
    RVK:
    LS 48100
    RVK:
    LS 48200
    Keywords: Monk, Thelonious ; Biografie
    Abstract: Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. Solis reaches well beyond the usual life-and-times biography to address larger issues in jazz scholarship-ethnography and the role of memory in history's construction. He considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde in the 1960s and '70s to the present, where he is claimed as an influence by musicians of all kinds. He looks at the ways musical lineages are created in the jazz world and, in the process, addresses the question of how musicians use performance itself to maintain, interpret, and debate the history of the musical tradition we call jazz.
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  • 86
    Online Resource
    Online Resource
    Rapocalypse : der Anfang des Rap und das Ende der Welt (2007)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839406083
    Language: German
    Pages: 1 Online-Ressource (279 Seiten) , Illustrationen
    Series Statement: Kultur- und Medientheorie
    RVK:
    LS 48900
    Keywords: Geschichte ; Rap ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Time's done run out!«...
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    URL: Cover
    URL: Cover
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    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
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  • 87
    Online Resource
    Online Resource
    Der Musik-Star : Vergleichende Imageanalysen von Alfred Brendel, Stefanie Hertel und Robbie Williams (2007)
    Berlin : Transcipt Verlag | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783839407721
    Language: German
    Pages: 1 Online-Ressource (315 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    DDC: 306.48399999999998
    RVK:
    LP 19900
    RVK:
    MS 7850
    Keywords: Brendel, Alfred ; Hertel, Stefanie ; Williams, Robbie ; Musiker ; Star
    Note: Description based on publisher supplied metadata and other sources
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  • 88
    Online Resource
    Online Resource
    HipHop meets Academia (2007)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: German
    Pages: 1 Online-Ressource (332 Seiten)
    RVK:
    LS 48000
    Keywords: Hip-Hop ; Regionalkultur ; Globalisierung ; Konferenzschrift 2006
    Abstract: HipHop ist längst keine bloße Jugendkultur mehr, sondern eine Bewegung, die den Status eines globalen Kulturphänomens erreicht hat. Dieser These gehen hier erstmals Autoren und Autorinnen aus den USA, Kanada, Großbritannien, Slowenien und Deutschland nach. Gezeigt wird, wie sich HipHop als weltweite Bewegung in lokalen Formen inszeniert und präsentiert und welche Botschaften, Inszenierungen und Identitätskonstruktionen mit dem HipHop als medienkulturelle und soziale Praxis verknüpft sind. Analysen zu Vermarktungsstrategien, raumbezogenen Inszenierungspraktiken und Stilisierungen am Beispiel des »splash!«-Festivals runden den Band als spannende Lektüre des glokalen Kulturphänomens HipHop ab
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  • 89
    Online Resource
    Online Resource
    Making the Scene : Contemporary New York City Big Band Jazz (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940161
    Language: English
    Pages: 1 Online-Ressource (420 pages)
    Edition: 1st ed.
    DDC: 784.481
    RVK:
    LQ 89400
    RVK:
    LS 48100
    Keywords: Big Band ; Musik ; Jazz ; New York, NY
    Abstract: The received wisdom of popular jazz history is that the era of the big band was the 1930s and '40s, when swing was at its height. But as practicing jazz musicians know, even though big bands lost the spotlight once the bebop era began, they never really disappeared. Making the Scene challenges conventional jazz historiography by demonstrating the vital role of big bands in the ongoing development of jazz. Alex Stewart describes how jazz musicians have found big bands valuable. He explores the rich "rehearsal band" scene in New York and the rise of repertory orchestras. Making the Scene combines historical research, ethnography, and participant observation with musical analysis, ethnic studies, and gender theory, dismantling stereotypical views of the big band.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520249530.001.0001
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  • 90
    Online Resource
    Online Resource
    1968 Handbuch zur Kultur- und Mediengeschichte der Studentenbewegung (2007)
    Stuttgart : J.B. Metzler | Imprint: J.B. Metzler
    Details
    ISBN: 9783476000903
    Language: German
    Pages: 1 Online-Ressource (VI, 323 S.)
    Parallel Title: Printed edition
    DDC: 302.23
    RVK:
    AL 46900
    RVK:
    AP 14000
    RVK:
    LR 57727
    RVK:
    MS 4760
    RVK:
    NQ 6110
    Keywords: Communication ; Civilization-History ; Europe, Central-History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    DOI: 10.1007/978-3-476-00090-3
    URL: https://doi.org/10.1007/978-3-476-00090-3
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  • 91
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    Genre in popular music (2007)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226350401 , 9780226350400
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48015
    RVK:
    LR 57730
    RVK:
    LR 57760
    Keywords: Geschichte ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Popular music genres ; Unterhaltungsmusik / USA. ; Country Rock ; Musikgattung ; Unterhaltungsmusik ; Jazz ; Popular music History and criticism ; Popular music genres ; Musikalischer Stil ; Popmusik ; USA ; USA ; USA ; Popmusik ; Musikalischer Stil ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 201-212) and index , "The Jeff Parker discography": pages 181-183 , Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders , Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226350400.001.0001/upso-9780226350370
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  • 92
    Online Resource
    Online Resource
    Proud to Be an Okie : Cultural Politics, Country Music, and Migration to Southern California (2007)
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780520940000
    Language: English
    Pages: 1 Online-Ressource (368 pages)
    Edition: 1st ed.
    Series Statement: American Crossroads v.22
    DDC: 781.642
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Abstract: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
    Note: Description based on publisher supplied metadata and other sources
    URL: http://dx.doi.org/10.1525/california/9780520248885.001.0001
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  • 93
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    Country music originals : the legends and the lost (2007)
    Oxford : Oxford University Press
    Details
    ISBN: 0198043589 , 9780198043584
    Language: English
    Pages: 1 Online-Ressource (xviii, 258 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092/273
    RVK:
    LS 48000
    Keywords: Geschichte ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Genres & Styles / Country & Bluegrass ; Country music ; Country musicians ; Country musicians Biography ; Country music History and criticism ; Country-Musiker ; Countrymusic ; Biografie ; Diskographie ; Countrymusic ; Country-Musiker ; Geschichte
    Note: Includes bibliographical references (p. ), discographies , A.C. "Eck" Robertson -- Fiddlin' John Carson -- Henry Whitter -- Ernest V. Stoneman -- Uncle Dave Macon -- Vernon Dalhart -- Fiddlin' Powers -- Charlie Poole -- Kelly Harrell -- Da Costa Woltz's Southern Broadcasters -- Uncle Jimmy Thompson -- Dr. Humphrey Bate -- Sam McGee -- Gid Tanner -- Riley Puckett -- Clayton McMichen -- Lowe Stokes -- Earl Johnson -- John Dilleshaw -- Georgia Yellow Hammers -- South Georgia Highballers -- The Cofer Brothers -- Dock Boggs -- Frank Hutchison -- Tom Darby & Jimmie Tarlton -- The Carter Family -- Jimmie Rodgers -- Bridge : the great divide -- Allen Brothers -- Fleming & Townsend -- Chris Bouchillon -- Ed Haley -- Clark Kessinger -- Blind Alfred Reed -- Roy Harvey -- Walter Smith -- Asa Martin -- Dick Burnett -- John D. Foster -- Emry Arthur -- Alfred G. Karnes -- Buell Kazee -- Raymond Render -- G.B. Grayson -- Clarence ("Tom") Ashley -- Carolina Tar Heels -- Carolina Twins -- The Red Fox Chasers -- Bascom Lamar Lunsford -- , - Leake County Revelers -- Narmour & Smith -- Hoyt Ming -- Dr. Smith's Champion Hoss Hair Pullers -- Fiddlin' Bob Larkan -- Golden Melody Boys -- Walter Coon -- Jules Verne Allen -- Powder River Jack Lee -- The Cartwright Brothers -- Harry "Mac" McClintock -- Goebel Reeves -- John I. White -- Bernard "Slim" Smith -- Carson Robison -- Frank Luther -- Otto Gray & his Oklahoma Cowboys -- Bridge : country music in transition -- Gene Autry -- Jimmie Davis -- Cliff Carlisle -- Bill Cox -- Mac & Bob -- Bradley Kincaid -- The girls of the golden west -- Wilf Carter -- Hank Snow -- Bridge : the radio years -- Lulu Belle & Scotty -- Patsy Montana -- Lily May Ledford -- J.E. Mainer -- The Dixon Brothers -- The Callahan Brothers -- Claude Casey -- Snuffy Jenkins -- Roy Acuff -- "Ramblin' Red" Lowery -- The Delmore Brothers -- Lonnie Glosson -- Grandpa Jones -- Carl Swanson -- Bridge : Western swing and honytonk -- Milton Brown -- Bob Wills -- The Light Crust Doughboys -- Adolph Hofner -- , - Cliff Bruner -- Hank Penny -- Bob Skyles & his Skyrockets -- The Swift Jewel Cowboys -- Johnnie Lee Wills -- Ted Daffan -- Hoyle Nix -- Rex Griffin -- Buddy Jones -- Al Dexter -- Floyd Tillman -- Ernest Tubb -- Johnny Bond -- Red River Dave McEnery -- Leo Soileau -- Harry Choates -- Molly O'Day -- Rose Maddox , Acknowledgments. Introduction. Notes on Playlists. 1. Eck Robertson. 2. Fiddlin' John Carson. 3. Henry Whitter. 4. Ernest V. Stoneman. 5. Uncle Dave Macon. 6. Vernon Dalhart. 7. Fiddlin' Powers. 8. Charlie Poole. 9. Kelly Harrell. 10. DaCosta Woltz. 11. Uncle Jimmy Thompson. 12. Dr Humphrey Bate. 13. Sam McGee. 14. Gid Tanner. 15. Riley Puckett. 16. Clayton McMichen. 17. Lowe Stokes. 18. Earl Johnson. 19. John Dilleshaw. 20. Georgia Yellow Hammers. 21. South Georgia Highballers. 22. Cofer Brothers. 23. Dock Boggs. 24. Frank Hutchison. 25. Darby & Tarlton. 26. The Carter Family. 27. Jimmie Rodg
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  • 94
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    Music, national identity and the politics of location : between the global and the local (2007)
    Aldershot, England [u.a.] : Ashgate | [Ann Arbor, Michigan] : [ProQuest]
    Details
    ISBN: 9780754683155
    Language: English
    Pages: xii, 251 p. , Ill.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.63/1599
    RVK:
    LQ 82207
    RVK:
    LQ 85207
    RVK:
    LQ 87807
    RVK:
    LQ 90607
    RVK:
    LQ 93307
    RVK:
    LR 57730
    RVK:
    LS 48000
    RVK:
    MS 8020
    RVK:
    LS 48015
    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references (p. [221]-237) and index
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  • 95
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    Generation X rocks : contemporary peninsular fiction, film, and rock culture (2007)
    Nashville, Tenn : Vanderbilt University Press
    Details
    ISBN: 1283342812 , 9781283342810 , 9780826592293
    Language: English
    Pages: Online-Ressource (xxiii, 264 p)
    Edition: 1st ed
    Series Statement: Hispanic issues v. 33
    Parallel Title: Print version Generation X Rocks : Contemporary Peninsular Fiction, Film, and Rock Culture
    DDC: 306.0946
    RVK:
    IP 16900
    RVK:
    IP 18050
    RVK:
    LS 82808
    Keywords: Popular culture ; Culture in motion pictures ; Motion pictures ; Rock music ; Spanish fiction History and criticism 21st century
    Description / Table of Contents: ""Cover""; ""Title Page""; ""Table of Contents""; ""Introduction: Generation X and Rock: The Sounds of a New Tradition""; ""I. Rocking the Academy: Generation X Narratives""; ""1. A Distopian Culture: The Minimalist Paradigm in the Generation X""; ""2. The Pistols Strike Again! On the Function of Punk in the Peninsular ""Generation X"" Fiction of Ray Loriga and Benjamin Prado""; ""3. What We Talk About When We Talk About Dirty Realism in Spain""; ""II. Can Anyone Rock Like We Do?: Sex, Drugs, and Rock & Roll, Then and Now""
    Description / Table of Contents: ""4. Can Anyone Rock Like We Do? Or, How the Gen X Aesthetic Transcends the Age of the Writer""""5. Apocalypses Now: The End of Spanish Literature? Reading Payasos en la Lavadora as Critical Parody""; ""6. Not Your Father's Rock and Roll: Listening to Transitional/Eighties Writers and Generation X""; ""III. Historias del Kronen on the Rocks""; ""7. Between Rock and the Rocking Chair: The Epilogue's Resistance in Historias del Kronen""; ""8. Realism on the Rocks in the Generational Novel: ""Rummies,"" Rhythm, and Rebellion in Historias del Kronen and The Sun Also Rises""
    Description / Table of Contents: ""IV. Rocking the Road with Ray Loriga""""9. Reckless Driving: Speed, Mobility, and Transgression in the Spanish ""Rock 'n' Road"" Novel""; ""10. Television and the Power of Image in Caidos del cielo and La pistola de mi hermano by Ray Loriga""; ""11. Rocking around Ray Loriga's Heroes: Video-Clip Literature and the Televisual Subject""; ""V. The Soundtrack of Gender: Violating Visions and the Psychological Power of Rock""; ""12. Watching, Wanting, and the Gen X Soundtrack of Gabriela Bustelo's Veo Veo""; ""13. Saved by Art: Entrapment and Freedom in Iciar Bollain's Te doy mis ojos""
    Description / Table of Contents: ""Afterword: The Moment X in Spanish Narrative (and Beyond)""""Contributors""; ""Index""
    Note: Includes bibliographical references and index
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  • 96
    Online Resource
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    HipHop meets Academia : Globale Spuren eines lokalen Kulturphänomens (2007)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839407615 , 9783899427615
    Language: German
    Pages: 1 Online-Ressource (332 p.)
    DDC: 782.421649
    RVK:
    AP 83800
    RVK:
    LR 56610
    RVK:
    LR 57720
    RVK:
    LR 57740
    RVK:
    LS 48650
    RVK:
    LS 48000
    Keywords: Music: styles & genres ; Konferenzschrift 2006 ; Konferenzschrift 2006 ; Konferenzschrift 2006 ; Konferenzschrift 2006 ; Criticism, interpretation, etc. ; Kongress ; Konferenzschrift 2006 ; Konferenzschrift ; Konferenzschrift
    Abstract: HipHop ist längst keine bloße Jugendkultur mehr, sondern eine Bewegung, die den Status eines globalen Kulturphänomens erreicht hat. Dieser These gehen hier erstmals Autoren und Autorinnen aus den USA, Kanada, Großbritannien, Slowenien und Deutschland nach. Gezeigt wird, wie sich HipHop als weltweite Bewegung in lokalen Formen inszeniert und präsentiert und welche Botschaften, Inszenierungen und Identitätskonstruktionen mit dem HipHop als medienkulturelle und soziale Praxis verknüpft sind. Analysen zu Vermarktungsstrategien, raumbezogenen Inszenierungspraktiken und Stilisierungen am Beispiel des »splash!«-Festivals runden den Band als spannende Lektüre des glokalen Kulturphänomens HipHop ab
    Note: German
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    URL: https://nbn-resolving.org/urn:nbn:de:101:1-2016081618592
    URL: https://d-nb.info/1111601682/34
    URL: http://www.degruyter.com/search?f_0=isbnissn&q_0=9783839407615&searchTitles=true
    URL: http://nbn-resolving.de/urn:nbn:de:101:1-2016081618592
    URL: http://d-nb.info/1111601682/34
    URL: Open Access
    URL: Inhaltsverzeichnis
    URL: De Gruyter, Cover
    URL: http://www.content-select.com/index.php?id=bib_view&ean=9783839407615
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  • 97
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    Studien zur Musikarchäologie; 5: CD 2, [...]: Melpomen, [...] (2006)
    [Rahden/Westf.] : VML
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    Details
    ISBN: 9783896466501 , 389646650X
    Language: German , English
    Pages: 1 Audio-CD
    Series Statement: Orient-Archäologie 20
    Series Statement: Orient-Archäologie
    RVK:
    LS 30000
    RVK:
    NF 1060
    URL: Kurzbeschreibung
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  • 98
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    Studien zur Musikarchäologie; 5: CD 1, [...]: PDF-Dateien, Klangbeispiele, [...] (2006)
    [Rahden/Westf.] : VML
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    Details
    ISBN: 9783896466501 , 389646650X
    Language: German , English
    Pages: 1 CD
    Series Statement: Orient-Archäologie 20
    Series Statement: Orient-Archäologie
    RVK:
    LS 30000
    RVK:
    NF 1060
    URL: Kurzbeschreibung
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  • 99
    Online Resource
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    Theatre Under Louis XIV : Cross-Casting and the Performance of Gender in Drama, Ballet and Opera (2006)
    New York : Palgrave Macmillan US | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780230600928
    Language: English
    Pages: 1 Online-Ressource (208 pages)
    DDC: 301
    RVK:
    IF 5837
    RVK:
    LQ 82204
    Keywords: Ludwig ; Geschichte 1650-1715 ; Theater ; Ballett ; Schauspielerin ; Hosenrolle ; Schauspieler ; Frauenrolle ; Geschlechterrolle ; Frankreich
    Abstract: This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.
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  • 100
    Online Resource
    Online Resource
    I Know What I Know : The Music of Charles Mingus (2006)
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780313082009
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Series Statement: Non-Ser.
    DDC: 781.65092
    RVK:
    LS 48100
    Keywords: Mingus, Charles ; Jazz
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